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Hi! Welcome to the show. My name's Howard Moon and this is Vince Noir. | 0:00:02 | 0:00:05 | |
-DEEP VOICE: -Hello! | 0:00:05 | 0:00:07 | |
Sorry. | 0:00:07 | 0:00:09 | |
This week we're going to be tackling the subject of fame. | 0:00:09 | 0:00:12 | |
When Lady Fame comes a'knocking on your door, you've gotta be quick to open it, or else she's away. | 0:00:12 | 0:00:18 | |
-As if! -She only knocks once. -She knocks at my house all the time, | 0:00:18 | 0:00:22 | |
banging on the door. I go to Tesco, she's hanging on to my cords. | 0:00:22 | 0:00:27 | |
That's not Lady Fame, is it? | 0:00:27 | 0:00:29 | |
-That's Mrs Pelham. She talks to mushrooms. -It's not. It's Lady Fame. | 0:00:29 | 0:00:34 | |
Lady Fame wouldn't shop at Tesco's. She'd shop at Marks, if anything. | 0:00:34 | 0:00:38 | |
She goes to Marks for her bits. She doesn't do her main shop there. | 0:00:38 | 0:00:42 | |
-Maybe we should talk about this another time. -OK. | 0:00:42 | 0:00:46 | |
-Yeah. -See you later. -See you later, chewy teeth. | 0:00:46 | 0:00:49 | |
Enjoy the show. | 0:00:49 | 0:00:52 | |
UPBEAT JAZZ MUSIC | 0:01:11 | 0:01:13 | |
Hey, Howard! Howard? | 0:01:16 | 0:01:19 | |
Small eyes! | 0:01:19 | 0:01:21 | |
He's in a trance. A jazz trance. Every day he does this. It's a delicate procedure getting him out. | 0:01:24 | 0:01:30 | |
Agh! Oh! | 0:01:30 | 0:01:32 | |
-Don't do that ever! -Why? -Never do that to a man in a jazz trance. -Why? -I could have a heart attack. | 0:01:32 | 0:01:38 | |
I was deep in the juju then. | 0:01:38 | 0:01:41 | |
Why don't you try doing some work? | 0:01:41 | 0:01:43 | |
I'm going to get round to my work. This is my early morning procedure. | 0:01:43 | 0:01:47 | |
-I listen to my jazz and go about my business. -No - | 0:01:47 | 0:01:51 | |
you listen to your jazz, go into a trance, 6.10 - go to the pub. | 0:01:51 | 0:01:55 | |
Have you got anything you could be doing? Feeding the hoofed mammals? | 0:01:55 | 0:01:59 | |
I'm onto it because I started my day with this. Check this out. | 0:01:59 | 0:02:04 | |
MUSIC: "Don't You Want Me" by The Human League | 0:02:04 | 0:02:07 | |
That is just making me feel physically sick. | 0:02:10 | 0:02:13 | |
What is that gloomy racket? | 0:02:13 | 0:02:15 | |
-That's The Human League. -It's electro nonsense. -They invented music. | 0:02:15 | 0:02:21 | |
-What happened before them then? -It was just tuning up before then. | 0:02:21 | 0:02:24 | |
Are you aware of the music known as jazz? Are you aware of the jazz movement? | 0:02:24 | 0:02:29 | |
-Why are you going on about it? -It's the greatest art form. | 0:02:29 | 0:02:33 | |
Science teachers and the mentally ill, that's all jazz is for. | 0:02:33 | 0:02:36 | |
-You better take that back, you electro ponce! -Or what? | 0:02:36 | 0:02:40 | |
-Take it back. -I won't take it back. I'll leave it for all to see. | 0:02:40 | 0:02:45 | |
-Drink it back up. -No - I hate jazz. | 0:02:45 | 0:02:47 | |
You hate jazz? You FEAR jazz. Huh? | 0:02:47 | 0:02:50 | |
-Ah! -Shut your mouth! -You fear jazz. | 0:02:50 | 0:02:53 | |
-I don't! -You fear the lack of rules. | 0:02:53 | 0:02:56 | |
"Oooh! It's fast, now it's soft! Agh! The chaos!" | 0:02:56 | 0:03:00 | |
-It has to be simple... -Stop the evil. | 0:03:00 | 0:03:03 | |
-# Di di-di di dee dee... # -Shut your mouth. -Anything abstract - you mess your trousers. | 0:03:03 | 0:03:09 | |
-Shut your mouth. -# De-dup! Swee-bup... # -Don't start scatting. | 0:03:09 | 0:03:12 | |
We don't need scat at this point. | 0:03:12 | 0:03:15 | |
-# ..Be-be-be-bow... # -You better stop scatting. -# ..Buppa-doo buppa-dee! # | 0:03:15 | 0:03:18 | |
