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-Hi, welcome to the show. My name's Howard Moon. He's Vince Noir. -Hiya. | 0:00:02 | 0:00:06 | |
We've got a treat for you, a special friend of MINE, | 0:00:06 | 0:00:09 | |
-an actor, a great actor, who's agreed to play a part within the show. -Not Simon McFarnaby? | 0:00:09 | 0:00:15 | |
Yes, Simon McFarnaby, one of the foremost exponents of devised theatre in the country. | 0:00:15 | 0:00:20 | |
-You only get him in cos you think he going to put you in one of his "devised" pieces. -He might do that. | 0:00:20 | 0:00:26 | |
-I don't think so. -He's not working so I thought I'd get him in the show. -I wonder why(?) | 0:00:26 | 0:00:32 | |
-What do you mean? -He looks a bit weird. He's wooden. | 0:00:32 | 0:00:35 | |
-He looks like a conker. -No, he doesn't. | 0:00:35 | 0:00:38 | |
He's here now. Do you mind? | 0:00:38 | 0:00:40 | |
Simon McFarnaby. | 0:00:40 | 0:00:42 | |
Hi. | 0:00:43 | 0:00:44 | |
-How are you? -I'm well. -You're looking great. -Thanks. | 0:00:44 | 0:00:47 | |
-Are you working much at the moment? -Bit quiet at the moment. | 0:00:47 | 0:00:52 | |
-I've got something lined up for the autumn. -Really. -Bet you have. -Hmm? | 0:00:52 | 0:00:56 | |
So, I just want to say that it's great to have you on the show, | 0:00:56 | 0:01:00 | |
great to be working with you, really looking forward to working with you, | 0:01:00 | 0:01:04 | |
-and just working and being with you. -Thanks. I'll go and get Wanda. -OK. | 0:01:04 | 0:01:08 | |
-Why don't you go and put your head in some vinegar? -What? | 0:01:08 | 0:01:11 | |
He's just mucking around. | 0:01:11 | 0:01:14 | |
-Oh, right, OK. -All right. See you. | 0:01:14 | 0:01:16 | |
-What are you doing? -What? -Get off! | 0:01:16 | 0:01:18 | |
Enjoy the show. | 0:01:18 | 0:01:20 | |
Simon, Simon... | 0:01:20 | 0:01:23 | |
..to the world of the Mighty Boosh! | 0:01:26 | 0:01:29 | |
Come on, Howard, put some energy into it. Get involved. | 0:01:40 | 0:01:44 | |
I'm carrying a bucket of seed. How am I meant to get involved in that? | 0:01:44 | 0:01:48 | |
Best job in the zoo. Millet distribution. | 0:01:48 | 0:01:51 | |
-Shoosh! -There's something wrong with you, you know that, don't you? | 0:01:51 | 0:01:55 | |
-What do you mean? -You're always happy. Everything's fun. Huh? | 0:01:55 | 0:01:59 | |
You see a peanut, the day's off to a good start. | 0:01:59 | 0:02:02 | |
You witness some soil, it's a jamboree. | 0:02:02 | 0:02:05 | |
-I need something more. -I think it's this poncho. | 0:02:05 | 0:02:08 | |
It's impossible to be unhappy in a poncho. | 0:02:08 | 0:02:11 | |
I'm going to get a sombrero as well. Imagine that. Poncho-sombrero combo. | 0:02:11 | 0:02:16 | |
I'll be off my tits on happiness. You should get one. | 0:02:16 | 0:02:19 | |
Takes more than a Mexican outfit and some seed distribution to make me happy. | 0:02:19 | 0:02:24 | |
You know, Vince, this zoo's too small for me. | 0:02:25 | 0:02:28 | |
I'm a man of grand designs. | 0:02:28 | 0:02:30 | |
I need something to stimulate my mind cogs. Know what I'm gonna be? | 0:02:30 | 0:02:34 | |
-What? -I'm gonna be a writer. | 0:02:34 | 0:02:36 | |
As if you're gonna be a writer! You haven't even got a pen. | 0:02:36 | 0:02:40 | |
-You don't need a pen to be a writer, Vince. -I think you do. -Yeah. | 0:02:40 | 0:02:44 | |
-I'm a deep thinker. I'm going to be a novelist. -I write novels. | 0:02:44 | 0:02:48 | |
-What? -The Charlie books. | 0:02:48 | 0:02:50 | |
-The Charlie books? -Yeah. -That pink shape you draw? | 0:02:50 | 0:02:53 | |
