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Hurry up. That's good. That's it, right. | 0:00:02 | 0:00:06 | |
Put it down here, look, in the centre, there. | 0:00:06 | 0:00:08 | |
There. | 0:00:10 | 0:00:12 | |
And we need an eight-foot plastic sunflower because...? | 0:00:12 | 0:00:16 | |
Think visual impact. "What's this?" they'll wonder. | 0:00:16 | 0:00:21 | |
"What is he up to now?" | 0:00:21 | 0:00:24 | |
And, "How long has he been going barmy?" | 0:00:24 | 0:00:26 | |
No, no, no, no, not once they know it's got mystical powers, | 0:00:26 | 0:00:31 | |
that it comes from an ancient temple deep in the jungle, | 0:00:31 | 0:00:35 | |
where people used to bring their babies, | 0:00:35 | 0:00:38 | |
looking for success in life, | 0:00:38 | 0:00:41 | |
and a cure for wind. | 0:00:41 | 0:00:43 | |
You lie faster every day. | 0:00:44 | 0:00:46 | |
Oh, well, thank you, Leroy. | 0:00:46 | 0:00:47 | |
Yes. No, I thought it would bring | 0:00:47 | 0:00:49 | |
a bit of sunshine into the street, especially today as it's | 0:00:49 | 0:00:53 | |
Kevin's wedding day, I thought, you know, how appropriate. | 0:00:53 | 0:00:56 | |
Oh, that's if he makes it this time, he's chickened out twice. | 0:00:56 | 0:00:59 | |
Well, if he chickens out again, I want my cuff links back. | 0:00:59 | 0:01:03 | |
HE YAWNS | 0:01:22 | 0:01:23 | |
Oh! | 0:01:27 | 0:01:28 | |
Oh, you gave me a fright, Mr Newbold. | 0:01:31 | 0:01:34 | |
I felt everything shrink. And I'm supposed to be going to a wedding. | 0:01:34 | 0:01:38 | |
Fright? You don't know what fright is, boy, | 0:01:38 | 0:01:41 | |
until you've been in the sights of Mrs Featherstone. | 0:01:41 | 0:01:45 | |
Good morning. Mr Newbold, are you still calling her Mrs Featherstone? | 0:01:45 | 0:01:49 | |
I thought she'd be Delphine to you by now. | 0:01:49 | 0:01:52 | |
I've more than I can handle with Mrs Featherstone, | 0:01:52 | 0:01:55 | |
I'm nowhere near ready for Delphine. | 0:01:55 | 0:01:57 | |
Just a moment, sir, I'll be with you. | 0:01:58 | 0:02:01 | |
Ummm... | 0:02:01 | 0:02:02 | |
TILL RINGS | 0:02:06 | 0:02:08 | |
Eh-eh-eh! | 0:02:08 | 0:02:09 | |
I suppose you and, er, Mrs Featherstone will be going to | 0:02:12 | 0:02:15 | |
-Kevin's wedding? -So I'm told. | 0:02:15 | 0:02:18 | |
You need to find your inner monster, Mr Newbold, mm, put your foot down. | 0:02:18 | 0:02:22 | |
Er, would you excuse us, please, Mr Newbold? | 0:02:22 | 0:02:25 | |
What? Ah. | 0:02:25 | 0:02:27 | |
Come with me. | 0:02:27 | 0:02:28 | |
What do you think you're doing, inciting rebellion? | 0:02:31 | 0:02:35 | |
-I feel sorry for him. -Feel sorry? | 0:02:35 | 0:02:37 | |
You ought to feel sorry for me! Well, and for you, | 0:02:37 | 0:02:40 | |
because when she hasn't got her eye on him, she's got her eye on me. | 0:02:40 | 0:02:44 | |
Do you want the stepmother from hell? | 0:02:45 | 0:02:48 | |
Oh, well, if he's got to go, he's got to go. | 0:02:50 | 0:02:52 | |
Yeah, that's it. | 0:02:52 | 0:02:53 | |
Well, Mr Newbold, what can we treat you to today? | 0:03:03 | 0:03:06 | |
Apart from Mrs Featherstone, that is. | 0:03:06 | 0:03:09 | |
