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This programme contains strong language and adult humour | 0:00:02 | 0:00:04 | |
Hello? | 0:00:04 | 0:00:06 | |
HE KNOCKS | 0:00:06 | 0:00:08 | |
Uncle Andy? | 0:00:08 | 0:00:09 | |
Errol? | 0:00:13 | 0:00:14 | |
What happened? Did you overdose? | 0:00:14 | 0:00:16 | |
I've got the flu. How'd you get in? | 0:00:16 | 0:00:17 | |
I used the spare key under the mat. | 0:00:17 | 0:00:19 | |
What spare key under the mat? | 0:00:19 | 0:00:21 | |
The one I had made. | 0:00:21 | 0:00:22 | |
HE COUGHS | 0:00:22 | 0:00:24 | |
Why aren't you running for your life? | 0:00:24 | 0:00:25 | |
Oh, I've had the flu jab. I'm invincible. | 0:00:25 | 0:00:27 | |
Oh. What do you want? | 0:00:27 | 0:00:29 | |
You came all this way to give me a piece of paper? | 0:00:32 | 0:00:34 | |
It's a song competition. | 0:00:34 | 0:00:35 | |
I'll go and make a cup of tea and you can read the details. | 0:00:35 | 0:00:39 | |
PHONE RINGS, HE GROANS | 0:00:39 | 0:00:41 | |
Is Roly there? | 0:00:45 | 0:00:46 | |
I'm not sure. He could be a hallucination. | 0:00:46 | 0:00:48 | |
I've just drank a tonne of cough syrup. | 0:00:48 | 0:00:51 | |
Ooh, are you robo-tripping? I use to love doing that. | 0:00:51 | 0:00:53 | |
No, I've got the flu. | 0:00:53 | 0:00:54 | |
Oh. You should've got the jab. Listen, did Roly tell you we had a fight? | 0:00:54 | 0:00:57 | |
He just stormed out. He's been horrible lately. | 0:00:57 | 0:00:59 | |
It's just puberty. | 0:00:59 | 0:01:01 | |
Ugh, God, I hope not. | 0:01:01 | 0:01:02 | |
I TRIED to go on a date the other night, but Roly hid my car keys. | 0:01:02 | 0:01:05 | |
And then when we were playing Scrabble, he spelled, "traitor." | 0:01:05 | 0:01:08 | |
So? What's the big deal? | 0:01:08 | 0:01:09 | |
Three times in one game. | 0:01:09 | 0:01:11 | |
Oh, shit. Scrabble messages? That's how Fred West got started. | 0:01:11 | 0:01:15 | |
So who's this bloke you've been seeing? | 0:01:15 | 0:01:17 | |
Oh, just someone I met at a sex trauma workshop. | 0:01:17 | 0:01:19 | |
-Sexy. -Oh, speaking of... | 0:01:19 | 0:01:20 | |
If someone texts you, "What are you wearing?" | 0:01:20 | 0:01:22 | |
but all you're wearing is a shitty dressing gown, | 0:01:22 | 0:01:25 | |
then what would you say? | 0:01:25 | 0:01:26 | |
Are you really asking your brother for sext advice? | 0:01:26 | 0:01:28 | |
It's not a sext! It's a foreplext. | 0:01:28 | 0:01:31 | |
Just write "a strap-on and an open mind." | 0:01:31 | 0:01:33 | |
Really? That would do it for you? | 0:01:33 | 0:01:35 | |
Hypothetically. Now let me die in peace. | 0:01:35 | 0:01:37 | |
I'm not fighting with Mum. And I didn't hide her keys. | 0:01:38 | 0:01:40 | |
She's just always losing them. | 0:01:40 | 0:01:42 | |
Have you just listened to our entire conversation? | 0:01:42 | 0:01:44 | |
Did she say who she's been texting? | 0:01:44 | 0:01:46 | |
No. What do you care? | 0:01:46 | 0:01:47 | |
Well, if I knew his name, I could do a CRB check on him. | 0:01:47 | 0:01:49 | |
-KNOCK AT DOOR -Andy? -Who's that? | 0:01:49 | 0:01:51 | |
You're rent's past due again. Two weeks late. | 0:01:51 | 0:01:54 | |
Andy? | 0:01:54 | 0:01:55 | |
Ugh, I think I just got some of your body salt in my mouth. | 0:01:56 | 0:01:59 | |
Why haven't you paid your rent? | 0:01:59 | 0:02:00 | |
Because I'm out of severance with Carpet Brothers, | 0:02:00 | 0:02:03 | |
and my job seekers hasn't come in yet and I'm si-i-i-ick. | 0:02:03 | 0:02:07 | |
Which is why we need to write this song. The deadline's tomorrow. | 0:02:07 | 0:02:10 | |
The only thing I'm going to do today is watch Game of Thrones and hate people on Facebook. | 0:02:10 | 0:02:14 | |
What have you got to lose? | 0:02:14 | 0:02:15 | |
My dignity. | 0:02:15 | 0:02:16 | |
You're wearing a onesie. | 0:02:16 | 0:02:17 | |
It's a jumpsuit. | 0:02:17 | 0:02:19 | |
But this could be The Bear Maximum's big comeback. It'll be fun. | 0:02:19 | 0:02:21 | |
No. You can't come back in a band after trying to go solo. | 0:02:21 | 0:02:24 | |
That's like Japan not being allowed weapons after the war. | 0:02:24 | 0:02:27 | |
Fine. Well, first prize is only £20,000. | 0:02:27 | 0:02:29 | |
The Bear Maximum is go! | 0:02:34 | 0:02:36 | |
No. This is a solo project. | 0:02:36 | 0:02:38 | |
I'm doing this for myself by myself. | 0:02:38 | 0:02:39 | |
Besides, I need the money more than you. | 0:02:39 | 0:02:41 | |
But I was the one who told you about the contest! | 0:02:41 | 0:02:43 | |
And for that, I am eternally grateful, little buddy. | 0:02:43 | 0:02:46 | |
If you're so broke, how are you going to pay for a studio? | 0:02:51 | 0:02:53 | |
A friend owes me a favour. | 0:02:53 | 0:02:55 | |
For what? | 0:02:55 | 0:02:56 | |
Let's just say that when the pigs raided his house party, | 0:02:56 | 0:02:58 | |
