Browse content similar to Bachelor Seeks Anywhere. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Oh, right. | 0:00:57 | 0:00:59 | |
HE SIGHS | 0:01:00 | 0:01:02 | |
What sort of time do you call this? | 0:01:13 | 0:01:16 | |
The usual time, Mother. | 0:01:16 | 0:01:18 | |
Tell me, is there some religious reason why there is | 0:01:18 | 0:01:21 | |
absolutely no breakfast this morning? | 0:01:21 | 0:01:23 | |
Is today the day we are not allowed Coco Pops until sunset? | 0:01:23 | 0:01:26 | |
-Ooh, aren't we being sarky? -Well... | 0:01:26 | 0:01:30 | |
-It is a very special breakfast this morning. -Oh, good, good. | 0:01:30 | 0:01:35 | |
-What is it to be? -Well, you remember we had that bridge party last night? | 0:01:35 | 0:01:39 | |
-Yes. -Well, there are some very nice leftovers. | 0:01:39 | 0:01:43 | |
Mother, I can't go out to a hard day's work at the library on some | 0:01:46 | 0:01:50 | |
limp cheese straws and half a rook's nest of Twiglets! | 0:01:50 | 0:01:55 | |
Don't be ungrateful. | 0:01:55 | 0:01:57 | |
These Scotch eggs have hardly been touched. | 0:01:57 | 0:02:00 | |
You know I can't stand Scotch eggs, Mother. Not even first-hand. | 0:02:02 | 0:02:06 | |
They are like oven-ready hedgehogs, these are. | 0:02:07 | 0:02:10 | |
In the war we ate everything up. | 0:02:12 | 0:02:15 | |
Gallant men in ships brought our food then. | 0:02:15 | 0:02:18 | |
Not convoys of Scotch eggs, surely. | 0:02:18 | 0:02:20 | |
Look at this! | 0:02:22 | 0:02:24 | |
Drove it right through, second one in 20 years. | 0:02:24 | 0:02:28 | |
Well, you can take the dirty thing right out again. | 0:02:30 | 0:02:32 | |
-I just thought you would like to see. -Oh, fascinating! Take it away. | 0:02:32 | 0:02:36 | |
-Morning, Father. -What? -I said good morning. You didn't mind, did you? | 0:02:36 | 0:02:40 | |
-Mind your language. -Oh, sorry, Father. | 0:02:40 | 0:02:42 | |
I don't know why he doesn't take it down the garage, let them do it. | 0:02:44 | 0:02:47 | |
We are not made of money, Timothy. | 0:02:47 | 0:02:50 | |
Not something you would appreciate, of course. | 0:02:50 | 0:02:53 | |
You seem to think Twiglets grow on trees. | 0:02:53 | 0:02:55 | |
Speaking of money, I was having a word with the Ketleys last night | 0:02:57 | 0:03:01 | |
when I was dummy. Now, their son Stanley, who is half your age... | 0:03:01 | 0:03:06 | |
Mind you, he does have a better job. | 0:03:06 | 0:03:09 | |
I admit it, Mother, I am a librarian. | 0:03:09 | 0:03:11 | |
But I have said I'm sorry. | 0:03:11 | 0:03:13 | |
Now, Stanley pays his mother £40 a week for his room. | 0:03:13 | 0:03:18 | |
What?! | 0:03:18 | 0:03:19 | |
And we thought, Mrs Ketley and I, that you should pay the same. | 0:03:19 | 0:03:23 | |
£40 a week, Mother? That's a 300% increase. | 0:03:23 | 0:03:26 | |
You do get full board. | 0:03:26 | 0:03:28 | |
Full board? You call 23 Twiglets on a paper plate full board? | 0:03:28 | 0:03:32 | |
£40 a week? I would have a butler and a penthouse for that. | 0:03:34 | 0:03:37 | |
I don't expect gratitude. | 0:03:37 | 0:03:40 | |
Have you got a nice clean vest and pants on, by the way? | 0:03:40 | 0:03:43 | |
No, Mother. | 0:03:43 | 0:03:45 | |
I am not planning to be run over today. No, I haven't. | 0:03:45 | 0:03:48 | |
-Is there a name tag on that tie? -No, Mother, I don't want one, either. | 0:03:48 | 0:03:52 | |
When I was at school, you used to put name tapes on my tennis balls. | 0:03:52 | 0:03:55 | |
Well, you wouldn't get that sort of attention from a butler. | 0:03:55 | 0:03:58 | |
I don't want that sort of attention, Mother. | 0:03:58 | 0:04:00 | |
I want peace and tranquillity, preferably on a desert island. | 0:04:00 | 0:04:04 | |