Got some nice streaky bacon. | 0:03:09 | 0:03:11 | |
It's been banned, she's got me on yoghurt and fibre. | 0:03:11 | 0:03:15 | |
Oh, see what it's like, Leroy, to be in the hands of a caring woman? | 0:03:15 | 0:03:18 | |
In the hands of? Feels more like an armlock. | 0:03:18 | 0:03:22 | |
-You don't live with her, Mr Newbold. -And I'm trying to keep it that way. | 0:03:22 | 0:03:26 | |
No, what I mean is, you know, you've got your own house, | 0:03:26 | 0:03:28 | |
can't you sneak your streaky when she's not there? | 0:03:28 | 0:03:32 | |
You can't cook bacon sneakily. | 0:03:32 | 0:03:34 | |
She's got a nose like a bloodhound that thinks it's a Dyson. | 0:03:35 | 0:03:39 | |
Mr Newbold, it is | 0:03:40 | 0:03:42 | |
well-known that, um, each of Mrs Featherstone's | 0:03:42 | 0:03:47 | |
husbands are reported to have died from an excess of pure pleasure. | 0:03:47 | 0:03:53 | |
I must keep moving. | 0:03:56 | 0:03:57 | |
Thank you. | 0:03:59 | 0:04:01 | |
I've been up half the night wondering what to | 0:04:02 | 0:04:04 | |
wear for this wedding, since somebody shrunk my best suit. | 0:04:04 | 0:04:08 | |
Oh, I wonder who that could be? | 0:04:08 | 0:04:11 | |
Anyway, it's not a problem for an upscale emporium, Gastric, | 0:04:11 | 0:04:16 | |
we can hire you a suit. | 0:04:16 | 0:04:19 | |
-Eh? -We can? | 0:04:19 | 0:04:21 | |
We can hire his suit. It's upstairs in the wardrobe doing nothing. | 0:04:23 | 0:04:29 | |
He'd probably be delighted that it was earning a few bob. | 0:04:29 | 0:04:32 | |
You're going to charge Gastric? | 0:04:32 | 0:04:35 | |
-Why don't you just lend it to him? -Any old scruff can borrow a suit. | 0:04:35 | 0:04:39 | |
It takes a better class of person, entirely, to hire a suit. | 0:04:39 | 0:04:42 | |
The aristocracy always hire a suit. | 0:04:42 | 0:04:46 | |
I mean, you don't think all that flash at Royal Ascot | 0:04:46 | 0:04:48 | |
is their own, do ya? | 0:04:48 | 0:04:50 | |
I bet it is their own. | 0:04:50 | 0:04:52 | |
-No, rubbish. -What? | 0:04:52 | 0:04:55 | |
No, you can't move at Moss Bros in the morning, for peers | 0:04:55 | 0:04:58 | |
of the realm, you know. | 0:04:58 | 0:05:00 | |
Reclaiming their deposits. | 0:05:00 | 0:05:02 | |
-You're an old tight wad. -Thank you, Leroy. | 0:05:03 | 0:05:06 | |
I hope he heard that, he'd be, er, s-smiling. | 0:05:07 | 0:05:11 | |
C'mon. Right... Chop, chop, over there. | 0:05:13 | 0:05:18 | |
That's it. | 0:05:19 | 0:05:23 | |
There you are. | 0:05:24 | 0:05:26 | |
C'mon, let's take it back. | 0:05:31 | 0:05:34 | |
Right, steady. | 0:05:37 | 0:05:38 | |
Oh! | 0:05:38 | 0:05:40 | |
Whoops, that's a bad omen for a wedding. | 0:05:45 | 0:05:49 | |
Mm, a man in pain - always lifts the heart a little. | 0:05:49 | 0:05:52 | |
Oh, look at him making a meal of it, | 0:05:54 | 0:05:56 | |
anyone would think he was having twins. | 0:05:56 | 0:05:59 | |
At least his bruises won't show and I bet he's recovered by mealtime. | 0:05:59 | 0:06:03 | |
Good job it wasn't Kevin, | 0:06:03 | 0:06:05 | |
you're nervous enough on your wedding night. | 0:06:05 | 0:06:08 | |
Oh, you should have them trained by then. | 0:06:08 | 0:06:10 | |
