Browse content similar to 2006. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:10 | |
One eventful night in 1996, comedy and rock & roll | 0:00:20 | 0:00:23 | |
-had an ill-advised fumble... -Urgh! | 0:00:23 | 0:00:26 | |
..with devastating effects. | 0:00:26 | 0:00:28 | |
The resulting offspring would soon become famed for its acerbic wit, | 0:00:28 | 0:00:32 | |
-musical know-how... -Yee-ow! | 0:00:32 | 0:00:34 | |
-..and celebrity...ish friends. -Whoo! | 0:00:34 | 0:00:36 | |
It soon became known as Never Mind The Buzzcocks. | 0:00:36 | 0:00:39 | |
Calm down, God. It's only a pop quiz. | 0:00:39 | 0:00:42 | |
Always the first in line to offer words of wisdom and compassion... | 0:00:42 | 0:00:46 | |
Come on, bell-ends, do something. | 0:00:46 | 0:00:48 | |
..this show became an oracle for the world of entertainment. | 0:00:48 | 0:00:51 | |
I'm Simon Amstell, and if you think I'm a poor booking, | 0:00:51 | 0:00:53 | |
let's meet tonight's guests. | 0:00:53 | 0:00:54 | |
And when it comes to splits, spats... | 0:00:54 | 0:00:57 | |
-See you later. -Why? We're having fun. -I ain't. | 0:00:57 | 0:01:00 | |
..and guessing which member of a line-up used to be | 0:01:00 | 0:01:02 | |
the drummer in some band you barely remember, Buzzcocks has seen it all. | 0:01:02 | 0:01:07 | |
So join us as we stumble down Memory Lane | 0:01:07 | 0:01:10 | |
and see a little bit of this... | 0:01:10 | 0:01:12 | |
that and them. | 0:01:12 | 0:01:14 | |
You are watching What A Load Of Buzzcocks, 2006. | 0:01:14 | 0:01:18 | |
A year that saw the end of Top Of The Pops, | 0:01:19 | 0:01:22 | |
as it went to a happier place. | 0:01:22 | 0:01:24 | |
The show was instantly recognisable, with its range of hosts, | 0:01:24 | 0:01:27 | |
over-excited audiences | 0:01:27 | 0:01:29 | |
and curious usage of the word "live". | 0:01:29 | 0:01:32 | |
# I see you looking at me Like I'm some kind of... # | 0:01:33 | 0:01:37 | |
2006 also saw Britney in trouble for two car-based misdemeanours. | 0:01:37 | 0:01:43 | |
Firstly, letting her baby take the wheel, | 0:01:43 | 0:01:46 | |
and then for giving photographers a peek of her leathery interior. | 0:01:46 | 0:01:49 | |
Elsewhere, babies were rapidly becoming | 0:01:49 | 0:01:52 | |
the celebrity accessory du jour. | 0:01:52 | 0:01:54 | |
Anybody who was anybody just had to be seen walking around with | 0:01:54 | 0:01:57 | |
a cute miniature person, but as usual, someone took it too far. | 0:01:57 | 0:02:03 | |
The decision by one of the world's biggest pop stars to adopt | 0:02:03 | 0:02:06 | |
has generated some astonishing invective. | 0:02:06 | 0:02:08 | |
Her act isn't charity, but is selfish and repugnant. | 0:02:08 | 0:02:12 | |
She retaliates by calling her critics, | 0:02:12 | 0:02:14 | |
among other things, racists. | 0:02:14 | 0:02:15 | |
Madonna recently adopted a Malawian orphan, which she | 0:02:15 | 0:02:18 | |
chose from a group of 12 contenders. | 0:02:18 | 0:02:20 | |
The other 11 said it was just great to take part. | 0:02:20 | 0:02:23 | |
