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Hi, Leroy. | 0:00:07 | 0:00:09 | |
Who was that? | 0:00:11 | 0:00:12 | |
No idea. | 0:00:12 | 0:00:14 | |
She's from Hexthorpe. You met her at Brenda's party. | 0:00:14 | 0:00:18 | |
You got your hair fast in her earring. | 0:00:18 | 0:00:20 | |
I was leaning forward to admire her... | 0:00:20 | 0:00:22 | |
..necklace. | 0:00:24 | 0:00:25 | |
You slid your nose all the way down her blouse. | 0:00:25 | 0:00:28 | |
She exaggerates. | 0:00:30 | 0:00:32 | |
Look, not a mark. | 0:00:33 | 0:00:35 | |
In my day, you were lucky if you found time | 0:00:35 | 0:00:38 | |
to get your nose in a book. | 0:00:38 | 0:00:40 | |
Come here, let me have a look. | 0:00:41 | 0:00:43 | |
Yes, I can see it. Look. | 0:00:43 | 0:00:46 | |
36 Double D. | 0:00:46 | 0:00:48 | |
What time is it? I'll have to get back to the shop. | 0:01:40 | 0:01:42 | |
You're already here, dopey. | 0:01:44 | 0:01:47 | |
Well, in the flesh anyway. | 0:01:48 | 0:01:50 | |
I know how you feel though. Been twisting and turning all night. | 0:01:51 | 0:01:54 | |
I've heard you twisting customers. | 0:01:54 | 0:01:57 | |
That is called creative shopkeeping. | 0:01:57 | 0:01:59 | |
They enjoy it really, you know. | 0:02:02 | 0:02:04 | |
It makes them think they're a vital part of the economy. | 0:02:05 | 0:02:09 | |
Oh, so it's a public service? | 0:02:09 | 0:02:12 | |
Yes. I like to think so. | 0:02:12 | 0:02:15 | |
Anyway, it's the thought of Madge leaving and taking Mavis with her. | 0:02:15 | 0:02:19 | |
Stay cool. They haven't left yet. | 0:02:21 | 0:02:23 | |
No. But she's planning on it though, isn't she? | 0:02:23 | 0:02:26 | |
Yes, I know. | 0:02:28 | 0:02:30 | |
That's how I feel. | 0:02:32 | 0:02:33 | |
Go on, go back to bed Arkwright. | 0:02:35 | 0:02:38 | |
Have a lie-in. | 0:02:38 | 0:02:40 | |
It's only me! Are you decent? | 0:02:43 | 0:02:46 | |
I asked if you were decent. I got no reply. | 0:02:50 | 0:02:53 | |
You came in anyway. | 0:02:55 | 0:02:57 | |
Well, cautiously, with my eyes half shut | 0:02:57 | 0:02:59 | |
ready to close them instantly had you been flaunting your masculinity. | 0:02:59 | 0:03:02 | |
It's a bit early for a flaunt. | 0:03:04 | 0:03:06 | |
As you can see, I'm quite decent. | 0:03:06 | 0:03:08 | |
Tell me, at what time would one have to come to catch you otherwise? | 0:03:09 | 0:03:13 | |
This is not an ambition. | 0:03:15 | 0:03:17 | |
I'm merely trying to establish a benchmark | 0:03:17 | 0:03:19 | |
to avoid any embarrassment. | 0:03:19 | 0:03:21 | |
Why do you think I would slop about the place half dressed? | 0:03:21 | 0:03:25 | |
-It's not to my taste. -Good. | 0:03:25 | 0:03:27 | |
The late Mr Featherstone was only too ready to slip out of his things. | 0:03:27 | 0:03:31 | |
Claimed he was saving me the washing. | 0:03:31 | 0:03:33 | |
You'll never guess what I found here beneath the counter. | 0:03:44 | 0:03:48 | |
-Hello, Mavis. -Hello, Leroy. | 0:03:54 | 0:03:57 | |
Yes, I was just trying to convince this young lady | 0:03:59 | 0:04:02 | |
about the advantages of not leaving the area. | 0:04:02 | 0:04:06 | |
Your tie's twisted. | 0:04:07 | 0:04:08 | |
Probably my fault. I grabbed it when I felt the shock. | 0:04:08 | 0:04:11 | |
Yes, there's a live wire down here. | 0:04:13 | 0:04:15 | |
