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Hi. My name's Howard Moon. | 0:00:02 | 0:00:04 | |
-This is Vince Noir. -All right? -This week - immortality. | 0:00:04 | 0:00:08 | |
Can a man live on after his own death? I'd like to think that I will be remembered years after my death. | 0:00:08 | 0:00:15 | |
-What for? -For the things I say and do. | 0:00:15 | 0:00:19 | |
-For the things you say?! -Mm. -Like, "Have you seen my blue trousers?" "Can I have a crisp?" | 0:00:19 | 0:00:24 | |
-There are things I do that you know nothing about. -What things? | 0:00:24 | 0:00:28 | |
Once a month, one euro goes out of my account and straight into a charity. Direct debit! | 0:00:28 | 0:00:34 | |
-That's how you'll be remembered? -Yes. -For euro generosity(!) -Among other things. | 0:00:34 | 0:00:40 | |
-I don't need to be remembered cos I'll be in the future. -How? -Are you aware of cryogenics? | 0:00:40 | 0:00:46 | |
-I've heard people say it. -Well, I'm having my head frozen | 0:00:46 | 0:00:50 | |
and then I'll put in a jar. 12,000 years from now, they'll revivify me and I'll be The Head In The Jar. | 0:00:50 | 0:00:57 | |
They'll wheel me out at ceremonies, consult me like an oracle. | 0:00:57 | 0:01:01 | |
-Why don't you get your whole body frozen? -That's not the way it works in the future. | 0:01:01 | 0:01:07 | |
-It's just heads, floating about, consulting each other. -Really? I'll get my hair frozen. | 0:01:07 | 0:01:13 | |
Then future generations can get it out and see what's possible. | 0:01:13 | 0:01:18 | |
-Where are my blue trousers? -I gave them to Leroy. | 0:01:18 | 0:01:22 | |
-What did you give them to Leroy for? -He took a shine to them. -Don't give my trousers to people. | 0:01:22 | 0:01:27 | |
-If you've got a problem, take it up with Leroy. -I will. -Go on, then. | 0:01:27 | 0:01:32 | |
-Leroy! -Welcome to the show. | 0:01:32 | 0:01:34 | |
To The Mighty Boosh. | 0:01:40 | 0:01:43 | |
-# -The Mighty Boosh -Come with us to The Mighty Boosh | 0:01:43 | 0:01:48 | |
-# -The Mighty Boosh -Come with us to The Mighty Boosh. # | 0:01:48 | 0:01:54 | |
MAN WHISTLES | 0:01:54 | 0:01:57 | |
GLASS SHATTERS | 0:02:00 | 0:02:04 | |
THUNDER CLAPS | 0:02:04 | 0:02:06 | |
Oh! THUD | 0:02:20 | 0:02:22 | |
Welcome to the Zoo-Niverse, where all your dreams come true...niverse. | 0:02:25 | 0:02:30 | |
I'm general manager Bob Fossil and I'm a human. | 0:02:30 | 0:02:35 | |
Now, our first stop today on the tour | 0:02:35 | 0:02:38 | |
is our largest animal in the zoo - a grey leg-face man. | 0:02:38 | 0:02:43 | |
-What? -You know, the grey leg-face? He's got legs and another leg on his face. | 0:02:43 | 0:02:49 | |
-The elephant. -Yeah, if you want to get technical, Mr Smarty-pants. | 0:02:49 | 0:02:54 | |
-There he is, right over there. -I can't see him. | 0:02:55 | 0:02:59 | |
He's camouflaged. He's adapting to his natural environment. LOOK! | 0:02:59 | 0:03:04 | |
There he went! Oh, my God, you just missed him. Boy, is he fast?! | 0:03:04 | 0:03:09 | |
-Why aren't there any animals at the zoo, Mr Fossil? -Well... why are you people so small, huh? | 0:03:09 | 0:03:16 | |
I can rest my drinks on your head. | 0:03:16 | 0:03:18 | |
I want my mummy. | 0:03:18 | 0:03:21 | |
Hey, let's sing a song, huh? | 0:03:21 | 0:03:23 | |
