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Coe, I think, is gonna get the gold! Coe has beaten Cram! What a marvellous finish! | 0:00:02 | 0:00:06 | |
And Seb Coe gets the gold medal! | 0:00:06 | 0:00:09 | |
# There may be trouble ahead | 0:00:09 | 0:00:14 | |
# But while there's moonlight and music and love and romance | 0:00:14 | 0:00:20 | |
# Let's face the music and dance | 0:00:21 | 0:00:25 | |
# Let's face the music and dance. # | 0:00:25 | 0:00:29 | |
Contains some strong language. | 0:00:29 | 0:00:35 | |
It's still not clear exactly what happened, | 0:00:35 | 0:00:37 | |
though organisers, perhaps for obvious reasons, | 0:00:37 | 0:00:39 | |
have been keen to deny earlier reports | 0:00:39 | 0:00:41 | |
that Mr Fletcher was in fact shot in the foot | 0:00:41 | 0:00:44 | |
during some sort of security review here, on site at the Olympic Park. | 0:00:44 | 0:00:48 | |
Tuesday morning, | 0:00:48 | 0:00:50 | |
and just 24 days to go at the Olympic Deliverance Commission in London, | 0:00:50 | 0:00:54 | |
but the one person who isn't in the office this morning | 0:00:54 | 0:00:57 | |
is Head of Deliverance, Ian Fletcher. | 0:00:57 | 0:00:59 | |
OK, here's the thing with us. | 0:00:59 | 0:01:01 | |
What we're looking at here is a totally routine accident. | 0:01:01 | 0:01:03 | |
The fact that he was prepared to have that accident shows you right there | 0:01:03 | 0:01:06 | |
just how far guys like him are prepared to go | 0:01:06 | 0:01:08 | |
to, like, test security measures ahead of the Games. | 0:01:08 | 0:01:12 | |
-IAN: -No, absolutely. Yes, I saw that. | 0:01:12 | 0:01:14 | |
Yes. No. I saw that one too. | 0:01:14 | 0:01:16 | |
No, I'm afraid I haven't seen The Sun yet. | 0:01:16 | 0:01:19 | |
Right. Well, I mean, at least that's actually quite funny. | 0:01:19 | 0:01:23 | |
I think that's probably the best one yet. | 0:01:23 | 0:01:25 | |
Meanwhile, over at St Peter's College Hospital in central London, | 0:01:25 | 0:01:29 | |
where he's been kept in overnight after a minor operation on his foot, | 0:01:29 | 0:01:32 | |
Ian has had a call from Olympic boss Sebastian Coe. | 0:01:32 | 0:01:35 | |
Well, in terms of damage limitation, I gather Siobhan Sharpe's been busy | 0:01:35 | 0:01:38 | |
re-inventing me as some kind of Captain Oates character, you know, | 0:01:38 | 0:01:41 | |
who's basically prepared to take one for the team in order to... | 0:01:41 | 0:01:44 | |
Well, no, exactly. I've already e-mailed her about that. | 0:01:44 | 0:01:46 | |
I mean, not only did he die. They all died in the end, so... | 0:01:46 | 0:01:49 | |
Well, no. I should be out of here by tomorrow at the latest. | 0:01:49 | 0:01:52 | |
I mean, it's just a soft-tissue thing, that's all. | 0:01:52 | 0:01:54 | |
I mean, apparently, they wouldn't have had to operate at all | 0:01:54 | 0:01:57 | |
if it wasn't for the bit of shoe that got stuck in there somehow. | 0:01:57 | 0:01:59 | |
So, no, basically it's all good. | 0:01:59 | 0:02:00 | |
No, absolutely. Absolutely! I will. | 0:02:01 | 0:02:04 | |
And I'll keep you posted in the meantime, obviously. Absolutely. | 0:02:04 | 0:02:06 | |
OK. Bye. Bye. | 0:02:06 | 0:02:08 | |
Right, good. | 0:02:08 | 0:02:09 | |
-Daniel, hi. -Hey, Ian. How are you today? | 0:02:09 | 0:02:12 | |
Oh, you know, I've been shot, otherwise I'm fine... | 0:02:12 | 0:02:14 | |
PA Daniel Stroud | 0:02:14 | 0:02:16 | |
has already arrived in order to be Ian's first visitor... | 0:02:16 | 0:02:19 | |
First of all, I just got you this. | 0:02:19 | 0:02:20 | |
Oh, really? Oh, Daniel! Well, that's really... You didn't need to. | 0:02:20 | 0:02:22 | |
-It's a chill-out kit. -Right. Is it? | 0:02:22 | 0:02:25 | |
..but Ian is aware that as well as being the greatest show on Earth, | 0:02:25 | 0:02:29 | |
the Olympics is also a show that must go on, | 0:02:29 | 0:02:31 | |
whether anyone likes it or not. | 0:02:31 | 0:02:33 | |
-Mm. -And if you massage it into your temples, | 0:02:33 | 0:02:35 | |
believe me, it's like suddenly nothing else matters any more. | 0:02:35 | 0:02:37 | |
Oh, well, really, that's... | 0:02:37 | 0:02:38 | |
David always says it's like mainlining Buddhism in one hit. | 0:02:38 | 0:02:40 | |
Well, that really is marvellous. But in the meantime, | 0:02:40 | 0:02:43 | |
in terms of stuff that does matter... | 0:02:43 | 0:02:45 | |
Right, yes, sure. Let me just... | 0:02:45 | 0:02:46 | |
Right, yes, here we go. | 0:02:46 | 0:02:48 | |
So, women's football... | 0:02:48 | 0:02:50 | |
Oh, God. Right. | 0:02:50 | 0:02:51 | |
I know. With the ticketing... | 0:02:51 | 0:02:52 | |
I mean, honestly, whose bloody idea was it | 0:02:52 | 0:02:53 | |
to open the whole Olympic Games with women's football? | 0:02:53 | 0:02:56 | |
-I know! -In Cardiff! | 0:02:56 | 0:02:57 | |
Yes. Well, I guess ours, presumably. | 0:02:57 | 0:02:58 | |
Well, yes, I know, but still... | 0:02:58 | 0:03:00 | |
So, anyway, with the ticketing... | 0:03:00 | 0:03:01 | |
Yes, sorry, of course, yes. | 0:03:01 | 0:03:03 | |
Apparently, we've still got about 40,000 tickets left to shift. | 0:03:03 | 0:03:05 | |
Really? Well, maybe that's not so bad, then, if... | 0:03:05 | 0:03:08 | |
-For the opening game. -Oh, right. Yes, of course. | 0:03:08 | 0:03:10 | |
-Yes. -Right, yes. Er, not sure quite how to say this. | 0:03:10 | 0:03:14 | |
Well, just say it. | 0:03:14 | 0:03:16 | |
But Daniel has some news of his own that Ian doesn't know about yet. | 0:03:16 | 0:03:18 | |
OK, you know Nina, Seb's PA? | 0:03:18 | 0:03:21 | |
Yes, I know Nina, yes. | 0:03:21 | 0:03:22 | |
Right, well, she's had, basically, like a breakdown. | 0:03:22 | 0:03:24 | |
Right, yes, obviously. | 0:03:24 | 0:03:25 | |
No, but this time, it's like she's let go in quite a big way, I think. | 0:03:25 | 0:03:28 | |
-Oh, right. Oh, dear. -Yes. | 0:03:28 | 0:03:30 | |
So, obviously that's... like, it's bad news for Nina. | 0:03:30 | 0:03:31 | |
-Yeah. -And bad news for Seb, | 0:03:31 | 0:03:33 | |
but it's good news for... Well, er, good news for me, actually. | 0:03:33 | 0:03:37 | |
Right... Oh, right. | 0:03:37 | 0:03:39 | |
I got a call late last night - could I come in early this morning and see them. | 0:03:39 | 0:03:41 | |
Oh, well, Daniel, congratulations. That's...that's great. | 0:03:41 | 0:03:43 | |
I mean, I only took the job on the condition that I could come here | 0:03:43 | 0:03:45 | |