Oh, Timothy, we could be very happy on a desert island. | 0:04:04 | 0:04:09 | |
We, Mother? We? I don't want you there, | 0:04:09 | 0:04:13 | |
following me everywhere with calamine lotion. | 0:04:13 | 0:04:16 | |
Well, you never will wear your sun hat. | 0:04:16 | 0:04:20 | |
Mother, I put my sun hat down the lavatory in Broadstairs 14 years ago. | 0:04:20 | 0:04:23 | |
-What?! -Yes, you know that. | 0:04:23 | 0:04:26 | |
Well, don't think I'm buying you another. | 0:04:26 | 0:04:29 | |
You seem to have no idea of money. | 0:04:29 | 0:04:31 | |
You think £10 a week for your room is enough? | 0:04:31 | 0:04:33 | |
It doesn't keep your father in paper hankies. | 0:04:33 | 0:04:37 | |
-What are you doing with that? -This olive, Mother, is second-hand. | 0:04:37 | 0:04:40 | |
Somebody has had the stuffing out of it. | 0:04:42 | 0:04:44 | |
You can see right through it. | 0:04:44 | 0:04:45 | |
Other people, Mother, are eating normal breakfasts. | 0:04:45 | 0:04:48 | |
The streets are full of people, you know, all warm and cosy, | 0:04:48 | 0:04:51 | |
surrounded with glowing halos. | 0:04:51 | 0:04:53 | |
They smile, they don't get wet. | 0:04:53 | 0:04:55 | |
I'm wet and miserable because you give me this stuff! | 0:04:55 | 0:04:58 | |
-Rubbish! -The very word for it, Mother, the very word. | 0:04:58 | 0:05:01 | |
And you expect £40 a week for this? Excuse me, Mother. | 0:05:01 | 0:05:05 | |
When you had scarlet fever, I held you in my arms | 0:05:05 | 0:05:09 | |
and you looked up into my eyes and you said, "Thank you, Mummy," | 0:05:09 | 0:05:13 | |
and I shall always remember that moment | 0:05:13 | 0:05:15 | |
because it was the last time you ever said "thank you"! | 0:05:15 | 0:05:19 | |
RAISED VOICE: Thank you, Mother! | 0:05:21 | 0:05:23 | |
There's no need to shout. | 0:05:23 | 0:05:24 | |
-Thank you, Mother, you have helped me make up my mind. -Oh, good. -Yes. | 0:05:24 | 0:05:28 | |
Will you stop my copy of the Daily Mirror? | 0:05:28 | 0:05:30 | |
And I shall have my mail redirected. | 0:05:30 | 0:05:33 | |
Will you cancel my daily pint of Gold Top? Thank you. | 0:05:33 | 0:05:36 | |
Goodbye, Mother. | 0:05:36 | 0:05:38 | |
Cancel his milk? | 0:05:40 | 0:05:41 | |
I don't think I will. | 0:05:43 | 0:05:45 | |
His wisdom teeth aren't through yet. | 0:05:45 | 0:05:46 | |
Hello? Hello! Hello, hello. | 0:06:02 | 0:06:05 | |
My name is Lumsden and I... | 0:06:05 | 0:06:09 | |
Lumsden, yes. | 0:06:09 | 0:06:11 | |
And I am a bright young executive and I was... | 0:06:11 | 0:06:15 | |
And I have in front of me a copy of the Evening Echo, last night's | 0:06:20 | 0:06:24 | |
Evening Echo and I am looking at the advertisement for a bedsit. Yes. | 0:06:24 | 0:06:28 | |
Well, I would be wanting full board with no Scotch eggs. | 0:06:28 | 0:06:33 | |
I was wondering if we... | 0:06:36 | 0:06:37 | |
No, sorry, no. No, I DON'T like Scotch eggs. | 0:06:37 | 0:06:41 | |
Sorry, I thought I made that clear. But... | 0:06:41 | 0:06:44 | |
But I do like Coco Pops. | 0:06:48 | 0:06:50 | |
Yes. Now, I was wondering what that would come... | 0:06:50 | 0:06:54 | |
£55 a week?! Goodness me. | 0:06:54 | 0:06:58 | |
Perhaps I can call you later when we can discuss daylight robbery. | 0:06:58 | 0:07:01 | |
Thank you very much. | 0:07:01 | 0:07:03 | |
£55 a week? | 0:07:03 | 0:07:05 | |
I can get five wives and a goat in Tonga for that! | 0:07:05 | 0:07:07 | |
-Go to Tonga, then. -Mm. -That's the 13th that has been too much for you. | 0:07:09 | 0:07:13 | |
You are totally out of touch with the market. | 0:07:13 | 0:07:15 | |
I'm not at all, it's just the prices. | 0:07:15 | 0:07:17 | |
I mean, look at this one here now. Look. Bachelor flat, £60 a week. | 0:07:17 | 0:07:21 | |
