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You think they'll ever find dark matter? | 0:00:07 | 0:00:10 | |
I didn't know they'd lost it. | 0:00:12 | 0:00:14 | |
It's fundamental to understanding what the world is made of. | 0:00:17 | 0:00:20 | |
I know what the world is made of. | 0:00:20 | 0:00:23 | |
It's made of people walking about out there with my money. | 0:00:23 | 0:00:28 | |
Your money? | 0:00:28 | 0:00:29 | |
Well, it is once I get them in the shop. | 0:00:29 | 0:00:31 | |
Morning, Mrs Hemstock. | 0:00:34 | 0:00:36 | |
I'm not speaking to you. | 0:00:36 | 0:00:38 | |
You sold my husband a right load of rubbish. | 0:00:38 | 0:00:41 | |
Well, I couldn't resist it - you've broken his spirit. | 0:00:41 | 0:00:44 | |
He'd buy anything, him. | 0:00:47 | 0:00:49 | |
"Art exhibition." Hmm. | 0:00:54 | 0:00:58 | |
-What are you entering? -Me? -Yeah. | 0:00:58 | 0:01:00 | |
Oh, I shouldn't enter, you. You've got no chance. | 0:01:00 | 0:01:03 | |
You know, I've often thought, "Who does Gastric remind me of?" | 0:01:03 | 0:01:08 | |
And you know who it is? | 0:01:08 | 0:01:10 | |
Picasso. Dead ringer. | 0:01:10 | 0:01:14 | |
Say hello to Pablo. | 0:01:14 | 0:01:16 | |
Oh, I can't paint. | 0:01:16 | 0:01:18 | |
I mean, I could do a bedroom. | 0:01:18 | 0:01:21 | |
Well, do something in metal, where your skills lie, hmm? | 0:01:21 | 0:01:26 | |
Just think how you'd impress Madge if you did something artistic. | 0:01:26 | 0:01:30 | |
HE BURPS | 0:01:30 | 0:01:33 | |
Apart from that. | 0:01:33 | 0:01:35 | |
I know - metal sculpture. Release your inner artist. | 0:01:35 | 0:01:40 | |
You could be the next big thing. | 0:01:40 | 0:01:42 | |
Madge says I am a big thing. | 0:01:42 | 0:01:44 | |
Ah! Ah, ah! | 0:02:36 | 0:02:40 | |
Ah. Eh, give me my...hand...back. | 0:02:40 | 0:02:43 | |
Oh! | 0:02:43 | 0:02:45 | |
Oh! Give it me back, will you?! | 0:02:45 | 0:02:47 | |
That's it, now. You don't get any money at all. | 0:02:47 | 0:02:52 | |
I think Arkwright's upset this morning. | 0:02:52 | 0:02:55 | |
I think he got annoyed | 0:02:55 | 0:02:56 | |
because I bought all that tinned stuff against his advice. | 0:02:56 | 0:03:00 | |
Spoke to you about it, did he? | 0:03:00 | 0:03:02 | |
No, but I can feel him t-tugging me by the back pocket. | 0:03:02 | 0:03:05 | |
Oh, sacred back pocket, with his great wodge of notes. | 0:03:06 | 0:03:11 | |
Yes, there's nothing more reassuring, you know, | 0:03:11 | 0:03:14 | |
than a roll of paper money at body temperature. | 0:03:14 | 0:03:18 | |
And he was right about that tinned stuff. | 0:03:18 | 0:03:21 | |
Should have listened to your back pocket. | 0:03:21 | 0:03:24 | |
-Are you asleep again? -Hmm? | 0:03:24 | 0:03:26 | |
It's not again, it's the same one from last night. | 0:03:26 | 0:03:30 | |
Don't tell me you're dreaming about her at the library again, are you? | 0:03:30 | 0:03:35 | |
She continues to ignore me. | 0:03:35 | 0:03:37 | |
Tried everything within my budget. | 0:03:37 | 0:03:40 | |
Did you give her your Tommy Cooper impression, hmm? | 0:03:40 | 0:03:43 | |
Did it, got nowhere. | 0:03:43 | 0:03:45 | |
-AS TOMMY COOPER: -Just like that! | 0:03:45 | 0:03:48 | |
Yeah, yeah, just like that. | 0:03:48 | 0:03:50 | |
Didn't you wonder why this stuff was so cheap? | 0:03:57 | 0:04:00 | |
I mean, are you even sure you know what's inside? | 0:04:00 | 0:04:02 | |
Tinned food. | 0:04:02 | 0:04:05 | |
There you are, see. | 0:04:05 | 0:04:07 | |