# Nicey, nicey, zoo, zoo For him and her and me and you. # | 0:03:23 | 0:03:28 | |
Everybody! # Nicey, nicey, zoo, zoo For him and her and me and you | 0:03:28 | 0:03:32 | |
# Nicey, nicey, zoo, zoo For him and her and me and you | 0:03:32 | 0:03:36 | |
# Nicey, nicey, zoo, zoo... # | 0:03:36 | 0:03:38 | |
Whoa! | 0:03:38 | 0:03:41 | |
Chin up. | 0:03:45 | 0:03:47 | |
Nice. | 0:03:47 | 0:03:49 | |
-Hey! -Hey! -How are you? -All right. -What are you up to? | 0:03:49 | 0:03:53 | |
I'm doing Bollo's portrait. | 0:03:53 | 0:03:55 | |
-I'm doing him as Caesar, what d'you reckon? -Nice. You can do me next. | 0:03:55 | 0:03:59 | |
-I can't really do people. -My face is a gift to any artist. | 0:03:59 | 0:04:03 | |
-It could be difficult. -You could do me as a Greek god, fighter pilot. | 0:04:03 | 0:04:07 | |
-You're a bit generic-looking. -How dare you! | 0:04:07 | 0:04:11 | |
-What are you saying about my face? -Oh...I didn't mean it in a bad way. | 0:04:11 | 0:04:16 | |
-What way did you mean it? -It could be good to be generic-looking. -How? -Spying...! -Spying?! | 0:04:16 | 0:04:22 | |
Look at Bollo. | 0:04:22 | 0:04:24 | |
Look at his face, all the lines. Look at his weather-beaten mush. | 0:04:24 | 0:04:28 | |
Years in the jungle, the circus, that chat show he hosted... | 0:04:28 | 0:04:33 | |
-it's all there. You haven't done anything. Your head's like a man's thigh. -What?! | 0:04:33 | 0:04:38 | |
There's such a thing as having too much going on in your face. | 0:04:38 | 0:04:43 | |
All a bit too busy. All the features jostling for position. | 0:04:43 | 0:04:48 | |
The eyes screaming out...the nose. It's very visually noisy, your face. | 0:04:48 | 0:04:53 | |
-"Visually noisy"? -It's like a brass band under a wig marching towards me every day. -Look at your face! | 0:04:53 | 0:04:59 | |
Pure ambient. It's like The Orb's third album. | 0:04:59 | 0:05:03 | |
-Take that back. -Get some accessories. -What?! -Bring your face out. | 0:05:03 | 0:05:08 | |
-Get a pipe, a pink cowboy hat. -"Bring my face out"?! -Yeah. -I should knock yours back a bit. | 0:05:08 | 0:05:13 | |
-R-RAR! -All right. | 0:05:13 | 0:05:15 | |
-R-rar! Rar! -Easy! | 0:05:15 | 0:05:18 | |
-It's all right. -I don't need accessories, OK? | 0:05:18 | 0:05:22 | |
I'm Howard Moon - the man, the myth, the maverick. | 0:05:22 | 0:05:26 | |
-Hi, Vince! -Hi! | 0:05:26 | 0:05:28 | |
Vince, have you seen my python? | 0:05:28 | 0:05:31 | |
Only he's not in his cage and I thought maybe he was here. | 0:05:31 | 0:05:35 | |
-Oh, hi! -Slippery characters, the old snakes, aren't they? | 0:05:35 | 0:05:39 | |
That's a popular misconception. Snakes are dry. | 0:05:39 | 0:05:42 | |
-If you see him, his name's Tony. Let me know?! -I'll bring him over. | 0:05:42 | 0:05:47 | |
-I didn't know you were a painter. -I've got a BTEC National. I could do your portrait. | 0:05:47 | 0:05:53 | |
-Yeah, maybe. -You're Head Of Reptiles, yeah? I could do you as Medusa with snakes for hair. | 0:05:53 | 0:05:58 | |
That sounds good. | 0:05:58 | 0:06:00 | |
-You can't do people. -I'm branching out. -Are you? -Who are you? | 0:06:00 | 0:06:05 | |
Howard...Howard Moon. I work here. | 0:06:05 | 0:06:08 | |
-You're new. -No. No, I've worked here for ten years. | 0:06:08 | 0:06:12 | |
-Part-time. -Full-time. I see you every day, Mrs Gideon. It's me, it's Howard. Crazy Howard! | 0:06:12 | 0:06:18 | |