Bachelor flat? They are like gold in this vicinity, Timothy. | 0:07:21 | 0:07:25 | |
I have been looking for months. | 0:07:25 | 0:07:26 | |
Well, you haven't got the Lumsden luck, have you? | 0:07:26 | 0:07:28 | |
It's just a question of what you... Sorry, madam. Oh, Miss, sorry. | 0:07:28 | 0:07:32 | |
Were you wanting the avening peper... the evening paper? Thank you. | 0:07:33 | 0:07:37 | |
Now, let us see. The Woodworker's Gazette. | 0:07:41 | 0:07:44 | |
I wonder if they advertise accommodation in here? | 0:07:44 | 0:07:47 | |
Well, if you are thinking of a bird box. | 0:07:47 | 0:07:49 | |
I shall ignore that, Mr Gooch, I shall ignore that. I... | 0:07:56 | 0:07:59 | |
Ah, The Jewish Chronicle. | 0:08:00 | 0:08:02 | |
No trouble with Scotch eggs there! | 0:08:04 | 0:08:07 | |
Well, it's a start, isn't it? It is a... | 0:08:10 | 0:08:13 | |
A MAN HUMS A TUNE | 0:08:13 | 0:08:19 | |
What's that noise? | 0:08:33 | 0:08:34 | |
Is it the pipes or something? What is it? | 0:08:40 | 0:08:42 | |
I rather think it is somebody singing. | 0:08:44 | 0:08:46 | |
Will you go and ask him to stop, please? | 0:08:46 | 0:08:48 | |
No, no, no, you are in charge, as you | 0:08:48 | 0:08:51 | |
so rightly point out every three minutes. | 0:08:51 | 0:08:53 | |
-There is a man here singing. -Yes, we know, thank you. | 0:08:53 | 0:08:57 | |
The matter has been dealt with. | 0:08:58 | 0:09:00 | |
What do you mean, the matter has been dealt with? | 0:09:00 | 0:09:03 | |
I mean, perhaps he might stop. | 0:09:03 | 0:09:05 | |
HUMMING STOPS | 0:09:05 | 0:09:07 | |
There you are, see? Stopped. | 0:09:07 | 0:09:09 | |
Would you care to sit down? Thank you very much. | 0:09:09 | 0:09:12 | |
-Oh, you've got the magic touch. -Well... | 0:09:13 | 0:09:15 | |
LOUD SINGING | 0:09:15 | 0:09:18 | |
How do you do it(?) | 0:09:20 | 0:09:22 | |
The gentleman has a perfect right to be in here in the warm. | 0:09:22 | 0:09:25 | |
He did this last week. Miss Peabody threw him out. | 0:09:25 | 0:09:29 | |
I am not Miss Peabody. | 0:09:30 | 0:09:31 | |
-Can you please take some action at once? -Yes. | 0:09:33 | 0:09:35 | |
Will you leave it to me, please? Everything is under control. | 0:09:35 | 0:09:37 | |
Keep quite calm, thank you very much. | 0:09:37 | 0:09:39 | |
HE CONTINUES TO SING | 0:09:41 | 0:09:43 | |
HE SINGS IN OWN LANGUAGE | 0:09:46 | 0:09:50 | |
Hello. Hello. | 0:09:50 | 0:09:53 | |
Hello. | 0:09:53 | 0:09:55 | |
I am the librarian here. Can I help you at all in some way? | 0:09:55 | 0:09:59 | |
Help? With what help? | 0:09:59 | 0:10:01 | |
Well, I mean, you know, books, references, periodicals or...? | 0:10:02 | 0:10:06 | |
No, no, no books. | 0:10:06 | 0:10:08 | |
Kaput, kaput! | 0:10:08 | 0:10:09 | |
Me, I sing. | 0:10:10 | 0:10:13 | |
Yes, yes, but I'm afraid this is not a singing library. | 0:10:13 | 0:10:16 | |
MAN LAUGHS | 0:10:16 | 0:10:18 | |
No, it is NOT a singing library. | 0:10:19 | 0:10:22 | |
Yes, no, I think you are going to be a lot warmer | 0:10:22 | 0:10:25 | |
in our Hacketts Lane branch. | 0:10:25 | 0:10:27 | |
Why don't you throw him out? | 0:10:27 | 0:10:30 | |
Well, that's one way of looking at it, I suppose. | 0:10:33 | 0:10:36 | |
I must tell you that as the librarian here, as the head librarian, | 0:10:36 | 0:10:41 | |
I have... | 0:10:41 | 0:10:42 | |
I have vested in me the power to ask you, most politely, | 0:10:42 | 0:10:46 | |
to leave the library. | 0:10:46 | 0:10:48 | |
Not if you don't want to, of course. | 0:11:06 | 0:11:08 | |
You see, I... | 0:11:08 | 0:11:10 | |
You see, I must tell you that I think you are going to be a lot | 0:11:10 | 0:11:15 | |