and tell you personally | 0:03:45 | 0:03:47 | |
and if I could make my first job for them finding another PA for you ASAP | 0:03:47 | 0:03:50 | |
Yes, well... | 0:03:50 | 0:03:51 | |
Which they were totally cool about, by the way. | 0:03:51 | 0:03:53 | |
OK, so 24 days to go, Head of Deliverance, | 0:03:53 | 0:03:55 | |
I'm in hospital, I've been shot, | 0:03:55 | 0:03:57 | |
my solicitors are wondering where they should send my divorce papers, | 0:03:57 | 0:03:59 | |
-and now I haven't got a PA. -Oh, well... | 0:03:59 | 0:04:02 | |
But I suppose a positive thing is, at least I have got a chill-out kit. | 0:04:02 | 0:04:04 | |
You so have! | 0:04:04 | 0:04:05 | |
Right, OK. Eyes down, everybody. I thought we should have some sort of agenda here. | 0:04:12 | 0:04:16 | |
OK, cool, thanks for that, Nick. That's great. | 0:04:16 | 0:04:19 | |
Meanwhile, back over at the ODC, the Deliverance team | 0:04:19 | 0:04:22 | |
is attempting to hold its regular morning heads-up meeting, | 0:04:22 | 0:04:25 | |
even though they haven't got a Head. | 0:04:25 | 0:04:26 | |
-OK, so first up, um... -Yeah, hang on, hang on. | 0:04:26 | 0:04:28 | |
-Nick? -I mean, | 0:04:28 | 0:04:30 | |
I've nothing against you, love, but I don't think you can chair this meeting, | 0:04:30 | 0:04:32 | |
-I don't care who you are. -Excuse me? | 0:04:32 | 0:04:34 | |
And as sometimes can happen, they've been joined this morning | 0:04:34 | 0:04:37 | |
by Siobhan Sharpe, from PR company Perfect Curve. | 0:04:37 | 0:04:39 | |
Well, with Ian not here, it...it's got to be someone | 0:04:39 | 0:04:41 | |
-who's a member of the Deliverance Team. -Absolutely, yes. | 0:04:41 | 0:04:44 | |
No, sure. | 0:04:44 | 0:04:46 | |
When you say member of the Deliverance Team, | 0:04:46 | 0:04:47 | |
you mean a member of the Deliverance Team from Yorkshire. | 0:04:47 | 0:04:49 | |
Sorry, I can't help being from Yorkshire, love. It's just luck. | 0:04:49 | 0:04:52 | |
OK. I'm, um, totally good with that. | 0:04:52 | 0:04:53 | |
Um, so, guys, what we do here is... | 0:04:53 | 0:04:55 | |
Yeah, do you want to swap seats, love? | 0:04:55 | 0:04:58 | |
Sure, yeah. OK. That could work. | 0:04:58 | 0:05:01 | |
With the correct protocol of the meeting established, | 0:05:01 | 0:05:03 | |
they're now in a position to confront the first item on the agenda. | 0:05:03 | 0:05:06 | |
Great. Let's crack on. | 0:05:06 | 0:05:08 | |
Friday sees the launch of Inclusivity Day in a ceremony at City Hall, | 0:05:08 | 0:05:13 | |
thanks to the endorsement of London Mayor, Boris Johnson. | 0:05:13 | 0:05:15 | |
Don't look at me. I didn't even know we had an Inclusivity Ambassador. | 0:05:15 | 0:05:18 | |
-Well, we haven't. That's the point. -Duh! | 0:05:18 | 0:05:21 | |
But having looked up Inclusivity Day on their own website, | 0:05:21 | 0:05:23 | |
they've not only discovered that | 0:05:23 | 0:05:25 | |
the official Twenty Twelve Inclusivity Ambassador | 0:05:25 | 0:05:28 | |
is due to take part in Friday's launch, but also, that they haven't got one. | 0:05:28 | 0:05:31 | |
-Who's that guy that reads the news? Um... -Oh, no, he's crap. | 0:05:31 | 0:05:34 | |
It really should be a woman, really. | 0:05:34 | 0:05:35 | |
-I really think that. -Right, OK. | 0:05:35 | 0:05:37 | |
Alesha Dixon? | 0:05:37 | 0:05:38 | |
-Er, no. -SIOBHAN: -Alesha's cool, we love Alesha. | 0:05:38 | 0:05:40 | |
I actually don't think people will know who that is. | 0:05:40 | 0:05:41 | |
I think young people probably will. | 0:05:41 | 0:05:43 | |
Ye... Pardon? | 0:05:43 | 0:05:44 | |
Guys, we're looking at a three-day runway on this. | 0:05:44 | 0:05:47 | |
If we don't get airborne fast, we are so going to be eating tarmac. | 0:05:47 | 0:05:50 | |
-OK, what about Dame Kelly Holmes? -Holy shit! | 0:05:50 | 0:05:53 | |
GRAHAM: Nice one. | 0:05:53 | 0:05:54 | |
I mean, she's all right, if that's kind of... | 0:05:54 | 0:05:56 | |
-She's perfect, Siobhan... -Yeah, I'm on it, I'm on it, I'm on it. | 0:05:56 | 0:05:58 | |
Hi, Fran. No, don't care. Not important. Shut up. | 0:06:01 | 0:06:03 | |
Kelly Holmes. | 0:06:03 | 0:06:05 | |
Availability this Friday? | 0:06:05 | 0:06:06 | |
Yeah. | 0:06:08 | 0:06:09 | |
Right. Uh-huh. | 0:06:10 | 0:06:12 | |
No shit? Sure. OK, bye. | 0:06:12 | 0:06:14 | |
-Bummer! -So...? | 0:06:14 | 0:06:16 | |
Well, Seb's already got her for Diversity Day. | 0:06:16 | 0:06:19 | |
-You what? -Diversity Day? | 0:06:19 | 0:06:20 | |
- Do me a favour! - How many bloody days are there? | 0:06:20 | 0:06:23 | |
A packed schedule of events as the Games approach | 0:06:23 | 0:06:26 | |
has meant that the Deliverance Team is launching Inclusivity Day in London | 0:06:26 | 0:06:29 | |
on the same day that Sebastian Coe is launching Diversity Day in Oldham. | 0:06:29 | 0:06:33 | |
We're going to have to bring our A-game to the party here, guys. | 0:06:33 | 0:06:35 | |
-We've gotta take it to the next level. -Right, OK. What about Michelle Obama? | 0:06:35 | 0:06:39 | |
Yeah, probably not that level, Graham. | 0:06:39 | 0:06:40 | |
Michele Obama?! Give over! | 0:06:40 | 0:06:41 | |
I'm just coming up with women here, guys. | 0:06:41 | 0:06:44 | |
-OK, Paula Radcliffe. -No! Come on. | 0:06:44 | 0:06:46 | |
Why not? I mean she's very inclusive, she's a woman and she's a mother | 0:06:46 | 0:06:49 | |
and in spite of all of that, | 0:06:49 | 0:06:51 | |
she's out there very single day, struggling along the pavements... | 0:06:51 | 0:06:54 | |
OK, here's the thing with Paula, with inclusivity - | 0:06:54 | 0:06:56 | |
she's just not ticking boxes for us here, guys. | 0:06:56 | 0:06:58 | |
No way! | 0:06:58 | 0:06:59 | |
What we're talking about is someone who speaks to everybody. | 0:06:59 | 0:07:01 | |
OK, all right. | 0:07:01 | 0:07:03 | |
OK. Tanni Grey-Thompson. | 0:07:03 | 0:07:07 | |
-Holy fuck! -I know. | 0:07:07 | 0:07:09 | |
THEY HIGH-FIVE | 0:07:09 | 0:07:12 | |
-IAN: -I mean, I know Siobhan Sharpe and the Perfect Curve lot | 0:07:21 | 0:07:23 | |
are supposed to be doing a re-branding job on it. | 0:07:23 | 0:07:25 | |
Well, God knows. For all I know, | 0:07:25 | 0:07:26 | |
they're trying to re-brand it as men's basketball. | 0:07:26 | 0:07:28 | |
I wouldn't put it past them. | 0:07:28 | 0:07:29 | |
It's Wednesday, | 0:07:29 | 0:07:31 | |
and much to his frustration, Ian has been kept in hospital for a second night | 0:07:31 | 0:07:35 | |