Madonna insisted on having her personal chef on board | 0:02:24 | 0:02:27 | |
to prepare her a strictly macrobiotic meal. | 0:02:27 | 0:02:30 | |
At one point, the chef was heard asking Madonna, "Mutton or lamb?" | 0:02:30 | 0:02:33 | |
Though I think he already knew the answer. | 0:02:33 | 0:02:35 | |
She booked a single ticket on the way out but added a child's ticket | 0:02:36 | 0:02:40 | |
for the return, just in case she fancied a bit of retail therapy. | 0:02:40 | 0:02:43 | |
Over the years, Madonna has become | 0:02:47 | 0:02:49 | |
a favourite topic of discussion on Buzzcocks. | 0:02:49 | 0:02:52 | |
From Sex books to lesbian kisses, | 0:02:52 | 0:02:54 | |
Madge has always given us plenty to talk about. | 0:02:54 | 0:02:57 | |
And when she married Guy Ritchie and became an honorary Brit, | 0:02:57 | 0:03:01 | |
Buzzcocks embraced her as one of our own. | 0:03:01 | 0:03:04 | |
Despite the fact the nickname seems to have stuck, | 0:03:04 | 0:03:06 | |
by all accounts Madonna hates being called Madge. | 0:03:06 | 0:03:09 | |
Even Guy Ritchie only calls her "the reason I live in a big house". | 0:03:09 | 0:03:12 | |
Or if he's feeling romantic, "meal ticket". | 0:03:12 | 0:03:15 | |
Madonna is a private person. | 0:03:17 | 0:03:18 | |
We still haven't been allowed to see pictures of her wedding ceremony. | 0:03:18 | 0:03:21 | |
The party, the dress or even the cake. | 0:03:21 | 0:03:23 | |
The only tiny peek we have into her private world is that book | 0:03:23 | 0:03:25 | |
full of pictures of her licking the nipples of Naomi Campbell | 0:03:25 | 0:03:28 | |
and masturbating next to an elephant. | 0:03:28 | 0:03:30 | |
Truly, Madam, you are an enigma(!) | 0:03:31 | 0:03:33 | |
In many ways, Buzzcocks' career mirrors that of Madonna's. | 0:03:37 | 0:03:41 | |
As she constantly reinvented herself, so did Buzzcocks. | 0:03:41 | 0:03:45 | |
But one thing never changed. Our respect for the Queen of Pop. | 0:03:45 | 0:03:49 | |
Madonna also does a lot of philanthropic work. | 0:03:49 | 0:03:52 | |
She has dedicated endless hours and millions of dollars in her | 0:03:52 | 0:03:56 | |
tireless fight against the seven visible signs of ageing. | 0:03:56 | 0:04:00 | |
# Doo-doo, du-dum doo-dum-dum, du-dum | 0:04:01 | 0:04:05 | |
# Doo-dum-dum, du-dum Doo-dum-dum, du-dum | 0:04:05 | 0:04:08 | |
# Bow-now, now-now-now-now-now | 0:04:08 | 0:04:12 | |
# Bow-now, now-now-now-now | 0:04:12 | 0:04:15 | |
# Da-da-da-da, ba-ba-da-da | 0:04:15 | 0:04:18 | |
# Ba-ba-ba-da-da... # | 0:04:18 | 0:04:20 | |
Let's do the show right here! | 0:04:20 | 0:04:21 | |
# Ba-da-ba-ba, ba-da-da-da | 0:04:21 | 0:04:24 | |
# Ba-de-de, OK... # | 0:04:24 | 0:04:26 | |
HORN PARPS | 0:04:26 | 0:04:28 | |
# Da-da-ba-ba, look at me | 0:04:28 | 0:04:30 | |
# And they can see the light | 0:04:30 | 0:04:33 | |
# Cos we are living in a material world | 0:04:33 | 0:04:37 | |
# And you are a material girl. # | 0:04:37 | 0:04:39 | |
That is the right answer, of course! | 0:04:39 | 0:04:41 | |
