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What are we watching? | 0:00:10 | 0:00:11 | |
We've been watching it for 40 minutes, Mum! | 0:00:11 | 0:00:13 | |
Answer the question, I can't help it if my mind wanders. | 0:00:13 | 0:00:16 | |
Sharpe. | 0:00:16 | 0:00:17 | |
The thing with Sean Bean, Napoleonic war vibe. | 0:00:17 | 0:00:19 | |
It says here that donkeys live longer than horses. | 0:00:19 | 0:00:22 | |
-Mum, Jesus! -That doesn't seem fair. | 0:00:22 | 0:00:25 | |
It's called Sharpe, Ellen loves it, so I thought it would be nice to... | 0:00:25 | 0:00:28 | |
Swot up on it, so you can appear to know more about it than you do | 0:00:28 | 0:00:31 | |
to trick her into getting into bed with you. | 0:00:31 | 0:00:34 | |
-I get it. -Erm... | 0:00:34 | 0:00:36 | |
Yeah, basically, yeah. | 0:00:36 | 0:00:38 | |
Trying to organise a sort of day trip type thing, I thought, | 0:00:38 | 0:00:41 | |
after I drove a dart into her arm, it might be quite useful to... | 0:00:41 | 0:00:44 | |
-What the hell are you doing?! -No, you're right, it doesn't matter. | 0:00:44 | 0:00:46 | |
It's called a Biro inventory, Les. | 0:00:46 | 0:00:49 | |
You've been married to me for 30 years, | 0:00:49 | 0:00:51 | |
it's the second Friday of the month, you shouldn't have to ask. | 0:00:51 | 0:00:54 | |
You're doing my noodle at the moment, Ash! | 0:00:54 | 0:00:57 | |
Do you think I'd fare well in this sort of sitch? | 0:00:57 | 0:01:01 | |
The heroism, the battlefield? | 0:01:01 | 0:01:02 | |
They didn't have hay fever back then, did they? So... | 0:01:02 | 0:01:06 | |
"No" is the tip of the iceberg on this one, I think, Tom. | 0:01:06 | 0:01:09 | |
I don't know. Well, that's a thought, actually. | 0:01:09 | 0:01:11 | |
-PHONE VIBRATES -Oh. | 0:01:11 | 0:01:15 | |
Here he is. | 0:01:15 | 0:01:16 | |
What's he like? | 0:01:20 | 0:01:22 | |
"Good day. Ma'am." | 0:01:22 | 0:01:24 | |
Oh my God, he's invited me to an English country estate. | 0:01:24 | 0:01:29 | |
Oh my God, that's insane. | 0:01:29 | 0:01:31 | |
It's like he's inside my brain. | 0:01:31 | 0:01:34 | |
It's like he's been miniaturised, injected into my brain matter | 0:01:34 | 0:01:37 | |
and is inside my brain looking out of my own eyes watching | 0:01:37 | 0:01:40 | |
everything I say and do. | 0:01:40 | 0:01:42 | |
Isn't it romantic? | 0:01:42 | 0:01:43 | |
This cave covered in crystals, Maeve, that we're going to go to, | 0:01:45 | 0:01:48 | |
is the most romantic place in Britain, according to BuzzFeed. | 0:01:48 | 0:01:51 | |
And we can go in. Oh, gosh! | 0:01:51 | 0:01:54 | |
I mean, I may as well be Jane Gibbons! | 0:01:54 | 0:01:56 | |
Who's Jane Gibbons? | 0:01:56 | 0:01:58 | |
Nice try, Hermione. | 0:01:58 | 0:01:59 | |
Seriously though? | 0:01:59 | 0:02:01 | |
Oh, my God! Ever heard of Sharpe's second wife? | 0:02:01 | 0:02:04 | |
The seamstress? Brought up by her uncle? | 0:02:04 | 0:02:06 | |
No, don't let me interfere. You go on without me. | 0:02:06 | 0:02:09 | |
-But I shouldn't text back immediately, should I? -Not listening, Ellen. -Right. | 0:02:09 | 0:02:12 | |
Well... I'll text him back. | 0:02:12 | 0:02:14 | |
In ten minutes. | 0:02:16 | 0:02:18 | |
-Yes, you're a real ball-breaker. -I know. | 0:02:18 | 0:02:21 | |
Muskets are longer than I thought, actually. Butt to barrel. | 0:02:25 | 0:02:31 | |
-How long does it take you to reply to a text? -Five seconds? | 0:02:36 | 0:02:39 | |
Fine, instant. The power of instant technology, speed of light. | 0:02:39 | 0:02:43 | |
Right, crap! I've misjudged it, I've misjudged it massively! | 0:02:49 | 0:02:52 | |
-What's going on? -Country estate trip? Who am I, Colin Firth?! | 0:02:52 | 0:02:55 | |
Thanks for contradicting me, everyone! | 0:02:57 | 0:02:59 | |
God, I'm going to just beat a retreat, | 0:02:59 | 0:03:01 | |
get my guys out alive. And by guys, I mean pride. | 0:03:01 | 0:03:03 | |
-PHONE VIBRATES -Oh. Here he is again. | 0:03:03 | 0:03:06 | |
He is insatiable. | 0:03:06 | 0:03:08 | |
He says... | 0:03:08 | 0:03:10 | |
No kiss. | 0:03:16 | 0:03:18 | |
Well, that's depressing. | 0:03:18 | 0:03:21 | |
Fine. If he wants to invite some friends. | 0:03:21 | 0:03:25 | |
She does want to bring one? Oh, wunderbar! | 0:03:25 | 0:03:28 | |
Oh, it's not that bad. | 0:03:28 | 0:03:30 | |