What? It's all written in Chinese! | 0:04:07 | 0:04:11 | |
How can you possibly know what's in it? | 0:04:11 | 0:04:14 | |
Hmm? | 0:04:14 | 0:04:15 | |
Ah, duck in plum sauce. | 0:04:17 | 0:04:20 | |
You don't know that! | 0:04:20 | 0:04:22 | |
Well, they don't know that either, do they? | 0:04:22 | 0:04:24 | |
Yes, but they will when they open the tin and then fetch it back. | 0:04:24 | 0:04:27 | |
Then we will refer them to the "no refund" policy | 0:04:27 | 0:04:32 | |
clearly written on the outside of the tin. | 0:04:32 | 0:04:34 | |
Why do I have to come at this hour? | 0:04:43 | 0:04:45 | |
And why the back door? | 0:04:45 | 0:04:47 | |
-Did anyone see you? -No. Who's about at this hour? | 0:04:47 | 0:04:50 | |
You're not dressed. | 0:04:52 | 0:04:54 | |
Don't get excited. | 0:04:54 | 0:04:56 | |
There's a nightdress under here you'd need a map to find your way through. | 0:04:56 | 0:05:00 | |
-I'm not excited. -No, I've noticed. | 0:05:00 | 0:05:03 | |
We have to talk about your improper advances. | 0:05:03 | 0:05:08 | |
I've made no improper advances. | 0:05:08 | 0:05:09 | |
No, that's what I've noticed, and it's got to stop. | 0:05:09 | 0:05:12 | |
You've brought me here at this hour to make improper advances? | 0:05:12 | 0:05:16 | |
You can shelve that idea. I'm nobody's plaything. | 0:05:16 | 0:05:20 | |
Then what's the urgency? | 0:05:20 | 0:05:21 | |
Urgency - now, that is a good word, and it's time you showed some. | 0:05:21 | 0:05:25 | |
How long have we been romantically coupled? | 0:05:25 | 0:05:28 | |
Is that what it's called? | 0:05:28 | 0:05:31 | |
-It seems like forever. -Long enough for the gossip to begin arising. | 0:05:31 | 0:05:36 | |
-Well, I've heard no gossip. -Nor have I, and it's high time it began. | 0:05:36 | 0:05:40 | |
I won't have people thinking we're doing nothing worth talking about. | 0:05:40 | 0:05:44 | |
You want people to gossip about us? | 0:05:44 | 0:05:47 | |
How do you think it looks if we're below their suspicions? | 0:05:47 | 0:05:50 | |
No, it's time to upgrade your image, Mr Newbold. | 0:05:50 | 0:05:54 | |
You are about to reach new heights of impishness. | 0:05:54 | 0:05:57 | |
Dare we say saucy? | 0:05:57 | 0:06:00 | |
It doesn't even sound like me. | 0:06:00 | 0:06:03 | |
I wouldn't know where to begin. | 0:06:03 | 0:06:05 | |
Well, you can park a motor car, you'll be fine. | 0:06:05 | 0:06:08 | |
Now, I want you to leave. | 0:06:08 | 0:06:11 | |
No, no, no. No, this time by the front door, | 0:06:13 | 0:06:16 | |
making all the noise you like, and making sure someone sees you. | 0:06:16 | 0:06:20 | |
-But won't they think...? -Won't they just? | 0:06:20 | 0:06:23 | |
And it would help if you can manage to look smug. | 0:06:23 | 0:06:27 | |
As if you've just climbed Everest. | 0:06:27 | 0:06:29 | |
And without a guide. | 0:06:29 | 0:06:31 | |
-There's never a Sherpa when you need one. -Wait. | 0:06:31 | 0:06:35 | |
Ah, ah, no, no, no - don't straighten it. | 0:06:35 | 0:06:38 | |
That's it, we want the abandoned look. | 0:06:38 | 0:06:41 | |
Smile, man. Off you go. | 0:06:41 | 0:06:43 | |
Oh, you rakish devil, you. | 0:06:43 | 0:06:46 | |
Good morning, Mr Newbold. | 0:06:54 | 0:06:56 | |
-You're up bright and early? -Early? | 0:06:56 | 0:06:59 | |
-Yes, I admit to early. -Are we to assume it's been a restless night? | 0:06:59 | 0:07:04 | |
I slept like a log, as you do in your own bed. | 0:07:04 | 0:07:08 | |
