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-I'm Howard Moon, this is Vince Noir. -All right? | 0:00:02 | 0:00:06 | |
This week, we're tackling the subject of death. | 0:00:06 | 0:00:10 | |
I know what you're thinking. Don't, as this will give me, as an actor, | 0:00:10 | 0:00:14 | |
a lot of room to stretch myself, dig deep, and bring out some of those darker truths we all share. | 0:00:14 | 0:00:21 | |
But it's not just Howard's boring acting. | 0:00:21 | 0:00:24 | |
There'll be music and outlandish special effects. | 0:00:24 | 0:00:28 | |
-Not as outlandish as they'd be if you hadn't spent the budget on your hair. -My hair's part of this show! | 0:00:28 | 0:00:35 | |
Do you need 15 people working on it? | 0:00:35 | 0:00:37 | |
At least! Two for fringe, one for feathering, | 0:00:37 | 0:00:41 | |
-one for height, circumference... -Circumference? -Hair circumference. | 0:00:41 | 0:00:45 | |
If my barnet looked wrong, people would be furious. | 0:00:45 | 0:00:50 | |
You underestimate the power of my acting to hold a crowd. | 0:00:50 | 0:00:54 | |
-I don't need a funny hairdo. -Council does YOUR hair! | 0:00:54 | 0:00:58 | |
The camera loves me, Vince. | 0:00:58 | 0:01:01 | |
-The camera loves ME. -Just get off. | 0:01:01 | 0:01:03 | |
I'd like to just prepare you with a small speech from Hamlet. Thanks. | 0:01:05 | 0:01:10 | |
..Death, the undiscover'd country, | 0:01:10 | 0:01:13 | |
from whose bourn No traveller returns - | 0:01:13 | 0:01:16 | |
puzzles the will, and makes us rather bear those ills we have... | 0:01:16 | 0:01:21 | |
He'll be doing stuff like this throughout the show | 0:01:21 | 0:01:25 | |
so if you get bored, press the red button on your remote | 0:01:25 | 0:01:29 | |
and you'll see me dressed up as a hedgehog dancing away. | 0:01:29 | 0:01:34 | |
-What's going on? -Nothing. -Come on. -Enjoy the show. | 0:01:34 | 0:01:38 | |
..To the world of The Mighty Boosh. | 0:01:45 | 0:01:47 | |
# Come with us to The Mighty Boosh | 0:01:47 | 0:01:53 | |
The Mighty Boosh | 0:01:52 | 0:01:53 | |
# Come with us to The Mighty Boosh. # | 0:01:53 | 0:01:57 | |
To die, to sleep; | 0:01:59 | 0:02:02 | |
To sleep, perchance to dream. Ay, there's the rub; | 0:02:02 | 0:02:06 | |
For in that sleep of death what dreams may come... | 0:02:06 | 0:02:10 | |
Can you quieten down? Bollo's not well. | 0:02:10 | 0:02:13 | |
You're freaking him out. He's got a fever. | 0:02:13 | 0:02:16 | |
Vince, death's nothing to be afraid of. | 0:02:16 | 0:02:20 | |
It's natural. It's important to be prepared, to face it with dignity and poise, be ready for it like me. | 0:02:20 | 0:02:28 | |
I'm ready for death. If Death comes knocking for me, I'll welcome him. | 0:02:28 | 0:02:32 | |
He'll knock thrice. "Come in," I'll say, "Sit yourself down. | 0:02:32 | 0:02:37 | |
-"Do want a cup of tea?" -Tea? I imagine Death as a coffee drinker. | 0:02:37 | 0:02:42 | |
-I'd offer him a range of hot beverages. -Even a latte? -You bet. | 0:02:42 | 0:02:46 | |
-Whatever Death wants, Death gets. -And if it's a hot day? -I'd offer him a Frappuccino. | 0:02:46 | 0:02:53 | |
Magic. Do you get a small Italian biscuit too? | 0:02:53 | 0:02:56 | |
Don't be foolish. He's trying to loose weight. | 0:02:56 | 0:03:00 | |
It's a joke - he's a skeleton. | 0:03:00 | 0:03:03 | |