happier in the gramophone section. | 0:11:15 | 0:11:19 | |
I mean, Miss Webberley in the gramophone section | 0:11:19 | 0:11:22 | |
will accommodate you. She is... | 0:11:22 | 0:11:23 | |
She is... | 0:11:24 | 0:11:25 | |
She is an absolute... | 0:11:27 | 0:11:28 | |
Miss Webberley is an absolute authority on European folk music. | 0:11:32 | 0:11:37 | |
Sorry... | 0:11:37 | 0:11:38 | |
HE SPEAKS OWN LANGUAGE | 0:11:39 | 0:11:41 | |
Throw him out! | 0:11:41 | 0:11:44 | |
Look, the matter is in hand. | 0:11:44 | 0:11:46 | |
I must tell you that Mr Gooch, my assistant behind the counter, | 0:11:48 | 0:11:51 | |
-is an expert in judo. -Mm-hmm. -Yes. | 0:11:51 | 0:11:54 | |
He is a fifth dan and he is going to be | 0:11:54 | 0:11:57 | |
a five and a half dan any moment. | 0:11:57 | 0:11:59 | |
HE SPEAKS OWN LANGUAGE | 0:11:59 | 0:12:01 | |
-Well, perhaps I am exaggerating. -Te tragia! | 0:12:02 | 0:12:05 | |
Well, I know, I know! I feel the same, te tragia. | 0:12:05 | 0:12:08 | |
-You bad man! -No, no, no. | 0:12:08 | 0:12:11 | |
How about two quid? | 0:12:13 | 0:12:14 | |
£2 just to... £2. | 0:12:16 | 0:12:18 | |
Five good. | 0:12:20 | 0:12:21 | |
Five? | 0:12:21 | 0:12:23 | |
All right, I'll split the difference with you. | 0:12:23 | 0:12:26 | |
£5. | 0:12:26 | 0:12:27 | |
-Thank you. -You good man! | 0:12:28 | 0:12:30 | |
-We meet again, huh? -Ah, lovely. -Many times. | 0:12:33 | 0:12:36 | |
HE SINGS | 0:12:36 | 0:12:39 | |
That's all clear. Everybody carry on, then. | 0:12:40 | 0:12:43 | |
Shh! | 0:12:43 | 0:12:45 | |
Have you got everything? Well, I can see you have everything. | 0:12:45 | 0:12:48 | |
-You have more than everything. -Thank you. -Thank you. | 0:12:48 | 0:12:52 | |
I hope you are not entertaining lustful | 0:12:52 | 0:12:54 | |
thoughts about the female readership, Timothy. | 0:12:54 | 0:12:56 | |
-Shut up, Victor. -What's this? | 0:12:56 | 0:12:59 | |
-Oh, interesting, most interesting. -Yes, what is that? -Oh, nothing. | 0:12:59 | 0:13:02 | |
Just a piece of paper at the lovely lady reader left behind with | 0:13:02 | 0:13:05 | |
-certain information. -Uh-huh. Could I have it, please? -No. | 0:13:05 | 0:13:08 | |
Come on, Victor, as head librarian... | 0:13:08 | 0:13:10 | |
-Jawohl, mein Fuhrer. -Yes. | 0:13:10 | 0:13:12 | |
Wanted - third person to share pleasant garden flat with two girls. | 0:13:13 | 0:13:17 | |
Sense of humour, either sex, £30 per week. | 0:13:21 | 0:13:24 | |
It is fate. | 0:13:26 | 0:13:27 | |
I have got a sense of humour and I am either sex. | 0:13:27 | 0:13:30 | |
-It's unbelievable! -Shh! -Oh, be quiet! | 0:13:34 | 0:13:37 | |
No phone number. No phone number, she's not put a phone number. | 0:13:38 | 0:13:41 | |
Wait a minute, she was looking at the Evening Echo, wasn't she? | 0:13:41 | 0:13:43 | |
Perhaps she was going to put an advertisement in the Evening Echo. | 0:13:43 | 0:13:46 | |
If I charge down there, follow her to the office, | 0:13:46 | 0:13:49 | |
we might... In King Street. I might be able to catch up with her. | 0:13:49 | 0:13:53 | |
Victor, I'm just leaving the premises for a moment. | 0:13:53 | 0:13:55 | |
Will you, while I'm away, assume control? | 0:13:55 | 0:13:58 | |
Anything happens untoward or violence of any sort, | 0:13:58 | 0:14:00 | |
-do what I would do. -Get Miss Peabody? | 0:14:00 | 0:14:03 | |
Please, please. | 0:14:03 | 0:14:04 | |
And if anybody asks, say I have gone to take my destiny in both hands. | 0:14:04 | 0:14:09 | |
There's no answer to that. | 0:14:09 | 0:14:10 | |
-Shut up! -Shh! | 0:14:11 | 0:14:13 | |
Ha! Even more interesting. | 0:14:23 | 0:14:26 | |
Victor, this is your lucky day. | 0:14:26 | 0:14:28 | |