-OK. -Well, I'll keep an eye out on the snakes for you. | 0:06:18 | 0:06:22 | |
If I see it, I'll let you know. I love snakes. | 0:06:22 | 0:06:25 | |
-I'm a big fan of the snake. -You're scared of snakes. -Shut your mouth! | 0:06:25 | 0:06:30 | |
I've got some great snake stories. | 0:06:30 | 0:06:32 | |
One got out of a local zoo, he went AWOL, ended up in a laundrette, | 0:06:32 | 0:06:37 | |
got into one of the tumble dryers and when they opened the dryer, they got him out and he was small. | 0:06:37 | 0:06:43 | |
He was really small... | 0:06:44 | 0:06:47 | |
-Anyway, if you see Tony, you let me know. -Yeah. | 0:06:48 | 0:06:52 | |
-Having fun, are you? -Yeah. -Going to do a portrait, are you? -Yeah. | 0:06:52 | 0:06:56 | |
-I might have a go at a nude. -If you go near her with a paintbrush, I'll come at you like a mighty bazooka. | 0:06:56 | 0:07:02 | |
-I love that lady, OK? -Listen... | 0:07:02 | 0:07:05 | |
-Don't start any funny business. -Or else? -You touch me and Bollo will rinse you out like a hot flannel. | 0:07:05 | 0:07:11 | |
Where is he? | 0:07:11 | 0:07:13 | |
-Bollo? -Bollo? -What's he doing? | 0:07:15 | 0:07:17 | |
KNOCKING | 0:07:22 | 0:07:25 | |
-Who the hell is that? -Bobby Ba-ba, king of the doughnut people. | 0:07:25 | 0:07:30 | |
Get inside! | 0:07:30 | 0:07:32 | |
Hey! Wow! | 0:07:32 | 0:07:35 | |
This place is amazing. | 0:07:36 | 0:07:38 | |
DON'T touch that! | 0:07:39 | 0:07:41 | |
Hey, I got the animal you wanted. | 0:07:41 | 0:07:43 | |
Excellent! Get me another one. | 0:07:43 | 0:07:46 | |
We can't do that. I got them all. There aren't any more left. | 0:07:46 | 0:07:50 | |
Get me a person, then. | 0:07:50 | 0:07:53 | |
-A human person?! -A human person. | 0:07:53 | 0:07:56 | |
Everybody's been bugging me about Joey Moose as it is. | 0:07:56 | 0:08:00 | |
-Who? -The Australian keeper who disappeared in the reptile house. | 0:08:00 | 0:08:04 | |
Make something up. Tell them he got eaten by the python. | 0:08:04 | 0:08:08 | |
-The who? -The wind-ey man. The long mover. | 0:08:08 | 0:08:11 | |
Oh, yeah. | 0:08:11 | 0:08:13 | |
Hey, Bainbridge, what are you up to in here? | 0:08:13 | 0:08:17 | |
I'd like to get involved in your shady operations. | 0:08:17 | 0:08:21 | |
If you can keep your mouth shut, you stand to make | 0:08:22 | 0:08:25 | |
about 100 euros, maybe more depending on the bureau de change. | 0:08:25 | 0:08:30 | |
-Wow! -Take a look in there. | 0:08:30 | 0:08:33 | |
NO-OO-OO-OO-OO-OO-OO-OO-OO-OO! | 0:08:45 | 0:08:49 | |
Who are you? How can I understand you? | 0:08:49 | 0:08:52 | |
PANTING | 0:08:53 | 0:08:55 | |
Shut that door, you idiot! | 0:08:57 | 0:08:59 | |
He got out. | 0:08:59 | 0:09:02 | |
I'll take care of it. | 0:09:02 | 0:09:04 | |
-I'll get him, Bainbridge. -I'll get him. You smooth things over with the staff. -Oh! | 0:09:04 | 0:09:09 | |
My nuts! | 0:09:12 | 0:09:14 | |
OK, people, bad news on two fronts. | 0:09:19 | 0:09:22 | |
First, our turnip shipment arrived 25 minutes late, | 0:09:22 | 0:09:26 | |
so consequently there will be no turnips for lunch. | 0:09:26 | 0:09:29 | |
AH! A-A-A-A-A-AH! | 0:09:29 | 0:09:32 | |
Second, Joey Moose, one of our most beloved zoo-keepers, | 0:09:32 | 0:09:37 | |
has been killed. | 0:09:37 | 0:09:39 | |
But the good news is, we found out who the culprit is. | 0:09:40 | 0:09:44 | |