REAL VERSION: # Some boys kiss me Some boys hug me... # | 0:04:41 | 0:04:44 | |
-"Some boys(!) -PHILL LAUGHS MANICALLY | 0:04:44 | 0:04:47 | |
-Madonna's getting a kicking. I quite like Madonna. -Not a fan. -No? | 0:04:50 | 0:04:54 | |
No, not a fan. She's just a lucky karaoke singer. So, erm... | 0:04:54 | 0:04:57 | |
In the year that Tony Blair announced | 0:05:01 | 0:05:03 | |
he'd be stepping down from power, Buzzcocks also lost its leader. | 0:05:03 | 0:05:07 | |
After hosting a record 156 episodes, Mark Lamarr departed to | 0:05:07 | 0:05:12 | |
pursue his dream of not presenting Never Mind The Buzzcocks ever again. | 0:05:12 | 0:05:17 | |
2006 saw Lamarr replaced | 0:05:17 | 0:05:18 | |
by some of the country's finest reading and speaking talents, | 0:05:18 | 0:05:23 | |
and the guy out of the Fun Lovin' Criminals. | 0:05:23 | 0:05:25 | |
We also heard Cry Me A River by Justin Timberlake. | 0:05:25 | 0:05:28 | |
Justin has said that he often sings himself to sleep. | 0:05:28 | 0:05:31 | |
Now Justin, you're in bed with Cameron Diaz. | 0:05:31 | 0:05:34 | |
-Why the -BLEEP -do you want to go to sleep? | 0:05:34 | 0:05:37 | |
I'd be awake for days on that ass. | 0:05:37 | 0:05:39 | |
Oh, I'm sorry. | 0:05:42 | 0:05:43 | |
LAUGHTER AND APPLAUSE | 0:05:43 | 0:05:45 | |
-I think he feels very strongly about it. -It came from the heart. | 0:05:48 | 0:05:51 | |
-STAGE MANAGER: -Three, two, one! | 0:05:51 | 0:05:53 | |
Justin has a large collection of candles and sports jerseys. | 0:05:53 | 0:05:56 | |
-Justin, you're going out with Cameron Diaz, put the -BLEEP -candles down! | 0:05:56 | 0:06:00 | |
LAUGHTER AND APPLAUSE | 0:06:03 | 0:06:05 | |
Next to take up the hot seat, | 0:06:08 | 0:06:09 | |
long-term friend of the show, Jonathan Ross. | 0:06:09 | 0:06:12 | |
For the remainder of this round, | 0:06:12 | 0:06:13 | |
would it be all right if I called you J-Ro? | 0:06:13 | 0:06:15 | |
J-Ro. | 0:06:15 | 0:06:17 | |
Or J-Wo, as I say. | 0:06:18 | 0:06:20 | |
I've met J-Lo. | 0:06:22 | 0:06:23 | |
-Is it? -And it's, well, it's kind of nice, it's lovely, it's a nice shape. | 0:06:23 | 0:06:26 | |
I wouldn't have said, "That's a big arse." | 0:06:26 | 0:06:28 | |
I've stood behind some big arses in various show business canteens. | 0:06:28 | 0:06:33 | |
One half of Feltz's arse would make up all of J-Lo! | 0:06:33 | 0:06:36 | |
If J-Lo was moving backwards, say, in a corridor situation, | 0:06:38 | 0:06:40 | |
-does she go...? -MAKES HONKING NOISE | 0:06:40 | 0:06:44 | |
No, but that is the noise that Stephen Hawking makes when he laughs. | 0:06:44 | 0:06:48 | |
LAUGHTER AND APPLAUSE | 0:06:48 | 0:06:50 | |
-Do you like a larger lady, Tom? -Erm, I'm not fussy. | 0:06:54 | 0:06:57 | |
-You're just a young man, really. You're 20. -Yeah. | 0:06:57 | 0:07:00 | |
You probably haven't sampled all the fruits that life has to offer. | 0:07:00 | 0:07:04 | |
Eh, Alan? But... | 0:07:06 | 0:07:07 | |
May I suggest that while you're looking up | 0:07:10 | 0:07:13 | |