his incriminating stash magically disappeared. | 0:02:58 | 0:03:01 | |
I couldn't crap straight for a week. | 0:03:01 | 0:03:03 | |
(Psst, Andy.) | 0:03:03 | 0:03:04 | |
Hugo, this is my nephew, Errol. | 0:03:04 | 0:03:07 | |
Please don't tell anyone about this because if my boss finds out, | 0:03:07 | 0:03:10 | |
he'll literally cut my head off, put it on a pike or cut my nuts off | 0:03:10 | 0:03:12 | |
and put 'em in my mouth. Cut my feet off, make 'em into hands. | 0:03:12 | 0:03:15 | |
Relax, we get the picture. | 0:03:15 | 0:03:16 | |
Then he'll sack me. | 0:03:16 | 0:03:18 | |
Would I get you the sack? | 0:03:18 | 0:03:19 | |
Probably. | 0:03:19 | 0:03:20 | |
Here she is. Remember you've only got until two, guys. | 0:03:20 | 0:03:23 | |
There's another band in afterwards so... | 0:03:23 | 0:03:25 | |
Oh, we're not a band. This is a solo thing. | 0:03:25 | 0:03:26 | |
You're producing for the kid? Nice one, brother. | 0:03:26 | 0:03:28 | |
Oh, and if you need any engineering help, | 0:03:28 | 0:03:30 | |
I'm trying to get my 10,000 hours. Only got 9,958 to go. | 0:03:30 | 0:03:34 | |
Not necessary. It's only a quick job. | 0:03:34 | 0:03:36 | |
In and out... | 0:03:36 | 0:03:37 | |
Ooh, someone's had a boozy night? Got the DTs? | 0:03:37 | 0:03:39 | |
I've got the flu. | 0:03:39 | 0:03:40 | |
Should've got the jab. Keep it down. Jerry's got bat ears. | 0:03:40 | 0:03:43 | |
Nice onesie, by the way. Where'd you get it from? | 0:03:43 | 0:03:45 | |
OK! See you in a bit, then! | 0:03:45 | 0:03:46 | |
# Last place hero... # | 0:03:46 | 0:03:52 | |
Whoa, whoa, whoa. | 0:03:52 | 0:03:53 | |
Wait, wait, wait, Last Place Hero is one of our unrecorded songs. I wrote the lyrics. | 0:03:53 | 0:03:56 | |
And I wrote the melody, so if I change the lyrics, | 0:03:56 | 0:03:58 | |
then it's a new song. | 0:03:58 | 0:04:00 | |
# There's a way to win And a way to lose | 0:04:00 | 0:04:04 | |
# If you're a hero Just like Nero... # | 0:04:04 | 0:04:07 | |
Hold on, hold on... | 0:04:07 | 0:04:08 | |
Emperor Nero burned Christians in his garden as a source of light. | 0:04:08 | 0:04:11 | |
Well, maybe I mean the band Nero. | 0:04:11 | 0:04:13 | |
And if you've got any questions from now on, raise your hand. | 0:04:13 | 0:04:16 | |
# Last place hero | 0:04:17 | 0:04:22 | |
# Fun like Robert De Niro... # | 0:04:22 | 0:04:27 | |
-What?! -Robert De Niro is not fun. | 0:04:29 | 0:04:31 | |
Clearly you've never seen Midnight Run. | 0:04:31 | 0:04:33 | |
The film set in the Turkish prison? | 0:04:33 | 0:04:34 | |
That's Midnight Express! Do you know nothing?! | 0:04:34 | 0:04:37 | |
Now, here I am just trying to write something that's a little bit | 0:04:37 | 0:04:39 | |
profound. What do you want? | 0:04:39 | 0:04:41 | |
You want me to write something, what, that's important? | 0:04:41 | 0:04:44 | |
What like a song about recycling? | 0:04:44 | 0:04:46 | |
# Recycling, recycling It is so exciting | 0:04:46 | 0:04:51 | |
# If you want a way to earn some cash | 0:04:51 | 0:04:53 | |
# Why not go return your trash... # | 0:04:53 | 0:04:55 | |
-Whoa! -Is that what you want? | 0:04:55 | 0:04:56 | |
Wait a minute - that's a blatant lie. | 0:04:56 | 0:04:58 | |
You can't make cash from recycling. | 0:04:58 | 0:05:01 | |
All right, now don't touch anything. Just push record on three. | 0:05:01 | 0:05:05 | |
So, you don't want me to touch anything but you want me | 0:05:05 | 0:05:07 | |
-to press record? -Did I stutter? | 0:05:07 | 0:05:10 | |
No. It's just...how am I going to not touch anything yet press record? | 0:05:10 | 0:05:14 | |
Oh, you know what I mean. Just push it on three. | 0:05:14 | 0:05:16 | |
I think I'll go... I think I'll go on two just to be safe. | 0:05:16 | 0:05:19 | |
-Then what's the point in me counting to three? -Well, it's a cushion. | 0:05:19 | 0:05:21 | |
I don't need a cushion! | 0:05:21 | 0:05:23 | |
You're making me yell now! | 0:05:23 | 0:05:24 | |
-I can't make you yell. -Just push it on three! | 0:05:24 | 0:05:27 | |
One...two...three. | 0:05:28 | 0:05:30 | |
I nailed it. Let's hear it back. | 0:05:33 | 0:05:35 | |
-I thought I was only allowed to press record? -Just press play. | 0:05:35 | 0:05:37 | |
'Then what's the point of me counting to three?! | 0:05:37 | 0:05:40 | |
-'It's a cushion. -I don't need a cushion. | 0:05:40 | 0:05:42 | |
-'You're making me yell now. -I can't make you yell. | 0:05:42 | 0:05:44 | |
'Just push it on three! | 0:05:44 | 0:05:45 | |
'One, two...' | 0:05:45 | 0:05:47 | |
-What happened to that amazing track I just recorded? -Oops. | 0:05:48 | 0:05:51 | |
Looks like I might have accidentally pressed record a bit earlier without realising it. | 0:05:51 | 0:05:54 | |
-At least I went on two. -You're sabotaging me! | 0:05:54 | 0:05:56 | |