But he was a skeleton, the biscuits would crumble through his ribcage. | 0:03:03 | 0:03:08 | |
-AS DEATH: -Ooh, crumble through. -BOLLO WHEEZES | 0:03:08 | 0:03:12 | |
Look, don't get too close to the animals, Vince, cos they die. | 0:03:12 | 0:03:17 | |
It's the first rule of zoo keeping. | 0:03:17 | 0:03:19 | |
-What about you and Jack? -What about me and Jack? | 0:03:19 | 0:03:23 | |
-We are acquaintances. -Yeah. -We got close - too close, some people said. | 0:03:23 | 0:03:27 | |
-There were rumours. I don't know what they were... -It was that you were bumming him. -Not true. | 0:03:27 | 0:03:34 | |
-It was that you were bumming him. -I know the rumours - not true. | 0:03:34 | 0:03:39 | |
-The point is don't get too close to Bollo. -All right. | 0:03:39 | 0:03:43 | |
He's on his way out. You're getting on my nerves. | 0:03:43 | 0:03:47 | |
-Is that what they say about me? -No. You're the man round here. | 0:03:47 | 0:03:52 | |
-They're just rumours. -See you later. -See you. | 0:03:52 | 0:03:57 | |
-Hi, Jack? -JACK: Get away from me, right? | 0:04:01 | 0:04:04 | |
Ah, good. Walk and talk with me. We see eye to eye, huh, you and me? | 0:04:05 | 0:04:11 | |
I'm your boss but your friend too. | 0:04:11 | 0:04:13 | |
But I'm not your wife but we have made violent love. | 0:04:13 | 0:04:18 | |
-Did I say that out loud? -What do you want? | 0:04:18 | 0:04:21 | |
I have a problem. It's to do with the squashed-in Frenchman - | 0:04:21 | 0:04:26 | |
the naked, squashed-up, hairy boy. | 0:04:26 | 0:04:29 | |
You know, with the hand-feet, the brown little hand-foot man. | 0:04:29 | 0:04:34 | |
-The gorilla. -Yeah! Wait, say that again. -Gorilla. | 0:04:34 | 0:04:38 | |
-The old lady that sponsors the... TAPE: -'Gorilla.' -..is coming today, | 0:04:38 | 0:04:43 | |
and if she sees him knocking on death's door, | 0:04:43 | 0:04:47 | |
-she ain't going to pay me. -What can I do about it? | 0:04:47 | 0:04:52 | |
-I want you to dress as a... TAPE: -'Gorilla.' | 0:04:52 | 0:04:55 | |
Eat a banana, kick some hay. | 0:04:55 | 0:04:58 | |
-I'm not doing it. I'm a man. -I knew that. Man. | 0:04:58 | 0:05:02 | |
I have dignity and poise, not a gorilla. | 0:05:02 | 0:05:05 | |
If you don't, all the animals will go poor and they won't be able to afford toboggans or sausages. | 0:05:05 | 0:05:11 | |
See you later, Mr Fossil. | 0:05:11 | 0:05:14 | |
It's just as well, Moon. You can't act anyway. | 0:05:14 | 0:05:18 | |
-What did you say? -I said you can't act. | 0:05:18 | 0:05:21 | |
Get me an ape suit, bananas and a hot towel. | 0:05:21 | 0:05:25 | |
Come on, Bollo, you'll pull through. | 0:05:28 | 0:05:31 | |
Vince, my time is now. Death is near. | 0:05:32 | 0:05:37 | |
-I can sense him. -Don't speak like that, Bollo. | 0:05:37 | 0:05:41 | |
Do not be afraid, my child. | 0:05:41 | 0:05:45 | |
-The important thing is that we had a good life. -Yeah. | 0:05:45 | 0:05:50 | |
-Good times. -Yeah, we had great times. | 0:05:50 | 0:05:55 | |
Great times, Bollo, great moments. | 0:06:10 | 0:06:14 | |
And they can't take those moments away from you. | 0:06:14 | 0:06:18 | |
Who can't? | 0:06:18 | 0:06:20 | |
The Moment Stealers? Something Howard used to say. | 0:06:21 | 0:06:26 | |