the delightful smorgasbord of womanly temptation, | 0:07:13 | 0:07:16 | |
pause for a plumper at least once. | 0:07:16 | 0:07:18 | |
-Thank you. -Thank me later. | 0:07:21 | 0:07:23 | |
I'll lend you a DVD. | 0:07:25 | 0:07:26 | |
2006 also saw Jeremy Clarkson don his L plates | 0:07:29 | 0:07:32 | |
and slip effortlessly into the driving seat. | 0:07:32 | 0:07:35 | |
World, don't stop turning. | 0:07:35 | 0:07:37 | |
Stars don't stop falling down in a world of make-believe. | 0:07:37 | 0:07:40 | |
Do you ever think of me? | 0:07:40 | 0:07:41 | |
Yeah, well done, it's your own song. | 0:07:41 | 0:07:44 | |
So, bye-bye, Miss American Pie. | 0:07:45 | 0:07:47 | |
Drove the Chevy to the levy but the levy was dry. | 0:07:47 | 0:07:49 | |
Well done, we're back on a motoring theme. | 0:07:49 | 0:07:51 | |
Hit the road, Jack. | 0:07:51 | 0:07:52 | |
Don't you come back no more, no more, no more, no more. | 0:07:52 | 0:07:55 | |
Well done, Ray Charles. | 0:07:55 | 0:07:56 | |
Driving along in my automobile. | 0:07:56 | 0:07:58 | |
My baby beside me at the wheel. | 0:07:58 | 0:08:00 | |
Are you all right? Cos I think I'll nick off. | 0:08:00 | 0:08:04 | |
You can't go on thinking nothing's wrong. | 0:08:04 | 0:08:06 | |
Crack on, Paxman, you're doing lovely. | 0:08:06 | 0:08:08 | |
-Do the next one. -Go on, next one. | 0:08:08 | 0:08:10 | |
Who's Going To Drive Me Home Tonight, the Cars. | 0:08:10 | 0:08:12 | |
Watch us wreck the mic... | 0:08:12 | 0:08:13 | |
-Watch us wreck the mic, psyche! -Yes, that's it. | 0:08:13 | 0:08:17 | |
CHEERING AND APPLAUSE | 0:08:17 | 0:08:19 | |
-Unbelievable. -Do we actually need Phill? -No. | 0:08:22 | 0:08:26 | |
He's already at the fish & chip shop. Wahey! | 0:08:27 | 0:08:31 | |
Buzzcocks regular Lauren Laverne | 0:08:31 | 0:08:33 | |
was a paragon of charm and professionalism. | 0:08:33 | 0:08:37 | |
If I can hold this hope inside my hands. | 0:08:37 | 0:08:39 | |
You'd understand they let us down. | 0:08:39 | 0:08:41 | |
Can you name the track, Charlie? | 0:08:41 | 0:08:42 | |
-Yeah, it's Waste A Moment. -By who? -By Fightstar. | 0:08:42 | 0:08:46 | |
Yeah, by Fightstar, you're very clever. | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
You are lovely. Erm... | 0:08:50 | 0:08:53 | |
Ah, freak-out. | 0:08:53 | 0:08:56 | |
Oh, la freak, c'est, c'est something... | 0:08:56 | 0:09:00 | |
What? | 0:09:00 | 0:09:01 | |
How much did your education cost, Charlie? | 0:09:01 | 0:09:04 | |
2006 saw the Kaiser Chiefs riding high in the charts, | 0:09:04 | 0:09:08 | |
and lead singer Ricky Wilson was a natural as Buzzcocks host. | 0:09:08 | 0:09:11 | |
The Cure's Robert Smith says he loves the anonymity of being a Smith, | 0:09:11 | 0:09:15 | |
saying, "I can book into a hotel room and nobody knows it's me." | 0:09:15 | 0:09:18 | |
No, Robert, they think you're Elizabeth Taylor without the make-up. | 0:09:18 | 0:09:21 | |
Waits for laugh to die down. | 0:09:23 | 0:09:25 | |
LAUGHTER | 0:09:25 | 0:09:27 | |
Sips drink. | 0:09:27 | 0:09:29 | |