There was a minute ago! | 0:04:15 | 0:04:17 | |
Control him, Mavis. Don't let him blow a fuse. | 0:04:19 | 0:04:22 | |
My tie is always at your disposal. | 0:04:24 | 0:04:27 | |
I think I tightened your knot. | 0:04:28 | 0:04:30 | |
You do every time! | 0:04:30 | 0:04:32 | |
Listen, you've got to talk your Madge out of leaving. | 0:04:35 | 0:04:39 | |
She's got her mind set on that little business. | 0:04:40 | 0:04:43 | |
I know. Wait a minute, she's superstitious, isn't she? | 0:04:45 | 0:04:48 | |
We could tell her that Mrs Duckett up the road is psychic, | 0:04:48 | 0:04:52 | |
and she says no because she's had this message from the other side | 0:04:52 | 0:04:58 | |
saying, "Don't go near that little business." | 0:04:58 | 0:05:03 | |
Eh? Hmm? | 0:05:03 | 0:05:04 | |
I'll never remember all that. | 0:05:04 | 0:05:06 | |
Don't worry, I'll write it down for you. | 0:05:06 | 0:05:09 | |
You know what she's like. | 0:05:09 | 0:05:11 | |
The only one who could ever talk sense to our Madge was Grandpa. | 0:05:11 | 0:05:15 | |
She loved her grandpa. | 0:05:15 | 0:05:18 | |
And I suppose now we need him, he's dead. | 0:05:18 | 0:05:21 | |
I don't think he did it on purpose. | 0:05:21 | 0:05:23 | |
Delphine. | 0:05:28 | 0:05:29 | |
Do you think we're well matched? | 0:05:30 | 0:05:32 | |
Don't be so silly, of course we are. Absolutely. No question. | 0:05:32 | 0:05:35 | |
I'm glad we've got that cleared up. | 0:05:35 | 0:05:38 | |
Well? | 0:05:41 | 0:05:42 | |
What do you suggest we do? | 0:05:43 | 0:05:45 | |
About what? | 0:05:45 | 0:05:47 | |
What are your plans for our day? | 0:05:47 | 0:05:50 | |
Our day? | 0:05:50 | 0:05:51 | |
All day?! | 0:05:51 | 0:05:53 | |
Don't let me make all the decisions. Exert yourself. | 0:05:53 | 0:05:57 | |
What would you like to do? | 0:05:57 | 0:05:59 | |
I thought you might like to take me out to lunch. | 0:06:02 | 0:06:05 | |
Why don't I take you out to lunch? | 0:06:06 | 0:06:09 | |
What a good idea. | 0:06:09 | 0:06:10 | |
You see, you can do it. | 0:06:12 | 0:06:14 | |
Right. Where do I dump this? | 0:06:18 | 0:06:20 | |
Crab apple jelly you've had since Guy Fawkes were a lad. | 0:06:20 | 0:06:24 | |
Dump? Dump? | 0:06:25 | 0:06:27 | |
That's been much maturing very nicely. | 0:06:28 | 0:06:31 | |
It's probably ready for sale now. | 0:06:31 | 0:06:33 | |
Let's see. Give it here. | 0:06:39 | 0:06:40 | |
Home-made crab apple jelly. | 0:06:40 | 0:06:42 | |
Lovely. | 0:06:44 | 0:06:45 | |
You won't find quality like this for sale at Harrods. | 0:06:45 | 0:06:48 | |
Last time you brought it out it didn't sell. It was too sour. | 0:06:48 | 0:06:52 | |
In the trade we call that a refreshing astringency. | 0:06:52 | 0:06:57 | |
It's probably matured. It's much sweeter now. | 0:06:57 | 0:07:00 | |
Here you are. | 0:07:00 | 0:07:02 | |
There you go. Try that. | 0:07:04 | 0:07:06 | |
-Cheers. -Cheers. | 0:07:10 | 0:07:11 | |
Oh, that's sour. | 0:07:16 | 0:07:18 | |
It could take the enamel off your teeth, that. | 0:07:18 | 0:07:21 | |
Just think how they'll love it when the taste wears off. | 0:07:21 | 0:07:25 | |
We don't want you to move. | 0:07:31 | 0:07:33 | |
We've got used to your bad-tempered ways. | 0:07:33 | 0:07:37 | |
Thank you. I shall miss your mouth too. | 0:07:37 | 0:07:40 | |
But it's an opportunity. | 0:07:40 | 0:07:42 | |