I mean, I can big you up. | 0:03:30 | 0:03:32 | |
Presuming I'm taking you? | 0:03:32 | 0:03:33 | |
Oh, who else are you taking? | 0:03:33 | 0:03:35 | |
Yeah, carry on. | 0:03:36 | 0:03:37 | |
You'll have that support, then, won't you? | 0:03:37 | 0:03:39 | |
-We'll be there, or thereabouts. -What? | 0:03:39 | 0:03:42 | |
Not a good time to mention that, Ash. | 0:03:42 | 0:03:43 | |
-Bigging you on? -Up. -I'll say it again, what?! | 0:03:43 | 0:03:48 | |
Long story short, we took you off the insurance on the Skoda Octavia. | 0:03:48 | 0:03:52 | |
We'll drive you there, hang around, drive you back. | 0:03:52 | 0:03:54 | |
Why did you take me off the insurance for the Skoda Octavia, Dad?! | 0:03:54 | 0:03:57 | |
Well, funnily enough, as an ex-copper, | 0:03:57 | 0:03:59 | |
the minute I saw your take on lane discipline, chum! | 0:03:59 | 0:04:02 | |
God, you're crap, Ashley! | 0:04:02 | 0:04:05 | |
Skidding around like a piece of soap. | 0:04:05 | 0:04:07 | |
Why didn't you tell me earlier, before I made this bloody offer? | 0:04:07 | 0:04:10 | |
Because I knew you'd make me feel bad. | 0:04:10 | 0:04:12 | |
This is just the worst. | 0:04:13 | 0:04:15 | |
There you go. | 0:04:15 | 0:04:17 | |
I knew it. | 0:04:17 | 0:04:18 | |
Right, OK. | 0:04:21 | 0:04:23 | |
Please, please, please, please, please, please, please, | 0:04:23 | 0:04:26 | |
please, please stay away from me. | 0:04:26 | 0:04:29 | |
I say it in the kindest possible terms, because I love you guys, | 0:04:29 | 0:04:32 | |
you've been wonderful parents, but I have drawn up a map of, well, | 0:04:32 | 0:04:34 | |
"quadrants" I've called them, which you are strictly prohibited from. | 0:04:34 | 0:04:38 | |
-Yes, your father said. -Erm, Maeve, Maeve, Maeve...? -Yes, paperwork. | 0:04:38 | 0:04:41 | |
So, you get everything from the lake to the folly, yeah? | 0:04:41 | 0:04:46 | |
We are everything from the waterfall to the grotto. | 0:04:46 | 0:04:48 | |
So, you know, let's have fun, let's enjoy ourselves, but if you do | 0:04:48 | 0:04:52 | |
violate these quadrants, we'll come after you like a pack of dogs, OK? | 0:04:52 | 0:04:55 | |
Seek and ye shall find! | 0:04:55 | 0:04:57 | |
So said the Reverend Simms. | 0:04:57 | 0:04:59 | |
Stupid man! | 0:04:59 | 0:05:00 | |
Time for a quick comfort break. | 0:05:00 | 0:05:02 | |
For the hundredth time, Ashley, don't say "comfort break," | 0:05:02 | 0:05:05 | |
say you're going to the loo or for a wee. | 0:05:05 | 0:05:07 | |
-Doesn't matter! -OK, fine, I'm going for a wee-wee. | 0:05:07 | 0:05:10 | |
One "wee", Ashley! | 0:05:10 | 0:05:11 | |
Well obviously, Les, you can't do two wees at once. | 0:05:11 | 0:05:14 | |
Although I have seen pictures which showed a bifurcated penis... | 0:05:14 | 0:05:17 | |
Right Ashley, just pack it in, just stop it! | 0:05:17 | 0:05:20 | |
You are doing my head in at the moment! | 0:05:20 | 0:05:23 | |
I feel like I am drowning! | 0:05:23 | 0:05:26 | |
TOILET FLUSHES | 0:05:28 | 0:05:30 | |
A TINNY RECORDING OF DON'T STOP THE PARTY BY PITBULL PLAYS | 0:05:30 | 0:05:34 | |
-What is that? -Nothing. | 0:05:36 | 0:05:38 | |
Ashley? | 0:05:38 | 0:05:40 | |
It's my toilet roll alarm. | 0:05:40 | 0:05:41 | |
Someone hang me. Genuinely. | 0:05:43 | 0:05:45 | |
Dad, what is a toilet roll alarm? | 0:05:45 | 0:05:47 | |
Yeah, what's...? Yeah. | 0:05:47 | 0:05:48 | |
It reminds me to buy more toilet roll. | 0:05:48 | 0:05:50 | |
We don't want another one of your, well, | 0:05:50 | 0:05:53 | |
I won't allude explicitly to the event, but let's just say | 0:05:53 | 0:05:56 | |
we all know your mum doesn't love the Guardian, but in the mid-'90s | 0:05:56 | 0:06:00 | |
she was forced into a situation where she had to carry out | 0:06:00 | 0:06:04 | |
a threat she'd been absent-mindedly making for about a decade. | 0:06:04 | 0:06:06 | |
Vis-a-vis wiping with the Guardian. | 0:06:06 | 0:06:11 | |
Offski. | 0:06:11 | 0:06:12 | |
Rydale family, forward, march! | 0:06:14 | 0:06:16 | |
Oh, look - I'm just going to say this - not convinced about the cardi, | 0:06:22 | 0:06:25 | |
but it's too late to change now, so I'm not going to mention it, | 0:06:25 | 0:06:28 | |
and just say that I actually really like it. | 0:06:28 | 0:06:31 | |