Vince, will you do me a favour when I'm dead? | 0:06:26 | 0:06:30 | |
Anything. | 0:06:30 | 0:06:32 | |
Find Howard, slap him in the face. | 0:06:32 | 0:06:35 | |
-VINCE LAUGHS The man's a fool. -OK. | 0:06:35 | 0:06:40 | |
-Vince... -Yeah? -Your hair looks good today. | 0:06:40 | 0:06:44 | |
Thanks. | 0:06:44 | 0:06:46 | |
Yours looks good too. Not as good as mine - you have a few split ends. | 0:06:46 | 0:06:51 | |
But I could sort that out for you. | 0:06:51 | 0:06:53 | |
You are my friend, Vince. | 0:06:53 | 0:06:57 | |
Yeah. | 0:06:57 | 0:06:59 | |
-What are you doing? -Oh, sorry! | 0:07:20 | 0:07:22 | |
-I thought you'd gone. -Not quite yet. | 0:07:22 | 0:07:26 | |
Sorry. | 0:07:26 | 0:07:28 | |
I'm very sorry about that, old lady. Have a nice day. | 0:07:29 | 0:07:34 | |
Um...I do want that towel back. | 0:07:34 | 0:07:36 | |
What the hell was that all about? | 0:07:36 | 0:07:39 | |
What?! You wanted an ape, I gave you an ape. | 0:07:39 | 0:07:43 | |
-You threw your own crap at her! -I'm a method actor. | 0:07:43 | 0:07:47 | |
When you hire me, you get three-dimensional truth nuggets. | 0:07:47 | 0:07:52 | |
Luckily the old lady wrote a cheque before your truth nuggets hit her. | 0:07:52 | 0:07:56 | |
Watch it, Moon, or I'll be all over you like a nun sandwich. | 0:07:56 | 0:08:00 | |
Yeah, you'd better believe I'm a good actor. | 0:08:00 | 0:08:04 | |
I've got the moves. | 0:08:04 | 0:08:06 | |
Can I help you? | 0:08:13 | 0:08:16 | |
Right. | 0:08:21 | 0:08:22 | |
Vince! I suddenly feel much better. | 0:08:25 | 0:08:29 | |
GUITAR MUSIC STARTS UP | 0:08:29 | 0:08:32 | |
# The sun is shining and you're feeling fine | 0:08:35 | 0:08:37 | |
# And the birds are singing in the trees. # | 0:08:37 | 0:08:39 | |
# Young girl, get out of my life | 0:08:50 | 0:08:53 | |
# My love for you is way out of line | 0:08:53 | 0:08:56 | |
# Run, girl | 0:08:56 | 0:08:59 | |
# Ah, you're much too young, girl | 0:08:59 | 0:09:03 | |
-# Ah, do-do-do... # -Hello. | 0:09:03 | 0:09:06 | |
# Do-do, ah... # What is it, mate? | 0:09:06 | 0:09:10 | |
-Hi, where are we going? -I'm taking you to Monkey Hell. | 0:09:10 | 0:09:14 | |
Sit back, relax and enjoy the view. | 0:09:14 | 0:09:17 | |
-Monkey Hell? -Yeah, mate. -There might have been a bit of a mistake. | 0:09:18 | 0:09:23 | |
Ha-ha! That's what they all say! | 0:09:23 | 0:09:25 | |
"Oh, there's been a mistake. I'm not ready to die." Just chill out. | 0:09:25 | 0:09:31 | |
Yeah... The thing is, I'm not a monkey. | 0:09:31 | 0:09:35 | |
I'm a man in a monkey suit. | 0:09:35 | 0:09:37 | |
Ha! Dear, oh dear. I've heard some excuses but that is priceless. | 0:09:37 | 0:09:42 | |
Oh, I don't believe this. | 0:09:42 | 0:09:46 | |
-TYRES SCREECH -Sorry. | 0:09:46 | 0:09:49 | |
-Reaper to Colin. -'Colin here.' | 0:09:50 | 0:09:53 | |
I've been a right flapjack and picked up the wrong geezer. | 0:09:53 | 0:09:58 | |
'Oh, not again, Phil.' | 0:09:58 | 0:10:01 | |
It weren't my fault. He's dressed as an ape in the ape enclosure. | 0:10:01 | 0:10:05 | |
'You'd better drop him off here.' | 0:10:05 | 0:10:08 | |
-OK, mate. -'How's your Pauline?' -OK. She's dead. How's your Pauline? | 0:10:08 | 0:10:13 | |
'Dead. She's all right though. She talks all day. Blah, blah...' | 0:10:13 | 0:10:18 | |