in order to observe his foot. | 0:07:35 | 0:07:36 | |
...because in the absence of a PA, I'm trying to organise the Olympic Games | 0:07:36 | 0:07:39 | |
with a hole in my foot, and basically on the end of a phone. | 0:07:39 | 0:07:42 | |
Well, so you keep saying. | 0:07:42 | 0:07:44 | |
We... Well, that really would be good, | 0:07:44 | 0:07:46 | |
because at the moment all I can say is, this feels very much like | 0:07:46 | 0:07:48 | |
trying to conduct shit without a paddle. | 0:07:48 | 0:07:50 | |
Well, you...you know what I mean. OK, bye. Bye. | 0:07:50 | 0:07:54 | |
Right, good. Hi. | 0:07:55 | 0:07:57 | |
-Yes, hi. -Come on in. | 0:07:57 | 0:07:58 | |
Is it a bad time? | 0:07:58 | 0:08:00 | |
Excuse the state of my office, obviously. Just trying a few ideas. | 0:08:00 | 0:08:03 | |
-How are you, Ian? -Well, you know, I've been shot... | 0:08:03 | 0:08:05 | |
Absolutely, yes. | 0:08:05 | 0:08:06 | |
But yes, no, apart from that, you know, it's all pretty, er... Oh, well... | 0:08:06 | 0:08:09 | |
-No, it's nothing, really. -Oh, you shouldn't have. | 0:08:09 | 0:08:10 | |
It's just something I thought you might... | 0:08:10 | 0:08:12 | |
-Well, that's... -Let's just get this off. | 0:08:12 | 0:08:13 | |
-It's a plant. -Yes, no. | 0:08:13 | 0:08:14 | |
I'll just... Give it here. It's... I don't know why they make this so difficult. | 0:08:14 | 0:08:17 | |
I think that's part of the... | 0:08:17 | 0:08:18 | |
Just going past M&S and I thought this... | 0:08:18 | 0:08:19 | |
I think that's part of the... ..thought that looks really, um... | 0:08:19 | 0:08:21 | |
Kay, I don't think it comes off. | 0:08:21 | 0:08:22 | |
-No, that's fine. It was 3.99. -Yes. | 0:08:22 | 0:08:25 | |
On offer from 6.99. I don't know why. There's nothing wrong with it. | 0:08:25 | 0:08:28 | |
-Well, no. I mean, it's lovely. -Thought it might cheer you up. | 0:08:28 | 0:08:30 | |
And it has done, thank you. | 0:08:30 | 0:08:31 | |
Yes. No. So, I just thought I'd stop by. I was... | 0:08:31 | 0:08:33 | |
-Yes. -Yes. | 0:08:33 | 0:08:35 | |
So, how are you? | 0:08:37 | 0:08:38 | |
No, still OK, I think. Still pretty much the same. | 0:08:38 | 0:08:41 | |
-Absolutely, yes, good. -Kay, is there anything...? | 0:08:41 | 0:08:44 | |
No, no, that's fine, thank you. No, as I say, I was just... | 0:08:44 | 0:08:46 | |
OK. Is Fi applying for the Director of Posterity job post-Games? | 0:08:46 | 0:08:48 | |
-Right. -Is she applying for it? | 0:08:48 | 0:08:50 | |
-That... -No, Ian, just tell me. | 0:08:50 | 0:08:52 | |
-I don't care. Doesn't matter. Tell me. -Kay, you know | 0:08:52 | 0:08:53 | |
-I couldn't tell you that even if I knew. -I knew it, I bloody knew it! | 0:08:53 | 0:08:56 | |
-Carey? -Yeah, hi. -Cool! Great to meet you. Coco. | 0:09:08 | 0:09:12 | |
Yeah. Er, what? No, thanks. | 0:09:12 | 0:09:13 | |
Right. | 0:09:13 | 0:09:14 | |
Meanwhile, across town at PR company Perfect Curve, | 0:09:14 | 0:09:18 | |
Siobhan Sharpe and her team have arranged a meeting | 0:09:18 | 0:09:21 | |
with one of British women's football's fastest rising stars. | 0:09:21 | 0:09:23 | |
-So, this is, like, the team. -Right. | 0:09:23 | 0:09:25 | |
-Hey, Carey! -Siobhan Sharpe. This is, like, Barney. | 0:09:25 | 0:09:28 | |
Carey Taylor is already 23. | 0:09:28 | 0:09:30 | |
Captain of Everton Ladies FC at the age of 18, | 0:09:30 | 0:09:34 | |
she broke onto the international scene two years ago, | 0:09:34 | 0:09:36 | |
with a brilliant individual goal and spectacular sending off against Norway, | 0:09:36 | 0:09:39 | |
and ever since, has never looked back. | 0:09:39 | 0:09:42 | |
-Anyone want a Brazillo? -Yeah, yeah, yeah. Bring it on. | 0:09:42 | 0:09:44 | |
-Not for me, I'm good. -Is that, like, nuts? | 0:09:44 | 0:09:46 | |
We love Brazillos. | 0:09:46 | 0:09:48 | |
No, thanks. BOTH: # Nutty, nutty chocolate! # | 0:09:48 | 0:09:50 | |
Yeah, we love them! | 0:09:50 | 0:09:51 | |
- OK, shoot. - Go, Barney, go. | 0:09:51 | 0:09:53 | |
- Ready? - Yeah. | 0:09:53 | 0:09:54 | |
Siobhan and her team have come up with the idea of a viral campaign | 0:09:54 | 0:09:56 | |
to boost the profile of women's football based around Carey's personality. | 0:09:56 | 0:10:00 | |
OK, so, Carey, how's it feeling, being, like, a star? | 0:10:00 | 0:10:03 | |
Yeah. | 0:10:03 | 0:10:04 | |
OK, sure. But listen, you so ain't seen nothing yet. | 0:10:04 | 0:10:07 | |
- No, no, no. - COCO: Nope. | 0:10:07 | 0:10:08 | |
-OK. -Yeah, could I have a Brazillo? | 0:10:08 | 0:10:10 | |
Sure, yeah. | 0:10:10 | 0:10:12 | |
Yeah. | 0:10:14 | 0:10:15 | |
DANIEL: Hey, Ian, how are you? No, don't answer that! | 0:10:15 | 0:10:17 | |
-OK. -Stupid question! | 0:10:17 | 0:10:19 | |
Meanwhile, back over at St Peter's College Hospital, | 0:10:19 | 0:10:22 | |
Daniel has paid another visit to his ex-boss. | 0:10:22 | 0:10:24 | |
-I just had a diarize with Seb. -Oh, right, a diarize. | 0:10:24 | 0:10:27 | |
Yes, he likes to have one each morning. Just the two of us. He's so busy. | 0:10:27 | 0:10:31 | |
-Yes. -It's quite a good idea, actually, | 0:10:31 | 0:10:33 | |
cos what it means is, it's 20 minutes in the day when you can really... | 0:10:33 | 0:10:35 | |
-Yes, so what came out of it? -Yes, sorry, absolutely. | 0:10:35 | 0:10:37 | |
You'll have to stop me, Ian. I've got so much to think about. | 0:10:37 | 0:10:39 | |
-No, Seb was asking after you. -Oh, well, that's... | 0:10:39 | 0:10:41 | |
He's really hoping you'll be able to host the Inclusivity Day thing. | 0:10:41 | 0:10:43 | |
-Well, yes, me too. -Cos, otherwise, | 0:10:43 | 0:10:45 | |
he's convinced Boris'll take over the whole thing as usual, which'll be... | 0:10:45 | 0:10:47 | |
-Yes. -Also, I've got some good news | 0:10:47 | 0:10:49 | |
-for you as well, Ian. -Not some sort of tickets? | 0:10:49 | 0:10:51 | |
-Not tickets, no. -No, right. -Of course not. | 0:10:51 | 0:10:53 | |
But I have managed to get you a PA. | 0:10:53 | 0:10:54 | |
Ah, right! Well, good. Now, that's... | 0:10:54 | 0:10:56 | |
I had to bend a few rules, obviously, but I think in the end, | 0:10:56 | 0:10:58 | |
-I have to say it worked out rather well. -Just as long as | 0:10:58 | 0:11:00 | |
I don't have to spend time explaining how everything works. | 0:11:00 | 0:11:01 | |
No, no, of course. | 0:11:01 | 0:11:03 | |
No, cos that can be... I mean, we've got 23 days left to go. | 0:11:03 | 0:11:05 | |