-This is your final warning... -# Swee-be-be... # | 0:03:18 | 0:03:21 | |
The thing about scat singing is it's an ancient art. | 0:03:27 | 0:03:31 | |
-It goes back as far as the Chinese dynasty. -There's some girls. | 0:03:31 | 0:03:35 | |
Oh, yes. Right. | 0:03:37 | 0:03:39 | |
I'll deal with this, OK? | 0:03:39 | 0:03:41 | |
I'll deal with it. Watch the master weave his magic. | 0:03:41 | 0:03:45 | |
Hi! Welcome to the zoo. My name's Howard Moon. I'm a zookeeper here. | 0:03:45 | 0:03:50 | |
I hope you're enjoying your visit and the animals on display. | 0:03:50 | 0:03:54 | |
There's many to feast your eyes on. | 0:03:54 | 0:03:56 | |
There's the goats who are on heat at the moment, and others too. | 0:03:56 | 0:04:00 | |
Later, there'll be an aquatic display at 3.30 and again at 5.30. | 0:04:00 | 0:04:05 | |
I'll be participating in that as a porpoise jockey | 0:04:05 | 0:04:09 | |
in the porpoise derby. | 0:04:09 | 0:04:11 | |
I don't know if you've ever seen a man ride a porpoise but it can be a thrilling sight for a young lady. | 0:04:11 | 0:04:17 | |
Hi! Nice hair. | 0:04:19 | 0:04:21 | |
Cheers. | 0:04:21 | 0:04:22 | |
-Are you in a band? -Yeah. | 0:04:22 | 0:04:24 | |
Kraftwerk Orange. | 0:04:24 | 0:04:27 | |
I'm a musician, too - jazz musician mainly. I'm a fully qualified scat singer. | 0:04:27 | 0:04:33 | |
-We don't do jazz. -No. -We do electro. | 0:04:33 | 0:04:36 | |
Electro's good. I enjoy the music of The Human League. Big-time fan. | 0:04:36 | 0:04:42 | |
Can play any instrument at all. You name it. I'm a multi-instrumentalist. | 0:04:42 | 0:04:46 | |
Well, if we need a bassoon player, we'll let you know. | 0:04:46 | 0:04:50 | |
Uh? | 0:04:51 | 0:04:53 | |
I can play bassoon - that's the irony! | 0:04:53 | 0:04:56 | |
LOUD-HAILER: Howard, get to the jackal hut. | 0:04:56 | 0:04:59 | |
-(Do that for me.) -Why? -(I'm getting on well.) -Getting on well?! | 0:04:59 | 0:05:04 | |
Don't get Vince to go instead of you. | 0:05:04 | 0:05:06 | |
I've got to scoot, so...don't forget to check out the aquatic displays at 3.30 and again at 5.30. | 0:05:06 | 0:05:13 | |
Who's that jazz creep? | 0:05:14 | 0:05:16 | |
He's the local simpleton. I know his mum. He does odd jobs, we give him a uniform, he's happy. | 0:05:16 | 0:05:22 | |
-Are you in a band? -Yeah - in a couple of bands. | 0:05:22 | 0:05:26 | |
-That's a shame. -What? -We're looking for someone to join our band. | 0:05:26 | 0:05:30 | |
The bands I'm in, I've left them recently. Today, earlier on. | 0:05:30 | 0:05:35 | |
-Can you sing? -Yeah - I'm one of the great frontmen. I can pull shapes. | 0:05:35 | 0:05:39 | |
Why do you work in a zoo then? | 0:05:39 | 0:05:42 | |
All frontmen worked with animals - Jagger worked in a pet shop, Rod Stewart in a tortoise sanctuary, | 0:05:42 | 0:05:48 | |
Billy Ocean worked in an aquarium. That's how he got his name. | 0:05:48 | 0:05:52 | |
That was a joke. What do you reckon, then? Am I in? | 0:05:52 | 0:05:56 | |
-OK. We'll give you a shot. -Cool. | 0:05:56 | 0:05:59 | |
-I'm Vince. -I'm Neon. -Ultra. | 0:05:59 | 0:06:02 | |
-Laters. -Laters...on. | 0:06:02 | 0:06:05 | |
-Where are those girls? -They've gone. | 0:06:07 | 0:06:10 | |
-Gone?! -You just missed them. | 0:06:10 | 0:06:12 | |
-I was getting a vibe off those girls. -I don't think it was you they were interested in. -It was. | 0:06:12 | 0:06:18 | |
I was getting some magic off them. They weren't interested in you. | 0:06:18 | 0:06:22 | |
They asked me to be in their band. | 0:06:22 | 0:06:24 | |
I can't believe it. You?! | 0:06:29 | 0:06:31 | |
-Yeah. -You're the least musical person I've ever met. -Who cares? | 0:06:31 | 0:06:35 | |