You said that when you got married. | 0:07:42 | 0:07:44 | |
I only got married the once. | 0:07:44 | 0:07:47 | |
Everybody can make a mistake. | 0:07:47 | 0:07:49 | |
More than once if you play your cards right. | 0:07:49 | 0:07:51 | |
How is Mr Newbold these days? | 0:07:51 | 0:07:53 | |
Responding nicely to a firm hand. He's taking me out to lunch. | 0:07:53 | 0:07:57 | |
He looks so slim. | 0:07:57 | 0:07:59 | |
Does he have much of an appetite? | 0:07:59 | 0:08:01 | |
Nothing I can't handle. | 0:08:01 | 0:08:04 | |
And how's he handling you? | 0:08:04 | 0:08:06 | |
It's a big jump from stamp collecting straight to you. | 0:08:06 | 0:08:09 | |
I don't allow big jumps. | 0:08:09 | 0:08:11 | |
And anyway, he's not ready. We've not done with mortal fear. | 0:08:11 | 0:08:14 | |
-Right. -You said, did we have a photo of Grandpa? | 0:08:17 | 0:08:20 | |
Yes, I want to see this one man who had such influence over Madge. | 0:08:20 | 0:08:25 | |
Oh. It's a lot of hair for one face, isn't it, eh? | 0:08:27 | 0:08:31 | |
You could get two faces in there. | 0:08:31 | 0:08:34 | |
-Where's Gastric? -You're asking me? | 0:08:35 | 0:08:38 | |
I don't know where I am half the time! | 0:08:38 | 0:08:40 | |
-Where should he be? -He should be here. | 0:08:41 | 0:08:44 | |
-He said he was checking the car. -And he's probably checked it. | 0:08:44 | 0:08:47 | |
Then off he goes, leaves the keys in, engine running. | 0:08:47 | 0:08:50 | |
Charming! | 0:08:50 | 0:08:52 | |
You get him flustered. You know you do. | 0:08:52 | 0:08:56 | |
You're always barking at him. | 0:08:56 | 0:08:57 | |
You have to. They're so unreliable. | 0:08:57 | 0:09:00 | |
I'm shocked. | 0:09:14 | 0:09:16 | |
That you should think that you have ever been misled | 0:09:16 | 0:09:19 | |
by any product that has been sold from this establishment. | 0:09:19 | 0:09:24 | |
It feels more like every product. | 0:09:24 | 0:09:27 | |
But hey, no hard feelings. | 0:09:27 | 0:09:29 | |
We understand it's your job to sell and ours to resist. | 0:09:29 | 0:09:33 | |
-To be rock hard. -You see this? | 0:09:33 | 0:09:35 | |
This is me stone face. | 0:09:37 | 0:09:39 | |
Nobody gets any rubbish past... | 0:09:39 | 0:09:42 | |
Me stone face. | 0:09:44 | 0:09:47 | |
All right. You don't want any Old Mother Hemlock's crab apple jelly? | 0:09:47 | 0:09:51 | |
All right. Fine. Thank you very much. Good day. | 0:09:51 | 0:09:54 | |
Hey, hang on a minute. | 0:09:54 | 0:09:57 | |
Aren't you going to tell us it's good for heart disease | 0:10:00 | 0:10:02 | |
or vitamin deficiency? | 0:10:02 | 0:10:04 | |
And not to mention the magical effects | 0:10:04 | 0:10:07 | |
it would have on our love life. | 0:10:07 | 0:10:09 | |
-Funny you should mention that, because... -Forget it. | 0:10:11 | 0:10:14 | |
No sale. Not this time. | 0:10:16 | 0:10:18 | |
Told you. Stone face. | 0:10:18 | 0:10:21 | |
I've just had a funny experience. | 0:10:36 | 0:10:38 | |
Lucky you. I get one all the time. | 0:10:38 | 0:10:40 | |
She could have run me over. | 0:10:41 | 0:10:43 | |
That's the one. All the time. | 0:10:43 | 0:10:45 | |
Do you think she were trying to tell me something? | 0:10:45 | 0:10:48 | |
You can't tell them anything. It never gets through. | 0:10:48 | 0:10:50 | |
They've got this anti-missile shield. It's impenetrable. | 0:10:50 | 0:10:54 | |