Thank you for the compliment. | 0:06:31 | 0:06:33 | |
And I'm assuming I'm good to invite someone to this | 0:06:33 | 0:06:36 | |
date-cum-country-house-pensioner- outing that this kind of | 0:06:36 | 0:06:40 | |
-Ron Weasley character seems to... -Well, he's not ginger, so... | 0:06:40 | 0:06:44 | |
He is ginger. In principle. | 0:06:44 | 0:06:47 | |
He's a total bozo. | 0:06:47 | 0:06:49 | |
And fine, you're settling for a third-tier Joe because you're worried about your eye-bags. | 0:06:49 | 0:06:53 | |
I didn't know I had eye-bags. | 0:06:53 | 0:06:54 | |
-But what about what I want? -What? | 0:06:54 | 0:06:57 | |
Oh, forget I ever said anything, seriously. | 0:06:57 | 0:07:00 | |
Look, I just need you to stop at that pharmacy on Princes Avenue, | 0:07:00 | 0:07:03 | |
-pick up some chewing gum. -Right. We haven't got long, so... | 0:07:03 | 0:07:05 | |
My antidepressants, then! Fine! You got it out of me! | 0:07:05 | 0:07:09 | |
Congratulations. You see what happens when you rush people? | 0:07:09 | 0:07:12 | |
I'm sorry, I didn't... I didn't know you were... | 0:07:14 | 0:07:16 | |
It's only Locolopram. Everyone's on it these days. | 0:07:16 | 0:07:19 | |
-It's basically the new Netflix. -OK. | 0:07:19 | 0:07:21 | |
You know what? I think you're right, Les. | 0:07:26 | 0:07:29 | |
I think you are right, I have become a square. | 0:07:29 | 0:07:31 | |
Feck it! | 0:07:31 | 0:07:32 | |
When we get there, I'm going to buy you a Luton Bun. | 0:07:32 | 0:07:36 | |
Just the two of us, sod the cost. Oh, damn! | 0:07:36 | 0:07:39 | |
-What? -What? -I've taken a wrong turning. | 0:07:39 | 0:07:41 | |
Have you?! | 0:07:41 | 0:07:42 | |
Towards Hip Valley! | 0:07:42 | 0:07:45 | |
NOODLY JAZZ MUSIC | 0:07:45 | 0:07:47 | |
Oh, my God! | 0:07:47 | 0:07:49 | |
-Oh, yeah. -Oh, now this is more like it! | 0:07:50 | 0:07:54 | |
This cat is burning the paint off the walls. | 0:07:54 | 0:07:58 | |
-Amen. -They're unbearable. | 0:07:58 | 0:07:59 | |
This mama has got a snare drum stuck right up her arse! | 0:07:59 | 0:08:03 | |
-Ashley! -Lesley, I'm just finding my level. | 0:08:03 | 0:08:07 | |
Wake me when it's over. | 0:08:07 | 0:08:09 | |
Hey, Luke, Hermione here. | 0:08:13 | 0:08:15 | |
Just calling to say Ellen's having a picnic today, | 0:08:15 | 0:08:18 | |
and she'd really like you to come. | 0:08:18 | 0:08:20 | |
She's got a date coming, so bring a picnic and your A-game. | 0:08:20 | 0:08:24 | |
The Fossett Estate, 1pm, be there or be a four-sided equilateral. | 0:08:24 | 0:08:28 | |
SHE SNORTS A square! | 0:08:28 | 0:08:31 | |
Bye! | 0:08:31 | 0:08:32 | |
Coming, Ellen! Sorry! | 0:08:35 | 0:08:37 | |
-Let dating commence. -Knock her dead, son. | 0:08:37 | 0:08:40 | |
Yeah, sort of. | 0:08:40 | 0:08:41 | |
Oh, this is going to be good. | 0:08:45 | 0:08:47 | |
Off you go. | 0:08:47 | 0:08:49 | |
Come on. | 0:08:49 | 0:08:50 | |
Hmm, that's weird. | 0:08:59 | 0:09:01 | |
What? | 0:09:01 | 0:09:02 | |
There's been this sort of scraping noise in the car ever | 0:09:02 | 0:09:05 | |
since I rammed that van and I took it to the garage on Tuesday | 0:09:05 | 0:09:07 | |
and they said I needed to have something replaced. | 0:09:07 | 0:09:10 | |
I mean they were scamming me, basically. | 0:09:10 | 0:09:13 | |
But now, completely out of nowhere, | 0:09:13 | 0:09:15 | |
it looks like it has in fact broken down. | 0:09:15 | 0:09:18 | |
Bolt from the blue. | 0:09:18 | 0:09:20 | |
That's where they should be, but we're going over there. | 0:09:24 | 0:09:26 | |
It's Tom, isn't it? I'm Luke. I'm joining you guys. Friend of Ellen's. | 0:09:26 | 0:09:30 | |
Oh, hi. Yeah, I'm... Yes, I'm Tom. Good to meet you. | 0:09:30 | 0:09:33 | |
-Maeve Lesley Rydale. Hello. -Yeah, this is my sister. | 0:09:33 | 0:09:36 | |
Yes, but we're very different. | 0:09:36 | 0:09:38 | |
-It doesn't have to be the first thing you say. -Enchante. -OK... | 0:09:38 | 0:09:40 | |
-Parlez Francais? -Er, oui... -OK, OK, yes, great, | 0:09:40 | 0:09:43 | |
so shall we set up the picnic for when the ladies arrive? | 0:09:43 | 0:09:47 | |
Yeah, see you in 2018. | 0:09:47 | 0:09:49 | |
Probably right. | 0:09:50 | 0:09:52 | |
Prime Minister will be Nigel Farage | 0:09:52 | 0:09:54 | |
and Steve Jobs will be reincarnated as a robot. | 0:09:54 | 0:09:57 | |