-OK, mate. Listen up. I'm taking you back to head office. -Right. | 0:10:18 | 0:10:23 | |
This has put 40 minutes on my journey, you peanut. | 0:10:23 | 0:10:27 | |
Sorry. | 0:10:27 | 0:10:29 | |
All right, boys? Oi, Bobby, where's my tenner? Hey, Neville! | 0:10:43 | 0:10:49 | |
All right, Colin, how's your Pauline? | 0:10:49 | 0:10:53 | |
-She's OK. How's your Pauline? -She's OK. | 0:10:53 | 0:10:56 | |
-Is this the geezer? -This is him. -Where are we? | 0:10:56 | 0:11:00 | |
-You're in Limbo, mate. -Where's that? -It's neither here nor there! | 0:11:00 | 0:11:06 | |
I'll make a few calls, see what I can do. | 0:11:06 | 0:11:09 | |
-Much appreciated. -I'm a Cockney, I'm a Cockney. | 0:11:09 | 0:11:13 | |
-Have a seat, mate. -So what's happening? | 0:11:13 | 0:11:17 | |
-We're waiting for a decision. -On if I can go back? | 0:11:17 | 0:11:21 | |
-On if you go to Monkey Hell or Monkey Heaven. -I'm not a monkey. | 0:11:21 | 0:11:26 | |
You're dead. I've already told you. Accept it. I'll make you a cuppa. | 0:11:26 | 0:11:30 | |
-Sugar? -No, thanks. Actually, I'll have two. May as well. | 0:11:30 | 0:11:35 | |
-Four. Make it...eight. Sod it! -OK, mate. | 0:11:35 | 0:11:39 | |
Death. | 0:11:39 | 0:11:41 | |
Nothingness. | 0:11:41 | 0:11:43 | |
Oblivion. | 0:11:43 | 0:11:45 | |
No more will I look upon my sweet friends. | 0:11:45 | 0:11:48 | |
-No more will I... -Oi, you bony nonce! | 0:11:48 | 0:11:52 | |
-Oh, death. -Between you and me, I'd pipe down. | 0:11:52 | 0:11:55 | |
Bit more of a sports crowd in here, know what I mean? | 0:11:55 | 0:12:00 | |
Anyway, it's not true what you were saying. Let me show you something. | 0:12:00 | 0:12:06 | |
This is the mirror of life. You can see anything in here. | 0:12:06 | 0:12:11 | |
-Have a look at your funeral if you want. -Really? -Oh, yeah. | 0:12:11 | 0:12:16 | |
Wow! | 0:12:16 | 0:12:18 | |
So many people! | 0:12:18 | 0:12:20 | |
Oh no, that's a Woodstock DVD. This is your funeral. | 0:12:20 | 0:12:25 | |
Wow. | 0:12:25 | 0:12:27 | |
So many people. | 0:12:27 | 0:12:30 | |
-ON VIDEO: -'Anno Dominus vomitus' | 0:12:30 | 0:12:32 | |
erectus et ceterus. | 0:12:32 | 0:12:35 | |
We are gathered here today to bury Howard Moon. | 0:12:35 | 0:12:39 | |
We don't know how it happened. | 0:12:39 | 0:12:42 | |
-When he died, he was dressed as a... -ON TAPE: 'Gorilla!' | 0:12:42 | 0:12:47 | |
Here to say a few words about him, | 0:12:47 | 0:12:50 | |
perhaps the closest person to him here at the Zoo-Niverse, Vince Noir. | 0:12:50 | 0:12:56 | |
-Hey, Vince, I'm a priest! -Couldn't you get a real priest? | 0:12:56 | 0:13:00 | |
I didn't know how to get one. Hey, you got one of these, a Talkbox? | 0:13:00 | 0:13:06 | |
-A Talkbox? -Yeah. -No. -Oh. | 0:13:06 | 0:13:08 | |
TALKBOX: 'Gorilla.' | 0:13:09 | 0:13:12 | |
-Give it to me. -It's got all my words on it. | 0:13:12 | 0:13:15 | |
You can have it back at the end. | 0:13:15 | 0:13:18 | |
-(Talkbox.) -BIRDS SQUAWK | 0:13:18 | 0:13:21 | |
Howard Moon was a good friend of mine. He was a passionate man. | 0:13:21 | 0:13:26 | |
-He liked to work closely with the animals. Too closely. -Hear that? | 0:13:26 | 0:13:32 | |
FOX: Shut your face. | 0:13:32 | 0:13:35 | |
Howard's other passion was jazz. | 0:13:35 | 0:13:38 | |
He asked me to play Blue Train by John Coltrane at his funeral. | 0:13:38 | 0:13:43 | |