They've really got to hit the ground running. | 0:11:05 | 0:11:06 | |
No, absolutely. She's good, this one's good. | 0:11:06 | 0:11:08 | |
-OK, good. Well, that's great. So... -No, she's actually outside. | 0:11:08 | 0:11:10 | |
Oh, right. | 0:11:10 | 0:11:11 | |
No, I thought she might as well just start in straight away. | 0:11:11 | 0:11:13 | |
Yes, absolutely. | 0:11:13 | 0:11:14 | |
-OK, I'll just go and... -Yes, OK, yes. | 0:11:14 | 0:11:16 | |
PHONE BEEPS | 0:11:18 | 0:11:19 | |
Yes, uh... | 0:11:28 | 0:11:30 | |
My God, Sally! | 0:11:31 | 0:11:32 | |
No, really, it's not a problem. | 0:11:32 | 0:11:34 | |
COCO: So, we did some, like, research into, like, this whole thing, right, | 0:11:39 | 0:11:42 | |
and what we found is, like, no-one's bought any tickets to women's football. | 0:11:42 | 0:11:45 | |
-Nope. -Right! | 0:11:45 | 0:11:46 | |
That's so weird, cos what they're saying is, they love women, they love football. | 0:11:46 | 0:11:50 | |
- Women's football... - Eh-oh... | 0:11:50 | 0:11:52 | |
-..not going to buy it. -Go figure. | 0:11:52 | 0:11:53 | |
Back over at Perfect Curve, Siobhan Sharpe and her team | 0:11:53 | 0:11:56 | |
are about to get creative with the idea of Carey Taylor. | 0:11:56 | 0:11:59 | |
So, what we came up with - well, first of all, we had loads of ideas. | 0:11:59 | 0:12:01 | |
-Yeah, yeah, yeah, yeah. -Yeah, ideas. | 0:12:01 | 0:12:03 | |
Yeah. What we realised is, like, the way to make this whole thing sexy | 0:12:03 | 0:12:06 | |
is you do, like, a whole campaign and it's all about you, | 0:12:06 | 0:12:09 | |
right, cos you're Wayne Rooney, only it's, like, you're a woman. | 0:12:09 | 0:12:12 | |
Yeah, she doesn't mean that, like, literally. | 0:12:12 | 0:12:14 | |
What? | 0:12:14 | 0:12:15 | |
Yeah, I dunno. | 0:12:15 | 0:12:17 | |
So, what you do is, you do everything, | 0:12:17 | 0:12:19 | |
like, YouTube, Twitter, Facebook, everything, but... | 0:12:19 | 0:12:21 | |
- Yeah, I do Twitter, yeah. - Right? | 0:12:21 | 0:12:24 | |
But you never mention women's football at all. | 0:12:24 | 0:12:27 | |
-Right. -Genius! | 0:12:27 | 0:12:28 | |
Pretty cool! | 0:12:28 | 0:12:29 | |
So, then it's, like, "Who's that girl?", right? | 0:12:29 | 0:12:31 | |
Who's that girl? | 0:12:31 | 0:12:32 | |
So, like, you, you're getting out of a car, it's at night, | 0:12:32 | 0:12:35 | |
there's, like, a leg, 15 seconds, but we never see who it is. | 0:12:35 | 0:12:39 | |
Who's that girl? | 0:12:39 | 0:12:41 | |
-Or it's you, you're getting into a car. -Yeah, yeah, yeah, yeah. | 0:12:41 | 0:12:44 | |
-Who's that girl? -Who's that girl? | 0:12:44 | 0:12:45 | |
Or there's some lips in a mirror, and, like, you're getting ready, | 0:12:45 | 0:12:48 | |
putting on your lipstick. | 0:12:48 | 0:12:50 | |
Yeah, what are those lips? | 0:12:50 | 0:12:52 | |
And we never see who it is until the final one, when it's you. | 0:12:52 | 0:12:57 | |
And it's like, "Who's that girl? | 0:12:57 | 0:13:00 | |
"Come find out. England, like, versus Holland, Cardiff Millennium Stadium, | 0:13:00 | 0:13:03 | |
"like, Wednesday or, like, whenever." | 0:13:03 | 0:13:05 | |
- OK. - BARNEY: Yep. | 0:13:05 | 0:13:06 | |
So, what you're saying is, it's not actually about women's football? | 0:13:06 | 0:13:10 | |
Yeah, yeah, yeah, yeah. It is about women's football. | 0:13:10 | 0:13:12 | |
-That's what's so cool about this. -It totally is, | 0:13:12 | 0:13:14 | |
but the one thing we don't mention is women's football. | 0:13:14 | 0:13:16 | |
OK. | 0:13:16 | 0:13:17 | |
So cool! | 0:13:17 | 0:13:18 | |
Cos that's the one bit that nobody likes. | 0:13:18 | 0:13:20 | |
Yeah? | 0:13:23 | 0:13:24 | |
-SALLY: -I brought my laptop in, I thought I could set it up in here. | 0:13:26 | 0:13:28 | |
-Right. -They said there wasn't access to Wi-Fi, | 0:13:28 | 0:13:30 | |
but I think they were basically lying, basically, | 0:13:30 | 0:13:32 | |
so I went in to see the senior registrar. | 0:13:32 | 0:13:34 | |
Right. Blimey. Did you? | 0:13:34 | 0:13:35 | |
Yeah. He wasn't very interested to start with, | 0:13:35 | 0:13:38 | |
he was in the middle of some sort of meeting, but in the end | 0:13:38 | 0:13:41 | |
he said OK and gave me the password. | 0:13:41 | 0:13:43 | |
Before Daniel, Sally Owen was Ian's long-term PA, | 0:13:43 | 0:13:47 | |
until she realised she had to leave one morning due to personal reasons. | 0:13:47 | 0:13:49 | |
But having heard of his recent accident, she's now realised she has to come back. | 0:13:49 | 0:13:53 | |
Sally, I'm not quite sure where to start with this. | 0:13:53 | 0:13:56 | |
-Yes. No, no problem. -No, but look, I really... | 0:13:56 | 0:13:58 | |
So, I picked up some things on the way in, just in case. | 0:13:58 | 0:13:59 | |
I mean, you probably won't... I can change them if... | 0:13:59 | 0:14:01 | |
-Oh, God! -Just some T-shirts and stuff. | 0:14:01 | 0:14:03 | |
Oh, no, but look, really, what I... | 0:14:03 | 0:14:04 | |
And I've brought you some of this too. | 0:14:04 | 0:14:05 | |
Oh, no... Oh, God, no. It's not lemon drizzle cake? | 0:14:05 | 0:14:09 | |
-Yes, actually. -Oh, Sally, really! No, but look... | 0:14:09 | 0:14:11 | |
-Yeah, so with Inclusivity Day... -Er, yes, right. | 0:14:11 | 0:14:14 | |
..so we have now got Tanni Grey-Thompson. | 0:14:14 | 0:14:16 | |
Yes, so I gather, that's great. | 0:14:16 | 0:14:18 | |
And Boris, obviously, and some, you know, some schoolchildren from somewhere. | 0:14:18 | 0:14:21 | |
Well, yes, yes. | 0:14:21 | 0:14:22 | |
So, I think the idea is that you are meant to make | 0:14:22 | 0:14:24 | |
some sort of speech-type thing to start with. | 0:14:24 | 0:14:26 | |
-If I ever get out of here, yes. -Yes, you will get out of here, actually. | 0:14:26 | 0:14:28 | |
-Right. -Yes. | 0:14:28 | 0:14:30 | |
Right, OK, so what happens then? | 0:14:30 | 0:14:31 | |
Well, I think everything, er, will be, you know, pretty much as it used to be | 0:14:31 | 0:14:35 | |
before... | 0:14:35 | 0:14:36 | |
-Before! -Right. | 0:14:36 | 0:14:38 | |
Yes. | 0:14:38 | 0:14:39 | |
What I actually meant was, what happens on Inclusivity Day? | 0:14:39 | 0:14:42 | |
-Oh, right, yes. -After I've made the speech-type thing, | 0:14:42 | 0:14:44 | |
then what? I mean, what are we actually supposed to be doing there? | 0:14:44 | 0:14:47 | |
Yes. No, that's a good point, actually. | 0:14:47 | 0:14:48 | |
KNOCK ON DOOR Hi. | 0:14:48 | 0:14:50 | |