There's nothing worse than dehydrating. | 0:09:32 | 0:09:34 | |
And bringing a splash of colour to proceedings, Dale Winton. | 0:09:38 | 0:09:42 | |
Well-known family man Michael Jackson claims | 0:09:42 | 0:09:44 | |
he gets his curious skin tone from a genetic disease. | 0:09:44 | 0:09:47 | |
Oh, and while I'm on the subject, | 0:09:47 | 0:09:48 | |
if anyone wants to know, I get mine from Dulux's Autumn range. | 0:09:48 | 0:09:53 | |
This year's must-have colour is Sorrento Sunrise. | 0:09:53 | 0:09:57 | |
You're watching the end of a career here. | 0:09:58 | 0:10:01 | |
2006 was the year that Top Gear favourite Richard Hammond | 0:10:05 | 0:10:08 | |
passed his theory but failed the practical. | 0:10:08 | 0:10:11 | |
Richard Hammond, who presents the BBC's popular Top Gear programme, | 0:10:11 | 0:10:15 | |
is in a critical condition tonight at Leeds Royal Infirmary. | 0:10:15 | 0:10:18 | |
He was seriously injured in a crash | 0:10:18 | 0:10:19 | |
while filming a new edition of Top Gear. | 0:10:19 | 0:10:21 | |
The only thing that's really breaking his heart | 0:10:21 | 0:10:23 | |
is he has chipped one of his whitened teeth. | 0:10:23 | 0:10:25 | |
America's answer to Richard Blackwood appeared in The Klumps. | 0:10:25 | 0:10:28 | |
Well, Scary Klump, to be precise. | 0:10:28 | 0:10:30 | |
He was unwilling to accept the role of father, | 0:10:30 | 0:10:33 | |
which is odd for a man who said yes to Norbit. | 0:10:33 | 0:10:36 | |
We are here today to announce that this morning we filed a petition | 0:10:36 | 0:10:39 | |
on behalf of Melanie Brown to establish paternity of her baby girl. | 0:10:39 | 0:10:43 | |
I recognise that there are millions and millions of single mothers | 0:10:43 | 0:10:46 | |
and their children who don't have a voice. | 0:10:46 | 0:10:49 | |
Mel B and Eddie Murphy, what happened there? | 0:10:50 | 0:10:53 | |
Well, Simon, allegedly Mr Murphy put his penis | 0:10:54 | 0:10:56 | |
into Miss B's special lady area. | 0:10:56 | 0:10:59 | |
La-la-la-la-la-la! | 0:10:59 | 0:11:01 | |
-And a pregnancy ensued. -Can you confirm this, Mel C? | 0:11:02 | 0:11:06 | |
Let me ask you this. Why no condom? | 0:11:06 | 0:11:08 | |
(Why no condom?) | 0:11:11 | 0:11:12 | |
I know nothing! | 0:11:12 | 0:11:14 | |
Do you put condoms on a man before you have intercourse? | 0:11:14 | 0:11:18 | |
Do you? | 0:11:18 | 0:11:20 | |
LAUGHTER AND APPLAUSE | 0:11:20 | 0:11:22 | |
David Blaine went out of his way to avoid the media spotlight | 0:11:25 | 0:11:28 | |
by hiding in a fish tank in the middle of Times Square. | 0:11:28 | 0:11:31 | |
I am humbled so much by the support of everybody from New York City, | 0:11:31 | 0:11:38 | |
and from all over the world. | 0:11:38 | 0:11:41 | |
A certain taxi driver's day took an unexpected turn, | 0:11:41 | 0:11:44 | |
as the BBC mistook this guy for their actual invited guest. | 0:11:44 | 0:11:48 | |
Well, Guy Kewney is the editor of the technology website NewsWireless. | 0:11:48 | 0:11:53 | |