I couldn't really find that. | 0:13:43 | 0:13:46 | |
But I did find another song about a train. | 0:13:46 | 0:13:50 | |
MUSIC: Theme from Thomas The Tank Engine | 0:13:50 | 0:13:55 | |
MUSIC CONTINUES | 0:14:03 | 0:14:05 | |
REAPERS CHUCKLE BEHIND HOWARD | 0:14:10 | 0:14:14 | |
All right, lads, back to work. | 0:14:16 | 0:14:19 | |
-Do I get a phone call? -You're dead. -There must be something you can do. | 0:14:19 | 0:14:24 | |
I shouldn't really do this, but since there's been a mix-up, | 0:14:24 | 0:14:29 | |
-I'll give you a haunting. -A haunting? What does that entail? | 0:14:29 | 0:14:33 | |
Anything you want, really. Some people visit their dear old mums. | 0:14:33 | 0:14:38 | |
Others frighten their enemies. | 0:14:38 | 0:14:41 | |
Some people pick up cups | 0:14:41 | 0:14:43 | |
and make them float around by their own volition. Woooooo! | 0:14:43 | 0:14:48 | |
Never understood that one myself. | 0:14:48 | 0:14:50 | |
I want to see my mate Vince. | 0:14:50 | 0:14:53 | |
-The geezer with the fabulous hair? -Yeah. -OK. It's a tricky procedure. | 0:14:53 | 0:14:58 | |
Get your limbs moving. Loosen up. Lovely. | 0:14:58 | 0:15:02 | |
Sort of dance. That's lovely. Grind your booty. | 0:15:02 | 0:15:05 | |
Bit more sexual. Pout a little bit. Bit more. Hey, boys! | 0:15:05 | 0:15:10 | |
REAPERS CHUCKLE | 0:15:10 | 0:15:13 | |
I've had it with you, you faceless motherf... | 0:15:13 | 0:15:17 | |
Bollo, Howard was always trying to get me to listen to jazz. | 0:15:21 | 0:15:25 | |
Now he's dead, I feel I want to give it a go. | 0:15:25 | 0:15:29 | |
I've got his old records here. | 0:15:29 | 0:15:32 | |
LOUD JAZZ SCREECHES OUT | 0:15:34 | 0:15:38 | |
Rubbish. | 0:15:38 | 0:15:40 | |
-SIMILAR TUNE PLAYS -There's no way. | 0:15:45 | 0:15:47 | |
-TUNE PLAYS VERY BRIEFLY -Smash it to bits. | 0:15:50 | 0:15:53 | |
GORILLA GRUNTS | 0:15:56 | 0:15:58 | |
-Vince Noir, it is I, Howard Moon. -Howard! | 0:15:58 | 0:16:03 | |
-I thought you were dead. -I AM dead, you idiot. | 0:16:03 | 0:16:08 | |
-What's happened to my records? -Bollo smashed them up. | 0:16:08 | 0:16:12 | |
-Help me. -Are you really a ghost? -Yeah. -Genius! -What are you doing? | 0:16:12 | 0:16:17 | |
-I was putting my hand through you. -We spent the budget on your hair. | 0:16:17 | 0:16:22 | |
-It IS looking good. -We've got three minutes. Listen up. Pay attention. | 0:16:22 | 0:16:27 | |
-OK. Sorry. -MOBILE RINGS | 0:16:27 | 0:16:29 | |
Hey, Leroy! How's it going? | 0:16:29 | 0:16:32 | |
Mental! It was a free bar. I stayed all night. You won't believe this. | 0:16:32 | 0:16:38 | |
Guess what's happened. Howard's haunting me! He died last week. | 0:16:38 | 0:16:43 | |
-Have a word. You've got to have a word. -I haven't got time. | 0:16:43 | 0:16:48 | |
-Have a word! He doesn't believe me. -Hello, Leroy, yeah. Keep the CDs. | 0:16:48 | 0:16:54 | |
-Yeah, thanks. Bye! -I'll speak to you later on. Cheers! | 0:16:54 | 0:16:59 | |
Help me. I'm in Limbo. Get me out, or I'll go to Monkey Hell. | 0:16:59 | 0:17:03 | |
Are you really dead, Howard? | 0:17:03 | 0:17:07 | |
Yes. I know it's a shock, but death comes to us all. I'm not afraid. | 0:17:07 | 0:17:11 | |
It's the natural cycle. | 0:17:11 | 0:17:14 | |