# I belong to Glasgow | 0:14:28 | 0:14:32 | |
# Dear old Glasgow town. # | 0:14:32 | 0:14:35 | |
Can I help you? | 0:14:35 | 0:14:37 | |
I hear if you sing a song in here there's a wee fella gives you | 0:14:37 | 0:14:40 | |
five quid. | 0:14:40 | 0:14:41 | |
HE MOUTHS | 0:15:32 | 0:15:34 | |
-Sorry. -That's all right, sir. | 0:15:55 | 0:15:57 | |
So I held the card up against the window, she read it | 0:16:07 | 0:16:10 | |
and got the message and she will be ringing tonight at six o'clock. | 0:16:10 | 0:16:15 | |
-You should have done all this 20 years ago. -Oh, I know, I know. | 0:16:15 | 0:16:19 | |
Don't kick a man when he's up. | 0:16:19 | 0:16:22 | |
Two girls, eh? A menage a trois. | 0:16:22 | 0:16:25 | |
Well, two and a half, anyway. | 0:16:25 | 0:16:27 | |
Oh, I think I took too much. | 0:16:29 | 0:16:31 | |
Do you fancy this Scotch egg? | 0:16:32 | 0:16:34 | |
-No, thank you, Frank. -Well, I haven't touched it. | 0:16:36 | 0:16:39 | |
No, it reminds me of Mother. | 0:16:39 | 0:16:41 | |
Yeah, I see what you mean. | 0:16:42 | 0:16:44 | |
Ah... | 0:16:47 | 0:16:49 | |
I should probably have to buy a sort of lounging gown, | 0:16:49 | 0:16:52 | |
you know, a kaftan... | 0:16:52 | 0:16:53 | |
..for lounging in the lounge with the girls. | 0:16:55 | 0:16:57 | |
I expect we will all be in the lounge, lounging... | 0:16:57 | 0:17:01 | |
together. | 0:17:01 | 0:17:02 | |
When can I come round? | 0:17:03 | 0:17:05 | |
Do you mind? | 0:17:05 | 0:17:07 | |
Fair's fair, Frank, finders keepers. | 0:17:07 | 0:17:09 | |
All I will say is that when I can't manage - | 0:17:09 | 0:17:12 | |
WHEN I can't manage - you will be the first on the list. | 0:17:12 | 0:17:17 | |
Right. | 0:17:17 | 0:17:18 | |
Well, eat up. You are going to need your strength, Tiger Tim. | 0:17:18 | 0:17:22 | |
Tiger Tim. | 0:17:25 | 0:17:26 | |
There is just the one thing that sort of worries me, you know. | 0:17:26 | 0:17:31 | |
-You are tall enough! -I know I am tall enough, I know I'm tall enough. | 0:17:31 | 0:17:35 | |
Why did you bring that up? I know I'm tall enough! | 0:17:38 | 0:17:40 | |
I know that, I know that, it's just that... | 0:17:42 | 0:17:46 | |
I... It's just... | 0:17:46 | 0:17:47 | |
Funny thing to say, that was, Frank. It's just... | 0:17:47 | 0:17:50 | |
-It's just that I might be too old. 41. -Oh... | 0:17:50 | 0:17:53 | |
No, 41, I mean, these two girls wouldn't be 41 added together. | 0:17:53 | 0:17:56 | |
Age doesn't matter, Tim. It all depends on experience. | 0:17:56 | 0:17:59 | |
Oh, experience, I've got plenty of that. | 0:17:59 | 0:18:01 | |
-No, you haven't. -No, I haven't. | 0:18:01 | 0:18:03 | |
I don't know why I said that, I don't know why I said that. | 0:18:03 | 0:18:06 | |
I was talking about their experience. | 0:18:06 | 0:18:08 | |
They are only 20, you know. | 0:18:08 | 0:18:09 | |
These days, they will have enough to go round and some over. | 0:18:09 | 0:18:12 | |
Oh, well, that's all right, then. | 0:18:12 | 0:18:14 | |
-Come on, let's celebrate. -Yes. | 0:18:14 | 0:18:16 | |
-Another half a shandy? -Yes. | 0:18:16 | 0:18:19 | |
And a bag of crisps. | 0:18:19 | 0:18:21 | |
Oh, building yourself up, eh? You dirty devil. | 0:18:21 | 0:18:23 | |
Make them beef flavoured. | 0:18:25 | 0:18:27 | |
-Timothy? -It's me! | 0:18:31 | 0:18:34 | |
Have you wiped your...? | 0:18:34 | 0:18:35 | |
I've wiped everything, Mother. You name it, I have wiped it. | 0:18:35 | 0:18:39 | |
-Have there been any phone calls? -No, who are you expecting? | 0:18:39 | 0:18:42 | |
-Any minute now, six o'clock. -What on earth are those? | 0:18:42 | 0:18:45 | |
-They are cushions, Mother. -What are they for? | 0:18:45 | 0:18:48 | |
Well, you know, for a scattering, lounging together. | 0:18:48 | 0:18:53 | |