-Hello, good morning to you. -Good morning. | 0:11:53 | 0:11:55 | |
Were you surprised by this verdict today? | 0:11:55 | 0:11:57 | |
I'm very surprised to see this verdict to come on me, | 0:11:57 | 0:12:02 | |
because I was not expecting that. | 0:12:02 | 0:12:04 | |
And Pete Doherty took a break from his busy prison schedule | 0:12:07 | 0:12:10 | |
to briefly be a musician. | 0:12:10 | 0:12:12 | |
You look really well, how are things going? | 0:12:12 | 0:12:14 | |
Yeah, I'm off the brown and... | 0:12:14 | 0:12:17 | |
yeah, slowly but surely, | 0:12:17 | 0:12:20 | |
I'm pulling it together. | 0:12:20 | 0:12:22 | |
No, me neither. | 0:12:22 | 0:12:23 | |
A lovely image here, it's like, Pete Doherty Sings Frank Sinatra. | 0:12:23 | 0:12:28 | |
# Come snort with me | 0:12:28 | 0:12:30 | |
# Let's snort, let's snort away. # | 0:12:31 | 0:12:34 | |
Pete Doherty says the nicest text Kate Moss ever sent him read, | 0:12:36 | 0:12:39 | |
"You're in my veins, you fuck," | 0:12:39 | 0:12:41 | |
which he decided to write in blood on the walls of his flat. | 0:12:41 | 0:12:43 | |
Sarah Beeny said, "You're narrowing down your market, Pete. | 0:12:43 | 0:12:46 | |
"It's neutral walls and beige carpets." | 0:12:46 | 0:12:49 | |
I do like Pete Doherty, but what makes me laugh about him | 0:12:49 | 0:12:52 | |
is he manages to be skinny and flabby at the same time. | 0:12:52 | 0:12:55 | |
While Doherty was crowd surfing, an over-enthusiastic fan gave him | 0:12:56 | 0:13:00 | |
a wedgie. The singer admits he then ran crying to hide in his tour bus. | 0:13:00 | 0:13:04 | |
The pants were pulled with such force that the friction left him | 0:13:04 | 0:13:07 | |
with a condition known as "smoking crack". | 0:13:07 | 0:13:09 | |
2006 saw a certain guest host stand head and shoulders above the rest. | 0:13:17 | 0:13:23 | |
# I am the one and only. # | 0:13:23 | 0:13:27 | |
Yes, following a successful trial run, | 0:13:27 | 0:13:30 | |
Simon Amstell became Buzzcocks' new, full-time host. | 0:13:30 | 0:13:34 | |
That's my favourite thing I've ever done. | 0:13:34 | 0:13:36 | |
And from Day One, he showed he was a real team player. | 0:13:36 | 0:13:39 | |
I really don't want to be difficult on my first day. | 0:13:39 | 0:13:41 | |
I love the show and the set and the titles, | 0:13:41 | 0:13:44 | |
I really hate pre-titles sketches. Let's not do one, they're naff. | 0:13:44 | 0:13:49 | |
It's a panel show, it's not 'Allo 'Allo. | 0:13:49 | 0:13:52 | |
Hello there, and welcome to | 0:13:54 | 0:13:57 | |
the exciting new series of Never Mind The Buzzcocks. | 0:13:57 | 0:13:59 | |
New set, new titles, new host. | 0:13:59 | 0:14:01 | |
I guess what we're trying to say is, | 0:14:01 | 0:14:03 | |
"Welcome to the last series of Never Mind The Buzzcocks." | 0:14:03 | 0:14:07 | |
Amstell took to the role like a duck to autocue. | 0:14:07 | 0:14:10 | |
During the last series of American Idol there was... | 0:14:10 | 0:14:13 | |
-There were... -Scurrilous. -Scurrilous, thank you very much. | 0:14:13 | 0:14:16 | |