He's riffed on it. | 0:09:57 | 0:09:59 | |
That's wonderful stuff. | 0:09:59 | 0:10:01 | |
That's probably the best stuff I've heard in, well, | 0:10:01 | 0:10:03 | |
-the last quarter, actually - financial quarter. -Right. | 0:10:03 | 0:10:07 | |
Um, I've brought some pretty special things, by the way. | 0:10:07 | 0:10:10 | |
God, she's always running a bit late, isn't she? | 0:10:10 | 0:10:13 | |
I don't know, really, it's only our second date. | 0:10:13 | 0:10:16 | |
On our second date I was taking her out to this Iranian restaurant... | 0:10:16 | 0:10:19 | |
-What, what, what? -Iranian. Actually, was it Iranian? | 0:10:19 | 0:10:22 | |
I can't remember if I was actually speaking Farsi or Pashto. | 0:10:22 | 0:10:25 | |
No, no, no, no. | 0:10:25 | 0:10:28 | |
No, you dated, did you? | 0:10:28 | 0:10:30 | |
Yeah, we went out. | 0:10:31 | 0:10:33 | |
-Yeah, for quite a while, actually. -Oh, lovely. | 0:10:33 | 0:10:36 | |
-The plot thickens. -Oh, yes, three great years. | 0:10:36 | 0:10:39 | |
Ah, that's fabulous... That's lovely to know. | 0:10:39 | 0:10:42 | |
-Ah, shall we, um... What an absolutely barn-storming success so far. -Oh, yes. | 0:10:43 | 0:10:48 | |
-And good to meet you. -And you too, Tom. -Lovely. | 0:10:48 | 0:10:51 | |
You should see my picnic, Tom. Got a few surprises for you here. | 0:10:51 | 0:10:54 | |
I think we've had enough surprises for one day. | 0:10:54 | 0:10:57 | |
You are, you're ruining it. | 0:10:57 | 0:10:58 | |
I'm not ruining anything. I'm saving you. | 0:10:58 | 0:11:01 | |
You must have liked Luke at one point, Ellen. | 0:11:01 | 0:11:03 | |
By the end it was horrid. He would pop a Smint every time he kissed me and I found it very creepy. | 0:11:03 | 0:11:08 | |
Where are you going? | 0:11:08 | 0:11:09 | |
I'm just going for a little wee. | 0:11:09 | 0:11:11 | |
Hermione, we've got to hurry. | 0:11:11 | 0:11:13 | |
-Can you please be quick?! -You can't hurry a wee, Ellen! | 0:11:13 | 0:11:16 | |
It takes as long as it takes. | 0:11:16 | 0:11:17 | |
It's like a risotto. | 0:11:17 | 0:11:19 | |
SHE SIGHS | 0:11:21 | 0:11:23 | |
Hello. | 0:11:23 | 0:11:24 | |
Hi. | 0:11:24 | 0:11:26 | |
Hi there. | 0:11:26 | 0:11:28 | |
Hermione?! | 0:11:28 | 0:11:30 | |
Such a splendid day. | 0:11:32 | 0:11:33 | |
Definitely. | 0:11:35 | 0:11:36 | |
It's lovely. | 0:11:36 | 0:11:38 | |
Be gone. | 0:11:38 | 0:11:40 | |
-What? -Nothing. | 0:11:40 | 0:11:42 | |
Nothing at all. | 0:11:42 | 0:11:43 | |
I couldn't help overhearing your conversation about love. | 0:11:43 | 0:11:47 | |
I see. | 0:11:47 | 0:11:49 | |
Are you here looking for your loved ones? | 0:11:49 | 0:11:53 | |
Er, no, my wife's in Canterbury. | 0:11:53 | 0:11:55 | |
The Cathedral. | 0:11:55 | 0:11:57 | |
I understand. | 0:11:57 | 0:11:58 | |
The writer Stendhal said, | 0:11:58 | 0:12:01 | |
"In the salt mines of Salzburg, | 0:12:01 | 0:12:03 | |
"they throw a leafless wintry bough | 0:12:03 | 0:12:06 | |
"into one of the abandoned workings. | 0:12:06 | 0:12:09 | |
"Two or three months later | 0:12:10 | 0:12:12 | |
"they haul it out covered with a shining | 0:12:12 | 0:12:15 | |
"deposit of salt crystals." | 0:12:15 | 0:12:17 | |
Okey-doke. | 0:12:17 | 0:12:19 | |
"The smallest twig, no bigger than a tom-tit's claw, | 0:12:19 | 0:12:22 | |
"is studded with a galaxy of scintillating diamonds." | 0:12:22 | 0:12:26 | |
When you're in love, this is how everything looks, | 0:12:26 | 0:12:30 | |
everything you can see, coated in crystals. | 0:12:30 | 0:12:34 | |
Right. | 0:12:34 | 0:12:35 | |
Thank you. | 0:12:35 | 0:12:36 | |
Who are you talking to? | 0:12:36 | 0:12:38 | |
Hermione, can you see that man? | 0:12:38 | 0:12:40 | |
-What man? -Oh, my God, I think this road is haunted! | 0:12:40 | 0:12:43 | |
Really? | 0:12:43 | 0:12:45 | |
Oh, no, I'm not a ghost. | 0:12:45 | 0:12:46 | |
Here I am. Hi. | 0:12:46 | 0:12:49 | |
I'm just doing the, um, Battle of Borodino later. | 0:12:49 | 0:12:52 | |
It's all OK. Sorry, I'm Mark, Mark Tetherford. | 0:12:52 | 0:12:56 | |
We should probably get off. | 0:12:56 | 0:12:57 | |
What, you were only talking to me because you thought I was a ghost? | 0:12:57 | 0:13:00 | |
Well, yes, I guess so. | 0:13:00 | 0:13:03 | |
Wow! Wow, that's cut me to the quick. | 0:13:03 | 0:13:06 | |