Well, I'm not lounging on those with my sciatica! | 0:18:53 | 0:18:56 | |
Not you, Mother. | 0:18:56 | 0:18:58 | |
Well, who else is there? Your father can't with his leg. | 0:18:58 | 0:19:01 | |
I will find somebody, Mother, don't you worry. | 0:19:01 | 0:19:03 | |
Six o'clock, Mother, I'm expecting a phone call. | 0:19:03 | 0:19:06 | |
Now, what would you like for your tea? | 0:19:06 | 0:19:08 | |
There are some sausages that are only just out of date | 0:19:08 | 0:19:11 | |
and there is still that sandwich spread on the sideboard. | 0:19:11 | 0:19:16 | |
Mother, try and keep the voice down. | 0:19:16 | 0:19:17 | |
-The phone is going to ring any moment. -Yes, well, anyone knows that. | 0:19:17 | 0:19:20 | |
PHONE RINGS Ah, there we are, it is her. | 0:19:20 | 0:19:22 | |
Now, play it cool, crisp. Keep her waiting a bit. | 0:19:22 | 0:19:25 | |
Forbidden fruit, top of the tree, big banana. | 0:19:25 | 0:19:28 | |
-Are you...? -Mother, don't you... Don't answer! | 0:19:28 | 0:19:32 | |
It's only Rachel, she always rings at six. | 0:19:32 | 0:19:34 | |
-Rachel who? -Shh, Rachel Hornsby. | 0:19:34 | 0:19:36 | |
Who else would ring just when the cheap rates start? | 0:19:36 | 0:19:39 | |
Dreadful woman. | 0:19:39 | 0:19:41 | |
It might not be her. Hello, dear. | 0:19:41 | 0:19:43 | |
What? | 0:19:43 | 0:19:44 | |
Who? | 0:19:44 | 0:19:46 | |
-What? On a bus? -Give it to me, Mother. | 0:19:46 | 0:19:48 | |
I don't know what you're talking about. Timothy, please. | 0:19:48 | 0:19:51 | |
-I'm afraid you have the wrong number. -No, Mother, don't...! | 0:19:51 | 0:19:54 | |
What have you done that for? | 0:19:54 | 0:19:55 | |
Well, it was a silly man talking about the flat in a bus. | 0:19:55 | 0:19:59 | |
What's all this about a flat? | 0:19:59 | 0:20:01 | |
-Nothing, Mother. -Oh, very mysterious. | 0:20:01 | 0:20:04 | |
Very well, you tell me nothing, I'll cook you nothing. | 0:20:04 | 0:20:09 | |
-Good. -You can find your own tea. -Thank you. | 0:20:09 | 0:20:12 | |
Whatever is happening on these cushions? | 0:20:15 | 0:20:17 | |
It's, erm, it's wrestling, Mother. | 0:20:20 | 0:20:22 | |
Hindu wrestling, you know. | 0:20:28 | 0:20:29 | |
But it is a man and a woman, isn't it? | 0:20:31 | 0:20:33 | |
That's a woman... | 0:20:34 | 0:20:36 | |
..and that, most certainly, is a man. | 0:20:37 | 0:20:40 | |
It's mixed wrestling, Mother. | 0:20:42 | 0:20:43 | |
Well, they certainly seem to be enjoying it. | 0:20:45 | 0:20:49 | |
Gracious! | 0:20:49 | 0:20:50 | |
Here is a man and a woman | 0:20:52 | 0:20:55 | |
and another woman! | 0:20:55 | 0:20:56 | |
She's the referee. | 0:20:58 | 0:20:59 | |
Then what is she doing here? | 0:21:02 | 0:21:04 | |
Blowing the whistle for half-time, Mother. | 0:21:04 | 0:21:07 | |
Timothy... | 0:21:07 | 0:21:09 | |
Take these out of my kitchen. | 0:21:09 | 0:21:10 | |
-I'll take them upstairs. -No, not upstairs. | 0:21:10 | 0:21:12 | |
I won't have them in the house. Take them out into the garage. | 0:21:12 | 0:21:15 | |
And while you are there, give your father a hand. | 0:21:15 | 0:21:17 | |
I have got to stay by the phone. | 0:21:17 | 0:21:18 | |
He has been out there all day with that car and his leg. | 0:21:18 | 0:21:21 | |
All right, Mother, I shall go out on one condition, | 0:21:21 | 0:21:24 | |
that if the phone rings, please leave it for me to answer it, all right? | 0:21:24 | 0:21:27 | |
I don't want to know your silly business, I am only your Mother. | 0:21:27 | 0:21:30 | |
I only brought you into the world. | 0:21:30 | 0:21:32 | |
And it wasn't an easy birth, you were ten days late. | 0:21:32 | 0:21:35 | |
If I'd known what it was going to be like, Mother, | 0:21:36 | 0:21:39 | |