There comes a point | 0:06:10 | 0:06:12 | |
when they learn to look on twin beds with a sense of relief. | 0:06:12 | 0:06:16 | |
Oh. You must have a softer side somewhere, Delphine. | 0:06:16 | 0:06:19 | |
Oh, I can get quite girlish over a handsome bank account. | 0:06:19 | 0:06:23 | |
I could never marry for money, in case they took you back | 0:06:23 | 0:06:26 | |
if you didn't fit. | 0:06:26 | 0:06:27 | |
And look what you did marry! | 0:06:27 | 0:06:30 | |
And that's another thing, you're expected to get it right first time. | 0:06:30 | 0:06:33 | |
Well, let's hope it's third time lucky for the bride. | 0:06:33 | 0:06:36 | |
How was she when you did her hair this morning? | 0:06:36 | 0:06:39 | |
Twitchy. She was chewing her beads. | 0:06:39 | 0:06:42 | |
Well, that gormless twit Kevin's called it off | 0:06:42 | 0:06:44 | |
twice at the last minute. | 0:06:44 | 0:06:47 | |
No wonder she's insecure. | 0:06:47 | 0:06:49 | |
I used to be insecure, | 0:06:49 | 0:06:51 | |
until I realised I was insecure and then it got worse. | 0:06:51 | 0:06:54 | |
Men, they need a firm hand... everywhere but where they'd like it. | 0:06:55 | 0:07:00 | |
Well, I like weddings, I think there's still a place for romance. | 0:07:02 | 0:07:06 | |
One less since they pulled down that bus shelter. | 0:07:06 | 0:07:09 | |
They see Kevin's light on at all hours, | 0:07:15 | 0:07:17 | |
they see him pacing backwards and forwards. | 0:07:17 | 0:07:21 | |
I would think Kevin's better at backwards. | 0:07:21 | 0:07:24 | |
He was so confused when he came in the shop yesterday, it took | 0:07:24 | 0:07:28 | |
all my willpower not to overcharge him. | 0:07:28 | 0:07:31 | |
I saw him yesterday, staring at a wall. | 0:07:32 | 0:07:35 | |
He'll get on well with the brother-in-law, then. | 0:07:35 | 0:07:37 | |
I passed him in the street, I said, "Good morning, Kevin," | 0:07:37 | 0:07:40 | |
and he said, "20 to nine." | 0:07:40 | 0:07:42 | |
Oh, eh-up, here he comes now. | 0:07:44 | 0:07:47 | |
Hello, Kevin, we were just talking about you. | 0:07:47 | 0:07:49 | |
Huh, I know, everybody's taking about me - | 0:07:49 | 0:07:52 | |
"Will he or won't he?" Puts a person under pressure. | 0:07:52 | 0:07:56 | |
You know, er, Kevin, I've always found the best way to relieve | 0:07:56 | 0:08:00 | |
pressure is to treat yourself, you know, buy something. | 0:08:00 | 0:08:03 | |
You want to know pressure? | 0:08:05 | 0:08:07 | |
Wait till she catches ya fancying some other woman. | 0:08:07 | 0:08:10 | |
I don't fancy other women. | 0:08:10 | 0:08:13 | |
Well, they're better than walls, Kevin. | 0:08:13 | 0:08:15 | |
It's no good never looking at other women, | 0:08:15 | 0:08:18 | |
your wife won't believe you, anyway. | 0:08:18 | 0:08:21 | |
Oh, don't listen to 'em, Kevin, they're only pulling your leg. | 0:08:21 | 0:08:24 | |
Anyway, what are you doing here? | 0:08:24 | 0:08:26 | |
Hey, you should be going to get ready for your wedding. | 0:08:26 | 0:08:29 | |
I'm having a last look round as a single person. | 0:08:29 | 0:08:33 | |
KEVIN SIGHS AND CLEARS THROAT | 0:08:33 | 0:08:35 | |
I'm going to miss places like this, where once you were free. | 0:08:44 | 0:08:48 | |