Sabotage? Please, if I was sabotaging you, you wouldn't even know. | 0:05:56 | 0:05:59 | |
-I'd be like Mossad. -Who's Mossad? | 0:05:59 | 0:06:01 | |
The Israeli secret service. They're the best! | 0:06:01 | 0:06:03 | |
(Shh. I can hear you guys in the lobby.) | 0:06:03 | 0:06:05 | |
Well, then you need better sound-proofing in here, then. | 0:06:05 | 0:06:08 | |
PHONE VIBRATES | 0:06:08 | 0:06:09 | |
-What? -I sent your strap-on text and he wrote back, | 0:06:09 | 0:06:11 | |
"Sounds like I've been a bad boy. What're you going to do?" | 0:06:11 | 0:06:14 | |
What should I write? | 0:06:14 | 0:06:15 | |
Just write "I'm reporting you to Human Resources." | 0:06:15 | 0:06:17 | |
I'm hanging up now. Bye. | 0:06:17 | 0:06:18 | |
-Hugo? -Is something broken? | 0:06:24 | 0:06:26 | |
Have you got a minute to come down and record something for me? | 0:06:26 | 0:06:29 | |
Oh, what, you need my help? | 0:06:29 | 0:06:30 | |
Not "help." Assistance. | 0:06:30 | 0:06:32 | |
Oh, right, you mean like when you grow a moustache and you let your | 0:06:32 | 0:06:36 | |
face hair grow around it and people are like, "Do you have a beard?" | 0:06:36 | 0:06:39 | |
and you're like, "No, I've got a moustache". | 0:06:39 | 0:06:41 | |
MUSIC PLAYS | 0:06:44 | 0:06:46 | |
And THAT'S how you record a track. | 0:06:48 | 0:06:50 | |
Nice work, Hugo. | 0:06:50 | 0:06:51 | |
Now all I've got to do is finish off these lyrics. | 0:06:51 | 0:06:53 | |
Do you not think this could maybe use some keyboard? | 0:06:53 | 0:06:56 | |
Oh, that's funny, I play keyboards, but someone doesn't want my help. | 0:06:56 | 0:06:59 | |
Really? Cos I think this could use a little EDM vibe. | 0:06:59 | 0:07:01 | |
I'm just going to jump in. | 0:07:01 | 0:07:03 | |
But I only play keyboards for The Bear Maximum. | 0:07:05 | 0:07:07 | |
So I wouldn't play them for you if you begged. | 0:07:07 | 0:07:09 | |
Oh, really? And what if it was my dying wish? | 0:07:09 | 0:07:11 | |
That would be the saddest dying wish ever. | 0:07:11 | 0:07:13 | |
I'm sorry. What's your awesome dying wish, then? | 0:07:13 | 0:07:15 | |
I'd like to have my ashes sent into space. Preferably towards Europa. | 0:07:15 | 0:07:18 | |
Never going to happen. NASA don't care about the ashes of | 0:07:18 | 0:07:21 | |
some dead British kid. It's too expensive. | 0:07:21 | 0:07:23 | |
But it's my dying wish. Money's no object. | 0:07:23 | 0:07:24 | |
In that case, my dying wish is for you to take my guitar | 0:07:24 | 0:07:27 | |
up to the top of Mount Everest. | 0:07:27 | 0:07:28 | |
Mount Everest? That's in the Death Zone. Do you know what they use for landmarks? | 0:07:28 | 0:07:31 | |
-Dead bodies. -Who cares?! I've just gone broke sending your ashes into outer space! | 0:07:31 | 0:07:35 | |
I can't believe you won't do this for me! | 0:07:35 | 0:07:37 | |
What's the point in a dying wish if we both end up dead? | 0:07:37 | 0:07:39 | |
Guys! Listen to this. | 0:07:39 | 0:07:41 | |
TRACK PLAYS WITH PERCUSSION AND BASS | 0:07:43 | 0:07:46 | |
That's good. Is that generated? | 0:07:47 | 0:07:50 | |
The drums are, yeah. | 0:07:50 | 0:07:51 | |
But I actually sampled the bass from a session | 0:07:51 | 0:07:53 | |
we had with a band last week. | 0:07:53 | 0:07:55 | |
Can we use that? | 0:07:55 | 0:07:56 | |
Er...we'll have to get the bass guitarist to come in | 0:07:56 | 0:07:58 | |
and do a live version but he's really cool, genuine, | 0:07:58 | 0:08:00 | |
down to earth, great tattoos. | 0:08:00 | 0:08:02 | |
I'm pretty sure he'd do me a favour. | 0:08:02 | 0:08:04 | |
Well, get him in! | 0:08:05 | 0:08:06 | |
# You're a last place hero | 0:08:06 | 0:08:10 | |
# Last place for wimps And first place for pimps... # | 0:08:10 | 0:08:13 | |
-Uncle Andy? -I'm not changing that. | 0:08:13 | 0:08:15 | |
Do you know how hard it is to find a rhyme for wimps? | 0:08:15 | 0:08:17 | |
Limps, glimpse, chimps, crimps, shrimps. | 0:08:17 | 0:08:20 | |
That's not what I was going to say, though. | 0:08:20 | 0:08:22 | |
-If you let me back in the band, I'll let you keep the prize. -No deal. | 0:08:22 | 0:08:25 | |
Guys, meet Casper. | 0:08:25 | 0:08:27 | |
Fuck. | 0:08:30 | 0:08:31 | |
Hey, guys. | 0:08:31 | 0:08:32 | |
I'm so sorry. If I'd known... | 0:08:32 | 0:08:35 | |
Where are you going? | 0:08:35 | 0:08:37 | |
Kid, I'd rather have my cock amputated | 0:08:37 | 0:08:39 | |
and replaced by a cactus than play on your uncle's track. | 0:08:39 | 0:08:41 | |
We really shouldn't be talking in the hallway. Jerry can smell people. | 0:08:41 | 0:08:44 | |
Errol, I'm sure you don't understand why us grown-ups keep fighting | 0:08:44 | 0:08:47 | |
and we can't put our differences aside in the name of music, | 0:08:47 | 0:08:50 | |
but life just doesn't work like that, | 0:08:50 | 0:08:52 | |