-So who was it? -It was the long mover. | 0:09:44 | 0:09:48 | |
-Who? -You know, the wind-ey man. | 0:09:48 | 0:09:51 | |
-The python?! -Yeah, we're going to hang him tonight. | 0:09:51 | 0:09:55 | |
-You can't hang a python. -Of course you can, he's all neck! | 0:09:55 | 0:09:59 | |
-Who's with me? -Oh, this is pathetic. | 0:09:59 | 0:10:02 | |
I run a safe reptile house. My python wouldn't do that. | 0:10:02 | 0:10:06 | |
Why, cos he gives you chocolates and kisses your lady lumps? | 0:10:06 | 0:10:10 | |
No, because my python couldn't kill Joey Moose. To kill a man, you need a snake with a bigger bite radius. | 0:10:10 | 0:10:17 | |
Well, bite my radius, ladius! | 0:10:17 | 0:10:20 | |
You've been a great crowd! | 0:10:20 | 0:10:23 | |
Fossil, you're an idiot! | 0:10:24 | 0:10:27 | |
-I resent that. -Will anyone stand up to this man or are you all scared? | 0:10:27 | 0:10:31 | |
I stand with Mrs Gideon. | 0:10:31 | 0:10:34 | |
-Who are you? -Howard Moon. We just spoke about ten minutes ago. | 0:10:35 | 0:10:40 | |
Anyone else? | 0:10:40 | 0:10:43 | |
-Where's the llama? -He's lost. | 0:10:43 | 0:10:46 | |
-Where's the squid? -Where's the what? -Where's my frog? -You smoked it. | 0:10:46 | 0:10:51 | |
-Oh, yeah. -Where's the cow? -Shut up! | 0:10:51 | 0:10:54 | |
-Where's Bollo? -Stop IT! # Nicey, nicey, zoo, zoo... # | 0:10:54 | 0:10:57 | |
-GUNSHOT AH! -Nothing to worry about. I'm sorting things out. | 0:10:59 | 0:11:03 | |
Where's all the animals going? | 0:11:03 | 0:11:05 | |
-I'll get to the bottom of this. -You're out of your depth. -You want a piece of me? | 0:11:05 | 0:11:10 | |
-You haven't got it to give. -The reason I'm not coming at you now is because Vince is a delicate flower. | 0:11:10 | 0:11:17 | |
-He hates violence. -Get him! -And I've got flu. | 0:11:17 | 0:11:20 | |
I have flu, I'm feeling a bit run down. If it wasn't for that, I'd be on you like a powerful moss. | 0:11:20 | 0:11:27 | |
-You're pathetic, Moon. -Yeah? -Yeah. | 0:11:27 | 0:11:29 | |
-Whenever you're ready. -Right now. | 0:11:29 | 0:11:32 | |
Uh...now? | 0:11:33 | 0:11:34 | |
Right now. | 0:11:34 | 0:11:35 | |
What do you mean? ..Right now? | 0:11:35 | 0:11:38 | |
-Now? -You and I, right now! | 0:11:38 | 0:11:40 | |
-If you want to go now... -Let's go. | 0:11:40 | 0:11:42 | |
-..we can go now. -Come on! -Whenever you're ready. -Mano a mano. | 0:11:42 | 0:11:46 | |
-I can pencil you in later. -Grr! | 0:11:46 | 0:11:48 | |
-Next Tuesday's fine. -Stop talking! | 0:11:48 | 0:11:51 | |
-Today? -Right now! | 0:11:51 | 0:11:52 | |
-This morning? -Oh, yes! | 0:11:52 | 0:11:53 | |
In this place here? | 0:11:53 | 0:11:55 | |
Now! | 0:11:55 | 0:11:56 | |
ANIMAL GRUNTS | 0:11:56 | 0:11:58 | |
Yeah! You'd better run. Don't mess with the power of the Moon. | 0:11:59 | 0:12:04 | |
-Try and capture that look, yeah? The one I gave Bainbridge before he ran away. -What look? | 0:12:16 | 0:12:22 | |
You know - that mean look, yeah? | 0:12:22 | 0:12:24 | |
It's my signature look. | 0:12:24 | 0:12:26 | |
-I don't think he was running away from you. -I think you'll find he was running away from something. | 0:12:26 | 0:12:31 | |
-That something was me. And my mean look. -I'm not sure it was you. | 0:12:31 | 0:12:35 | |
-How's it coming on? -It's almost there. Come and have a look. | 0:12:35 | 0:12:40 | |