Yeah, Charlie. | 0:02:53 | 0:02:55 | |
Charlie is genius. He's made from a million pieces of old bubble gum! | 0:02:55 | 0:02:59 | |
Imagine that! | 0:02:59 | 0:03:00 | |
In the summer of 1976, on his way home from an Alice Cooper concert, | 0:03:00 | 0:03:04 | |
Charlie started to melt onto the pavement. | 0:03:04 | 0:03:07 | |
It was too hot in LA and he melted like a pink bitch. | 0:03:07 | 0:03:10 | |
Luckily though, there was Eric Philips, a local crocodile, | 0:03:10 | 0:03:14 | |
who dabbled in black magic. | 0:03:14 | 0:03:16 | |
He took pity on Charlie and scraped him of the floor with a pair of fish slices. | 0:03:16 | 0:03:21 | |
He poured him into an antique soup ladle | 0:03:21 | 0:03:24 | |
and boarded his magic carpet... | 0:03:24 | 0:03:26 | |
Ha-ha! Hold on tight, Charlie! | 0:03:26 | 0:03:29 | |
..destination Alaska. | 0:03:29 | 0:03:30 | |
Eric Philips decided to refreeze Charlie, | 0:03:30 | 0:03:34 | |
but in his cold-blooded, reptilian haste, | 0:03:34 | 0:03:37 | |
he refroze him into the shape of a Hoover. | 0:03:37 | 0:03:40 | |
I wasn't thinking! | 0:03:40 | 0:03:41 | |
Charlie wasn't fazed, though. | 0:03:41 | 0:03:43 | |
He just zoomed about the place, sucking up Inuits. | 0:03:43 | 0:03:46 | |
The Inuits didn't mind. They loved it in Charlie's tight, warm belly pouch. | 0:03:47 | 0:03:52 | |
-They refused to come out. -That's cool! | 0:03:52 | 0:03:55 | |
-He set fire to a posh hammer to make it official. -I appear to be on fire! | 0:03:55 | 0:03:59 | |
The downside was that the Inuits suffocated immediately. | 0:03:59 | 0:04:03 | |
It was airtight there. Charlie fired the Inuit bullets | 0:04:03 | 0:04:06 | |
-into Eric's crocodile pupils. -After all I did for you! | 0:04:06 | 0:04:11 | |
The green shape was frozen. | 0:04:11 | 0:04:14 | |
After a quick drink, Charlie stole Eric Philips' magic carpet | 0:04:14 | 0:04:19 | |
and left for Seattle. | 0:04:19 | 0:04:21 | |
Charlie was racked with guilt. | 0:04:21 | 0:04:23 | |
He'd killed 50 Inuits. No-one needs that. | 0:04:23 | 0:04:26 | |
He decided to spend the rest of his life | 0:04:26 | 0:04:28 | |
putting small hairstyles onto boots, monkey nuts, trumpets and spanners. | 0:04:28 | 0:04:33 | |
That's not a novel. That's the scribblings of a retard, Vince. | 0:04:33 | 0:04:37 | |
They're novelettes. | 0:04:37 | 0:04:39 | |
It's in crayon, you berk! | 0:04:39 | 0:04:40 | |
-So what? I'm new school. -New school? -Yeah. | 0:04:40 | 0:04:43 | |
-I'm talking about books that'll get published. -I publish mine myself. | 0:04:43 | 0:04:48 | |
You photocopy them and leave them in supermarkets inside Weetabix boxes. | 0:04:48 | 0:04:52 | |
That's not published, is it, huh? | 0:04:52 | 0:04:54 | |
I want to deal with real people, real issues, real characters. | 0:04:54 | 0:04:58 | |
-Charlie's real. -Will you shut up about Charlie? | 0:04:58 | 0:05:01 | |
-He's not real. -He IS real. -Stop saying that. | 0:05:01 | 0:05:04 | |
-You're scared of Charlie. -I'm not! -Why are you scared? | 0:05:04 | 0:05:08 | |
-I'm not! -You don't need to be scared of him. -I'm NOT scared of him. | 0:05:08 | 0:05:12 | |
-Charlie's always been here. -What? -He's always been with us. -Shut up! | 0:05:12 | 0:05:16 | |
-Stop it. You know I don't like him. -He likes you. What's your problem? | 0:05:16 | 0:05:20 | |
-What do you mean? -He thinks you're funny. -Funny? | 0:05:20 | 0:05:23 | |
-Yeah. -I'm not. -Know what he does? -I'm serious. | 0:05:23 | 0:05:26 | |
He comes round when you're asleep, watches you, leans over your bed... | 0:05:26 | 0:05:31 | |