-It's not about music, it's about your image. -Be careful. -Why? -You know what happened last time - | 0:06:35 | 0:06:40 | |
you got all excited about that band with Leroy, that glam-folk band. | 0:06:40 | 0:06:45 | |
-People weren't ready for the mix of glam rock and folk music. -Nobody is. | 0:06:45 | 0:06:49 | |
# Are you going to Scarborough Fair? | 0:06:53 | 0:06:58 | |
# Parsley, sage, rosemary and thyme | 0:07:00 | 0:07:04 | |
# Remember me to the one who lives there | 0:07:06 | 0:07:11 | |
# She once was a true love of mine. # | 0:07:13 | 0:07:19 | |
People, we're gonna have ourselves a hotdog! Come on! | 0:07:20 | 0:07:25 | |
It'll be different this time. I can feel it in my bones. | 0:07:27 | 0:07:30 | |
You should be more loyal to the zoo. | 0:07:30 | 0:07:33 | |
-Why? -Don't go running off at the drop of a hat, like fickle Bobby. | 0:07:33 | 0:07:38 | |
-Fickle Bobby? -Running off like a candyfloss girl. -I don't do that. | 0:07:38 | 0:07:41 | |
Yeah, you do - running away when you see a shiny object. | 0:07:41 | 0:07:45 | |
Be loyal like me. When I get an offer, I turn it down flat. | 0:07:45 | 0:07:50 | |
-Really? As if you get any offers! -I get plenty! | 0:07:50 | 0:07:53 | |
-Who from? Walt Disney? -Walt offers me stuff. -Does he? | 0:07:53 | 0:07:57 | |
Many times he's come round and asked for help. He came round last week. | 0:07:57 | 0:08:02 | |
-Strange he chooses you out of everyone. -It's not. | 0:08:02 | 0:08:05 | |
-I've got an eye for detail. -What did he want you to do? -Sort his pens. | 0:08:05 | 0:08:10 | |
Put them in a workable order from hot reds down to the lilacs and beige | 0:08:10 | 0:08:14 | |
-onto the ultramarine. -Really? -Yeah. | 0:08:14 | 0:08:16 | |
-I bet that took ages. -It didn't take long at all, cos I didn't do it. | 0:08:16 | 0:08:20 | |
-Why not? -I turned it down. -You idiot! -Out of duty. | 0:08:20 | 0:08:24 | |
-You don't want to anger Walt. -Why? | 0:08:24 | 0:08:26 | |
-That might come back. -I can turn down Walt. I don't have a problem with that. I'm loyal. | 0:08:26 | 0:08:32 | |
I understand. I feel torn. | 0:08:32 | 0:08:34 | |
On one hand, I've got the zoo. I love the zoo. On the other hand I've got stardom pulling me. | 0:08:34 | 0:08:39 | |
I wish I was you. It must be easy for you. You can't really do anything else. | 0:08:39 | 0:08:45 | |
-How dare you?! -What? | 0:08:45 | 0:08:48 | |
-I had a career in music beckoning. -Did you? -I could've been something. | 0:08:48 | 0:08:52 | |
-But I turned it down. -Was that in the '50s? -How old do you think I am? | 0:08:52 | 0:08:57 | |
-When you look at me, do you see Gandalf the Wizard? -No! | 0:08:57 | 0:09:01 | |
I was a jazz musician, you know. I could've been one of the greats, | 0:09:01 | 0:09:05 | |
-but something happened. -What? -Something you... don't need to know about. | 0:09:05 | 0:09:10 | |
-Something that nobody needs to know about. -Look, so you blew your chance. | 0:09:10 | 0:09:14 | |
That's not going to happen to me. I'm going all the way. | 0:09:14 | 0:09:18 | |
-Are you? -Yeah. So brace yourself. Noir's going to the moon. | 0:09:18 | 0:09:22 | |
Oh, the arrogance of youth! | 0:09:22 | 0:09:24 | |
Hm? Go on, then. What you looking at? | 0:09:27 | 0:09:30 | |
Howard, check this out. | 0:09:44 | 0:09:46 | |
ELECTRO MUSIC | 0:09:46 | 0:09:48 | |
-What do you reckon? -Awful. | 0:09:50 | 0:09:53 | |
-That's my new demo. We're playing that tonight. -It's very good. | 0:09:55 | 0:09:59 | |
-You said it was awful. -It's grown on me. -Don't you understand? | 0:09:59 | 0:10:03 | |
This is a big opportunity for me. | 0:10:03 | 0:10:06 | |
-Slow down, Vince. -Why? -Going too fast. | 0:10:06 | 0:10:09 | |