-Oh, hi, yes. -How are things? | 0:14:50 | 0:14:51 | |
Er, yes, OK. Pretty much ready to go, I think. | 0:14:51 | 0:14:54 | |
Right, OK. Well, let's take a look, shall we? | 0:14:54 | 0:14:56 | |
OK, yeah. | 0:14:56 | 0:14:57 | |
Right, if you just want to lie back and relax. | 0:14:57 | 0:15:00 | |
OK. | 0:15:00 | 0:15:01 | |
How are we doing over here? | 0:15:01 | 0:15:03 | |
Oh, you might actually want to step out for this. | 0:15:03 | 0:15:04 | |
-Yes, no, I'll stay, actually. -Really? | 0:15:04 | 0:15:06 | |
Yes, actually. | 0:15:06 | 0:15:07 | |
Oh, right. Well, if you really want to see this. | 0:15:07 | 0:15:09 | |
-No, not a problem. -DOCTOR: Hmm, interesting smell! | 0:15:09 | 0:15:12 | |
Yes. | 0:15:14 | 0:15:15 | |
FIONA: I mean, I was thinking, what about if we got them to release | 0:15:18 | 0:15:20 | |
2012 Legacy doves? | 0:15:20 | 0:15:22 | |
Right, no. | 0:15:22 | 0:15:23 | |
Legacy doves? | 0:15:23 | 0:15:24 | |
Back at the ODC, | 0:15:24 | 0:15:26 | |
with just three days to go before the Inclusivity Day press launch, | 0:15:26 | 0:15:29 | |
the Deliverance Team are trying to decide what it is they'll be including. | 0:15:29 | 0:15:33 | |
As they take off, they carry with them | 0:15:33 | 0:15:34 | |
all the promises and all the commitments around inclusivity | 0:15:34 | 0:15:37 | |
-we've made to the future in Legacy. -Right, no, I'm sorry, that's... | 0:15:37 | 0:15:39 | |
Oh, right, yeah, and you mean then they just vanish into thin air. | 0:15:39 | 0:15:42 | |
-Well, no... -No, I can definitely see that working. | 0:15:42 | 0:15:44 | |
-Yeah, it's a classic. -I don't think it's fair on the pigeons. | 0:15:44 | 0:15:47 | |
-There are big issues around that. -NICK: -Yeah. | 0:15:47 | 0:15:49 | |
We've not had a great week as it is. We get this wrong as well, | 0:15:49 | 0:15:52 | |
we're in danger of running out of feet to shoot ourselves in. | 0:15:52 | 0:15:54 | |
Well, I was thinking, as a better idea, | 0:15:54 | 0:15:56 | |
what about they plant a tree? | 0:15:56 | 0:15:57 | |
-A tree?! -So, we give them an acorn, OK... | 0:15:57 | 0:15:59 | |
This really is a joke, right? | 0:15:59 | 0:16:01 | |
..they plant it, and from that grows this magnificent English oak, | 0:16:01 | 0:16:05 | |
under whose sustainable boughs future generations of future, er, people | 0:16:05 | 0:16:09 | |
will be able to gather together with each other and stand under it inclusively. | 0:16:09 | 0:16:12 | |
Right... | 0:16:14 | 0:16:15 | |
Right, yeah, that's... | 0:16:15 | 0:16:17 | |
At least with that, the only thing we have to achieve | 0:16:17 | 0:16:19 | |
between now and Friday is find a bloody acorn from somewhere. | 0:16:19 | 0:16:21 | |
I'm sorry. I just think this is a major PR opportunity. | 0:16:21 | 0:16:23 | |
It's not a primary school fete. | 0:16:23 | 0:16:25 | |
Well, look, we need to make a decision here. I don't care who you are. | 0:16:25 | 0:16:27 | |
-People want to know what they're doing. -Well, OK, | 0:16:27 | 0:16:29 | |
-in that case, why don't we have a vote? -A vote. | 0:16:29 | 0:16:31 | |
-Yes. NICK: -Right, here we go. | 0:16:31 | 0:16:32 | |
I don't think that's an appropriate form of... | 0:16:32 | 0:16:33 | |
I mean, how's that going to work? | 0:16:33 | 0:16:35 | |
Look, there are four of us in the room, love. | 0:16:35 | 0:16:37 | |
You two, let's face it, are never going to vote for each other, are you? | 0:16:37 | 0:16:40 | |
-Er, well... -No, you're not. You're kidding me. | 0:16:40 | 0:16:42 | |
Yeah, and you can't vote for yourselves, so that's you out. | 0:16:42 | 0:16:45 | |
-FIONA: Hang on... -Now, that leaves me and him. | 0:16:45 | 0:16:47 | |
Yeah, me and him, yeah. | 0:16:47 | 0:16:48 | |
Yeah. Now, in the interests of fairness, I'm going to remain impartial, | 0:16:48 | 0:16:50 | |
-cos I'm basically in the chair. -Right, OK. | 0:16:50 | 0:16:52 | |
So, that leaves you. | 0:16:52 | 0:16:53 | |
So, pigeons or acorn? | 0:16:53 | 0:16:56 | |
What? Who, me? | 0:16:56 | 0:16:57 | |
I mean...I... | 0:16:57 | 0:16:59 | |
Well, you're on, like it or not. I never voted for a vote, so... | 0:16:59 | 0:17:01 | |
-Just choose, for Christ sake. -Right, OK. | 0:17:01 | 0:17:03 | |
-Acorn, I don't know, er... -There you go, sorted. | 0:17:03 | 0:17:06 | |
-Yes, sorted, yes. -Yeah. | 0:17:06 | 0:17:08 | |
-Brilliant(!) -Sorry, love, that's how democracy works. | 0:17:08 | 0:17:11 | |
Yes, that's how it works, yes. | 0:17:11 | 0:17:13 | |
Tony, hi. Yes, hi. | 0:17:24 | 0:17:25 | |
Fi Healey, Head of Legacy for Twenty Twelve. | 0:17:25 | 0:17:27 | |
Yes, Fi, yes. We spoke on the phone. | 0:17:27 | 0:17:28 | |
It's very nice to meet you in the flesh. | 0:17:28 | 0:17:30 | |
-No, actually, that was me, actually. -Really? | 0:17:30 | 0:17:31 | |
Kay Hope, Head of Sustainability, Twenty Twelve. | 0:17:31 | 0:17:33 | |
-Right. -Hello. | 0:17:33 | 0:17:34 | |
Are you sure it's you I spoke to? | 0:17:34 | 0:17:36 | |
-Absolutely, yes. -Right. Oh, well... | 0:17:36 | 0:17:38 | |
It's Thursday, | 0:17:38 | 0:17:39 | |
and with Ian now not certain to make the Inclusivity Day launch, | 0:17:39 | 0:17:43 | |
Kay Hope has decided to come to Potters Fields, next to City Hall, herself, | 0:17:43 | 0:17:46 | |
and literally prepare the ground for the tree-planting ceremony. | 0:17:46 | 0:17:50 | |
And in the spirit of Inclusivity, Head of Legacy Fi Healey | 0:17:50 | 0:17:53 | |
has decided to join her, in case anything happens. | 0:17:53 | 0:17:55 | |
..inclusively for future generations. | 0:17:55 | 0:17:57 | |
-Hm. -I really think that. | 0:17:57 | 0:17:58 | |
Yes... Not sure I fully grasp that, but anyway... | 0:17:58 | 0:18:01 | |
Tony Griffiths is Chair of the Potters Fields Management Trust. | 0:18:01 | 0:18:05 | |
It seems to me the gist of what you're trying to tell me | 0:18:05 | 0:18:07 | |
is that you'd like to plant an oak tree in Potters Fields. | 0:18:07 | 0:18:10 | |
-Yes, exactly, an oak tree, yes. -OK. | 0:18:10 | 0:18:12 | |
Well, that's not necessarily impossible, in principle. | 0:18:12 | 0:18:14 | |
-Right. -So, I suppose | 0:18:14 | 0:18:16 | |
the next question we need to address is, when are we talking about? | 0:18:16 | 0:18:19 | |
Right, yes, absolutely. Friday. | 0:18:19 | 0:18:22 | |
Tomorrow? | 0:18:22 | 0:18:23 | |
Er, yes, Friday. That's correct, yes. | 0:18:23 | 0:18:24 | |
Mm. I have to say I had a feeling about this. | 0:18:24 | 0:18:27 | |