I wouldn't have come at all. | 0:21:39 | 0:21:40 | |
Damn modern cars! | 0:21:43 | 0:21:44 | |
Here we are, Father. | 0:21:47 | 0:21:49 | |
-Hands off, Timothy. -You don't really want me, Father, do you? | 0:21:49 | 0:21:53 | |
-Yes, yes, I do. Hold this. -Oh, right. | 0:21:53 | 0:21:55 | |
-What do you want me to do with it? -Just hold it, dummy! -I didn't know. | 0:21:58 | 0:22:01 | |
Don't let it touch anything, it'll all go up in smoke. | 0:22:01 | 0:22:04 | |
Is that the phone? | 0:22:15 | 0:22:16 | |
Damned horn won't work. | 0:22:16 | 0:22:19 | |
It is the phone! | 0:22:19 | 0:22:20 | |
First car I had... | 0:22:22 | 0:22:23 | |
..1931 Singer. | 0:22:24 | 0:22:26 | |
Two cylinder. | 0:22:28 | 0:22:29 | |
Used to take out a girl called Sicily. | 0:22:29 | 0:22:32 | |
We used to sing a song. | 0:22:33 | 0:22:35 | |
What was it? | 0:22:35 | 0:22:36 | |
Yes, yes, yes. Yes, Father. I mean, I'm sorry, no. | 0:22:37 | 0:22:41 | |
-Is that the phone? -No, that wasn't it. | 0:22:43 | 0:22:46 | |
I remember on one occasion we went for a spin along Hog's Back. | 0:22:46 | 0:22:50 | |
Happiest days of my life. | 0:22:53 | 0:22:55 | |
Very funny, wasn't it? | 0:22:55 | 0:22:58 | |
-Yes. -I told you before? -What? No, go on, go on. | 0:22:58 | 0:23:01 | |
What the hell are you laughing at? | 0:23:01 | 0:23:03 | |
-I'm laughing at the story you told me. -Story? What story? | 0:23:05 | 0:23:08 | |
The other day, about the, you know, the thing and the, erm, the thing. | 0:23:08 | 0:23:12 | |
-You remember you... -I don't remember telling you that one. | 0:23:12 | 0:23:15 | |
Anyway, there we were and who should come along but your mother? | 0:23:15 | 0:23:18 | |
That was before she was your mother, of course. | 0:23:18 | 0:23:20 | |
-PHONE RINGS -Well, and Sicily, she was in front... | 0:23:20 | 0:23:23 | |
Oh, you could see the... | 0:23:24 | 0:23:26 | |
-Argh! -HORN HONKS | 0:23:26 | 0:23:29 | |
TIMOTHY! | 0:23:29 | 0:23:31 | |
Mother. Mother! | 0:23:31 | 0:23:33 | |
PHONE CONTINUES TO RING | 0:23:33 | 0:23:36 | |
Mother! | 0:23:38 | 0:23:39 | |
Mother, can you answer the phone, please? | 0:23:41 | 0:23:44 | |
You can't come in through there. | 0:23:44 | 0:23:46 | |
I know that, Mother, will you open the door, please? | 0:23:46 | 0:23:49 | |
If you tell me what it's all about then I'll let you in. | 0:23:49 | 0:23:52 | |
No, let me in first. | 0:23:52 | 0:23:54 | |
-All right. -Right, Mother, thank you. | 0:23:54 | 0:23:56 | |
Mind that pedal bin, it's new. | 0:23:59 | 0:24:00 | |
-Listen, Mother, will you pick up the phone, please? -Certainly not! | 0:24:00 | 0:24:03 | |
You told me not to. | 0:24:03 | 0:24:06 | |
-Look, get me out. Would you get me out? -I say, the phone's going. -I know. | 0:24:06 | 0:24:09 | |
-What are you doing down there? -Would you get me out, Father, please? | 0:24:09 | 0:24:12 | |
-Mind my ears, my ears. -Oh, let Mummy help. | 0:24:12 | 0:24:15 | |
My ears are stuck. | 0:24:15 | 0:24:16 | |
-The phone, Mother, pick it up! -Language, Timothy. | 0:24:17 | 0:24:20 | |
Oh, shut up, Father. RINGING STOPS | 0:24:20 | 0:24:22 | |
Stopped. | 0:24:22 | 0:24:24 | |
They've gone. Would you believe it? They have gone. | 0:24:24 | 0:24:27 | |
-Mind the furniture, Timothy! -I dusted that! | 0:24:27 | 0:24:30 | |
Everybody takes phone calls, the world takes phone calls. Why can't I? | 0:24:30 | 0:24:34 | |
PHONE RINGS Stop! Stand. Nobody move. | 0:24:34 | 0:24:36 | |
Don't you order me around! | 0:24:36 | 0:24:38 | |
-Hello? -Hello! -Shut up, Mother. -Timothy! -Shut up. | 0:24:38 | 0:24:41 | |
-The phone has broken! -You did that on purpose. | 0:24:41 | 0:24:44 | |
-I didn't do it on purpose. -You have to pay for it. | 0:24:44 | 0:24:47 | |