plus your uncle is a dick to my boyfriend. | 0:08:52 | 0:08:54 | |
You're looking at this all wrong. | 0:08:54 | 0:08:55 | |
If you want to get under Uncle Andy's skin, you need to play on his track. | 0:08:55 | 0:08:58 | |
That way, every time he listens to it, he'll hear you. | 0:08:58 | 0:09:01 | |
No matter how good the song is, it'll be ruined forever. | 0:09:01 | 0:09:04 | |
All right, let's do this. | 0:09:04 | 0:09:05 | |
Hey mate, you're not playing on my track. | 0:09:08 | 0:09:11 | |
Do you need bass or not? | 0:09:11 | 0:09:12 | |
Nobody needs bass. | 0:09:12 | 0:09:14 | |
You look like shit. Like worse than usual. You got the hiv? | 0:09:14 | 0:09:16 | |
-I've got the flu. -Should've got the jab. | 0:09:16 | 0:09:18 | |
Listen, if you use Hugo's sample, I'll sue you till your arse is sore. | 0:09:18 | 0:09:22 | |
All right. Live bass. Take one. | 0:09:26 | 0:09:28 | |
Only going to need one take, mate. | 0:09:28 | 0:09:30 | |
HE GAGS | 0:09:38 | 0:09:41 | |
HE MOANS What's that? | 0:09:41 | 0:09:43 | |
-It's a rusty trombone. -HE GAGS | 0:09:43 | 0:09:46 | |
I don't even want to know what that one is. | 0:09:46 | 0:09:48 | |
One, two...one, two... | 0:09:50 | 0:09:52 | |
-Babe, do you mind? -What, babe? -Babe, your phone. | 0:09:54 | 0:09:56 | |
Oh, yeah, one second, babe. I'm just on the last level. | 0:09:56 | 0:09:58 | |
-Babe! Turn your fuckin' phone off! -Just play your little bass. | 0:09:58 | 0:10:01 | |
OK, first off, this isn't a little bass, | 0:10:01 | 0:10:03 | |
it's actually quite a big bass. | 0:10:03 | 0:10:04 | |
And secondly, show some respect for my process. | 0:10:04 | 0:10:07 | |
You're process is dumb! | 0:10:07 | 0:10:09 | |
Right - fuck this. | 0:10:09 | 0:10:11 | |
And that's a cut on take one. | 0:10:13 | 0:10:14 | |
Knock, knock, are you ready to rock?! Did I just see Casper? | 0:10:14 | 0:10:17 | |
Mum? What are you doing here? | 0:10:17 | 0:10:19 | |
Oh, this is your mum? Cool. | 0:10:19 | 0:10:21 | |
How did you find us? | 0:10:21 | 0:10:22 | |
Roly tweeted your location. | 0:10:22 | 0:10:23 | |
So are The Bear Maximum really back together? | 0:10:23 | 0:10:25 | |
No. I know what you're doing. I switched my phone off, | 0:10:25 | 0:10:27 | |
so you come here to get me to write a sext for you. | 0:10:27 | 0:10:29 | |
(Pfft, as if I'd be that desperate.) | 0:10:29 | 0:10:31 | |
But if you did get a text asking if you've been a filthy girl, | 0:10:31 | 0:10:34 | |
-then what would you say? -Hmm, good question. | 0:10:34 | 0:10:36 | |
And I'll answer that as soon as you get Gwen to make up with Casper. | 0:10:36 | 0:10:38 | |
-So, what are you going to do? -Get Casper to make up with Gwen. | 0:10:38 | 0:10:41 | |
Is that a onesie? | 0:10:42 | 0:10:43 | |
Want to talk about it? | 0:11:01 | 0:11:02 | |
-No. -Works for me. | 0:11:02 | 0:11:04 | |
I mean, what is her problem? | 0:11:05 | 0:11:07 | |
When we were first dating, she would be sat in that front row | 0:11:07 | 0:11:10 | |
every single night staring at me with those fuck-me eyes. | 0:11:10 | 0:11:15 | |
Yeah, and those eyes have been around. | 0:11:15 | 0:11:17 | |
Now it's like she won't even look at me. | 0:11:17 | 0:11:20 | |
It's like I'm you. | 0:11:20 | 0:11:21 | |
PHONE RINGS | 0:11:24 | 0:11:27 | |
Hi, Jerry, you all right? You're still in the mix, right? | 0:11:27 | 0:11:29 | |
No-no-no, I didn't forget. I can come over now. | 0:11:29 | 0:11:32 | |
No, I can take... OK, I'll take your order on the phone. | 0:11:32 | 0:11:36 | |
OK, right. | 0:11:36 | 0:11:37 | |
Tuna mustard - gluten-free tuna wrap - right, yeah. | 0:11:37 | 0:11:40 | |
Onion, lettuce, kale chips. | 0:11:40 | 0:11:43 | |
-Ah, there it is. -You want onion on the tuna wrap? | 0:11:43 | 0:11:46 | |
OK. Diet energy drink, yeah? | 0:11:46 | 0:11:48 | |
-Taurine, no guarine... -Thought you were the food Nazi. | 0:11:48 | 0:11:51 | |
Decaf soya milk. And one Toblerone. | 0:11:51 | 0:11:53 | |
Yeah, heavy on the Tobes. | 0:11:53 | 0:11:55 | |
No, it's not funny, you're right. OK. | 0:11:55 | 0:11:58 | |
Right. I've got to go. | 0:11:58 | 0:11:59 | |
Jerry turns into the Red Hulk when he's hypoglycaemic. | 0:11:59 | 0:12:02 | |
Remember, you guys have only got till two, OK? | 0:12:02 | 0:12:05 | |
I mean, she finds every way to try and humiliate me. | 0:12:05 | 0:12:08 | |
The other day she tried to do me with a strap-on. | 0:12:08 | 0:12:11 | |
She ever do that to you? | 0:12:11 | 0:12:12 | |
Pfft, no! | 0:12:12 | 0:12:14 | |
Although I've heard it's not actually that bad. | 0:12:14 | 0:12:17 | |
And that the prostate is quite an under-appreciated organ. | 0:12:17 | 0:12:20 | |
But, er, yeah - strap-ons - lame. | 0:12:20 | 0:12:23 | |
What're you talking about? | 0:12:23 | 0:12:24 | |
Errol, er, we're not talking about anything. | 0:12:24 | 0:12:26 | |