Naturally. | 0:07:08 | 0:07:09 | |
I thought I recognised you. | 0:07:09 | 0:07:11 | |
I thought, "That looks like Mr Newbold... | 0:07:11 | 0:07:14 | |
"..just leaving Mrs Featherstone's." | 0:07:14 | 0:07:17 | |
Oh, good heavens. Is that the time? | 0:07:17 | 0:07:20 | |
You can read your watch in this light? | 0:07:20 | 0:07:22 | |
You must have very keen eyes, Mr Newbold. | 0:07:22 | 0:07:25 | |
There seems to be no shortage of keen eyes. | 0:07:25 | 0:07:28 | |
Good day to you, Mrs Hussein. | 0:07:28 | 0:07:30 | |
And to you, Mr Newbold. | 0:07:30 | 0:07:32 | |
Go on, then. What is it? | 0:07:43 | 0:07:45 | |
Oh, you tell me. I daren't explore further. | 0:07:45 | 0:07:48 | |
Yes. | 0:07:51 | 0:07:54 | |
A hint of exotic spices with, erm... | 0:07:54 | 0:07:58 | |
..a cheeky tang of... | 0:07:58 | 0:08:02 | |
..almost incense. | 0:08:02 | 0:08:04 | |
Yeah, smells delicious. | 0:08:04 | 0:08:06 | |
It smells like a blocked drain! | 0:08:07 | 0:08:09 | |
Yes, but a mystical, eastern blocked drain. | 0:08:09 | 0:08:12 | |
It's rare delicacies, isn't it? They like it strong. | 0:08:14 | 0:08:17 | |
Strong? | 0:08:17 | 0:08:19 | |
Oh, that's muscle-bound. | 0:08:19 | 0:08:21 | |
Gourmets, right, they like more | 0:08:21 | 0:08:25 | |
pong for their pound. | 0:08:25 | 0:08:27 | |
Just pour it in there, let's have a look. | 0:08:27 | 0:08:29 | |
Oh. | 0:08:35 | 0:08:37 | |
Well? | 0:08:44 | 0:08:45 | |
Goes well with chips. | 0:08:45 | 0:08:47 | |
I just happened to be at the window. | 0:08:56 | 0:08:58 | |
Again? | 0:08:58 | 0:09:00 | |
You actually saw him leaving? | 0:09:00 | 0:09:02 | |
I wouldn't say leaving. | 0:09:02 | 0:09:04 | |
It were more like sneaking out. | 0:09:04 | 0:09:06 | |
Should we be jumping to conclusions? | 0:09:06 | 0:09:08 | |
Well, I don't see why not. | 0:09:08 | 0:09:10 | |
This one's made for a jump. | 0:09:10 | 0:09:12 | |
I must say, he did look a bit jumpy. | 0:09:12 | 0:09:15 | |
Maybe he's not a morning person. | 0:09:15 | 0:09:18 | |
Well, he doesn't do so badly at nights! | 0:09:18 | 0:09:20 | |
Good morning, ladies. | 0:09:24 | 0:09:26 | |
Am I interrupting something? | 0:09:28 | 0:09:30 | |
-No. -No. -I only ask because it was suddenly | 0:09:30 | 0:09:33 | |
so quiet you could hear a reputation drop. | 0:09:33 | 0:09:36 | |
We were just talking about some... | 0:09:37 | 0:09:39 | |
-Weather. -The best way to Middlesbrough. | 0:09:39 | 0:09:41 | |
-Him from Wilson Street that drives the bus. -In any weather. | 0:09:41 | 0:09:44 | |
But not to Middlesbrough. | 0:09:44 | 0:09:46 | |
Mrs Hussein was just telling us... | 0:09:47 | 0:09:49 | |
I wouldn't say telling! | 0:09:49 | 0:09:51 | |
It were more like... What can I say? | 0:09:51 | 0:09:54 | |
-Gossiping? -That's a bit harsh. | 0:09:54 | 0:09:56 | |
Where's the harm in a bit of mild gossip? | 0:09:56 | 0:09:59 | |
Could one inquire whom it was about? | 0:09:59 | 0:10:02 | |
-Her from number 24. -SAME TIME: -Ian from Denby Street. | 0:10:02 | 0:10:05 | |
Two for the price of one. | 0:10:06 | 0:10:08 | |
Ah, now this one is different. | 0:10:11 | 0:10:14 | |
Different what? | 0:10:14 | 0:10:16 | |
Yeah, looks interesting. | 0:10:25 | 0:10:28 | |
It looks unappetising. | 0:10:28 | 0:10:31 | |
It just needs cooking, that's all. | 0:10:31 | 0:10:34 | |
-Go on, then. -Hmm? | 0:10:34 | 0:10:36 | |
Read the cooking instructions. | 0:10:36 | 0:10:38 | |
Well, using my best grocer's guess, | 0:10:40 | 0:10:42 | |