Maybe she were playing with me. | 0:10:55 | 0:10:58 | |
I like it. My Madge with a sense of humour. | 0:10:58 | 0:11:01 | |
Oh, they can smile. | 0:11:02 | 0:11:04 | |
Even Mrs Featherstone can smile. | 0:11:04 | 0:11:06 | |
But behind it... | 0:11:06 | 0:11:08 | |
..there's this thing... | 0:11:09 | 0:11:11 | |
..and it's drawing me in. | 0:11:13 | 0:11:15 | |
Waste not want not. | 0:11:20 | 0:11:22 | |
They said that in the old days, didn't they? | 0:11:23 | 0:11:26 | |
Here we go. Look at that. Right, now. | 0:11:27 | 0:11:30 | |
-Mrs Featherstone. -I can't stop. I've got Mr Newbold outside. | 0:11:41 | 0:11:46 | |
Well, bring him in. | 0:11:46 | 0:11:47 | |
No, let him wait outside, worrying about what you and I are up to. | 0:11:47 | 0:11:51 | |
-We're not up to anything. -Well, I'm ready when you are, Granville. | 0:11:52 | 0:11:55 | |
He's taking me out to lunch. I don't know what he has in mind for after. | 0:11:56 | 0:12:00 | |
A girl has to be so careful. | 0:12:00 | 0:12:02 | |
Have you never had the urge, Granville? | 0:12:03 | 0:12:06 | |
I think it's all that stuff that they put in the water, you know. | 0:12:07 | 0:12:12 | |
No. No, to take me out to lunch. | 0:12:12 | 0:12:14 | |
I usually snatch a bite behind the counter. | 0:12:14 | 0:12:18 | |
Oh, you wicked rogue. | 0:12:18 | 0:12:20 | |
You know how to tempt a girl. | 0:12:20 | 0:12:22 | |
No, you know, snack in one hand, busy with the other. | 0:12:22 | 0:12:25 | |
There you go again. | 0:12:25 | 0:12:27 | |
You'd be very cramped behind this counter, Mrs Featherstone. | 0:12:27 | 0:12:31 | |
You'd be surprised where a widow of my experience can fit. | 0:12:31 | 0:12:34 | |
Good Lord, is that the time? Look. | 0:12:35 | 0:12:38 | |
Time? You've still a little time before Mr Newbold snatches me up, | 0:12:38 | 0:12:43 | |
but I don't know how long I can keep him at bay. | 0:12:43 | 0:12:45 | |
He's out there now. His hormones raging. | 0:12:45 | 0:12:48 | |
-Have you any of them... -No. -Yes. | 0:12:51 | 0:12:53 | |
Yes. | 0:12:53 | 0:12:55 | |
Hey, old witch's recipe? | 0:13:04 | 0:13:06 | |
He's struggling now. We shook him up. | 0:13:06 | 0:13:08 | |
Can you believe he'd believe any muffin would fall for that? | 0:13:08 | 0:13:11 | |
The old witch's recipe? You don't see that down at the Co-op. | 0:13:13 | 0:13:17 | |
All I can say is, he deserves it. | 0:13:20 | 0:13:23 | |
Old Mother Hemlock's crab apple jelly. | 0:13:24 | 0:13:27 | |
She was famous, you know in the Don Valley. | 0:13:27 | 0:13:31 | |
People used to come from miles around. | 0:13:31 | 0:13:34 | |
After overindulging on this stuff, | 0:13:37 | 0:13:40 | |
the witches used to throw wild parties. | 0:13:40 | 0:13:43 | |
Naked. | 0:13:43 | 0:13:45 | |
By moonlight. | 0:13:45 | 0:13:46 | |
In the forest. | 0:13:46 | 0:13:48 | |
Naked? In the forest? | 0:13:50 | 0:13:52 | |
Must be strong stuff. | 0:13:52 | 0:13:54 | |
Did they do this moonlight thing regularly? | 0:13:54 | 0:13:58 | |
Every second Tuesday. | 0:13:58 | 0:14:00 | |
There wouldn't be a moon every second Tuesday. | 0:14:01 | 0:14:03 | |
They brought their own. | 0:14:05 | 0:14:07 | |
These were ladies, you know, with extraordinary powers. | 0:14:09 | 0:14:12 | |
Old Mother Hemlock once lifted Rotherham 40 feet into the air. | 0:14:13 | 0:14:17 | |