I hate when you do that! I'm nearly 14 now, I can take it. I'm ready. | 0:12:26 | 0:12:30 | |
A strap-on's a dildo that women will strap-on like a belt | 0:12:30 | 0:12:33 | |
in order to have sex with other women and sometimes men. | 0:12:33 | 0:12:37 | |
-I wasn't ready. -What are you doing here anyway? | 0:12:37 | 0:12:39 | |
Hugo's just gone to get Jerry's lunch. | 0:12:39 | 0:12:40 | |
He says that time's running out. Why would you use it on a man? | 0:12:40 | 0:12:43 | |
Because it feels great. | 0:12:43 | 0:12:45 | |
You know, apparently. | 0:12:45 | 0:12:46 | |
Wait, are you saying a man... | 0:12:46 | 0:12:48 | |
Can stick it up his arse if he thinks I'm going to apologise! | 0:12:48 | 0:12:50 | |
You know, sometimes I imagine cutting his cock into little coins to relax myself. | 0:12:50 | 0:12:54 | |
-Ow! -He's just so intense. | 0:12:54 | 0:12:58 | |
I mean, he makes sex go on for hours just for the ego of it. | 0:12:58 | 0:13:00 | |
It's boring, you know? | 0:13:00 | 0:13:02 | |
That's so boring. Back off, Sting. | 0:13:02 | 0:13:05 | |
I feel like I'm being bitten by a pit bull and I can't shake it off. | 0:13:05 | 0:13:08 | |
I heard the best way to stop a pit bull biting you is to | 0:13:08 | 0:13:11 | |
stick your finger up its bum. | 0:13:11 | 0:13:12 | |
So maybe you should just stick your finger up the bum of life. | 0:13:12 | 0:13:18 | |
Yeah, I'm not even going to take my rings off. | 0:13:18 | 0:13:20 | |
Next time I see Casper, I'm definitely breaking up with him. | 0:13:20 | 0:13:24 | |
Cool. Um, so... | 0:13:24 | 0:13:27 | |
are you any good at sexting? | 0:13:27 | 0:13:28 | |
Cos I've got this... | 0:13:28 | 0:13:29 | |
KNOCKING CASPER: Babe? | 0:13:29 | 0:13:31 | |
GUITAR STRUMMING | 0:13:43 | 0:13:45 | |
Well, I wish I could say it's been a pleasure. | 0:13:50 | 0:13:53 | |
The feeling's mutual. | 0:13:53 | 0:13:55 | |
Boo! So what did I miss? | 0:13:55 | 0:13:57 | |
Just about to kick this lot out and then finish off the lyrics, | 0:13:57 | 0:14:00 | |
record the guitar, go home and... | 0:14:00 | 0:14:02 | |
Where are my lyrics? | 0:14:04 | 0:14:06 | |
Don't look at me. Mossad, remember. | 0:14:06 | 0:14:08 | |
I may have written Jerry's lunch order on the back of them. | 0:14:08 | 0:14:11 | |
And where are they now? | 0:14:11 | 0:14:13 | |
-In a bin, on the high street. -Hugo! | 0:14:13 | 0:14:15 | |
Shh. (Jerry!) | 0:14:15 | 0:14:17 | |
Oh, is it a bad time to tell you I had a major brainwave? | 0:14:17 | 0:14:19 | |
I think this tune could do with some rhythm guitar to really | 0:14:19 | 0:14:22 | |
-fatten up the strings. -I don't want fat strings! | 0:14:22 | 0:14:24 | |
I'm looking for that lo-fi singer-song-writery vibe. | 0:14:24 | 0:14:27 | |
HE COUGHS Coffee shop. | 0:14:27 | 0:14:28 | |
Yeah, and not even Starbucks. | 0:14:28 | 0:14:29 | |
-Kind of agree, mate. -Yeah, me too. | 0:14:29 | 0:14:31 | |
Nobody asked you! | 0:14:31 | 0:14:32 | |
And I've not got time to record the guitar and write new lyrics. | 0:14:32 | 0:14:35 | |
Gwen could do it. | 0:14:35 | 0:14:36 | |
HE SCOFFS | 0:14:36 | 0:14:37 | |
Oh... You're being serious. Gwen can't play guitar. | 0:14:37 | 0:14:40 | |
We met in a guitar shop. | 0:14:40 | 0:14:41 | |
Yeah. You were there picking up musicians. | 0:14:41 | 0:14:43 | |
But I was also...buying a guitar. | 0:14:43 | 0:14:45 | |
No deal. Girls can't shred. | 0:14:45 | 0:14:47 | |
Er... What?! How about Lita Ford, Joan Jett, Courtney Love, Charro? | 0:14:47 | 0:14:51 | |
Oh, I love Charro. | 0:14:51 | 0:14:52 | |
Nancy Wilson. Kim Deal. | 0:14:52 | 0:14:54 | |
Kim Deal's a bassist. That is an official girl's instrument. | 0:14:54 | 0:14:58 | |
All right, you don't want a girl on your track - | 0:14:58 | 0:15:01 | |
maybe I'll just delete my girlie bass? | 0:15:01 | 0:15:03 | |
-And the key is? -It's in E. | 0:15:07 | 0:15:09 | |
Wouldn't it sound better in C? | 0:15:09 | 0:15:10 | |
Well, we've already recorded all the other instruments in E, haven't we, genius? | 0:15:10 | 0:15:14 | |
-Well, C is a more commercial key. -Yeah, if you're Katy Perry. | 0:15:14 | 0:15:17 | |
Hey, don't diss Katy. | 0:15:17 | 0:15:18 | |
Gwen thinks Blink 182's a punk band. | 0:15:18 | 0:15:20 | |
Oi, shut up, dick face. | 0:15:21 | 0:15:23 | |
Well, thank you all for playing, everyone. | 0:15:32 | 0:15:35 | |
I'll always be eternally grateful, now if you'll all kindly fuck off. | 0:15:35 | 0:15:38 | |
-HE SIGHS -What? What now? | 0:15:38 | 0:15:41 | |
I think it needs live drums. | 0:15:41 | 0:15:43 | |
But you said it needed a more electronic beat | 0:15:43 | 0:15:45 | |
to make it sound "dope" and "fresh". | 0:15:45 | 0:15:47 | |
Yeah, but now it sounds a little too EDM. Needs to be more analogue. | 0:15:47 | 0:15:52 | |