You'll get nothing free in here. | 0:08:48 | 0:08:50 | |
I always think if everybody's overcharged equally, | 0:08:52 | 0:08:55 | |
it's my contribution to fair-trade. | 0:08:55 | 0:08:57 | |
There we are, sir. Oh, £5.00, just about right, thank you. | 0:09:00 | 0:09:03 | |
Hey, you'll miss more than places, Kevin, I don't know where I'd be | 0:09:06 | 0:09:09 | |
if she didn't like Walnut Whips. | 0:09:09 | 0:09:12 | |
It's all right for you, mine's on a diet. | 0:09:12 | 0:09:14 | |
I've always admired the way you've stayed single, | 0:09:16 | 0:09:19 | |
you're my role model, Granville. | 0:09:19 | 0:09:21 | |
I never have time for a roll, that's WHY I'm still single. | 0:09:21 | 0:09:25 | |
Ah, Kevin. | 0:09:27 | 0:09:28 | |
Oh, d'you know, I've buried three husbands | 0:09:31 | 0:09:34 | |
and they looked better at the end than you do at the beginning. | 0:09:34 | 0:09:38 | |
Where we going? | 0:09:38 | 0:09:40 | |
To get you smartened up and then married. | 0:09:40 | 0:09:42 | |
It's taken you long enough - what were you doing? | 0:09:42 | 0:09:45 | |
You're allowed to wed, you know! Even if nobody's pregnant. | 0:09:45 | 0:09:49 | |
Now, Granville, Granville, I know that Mr Newbold is pursuing me, | 0:09:51 | 0:09:55 | |
but there's still time for someone with a back pocket | 0:09:55 | 0:09:58 | |
as full as yours, to slip a wedge between us. | 0:09:58 | 0:10:01 | |
Hey, you should maybe think about that, Granville. | 0:10:10 | 0:10:13 | |
I think he'd make a lovely wedge. | 0:10:14 | 0:10:17 | |
Just bog off, you two, will ya? | 0:10:19 | 0:10:21 | |
THEY CHUCKLE | 0:10:21 | 0:10:23 | |
Oh, I'm not saying that I didn't enjoy it, | 0:10:34 | 0:10:36 | |
but, er, I'm running late - I'm going to a wedding. | 0:10:36 | 0:10:39 | |
So am I, in about three months. | 0:10:39 | 0:10:41 | |
Right, I'll be back as soon as I can. | 0:10:47 | 0:10:50 | |
Oh, er, the old lady here, she usually keeps me talking... | 0:10:52 | 0:10:55 | |
HE CHUCKLES | 0:10:55 | 0:10:57 | |
You know what they're like. | 0:10:57 | 0:10:58 | |
I'll start being good in three months. | 0:10:59 | 0:11:02 | |
Good day to you, Madge. | 0:11:23 | 0:11:26 | |
It looks a better day for you. | 0:11:26 | 0:11:28 | |
I was just showing him my wedding shoes. | 0:11:30 | 0:11:32 | |
Is that why your lipstick's smeared? | 0:11:32 | 0:11:35 | |
Oh, it got smudged when we shared a fig biscuit. | 0:11:35 | 0:11:38 | |
Yes, just a small free sample. | 0:11:39 | 0:11:41 | |
Well, you needn't be looking at me like that, | 0:11:43 | 0:11:45 | |
I'm old enough to accept a fig biscuit. | 0:11:45 | 0:11:49 | |
Oh, Kevin, you do look smart. | 0:11:53 | 0:11:58 | |
Except about the face - look at that expression, I think | 0:11:58 | 0:12:02 | |
I've seen it on a punctured inner tube. | 0:12:02 | 0:12:05 | |
You'd best keep him till it's time. | 0:12:06 | 0:12:09 | |
Where am I going to keep him? | 0:12:09 | 0:12:11 | |
Same place you keep your fig biscuits. | 0:12:11 | 0:12:13 | |
Well, I'd stay and keep him on his mark if I had time, | 0:12:15 | 0:12:19 | |
but I must go and assist Mr Newbold into a wedding mood. | 0:12:19 | 0:12:22 | |