-Shut up about Charlie. -You can't handle Charlie. -Shut up! | 0:05:31 | 0:05:35 | |
Have a look at techno-mouse, see how he's doing. | 0:05:35 | 0:05:39 | |
RAVE MUSIC | 0:05:39 | 0:05:41 | |
-He's freaking out, Howard. -Why, what's wrong with him? | 0:05:44 | 0:05:48 | |
-A gram of speed and two microdots. -Get him in the ambient hutch, quick! | 0:05:48 | 0:05:52 | |
AMBIENT MUSIC | 0:05:52 | 0:05:55 | |
Drink some water. | 0:05:55 | 0:05:57 | |
Ah, I'll tell you what, Vince. | 0:06:01 | 0:06:03 | |
When I'm famous, I'll be out of this zoo, | 0:06:03 | 0:06:06 | |
mixing with high society, living the highlife. | 0:06:06 | 0:06:10 | |
-What about me? -Well, I'd bring you along with me. | 0:06:10 | 0:06:13 | |
-Yeah? -You could come along with me. -Cool. | 0:06:13 | 0:06:16 | |
-As a writer, I'd want to focus on the act of writing. -Yeah, yeah. | 0:06:16 | 0:06:20 | |
-I wouldn't want to expend energy on mundane tasks like laundry. -No way. | 0:06:20 | 0:06:24 | |
You could do it for me. That would help me out. | 0:06:24 | 0:06:27 | |
-Get stuffed! I'm not doing that. -You could make tea for me, | 0:06:27 | 0:06:31 | |
and hand me pens, as and when I need them. | 0:06:31 | 0:06:34 | |
-What, like a caddy? -You'd like that, wouldn't you? | 0:06:34 | 0:06:37 | |
-No. -You would. You could follow at a discreet distance | 0:06:37 | 0:06:40 | |
and if I have an idea, you could whip out a Biro... | 0:06:40 | 0:06:43 | |
-I'm not doing that. -..carry a pencil case on wheels, | 0:06:43 | 0:06:47 | |
just behind me, wear a little chequered suit, funny hat. | 0:06:47 | 0:06:51 | |
I don't wear chequered suits. | 0:06:51 | 0:06:53 | |
-I thought you liked dressing up. -Yeah, in ponchos. -The offer's there. | 0:06:53 | 0:06:57 | |
Thanks a lot(!) I'm going to lunch now. | 0:06:57 | 0:06:59 | |
Are you coming? | 0:06:59 | 0:07:02 | |
No, no, I've got to do some reading. | 0:07:02 | 0:07:04 | |
You mean you're going to spy on Gideon? | 0:07:04 | 0:07:06 | |
-No, I've got to do some research for my novel. -Really? -Yeah. | 0:07:06 | 0:07:10 | |
You should be careful. She's already put in a complaint. | 0:07:10 | 0:07:14 | |
See you later, Speedy Gonzales. | 0:07:14 | 0:07:16 | |
What are you doing, Moon? | 0:07:25 | 0:07:26 | |
-Just reading. -Yeah? I got a problem with the black and white people at the zoo. -Who? | 0:07:26 | 0:07:32 | |
-The black-eyed Chinese people that eat sticks. -The pandas. | 0:07:32 | 0:07:36 | |
Oh, I'm Howard Moon! I know how to read! | 0:07:36 | 0:07:40 | |
I know all the animals' names at the zoo. | 0:07:40 | 0:07:44 | |
Yeah, the pandas. | 0:07:44 | 0:07:46 | |
-What's the problem? -Well, apparently, | 0:07:46 | 0:07:49 | |
and this is on the QT, Bainbridge told me that when the man panda kisses the lady panda, | 0:07:49 | 0:07:55 | |
they invent new baby pandas, | 0:07:55 | 0:07:57 | |
-and everybody comes from all over and gives us money. -That's breeding. -Yeah, I know! | 0:07:57 | 0:08:03 | |
-Hump time! -It's notoriously difficult to get pandas to breed in captivity. | 0:08:03 | 0:08:07 | |
I thought you'd know that. | 0:08:07 | 0:08:09 | |
Yeah, but I got a plan, dingus! | 0:08:09 | 0:08:11 | |
The man panda won't kiss the lady panda, right? | 0:08:11 | 0:08:15 | |
So I want you to dress up as the man panda, | 0:08:15 | 0:08:18 | |
start coming on to the lady... | 0:08:18 | 0:08:20 | |
# La-da-da-da-da-da-da-da! # | 0:08:20 | 0:08:22 | |
Make the man panda all jealous. | 0:08:22 | 0:08:25 | |