APPLAUSE | 0:14:18 | 0:14:21 | |
Just trying to help. | 0:14:24 | 0:14:26 | |
Ooh, I can read! | 0:14:27 | 0:14:30 | |
When Tina's ex-husband Ike Turner was sent to prison, | 0:14:30 | 0:14:32 | |
he was so scared of being held with the other prisoners that he | 0:14:32 | 0:14:35 | |
got himself transferred to the hospital wing and... | 0:14:35 | 0:14:38 | |
Oh, sorry, can I start that one again? | 0:14:38 | 0:14:40 | |
That went very well, I thought. | 0:14:40 | 0:14:43 | |
Why can't I be a pro like Knowles(?) | 0:14:43 | 0:14:45 | |
After a brief period of house training, | 0:14:47 | 0:14:49 | |
he soon became the consummate host. | 0:14:49 | 0:14:51 | |
David, you must have met Grace Jones, or married her? | 0:14:51 | 0:14:54 | |
I'm keeping count. | 0:14:58 | 0:15:00 | |
That's your type, though. Slightly unhinged gay icon, right? | 0:15:00 | 0:15:03 | |
-That's terrible. -Erm, have you met Grace Jones? -No. | 0:15:05 | 0:15:08 | |
Call yourself a star fucker? | 0:15:10 | 0:15:11 | |
I'm too old or too young for it, one or the other. | 0:15:14 | 0:15:16 | |
-Old. -OK. | 0:15:16 | 0:15:18 | |
I'm not very good with the song, | 0:15:21 | 0:15:23 | |
but I'll just do any beat and you just hum the tune. | 0:15:23 | 0:15:25 | |
That's what you did with Mis-Teeq. | 0:15:25 | 0:15:27 | |
I can do whatever you like on this show. | 0:15:31 | 0:15:33 | |
It's not like GMTV where you just have to be dull. | 0:15:33 | 0:15:35 | |
Tequila. | 0:15:39 | 0:15:41 | |
Oh, it makes me happy. | 0:15:41 | 0:15:42 | |
Correct. Doesn't though, does it, Matt? | 0:15:42 | 0:15:44 | |
OFF-KEY: # You raise me up...! # | 0:15:49 | 0:15:52 | |
2006 was just the beginning for Amstell. | 0:15:52 | 0:15:55 | |
He'd go on to host Buzzcocks a total of 38 times, | 0:15:55 | 0:15:58 | |
overseeing four series, numerous scraps and one walk-off. | 0:15:58 | 0:16:03 | |
-Preston, come on. -No, seriously, going home. -We're having fun. | 0:16:03 | 0:16:06 | |
# I am strong when I am on your shoulders. # | 0:16:06 | 0:16:13 | |
Simon Amstell, we salute you. | 0:16:13 | 0:16:17 | |
# To all that I can be. # | 0:16:17 | 0:16:21 | |
The beauty of Buzzcocks is that it brings together stars | 0:16:24 | 0:16:27 | |
from all walks of life. | 0:16:27 | 0:16:29 | |
2006 featured some great guests, | 0:16:29 | 0:16:31 | |
some of whom proved to be a bit of a handful. | 0:16:31 | 0:16:34 | |
First up, celebrity twitcher and old-school funnyman Bill Oddie. | 0:16:34 | 0:16:38 | |
-What have you got in there? -It's the, the intros. | 0:16:38 | 0:16:41 | |
What, on a record? | 0:16:41 | 0:16:43 | |
No, on a bit of card. | 0:16:43 | 0:16:44 | |
What, just the words, or the name of the song or something? | 0:16:46 | 0:16:49 | |
Yes! | 0:16:49 | 0:16:50 | |
But they're not going to sing words, are they? | 0:16:50 | 0:16:53 | |
They're going to go, "Ba-doom, ba-doom, tch-tch." | 0:16:53 | 0:16:55 | |
-You're in charge of this. -I AM in charge of this! | 0:16:55 | 0:16:58 | |