But, as Kay is discovering, the planning issues around | 0:18:27 | 0:18:30 | |
planting something as potentially serious as a tree | 0:18:30 | 0:18:33 | |
in a piece of ground as important to Tony as this | 0:18:33 | 0:18:36 | |
are far more complex than she has time to do anything about. | 0:18:36 | 0:18:39 | |
..a rather nice fraxinus, for example, | 0:18:39 | 0:18:40 | |
the precise sitting of which was over two years in the planning. | 0:18:40 | 0:18:43 | |
Gave rise to the only occasion on which | 0:18:43 | 0:18:44 | |
I've so far seen a fully grown landscape architect beat a senior planning officer | 0:18:44 | 0:18:48 | |
-about the head with his bare fists. -Right, yeah, | 0:18:48 | 0:18:50 | |
but, er, given that this is Olympic year, and for possibly the only time in... | 0:18:50 | 0:18:54 | |
-I have to say we do get that a lot. -Right, do you? | 0:18:54 | 0:18:56 | |
-If I had a pound, Fi, for every time... -It's Kay, actually. | 0:18:56 | 0:18:59 | |
-Kay, I'm so sorry, I do beg your pardon. -No, that's fine. | 0:18:59 | 0:19:01 | |
If I had a pound, Fi, | 0:19:01 | 0:19:03 | |
for every time someone had said that to me in the last five years, | 0:19:03 | 0:19:05 | |
I'd be inviting you back to tea on my yacht. | 0:19:05 | 0:19:07 | |
-Really? -Right. | 0:19:07 | 0:19:08 | |
Well, just so you know, I'd probably be accepting, Tony, too. | 0:19:08 | 0:19:10 | |
Ah, well, another life, perhaps. | 0:19:10 | 0:19:12 | |
-Yes, maybe. -OK... | 0:19:12 | 0:19:13 | |
Although I have to say, whenever I hear people say that, | 0:19:13 | 0:19:15 | |
I find myself thinking, "To hell with another life! | 0:19:15 | 0:19:16 | |
"It's this life one really rather wants to live." | 0:19:16 | 0:19:18 | |
-No, sure, tell me about it. -It's OK, thank you. That's... | 0:19:18 | 0:19:20 | |
Tony! Look, given that Boris has agreed to give up his time for this, | 0:19:20 | 0:19:24 | |
given that Baroness Tanni Grey-Thompson has agreed to take part... | 0:19:24 | 0:19:27 | |
Kay knows that her only chance of persuading Tony to help them | 0:19:27 | 0:19:30 | |
at this late stage may well be through the sheer force of her personality. | 0:19:30 | 0:19:34 | |
..London's year on the world stage, I really think that, | 0:19:34 | 0:19:36 | |
can I just say, is there any way at all that the Management Trust | 0:19:36 | 0:19:39 | |
could be persuaded to go the extra mile | 0:19:39 | 0:19:42 | |
and waive some of the standard planning procedures in order to make this happen? | 0:19:42 | 0:19:44 | |
-No. -No, right. | 0:19:44 | 0:19:46 | |
I don't think there is. | 0:19:46 | 0:19:47 | |
In fact, now I think about it, I suppose that's really my point, yes. | 0:19:47 | 0:19:50 | |
-No, OK, that's fine. -I'm sorry not to be more helpful. | 0:19:50 | 0:19:51 | |
No, that's fine. Yes, absolutely. Thank you very much, Tony, thank you. | 0:19:51 | 0:19:54 | |
-Tony? -Yes? | 0:19:54 | 0:19:55 | |
Before we let you go, I'm going to make a suggestion to you. | 0:19:55 | 0:19:57 | |
-Oh, yeah? -Yes. And you might not know it yet | 0:19:57 | 0:19:59 | |
but I think you're going to really like it. | 0:19:59 | 0:20:00 | |
Sorry - can I just say Legacy pigeons are totally out of the equation. | 0:20:00 | 0:20:03 | |
One was sort of clinging on, but I'm afraid you've lost me now. | 0:20:03 | 0:20:06 | |
Stay with me, Tony, stay with me. | 0:20:06 | 0:20:08 | |
So, the issue here would be the exact location of the tree, right? | 0:20:08 | 0:20:10 | |
Yes. | 0:20:10 | 0:20:11 | |
There is no time to address that between now and tomorrow, that's obvious. | 0:20:11 | 0:20:13 | |
Well, one would have thought so, yes. | 0:20:13 | 0:20:14 | |
No, sure. So, how would it be for you | 0:20:14 | 0:20:16 | |
if we brought along some kind of a raised bed on the day? | 0:20:16 | 0:20:18 | |
No. | 0:20:18 | 0:20:19 | |
Basically just a box full of earth, OK, planted the acorn in that, | 0:20:19 | 0:20:22 | |
-and then just took it away again? -Right, no, that's... | 0:20:22 | 0:20:23 | |
-OK. -..actually counter to ev... | 0:20:23 | 0:20:25 | |
That's not... How is that...? | 0:20:25 | 0:20:26 | |
It's not sustainable in any measure of... It's dishonest | 0:20:26 | 0:20:28 | |
and, actually, it's immoral, actually. Yes, it's immoral. | 0:20:28 | 0:20:30 | |
-Anyway, what do you think? -I rather like the sound of that, Kay. | 0:20:30 | 0:20:32 | |
-Look, it's Fi! -What? | 0:20:32 | 0:20:35 | |
-It's fine, Tony. -No, I'm sorry, it's not fine, Tony. | 0:20:35 | 0:20:36 | |
-It's Fi. -She's Kay. | 0:20:36 | 0:20:37 | |
-What? -No, that's... -Look, I have to say, in your position, these are the sort of details | 0:20:37 | 0:20:41 | |
one rather hoped to have got more or less straight in advance. | 0:20:41 | 0:20:43 | |
-Yeah, I know. -Yes, exactly, yes, thank you. | 0:20:43 | 0:20:45 | |
-SALLY: -Yes, there's another e-mail from Danny Boyle's people. | 0:20:50 | 0:20:52 | |
Oh, right, brilliant. What now? | 0:20:52 | 0:20:53 | |
Yes, apparently he wants more nurses. | 0:20:53 | 0:20:55 | |
Well, we all do. I haven't seen one all morning. | 0:20:55 | 0:20:57 | |
Yes, no. They want more nurses in the opening ceremony to represent... | 0:20:57 | 0:20:59 | |
Yes, I know, to represent nurses. | 0:20:59 | 0:21:01 | |
Yes, but apparently there aren't enough of them. | 0:21:01 | 0:21:02 | |
OK, well, fine. Get some more, then. | 0:21:02 | 0:21:04 | |
Yes, no. I think his point is that there aren't enough nurses in the NHS, actually. | 0:21:04 | 0:21:06 | |
No. Well, what's he expect us to do about that? | 0:21:06 | 0:21:08 | |
Yes. | 0:21:08 | 0:21:09 | |
I mean, He'll just have to have fewer nurses dancing harder. | 0:21:09 | 0:21:10 | |
-Right. -I mean, Benny Hill managed it. | 0:21:10 | 0:21:12 | |
I don't see why he can't. | 0:21:12 | 0:21:13 | |
Yes. No, not a problem. Um... | 0:21:13 | 0:21:15 | |
Meanwhile, it's Thursday, and after another night in hospital, | 0:21:15 | 0:21:18 | |
Ian is still waiting for news on the minor infection on his foot. | 0:21:18 | 0:21:21 | |
I checked in on the office phone for messages. | 0:21:21 | 0:21:22 | |
Oh, right, yes, good. | 0:21:22 | 0:21:23 | |
And there's one from your solicitor's, actually. | 0:21:23 | 0:21:26 | |
-Right, yes. -They want to know where to send some...the, um... | 0:21:26 | 0:21:29 | |
Divorce papers? | 0:21:29 | 0:21:30 | |