He moves in - boom! | 0:08:25 | 0:08:27 | |
Babies all over the place. | 0:08:27 | 0:08:29 | |
That is possibly the most obscene, | 0:08:29 | 0:08:31 | |
disgusting, dangerous, humiliating and potentially dangerous thing I've ever heard you say. | 0:08:31 | 0:08:37 | |
Thanks, dude! | 0:08:37 | 0:08:39 | |
No man should ever, ever be made to dress as a panda. | 0:08:39 | 0:08:43 | |
Why am I doing this, exactly? | 0:08:43 | 0:08:46 | |
Cos you've got a way with the animals, Vince. | 0:08:46 | 0:08:49 | |
-I look ridiculous. -You look great. -I don't look anything like a panda. | 0:08:49 | 0:08:53 | |
-Pandas are short-sighted. That's the beauty of MY scheme. -What do I do? | 0:08:53 | 0:08:57 | |
You get in the panda lodge with Chi-Chi, dance about erotically, | 0:08:57 | 0:09:01 | |
-make Fu-Fu jealous, bang! -And when Fu-Fu's jealous? | 0:09:01 | 0:09:04 | |
-Knock on the door and I'll let you out. -What'll you be doing? -I'll be here. -Spying on Gideon? | 0:09:04 | 0:09:10 | |
No, having my lunch. | 0:09:10 | 0:09:12 | |
Howard. | 0:09:39 | 0:09:40 | |
Howard! Howard! | 0:09:41 | 0:09:43 | |
Oh, hi there, Mrs Gideon. | 0:09:46 | 0:09:49 | |
Who are you? | 0:09:49 | 0:09:50 | |
Howard Moon. I work here at the zoo. | 0:09:50 | 0:09:54 | |
-Why have you got crumbs round your eyes? -Oh, that's just... | 0:09:54 | 0:09:59 | |
Me and Vince have been playing a game - crumb-eye. | 0:09:59 | 0:10:02 | |
We have to get crumbs in each other's eyes. | 0:10:02 | 0:10:06 | |
And, um... The winner gets a rake. | 0:10:06 | 0:10:10 | |
-That's a good book. I like that. -Have you read it? -Oh, yeah! | 0:10:10 | 0:10:14 | |
Yeah, twice. I've read it once in the original, and then in the paperback. | 0:10:14 | 0:10:20 | |
Really related to Jonathan. I thought he was great. | 0:10:20 | 0:10:24 | |
The serial killer? | 0:10:24 | 0:10:26 | |
Yeah, I mean, as much as, you know, we can all relate to...to a killer. | 0:10:28 | 0:10:33 | |
-We've all killed in our minds. -What are you talking about? | 0:10:33 | 0:10:37 | |
Well, as a writer, it's, um... | 0:10:37 | 0:10:40 | |
it's something that I... I have to do. | 0:10:40 | 0:10:43 | |
I have to get involved in the darker side of the human psyche. | 0:10:43 | 0:10:48 | |
-You're a writer? -Oh, yeah, yeah. Big time. Big time. Love to write. | 0:10:48 | 0:10:52 | |
It's like a compulsion for me. The written word is like a drug. | 0:10:52 | 0:10:57 | |
If you cut me, I bleed ink. | 0:10:57 | 0:11:00 | |
I wrote that - one of the things I've written. | 0:11:00 | 0:11:04 | |
-Are you a friend of Vince's? -Yeah! -Yes, he's a very nice boy. | 0:11:04 | 0:11:09 | |
LAUGHTER, SLOW MUSIC PLAYS | 0:11:14 | 0:11:18 | |
-What's going on here? -What? We're just making him jealous. | 0:11:18 | 0:11:23 | |
-He's jealous now. Let's go! -There's no way! | 0:11:23 | 0:11:26 | |
She's not interested in him. He's a brute. He takes and takes! | 0:11:26 | 0:11:30 | |
-There's no way they'll get it on. -OK, Vince. He's jealous now. | 0:11:30 | 0:11:34 | |
-Just let nature take its course. -No! He's not stealing the glory! I put all the ground work in! | 0:11:34 | 0:11:41 | |
-Ground work?! -Yeah! -Come on... -Get off! We have chemistry! | 0:11:41 | 0:11:44 | |
-What are you looking at?! ..I'm ring you in the week. -Sorry. | 0:11:44 | 0:11:48 | |
TYPEWRITER CLICKS | 0:12:01 | 0:12:03 | |
STRONG WIND BLOWS | 0:12:08 | 0:12:11 | |
WIND IS NO LONGER HEARD | 0:12:29 | 0:12:31 | |
-LAUGHS TO HIMSELF -Oh, dear... | 0:12:37 | 0:12:40 | |
WIND IS HEARD AGAIN | 0:12:42 | 0:12:45 | |