We get old, lose our hair and die. | 0:17:14 | 0:17:16 | |
-But I've been taken before my time, Vince. -What did you say? | 0:17:16 | 0:17:21 | |
That stuff about the hair? | 0:17:21 | 0:17:23 | |
-We lose our hair, we die. -I've got to do something about this, Howard. | 0:17:23 | 0:17:29 | |
-Naboo will know what to do. -Please! I'll be in Limbo. | 0:17:29 | 0:17:33 | |
SITAR PLAYS SOFTLY | 0:17:33 | 0:17:36 | |
Hey, Naboo. | 0:17:39 | 0:17:42 | |
-Who's this? -That's Pete. -Is he a shaman too? | 0:17:46 | 0:17:50 | |
No, he works in Dixons. | 0:17:50 | 0:17:53 | |
You've got to help me. Something really weird happened. | 0:17:53 | 0:17:57 | |
Howard came back. He said you lose your hair. | 0:17:57 | 0:18:01 | |
-That's true. -I can't have that. Have you got any lotions or potions? | 0:18:01 | 0:18:06 | |
I've seen this. You're extracting the resin from its belly. | 0:18:08 | 0:18:13 | |
No, I just don't like this frog. I'm giving him a squeeze. | 0:18:13 | 0:18:18 | |
Now, this is Naboo's miracle wax. | 0:18:18 | 0:18:21 | |
It will make each follicle as strong as a horse's leg. | 0:18:21 | 0:18:26 | |
Brilliant. Thanks. You're a Peruvian genius. | 0:18:26 | 0:18:30 | |
I've also got to rescue Howard from Limbo. | 0:18:30 | 0:18:33 | |
-There's a mirror just there. -Thanks, Naboo. I feel much better. | 0:18:33 | 0:18:38 | |
The thing is, what can I do about Howard? | 0:18:38 | 0:18:42 | |
Can you still get a discount on that digital camera? | 0:18:42 | 0:18:46 | |
No, but if you buy a 64MB card, you get a second one half price. | 0:18:46 | 0:18:52 | |
What about a scart to phono lead? | 0:18:52 | 0:18:54 | |
-I'll chuck one of those in. -All right. | 0:18:54 | 0:18:58 | |
HE WHISTLES THROUGH HIS TEETH | 0:18:58 | 0:19:01 | |
WHISTLING STOPS | 0:19:08 | 0:19:10 | |
Oh my God! It's a floating cup! | 0:19:10 | 0:19:14 | |
Make it stop! | 0:19:14 | 0:19:17 | |
HE WAILS DRAMATICALLY | 0:19:17 | 0:19:21 | |
HE STARTS WHISTLING AGAIN | 0:19:23 | 0:19:26 | |
Welcome to the Mirror World! | 0:19:44 | 0:19:47 | |
-Who are you? -I am Mr Susan, guardian of the mirrors. What do you seek, stranger? | 0:19:47 | 0:19:54 | |
-I'm just looking for my mate Howard. He's in Limbo. -Ah, limbo bimbo. | 0:19:54 | 0:19:59 | |
One of these mirrors does lead to Limbo. You must choose wisely, | 0:19:59 | 0:20:05 | |
-for there are over 17 mirrors in the Mirror World. -Mirror World? | 0:20:05 | 0:20:10 | |
-It's not really a mirror world, is it? It's more of a small room. -What? Well, no, | 0:20:10 | 0:20:17 | |
it isn't large, but a mirror will make a room appear larger. | 0:20:17 | 0:20:21 | |
Anyway, you failed to take into account my mirror balls! | 0:20:21 | 0:20:26 | |
Look at them shine! | 0:20:26 | 0:20:29 | |
Look at them shine! | 0:20:29 | 0:20:32 | |
Look at them shine! | 0:20:32 | 0:20:34 | |
Look at them shine! | 0:20:34 | 0:20:36 | |
Oh! Look at them shinin'! | 0:20:36 | 0:20:39 | |
Oh, it's cold! | 0:20:39 | 0:20:41 | |
That's enough. Now, it is time to choose. But choose wisely, | 0:20:41 | 0:20:45 | |
for if you choose wrongly you will replace me here in the Mirror World | 0:20:45 | 0:20:50 | |
with nothing but your own reflection for company. | 0:20:50 | 0:20:54 | |
Sounds all right to me. | 0:20:54 | 0:20:57 | |