-What do you reckon? -Where's my face? -What? -Where's my face exactly? | 0:12:42 | 0:12:47 | |
There. | 0:12:47 | 0:12:48 | |
-Do you think you could make me look less like a balloon? -What are you on about? -There's nothing there. | 0:12:48 | 0:12:54 | |
-I paint what I see. -And you see that, do you? -Yeah. | 0:12:54 | 0:12:58 | |
-Do you like it? -No. The background is OK, but there's a space where my face should be. -That's not a space - | 0:12:58 | 0:13:04 | |
-that's your face. -That is nothing. That doesn't look like anyone, OK? | 0:13:04 | 0:13:08 | |
-That is a featureless ball on top of a suit. -Hi. -Vince, Vince, you have to help me. -Don't touch my hair. | 0:13:08 | 0:13:15 | |
-I need your help. -Can I help? | 0:13:15 | 0:13:17 | |
-That's very good. It's just like him. ..You have an affinity with the animals. -I'm pretty good, yeah. | 0:13:17 | 0:13:24 | |
-Who told you that? -Everyone knows. | 0:13:24 | 0:13:27 | |
-I'm not a circus freak. -I need your help. I need you to talk to the cobra. | 0:13:27 | 0:13:31 | |
-His tank is opposite the python's, and maybe he knows what happened! -I don't get on that well with snakes. | 0:13:31 | 0:13:36 | |
I'm small monkeys and lizards. | 0:13:36 | 0:13:38 | |
-I understand, but can you try? -All right - for you, I'll give it a go. | 0:13:38 | 0:13:43 | |
Thank you, Vince. | 0:13:43 | 0:13:46 | |
Can I touch your hair now? | 0:13:46 | 0:13:48 | |
Go on, then. Quickly. | 0:13:48 | 0:13:50 | |
I said you could touch it, not grab it. | 0:13:53 | 0:13:56 | |
I'll send him over and... | 0:13:56 | 0:13:59 | |
Something funny? | 0:14:03 | 0:14:05 | |
Something funny, is there? | 0:14:05 | 0:14:07 | |
HE TALKS "MYSTIC" NONSENSE | 0:14:09 | 0:14:12 | |
That's a good one! | 0:14:21 | 0:14:23 | |
-What's he saying? -I'm just getting him loosened up. | 0:14:23 | 0:14:27 | |
-With some gags. Some stuff about rattlesnakes. -What an amazing gift, isn't it? | 0:14:27 | 0:14:33 | |
Yeah. Well, yes, it is a gift. | 0:14:33 | 0:14:36 | |
I could talk to the cobra myself, but I chose not to. | 0:14:36 | 0:14:39 | |
I thought I'd let the little man have a go. I'm training him up. | 0:14:39 | 0:14:44 | |
I have a real sympatico with the snake. | 0:14:44 | 0:14:47 | |
-A real... -It's good. -I respect it and I love the way they move. | 0:14:47 | 0:14:52 | |
Oh, beautiful... | 0:14:52 | 0:14:53 | |
I sometimes feel very much like a snake myself sometimes. | 0:14:53 | 0:14:57 | |
You know the way they shed their skin... Sometimes, I'd like to take my skin off and writhe about. | 0:14:57 | 0:15:02 | |
That's disgusting. | 0:15:02 | 0:15:06 | |
I meant it like a metaphor for... | 0:15:06 | 0:15:10 | |
Still disgusting. | 0:15:10 | 0:15:12 | |
..identity. | 0:15:12 | 0:15:15 | |
-SNAKE: Speak English, fool. -Sorry. -Your face is confusing enough. -All right! | 0:15:21 | 0:15:26 | |
-I need you to help me. You've got to tell me what you saw last night. -I do something for you... | 0:15:26 | 0:15:32 | |
-You do something for me. -What do you want? -In India, I danced for the king. I want to dance again. | 0:15:32 | 0:15:39 | |
-Snake-charming. -Yes... | 0:15:39 | 0:15:42 | |
Actually, we can make it a bit more modern, bring it up-to-date. | 0:15:42 | 0:15:45 | |
-Mix in some harsh, tasty beats - drum'n'bass style. -Drum'n'bass. | 0:15:45 | 0:15:50 | |