I imagine it's probably this bit here that says something like... | 0:10:42 | 0:10:46 | |
HE SPEAKS GIBBERISH | 0:10:46 | 0:10:50 | |
..which means, "Just warm it up." | 0:10:50 | 0:10:53 | |
They eat snakes, you know. | 0:10:54 | 0:10:57 | |
Insects. They eat dogs. | 0:10:57 | 0:10:59 | |
There's nothing in there to indicate that that is dog. | 0:11:01 | 0:11:04 | |
Well, it's not going to bark, is it? | 0:11:04 | 0:11:07 | |
Don't feel sorry for me. I hate that. | 0:11:20 | 0:11:25 | |
-I prefer to keep smiling through pain. -I don't feel sorry for you. | 0:11:25 | 0:11:28 | |
OK. Let's step back a pace. | 0:11:28 | 0:11:31 | |
Ignore my opening remarks. | 0:11:31 | 0:11:33 | |
Go ahead - feel sorry for me. | 0:11:33 | 0:11:35 | |
I saw you putting the damn thing on outside. | 0:11:35 | 0:11:38 | |
In that case, I may have to turn around and leave. | 0:11:41 | 0:11:43 | |
Now, they say that it was you who encouraged Gastric | 0:11:59 | 0:12:04 | |
to do something artistic. | 0:12:04 | 0:12:06 | |
Yes, I thought that he was underestimated. | 0:12:06 | 0:12:10 | |
You know, creative-wise. | 0:12:10 | 0:12:13 | |
-I just thought he were ready. -Not only him. | 0:12:13 | 0:12:16 | |
You want ready, Granville? | 0:12:16 | 0:12:18 | |
I'm on speed dial. | 0:12:18 | 0:12:20 | |
Oh, right. Now, what-what-what could I help you with, Mrs Featherstone? | 0:12:20 | 0:12:25 | |
Those long winter evenings. | 0:12:25 | 0:12:28 | |
Yes, yes. | 0:12:28 | 0:12:29 | |
Well, of course, that's a bad time for grocers, because we've got | 0:12:29 | 0:12:33 | |
to dance with bells on our feet for, you know, the winter festivals. | 0:12:33 | 0:12:37 | |
Yeah. Excuse me. Yes. | 0:12:37 | 0:12:40 | |
And then, of course... And then, of... Ah, there... Yes. | 0:12:42 | 0:12:46 | |
Of course, there is also the candlelit vigil | 0:12:46 | 0:12:49 | |
in memory of p-pounds, shillings and pence. | 0:12:49 | 0:12:52 | |
Do you need help, Granville? | 0:12:52 | 0:12:54 | |
Help! Yes, yes, I do need help. | 0:12:54 | 0:12:57 | |
Granville, I have a confession to make. | 0:12:59 | 0:13:03 | |
You will be hearing stories about Mr Newbold. | 0:13:03 | 0:13:06 | |
There is a rumour that he has been seen leaving my premises. | 0:13:06 | 0:13:12 | |
In a hurry? | 0:13:12 | 0:13:14 | |
No, not in a hurry! | 0:13:14 | 0:13:16 | |
But outside respectable hours. | 0:13:16 | 0:13:19 | |
Well, yes! | 0:13:20 | 0:13:22 | |
HE LAUGH | 0:13:22 | 0:13:24 | |
That's the way to go Mrs Featherstone, yes, yes. | 0:13:24 | 0:13:28 | |
Seize the moment! | 0:13:28 | 0:13:29 | |
I'm not seizing anything. | 0:13:29 | 0:13:32 | |
But I wonder how long I can resist his increasing demands. | 0:13:32 | 0:13:37 | |
If you were to hazard a guess, Granville, how long, | 0:13:37 | 0:13:40 | |
do you think, before you came to my rescue? | 0:13:40 | 0:13:43 | |
Well, I... | 0:13:43 | 0:13:45 | |
Can I help you, Mrs Featherstone? | 0:13:45 | 0:13:46 | |
-How's your leg? -Fine. | 0:13:46 | 0:13:48 | |
Well, it wasn't in the library. | 0:13:48 | 0:13:50 | |
Oh, that. Yeah, no. | 0:13:50 | 0:13:52 | |
I was just wearing it for a friend. | 0:13:52 | 0:13:55 | |
Give him a breather. | 0:13:55 | 0:13:56 | |
Newbold. Our Mr Newbold. | 0:13:59 | 0:14:03 | |
The one we thought was interested only in foreign stamps. | 0:14:03 | 0:14:06 | |
You think he was there all night? | 0:14:06 | 0:14:09 | |
They say he was singing, | 0:14:09 | 0:14:10 | |