-What, staring at your own reflection forever? -Sounds great. | 0:20:57 | 0:21:01 | |
If you look over there you can see your hair from every angle. How cool is that? | 0:21:01 | 0:21:07 | |
Ah, vanity. I too was vain like you. | 0:21:07 | 0:21:10 | |
Let me tell you the story of how I came to be in this mirrored prison. | 0:21:10 | 0:21:15 | |
I haven't got time for this, Freddy Fabrics. I've got to get to Limbo. | 0:21:15 | 0:21:20 | |
My name is Mr Susan, and now it is time for you to do the choosin'. | 0:21:20 | 0:21:25 | |
# Will it be this one here Will it be this one here | 0:21:25 | 0:21:29 | |
# Which one will you choose? Win or lose | 0:21:29 | 0:21:32 | |
# Choose one now Which one will it be? | 0:21:32 | 0:21:34 | |
# Which one will you choose? # | 0:21:34 | 0:21:37 | |
Oh, shit. | 0:21:41 | 0:21:44 | |
-Is this Limbo? -Who are you? -I've gotta find my mate Howard - tall moustache. -Just missed him, mate. | 0:21:48 | 0:21:54 | |
-I've just taken him to Monkey Hell. -Can you take me there? -I've just come back from there! | 0:21:54 | 0:22:01 | |
-Colin, ain't there no-one else who can take him? -Sorry mate, I'm understaffed as it is. | 0:22:01 | 0:22:07 | |
-I'm running a skeleton crew. -THEY LAUGH | 0:22:07 | 0:22:10 | |
-This is you here, mate. -Great, can you wait for us? -I'll have to keep the meter running. -I won't be long. | 0:22:13 | 0:22:19 | |
-You say that, but it's up to the head honcho. -Who? | 0:22:19 | 0:22:24 | |
The Ape of Death. | 0:22:24 | 0:22:27 | |
Howard Moon, you are to be thrown into the pit of eternal fire... | 0:22:27 | 0:22:31 | |
for heinous crimes. | 0:22:31 | 0:22:34 | |
But Bollo led a clean life. | 0:22:34 | 0:22:37 | |
Yeah, but you bummed that fox. | 0:22:37 | 0:22:39 | |
That's just a rumour. | 0:22:39 | 0:22:41 | |
No smoke without fire, which incidentally, you'll be seeing quite a bit of from here on in. | 0:22:41 | 0:22:48 | |
BABOONS LAUGH | 0:22:48 | 0:22:51 | |
Everyone's a comedian down here(!) | 0:22:51 | 0:22:53 | |
-Shut your pie hole. Now prepare to die! -Aren't I already dead? | 0:22:53 | 0:22:58 | |
Well...it hurts more the second time. Now prepare to be cast into the eternal flames. | 0:22:58 | 0:23:03 | |
Wait! | 0:23:03 | 0:23:05 | |
-Who are you? -I'm Vince Noir. This is my mate. there's been a mix up. You can't burn him. -Who will stop me? | 0:23:05 | 0:23:12 | |
I am. | 0:23:12 | 0:23:13 | |
Well, I appreciate the gesture, but a bit of a wasted journey that, wasn't it? Did you bring anything? | 0:23:16 | 0:23:23 | |
-Like a gun, or a fork? -Enough! | 0:23:23 | 0:23:27 | |
Now you shall burn. You and your wife with the ridiculous hair. | 0:23:27 | 0:23:33 | |
-Have you seen yours? It's like split end central. -Shut up. | 0:23:33 | 0:23:38 | |
-Look at it, it's auburn fuzz. -Shut your gob. -You look ridiculous. It's like a ginger ball bag. | 0:23:38 | 0:23:44 | |
Shut up I say! I've always had problems with my hair. | 0:23:44 | 0:23:49 | |
It's not curly, it's not straight, it's somewhere in between. | 0:23:49 | 0:23:54 | |
If I wash it, it becomes too dry. | 0:23:54 | 0:23:57 | |
If I leave it, it becomes too greasy. | 0:23:57 | 0:24:00 | |
I can't do a thing with it. | 0:24:00 | 0:24:04 | |
Listen, have you heard of products, straighteners, finishing gel? | 0:24:04 | 0:24:08 | |