WIND STOPS AGAIN | 0:12:59 | 0:13:02 | |
WIND IS BACK | 0:13:12 | 0:13:14 | |
WIND STOPS, COMES BACK, THEN STOPS AGAIN | 0:13:30 | 0:13:33 | |
Do you mind?! | 0:13:33 | 0:13:35 | |
-WIND BRIEFLY COMES BACK -It was pretty good, though. | 0:13:37 | 0:13:40 | |
-It sounded exactly like the wind. -Yes, it blew a gale through my mind. | 0:13:40 | 0:13:45 | |
-I can do other elements. -Yeah? Can you do fog? | 0:13:45 | 0:13:49 | |
Howard? ..Howard? | 0:13:56 | 0:13:59 | |
Howard? | 0:14:00 | 0:14:01 | |
Howard? ..Howard?! | 0:14:03 | 0:14:06 | |
Howard? Howard? | 0:14:07 | 0:14:09 | |
Howard? ..Howard? | 0:14:09 | 0:14:11 | |
-Howard? Howard? Howard? -This better be good! | 0:14:11 | 0:14:16 | |
You know the black bits in bananas? Are they tarantula's eggs? | 0:14:16 | 0:14:21 | |
Please don't speak to me ever again in your life! | 0:14:21 | 0:14:25 | |
-What's your novel about? -HE SIGHS | 0:14:29 | 0:14:32 | |
A genius who can't work, because a monkey keeps annoying him. | 0:14:32 | 0:14:37 | |
-You've made a classic error. -Have I(?) -You've focussed in on the wrong character. | 0:14:37 | 0:14:42 | |
Now... The monkey, I'm loving him. But the other guy, I'm getting nothing off him. | 0:14:42 | 0:14:48 | |
-He sounds like a dick. -Well, Mrs Gideon didn't think so. | 0:14:48 | 0:14:51 | |
-Mrs Gideon?! -Yeah. -I knew this was what this was about! -What?! | 0:14:51 | 0:14:56 | |
-You're so transparent. This is only cos you know she likes writers. -I'm not. I've always been a writer. | 0:14:56 | 0:15:02 | |
-Have you? -Yeah. She's interested in me, cos I'm an intellectual and she's intellectual. -Yeah? -Yeah. | 0:15:02 | 0:15:08 | |
When we get together, Vince... It's inevitable, but when we do, it'll be incredible. | 0:15:08 | 0:15:13 | |
Poetry evenings every night, we'll both have pipes, | 0:15:13 | 0:15:17 | |
wrestling with the heavyweight intellectual issues of the day. | 0:15:17 | 0:15:21 | |
Oh, that sounds dreadful! I like thick girls. Girls who like bright colours, dancing, soft fabrics. | 0:15:21 | 0:15:27 | |
-Don't you want an equal? -Yeah! So how much have you done, then? | 0:15:27 | 0:15:32 | |
-Well, it's coming on. -Yeah? -Yeah. It's not really about quantity, when it comes to the modern novel. | 0:15:32 | 0:15:38 | |
-It's more quality of prose. -How much have you done? | 0:15:38 | 0:15:41 | |
-One sentence, but it's... -What?! One sentence?! | 0:15:41 | 0:15:46 | |
I fail to see what's funny about that. It's a damn good sentence. | 0:15:46 | 0:15:50 | |
-I'll send it to Hamilton Cork, see what he thinks. -Who?! | 0:15:50 | 0:15:53 | |
-The publisher - Hamilton Cork. I'll send him this sentence. -I don't think he'll be interested. | 0:15:53 | 0:15:58 | |
No, that's his philosophy. He can tell with one sentence whether to publish a book or not. | 0:15:58 | 0:16:03 | |
And I'm gonna send him this. I want you to read it. | 0:16:03 | 0:16:07 | |
-Oh, I'm all right. -Have a look. -I'm a bit busy... -Look at it! | 0:16:07 | 0:16:11 | |
-I don't really want to! -Why?! -I'm not in the mood. | 0:16:11 | 0:16:14 | |
Just look at it! Don't be stupid! | 0:16:14 | 0:16:17 | |
-You know what you're like! -What? -You can't take criticism. | 0:16:17 | 0:16:21 | |
Don't be stupid! Go on - read it. Tell me what you think. | 0:16:21 | 0:16:25 | |
-That's really good. It's great. -Yeah? | 0:16:26 | 0:16:29 | |
The only thing I would say... | 0:16:29 | 0:16:31 | |
He's a lunatic! Absolutely nut box! | 0:16:40 | 0:16:43 | |
I can't believe it! He's got anger problems. | 0:16:43 | 0:16:47 | |