Er, yes, actually, I think they were. | 0:21:30 | 0:21:32 | |
-Yes. -I think you need to sign them. | 0:21:32 | 0:21:33 | |
Well, yes. | 0:21:33 | 0:21:34 | |
Yes. So, they were asking, should they send them to your home address or to here? | 0:21:34 | 0:21:37 | |
Right, yes. No, I was meant to get back to them about that. | 0:21:37 | 0:21:39 | |
Shall I just say to send them here, you know, speed things up a bit? | 0:21:39 | 0:21:42 | |
No, I think I might just wait until I know for certain what I'm doing. | 0:21:42 | 0:21:44 | |
-Yeah, right. -With the foot, I mean. | 0:21:44 | 0:21:46 | |
-Oh, yes, absolutely, right. -Yeah. | 0:21:46 | 0:21:48 | |
KNOCK ON DOOR Hi. | 0:21:48 | 0:21:51 | |
-Fi, hi. -Is this a good time? | 0:21:51 | 0:21:52 | |
-Er... -Absolutely, come on in. | 0:21:52 | 0:21:54 | |
-Just thought I'd pop in. -You remember Sally? | 0:21:54 | 0:21:56 | |
-Oh, sure, yeah. Hi, Sally. -Yeah, not a problem. | 0:21:56 | 0:21:57 | |
Good to see you back. So, I heard about the infection. | 0:21:57 | 0:22:01 | |
Yes. Did you? | 0:22:01 | 0:22:02 | |
I'm not sure you're going to be allowed this in your current condition. | 0:22:02 | 0:22:03 | |
Oh, well, Fi, that's... | 0:22:03 | 0:22:05 | |
They're actually quite strict here, actually. | 0:22:05 | 0:22:06 | |
-Tequila chocolate slammers? -Yeah. | 0:22:06 | 0:22:08 | |
Oh, well, that's very... Thank you. | 0:22:08 | 0:22:10 | |
-What I was thinking... -So, right, yes. | 0:22:10 | 0:22:11 | |
..now that you're not going to be able to make tomorrow... | 0:22:11 | 0:22:12 | |
No, well, it looks like it. | 0:22:12 | 0:22:14 | |
..I'd be really happy to host the whole thing, | 0:22:14 | 0:22:16 | |
-if you thought that was a good idea. -Right. | 0:22:16 | 0:22:17 | |
I thought I'd offer, at least. | 0:22:17 | 0:22:19 | |
Well, right. I mean, I know that Kay has been doing | 0:22:19 | 0:22:21 | |
quite a lot of preparation for it already. | 0:22:21 | 0:22:23 | |
Oh, no, sure. Yeah, I know she has, I know, but I mean, Kay's great, | 0:22:23 | 0:22:25 | |
don't get me wrong, I've got a huge amount of respect for what she does. | 0:22:25 | 0:22:27 | |
-Well, we all have, yes. -Yes. | 0:22:27 | 0:22:30 | |
I don't know, I mean, sustainability and inclusivity... | 0:22:30 | 0:22:32 | |
-Well, yes? -I suppose my worry is, | 0:22:32 | 0:22:35 | |
no-one really knows what either of those two things are, anyway. | 0:22:35 | 0:22:37 | |
Well, that's not true. I mean, they're absolutely what we're about. | 0:22:37 | 0:22:40 | |
-It's... -And Legacy, obviously. | 0:22:40 | 0:22:41 | |
-I... -And multiculturality. | 0:22:41 | 0:22:43 | |
I just think Legacy's probably an easier thing for people to get hold of | 0:22:43 | 0:22:45 | |
on these occasions somehow, that's all. | 0:22:45 | 0:22:47 | |
-I think what I'd say to you here is... -Sorry... | 0:22:47 | 0:22:49 | |
-Sally? -Sorry, excuse me, Ian. | 0:22:49 | 0:22:51 | |
-No, no. -Sorry, um... | 0:22:51 | 0:22:52 | |
-No, sure. -I just wondered... | 0:22:52 | 0:22:54 | |
I don't know if you've had time to look at that e-mail from Seb yet? | 0:22:54 | 0:22:57 | |
The...er...right. You may have to prompt me with that. | 0:22:57 | 0:23:00 | |
No, not a problem. Um, it's just with, um, Inclusivity Day and Diversity Day | 0:23:00 | 0:23:03 | |
coming on the same day... | 0:23:03 | 0:23:04 | |
Oh, bloody hell, yes. Diversity - that's another thing we're about, of course. | 0:23:04 | 0:23:07 | |
-Yeah, he's very keen on differentiation. -Hang on. | 0:23:07 | 0:23:09 | |
Differentiation? That's not another day, is it? | 0:23:09 | 0:23:11 | |
-No, no. -No, good. | 0:23:11 | 0:23:13 | |
No, I think the idea is, he wants to talk about Legacy as part of Diversity, | 0:23:13 | 0:23:15 | |
up in Oldham, and so, basically, wants us to present, um, | 0:23:15 | 0:23:18 | |
sustainability as part of inclusivity here, actually. | 0:23:18 | 0:23:20 | |
-Right, OK. -Oh, brilliant(!) | 0:23:20 | 0:23:23 | |
-At least that clarifies things a bit. -No, it doesn't, actually. | 0:23:23 | 0:23:24 | |
That doesn't make any sense at all. | 0:23:24 | 0:23:26 | |
Well, I mean, it gives us a sense of where we are, | 0:23:26 | 0:23:28 | |
which is a big positive to take out of all this. | 0:23:28 | 0:23:30 | |
Yeah, where we are is planting a fucking nut in a box. | 0:23:30 | 0:23:32 | |
-Well, I mean, that's... -Unless you want to go up to Oldham. | 0:23:32 | 0:23:34 | |
Oh, great, yeah, Oldham(!) | 0:23:34 | 0:23:35 | |
That could happen if you wanted it to. Actually, that's not a bad idea, Sally. | 0:23:35 | 0:23:39 | |
-Yeah, thanks, Sally(!) -Not a problem. | 0:23:39 | 0:23:41 | |
It's Friday, Inclusivity Day at Potters Fields, | 0:23:44 | 0:23:47 | |
but despite the proximity to City Hall, | 0:23:47 | 0:23:49 | |
Mayor of London Boris Johnson has pulled out at the last minute | 0:23:49 | 0:23:52 | |
due to a malfunction, which has forced Siobhan to have an idea. | 0:23:52 | 0:23:56 | |
As a result, Paralympic gold medallist Baroness Tanni Grey-Thompson | 0:23:56 | 0:23:59 | |
will now be sharing the ceremonial honours | 0:23:59 | 0:24:01 | |
with the Wayne Rooney of Great Britain's women's football, Carey Taylor. | 0:24:01 | 0:24:06 | |
..the commitment that Twenty Twelve feels towards the future, | 0:24:06 | 0:24:08 | |
er, the future posterity... | 0:24:08 | 0:24:10 | |
Kay is all too aware how significant the next ten minutes could be for her, | 0:24:10 | 0:24:14 | |
both from a sustainability point of view, | 0:24:14 | 0:24:16 | |
as well as in terms of any future posterity there might be after the Games. | 0:24:16 | 0:24:20 | |
-You all set? -Yes, yes. | 0:24:20 | 0:24:22 | |
-Cool. You're so going to kill here! -Absolutely, yes. | 0:24:22 | 0:24:24 | |
-So, just to be clear... -Sure, yeah. | 0:24:24 | 0:24:25 | |
..now that Boris isn't here, when I get the acorn, I give it to... | 0:24:25 | 0:24:28 | |
-Sure. -I hand it to Tanni, to actually plant. | 0:24:28 | 0:24:30 | |
-No, totally. Sure, that's a great idea. -Right. | 0:24:30 | 0:24:32 | |
Cos I was thinking that might... Is that going to be a bit...with the spade? | 0:24:32 | 0:24:34 | |
-Oh, no. OK, sure. -I wasn't sure if, um... | 0:24:34 | 0:24:38 | |
-No. Ah, no, not going to work. -Mm. | 0:24:38 | 0:24:39 | |
Um, OK, so here's the thing with this. | 0:24:39 | 0:24:41 | |
Um, here's what we do this. Um, what we do is, you give the acorn to Tanni, | 0:24:41 | 0:24:45 | |