Now, Kevin, behave, or I'll be back... | 0:12:23 | 0:12:26 | |
with a blunt needle. | 0:12:26 | 0:12:28 | |
You'll be fine, Kevin - just because I had a bad marriage | 0:12:30 | 0:12:34 | |
and she had worse, doesn't mean they're all bad. | 0:12:34 | 0:12:37 | |
You're really not helping. | 0:12:39 | 0:12:41 | |
Kevin, there are many happy married couples around here. | 0:12:41 | 0:12:45 | |
I mean, you take that Mrs Harris over there, for example, | 0:12:45 | 0:12:49 | |
she's never been happier since they had that lodger move in. | 0:12:49 | 0:12:52 | |
I'm only joking. There... | 0:12:55 | 0:12:57 | |
HE CHUCKLES | 0:12:57 | 0:12:59 | |
No, no, it's all right, leave him, he can't go far, | 0:13:02 | 0:13:05 | |
he can only get as far as the yard, and the gates are locked. | 0:13:05 | 0:13:09 | |
He'll enjoy a bit of sunflower therapy. | 0:13:09 | 0:13:12 | |
C'mon, Mavis, you need to redo your lipstick. | 0:13:13 | 0:13:16 | |
Hey, that was a good line of yours about the fig biscuit. | 0:13:22 | 0:13:25 | |
Oh, heck, perhaps I'm going to be a natural at misbehaviour. | 0:13:25 | 0:13:29 | |
Oh! | 0:13:29 | 0:13:30 | |
I think I could live with that. | 0:13:32 | 0:13:35 | |
HE SIGHS | 0:13:38 | 0:13:39 | |
Right... | 0:13:41 | 0:13:43 | |
A-ha, yes... | 0:13:43 | 0:13:45 | |
TYRES SQUEAL | 0:13:56 | 0:13:58 | |
Apply your handbrake, Mr Newbold. | 0:13:58 | 0:14:01 | |
An urge to travel. This is a new you, Mr Newbold. | 0:14:06 | 0:14:10 | |
Have you forgotten you're taking me to a wedding? | 0:14:10 | 0:14:12 | |
I hate weddings. | 0:14:12 | 0:14:13 | |
Oh, don't say that, it could soon be your own. | 0:14:13 | 0:14:16 | |
Now, show me a nice three-point turn. | 0:14:22 | 0:14:24 | |
Er, but I'm overdue for visiting this friend. | 0:14:24 | 0:14:27 | |
Oh, but you've got a new friend now, Mr Newbold - and I'm sure we'll | 0:14:27 | 0:14:30 | |
be very happy together, once we understand certain rules. | 0:14:30 | 0:14:33 | |
"You must come," he said, "I'll be expecting you." | 0:14:33 | 0:14:36 | |
Find reverse, Mr Newbold, it's a knack you'll need | 0:14:36 | 0:14:39 | |
if we're to prosper. | 0:14:39 | 0:14:40 | |
How ancient would you say she was? | 0:14:43 | 0:14:46 | |
-Oh, oh, lost in the mist of time. -She's plastic. | 0:14:46 | 0:14:52 | |
Oh, er, yes, it's magic, isn't it, hey? | 0:14:53 | 0:14:57 | |
They were using plastic when we still had wooden plates. | 0:14:57 | 0:15:02 | |
Well, if she's that old, how would you find her? | 0:15:02 | 0:15:05 | |
I like to think that, um, she-she found me. | 0:15:07 | 0:15:09 | |
Can you feel the mojo, Kevin? Mm? | 0:15:11 | 0:15:16 | |
Talk to her... Listen. | 0:15:16 | 0:15:19 | |
She talks? | 0:15:20 | 0:15:21 | |
Oh, yes, to those fortunate enough to listen. | 0:15:21 | 0:15:24 | |
She's on your side, Kevin, yours and Eileen's. | 0:15:24 | 0:15:29 | |
Now...don't... don't let her down, will you? | 0:15:29 | 0:15:33 | |
She's a plastic sunflower... | 0:15:33 | 0:15:35 | |
Hey, what's this? | 0:15:35 | 0:15:37 | |
You're now locked on to her ancient wisdom. | 0:15:37 | 0:15:40 | |