-Oh, God... -PHONE RINGS | 0:15:52 | 0:15:54 | |
Hello? OK. | 0:15:54 | 0:15:56 | |
Jerry's coming, please, everyone hide, right now, please. | 0:15:58 | 0:16:02 | |
What do you not understand about get me a Toblerone? | 0:16:02 | 0:16:06 | |
Is there spunk between your ears? | 0:16:06 | 0:16:08 | |
-No, Jerry. -Everyone knows when Jerry's done with lunch, | 0:16:08 | 0:16:10 | |
Jerry eats fuckin' Toblerone! | 0:16:10 | 0:16:12 | |
I don't care whatever fuckwit excuse you come up with. | 0:16:12 | 0:16:15 | |
If it happens again, I'm gonna staple your balls to the wall, | 0:16:15 | 0:16:17 | |
shit down your throat and then stick a Grammy up your arse, | 0:16:17 | 0:16:20 | |
because who cares, I've got so many of them, | 0:16:20 | 0:16:22 | |
and then, I'll fire you. | 0:16:22 | 0:16:24 | |
-What about my word? -You never go back on your word, Jerry. | 0:16:24 | 0:16:27 | |
Fuck right, I don't. Get it together, Hugo! | 0:16:27 | 0:16:30 | |
You insignificant needle-dick prick! | 0:16:30 | 0:16:32 | |
You should have heard him when I forgot his Twiglets. | 0:16:42 | 0:16:44 | |
If you want live drums, you can have live drums. | 0:16:48 | 0:16:52 | |
Where are we gonna find a drummer at such short notice? | 0:16:52 | 0:16:54 | |
Are you sure you can do this? | 0:16:54 | 0:16:55 | |
I was playing in punk bands before you got your first period. | 0:16:55 | 0:16:58 | |
Any I've heard of? | 0:16:58 | 0:17:00 | |
Screaming Vaginas. Face Kick. Piss. Stiletto Testicle Smashers. | 0:17:00 | 0:17:05 | |
Iron Lung. Mandy Boy. | 0:17:05 | 0:17:07 | |
That one was new wave. | 0:17:07 | 0:17:08 | |
So, what is this song called? | 0:17:08 | 0:17:10 | |
It's called Last Place Hero. | 0:17:10 | 0:17:12 | |
Ugh, sounds like Bon Jovi. | 0:17:12 | 0:17:13 | |
-Who are Bon Jovi? -They're the strap-ons of music. | 0:17:13 | 0:17:16 | |
-Still got it. -All right, you got about 30 minutes to get these vocals nailed. | 0:17:19 | 0:17:22 | |
I hope these great lyrics are ready to go, Uncle Andy? | 0:17:22 | 0:17:26 | |
SAM GIGGLES | 0:17:26 | 0:17:28 | |
Mum, stop giggling or I'm going to throw your phone! | 0:17:32 | 0:17:35 | |
Is that what I've raised? A phone thrower? Wow! | 0:17:35 | 0:17:37 | |
-Give it to me. -Guys, not now. | 0:17:37 | 0:17:39 | |
No. I'm an adult. It's my business who I text. | 0:17:39 | 0:17:41 | |
You're sleeping with him, aren't you? | 0:17:41 | 0:17:43 | |
What if I am? Just because you came out of my vagina, | 0:17:43 | 0:17:45 | |
it doesn't mean you can control who goes in it! | 0:17:45 | 0:17:47 | |
(Sh! Jerry.) | 0:17:47 | 0:17:49 | |
-Shall we go? -Are you kidding? This is just starting to get good. | 0:17:49 | 0:17:52 | |
You don't even know this guy, he could be a serial killer. Or worse. | 0:17:52 | 0:17:55 | |
-Vegan. -Will you shut up! | 0:17:55 | 0:17:58 | |
Shut up! Shut up! Shut up! Shut up! Shut up! | 0:17:58 | 0:18:03 | |
Between Sid and Nancy there, and Hugo with your fat guitars, | 0:18:03 | 0:18:07 | |
and Sam with your sexting, seriously! You're almost 40. | 0:18:07 | 0:18:12 | |
Have phone sex with the man like an adult! | 0:18:12 | 0:18:15 | |
I mean, Jesus Christ, Val, I mean, you're all right. | 0:18:15 | 0:18:18 | |
But you - why don't you just let your mum get on with her own | 0:18:18 | 0:18:21 | |
love life instead of interfering all the time? | 0:18:21 | 0:18:23 | |
If she wants to get serial killed, it's up to her. | 0:18:23 | 0:18:26 | |
You dragged me out of my deathbed to come here | 0:18:26 | 0:18:28 | |
and all you've done is screwed with me. | 0:18:28 | 0:18:31 | |
All day long! Do you know what you are? You're a... | 0:18:31 | 0:18:35 | |
SOUND SWITCHES OFF | 0:18:35 | 0:18:38 | |
-He's just lost it, hasn't he? -Hmm. | 0:18:39 | 0:18:42 | |
..and try and do anything! You... | 0:18:44 | 0:18:47 | |
HE SWITCHES SOUND OFF AGAIN | 0:18:47 | 0:18:48 | |
Are you finished? | 0:18:55 | 0:18:57 | |
36 is not almost 40. And I'm not the one wearing a onesie. | 0:18:57 | 0:19:00 | |
Last Place Hero, vocal, take one. | 0:19:03 | 0:19:05 | |
MUSIC PLAYS | 0:19:05 | 0:19:07 | |
-HE SINGS HOARSELY: -# Last place hero... # | 0:19:13 | 0:19:17 | |
HE CLEARS HIS THROAT | 0:19:17 | 0:19:19 | |
Good start. | 0:19:19 | 0:19:20 | |
-# Last place... # -BEEP | 0:19:20 | 0:19:23 | |
# Last place... # | 0:19:23 | 0:19:26 | |
Stop looking at me! | 0:19:26 | 0:19:29 | |
I can do it. Just give me a minute. | 0:19:29 | 0:19:32 | |
He-e-e... | 0:19:32 | 0:19:33 | |
He-e-e... | 0:19:33 | 0:19:35 | |
He-e-e | 0:19:35 | 0:19:36 | |
He-e-e...ro. | 0:19:36 | 0:19:39 | |
He sounds like a chainsaw fucking another chainsaw. | 0:19:39 | 0:19:41 | |
That was just a practice. I'll get it next time. | 0:19:43 | 0:19:45 | |
Who'd have thought one day we'd be hanging out like this, eh? | 0:19:59 | 0:20:02 | |