Of course, it was a lot smaller in them days. | 0:14:18 | 0:14:21 | |
And you know all this because? | 0:14:24 | 0:14:27 | |
Witches used their corner shops. | 0:14:27 | 0:14:30 | |
Witches gossiped and grocers kept records. | 0:14:30 | 0:14:34 | |
And you've seen these records? | 0:14:34 | 0:14:37 | |
Yes, in the Grocers Museum, | 0:14:37 | 0:14:39 | |
where you can actually read a weekly order of a witch | 0:14:39 | 0:14:43 | |
by the name of Miserable Meg. | 0:14:43 | 0:14:45 | |
If she was going to naked raves in the forest, | 0:14:46 | 0:14:49 | |
what would she be miserable about? | 0:14:49 | 0:14:51 | |
You ride on a broomstick for a couple of hours and see how YOU feel! | 0:14:51 | 0:14:54 | |
I thought witchcraft was illegal. | 0:14:56 | 0:14:58 | |
Yes, but they used to claim they were Avon ladies. | 0:14:59 | 0:15:02 | |
You may well ask, what difference Old Mother Hemlock's recipe | 0:15:05 | 0:15:09 | |
makes to this otherwise ordinary product. | 0:15:09 | 0:15:12 | |
Let me guess. As if we didn't already know. | 0:15:14 | 0:15:17 | |
I bet we're talking astonishing improvements to our emotional lives. | 0:15:18 | 0:15:22 | |
No, let him finish. | 0:15:22 | 0:15:23 | |
I've nothing against astonishing improvements to my emotional life. | 0:15:23 | 0:15:27 | |
Well, me neither. If they work. | 0:15:27 | 0:15:30 | |
In fact, I think I could say you'd be looking at guaranteed | 0:15:31 | 0:15:34 | |
repeat custom if there was any damn chance they'd work. | 0:15:34 | 0:15:37 | |
Does this stuff work? | 0:15:39 | 0:15:41 | |
George Clooney. Need I say more? | 0:15:41 | 0:15:45 | |
-Really? -On toast every morning. | 0:15:46 | 0:15:49 | |
Benedict Cumberbatch, he leans more towards a muffin. | 0:15:50 | 0:15:54 | |
What's in this recipe of Old mother Hemlock's? | 0:15:54 | 0:15:56 | |
It's a secret. She took it with her. | 0:15:56 | 0:15:59 | |
-To her grave? -No, to Chesterfield. | 0:15:59 | 0:16:02 | |
They owed her money so she bent their spire. | 0:16:04 | 0:16:07 | |
-Have you decided yet? -What are you having? | 0:16:18 | 0:16:21 | |
Why don't you tell me? | 0:16:21 | 0:16:23 | |
If I get it wrong you'll growl at me. | 0:16:23 | 0:16:26 | |
Growl? | 0:16:26 | 0:16:28 | |
And that's in a good mood. | 0:16:28 | 0:16:30 | |
Don't be silly, we're an item. | 0:16:30 | 0:16:32 | |
-Why would I growl at you? -Why? | 0:16:32 | 0:16:35 | |
You don't need a why, just a target. | 0:16:35 | 0:16:38 | |
I think you're frightened of me. | 0:16:38 | 0:16:40 | |
I freely admit you keep me on the edge of panic. | 0:16:40 | 0:16:45 | |
There you are, you see. We were meant for each other. | 0:16:45 | 0:16:47 | |
Now, why don't you tell me what you see me choosing to eat? | 0:16:47 | 0:16:52 | |
Me. | 0:16:55 | 0:16:57 | |
Say hello to Grandpa. | 0:17:07 | 0:17:08 | |
Needs more hair. | 0:17:10 | 0:17:11 | |
I've sold six jars of that stuff to a complete stranger. | 0:17:13 | 0:17:17 | |
Yet, Eric and Cyril are still playing hard to get. | 0:17:17 | 0:17:20 | |
What are you looking for? | 0:17:20 | 0:17:22 | |
Dr Proctor's additive. | 0:17:22 | 0:17:24 | |
I'll nail those two yet. | 0:17:24 | 0:17:27 | |
IS there a Dr Proctor's additive? | 0:17:27 | 0:17:28 | |
There is now. | 0:17:29 | 0:17:31 | |
And if anybody asks? What does it consist of? | 0:17:31 | 0:17:35 | |