Finishing gel? | 0:24:08 | 0:24:10 | |
What is finishing gel? | 0:24:10 | 0:24:12 | |
Where have you been? I could sort your hair out in six minutes. | 0:24:12 | 0:24:17 | |
Why didn't you tell me about this? | 0:24:17 | 0:24:20 | |
Davey, Nemo? | 0:24:20 | 0:24:22 | |
You could do this for me? | 0:24:22 | 0:24:26 | |
This is sheer liquid wonderment! | 0:24:30 | 0:24:34 | |
For this smashing gift I shall set you both free. Thank you. | 0:24:34 | 0:24:39 | |
Don't thank me. | 0:24:39 | 0:24:41 | |
Thank Naboo's Miracle Wax. | 0:24:41 | 0:24:44 | |
Look at me. I'm so confident | 0:24:44 | 0:24:47 | |
and feel strong and super sexy. | 0:24:47 | 0:24:50 | |
Hit it! | 0:24:50 | 0:24:52 | |
ROCK INTRO | 0:24:52 | 0:24:56 | |
# I'm the Ape of Death and I don't care | 0:24:56 | 0:24:59 | |
# Cos I'm a monkey with lovely hair | 0:24:59 | 0:25:02 | |
# It's all fluffy and shiny too | 0:25:02 | 0:25:04 | |
# Cos I got that Miracle Wax from Naboo | 0:25:04 | 0:25:07 | |
# Don't be cynical | 0:25:07 | 0:25:09 | |
# It's a follicle miracle | 0:25:09 | 0:25:11 | |
# I said don't be cynical | 0:25:11 | 0:25:14 | |
# I get waxin' lyrical | 0:25:14 | 0:25:16 | |
# He's the Ape of Death and he don't care | 0:25:16 | 0:25:19 | |
# Cos he's the monkey with the lovely hair | 0:25:19 | 0:25:22 | |
# It's all fluffy and shiny too | 0:25:22 | 0:25:24 | |
# Cos he got that Miracle Wax from Naboo | 0:25:24 | 0:25:27 | |
# Come on now! | 0:25:28 | 0:25:29 | |
# Oo-oo-ah-ah-yeah! | 0:25:29 | 0:25:33 | |
# One two three four | 0:25:33 | 0:25:35 | |
# I want you dead on the monkey floor | 0:25:35 | 0:25:37 | |
Look around My monkey hair | 0:25:57 | 0:26:00 | |
You can touch it I don't care | 0:26:00 | 0:26:02 | |
Used to be that I was ashamed | 0:26:02 | 0:26:05 | |
But now the monkey fluff is tamed | 0:26:05 | 0:26:07 | |
# Come on everybody Walk around my hair! | 0:26:07 | 0:26:10 | |
# Don't be cynical | 0:26:10 | 0:26:12 | |
# It's a follicle miracle | 0:26:12 | 0:26:14 | |
# I said don't be cynical | 0:26:14 | 0:26:17 | |
# We're waxin' lyrical Oh yeah! # | 0:26:17 | 0:26:20 | |
Moon, I thought you were dead. | 0:26:20 | 0:26:23 | |
-I rescued him from the Ape of Death. -What do you want, a chocolate fruitcake. Get to work! | 0:26:23 | 0:26:29 | |
Never thought I'd miss him. It's good to be back. | 0:26:29 | 0:26:33 | |
-Yeah. -It all worked out in the end. -Everything's back to normal. -The balance has been restored. | 0:26:33 | 0:26:39 | |
-I'll get you back for that cab as well. -It's 110 euros. -How much? -We went to hell and back! | 0:26:39 | 0:26:46 | |
-Did you get a receipt? -I forgot. -I could have claimed that back. | 0:26:46 | 0:26:50 | |
Well, there you have it. I hope you enjoyed the show. | 0:26:58 | 0:27:02 | |
We have just enough time for me to squeeze in a small powerful speech. | 0:27:02 | 0:27:07 | |
Thus conscience does make cowards of us all; | 0:27:08 | 0:27:12 | |
And thus the native hue of resolution | 0:27:12 | 0:27:15 | |
Is sicklied o'er with the pale cast of thought, | 0:27:15 | 0:27:18 | |
And enterprises of great pitch and mom... | 0:27:18 | 0:27:22 | |
INDIAN MUSIC | 0:27:22 | 0:27:25 | |
Subtitles by BBC Broadcast - 2004 | 0:27:36 | 0:27:39 | |
E-mail us at [email protected] | 0:27:39 | 0:27:44 |