You don't need to cheer me up, Val. | 0:20:02 | 0:20:04 | |
I need the fresh air. | 0:20:04 | 0:20:06 | |
Plus your sister wouldn't stop bothering me about her texts. | 0:20:06 | 0:20:09 | |
-I've got the flu. -I've had the jab. | 0:20:12 | 0:20:15 | |
Doesn't taste of anything. | 0:20:21 | 0:20:23 | |
It's better than that Nicotine gum, though. | 0:20:23 | 0:20:25 | |
-That stuff just gave me a temper. -You? No way. | 0:20:25 | 0:20:28 | |
You know, I was a pretty good musician. | 0:20:31 | 0:20:33 | |
Could have made a decent living out of it. | 0:20:33 | 0:20:35 | |
Then the last band, the manager quit, so I started booking gigs, | 0:20:35 | 0:20:38 | |
and then I was managing events in clubs and now, I have my own club. | 0:20:38 | 0:20:44 | |
What's your point? | 0:20:44 | 0:20:46 | |
There's more than one way to be a star, Andy. | 0:20:46 | 0:20:49 | |
Nice jumpsuit, by the way. | 0:20:51 | 0:20:53 | |
GUITAR PLAYS, MUFFLED | 0:20:58 | 0:21:01 | |
# You look behind | 0:21:08 | 0:21:10 | |
# You've constantly been overlapped | 0:21:10 | 0:21:12 | |
# I raise my hat | 0:21:12 | 0:21:14 | |
# I'm impressed that you really ran with being crap... # | 0:21:14 | 0:21:18 | |
Sorry. Just messing about. | 0:21:20 | 0:21:22 | |
Oh, shit, not this again. | 0:21:24 | 0:21:26 | |
Gwen, will you do me the honour of singing lead vocals on my song? | 0:21:26 | 0:21:32 | |
Only if we use Errol's lyrics. | 0:21:33 | 0:21:35 | |
Well, Roly? What do you say? | 0:21:38 | 0:21:41 | |
OK. | 0:21:42 | 0:21:44 | |
Only on one condition. | 0:21:45 | 0:21:47 | |
-I can't believe I'm doing this. -Shhh. I need complete silence. | 0:21:47 | 0:21:49 | |
Guys, you know you've only got seven minutes to get this vocal. | 0:21:49 | 0:21:52 | |
-Just saying. -This reminds me of my NA meetings. | 0:21:52 | 0:21:54 | |
-Oh, which one do you go to? -Quaker Centre, Notting Hill. | 0:21:54 | 0:21:57 | |
-Oh, I've been there. Good crowd. -Yeah, they're... -Guys! | 0:21:57 | 0:21:59 | |
Dear corpse of famed American astronomer, Carl Sagan. | 0:22:01 | 0:22:04 | |
Please bless us with the organic molecules that have been | 0:22:04 | 0:22:06 | |
released from your desiccated remains. | 0:22:06 | 0:22:08 | |
Look over the studio, poor gentle Hugo and Gwen's beautiful vocals | 0:22:08 | 0:22:11 | |
and my amazing lyrics to help this song shine. | 0:22:11 | 0:22:14 | |
Now Andy can get everything that he deserves. Nothing. | 0:22:14 | 0:22:17 | |
-Mossad, bitch! -Errol! What are you doing? | 0:22:21 | 0:22:23 | |
If you won't let me play on my own track, | 0:22:23 | 0:22:25 | |
I'm going to delete the whole project on three. | 0:22:25 | 0:22:27 | |
-Roly, darling, just calm down. -One... | 0:22:27 | 0:22:29 | |
-He doesn't know how to delete the project. -Two... | 0:22:29 | 0:22:32 | |
No! You said you were going to go on three! | 0:22:32 | 0:22:35 | |
Well, I went on two. | 0:22:35 | 0:22:36 | |
Oh, hi, is this the right room? | 0:22:38 | 0:22:40 | |
Sorry, we're just wrapping up in here. Thanks. | 0:22:40 | 0:22:43 | |
This was supposed to be our fun day and you made it all about you! | 0:22:43 | 0:22:46 | |
Not everything wants keyboards, Errol. Not every single song, Errol. | 0:22:46 | 0:22:52 | |
-Am I right? I'm right, guys. -Well, it worked for the Beach Boys. | 0:22:52 | 0:22:55 | |
-And The Cure. -And Deep Purple. -New Order. | 0:22:55 | 0:22:56 | |
-Pink Floyd. -The Doors. | 0:22:56 | 0:22:58 | |
That is so effed-up, man. | 0:23:01 | 0:23:03 | |
All your nephew wanted was to play with his uncle. | 0:23:03 | 0:23:05 | |
Shame on you. | 0:23:05 | 0:23:07 | |
But I'm sick! | 0:23:07 | 0:23:09 | |
You're right, man. You are sick. | 0:23:09 | 0:23:11 | |
Shit. | 0:23:16 | 0:23:17 | |
I'm sorry, Errol. | 0:23:19 | 0:23:21 | |
If I could re-record it with you, I would. | 0:23:21 | 0:23:23 | |
But what can I do? We're out of time. | 0:23:23 | 0:23:25 | |
Look, you've got five minutes left. | 0:23:25 | 0:23:27 | |
Couldn't you just record the whole thing live? | 0:23:27 | 0:23:30 | |
Sam, it... | 0:23:30 | 0:23:31 | |
That's a great idea. | 0:23:34 | 0:23:36 | |
Good luck, dickheads! | 0:23:36 | 0:23:38 | |
I'm sorry for trashing the project. I hope this turns out good. | 0:23:38 | 0:23:41 | |
Don't worry about good. Just try and have fun. | 0:23:41 | 0:23:45 | |
Right, this song's in C. On your cue, Val. | 0:23:46 | 0:23:49 | |
# We're always told it's all about the taking part | 0:23:52 | 0:23:57 | |
# Well, woop-dee-doo and well done, you | 0:23:57 | 0:24:00 | |
# You took that sentiment to heart | 0:24:00 | 0:24:04 | |
# You lag behind | 0:24:04 | 0:24:05 | |
# You've constantly been overlapped | 0:24:05 | 0:24:09 | |
# I raise my hat | 0:24:09 | 0:24:10 | |
# I'm impressed that you've really ran with being crap | 0:24:10 | 0:24:15 | |
-# Last place hero -Here we go again, here we go again | 0:24:15 | 0:24:18 | |