Rock'n'roll is fast. If all goes to plan, I could be in rehab Thursday, | 0:10:09 | 0:10:14 | |
Tuesday week, I'll be living on an island with a small Indian boy. | 0:10:14 | 0:10:17 | |
-Relax. Take your foot off the pedal. -Why? -Slow down. | 0:10:17 | 0:10:21 | |
-You want fame, yeah? -Yeah. -You want it bad. -Yeah. -It's burning you up inside. -Yeah. -Like a fire. -Yeah. | 0:10:21 | 0:10:28 | |
-In your throat. -What's your point? -I used to have that fire. -Here we go! | 0:10:28 | 0:10:32 | |
Deep inside me. I wanted fame, Vince. I had it as well. I was a musical genius. | 0:10:32 | 0:10:38 | |
-As if! I've never seen you with an instrument. -There's a reason for that. | 0:10:38 | 0:10:43 | |
-It's time for me to tell you the story. -Is this going to take long? | 0:10:43 | 0:10:47 | |
This story is going to chill you to the bone. | 0:10:47 | 0:10:50 | |
It's going to turn your heart black with fear. | 0:10:50 | 0:10:54 | |
It all happened what seems like a lifetime ago now. | 0:10:54 | 0:10:57 | |
Flashback. | 0:10:59 | 0:11:01 | |
# Squi-gwig-gwig-why | 0:11:04 | 0:11:07 | |
# Di-bi da-be-dee Be-bup Be-bup. # | 0:11:07 | 0:11:09 | |
-DISCORDANT VOICE: -Get yourself out of here, Howard. Don't you have a home? | 0:11:09 | 0:11:13 | |
-This is a jazz club, yeah? -Yeah. | 0:11:13 | 0:11:16 | |
Well, wherever jazz is, I is. | 0:11:16 | 0:11:19 | |
Bebop's my home. | 0:11:20 | 0:11:22 | |
-I thought you lived near Budgens. -It's a metaphor. | 0:11:22 | 0:11:26 | |
-You've been here three nights. What are you hanging around for? -Something wrong with your voice? | 0:11:26 | 0:11:33 | |
HE CLEARS HIS THROAT | 0:11:35 | 0:11:37 | |
-VOICE STILL DISCORDANT: -What are you hanging around here for? | 0:11:37 | 0:11:41 | |
I'm going to be a jazz musician. | 0:11:41 | 0:11:43 | |
-Something funny? -Yeah. | 0:11:46 | 0:11:49 | |
-There are those who got it, and those who ain't. -I'm gonna get it. | 0:11:49 | 0:11:54 | |
No, you ain't. You know why? | 0:11:54 | 0:11:58 | |
Cos you ain't got the spirit of jazz inside you. | 0:11:58 | 0:12:01 | |
Well, I've got a dream inside of me. How's that for you? | 0:12:02 | 0:12:06 | |
Howard, there's a job opening here | 0:12:06 | 0:12:08 | |
as a barrel monkey with your name on it. I suggest you take it. | 0:12:08 | 0:12:13 | |
A barrel monkey? | 0:12:13 | 0:12:16 | |
-I'm Howard Moon. -Is that a "yes"? -It's a "thank you, no." | 0:12:16 | 0:12:21 | |
Suit yourself. | 0:12:21 | 0:12:23 | |
Here are the keys. Lock up when you're done. | 0:12:23 | 0:12:27 | |
Good luck, fool. | 0:12:27 | 0:12:29 | |
HE PUFFS AND SPLUTTERS | 0:12:35 | 0:12:37 | |
Well, well! What have we got here? | 0:12:52 | 0:12:56 | |
Hello, little fella! | 0:12:56 | 0:12:58 | |
A little piece of chicken. What's happening, boy? | 0:12:58 | 0:13:01 | |
-Who are you? -I is the spirit of jazz. | 0:13:01 | 0:13:06 | |
-What do you want? -You're in turmoil. | 0:13:06 | 0:13:09 | |
What's wrong? Tell Uncle Mario what's wrong. | 0:13:09 | 0:13:12 | |
-I want to be the greatest jazz player in Yorkshire. -Yorkshire? | 0:13:12 | 0:13:17 | |
-What is Yorkshire? -Yorkshire is a place. | 0:13:17 | 0:13:20 | |
Yorkshire is a state of mind. | 0:13:21 | 0:13:23 | |
Yorkshire, New Orleans - it's all the same to me, baby. | 0:13:23 | 0:13:28 | |
-Maybe I'll make you famous. You want to be famous? -Yeah. | 0:13:28 | 0:13:32 | |
You want to be on the wall - look at this guy - Blind Barney Shortbread. | 0:13:32 | 0:13:36 | |
What a player! I seen him play with my own eyes. He was a genius. | 0:13:36 | 0:13:41 | |
What about this guy - Hot Wee Wee Jefferson? The Cystitis Kid. | 0:13:41 | 0:13:45 | |
When he was playing, those pipes was on fire. | 0:13:45 | 0:13:48 | |