Gosh. Why don't people want to hang out with me? | 0:13:06 | 0:13:10 | |
It's the beard, isn't it? | 0:13:10 | 0:13:12 | |
Right, I really don't have time for this. | 0:13:12 | 0:13:14 | |
Keep your pecker up, mate. Hermione, push. | 0:13:14 | 0:13:17 | |
Oh, that is fabulous stuff! Oh, what a raconteur. | 0:13:17 | 0:13:21 | |
I'm about to get on my bloody feet and start clapping you. | 0:13:21 | 0:13:25 | |
Like, are we actually realising Orwell's vision of 1984? | 0:13:25 | 0:13:28 | |
Ah, yeah. Serious side, as well. | 0:13:28 | 0:13:30 | |
Well, yeah, bravo. | 0:13:30 | 0:13:32 | |
Society, blurgh! | 0:13:32 | 0:13:35 | |
-It's a bag of crap, isn't it? -Oh, yeah. | 0:13:35 | 0:13:37 | |
Er, sorry, love, um, could be Yemen calling. | 0:13:37 | 0:13:40 | |
Like Yemen's calling you! | 0:13:40 | 0:13:42 | |
Essentially, yeah, it's a UN thing. | 0:13:42 | 0:13:45 | |
Right. | 0:13:45 | 0:13:46 | |
Nice guy. | 0:13:46 | 0:13:48 | |
What? What are you talking about? He's been on dates with Ellen! | 0:13:48 | 0:13:51 | |
So? People in glass houses, Tom. | 0:13:51 | 0:13:53 | |
And it's good that you've got things in common, it's your umbilical cord. | 0:13:53 | 0:13:57 | |
Look, I'm a bad judge of character, | 0:13:57 | 0:13:58 | |
I spend 90% of my time with my sister, but I don't like him! | 0:13:58 | 0:14:01 | |
I've got a feeling he's after Ellen. | 0:14:01 | 0:14:02 | |
Luke wouldn't do that. Anyway, she could do a lot worse. | 0:14:02 | 0:14:05 | |
-Maeve, I'm right here! -Yeah, that's what I mean. | 0:14:05 | 0:14:09 | |
Guys, it was actually Hermione who just called. Ellen's car broke down. | 0:14:09 | 0:14:12 | |
Someone towed it in, but I told them to go and freshen up | 0:14:12 | 0:14:15 | |
-while we look under the bonnet for her, OK? -Yeah, great. | 0:14:15 | 0:14:17 | |
Good to get an opportunity to "get mechanical," as I say. | 0:14:17 | 0:14:20 | |
-You never say that. -Shut up, Maeve. | 0:14:20 | 0:14:21 | |
-Do you want to pop the lid? -Yeah. | 0:14:24 | 0:14:26 | |
Right, um... | 0:14:26 | 0:14:29 | |
HORN BEEPS | 0:14:29 | 0:14:30 | |
-That, um... -Do you know how to? | 0:14:30 | 0:14:32 | |
Yeah, no, decided to sound the horn once, just as a warning, | 0:14:32 | 0:14:35 | |
before I... "pop the lid". | 0:14:35 | 0:14:37 | |
So, um... HORN BEEPS AGAIN | 0:14:37 | 0:14:39 | |
Yeah, just do that twice, just do that three times, just to be, | 0:14:39 | 0:14:41 | |
just before I open what's known as the bonnet of the car. | 0:14:41 | 0:14:45 | |
Sure. | 0:14:45 | 0:14:47 | |
So, um, let's have a little look see. | 0:14:49 | 0:14:52 | |
-Er, wipers. -Yeah, I know, it's just a process of um... | 0:14:52 | 0:14:55 | |
-Indicators. -Yeah, ah-ha. Ah-ha. Good. | 0:14:55 | 0:14:58 | |
That's all the rudimentary checks complete and now to press | 0:14:58 | 0:15:01 | |
the only remaining button in the car, as far as I can tell. | 0:15:01 | 0:15:03 | |
Er, having satisfied myself that it's all quite safe. | 0:15:03 | 0:15:06 | |
You know, a novice could work out it's this button by a process of elimination, | 0:15:06 | 0:15:10 | |
but, luckily for me, I know the workings of a car almost instinctively. | 0:15:10 | 0:15:13 | |
-Sure. -So, one more honk of the horn. | 0:15:13 | 0:15:15 | |
HORN BEEPS AGAIN | 0:15:15 | 0:15:17 | |
-Just to be safe. -I think it's working. | 0:15:19 | 0:15:21 | |
-And then Bob is your... Bob, Bob... -Bob's your uncle. | 0:15:21 | 0:15:24 | |
-Bob's your uncle. -That's it, yeah, you've got it. | 0:15:24 | 0:15:26 | |
Great, so, um... LOUD RADIO MUSIC | 0:15:26 | 0:15:28 | |
Oh for... Fine, fine! That's, I'll just... I'll look at the generator. | 0:15:28 | 0:15:31 | |
Tom, come here. | 0:15:31 | 0:15:33 | |
Do you think you should just let him? I mean he does exude expertise. | 0:15:33 | 0:15:37 | |
Maeve, when Ellen gets here, I have to be seen to be helpful and competent. | 0:15:37 | 0:15:41 | |
-I mean, that's vital. -OK. | 0:15:41 | 0:15:42 | |
Um, Tom, I think you may have bodged the wipers, do you want to | 0:15:42 | 0:15:46 | |
-check if there's anything caught in the windscreen wipers? -Yeah, cool, boy. | 0:15:46 | 0:15:49 | |
Let's have a little... | 0:15:49 | 0:15:51 | |
-Yeah, just there. -Um... | 0:15:51 | 0:15:53 | |