whistling and doing little dance steps in the street. | 0:14:10 | 0:14:12 | |
-He was there all night. -Mmm. | 0:14:12 | 0:14:15 | |
Yeah, you know what that means? | 0:14:15 | 0:14:17 | |
It's just us now! | 0:14:17 | 0:14:20 | |
Before we go in, be warned - this is just another one of his cons. | 0:14:24 | 0:14:29 | |
We know that, we're prepared. | 0:14:29 | 0:14:31 | |
We're one step in front of him. | 0:14:31 | 0:14:33 | |
Have you got anything on necking? | 0:14:41 | 0:14:44 | |
Outside. I'll see you outside. | 0:14:44 | 0:14:47 | |
These are not for eating. | 0:14:53 | 0:14:55 | |
These are for placing somewhere respectful in the home. | 0:14:55 | 0:14:58 | |
And then what? | 0:15:00 | 0:15:01 | |
It becomes a guiding spirit of the house. | 0:15:01 | 0:15:06 | |
-What's inside it? -Ah, sorry, have to be careful. | 0:15:06 | 0:15:09 | |
Of course, the ingredients have to be kept secret in order to avoid | 0:15:09 | 0:15:13 | |
people running amok with too much bliss. | 0:15:13 | 0:15:18 | |
It advises caution on the label. | 0:15:18 | 0:15:20 | |
You can't read t'label. | 0:15:20 | 0:15:23 | |
If you place your finger on the label, | 0:15:23 | 0:15:26 | |
the wonder of this little thing is | 0:15:26 | 0:15:29 | |
it sends a translation straight to your brain. | 0:15:29 | 0:15:32 | |
It's not working on me. | 0:15:43 | 0:15:45 | |
All I know is that if you face the other way, you close your eyes | 0:15:45 | 0:15:49 | |
and concentrate, put your hand on the top of the can, | 0:15:49 | 0:15:53 | |
you'll feel these soft, gentle waves as they leave the can. | 0:15:53 | 0:15:58 | |
So, look, I'm going to stand over there so, you know, | 0:15:58 | 0:16:02 | |
I won't be able to interfere in any way. | 0:16:02 | 0:16:05 | |
Right? | 0:16:06 | 0:16:08 | |
All I can feel is the can. | 0:16:09 | 0:16:12 | |
Cold, metal can. | 0:16:12 | 0:16:14 | |
-What was that? -Hmm? | 0:16:22 | 0:16:24 | |
What was what? | 0:16:24 | 0:16:26 | |
I... | 0:16:26 | 0:16:28 | |
-What? -I don't know how you did it, but you did it. | 0:16:29 | 0:16:34 | |
Come on, we're out of here. | 0:16:34 | 0:16:37 | |
Don't call us, we'll call you. | 0:16:37 | 0:16:40 | |
They're only £4.50! Wait... | 0:16:40 | 0:16:43 | |
You're an idiot. You can't keep doing this. | 0:16:49 | 0:16:52 | |
Anybody but an idiot would know that. It's got to stop. | 0:16:52 | 0:16:55 | |
I like your eyes. | 0:16:55 | 0:16:56 | |
-Well, I don't like yours. -The left one's not bad. | 0:16:56 | 0:16:59 | |
You're wasting your time - and mine. | 0:16:59 | 0:17:02 | |
I'm in a relationship. | 0:17:02 | 0:17:04 | |
Then it's lucky I found you just in time. | 0:17:04 | 0:17:06 | |
-I bet he eats meat. -He doesn't! | 0:17:08 | 0:17:10 | |
Behind your back, I bet he eats meat. | 0:17:10 | 0:17:13 | |
Oh, dear. What happened to you? | 0:17:13 | 0:17:15 | |
I collided with a vegan. | 0:17:15 | 0:17:17 | |
It hurts more than she thinks. | 0:17:17 | 0:17:19 | |
-You look like you've lost 50p. -I've lost more than that. | 0:17:26 | 0:17:29 | |
I think I've lost my mojo. | 0:17:30 | 0:17:33 | |
Do you know, I had Eric and Cyril like that, | 0:17:33 | 0:17:36 | |
and then I let them walk away! | 0:17:36 | 0:17:39 | |
I'm not surprised. | 0:17:39 | 0:17:40 | |
I've heard your stories. You can't get away with it every time. | 0:17:40 | 0:17:44 | |
I feel like the naked grocer. | 0:17:44 | 0:17:46 | |
And that's another thing. | 0:17:46 | 0:17:48 | |
I wish you'd stop with your insect stories. | 0:17:48 | 0:17:50 | |