I can make you like that. You want to be on the wall, Howard Moon? | 0:13:48 | 0:13:52 | |
-How do you know my name? -It's on your trumpet case, asshole. -Oh, yeah. | 0:13:52 | 0:13:57 | |
So what do we do, then? | 0:13:57 | 0:13:59 | |
Maybe I'll make you famous. Maybe I'll do all I say. | 0:13:59 | 0:14:03 | |
But maybe you gots to do something for me. I gots needs too, you know. | 0:14:03 | 0:14:07 | |
-Whats? -Never mind the itty bitty details, just sign here. Sign here. | 0:14:07 | 0:14:13 | |
In blood? | 0:14:13 | 0:14:15 | |
Biro's fine. | 0:14:15 | 0:14:17 | |
What's this stuff about ownership of the soul? | 0:14:22 | 0:14:26 | |
Yous is mine, boy! | 0:14:28 | 0:14:31 | |
You signed right here! You signed your soul away! | 0:14:31 | 0:14:34 | |
I own you. Every time you pick up an instrument, I'll be there, | 0:14:34 | 0:14:38 | |
inside you, wearing you like a glove! | 0:14:38 | 0:14:41 | |
Your sweet ass is mine now. | 0:14:42 | 0:14:44 | |
Check it out. | 0:14:44 | 0:14:47 | |
Ow! My hat's on fire! | 0:14:47 | 0:14:49 | |
-Are you blind? Why didn't you tell me? -I thought that was your look. | 0:14:49 | 0:14:55 | |
No, it ain't my look! It's a brand new hat. | 0:14:55 | 0:14:58 | |
Spoilt my exit now. | 0:14:58 | 0:15:00 | |
Trying to do you a favour! | 0:15:00 | 0:15:02 | |
There ain't no door back there. It's a toilet. | 0:15:06 | 0:15:09 | |
Then, the next evening, you'll never believe what happened. | 0:15:09 | 0:15:13 | |
When I lifted that trumpet and blew that first note, | 0:15:13 | 0:15:16 | |
something incredible happened, something that... | 0:15:16 | 0:15:20 | |
-Oi! -What? -Are you listening to me? | 0:15:21 | 0:15:23 | |
-No, I'm not! -I'm telling you an important story. -So what? | 0:15:23 | 0:15:27 | |
-It might help you. -I'm not interested. -Not interested. | 0:15:27 | 0:15:30 | |
-No. I'm a rock star now. -Whoa, big man! Well, you've changed. | 0:15:30 | 0:15:34 | |
-So what? -You used to be a zookeeper. This is was where your heart was. | 0:15:34 | 0:15:38 | |
-BLEEP -the zoo! | 0:15:38 | 0:15:40 | |
-What did you say? -I said -BLEEP -the zoo! | 0:15:40 | 0:15:43 | |
I can't believe you're saying that. What about the animals? | 0:15:43 | 0:15:47 | |
-BLEEP -the animals! They're a bunch of -BLEEP. -You wanted to help them. | 0:15:47 | 0:15:52 | |
I want to help them all to die! | 0:15:52 | 0:15:54 | |
ELECTRO MUSIC | 0:16:01 | 0:16:03 | |
Wait a second. | 0:16:04 | 0:16:06 | |
-Are you going to be wearing those hats tonight? -Yeah. Why? | 0:16:06 | 0:16:10 | |
It's just that I'm the front man | 0:16:10 | 0:16:12 | |
and I'm trying to create some stuff out here and they're creeping into my line of vision. Bobbing in. | 0:16:12 | 0:16:19 | |
So, if you could just take them off. | 0:16:19 | 0:16:21 | |
Do you know who I am? Where did you get this chump from? | 0:16:21 | 0:16:24 | |
-I'm Johnny Two Hats. -Yeah? -Why do you think they call me that? | 0:16:24 | 0:16:28 | |
-Because you've got two hats on. -Bingo! -We've got a gig tonight. Remember? | 0:16:28 | 0:16:34 | |
OK. One, two, three, four... | 0:16:34 | 0:16:36 | |
-ELECTRO MUSIC -Sorry. | 0:16:36 | 0:16:39 | |
Um, what if someone starts wearing three hats? | 0:16:39 | 0:16:43 | |
-Have you seen someone wearing three hats? -No. | 0:16:43 | 0:16:46 | |
Of course not! You haven't even seen anyone with two hats yet. | 0:16:46 | 0:16:49 | |
-You know why no-one's ever worn two hats before? -Why? | 0:16:49 | 0:16:53 | |
-It looks freakish. You look like an idiot. -Stop dissing the hats. | 0:16:53 | 0:16:57 | |
-You're making me cross. -All right. | 0:16:57 | 0:17:00 | |