Argh, argh! | 0:15:53 | 0:15:56 | |
Oh! | 0:15:56 | 0:15:59 | |
-Oh, my eyes! -Oh, got you! | 0:15:59 | 0:16:01 | |
He has got everything. He's even got pranks! | 0:16:01 | 0:16:04 | |
I can't see, I cannot see! | 0:16:04 | 0:16:07 | |
Sorry, mate, I couldn't resist, I really couldn't. | 0:16:07 | 0:16:09 | |
Oh, absolutely classic. This has been my best day so far. | 0:16:09 | 0:16:12 | |
I'm blind. I mean, I'm finally blind. | 0:16:12 | 0:16:14 | |
I want to find my mum. | 0:16:14 | 0:16:16 | |
Hi. | 0:16:16 | 0:16:18 | |
Hi. I'm fine. | 0:16:18 | 0:16:19 | |
ENGINE STARTS | 0:16:19 | 0:16:21 | |
Oh, dear. | 0:16:24 | 0:16:25 | |
So, um... | 0:16:25 | 0:16:27 | |
When now, when... When did, | 0:16:27 | 0:16:30 | |
when was the last time we all came, you know, to a park? | 0:16:30 | 0:16:35 | |
PHONE RINGS Oh sorry, do excuse me. | 0:16:36 | 0:16:38 | |
Saved by the phone, bell ringing, never mind. | 0:16:38 | 0:16:41 | |
Yes, yes? Can't talk now, my date's unravelling. | 0:16:43 | 0:16:45 | |
Your mother's broken her pelvis. | 0:16:45 | 0:16:47 | |
What? I don't... What on earth...? | 0:16:47 | 0:16:50 | |
It's your father here, I did that to get your attention - she hasn't broken her pelvis. | 0:16:50 | 0:16:53 | |
-Oh, right. -It's her leg. | 0:16:53 | 0:16:55 | |
She fell from one area to another area further down. | 0:16:55 | 0:16:57 | |
Leg snapped like a pencil stick. | 0:16:57 | 0:16:59 | |
Oh, my God! | 0:16:59 | 0:17:00 | |
Maeve, can I ask you a question? | 0:17:02 | 0:17:04 | |
OK, yes, he does live at home. Yes, he did use to dress up as a 19th century female theatre impresario, | 0:17:04 | 0:17:09 | |
put on an accent and demand that we call him Lady Buscombe, | 0:17:09 | 0:17:12 | |
the Dowager of Soho. | 0:17:12 | 0:17:14 | |
Maybe don't guess the question. | 0:17:14 | 0:17:16 | |
Your wish is my command. | 0:17:16 | 0:17:18 | |
Um, why did Tom invite other people on my date? | 0:17:18 | 0:17:21 | |
Um, I don't really know how to answer this. | 0:17:21 | 0:17:23 | |
Oh sorry, no, I shouldn't have asked, forget it. It's just... | 0:17:24 | 0:17:27 | |
Well, I was looking forward to it. | 0:17:27 | 0:17:29 | |
The picnic, the romantic caves, | 0:17:29 | 0:17:32 | |
and then all of a sudden, you know, but... Errgh. | 0:17:32 | 0:17:35 | |
Tell me. | 0:17:35 | 0:17:37 | |
Tell me, tell me, tell me, tell me, tell me. | 0:17:37 | 0:17:40 | |
I'm kidding. | 0:17:40 | 0:17:42 | |
But seriously, can you tell me? Because I am a bit on edge. | 0:17:42 | 0:17:45 | |
Um, well basically you took quite a long time to reply, | 0:17:45 | 0:17:48 | |
so he thought that you weren't into it. | 0:17:48 | 0:17:51 | |
Oh... | 0:17:51 | 0:17:52 | |
Well, that's better than I thought. | 0:17:52 | 0:17:54 | |
Where actually has Tom actually gone, in fact? | 0:17:54 | 0:17:56 | |
He was just on the phone. | 0:17:56 | 0:17:58 | |
Oh, well, no, he hasn't gone, I mean he'll be there. | 0:17:58 | 0:18:00 | |
Well, he isn't there. | 0:18:00 | 0:18:01 | |
Well, while we're waiting, shall we just go | 0:18:01 | 0:18:03 | |
and have a look at this ruined abbey or something? | 0:18:03 | 0:18:06 | |
Yes. We can go and come back quite quickly. | 0:18:06 | 0:18:08 | |
I palmed the guy a 20 and he said that we could use the golf buggy. | 0:18:08 | 0:18:11 | |
You really do understand the world, Luke. | 0:18:11 | 0:18:13 | |
Could have a look at that cave, too. | 0:18:13 | 0:18:15 | |
I'm... Well, I'm feeling quite peaky, actually. | 0:18:16 | 0:18:20 | |
I might head back to the car. | 0:18:20 | 0:18:22 | |
Just us, then, El. | 0:18:22 | 0:18:24 | |
Hold on, I'll go and fetch Tom, be back in a minute. | 0:18:25 | 0:18:28 | |
I'll bring him back here. | 0:18:28 | 0:18:30 | |
Come on, legs, off we go. | 0:18:30 | 0:18:32 | |
WOOD CREAKS TWIG SNAPS | 0:18:38 | 0:18:40 | |
Ow! | 0:18:41 | 0:18:43 | |
What's going on, what...? What are you doing?! | 0:18:45 | 0:18:48 | |
-Oh, we got you. Tom! -We bloody got him, Les. | 0:18:48 | 0:18:52 | |
-What's going on? -"My name's Tom and I'm terrified. | 0:18:52 | 0:18:55 | |
"And I don't like getting hit by things." | 0:18:55 | 0:18:57 | |
Excellent, Ash. He brought his catapult. | 0:18:57 | 0:18:59 | |
"Hey, Tom! | 0:18:59 | 0:19:01 | |
"Oh, my leg is so broken! | 0:19:01 | 0:19:04 | |