Don't worry, I'll be back to undo you for the wedding. | 0:15:40 | 0:15:43 | |
Hiring a suit turned out to be a bit more expensive than I'd imagined. | 0:15:57 | 0:16:01 | |
That's because you have no imagination, Gastric. | 0:16:02 | 0:16:06 | |
I tell you what he has got. A pretty powerful pong. | 0:16:06 | 0:16:09 | |
How can you say that? I'm awash with deodorant and aftershave. | 0:16:09 | 0:16:13 | |
No, no, it's not you, it's, er... I think | 0:16:13 | 0:16:15 | |
we've overdone it with the mothballs. | 0:16:15 | 0:16:17 | |
-Oh, is that what it was? -Mm. | 0:16:17 | 0:16:19 | |
I thought they were Mint Imperials. | 0:16:19 | 0:16:21 | |
Tell me you didn't eat 'em. | 0:16:24 | 0:16:26 | |
I'm not stupid! | 0:16:26 | 0:16:27 | |
One was enough. | 0:16:29 | 0:16:30 | |
I tell you what, though, Gastric, huh, those moths have got some balls. | 0:16:34 | 0:16:38 | |
HORN TOOTS | 0:16:41 | 0:16:43 | |
Oh, why am I going to a wedding? | 0:16:43 | 0:16:47 | |
I hate weddings. | 0:16:47 | 0:16:49 | |
Oh, stop fighting it, Newbold. | 0:16:50 | 0:16:52 | |
You're helpless in the slipstream of a determined woman. | 0:16:52 | 0:16:55 | |
Go on, then. Do it. | 0:17:29 | 0:17:31 | |
Still can't believe you're closing the shop. | 0:17:31 | 0:17:34 | |
I can do it. I can, I can do it. | 0:17:34 | 0:17:36 | |
I can close the shop! | 0:17:40 | 0:17:42 | |
No, no, it's all right, just... We'll do it in a minute, | 0:17:45 | 0:17:48 | |
there's no need to close before we have to, is there? | 0:17:48 | 0:17:51 | |
-It's nearly time. -Mm? I know what time it is. | 0:17:51 | 0:17:54 | |
-How long? -Mm? How long what? | 0:17:54 | 0:17:57 | |
How long are you going to close the shop for? | 0:17:57 | 0:17:59 | |
Oh, er, well, you know... It's Eileen's wedding, isn't it? | 0:17:59 | 0:18:03 | |
And she's waited a long time, you know, and if she could | 0:18:03 | 0:18:07 | |
wait for two years, we can close the shop for a couple of hours, can't we? | 0:18:07 | 0:18:11 | |
A couple of hours? | 0:18:11 | 0:18:12 | |
Minutes, minutes, couple of minutes, minutes I meant, | 0:18:12 | 0:18:15 | |
that's what I meant. | 0:18:15 | 0:18:16 | |
I mean, I tell you what, what we'll do is, you see, | 0:18:16 | 0:18:18 | |
we'll go to the service and then, and then we'll come back here and then | 0:18:18 | 0:18:23 | |
you can stay here and then I can go to the reception, then I'll come | 0:18:23 | 0:18:27 | |
back here and then you can stay here and I can go back to the reception. | 0:18:27 | 0:18:31 | |
Sounds like fun. | 0:18:33 | 0:18:34 | |
Is that your best tie? Could you not find a better tie? | 0:18:37 | 0:18:41 | |
Well, it's too late now, you'll just have to keep stroking your chin. | 0:18:41 | 0:18:45 | |
Did you bring a clean hanky? | 0:18:45 | 0:18:47 | |
Yes, oh! | 0:18:54 | 0:18:56 | |
Well, hello. | 0:18:58 | 0:18:59 | |
Is there a photoshoot going on in the street? | 0:19:00 | 0:19:04 | |
Hello, Mavis. | 0:19:05 | 0:19:07 | |
Hello, Granville. | 0:19:07 | 0:19:09 | |
You're looking very grocer-friendly. | 0:19:09 | 0:19:11 | |
And what does that make me? | 0:19:13 | 0:19:15 | |