You invent these bugs and beetles. You make people feel itchy. | 0:17:50 | 0:17:55 | |
You make me feel itchy. | 0:17:55 | 0:17:57 | |
Well, you've got to sound convincing, haven't you? | 0:17:57 | 0:18:00 | |
You convinced Mrs Harris yesterday. | 0:18:00 | 0:18:02 | |
Oh, yes! | 0:18:02 | 0:18:03 | |
With the old underwear mites. | 0:18:03 | 0:18:06 | |
Oh, she really went for that one, didn't she? | 0:18:07 | 0:18:10 | |
When she left the shop, she was | 0:18:10 | 0:18:11 | |
acting like she'd got fleas. | 0:18:11 | 0:18:13 | |
-What if they won't let us in? -We pour on the charm. | 0:18:22 | 0:18:26 | |
You pour, I'll just stand here. | 0:18:26 | 0:18:27 | |
Failing that, we'll just elbow our way in. | 0:18:27 | 0:18:30 | |
I feel like we're intruding. | 0:18:32 | 0:18:34 | |
We are intruding. Get used to it. | 0:18:34 | 0:18:36 | |
Oh, hello, Gastric. | 0:18:43 | 0:18:45 | |
What do you want? | 0:18:45 | 0:18:46 | |
A nicer welcome would be something. | 0:18:46 | 0:18:49 | |
We were just wondering how it's going, your exhibition thing. | 0:18:49 | 0:18:53 | |
I'm finding it hard. It's a constant battle between doubt and certainty. | 0:18:53 | 0:18:57 | |
Of course, working in three dimensions is exciting. | 0:19:01 | 0:19:04 | |
I feel I've grown. | 0:19:05 | 0:19:08 | |
It's been a journey. | 0:19:08 | 0:19:09 | |
An adventure. | 0:19:09 | 0:19:11 | |
Dare I say a kind of spiritual experience. | 0:19:11 | 0:19:15 | |
Get him. | 0:19:22 | 0:19:24 | |
Granville, do you know what Gastric is up to? | 0:19:31 | 0:19:33 | |
Excuse me, ladies, a bit of chemical warfare, here. | 0:19:33 | 0:19:36 | |
I'm not sure we want to come in if you've got a creepy-crawly problem. | 0:19:36 | 0:19:40 | |
I do apologise. I'm sorry. I'm sure it's nothing. | 0:19:40 | 0:19:42 | |
It's just that there is a rumour that they... Excuse me... | 0:19:42 | 0:19:46 | |
..they're in the area. Oh! | 0:19:46 | 0:19:48 | |
Personally, I think it's just a rumour, but... | 0:19:48 | 0:19:52 | |
..for which I don't think there's any real... Ooh. | 0:19:52 | 0:19:55 | |
..there's any real foundation. | 0:19:55 | 0:19:57 | |
But the problem is... you can't be too sure, | 0:19:57 | 0:20:00 | |
because they're so small, you see, you can't see them. | 0:20:00 | 0:20:03 | |
What is this thing that you, erm, that you can't see? | 0:20:03 | 0:20:07 | |
Oh, Microbius itchicanus, yeah. | 0:20:07 | 0:20:10 | |
You'll probably know it better as the itchy bug. | 0:20:10 | 0:20:13 | |
If you can't see it, how do you know if you've got it? | 0:20:13 | 0:20:17 | |
-Oh! Ah. -That's it. | 0:20:17 | 0:20:19 | |
That's how you know. Just like... I'm glad you asked that. | 0:20:19 | 0:20:23 | |
In fact, I'm glad about a lot of things about you. | 0:20:23 | 0:20:27 | |
-Oh, you'll make me blush. -Save it for later, you'll probably need it. | 0:20:27 | 0:20:32 | |
Come on, let's go, give them a bit of privacy. | 0:20:32 | 0:20:34 | |
OK, yes, off you go, ladies, | 0:20:34 | 0:20:36 | |
but don't forget to just warn the people out there | 0:20:36 | 0:20:39 | |
about the itchy bug, because they do say, you know, | 0:20:39 | 0:20:42 | |
that Mrs Lewis has come out in a load of bumps. | 0:20:42 | 0:20:45 | |
Well, if you want the word spreading, | 0:20:45 | 0:20:47 | |
I'm sure I can be of assistance. | 0:20:47 | 0:20:49 | |
-She's not kidding. -Huh. | 0:20:49 | 0:20:52 | |
But Mrs Lewis seemed all right yesterday. | 0:20:52 | 0:20:54 | |