Next time, girls, will you consult me before you employ some bozo on vox. | 0:17:00 | 0:17:04 | |
-Sorry, Johnny. -Johnny what? | 0:17:04 | 0:17:07 | |
-Two Hats. -Thank you. | 0:17:07 | 0:17:09 | |
Two, three, four... | 0:17:09 | 0:17:11 | |
-What are we going to do now Johnny's left? -Who cares about Johnny? | 0:17:18 | 0:17:23 | |
What was he bringing to the band, anyway, other than the extra hat? | 0:17:23 | 0:17:27 | |
-He wrote all the music. -Played the synth bass parts. | 0:17:27 | 0:17:30 | |
-Programmed the drums. -Run the website. -He came up with this... | 0:17:30 | 0:17:35 | |
Yeah - that is pretty good. I'll get someone else. | 0:17:35 | 0:17:38 | |
-Well, you've got three hours. -That's ages. Cool your boots! | 0:17:38 | 0:17:42 | |
Listen, there's some important people coming tonight - | 0:17:42 | 0:17:46 | |
-the head of Pie Face Records is going to be there. -I'll get someone. | 0:17:46 | 0:17:50 | |
-They've got to be cool. -I only know cool people. | 0:17:50 | 0:17:52 | |
Whatever. You've got three hours. | 0:17:52 | 0:17:55 | |
-If you don't come up with someone, we'll stab you up. -You rock ponce! | 0:17:55 | 0:18:00 | |
-Hello, ladies. Just ridden a porpoise. -Yeah? Ring-a-ding-ding! | 0:18:04 | 0:18:08 | |
Maybe catch you later, yeah? | 0:18:08 | 0:18:11 | |
All right, Howard? | 0:18:19 | 0:18:22 | |
All right. | 0:18:22 | 0:18:24 | |
Sorry about earlier. I behaved like a tit. I was having problems coping with the stardom. | 0:18:24 | 0:18:29 | |
-You've only been in the band since 10.30. -But the lifestyle, the drugs. | 0:18:29 | 0:18:34 | |
-What drugs? -You know, the coffees. | 0:18:34 | 0:18:37 | |
I've had three lattes and an Americano. I'm blazing! | 0:18:37 | 0:18:40 | |
-How did it go with you and the porpoise race? -I came last. | 0:18:40 | 0:18:45 | |
-Again? Who won? -Tony. | 0:18:45 | 0:18:47 | |
-What, Blind Tony? -Yeah. | 0:18:47 | 0:18:50 | |
He was using sonar or something. | 0:18:50 | 0:18:52 | |
-How is it going with you and the pop band? -It's all right. | 0:18:52 | 0:18:57 | |
-Having trouble with the keyboard player. -What is it - mood swings? | 0:18:57 | 0:19:01 | |
-He's left the band. -That's a pretty big mood swing. He swung right out? | 0:19:01 | 0:19:07 | |
-You know what musicians are like - temperamental. -I do know. -Yeah. | 0:19:07 | 0:19:11 | |
-Yeah. -I heard you were pretty good. -I was one of the best. | 0:19:11 | 0:19:15 | |
-I heard you could play anything. -Yes. | 0:19:15 | 0:19:17 | |
I was a multi-instrumentalist. I played trumpet, guitar, kazoo. | 0:19:18 | 0:19:22 | |
-Keyboard? -Yeah. Grade 17. | 0:19:22 | 0:19:25 | |
-Is that good or bad? -Let's just say Grade 10 is a musical genius. | 0:19:25 | 0:19:29 | |
Seven off - I could probably work with that. | 0:19:30 | 0:19:33 | |
Howard, do you think you could do me a favour? | 0:19:33 | 0:19:37 | |
-I'm not doing it. -Come on - it'll be amazing! | 0:19:37 | 0:19:41 | |
-It'll be genius! Me and you - fame, stardom. -No, I can't. | 0:19:41 | 0:19:45 | |
-I can't do it, Vince. -But the girls are into you! -Are they? -Yeah. | 0:19:45 | 0:19:49 | |
-They said you were an eccentric character. -Eccentric character... | 0:19:49 | 0:19:53 | |
There's two of them, two of us. It'll be like the indie Abba. | 0:19:53 | 0:19:57 | |
-I just can't do it. -Why? -Even if I could, I... | 0:19:57 | 0:20:01 | |
-I haven't got the right look. -I've thought about this. Leave it to me. | 0:20:01 | 0:20:06 | |
Check this out. | 0:20:06 | 0:20:08 | |
I've never shown anyone this, all right. | 0:20:08 | 0:20:11 | |
If you do this gig for me, | 0:20:11 | 0:20:13 | |
I'll give you unlimited access to these babies. | 0:20:13 | 0:20:17 | |
HEAVENLY MUSIC | 0:20:17 | 0:20:19 | |