# You're perfect again | 0:24:18 | 0:24:20 | |
# Coming last again | 0:24:20 | 0:24:21 | |
# You can't know again | 0:24:21 | 0:24:23 | |
# You're on show again | 0:24:23 | 0:24:24 | |
# Feeling low again | 0:24:24 | 0:24:25 | |
# Acting real slow again | 0:24:25 | 0:24:26 | |
-# Last place hero -You offend again, can't pretend again | 0:24:26 | 0:24:30 | |
# Still regrets again | 0:24:30 | 0:24:31 | |
# Getting your revenge again | 0:24:31 | 0:24:32 | |
# You're really slumming it | 0:24:32 | 0:24:33 | |
# You're really slumming it now | 0:24:33 | 0:24:36 | |
# But you should know that you're the best at being you | 0:24:38 | 0:24:43 | |
# The pity is how shitty is everything you fuckin' do | 0:24:43 | 0:24:49 | |
# We're all wrong and you're the only that's right | 0:24:49 | 0:24:54 | |
# You've tried your best | 0:24:54 | 0:24:55 | |
# You failed the test surrounded in your self-made shite | 0:24:55 | 0:25:00 | |
# Can't afford your heating cos your money's always spent | 0:25:06 | 0:25:08 | |
# Scraping every penny cos you're always low on rent | 0:25:08 | 0:25:11 | |
# You're so good at slumming it that you could be the coach | 0:25:11 | 0:25:14 | |
# Had the winning ticket but you've used it for a roach | 0:25:14 | 0:25:17 | |
# Always missing birthdays and you're never there on time | 0:25:17 | 0:25:20 | |
# Living like you're 20 even though you're past your prime | 0:25:20 | 0:25:23 | |
# Last place, last place | 0:25:23 | 0:25:24 | |
# Everyone should just admit you're absolutely smashing it now. # | 0:25:24 | 0:25:28 | |
-Oh! -What? -It didn't record. | 0:25:32 | 0:25:35 | |
Only kidding. Yeah! | 0:25:36 | 0:25:38 | |
-Hugo! -Jerry's going to kill me. | 0:25:38 | 0:25:41 | |
VAL: We won't let him, kid. | 0:25:41 | 0:25:42 | |
No, you know you don't understand. Jerry's really strong! | 0:25:42 | 0:25:45 | |
He does cross-fit. | 0:25:45 | 0:25:47 | |
Who the fuck are these people? | 0:25:47 | 0:25:49 | |
We're The Bear Maximum. | 0:25:49 | 0:25:50 | |
That's the dumbest name I've ever heard. | 0:25:50 | 0:25:52 | |
Hugo, I'm going to punch your teeth out through your dick, | 0:25:52 | 0:25:55 | |
but first, you're fired. | 0:25:55 | 0:25:57 | |
No! You can't do that. He's a good kid | 0:25:57 | 0:26:00 | |
And he's good at his job. | 0:26:00 | 0:26:02 | |
HE COUGHS | 0:26:02 | 0:26:03 | |
-What's wrong with him? -He's got the flu. | 0:26:03 | 0:26:05 | |
What's the matter, Jerry? Haven't had the jab? | 0:26:07 | 0:26:09 | |
-Jerry doesn't believe in vaccines. -It'd be a shame to get you sick. | 0:26:09 | 0:26:13 | |
Just stay away from me. | 0:26:13 | 0:26:14 | |
-Then give Hugo his job back! -No, get away! Fuck off. | 0:26:14 | 0:26:17 | |
HE COUGHS AND WHEEZES | 0:26:17 | 0:26:18 | |
You don't know where I've been, Jerry. | 0:26:18 | 0:26:21 | |
You don't know what I've been through in there. | 0:26:21 | 0:26:24 | |
Just stop! OK, yes! He can have his job back. | 0:26:24 | 0:26:28 | |
-Whatever you say. -Do you swear it, Jerry? Do you swear it? | 0:26:28 | 0:26:31 | |
Yes! You have my word. Just stop. | 0:26:31 | 0:26:34 | |
That's the grossest thing anyone's ever done for me. | 0:26:42 | 0:26:45 | |
Bet you're glad I haven't had the jab now, aren't you? | 0:26:45 | 0:26:49 | |
-Where...? -We brought you home after you passed out. | 0:26:58 | 0:27:00 | |
Well, Val and Casper carried you. I watched. | 0:27:00 | 0:27:02 | |
You feeling better? | 0:27:02 | 0:27:04 | |
I'll get you some more paracetamol. | 0:27:06 | 0:27:10 | |
Did you submit the song? | 0:27:10 | 0:27:11 | |
Hugo's still mixing it. I'll do it in a few days. | 0:27:11 | 0:27:14 | |
But the deadline's tomorrow! | 0:27:14 | 0:27:16 | |
No, I just said that to get you out of bed. | 0:27:16 | 0:27:18 | |
You know, erm, I've thought about it | 0:27:18 | 0:27:19 | |
and I will take your guitar up Mount Everest if you really want. | 0:27:19 | 0:27:22 | |
-You'd do that? -Yeah. | 0:27:22 | 0:27:23 | |
I will need 15 years of mountaineering lessons first. | 0:27:23 | 0:27:26 | |
So, erm, don't die before that. | 0:27:26 | 0:27:29 | |
KETTLE WHISTLES | 0:27:29 | 0:27:30 | |
Oh, the tea! | 0:27:30 | 0:27:32 | |
Here you go, prick. | 0:27:34 | 0:27:35 | |
Look, it's probably none of my business, but if you're going to | 0:27:37 | 0:27:40 | |
get serious with this guy, you should probably tell him. | 0:27:40 | 0:27:43 | |
PHONE BEEPS | 0:27:43 | 0:27:45 | |
Yeah, you're right. | 0:27:49 | 0:27:51 | |
It's none of your business. | 0:27:51 | 0:27:53 | |
'Sam, you naughty girl. You want to get kinky on the phone? | 0:27:58 | 0:28:02 | |
'Sam?' | 0:28:02 | 0:28:03 | |
Hello? Sam? | 0:28:03 | 0:28:07 | |
'Sam?' | 0:28:07 | 0:28:08 |