Father, I don't live here any more, I'm leaving. | 0:24:47 | 0:24:49 | |
-I'm going to live with some girls. -Not those Indian women. | 0:24:49 | 0:24:53 | |
How can they phone me now? How can...? Oh, my God. | 0:24:53 | 0:24:56 | |
Did you see that? | 0:25:04 | 0:25:06 | |
He sat on his Twiglets! | 0:25:10 | 0:25:12 | |
Broke the chair. | 0:25:14 | 0:25:15 | |
I make him a lovely supper and he sits on it. | 0:25:17 | 0:25:20 | |
Mother, that's all it's good for. | 0:25:22 | 0:25:23 | |
APPLAUSE | 0:25:25 | 0:25:28 | |
And it wasn't very comfortable at that. | 0:25:28 | 0:25:31 | |
Get out of this house. | 0:25:31 | 0:25:32 | |
Now she tells me. Now she tells me! | 0:25:32 | 0:25:35 | |
When should I have told you? | 0:25:35 | 0:25:36 | |
Coronation year! | 0:25:36 | 0:25:38 | |
It's not the end of the world, Tim. | 0:25:43 | 0:25:45 | |
They'll never know what they missed, that's the tragedy. | 0:25:45 | 0:25:49 | |
I bought them cushions and everything. | 0:25:50 | 0:25:53 | |
Two cushions, you know, one each. | 0:25:53 | 0:25:55 | |
They'll be on the bonfire now. | 0:25:56 | 0:25:58 | |
-Don't burst into tears again. -I won't. | 0:25:58 | 0:26:00 | |
To be honest, there was some drawings on these cushions | 0:26:00 | 0:26:03 | |
I couldn't understand at all. | 0:26:03 | 0:26:05 | |
-No-one knows it all, Tim. -Yeah. | 0:26:07 | 0:26:10 | |
Too late to find out now, though, isn't it? | 0:26:10 | 0:26:12 | |
Last orders! | 0:26:12 | 0:26:14 | |
I'll get us two nice large ones because I want to be warm tonight. | 0:26:14 | 0:26:18 | |
-What do you mean? -Well, I can't go home, I'm not going home, obviously. | 0:26:18 | 0:26:21 | |
I can't go, can I? | 0:26:21 | 0:26:23 | |
-You can't go walking about in the cold like Captain Oates. -Well... | 0:26:23 | 0:26:27 | |
Them! Look! Them! | 0:26:29 | 0:26:30 | |
Oh, my God, Tim! | 0:26:31 | 0:26:33 | |
Right! They're fantastic. | 0:26:34 | 0:26:37 | |
It's fate, isn't it? Fate! I must go and chat to them. | 0:26:37 | 0:26:39 | |
I'll introduce you, I'll bring them over. Hiya! | 0:26:39 | 0:26:41 | |
Oh, what a pleasant surprise, our would-be Romeo. | 0:26:41 | 0:26:43 | |
Excuse me, Victor, I've just got to speak to some friends. | 0:26:43 | 0:26:46 | |
-Oh, not these lovely ladies, perchance? -Excuse me, would you? | 0:26:46 | 0:26:49 | |
Venetia and Samantha? | 0:26:49 | 0:26:50 | |
My new flatmates, Timothy. | 0:26:52 | 0:26:53 | |
Why, you... | 0:26:55 | 0:26:57 | |
Samantha - or Sam, as I call her - was careless enough to | 0:26:57 | 0:27:00 | |
leave behind a second piece of paper with her phone number on it. | 0:27:00 | 0:27:03 | |
I gave her the proverbial tinkle and I'm now cosily ensconced, | 0:27:03 | 0:27:07 | |
thank you very much. | 0:27:07 | 0:27:09 | |
Perhaps you'd care to join us in a glass of Stella ArTROIS? | 0:27:09 | 0:27:12 | |
If you take my meaning. | 0:27:12 | 0:27:14 | |
Did I say something? | 0:27:15 | 0:27:17 | |
Where are you going? | 0:27:19 | 0:27:20 | |
I'm going outside. I might be gone some while. | 0:27:21 | 0:27:25 | |
HE SPEAKS OWN LANGUAGE | 0:27:44 | 0:27:46 | |
My friend! | 0:27:46 | 0:27:48 | |
Hello! You know me. | 0:27:48 | 0:27:50 | |
I sing. | 0:27:52 | 0:27:53 | |
HE SINGS IN OWN LANGUAGE | 0:27:53 | 0:27:56 | |
Oh... | 0:27:56 | 0:27:58 | |
You unhappy, huh? Yes? | 0:27:58 | 0:28:00 | |
Bad belly, huh? | 0:28:02 | 0:28:03 | |
I know all places get food. | 0:28:05 | 0:28:07 | |
All aristocratic dustbins. | 0:28:07 | 0:28:09 | |
Scotch egg! | 0:28:12 | 0:28:14 | |
I thank you. Where do we find Twiglets? | 0:28:16 | 0:28:19 | |
HE SINGS IN OWN LANGUAGE | 0:28:21 | 0:28:25 | |
THEY SING IN HIS LANGUAGE | 0:28:35 | 0:28:39 |