-What are those? -They're my offcuts. | 0:20:21 | 0:20:23 | |
My old hair. | 0:20:23 | 0:20:25 | |
Glue 'em on. Redesign your hair. Have fun with it. | 0:20:25 | 0:20:29 | |
I appreciate the gesture, but no. | 0:20:29 | 0:20:31 | |
It seems like a lot - it's fine, honestly. | 0:20:31 | 0:20:34 | |
It's not that. I just can't do the gig. You know why. | 0:20:34 | 0:20:38 | |
-Because of that stupid story? -Yeah. | 0:20:38 | 0:20:40 | |
-I don't believe you! -When I play, bad things happen. | 0:20:40 | 0:20:44 | |
-Forget it! I'll get someone else. -That's not it... -Whatever! | 0:20:44 | 0:20:48 | |
This is bullshit! | 0:20:48 | 0:20:51 | |
Rolo, you've got to help me. | 0:20:52 | 0:20:54 | |
I desperately need a guitar for tonight's gig. Can you play? | 0:20:54 | 0:20:58 | |
Yes. I play just like Hendrix. | 0:20:58 | 0:21:01 | |
Great. There you go. | 0:21:01 | 0:21:03 | |
There! Have that! | 0:21:03 | 0:21:05 | |
What are you doing?! What was that? | 0:21:05 | 0:21:07 | |
Woodstock '69. | 0:21:07 | 0:21:10 | |
HE PLAYS SOULFUL JAZZ | 0:21:20 | 0:21:22 | |
Well, well! If it ain't the comeback kid! | 0:21:30 | 0:21:34 | |
What are you doing here? | 0:21:34 | 0:21:36 | |
I think you've been playing again, boy. | 0:21:36 | 0:21:39 | |
-I'm not playing. -Oh - yous is playing, boy! | 0:21:39 | 0:21:43 | |
-Now it's time for me to get inside you again. -I don't want that. | 0:21:43 | 0:21:48 | |
Oh, yeah, baby - I'm coming inside. | 0:21:48 | 0:21:50 | |
Stop saying that - it sounds weird. | 0:21:50 | 0:21:53 | |
-Weird? How so? We had an agreement. -I know, but I don't want anything to do with that now. | 0:21:53 | 0:21:58 | |
Baby, you want to feel the warmth of me deep inside you, don't you? | 0:21:58 | 0:22:03 | |
-I certainly do not! -I've been inside all the greats. | 0:22:03 | 0:22:06 | |
I've been inside Charlie Parker, Miles Davis, I got inside Steve Davis - but that was an accident. | 0:22:06 | 0:22:13 | |
Don't deny me my role! I'm going to creep inside you like a warm kitten. | 0:22:13 | 0:22:19 | |
-Just leave me alone. -We make such sweet music together. | 0:22:19 | 0:22:22 | |
-Don't you remember? We were jazz pioneers. -Pioneers? | 0:22:22 | 0:22:27 | |
What you made me do was embarrassing. I don't want anything more to do with you. | 0:22:27 | 0:22:32 | |
I do not believe that boy's given me the credence I deserve. | 0:22:32 | 0:22:37 | |
What are you looking at? | 0:22:37 | 0:22:39 | |
I don't know. I want to help Vince. I really do. | 0:22:43 | 0:22:46 | |
I just... I can't... | 0:22:46 | 0:22:49 | |
Can't or won't? | 0:22:49 | 0:22:52 | |
Can't. | 0:22:52 | 0:22:53 | |
-I thought you were a team? -We are a team. | 0:22:53 | 0:22:57 | |
It's just that when I play an instrument the spirit of jazz gets inside me. | 0:22:57 | 0:23:03 | |
When that happens, it isn't pretty. It makes me do stuff. | 0:23:03 | 0:23:07 | |
-Like the shopping? -Shopping? | 0:23:07 | 0:23:10 | |
No. Things I'd rather not talk about. | 0:23:10 | 0:23:13 | |
There may be a way. Play this. | 0:23:13 | 0:23:16 | |
Play this?! Are you high? | 0:23:16 | 0:23:19 | |
Yeah. | 0:23:19 | 0:23:20 | |
I thought I explained, when I play... | 0:23:20 | 0:23:23 | |
Play! | 0:23:23 | 0:23:24 | |
Just play it! | 0:23:26 | 0:23:28 | |
HE PLAYS JAZZ | 0:23:29 | 0:23:32 | |
Mm! I knew you couldn't resist me, boy. | 0:23:35 | 0:23:38 | |
Time for me to get inside you again. | 0:23:38 | 0:23:42 | |
-Oh, dear! -I'm going to wear you like a glove! | 0:23:42 | 0:23:45 | |
Who the hell is this asshole? | 0:23:47 | 0:23:50 | |
I'm Naboo, that's who. | 0:23:50 | 0:23:52 | |
Get in my Hoover bag, you boo! | 0:23:52 | 0:23:54 | |