Oh, yes, I was coming to you, yes... Well, I think you're getting, | 0:19:15 | 0:19:20 | |
er, very close to borderline attractive. | 0:19:20 | 0:19:24 | |
You both look great. | 0:19:26 | 0:19:27 | |
Well, thank you, Leroy, I'm glad one of you's got manners. | 0:19:27 | 0:19:30 | |
I'd like some tissues - I always cry at weddings. | 0:19:30 | 0:19:33 | |
Well, the marriage you had - enough to make anybody cry. | 0:19:33 | 0:19:38 | |
Well, yours was no pleasure trip. | 0:19:38 | 0:19:39 | |
I know, let's hope Eileen does better. | 0:19:39 | 0:19:42 | |
Where's the slippery Kevin? | 0:19:44 | 0:19:46 | |
Ah, well, he's, er, safe within the embrace of his spiritual advisor. | 0:19:46 | 0:19:50 | |
Aftershave? That's very adventurous. | 0:19:55 | 0:19:59 | |
Do you have a secret side that I should know about? | 0:19:59 | 0:20:02 | |
I've had it for years, it's an old Christmas gift. | 0:20:02 | 0:20:05 | |
Oh, they must've thought you were the kind to use aftershave. | 0:20:05 | 0:20:08 | |
Never struck me as Hugo Boss material. | 0:20:08 | 0:20:11 | |
Well, what are we waiting for? | 0:20:21 | 0:20:23 | |
Well, instructions - where am I going? | 0:20:23 | 0:20:25 | |
Well, we're going past the shop to pick up Nurse Gladys. | 0:20:25 | 0:20:29 | |
Well... How do I look? | 0:20:30 | 0:20:33 | |
You look...unsinkable. | 0:20:35 | 0:20:39 | |
Unsinkable? | 0:20:41 | 0:20:43 | |
I meant... Nice. | 0:20:43 | 0:20:45 | |
And don't slouch, keep your shoulders back. I do. | 0:20:50 | 0:20:54 | |
You keep everything back. | 0:20:54 | 0:20:56 | |
And just remember - there's a help-yourself buffet. | 0:20:58 | 0:21:02 | |
That does NOT include the bridesmaids. | 0:21:02 | 0:21:04 | |
As if. | 0:21:06 | 0:21:08 | |
You'd only tell your mother - you know I live in fear of your mother. | 0:21:08 | 0:21:12 | |
Oh, there's no need...! | 0:21:12 | 0:21:15 | |
Just live in fear of me! | 0:21:15 | 0:21:18 | |
Ah. Ha, right. Here we are, all looking delicious. Even Cyril. | 0:21:23 | 0:21:29 | |
So it's time to undo the groom. | 0:21:30 | 0:21:33 | |
Leroy, go and undo him and don't let him get away. | 0:21:33 | 0:21:37 | |
Where's the key? | 0:21:38 | 0:21:39 | |
Erm... | 0:21:39 | 0:21:40 | |
I dunno, I thought you had it. | 0:21:42 | 0:21:45 | |
Surely he's not still fighting marriage?! | 0:21:45 | 0:21:48 | |
Well, you have to admire him. | 0:21:48 | 0:21:50 | |
Not if you want a peaceful day. | 0:21:53 | 0:21:56 | |
I don't care if he is fighting, he's still going down. | 0:21:56 | 0:21:59 | |
It's sad, really, we used to hold him up as an example. | 0:21:59 | 0:22:03 | |
Yeah. | 0:22:03 | 0:22:04 | |
Before we discovered the delights of matrimony. | 0:22:06 | 0:22:10 | |
-Give us a kiss. -Get lost. | 0:22:11 | 0:22:14 | |
-You see what I mean? -Mm. | 0:22:16 | 0:22:18 | |
Maybe YOU dropped it in the yard? | 0:22:18 | 0:22:20 | |
What if he's found it? Quick! | 0:22:22 | 0:22:25 | |
Mind the suit! Mind one of the world's most expensive suits! | 0:22:27 | 0:22:31 | |
Hey! This is private property back here. Oh, heck. | 0:22:33 | 0:22:36 | |
Oh... | 0:22:40 | 0:22:42 | |
What's the problem? | 0:22:48 | 0:22:51 | |
He is. | 0:22:51 | 0:22:52 | |