What is drum'n'bass? | 0:15:50 | 0:15:52 | |
-Leave that to me. We're going to make a fortune. We could split the profits 50-50. -60-40. | 0:15:52 | 0:15:58 | |
-What? -Nothing, my pretty. | 0:15:58 | 0:16:01 | |
-Now, what do you want from me? -What happened last night? | 0:16:01 | 0:16:05 | |
Look into my eyes... | 0:16:05 | 0:16:07 | |
All will be revealed... | 0:16:07 | 0:16:10 | |
It was Bainbridge. | 0:16:42 | 0:16:44 | |
-He took the python and Joey Moose. -I knew it. -Let's go and get him. -Whoa, there, Mowgli. | 0:16:44 | 0:16:49 | |
You've done enough today. I'll track down Vince and Bainbridge. | 0:16:49 | 0:16:53 | |
This is a dangerous mission, but I'll do it. I may not come back from it. All I ask... | 0:16:53 | 0:16:59 | |
is that you remember me. | 0:16:59 | 0:17:02 | |
Who was that? | 0:17:14 | 0:17:17 | |
That's a filthy habit you've got. | 0:18:10 | 0:18:13 | |
Rosa. ..Where am I? | 0:18:21 | 0:18:23 | |
The idiot has awoken. | 0:18:23 | 0:18:25 | |
-Times have changed. -What's going on? | 0:18:25 | 0:18:28 | |
Zoos are over. You see a rhino - big deal. You see a wolf - who cares? | 0:18:28 | 0:18:34 | |
You see a rhino with a wolf's head - that's a kind of twisted poetry. | 0:18:34 | 0:18:40 | |
-I have devised a method of splicing animals together. -What's that got to do with me? -Let me jog your memory. | 0:18:40 | 0:18:46 | |
Earlier this morning, you foolishly squared-up to me and asked me if I wanted a piece of you. | 0:18:46 | 0:18:51 | |
I'll take that piece now. The head to be precise! | 0:18:51 | 0:18:54 | |
-You can't have my head. -Oh, I'm going to take your head and I'll splice it onto the body of a snake. | 0:18:54 | 0:19:00 | |
Thus. | 0:19:01 | 0:19:03 | |
Couldn't draw the face, but the rest is self-explanatory. | 0:19:04 | 0:19:09 | |
-You won't get away with this. I'll come after you. I'll hunt you down. -Oh, really(?) I'd like to see that - | 0:19:09 | 0:19:14 | |
with the body of a snake and the balls of a chimp. Love to chat, | 0:19:14 | 0:19:19 | |
but I arranged to meet Max for a ploughman's. I'll be back in half an hour to splice you silly! | 0:19:19 | 0:19:25 | |
Yeah(?) Well, you'll never get away with this, Bainbridge. Joey Moose disappears - nobody cares. | 0:19:25 | 0:19:31 | |
Howard Moon disappears - you've got yourself a riot! There'll be crowds of people tearing this place apart | 0:19:31 | 0:19:37 | |
in a frenzy! | 0:19:37 | 0:19:39 | |
# ..Sitting in a tree | 0:19:43 | 0:19:46 | |
# K-i-s-s-i-n-g... # | 0:19:46 | 0:19:50 | |
SOOTHING HARP MUSIC | 0:19:50 | 0:19:53 | |
Can you keep still, you batty crease? What are you doing? I'm trying to do your portrait. | 0:20:10 | 0:20:15 | |
I can't help it. I'm having visions. | 0:20:15 | 0:20:17 | |
-They're coming thick and fast. -What?! What visions? | 0:20:17 | 0:20:21 | |
-My shaman senses are tingling. -What are you on about? -I can see a shark with knees. -What? | 0:20:21 | 0:20:27 | |
There's a bat with the face of a spider. There's something else. | 0:20:27 | 0:20:31 | |
My image has got Howard. He's in danger. We have to go and save him. | 0:20:31 | 0:20:35 | |
-Where is he? -In a secret lab in the zoo. | 0:20:35 | 0:20:39 | |
-Where? -The vision's fading. I can't see. | 0:20:39 | 0:20:43 | |