Aghhh! | 0:23:54 | 0:23:56 | |
-Now, run like the wind. -Thanks, Naboo. | 0:23:57 | 0:24:00 | |
Sort your hair out - it's an '80s band! | 0:24:00 | 0:24:03 | |
Listen, bitch, have you got anyone? | 0:24:04 | 0:24:06 | |
-Um... -You better have cos the head of Pie Face Records is here to see us. | 0:24:06 | 0:24:12 | |
-Do we actually need anyone? -What?! | 0:24:12 | 0:24:14 | |
Johnny Two Hats played keyboard. How hard can it be? | 0:24:14 | 0:24:18 | |
-It's just this...isn't it? -Have you got anyone? | 0:24:18 | 0:24:22 | |
Ladies. | 0:24:29 | 0:24:31 | |
-Howard! -Hi. | 0:24:31 | 0:24:33 | |
No way! Not that simpleton! | 0:24:33 | 0:24:36 | |
-He's a musical genius. -He better be. He looks like a paedophile. | 0:24:36 | 0:24:41 | |
Hey! So glad you could make it! | 0:24:48 | 0:24:50 | |
Maybe after the gig we could have a drink, have a chat. | 0:24:50 | 0:24:54 | |
Yeah, sure. Yeah. Why not? | 0:24:54 | 0:24:57 | |
Who are you? | 0:24:57 | 0:24:59 | |
I'm Vince. I'm in Kraftwerk Orange. | 0:24:59 | 0:25:01 | |
You're the head of Pie Face Records. | 0:25:02 | 0:25:05 | |
No. No, I'm Marcus Hoffman. | 0:25:05 | 0:25:07 | |
-I design speedboats. -Sorry, I thought you were somebody else. | 0:25:07 | 0:25:11 | |
Listen, a few of us get together at weekends, listen to reggae. | 0:25:11 | 0:25:15 | |
Maybe you want to hang out with us. | 0:25:15 | 0:25:18 | |
Get lost, creepy crust! | 0:25:18 | 0:25:20 | |
If I can just turn this thing on... | 0:25:20 | 0:25:24 | |
-HOOVER WHIRS -Now I'm coming for you, Howard Moon! | 0:25:24 | 0:25:28 | |
Hoover or not - I'm coming for you! | 0:25:28 | 0:25:30 | |
ELECTRO MUSIC | 0:25:30 | 0:25:32 | |
# Driving along on the plastic dream | 0:25:44 | 0:25:47 | |
# Heart beats fast like a tiny machine | 0:25:47 | 0:25:51 | |
# I am electro boy | 0:25:51 | 0:25:53 | |
# I am electro girl | 0:25:54 | 0:25:57 | |
# Sailing along on a Perspex sea | 0:25:59 | 0:26:03 | |
# Crystal moccasins, bionic jeans | 0:26:03 | 0:26:06 | |
# I am electro boy | 0:26:06 | 0:26:09 | |
# I am electro girl... # | 0:26:10 | 0:26:14 | |
He's close! I can smell him! I can smell the notes! | 0:26:22 | 0:26:25 | |
# ..Driving along on the plastic dream | 0:26:31 | 0:26:36 | |
# Heart beats fast like a tiny machine | 0:26:36 | 0:26:39 | |
# I am electro boy | 0:26:39 | 0:26:42 | |
# I am electro girl | 0:26:43 | 0:26:45 | |
# Sailing along on a Perspex sea | 0:26:48 | 0:26:51 | |
# Crystal moccasins, bionic jeans | 0:26:51 | 0:26:55 | |
# I am electro boy... # | 0:26:55 | 0:26:58 | |
Yeah! Come on! Yeah! Ha-ha! | 0:26:58 | 0:27:00 | |
Get the hell out of my way, lady! | 0:27:00 | 0:27:03 | |
-Agh! -We're going to have ourselves some hot jazz! | 0:27:03 | 0:27:07 | |
HE PLAYS JAZZ MANICALLY | 0:27:07 | 0:27:09 | |
Well, I'm sorry about last night. | 0:27:32 | 0:27:36 | |
I got a bit carried away and the jazz got in me and I had a jazz attack. | 0:27:36 | 0:27:41 | |
The whole night was a shambles. | 0:27:41 | 0:27:43 | |
I can't believe those electro girls! They stabbed everyone up. | 0:27:43 | 0:27:46 | |
I've been thinking, I don't think it's for me, the rock'n'roll lifestyle. | 0:27:46 | 0:27:51 | |
-Don't worry about that, Vince - I'm going to make it up to you. -Yeah? -Check this out. | 0:27:51 | 0:27:56 | |
HEAVENLY MUSIC | 0:27:58 | 0:28:00 | |
Wow! | 0:28:00 | 0:28:02 | |
Let's sort these pens out for Uncle Walt. | 0:28:02 | 0:28:05 | |
THEY SING IN WEST-COUNTRY ACCENTS # Feels as though nobody cares | 0:28:05 | 0:28:09 | |
# If I lives or dies | 0:28:09 | 0:28:11 | |
# So I might as well begin to put some action in my life | 0:28:11 | 0:28:17 | |
# Breaking the law breaking the law... # | 0:28:18 | 0:28:21 |