That's going to be inconvenient when they retire for the night. | 0:22:52 | 0:22:55 | |
Well, it's no big deal, | 0:22:55 | 0:22:56 | |
just cut the flower away from that big tub of concrete. | 0:22:56 | 0:23:00 | |
No way, I paid good money for this ancient sacred item, | 0:23:00 | 0:23:05 | |
it comes all the way from the jungles of Patagonia. | 0:23:05 | 0:23:10 | |
He means Leeds. | 0:23:10 | 0:23:11 | |
C'mon, c'mon, to me, to me, that's it, right, that's it. | 0:23:14 | 0:23:19 | |
Gastric, get...get the door, will you? | 0:23:19 | 0:23:22 | |
Hold it, hold it, hold it. | 0:23:22 | 0:23:24 | |
Right, now down your end, down, down - right, push, lads. | 0:23:24 | 0:23:27 | |
It'll go, it'll go. Don't worry. | 0:23:27 | 0:23:30 | |
Get it back the other way. Put the pot in first, it's obvious, isn't it? | 0:23:31 | 0:23:35 | |
-Stand there, Gastric. -One, two, three! | 0:23:35 | 0:23:39 | |
Right, your end down now. | 0:23:39 | 0:23:41 | |
Right, in you go, that's it, it'll...it'll work this time. | 0:23:41 | 0:23:44 | |
You dozy beggar, fancy chaining him up! | 0:23:44 | 0:23:48 | |
That's another wedding he's going to miss. | 0:23:48 | 0:23:50 | |
No, he won't, we'll get him there one way or another. | 0:23:50 | 0:23:54 | |
Right, think of something else, c'mon. | 0:23:54 | 0:23:57 | |
It's all right. | 0:24:06 | 0:24:08 | |
Oh, ah, oh, no, ah! | 0:24:10 | 0:24:13 | |
-Oh-oh-oh. -Eh, up. | 0:24:13 | 0:24:14 | |
Stop! Ah-oh, help! Oh! No! | 0:24:14 | 0:24:18 | |
HE WAILS | 0:24:20 | 0:24:23 | |
Why can't he wear a buttonhole, like anyone else? | 0:24:49 | 0:24:52 | |
SHE MOUTHS | 0:24:56 | 0:24:58 | |
THEY MUTTER | 0:25:03 | 0:25:05 | |
Hello, erm, good afternoon. | 0:25:34 | 0:25:36 | |
We're gathered here today to celebrate the union | 0:25:40 | 0:25:43 | |
of Eileen and Kevin. | 0:25:43 | 0:25:46 | |
Marriage is a desire by two people to share their lives together, | 0:25:46 | 0:25:51 | |
and a willingness to accept each other for who they are. | 0:25:51 | 0:25:55 | |
SHE SNIFFLES | 0:25:57 | 0:26:00 | |
It is a commitment to friendship... | 0:26:04 | 0:26:08 | |
mutual respect... and calls for patience... | 0:26:08 | 0:26:11 | |
..courage and, of course, humour... | 0:26:21 | 0:26:25 | |
GASTRIC BURPS | 0:26:33 | 0:26:35 | |
SHE COUGHS | 0:26:37 | 0:26:39 | |
And now a solemn moment has arrived for these, | 0:26:41 | 0:26:45 | |
Eileen and Kevin, to contract their marriage before you. | 0:26:45 | 0:26:51 | |
CAMERA CLICKS | 0:27:02 | 0:27:04 | |
'They'll all be raving now at the disco. | 0:27:10 | 0:27:13 | |
'I hope Gastric's not over-exercising that suit. | 0:27:14 | 0:27:18 | |
'You do realise you're now married to Eileen? | 0:27:21 | 0:27:25 | |
'Not to mention Kevin.' | 0:27:32 | 0:27:34 | |
Hey, you not going the disco? | 0:27:38 | 0:27:42 | |
At my time of life, Leroy, | 0:27:42 | 0:27:44 | |
I'd be much happier curled up with a good book. | 0:27:44 | 0:27:47 | |
Good evening, Leroy. | 0:27:47 | 0:27:50 | |
And if Madge asks, I'm still at the disco. | 0:27:50 | 0:27:53 | |
Oh, enjoy your book. | 0:27:56 | 0:27:58 | |
I hope I can remember my place. | 0:27:59 | 0:28:02 |