He should go and see Naboo. Naboo'll sort it out. | 0:16:47 | 0:16:51 | |
Naboo's great. He'd sort anything out. | 0:16:51 | 0:16:55 | |
See you later. | 0:16:55 | 0:16:57 | |
Do you mind? I've got some private zoo business. | 0:16:58 | 0:17:02 | |
ORIENTAL MUSIC PLAYS | 0:17:02 | 0:17:05 | |
KNOCK ON DOOR | 0:17:13 | 0:17:16 | |
Hello? | 0:17:16 | 0:17:18 | |
-Howard Moon? -Yeah? -It is I - Hamilton Cork. | 0:17:18 | 0:17:22 | |
I have read your sentence. It was an absolute tour de force! | 0:17:22 | 0:17:26 | |
You're going to be published and be a famous writer. | 0:17:26 | 0:17:29 | |
KNOCK ON DOOR | 0:17:34 | 0:17:36 | |
-Hello? -Howard Moon? | 0:17:36 | 0:17:38 | |
-Yeah? -It is I - Hamilton Cork. | 0:17:38 | 0:17:42 | |
I'm looking for Vince Noir. | 0:17:42 | 0:17:45 | |
-I'm Vince. -I found one of your Charlie books in some Weetabix. | 0:17:45 | 0:17:49 | |
It's an absolute tour de force! It's going to be published, and you'll be a famous writer! | 0:17:49 | 0:17:55 | |
Wow! | 0:17:55 | 0:17:57 | |
-This is the dream, yeah? -No, the other one was. | 0:17:57 | 0:18:00 | |
-VOICE ECHOES: -NO-O-O-O-O-O! | 0:18:00 | 0:18:05 | |
Yes. | 0:18:05 | 0:18:06 | |
-You have a problem with jealousy. -What do you mean? | 0:18:14 | 0:18:18 | |
-I think you're jealous of Vince. -Why would I be jealous?! | 0:18:18 | 0:18:21 | |
He's successful, he has great hair. He's a great writer. | 0:18:21 | 0:18:25 | |
-What have you got to offer? -I'M a writer! | 0:18:25 | 0:18:28 | |
-I haven't seen much evidence of that. -Well, I've got writer's block! | 0:18:28 | 0:18:32 | |
-Cos you're very angry. You can't take criticism. -Everyone's saying that! | 0:18:32 | 0:18:37 | |
CALM MUSIC PLAYS Now, what I want you to do, | 0:18:37 | 0:18:40 | |
-is look at the picture of the kittens in a barrel. -Yeah. | 0:18:40 | 0:18:44 | |
-They're having a great time. They're all happy. -Ha-ha. | 0:18:44 | 0:18:48 | |
-The one on the left's Philip. -Philip... -Look at Philip's eyes. | 0:18:48 | 0:18:52 | |
-He's got little eyes. -Whenever you're feeling angry, | 0:18:52 | 0:18:55 | |
-look at Philip... -Look at his face! | 0:18:55 | 0:18:58 | |
..and your anger will recede like an ocean. | 0:18:58 | 0:19:01 | |
-HE SIGHS -Thanks, Naboo. | 0:19:01 | 0:19:06 | |
-That'll be 159 euros. -159...?! | 0:19:06 | 0:19:09 | |
-CALM MUSIC RETURNS -Aw... | 0:19:09 | 0:19:12 | |
Look at his little face. | 0:19:12 | 0:19:15 | |
-Hey... -Hey! | 0:19:23 | 0:19:25 | |
-How's it going? -Good. What're you doing with my pipe? | 0:19:25 | 0:19:28 | |
I just borrowed it. I'm going to a party, and you've not been invited. | 0:19:28 | 0:19:33 | |
CALM MUSIC RETURNS | 0:19:33 | 0:19:36 | |
-Yeah, that's fine. What party? -It's just a writer's party. | 0:19:36 | 0:19:40 | |
Dixon Bainbridge's organised it. Hamilton Cork will be there. Apparently, I'm gonna be famous. | 0:19:40 | 0:19:46 | |
-CALM MUSIC RETURNS -Oh, I'm really pleased for you. | 0:19:46 | 0:19:50 | |
It's a nightmare! Gideon's all over me! She keeps coming round, making me little pastries! | 0:19:50 | 0:19:56 | |
-CALM MUSIC -Ow! Yeah, I'm cool with that. | 0:19:56 | 0:20:00 | |
-I'm not interested in Gideon. -Keep away from her. -OK. -You swear? | 0:20:00 | 0:20:05 | |
-I swear. -Swear on Jagger. | 0:20:05 | 0:20:07 | |
INTRO TO: "Satisfaction" by Rolling Stones | 0:20:07 | 0:20:11 | |
Oh, come on, Howard! | 0:20:15 | 0:20:17 | |
-Oh! -It's gonna be all right. I've been thinking - what if you come to the party with me, yeah? | 0:20:17 | 0:20:24 | |