A trade secret. | 0:17:36 | 0:17:38 | |
Available only to grocers of the third mystery... | 0:17:38 | 0:17:41 | |
..and above. | 0:17:41 | 0:17:44 | |
Do you think grocers go to heaven? | 0:17:51 | 0:17:53 | |
If there's a sale on! | 0:17:53 | 0:17:55 | |
Right, now, the gentleman who just left, | 0:18:03 | 0:18:07 | |
he doesn't need this little reservoir of magic. | 0:18:07 | 0:18:11 | |
He'll be fine with just his crab apple jelly. | 0:18:11 | 0:18:15 | |
Romance is heading his way. | 0:18:15 | 0:18:18 | |
And why is it heading his way? | 0:18:18 | 0:18:21 | |
Because he is a believer. | 0:18:21 | 0:18:23 | |
He believes in the power of Old Mother Hemlock's recipe. | 0:18:23 | 0:18:28 | |
Told you. A muffin. | 0:18:29 | 0:18:31 | |
Hey, we shouldn't laugh. | 0:18:32 | 0:18:34 | |
Whereas you more cynical types, | 0:18:41 | 0:18:45 | |
you unbelievers, | 0:18:45 | 0:18:47 | |
you will need this. | 0:18:47 | 0:18:49 | |
Which is what? | 0:18:49 | 0:18:51 | |
Dr Proctor's additive for nervous lovers. | 0:18:51 | 0:18:54 | |
Nervous? | 0:18:55 | 0:18:56 | |
Who's nervous? | 0:18:58 | 0:18:59 | |
How much? | 0:19:08 | 0:19:09 | |
Well, you saw it. | 0:19:12 | 0:19:14 | |
Midweek, and they were fairly busy. | 0:19:14 | 0:19:17 | |
It's a nice little business. | 0:19:17 | 0:19:18 | |
-I don't like the area. -You don't know the area. | 0:19:20 | 0:19:23 | |
I know I don't like it. | 0:19:23 | 0:19:25 | |
You didn't like here when we first came. | 0:19:25 | 0:19:27 | |
-I missed the parrot. -What parrot? | 0:19:27 | 0:19:31 | |
Mr Griffiths liked me to call in and talk to his parrot. | 0:19:31 | 0:19:35 | |
You're barmy. | 0:19:35 | 0:19:36 | |
I'll still be barmy if we move. | 0:19:36 | 0:19:38 | |
And what about Gastric? | 0:19:39 | 0:19:41 | |
-Won't you miss Gastric? -Fat lot there is to miss. | 0:19:41 | 0:19:45 | |
He walks off and leaves the car unattended. | 0:19:45 | 0:19:49 | |
Perhaps he got called away. It could have been an emergency. | 0:19:49 | 0:19:52 | |
He is an emergency. | 0:19:52 | 0:19:54 | |
I wish Grandpa was here. | 0:19:56 | 0:19:58 | |
He'd tell you not to make a move at your time of life. | 0:19:58 | 0:20:01 | |
Don't you give me advice. You talk to parrots. | 0:20:01 | 0:20:05 | |
It made more sense than you. | 0:20:05 | 0:20:07 | |
£14 for that? | 0:20:09 | 0:20:10 | |
One single drop is all you need and there must be what, | 0:20:12 | 0:20:15 | |
100 drops in there. | 0:20:15 | 0:20:17 | |
That's less than a penny a pop. | 0:20:17 | 0:20:19 | |
And what does one do with a single drop? | 0:20:20 | 0:20:23 | |
You add it to a teaspoonful of crab apple jelly... | 0:20:24 | 0:20:28 | |
..and then you wait. | 0:20:30 | 0:20:32 | |
At £14 a bottle, who wants to spend a load of time waiting? | 0:20:33 | 0:20:36 | |
You said hair, you've got hair. | 0:20:37 | 0:20:39 | |
Pull it back a notch, will you? | 0:20:41 | 0:20:43 | |
What's he doing? | 0:20:46 | 0:20:47 | |
Don't ask. | 0:20:49 | 0:20:51 | |
He's waiting for you to ask. | 0:20:51 | 0:20:53 | |
There'll be a plot. | 0:20:54 | 0:20:56 | |
He said you add one drop and then you have to wait. | 0:20:56 | 0:21:00 | |
I was going to ask him what exactly would we be waiting for. | 0:21:00 | 0:21:04 | |
The trigger. | 0:21:04 | 0:21:06 | |