"Oh, no, it's snapped in half. | 0:19:04 | 0:19:05 | |
"Mummy's leg's snapped in half, we're devastated!" | 0:19:05 | 0:19:09 | |
You're in the wrong quadrant. | 0:19:09 | 0:19:11 | |
You made the quadrants, you're in our quadrant, | 0:19:11 | 0:19:13 | |
because you care about me! | 0:19:13 | 0:19:15 | |
I'm on a date! | 0:19:15 | 0:19:16 | |
"Oh, he's on a date!" | 0:19:16 | 0:19:18 | |
Oh, don't be such an old stick-in-the-mud, Tom. | 0:19:18 | 0:19:20 | |
Old man of the sands. | 0:19:20 | 0:19:21 | |
Boring old Tom, as good as dead, Les! | 0:19:21 | 0:19:25 | |
What's wrong with you? | 0:19:25 | 0:19:27 | |
I'm high, boy! | 0:19:27 | 0:19:29 | |
Touching the sky. Solid visuals, pumping vibes. | 0:19:29 | 0:19:32 | |
Problem? | 0:19:32 | 0:19:33 | |
I can't take this. | 0:19:33 | 0:19:35 | |
Oh, here we go. | 0:19:35 | 0:19:37 | |
Ellen's brought her ex and he's a very impressive fellow | 0:19:37 | 0:19:39 | |
and I'm worried I don't measure up. I mean, I... | 0:19:39 | 0:19:42 | |
Here, boy. Here, boy, come, come boy. | 0:19:42 | 0:19:44 | |
I really... | 0:19:44 | 0:19:46 | |
Oh, my God, I mean I just turned round when someone called their dog! | 0:19:46 | 0:19:49 | |
That's my level, isn't it?! | 0:19:49 | 0:19:51 | |
In the hierarchy of humanity, I consider myself one of the pets! | 0:19:51 | 0:19:54 | |
It's not so bad, Tom. You get your afternoons to yourself. | 0:19:54 | 0:19:57 | |
This is the worst day ever. | 0:19:57 | 0:19:59 | |
Oh, now, none of that! | 0:20:00 | 0:20:03 | |
Ow, Dad! | 0:20:03 | 0:20:04 | |
Don't do that! | 0:20:04 | 0:20:06 | |
-Oh I'm getting a taste for this, Les! -Oh, me, too, Ash. -Oh! | 0:20:06 | 0:20:10 | |
-I'm totally invigorated. -Oh, me, too, Ashley! | 0:20:11 | 0:20:14 | |
I'm enjoying this! | 0:20:14 | 0:20:15 | |
What's going on? She's mine! | 0:20:23 | 0:20:24 | |
They've gone to the abbey. It's weird, isn't it? | 0:20:24 | 0:20:27 | |
Luke and Ellen... I'm piecing this together as I'm watching it, really, | 0:20:27 | 0:20:30 | |
but Ellen and her ex are going on the date that you planned. | 0:20:30 | 0:20:33 | |
How does that make you feel? I'm curious. | 0:20:33 | 0:20:36 | |
They're heading east. | 0:20:36 | 0:20:37 | |
They're not going to the abbey, but to the crystal-covered cave, Maeve. | 0:20:37 | 0:20:40 | |
That's the most romantic place in Britain. If they set foot in there, it's game over, single Pringle. | 0:20:40 | 0:20:44 | |
-Ellen! -She can't hear you. Ellen, Ellen! | 0:20:44 | 0:20:47 | |
Um, er, wolf whistle, rally cry of the alpha male. | 0:20:47 | 0:20:51 | |
It's the shape of the fingers and the shape of the mouth | 0:20:53 | 0:20:56 | |
-and how you blow. -I... Oh, it's my nails. | 0:20:56 | 0:20:58 | |
-And now it's just me doing it. -Look, no this way. | 0:20:58 | 0:21:01 | |
-Ow! Oh, I bit myself. -Look up. | 0:21:01 | 0:21:03 | |
Oh, that's galling. | 0:21:03 | 0:21:05 | |
That's Charles de Gaulle-ing. | 0:21:05 | 0:21:06 | |
We have to get to that cave, Maeve. Follow me. | 0:21:08 | 0:21:10 | |
Hold on, hold on, what's the scale on this? | 0:21:11 | 0:21:13 | |
-The scale, um, right, well that's the path. -Yeah. | 0:21:13 | 0:21:16 | |
Um, no, that's all I've got at this juncture. | 0:21:16 | 0:21:19 | |
Hold on, the caves are just there, which is | 0:21:19 | 0:21:21 | |
actually just the other side of this pond. | 0:21:21 | 0:21:23 | |
Yeah, that looks smaller on here. | 0:21:25 | 0:21:27 | |
Yeah, maps are smaller than the real thing, or life | 0:21:27 | 0:21:29 | |
-would get very complicated. -Yes, Maeve. -We could phone Mum and Dad. | 0:21:29 | 0:21:32 | |
I'm not phoning Mum and Dad, they've gone rogue. | 0:21:32 | 0:21:34 | |
Problem solving, problem solving, problem solving... | 0:21:34 | 0:21:36 | |
Saying "problem solving" won't solve the problem. For crying out loud! | 0:21:36 | 0:21:39 | |
-Boat. -What? -Boat. | 0:21:39 | 0:21:42 | |
Oh, don't be ridic... | 0:21:42 | 0:21:44 | |
Rowing over there is the sort of thing that bloody Sharpe would... | 0:21:44 | 0:21:47 | |
Oh, my good God! | 0:21:48 | 0:21:50 | |
Fetch me an oar. | 0:21:51 | 0:21:52 | |
-Do you want to just go over to where they are? -Yeah, no, totally. | 0:21:54 | 0:21:56 | |