-It's coming back. ..Oh, no, that's athletics. -Look, how am I going to find the secret lab? | 0:20:43 | 0:20:49 | |
The answer lies within your painting. | 0:20:49 | 0:20:53 | |
Oh. | 0:20:53 | 0:20:54 | |
Oh, right...secret lab. | 0:20:56 | 0:20:59 | |
Yeah. Cool. So... | 0:20:59 | 0:21:02 | |
that's where that is. You're there. | 0:21:02 | 0:21:05 | |
-It's over there! -Oh, right! Excellent. | 0:21:15 | 0:21:19 | |
No...no. | 0:21:24 | 0:21:26 | |
NO! | 0:21:26 | 0:21:28 | |
-It's me, you idiot. -NO! | 0:21:28 | 0:21:31 | |
-What? -You've got something between your teeth. -Oh, yeah... I had broccoli for lunch. | 0:21:31 | 0:21:37 | |
-Oh, right. -So, how's it all going on your solo mission? -It's going well. -Yeah? -Yeah. I followed Bainbridge | 0:21:37 | 0:21:43 | |
-to his secret lab. I broke in, I found Mrs Gideon's python. It's all sorted. -Wow. -Yeah. | 0:21:43 | 0:21:49 | |
-So it's all good, is it? -Yeah. Great. -How come you're lying down? -Well, it was quite tiring. -Right. | 0:21:49 | 0:21:54 | |
-How come you've strapped yourself in? -I'm a restless sleeper. -Well, you seem to be doing all right. | 0:21:54 | 0:22:00 | |
-I'll see. -Vince, just get me out of here, will you? ..Vince! ..VINCE! | 0:22:00 | 0:22:05 | |
VINCE! | 0:22:05 | 0:22:06 | |
-Get me out of here. -VINCE LAUGHS | 0:22:06 | 0:22:09 | |
-Something funny? -You idiot. Never go on a solo mission again. -Just get me out. -..Hey, what's that? | 0:22:09 | 0:22:15 | |
-Don't look in there. -What's going on in there? -Don't look. There's some bad juju afoot. | 0:22:15 | 0:22:21 | |
Who's there? | 0:22:21 | 0:22:23 | |
Don't look at us! We are ashamed. | 0:22:23 | 0:22:27 | |
Who are you? | 0:22:27 | 0:22:29 | |
We are ugly. We are mutants. | 0:22:29 | 0:22:33 | |
Oh, shame! | 0:22:33 | 0:22:36 | |
-No, do not be ashamed. -Oh? -We're trained zoo keepers. | 0:22:36 | 0:22:40 | |
Come forwards. | 0:22:40 | 0:22:41 | |
Oh, you're grotesque. | 0:22:45 | 0:22:47 | |
-Aaah! -Ooooh! -Vince. -Sorry. -..Sorry about that. Please...do not be afraid. | 0:22:47 | 0:22:52 | |
Come forwards. Come into the light. | 0:22:52 | 0:22:55 | |
Further. | 0:22:55 | 0:22:57 | |
Split the difference. | 0:22:57 | 0:23:00 | |
Oooh. | 0:23:00 | 0:23:01 | |
-What ARE you? -We don't know what we are. -Are we postmen? | 0:23:01 | 0:23:06 | |
Shut up! ..We are mutant animals. | 0:23:06 | 0:23:10 | |
Dixon Bainbridge made us. He is the Lord. | 0:23:10 | 0:23:14 | |
He brings the pain and the heal. | 0:23:14 | 0:23:17 | |
We're going to give you something now - something that Bainbridge can never take away from you. | 0:23:17 | 0:23:22 | |
-We're going to give you your freedom. -Oooh! -Freedom? | 0:23:22 | 0:23:27 | |
What is freedom? | 0:23:27 | 0:23:30 | |
Freedom is a place... a place without bars... | 0:23:30 | 0:23:36 | |
-without keys...without locks... a place without... -Cops? | 0:23:36 | 0:23:41 | |
-What? -Are there cops? | 0:23:41 | 0:23:44 | |
Um, yes. It's not really about that. | 0:23:45 | 0:23:48 | |
-Is there bacon? -It's not really about what there is and what there isn't. It's more of an abstract concept. | 0:23:48 | 0:23:54 | |
-What is bacon? -Shut up! I am speaking to the five finger. I am the prettiest one here. | 0:23:54 | 0:24:01 | |
As you can see, I am the only one bright enough to speak. | 0:24:01 | 0:24:07 | |