-Hamilton Cork hasn't seen your sentence. -Yeah. | 0:20:24 | 0:20:28 | |
-I could put in a word for you. If he likes it, we could both be writers. -Good idea. -How cool will that be? | 0:20:28 | 0:20:34 | |
-I'm not invited, though. -Don't worry. I've got a way we can sneak you in. | 0:20:34 | 0:20:39 | |
Pencil...! | 0:20:42 | 0:20:45 | |
HB, please. | 0:20:45 | 0:20:47 | |
-Who should I make it out to? -To Jackie. -Cool. | 0:20:47 | 0:20:50 | |
-This is a 2B. -So? | 0:20:52 | 0:20:54 | |
-I asked for an HB. This is WAY too soft. -OK. | 0:20:54 | 0:20:58 | |
-It's gonna crumble in Jackie's bag. -There. Don't push it, OK? | 0:20:58 | 0:21:02 | |
-Pipe, sir? -I'm fine. I've got a pipe. | 0:21:04 | 0:21:07 | |
A little larger? | 0:21:07 | 0:21:09 | |
-No, I'm fine with this one, all right? Yeah? -Shh. | 0:21:09 | 0:21:12 | |
Remember the kittens. | 0:21:12 | 0:21:15 | |
Relax... Calm, like an ocean. | 0:21:15 | 0:21:18 | |
-How are they working out for you? -Yeah, they're working fine. | 0:21:18 | 0:21:22 | |
-If you want something more powerful, I've got an otter in a bib. -I'm fine. | 0:21:22 | 0:21:27 | |
Vince! Great to see you! | 0:21:37 | 0:21:40 | |
-This book'll really put our zoo on the map. -Bainbridge. | 0:21:40 | 0:21:44 | |
This is Vince right here. | 0:21:44 | 0:21:47 | |
Vince. Great book. Excellent! | 0:21:47 | 0:21:50 | |
-Corky! -Bainbridge! Ho-ho! | 0:21:50 | 0:21:53 | |
When was it last? Krakatoa, '62. We stayed on an extra day to watch the hanging. | 0:21:53 | 0:21:59 | |
Yes. God, she struggled! It was as if she didn't want to die! | 0:21:59 | 0:22:04 | |
-Great wedding. -Yah, yah, yah. | 0:22:07 | 0:22:09 | |
-Could I have a quiet word? -Hmm. | 0:22:09 | 0:22:12 | |
Oi, Baudelaire. | 0:22:12 | 0:22:14 | |
-Come on. -What? | 0:22:14 | 0:22:16 | |
-You having fun? -Yeah. -I'm not. When you going to get me in with the big cheese-cutter? -OK. | 0:22:16 | 0:22:22 | |
-I'm just waiting for the right moment. -Let's move it. | 0:22:22 | 0:22:25 | |
-You got your sentence? -Yeah. -Let's go. | 0:22:25 | 0:22:28 | |
-I talked ages with Jack... Ah, Vince. -Hey! | 0:22:28 | 0:22:33 | |
-My mate Howard is a writer too. -What do YOU want? | 0:22:33 | 0:22:36 | |
Well, I understand that you can decide whether you want to publish a book or not from the first sentence. | 0:22:36 | 0:22:42 | |
-Yes, that's true. -We used to call him One-Sentence-Cork. | 0:22:42 | 0:22:46 | |
-Well, I've got a sentence. I'd like you to read it. -If it's only a sentence, I can give it a look. | 0:22:46 | 0:22:52 | |
-Uh...it's not about golf, is it? -THEY CHUCKLE | 0:22:52 | 0:22:57 | |
No. | 0:22:57 | 0:22:58 | |
-Right, have you got your kitten picture? -No, I've dropped it. | 0:23:01 | 0:23:06 | |
-I'll go and look for it. -Howard... | 0:23:06 | 0:23:09 | |
-Yeah? -This is... | 0:23:09 | 0:23:11 | |
superb. | 0:23:11 | 0:23:13 | |
What? | 0:23:13 | 0:23:15 | |
-Well, it's excellent. -Is it? | 0:23:15 | 0:23:18 | |
Hmm. | 0:23:18 | 0:23:19 | |
-Oh. So...you like it, then? -Yes, yes, I do. | 0:23:19 | 0:23:25 | |
Oh. | 0:23:25 | 0:23:26 | |
You sure? | 0:23:26 | 0:23:28 | |
-Mmm. -Anything else to add to that? | 0:23:28 | 0:23:31 | |
No, no. | 0:23:31 | 0:23:33 | |
Well, there is just one... | 0:23:33 | 0:23:36 | |
-Oh, sorry! -Fossil, get him out of here. | 0:23:36 | 0:23:39 | |
Gideon! I didn't mean to do that. I just... I'm sorry! | 0:23:39 | 0:23:43 | |
Gideon! Gideon! I love you! | 0:23:43 | 0:23:46 | |
-Gideon! -Just punched a filly in the face. | 0:23:46 | 0:23:49 | |