Well, I spoke to Mr Lewis, and he said | 0:20:54 | 0:20:57 | |
it was such a long time since he looked. | 0:20:57 | 0:21:00 | |
He could phone a friend. | 0:21:00 | 0:21:02 | |
Oh, yes. | 0:21:02 | 0:21:05 | |
Tell them there's no need to panic, because we have the solution. | 0:21:05 | 0:21:09 | |
Yes... Are you sure there's no need to panic? | 0:21:15 | 0:21:18 | |
I can't promise that now we're alone. | 0:21:18 | 0:21:21 | |
-But anyway, there's no itchy bug, I just made it up. -Good. | 0:21:23 | 0:21:27 | |
So, can you stop them itching now? | 0:21:27 | 0:21:30 | |
DOOR CRASHES OPEN | 0:21:39 | 0:21:41 | |
Phwoar! It's heavy. That's it, that's it. | 0:21:41 | 0:21:45 | |
Bring it in, why don't you? What is it? Your Mini? | 0:21:45 | 0:21:49 | |
I want your honest opinion...unless you don't like it. | 0:21:49 | 0:21:53 | |
I thought you were using Madge as your inspiration. | 0:21:53 | 0:21:55 | |
I was, but it came out too frightening. | 0:21:55 | 0:21:58 | |
I thought you'd be doing something that would fit on a shelf. | 0:21:58 | 0:22:01 | |
Well, it started that way, | 0:22:01 | 0:22:02 | |
but you have to go where the impulse takes you. | 0:22:02 | 0:22:06 | |
Yes. They arrested him from Berwick Street for doing that. | 0:22:06 | 0:22:10 | |
All right, then. Come on, get this cloth off, let's have a look at it. | 0:22:12 | 0:22:15 | |
No, no. Not there. | 0:22:15 | 0:22:18 | |
The light's wrong there. | 0:22:18 | 0:22:20 | |
Excuse us for being such peasants. | 0:22:22 | 0:22:24 | |
I won't have it diminished | 0:22:24 | 0:22:26 | |
because he's too cheap to have proper lighting. | 0:22:26 | 0:22:29 | |
I think your next bill has just gone up. | 0:22:29 | 0:22:32 | |
I want it to make maximum impact. | 0:22:32 | 0:22:35 | |
Impact?! You nearly knocked the door off its hinges just now. | 0:22:35 | 0:22:40 | |
It offends me to see it on the floor. | 0:22:40 | 0:22:43 | |
It requires height, space... | 0:22:43 | 0:22:47 | |
..the right eye-line. Here, let's get it up here. | 0:22:47 | 0:22:52 | |
Get it up. That's it. Now, be careful. | 0:22:52 | 0:22:55 | |
It might be just an object to you, but I can feel its pain. | 0:22:55 | 0:22:59 | |
Just watch my polished surfaces, will you? | 0:22:59 | 0:23:02 | |
There, that's better. | 0:23:05 | 0:23:07 | |
-It's a peculiar shape. -Eh? | 0:23:07 | 0:23:11 | |
If he's going to insult my work, I'll take it elsewhere. | 0:23:11 | 0:23:15 | |
And to think I used to know you when you were liveable-with. | 0:23:15 | 0:23:17 | |
It's like giving birth! | 0:23:17 | 0:23:20 | |
You know? I mean, there's a bond here. | 0:23:20 | 0:23:25 | |
Now, just calm down, right, will you? | 0:23:25 | 0:23:27 | |
This is emotional for me. | 0:23:27 | 0:23:30 | |
I'm exposing layers of sensitivity here. | 0:23:30 | 0:23:34 | |
Get on with it. | 0:23:34 | 0:23:35 | |
Now, I don't mind informed criticism, but just remember, | 0:23:35 | 0:23:39 | |
if you don't like it, just keep your mouths shut! | 0:23:39 | 0:23:42 | |
-Are you ready? -Ready? | 0:23:43 | 0:23:45 | |
We've been ready since you come banging through our front door. | 0:23:45 | 0:23:48 | |
Now, come on. | 0:23:48 | 0:23:50 | |
That's terrific, that, Gastric. | 0:23:56 | 0:23:58 | |
That's sensational. That is just right. | 0:23:58 | 0:24:01 | |
You'll see where I'm coming from. | 0:24:02 | 0:24:04 | |
I made the decision early on to drop narrow representation | 0:24:04 | 0:24:08 | |