Look, it's time for you to break free from the zoo now. | 0:24:07 | 0:24:11 | |
# Nicey, nicey, zoo, zoo You bring the pain and heal us, too | 0:24:11 | 0:24:15 | |
-# Nicey, nicey, zoo, zoo... # -Shut up! | 0:24:15 | 0:24:19 | |
It's time for you to sing your own song now. | 0:24:19 | 0:24:22 | |
-It's time for you to march to the beat of your own drum. -Who are YOU that would give us our freedom? | 0:24:22 | 0:24:28 | |
Who I am is not important. | 0:24:28 | 0:24:31 | |
-Oh, OK, then. -Look, it's Howard Moon if you want to know. -Hmm, Howie Moon? -HOWARD Moon. | 0:24:31 | 0:24:37 | |
We're going to leave you now, but never forget... | 0:24:37 | 0:24:41 | |
it was Dixon Bainbridge who turned you into the hopeless race of despicable freaks that you are. | 0:24:41 | 0:24:47 | |
-ALL: Ooooh! -See you, then. | 0:24:47 | 0:24:50 | |
-Take care. -Single file. -Is there bacon outside? | 0:24:51 | 0:24:55 | |
OK, Max. Bye. | 0:24:57 | 0:25:00 | |
Give my love to Cindy. | 0:25:00 | 0:25:02 | |
Stupid asshole. | 0:25:02 | 0:25:04 | |
Pucker up, Moon, it's SPLICING time! | 0:25:12 | 0:25:15 | |
-Surprise! -Get back in your cages! | 0:25:15 | 0:25:19 | |
We will obey you no longer, Bainbridge. | 0:25:19 | 0:25:23 | |
Listen! I am your Lord! YOU will obey me! | 0:25:23 | 0:25:26 | |
Jigwhack, Airway, get in your cage! | 0:25:26 | 0:25:29 | |
Jim, Patrick, follow suit! | 0:25:29 | 0:25:32 | |
-What do you want?! -Sign here, please. | 0:25:36 | 0:25:40 | |
Shut up! We want our freedom. | 0:25:40 | 0:25:44 | |
Freedom(?) Don't make me laugh! You're NOTHING! | 0:25:44 | 0:25:47 | |
Oh, we are much more than that. | 0:25:47 | 0:25:50 | |
-# We are the mutant race -Don't look at my eyes or my face | 0:25:55 | 0:25:59 | |
-# We are the mutant people. -Don't look at my eyes or my face... # | 0:25:59 | 0:26:04 | |
# I'm not a man I am a mutant | 0:26:50 | 0:26:52 | |
# You know that you can't stop me with your human skills | 0:26:52 | 0:26:57 | |
# Cos I got 9ft gills And I can breathe underwater | 0:26:57 | 0:27:01 | |
# And I can swing from a tree And I can do what I want to | 0:27:01 | 0:27:05 | |
# And I wanna be free - yeah! | 0:27:05 | 0:27:08 | |
# We are the mutant race Don't look at my eyes or my face | 0:27:08 | 0:27:13 | |
# We are the mutant people Don't look at my eyes or my face | 0:27:13 | 0:27:17 | |
# We are the mutant race | 0:27:17 | 0:27:19 | |
# You don't look alike me I don't look alike you | 0:27:19 | 0:27:22 | |
# We're gonna bust ourselves right out of this zoo. # | 0:27:22 | 0:27:27 | |
-There you go, Mrs Gideon. He's in there. -Oh! | 0:27:32 | 0:27:35 | |
-Oh, I don't know what to say. -Don't say anything. It was nothing. -Oh, all right, then. | 0:27:35 | 0:27:41 | |
-Well, it was more than nothing - it was a dangerous, life-threatening mission. -Oh, right. Thanks, Vince. | 0:27:41 | 0:27:46 | |
-That's all right. -And thank you, too... | 0:27:46 | 0:27:51 | |
..Howard. | 0:27:56 | 0:27:58 | |
My pleasure. | 0:28:00 | 0:28:02 | |
This one's going out to the Cobra Massive. | 0:28:04 | 0:28:07 | |
MC Rogers - big it up now! | 0:28:07 | 0:28:11 | |
MC Corn Snake, DJ Gecko, DJ Spit-In-Your-Eye, DJ Venom - they're all here! | 0:28:11 | 0:28:16 | |
They're moving! Funk it! | 0:28:16 | 0:28:19 | |
The vibe is big...the room is small. | 0:28:19 | 0:28:22 | |
Yeah! Shed your skin. | 0:28:22 | 0:28:25 |