-Because me going over there, fetching it, bringing it back, given the time issue. -100%. | 0:21:56 | 0:22:00 | |
Shall we poddle over? | 0:22:00 | 0:22:05 | |
No, it's this way. | 0:22:05 | 0:22:07 | |
-Ready? -Yeah. | 0:22:13 | 0:22:16 | |
It's nice here, isn't it? | 0:22:32 | 0:22:34 | |
It's beautiful. | 0:22:34 | 0:22:36 | |
What? | 0:22:39 | 0:22:40 | |
Oh, nothing. | 0:22:40 | 0:22:42 | |
OK, I'll tell you. | 0:22:45 | 0:22:46 | |
I was just remembering how well you got along with little Tipper. | 0:22:46 | 0:22:49 | |
Oh, my God! I loved little Tipper. | 0:22:49 | 0:22:52 | |
It was all so sad. | 0:22:52 | 0:22:53 | |
He was a good dog. | 0:22:54 | 0:22:56 | |
I know it sounds corny as hell, | 0:22:57 | 0:23:00 | |
it's just the past, | 0:23:00 | 0:23:02 | |
the beautiful past, | 0:23:02 | 0:23:06 | |
trespassing the present. | 0:23:06 | 0:23:08 | |
Right... | 0:23:08 | 0:23:10 | |
So, what sort of phrases does Tom come up with in conversation? | 0:23:11 | 0:23:14 | |
What a stinking heap of guff! | 0:23:16 | 0:23:18 | |
Oh, come on, Tom, it's not that far. | 0:23:18 | 0:23:21 | |
That quote unquote "boat" ought to be ashamed of itself! | 0:23:21 | 0:23:23 | |
Look at me! | 0:23:23 | 0:23:25 | |
Oh, come on. | 0:23:25 | 0:23:26 | |
-Here, have my coat. -Thanks. | 0:23:26 | 0:23:28 | |
-It's not that bad. -Oh, it's over, Maeve! | 0:23:32 | 0:23:35 | |
I'm soaked, I smell of algae and failure. | 0:23:35 | 0:23:38 | |
Luke just is better than me. He's wonderful! | 0:23:38 | 0:23:40 | |
I know I'm nice. I know I'm entertaining, but Luke just | 0:23:40 | 0:23:43 | |
does have a more robust CV than I do - in that he has one! | 0:23:43 | 0:23:47 | |
I've got nothing to my name, absolutely zip. | 0:23:47 | 0:23:49 | |
I get up, I flap around, | 0:23:49 | 0:23:51 | |
I practice acceptance speeches for the Booker Prize and I go to bed. | 0:23:51 | 0:23:54 | |
That honestly is the long and short of Tom Rydale! | 0:23:54 | 0:23:57 | |
Are you all right? | 0:23:59 | 0:24:00 | |
Yeah. | 0:24:01 | 0:24:03 | |
LUKE LAUGHS | 0:24:03 | 0:24:04 | |
Oh, good story. | 0:24:06 | 0:24:08 | |
I love telling that story. | 0:24:08 | 0:24:11 | |
Oh. | 0:24:11 | 0:24:12 | |
Bloody hell, they're searching everyone. | 0:24:13 | 0:24:16 | |
Apparently someone's been catapulting civilians | 0:24:16 | 0:24:18 | |
with projectiles. | 0:24:18 | 0:24:19 | |
God, people are just sickening. | 0:24:19 | 0:24:23 | |
This is nice. | 0:24:27 | 0:24:29 | |
I really just wanted some time to just talk to you, you know. | 0:24:29 | 0:24:33 | |
I really wanted to talk to you, too. | 0:24:34 | 0:24:37 | |
Really? | 0:24:37 | 0:24:39 | |
Yeah, you've got to let it go, Luke. | 0:24:39 | 0:24:41 | |
Let what go? That doesn't sound right, given the surroundings. | 0:24:41 | 0:24:45 | |
Well let this go. | 0:24:45 | 0:24:46 | |
It's over. | 0:24:46 | 0:24:48 | |
I don't think it is, though. | 0:24:48 | 0:24:50 | |
I mean, name one thing about me that's not good. | 0:24:50 | 0:24:52 | |
Well, that's just it - | 0:24:52 | 0:24:53 | |
you're a bit too sort of perfect. | 0:24:53 | 0:24:56 | |
Um, I'll change. I'll be less charming for a start. | 0:24:57 | 0:25:00 | |
It's not that, it's just you're so impressive and ambitious, but... | 0:25:00 | 0:25:03 | |
I'll get a demotion, I'll reduce my number of contacts. | 0:25:03 | 0:25:06 | |
You're just not for me. | 0:25:06 | 0:25:07 | |
I fundamentally dispute that. | 0:25:07 | 0:25:09 | |
I mean, look at this Tom guy. | 0:25:09 | 0:25:12 | |
He's nowhere to be seen. | 0:25:13 | 0:25:14 | |
I know. | 0:25:14 | 0:25:15 | |
Whereas... | 0:25:15 | 0:25:17 | |
..I'm here. | 0:25:21 | 0:25:23 | |
PHONE BLEEPS | 0:25:23 | 0:25:24 | |
I've got to save her. | 0:25:26 | 0:25:27 | |
What? | 0:25:27 | 0:25:28 | |
I've got to save her, Maeve. I've got to save her. | 0:25:29 | 0:25:33 | |
Where's the... | 0:25:34 | 0:25:35 | |
Oh, wait! | 0:25:35 | 0:25:37 | |
I've got to get over there! | 0:25:37 | 0:25:39 | |
Wait, wait! Tom, this is heavy. | 0:25:39 | 0:25:41 | |
DRAMATIC MUSIC | 0:25:41 | 0:25:45 | |
Present! | 0:25:57 | 0:25:58 | |
Fire! | 0:25:59 | 0:26:01 | |
'When you're in love, | 0:27:27 | 0:27:29 | |
'everything you can see | 0:27:29 | 0:27:31 | |
'is coated in crystals.' | 0:27:31 | 0:27:34 | |
MUSIC PLAYS TO END | 0:27:34 | 0:27:37 |