and then what she does is, she passes it to Carey, and then Carey plants it. | 0:24:45 | 0:24:49 | |
-Right. -OK, that's such a cool idea. | 0:24:49 | 0:24:51 | |
-OK. And who gives the acorn to me? -Excuse me? | 0:24:51 | 0:24:54 | |
Is it like a wedding, where the best man...? | 0:24:54 | 0:24:56 | |
You don't have the acorn? | 0:24:56 | 0:24:58 | |
Well, no, I haven't got it. | 0:24:58 | 0:24:59 | |
-OK, OK. -Who's got it? Who's got the acorn? | 0:24:59 | 0:25:02 | |
OK, OK, OK. | 0:25:02 | 0:25:03 | |
No, Siobhan, this... We haven't... | 0:25:03 | 0:25:05 | |
OK, so, um, here's what we do here. OK, here's the thing with this, OK. | 0:25:05 | 0:25:08 | |
Um, what it is, is... OK, the thing with this is... | 0:25:08 | 0:25:11 | |
Who's got it? Who's got the bloody acorn? | 0:25:11 | 0:25:12 | |
Um, OK. What we do is, um... Here's the thing with this, um... | 0:25:12 | 0:25:15 | |
OK, what we do is... | 0:25:15 | 0:25:17 | |
Can I just say, I'm very angry about this. | 0:25:17 | 0:25:18 | |
OK, OK, here's what it is. | 0:25:18 | 0:25:20 | |
No. | 0:25:20 | 0:25:21 | |
You've got to do this, Kay. | 0:25:21 | 0:25:23 | |
No. You... If... I'm sorry, I'm not planting a chocolate. | 0:25:23 | 0:25:25 | |
It's a nut, OK? Who's going to know? Get over it. | 0:25:25 | 0:25:28 | |
Right. Fucking hell! | 0:25:28 | 0:25:30 | |
To plant a living seed, a living symbol of seed | 0:25:32 | 0:25:36 | |
of sustainable inclusivity | 0:25:36 | 0:25:38 | |
across not only the whole of the Lower Lea Valley and beyond that, | 0:25:38 | 0:25:41 | |
but beyond that, beyond that, um, | 0:25:41 | 0:25:44 | |
a future testament to Twenty Twelve's lasting commitment | 0:25:44 | 0:25:49 | |
to the future in posterity. Thank you. | 0:25:49 | 0:25:53 | |
APPLAUSE | 0:25:53 | 0:25:55 | |
Whoo! Way to go! | 0:25:55 | 0:25:57 | |
With the key messages about inclusivity more than fully covered by Kay, | 0:25:59 | 0:26:03 | |
it's time for Siobhan to step in and use her PR skills | 0:26:03 | 0:26:05 | |
to finesse the media impact of the planting ceremony itself. | 0:26:05 | 0:26:09 | |
Just right back, just right back. Thank you. | 0:26:09 | 0:26:11 | |
In her world, whether she knows it or not, it's all about the power of the image, | 0:26:11 | 0:26:17 | |
and the power of this image is fast becoming almost literally symbolic. | 0:26:17 | 0:26:21 | |
OK, if you want to hand the acorn to Tanni. | 0:26:21 | 0:26:23 | |
CAMERA SHUTTER CLICKS | 0:26:26 | 0:26:27 | |
OK, great. So, Tanni, if you could pass it to Carey. | 0:26:31 | 0:26:34 | |
CAMERA SHUTTER CLICKS | 0:26:37 | 0:26:39 | |
-That's it, Carey. Go on. -CAMERA SHUTTER CLICKS | 0:26:39 | 0:26:43 | |
OK... | 0:26:44 | 0:26:45 | |
CHEERING AND APPLAUSE | 0:26:45 | 0:26:47 | |
-Whoo! -Whaay! | 0:26:47 | 0:26:49 | |
Come on, Carey! | 0:26:49 | 0:26:51 | |
Go, Carey! | 0:26:53 | 0:26:54 | |
Whoo! | 0:26:55 | 0:26:56 | |
Yeah! Go, inclusivity! | 0:26:57 | 0:27:00 | |
I mean, I only glimpsed it briefly, | 0:27:01 | 0:27:03 | |
but I saw the expression on Tanni Grey-Thompson's face, | 0:27:03 | 0:27:05 | |
and unless it's always like that, which I doubt, | 0:27:05 | 0:27:07 | |
something happened there, I know it did, and I'd like to know what. | 0:27:07 | 0:27:10 | |
Either way, I'm leaving hospital shortly, I'm mobile again, | 0:27:10 | 0:27:13 | |
so I can come over to the Perfect Curve offices if necessary | 0:27:13 | 0:27:16 | |
as soon as you bloody pick this up. OK, right, thanks. | 0:27:16 | 0:27:18 | |
-TV OFF -Right, good. How's it going down there? | 0:27:18 | 0:27:22 | |
Er, yes, pretty good, actually. | 0:27:22 | 0:27:23 | |
-How does that feel? -No, good. Yes, I think that's fine. | 0:27:23 | 0:27:25 | |
It's Friday afternoon, and having at last been given the all clear with his foot, | 0:27:25 | 0:27:29 | |
Ian is finally preparing to leave hospital. | 0:27:29 | 0:27:31 | |
God, this cake is good! | 0:27:31 | 0:27:32 | |
Yes. Are you actually going to finish, um...? | 0:27:32 | 0:27:34 | |
Oh. Oh, God, yes, I'd better had. | 0:27:34 | 0:27:36 | |
You spend your entire married life waiting to get a divorce | 0:27:36 | 0:27:39 | |
then you forget to sign the bloody papers. | 0:27:39 | 0:27:41 | |
Yeah, it's annoying, actually. | 0:27:41 | 0:27:42 | |
Right, um, OK, so... | 0:27:42 | 0:27:43 | |
But no matter where he is, in her role as PA, Sally knows how vital it is | 0:27:43 | 0:27:48 | |
for him not to take his eye off the ball. | 0:27:48 | 0:27:51 | |
Oh! Right, thanks. | 0:27:51 | 0:27:52 | |
She also knows that detail is everything | 0:27:52 | 0:27:54 | |
if the things that need to happen are going to happen. | 0:27:54 | 0:27:56 | |
-Right. -And here too. | 0:27:56 | 0:27:57 | |
Ah, right, yes. | 0:27:57 | 0:27:59 | |
-OK. -Yes. | 0:28:03 | 0:28:04 | |
-Right. So... -Hm. | 0:28:04 | 0:28:06 | |
So, that's all good. | 0:28:06 | 0:28:07 | |
-Well, thanks, Sally. -Mm, not a problem. | 0:28:10 | 0:28:11 | |
-Thank you. -Um, have you finished...? | 0:28:11 | 0:28:13 | |
Yes, thank you. | 0:28:13 | 0:28:15 | |
Thanks, Sally. | 0:28:15 | 0:28:17 | |
Actually, Sally, can I ask you something? | 0:28:17 | 0:28:18 | |
-Er, yes? -You know when Fi was here yesterday? | 0:28:18 | 0:28:21 | |
Yes, right, absolutely. | 0:28:21 | 0:28:22 | |
And you mentioned that e-mail from Seb | 0:28:22 | 0:28:24 | |
about, er, you know, um, Legacy and differentiation and Oldham | 0:28:24 | 0:28:26 | |
-and all that stuff? -Oh, yes, yes. | 0:28:26 | 0:28:29 | |
-I never found that. -Er... | 0:28:29 | 0:28:31 | |
-Did you make that up? -I'm sure I saw it somewhere. | 0:28:32 | 0:28:34 | |
Right. | 0:28:36 | 0:28:37 | |
Yes. | 0:28:37 | 0:28:38 | |
Sally, you are magnificent. | 0:28:39 | 0:28:40 | |
Not a problem. | 0:28:40 | 0:28:42 | |
With the loose ends tied up, | 0:28:42 | 0:28:43 | |
all that's left now is for Ian to get up and walk on his own two feet again. | 0:28:43 | 0:28:47 | |
-Shall I carry your bag? -Er... | 0:28:47 | 0:28:49 | |
Oh, well, thank you. Yes, that would be...be a good idea. | 0:28:49 | 0:28:52 | |
Right, well, here we go. | 0:28:53 | 0:28:56 | |
Yes. | 0:28:56 | 0:28:57 | |
# There may be trouble ahead | 0:29:04 | 0:29:08 | |
# But while there's moonlight and music and love and romance | 0:29:09 | 0:29:15 | |
# Let's face the music and dance | 0:29:16 | 0:29:20 | |
# Let's face the music and dance. # | 0:29:20 | 0:29:26 |