The trigger that sets this dynamite combination fizzing and working. | 0:21:06 | 0:21:11 | |
That rockets you and your chosen one into a romantic orbit. | 0:21:13 | 0:21:18 | |
Hang on. | 0:21:22 | 0:21:24 | |
We pay for crab apple jelly | 0:21:26 | 0:21:28 | |
and Dr Proctor's additives for swinging lovers, | 0:21:28 | 0:21:31 | |
and now you tell us we need a trigger. | 0:21:31 | 0:21:33 | |
Yes, but the trigger comes absolutely free. | 0:21:33 | 0:21:37 | |
In fact, you've probably got one at home already. | 0:21:40 | 0:21:42 | |
Any Frank Sinatra album. | 0:21:48 | 0:21:50 | |
What I really had in mind was you to be Grandpa's ghost. | 0:21:59 | 0:22:05 | |
I know what you had in mind. You can do your own dodgy work for once. | 0:22:05 | 0:22:08 | |
No, there's nothing dodgy about it, is there? | 0:22:08 | 0:22:10 | |
All you had to do was to let Madge catch a glimpse of you, | 0:22:10 | 0:22:14 | |
you know, dressed like this. | 0:22:14 | 0:22:16 | |
No, no. | 0:22:16 | 0:22:18 | |
What we've got to do is let Madge | 0:22:18 | 0:22:20 | |
catch a glimpse of you dressed like this. | 0:22:20 | 0:22:22 | |
Yes, I know. | 0:22:22 | 0:22:24 | |
So, what will I have to do? | 0:22:27 | 0:22:30 | |
As soon as Madge is driving past you have to make sure | 0:22:30 | 0:22:34 | |
that she sees you standing here alone. | 0:22:34 | 0:22:38 | |
Where are you going? | 0:22:38 | 0:22:40 | |
I shall be here until Madge drives past. | 0:22:40 | 0:22:44 | |
So if you're here when she goes past, how come I'm alone? | 0:22:44 | 0:22:48 | |
Because I'm not here, am I? You can't see me. | 0:22:49 | 0:22:53 | |
No-one can see me, except Madge. | 0:22:53 | 0:22:56 | |
I'm losing this somewhere. | 0:22:57 | 0:22:59 | |
Once she passes, | 0:23:01 | 0:23:03 | |
I will go and hide | 0:23:03 | 0:23:05 | |
so that you can stand here alone. | 0:23:05 | 0:23:09 | |
Let's get on with it. | 0:23:09 | 0:23:11 | |
What are you hiding for? | 0:23:11 | 0:23:13 | |
It's because I don't exist, do I? | 0:23:13 | 0:23:16 | |
I'm not here. I've never been here. | 0:23:16 | 0:23:20 | |
Are you with me? | 0:23:21 | 0:23:23 | |
How can I be with you if you're not here? | 0:23:23 | 0:23:25 | |
Do you believe in ghosts? | 0:23:26 | 0:23:29 | |
I've never seen one. | 0:23:30 | 0:23:32 | |
You have now. | 0:23:32 | 0:23:34 | |
You're looking at one. You're speaking to one. | 0:23:36 | 0:23:39 | |
Well, if they're all like you | 0:23:39 | 0:23:42 | |
there's going to be some tricky shopping going on over there. | 0:23:42 | 0:23:44 | |
Listen, all you've got to remember is when I've gone... | 0:23:46 | 0:23:52 | |
Your Leroy'll get the business. | 0:23:52 | 0:23:54 | |
-Eh? -I'll still be a customer, no problem. | 0:23:55 | 0:23:57 | |
No, it won't be a problem for you, will it? | 0:23:59 | 0:24:03 | |
I'm glad that you're taking it so calmly. | 0:24:03 | 0:24:06 | |
Well, we've all got to go sometime. | 0:24:06 | 0:24:08 | |
I love your unshakeable steadiness in the face of my mortality. | 0:24:09 | 0:24:16 | |
We'll give you a good send-off. | 0:24:16 | 0:24:18 | |
I expect your Leroy will have a looser arm than yours | 0:24:18 | 0:24:21 | |
on the refreshments. | 0:24:21 | 0:24:22 | |
He better not, otherwise.... | 0:24:22 | 0:24:25 | |
What are we talking about? Let's stick to the point. | 0:24:26 | 0:24:29 | |