-Quite a day for you, Vince? -Yeah. -We just want to talk you through... a few minor editorial changes. | 0:23:57 | 0:24:04 | |
-What changes? -The name. | 0:24:04 | 0:24:07 | |
-But he's called Charlie. -No, the author's name. | 0:24:07 | 0:24:11 | |
Less Vince Noir, more Dixon Bainbridge. | 0:24:11 | 0:24:14 | |
-But then everyone will think you wrote it. -You catch on fast, fool. -You can't do that. | 0:24:14 | 0:24:19 | |
Can I not? Did you copyright it? | 0:24:19 | 0:24:22 | |
-I photocopied it. -You prick! Get rid of him, Fossil. | 0:24:22 | 0:24:27 | |
When Charlie finds out about this, he's gonna be furious. He'll come for you. | 0:24:27 | 0:24:32 | |
He thinks Charlie's real. This guy's priceless. Good day, sir. | 0:24:32 | 0:24:37 | |
-You're in a Hubba Bubba nightmare. -Good day, sir! | 0:24:37 | 0:24:40 | |
Well done, Bainbridge - your first novel. | 0:24:41 | 0:24:44 | |
-I didn't know you had it in you. -One doesn't like to blow one's own pipe. | 0:24:44 | 0:24:49 | |
ROCK MUSIC PLAYS | 0:25:02 | 0:25:05 | |
# My darling gum, my darling gum My bubble gum | 0:25:10 | 0:25:12 | |
# My darling gum, my darling gum My bubble gum | 0:25:12 | 0:25:15 | |
# My darling gum, my darling gum My bubble gum | 0:25:15 | 0:25:17 | |
# My darling gum, my darling gum My bubble gum... | 0:25:17 | 0:25:21 | |
# Bursting your bubble Like a Hubba Bubba nightmare | 0:25:21 | 0:25:25 | |
# Pink, thick goo Fill me, do me justice | 0:25:29 | 0:25:33 | |
# Pink, thick goo Fill me, do me justice | 0:25:33 | 0:25:37 | |
# Wrapping around your heart Round your ribcage | 0:25:37 | 0:25:40 | |
# Round your heart, your mind, Your soul | 0:25:40 | 0:25:42 | |
# Bursting your bubble Like a Hubba Bubba nightmare | 0:25:45 | 0:25:48 | |
# Bursting your bubble Like a Hubba Bubba nightmare! # | 0:25:48 | 0:25:53 | |
ROMANTIC MUSIC PLAYS | 0:26:03 | 0:26:06 | |
Can't believe it. Mrs Gideon getting off with that panda like that. | 0:26:22 | 0:26:26 | |
Yeah. | 0:26:26 | 0:26:28 | |
-What went wrong? -You did punch her in the face. | 0:26:28 | 0:26:32 | |
-Yeah, I suppose so. -You idiot! | 0:26:32 | 0:26:35 | |
-I don't know what you're so happy about, it's your panda she went off with. -Ah, well. | 0:26:35 | 0:26:40 | |
-You lose your panda, you lose the book deal, you're still happy as a bean. -It's this poncho. | 0:26:40 | 0:26:46 | |
I can't believe it. It's impossible to be unhappy in a poncho. | 0:26:46 | 0:26:50 | |
Don't worry, Howard. I've got a surprise for you. | 0:26:50 | 0:26:53 | |
-Check this out! -Great(!) -Come on. | 0:26:53 | 0:26:56 | |
It's not working. | 0:27:04 | 0:27:06 | |
Give it a couple of minutes. | 0:27:06 | 0:27:09 | |
LIVELY MUSIC PLAYS | 0:27:11 | 0:27:14 | |
-Hi, I hope you enjoyed the show tonight... -Hi. I'm really impressed with your work, | 0:27:21 | 0:27:26 | |
and I wondered if you'd be interested in being in my devised piece about sleepwalking. | 0:27:26 | 0:27:32 | |
-It's called Autumn Magnets and I think you'd be ideal for the lead role. -What's happening? | 0:27:32 | 0:27:38 | |
-I'm very impressed with Vince's work. -Really? -I'm going to be in Autumn Magnets. -I'm very proud. | 0:27:38 | 0:27:44 | |
-It will be... -Listen, I invited you on the show out of kindness, | 0:27:44 | 0:27:48 | |
-so what do you think you're playing at, you conker-headed berk? -Don't mess with me - 29-er. | 0:27:48 | 0:27:54 | |
It will be Equity minimum, but the per diems are very, very good... | 0:27:54 | 0:27:58 | |
Subtitles by BBC Broadcast 2004 | 0:28:02 | 0:28:06 | |
E-mail us at [email protected] | 0:28:06 | 0:28:09 |