of form for a more fluid impressionism. | 0:24:08 | 0:24:11 | |
Can you believe this? | 0:24:11 | 0:24:13 | |
Yeah. Yeah, you leave him alone, you. | 0:24:13 | 0:24:16 | |
Him - he's my favourite artist. | 0:24:16 | 0:24:19 | |
-That's nice. -I'm not sure. | 0:24:28 | 0:24:31 | |
Lord help us all if that's in the area. | 0:24:55 | 0:24:59 | |
Or even closer. | 0:24:59 | 0:25:01 | |
It's got nice eyes. | 0:25:01 | 0:25:03 | |
Just imagine that crawling about your nerve ends. | 0:25:03 | 0:25:05 | |
I'd rather not, if you don't mind. | 0:25:05 | 0:25:08 | |
It's very shiny. | 0:25:08 | 0:25:09 | |
You'd think you could see them! | 0:25:09 | 0:25:11 | |
Oh, I hate it. | 0:25:18 | 0:25:21 | |
-I rather like it. -No, you don't. | 0:25:21 | 0:25:23 | |
It's not your kind of thing at all. | 0:25:23 | 0:25:25 | |
I wish you'd stop that, it's making me feel itchy. | 0:25:26 | 0:25:29 | |
It's ever since I saw that damn bug. | 0:25:29 | 0:25:31 | |
Oh, don't scratch there, it looks rude! | 0:25:31 | 0:25:34 | |
-But that's where it's itchy. -When you're with me | 0:25:34 | 0:25:36 | |
and in public, you will scratch where it is acceptable to scratch. | 0:25:36 | 0:25:40 | |
Oh, got an itch? There you are, madam, that'll cure it for you. | 0:25:44 | 0:25:47 | |
£4.50. Thank you. Oh, thank you, yes, yes. There you are. | 0:25:47 | 0:25:53 | |
No problems at all, keep you happy, that will. | 0:25:53 | 0:25:55 | |
Death ray? You told us it was improving relations in the home. | 0:25:57 | 0:26:02 | |
Harmony vessels, you said. You spoke of bringing bliss. | 0:26:02 | 0:26:06 | |
Which we took to include a full range of activities. | 0:26:06 | 0:26:11 | |
Without which, bliss, we thought, would be largely theoretical. | 0:26:11 | 0:26:14 | |
A merely notional concept. Difficult to evaluate. | 0:26:14 | 0:26:19 | |
It does all of that - | 0:26:19 | 0:26:21 | |
death rays and bliss. | 0:26:21 | 0:26:24 | |
Now, you see, the thing is that when you're | 0:26:24 | 0:26:26 | |
interested in a little frolic, | 0:26:26 | 0:26:29 | |
the last thing that you want is an attack from the itchy bug. | 0:26:29 | 0:26:33 | |
Now, this little marvel will not only improve your frolic, right, | 0:26:35 | 0:26:40 | |
but it'll make sure that you are kept free from the itchy bug. | 0:26:40 | 0:26:44 | |
Now, the world has been waiting for that, hasn't it? | 0:26:46 | 0:26:49 | |
Thank you. There you are. One for you, sir? Yes, off you go. | 0:26:53 | 0:26:57 | |
I suppose some might find the emotional value excessive, | 0:27:02 | 0:27:07 | |
but for me they make a statement about the purity of the metal. | 0:27:07 | 0:27:12 | |
What is this doing in our bed? | 0:27:30 | 0:27:32 | |
It won't do any harm down by your feet. | 0:27:34 | 0:27:37 | |
Eric, I am not sleeping with a can in our bed. | 0:27:37 | 0:27:40 | |
This sends out waves of harmony. | 0:27:40 | 0:27:44 | |
Wave it goodbye, Eric. | 0:27:44 | 0:27:46 | |
All right. | 0:27:46 | 0:27:48 | |
But don't blame me if you don't achieve bliss. | 0:27:48 | 0:27:51 | |
MOUTHS | 0:27:51 | 0:27:52 | |
I wonder if Gastric will get to talking normal. | 0:27:57 | 0:28:01 | |
That Mavis looks well in her shorty nightie. | 0:28:03 | 0:28:07 | |
I've never seen her in one, | 0:28:08 | 0:28:10 | |
but call it grocer's intuition. | 0:28:10 | 0:28:13 | |
It's amazing how people can be talked into feeling itchy. | 0:28:17 | 0:28:22 | |
HE CHUCKLES | 0:28:22 | 0:28:24 |