Madge is going to come galloping up here | 0:24:30 | 0:24:32 | |
and she's going to say to you, she's going to say, | 0:24:32 | 0:24:34 | |
"Who was that man standing next to you?" | 0:24:34 | 0:24:37 | |
And you are going to say, "There was no man standing next to me." | 0:24:37 | 0:24:43 | |
Correction. I think I'm losing it everywhere. | 0:24:45 | 0:24:48 | |
Why are we just driving round? | 0:24:51 | 0:24:53 | |
Maybe we're not driving round. Maybe I'm lost. | 0:24:53 | 0:24:57 | |
Well, it wouldn't be the first time. | 0:24:57 | 0:24:59 | |
-Ay up. -Right. | 0:25:02 | 0:25:03 | |
What's that old fool waving at? | 0:25:14 | 0:25:16 | |
She ignored me in daylight. | 0:25:24 | 0:25:27 | |
Wait till she sees Grandpa in the dark. | 0:25:27 | 0:25:31 | |
Have you thought you might scare her to death? | 0:25:32 | 0:25:34 | |
Really? | 0:25:34 | 0:25:36 | |
No, that's too much to expect. | 0:25:37 | 0:25:39 | |
All right, never mind. Switch the lights off and we'll give it a test. | 0:25:41 | 0:25:45 | |
I told you. You're scaring me to death. | 0:25:51 | 0:25:54 | |
That's Madge's door. | 0:25:59 | 0:26:01 | |
Behind that door is a woman I could care about. | 0:26:01 | 0:26:04 | |
If only she'd stop thinking I were a wally. | 0:26:04 | 0:26:06 | |
Don't go all lonely hearts and dreamy on me, will you? | 0:26:08 | 0:26:12 | |
It's romantic. First time I've ever been with her in the dark. | 0:26:12 | 0:26:16 | |
Listen, you won't be with her at all if she leaves the area. | 0:26:20 | 0:26:23 | |
Now, we've got to make sure that she listens to Grandpa's warning. | 0:26:25 | 0:26:30 | |
-Right. -Right. | 0:26:30 | 0:26:32 | |
I never had a grandpa. | 0:26:32 | 0:26:33 | |
-You must have had a grandpa. -No. | 0:26:35 | 0:26:37 | |
He said he were only looking after Grandma for a friend. | 0:26:37 | 0:26:40 | |
Oh... Look, save your sad stories, will you, for Madge. | 0:26:43 | 0:26:47 | |
Just check the light's working. | 0:26:49 | 0:26:51 | |
Argh! That's scary! | 0:26:51 | 0:26:54 | |
You know it's only me. | 0:26:54 | 0:26:55 | |
It's not the "only me" you want to meet in the dark. Switch it off. | 0:26:55 | 0:26:59 | |
I can't see where we are now. Put your torch back on again. | 0:27:04 | 0:27:08 | |
You just asked me to switch it off. | 0:27:08 | 0:27:10 | |
Well, put it on again. This time I won't look. | 0:27:10 | 0:27:12 | |
Right, there. | 0:27:14 | 0:27:16 | |
Hey, dustbins. Let's make a noise with them. | 0:27:16 | 0:27:20 | |
-That'll attract Madge's attention to the back door. -Right. | 0:27:20 | 0:27:24 | |
DUSTBINS CLATTER | 0:27:25 | 0:27:27 | |
I've come back from the grave. | 0:27:33 | 0:27:36 | |
Don't leave. | 0:27:36 | 0:27:38 | |
SCREAMING | 0:27:38 | 0:27:40 | |
Oops, that's not Madge's door. | 0:27:40 | 0:27:42 | |
You are a wally! | 0:27:42 | 0:27:45 | |
FRANK SINATRA: # Come fly with me | 0:27:50 | 0:27:51 | |
# Let's fly, let's fly away... # | 0:27:51 | 0:27:54 | |
Eric, turn that thing down! | 0:27:56 | 0:27:59 | |
Well, I've had my five minutes in the spotlight. | 0:28:02 | 0:28:06 | |
Didn't get a lot of applause. | 0:28:07 | 0:28:09 | |
Some of the ladies round here can drain your battery. | 0:28:11 | 0:28:14 | |
Good job there were no police about. | 0:28:17 | 0:28:20 | |
They could have had me for no red light at the rear. | 0:28:20 | 0:28:23 |