-You can do what you want. -Stewart's right! Shush, Oddie! | 0:16:58 | 0:17:01 | |
What's this? | 0:17:02 | 0:17:03 | |
-That's an eyebrowed thrush. -Correct. | 0:17:05 | 0:17:08 | |
Do you know the Latin name for it? | 0:17:08 | 0:17:10 | |
No! Turdus something-or-other. | 0:17:10 | 0:17:12 | |
Ooh, that's funny! Turdus, bit naughty! | 0:17:12 | 0:17:14 | |
-I know where you're going. -He's caught us out. | 0:17:17 | 0:17:21 | |
They're all slightly rude. | 0:17:21 | 0:17:22 | |
D'oh, for God's sake! | 0:17:25 | 0:17:27 | |
It's, erm, a dangly-bollocked penis hen. | 0:17:27 | 0:17:31 | |
The fisting pigeon, yeah, that's what it is. | 0:17:32 | 0:17:35 | |
Next standout guest of 2006, sci-fi showman | 0:17:36 | 0:17:39 | |
and good-time guy John Barrowman. | 0:17:39 | 0:17:42 | |
Talk to the hand cos the wrist is pissed. | 0:17:42 | 0:17:44 | |
CHEERING AND APPLAUSE | 0:17:44 | 0:17:47 | |
You have out-gayed me, Barrowman! | 0:17:51 | 0:17:54 | |
Let's have a gay-off! | 0:17:56 | 0:17:58 | |
Ready, lips pursed, hands on the table and go! | 0:18:00 | 0:18:03 | |
I haven't even told my mum yet. | 0:18:05 | 0:18:07 | |
And finally, lead singer of the Cribs, Ryan Jarman, | 0:18:09 | 0:18:12 | |
with one of the most outrageous claims to fame you'll ever hear. | 0:18:12 | 0:18:16 | |
Good effort, lads. | 0:18:16 | 0:18:17 | |
Thanks very much. | 0:18:20 | 0:18:21 | |
It's not my mate Geldof, is it? | 0:18:21 | 0:18:24 | |
Your mate? | 0:18:24 | 0:18:25 | |
-D'you know Sir Bob? -Well, I think he knows me, so... | 0:18:27 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:33 | |
Oh? | 0:18:33 | 0:18:35 | |
You don't want to know how. | 0:18:35 | 0:18:38 | |
Oh, I think we do. | 0:18:38 | 0:18:40 | |
If there's any legal implications involved in this, then like... | 0:18:40 | 0:18:44 | |
..I invented Live 8, you see. | 0:18:46 | 0:18:48 | |
This is not actually a lie. | 0:18:51 | 0:18:54 | |
We were in the recording studio recording our album, | 0:18:55 | 0:18:59 | |
which you should all buy by the way because it's a brilliant album. | 0:18:59 | 0:19:03 | |
-What's it called? -Who cares, but like... | 0:19:03 | 0:19:06 | |
Anyway, like, I found Bob Geldof's mobile phone number | 0:19:08 | 0:19:13 | |
while we were in the recording studio | 0:19:13 | 0:19:15 | |
so I sent him a text message just saying, | 0:19:15 | 0:19:18 | |
"Three words, mate. Live Aid 2." | 0:19:18 | 0:19:20 | |
Lo and behold, six months later, Live 8 comes out. | 0:19:20 | 0:19:24 | |
So what you're saying is... | 0:19:27 | 0:19:29 | |
It's just nice to know that you've made | 0:19:29 | 0:19:30 | |
a little bit of a difference, that's all. | 0:19:30 | 0:19:32 | |
-PHILL: -Imagine Ryan phoning Pink Floyd. | 0:19:34 | 0:19:36 | |
-NASAL YORKSHIRE ACCENT: -'Hiya. Are you busy in June?' | 0:19:36 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:43 | |
'I want to do Live 8 again. | 0:19:43 | 0:19:45 | |
'Have you got the Who's number? | 0:19:48 | 0:19:50 | |
'Hang on, I'll get a pen.' | 0:19:53 | 0:19:55 | |
Back to Bill Oddie, | 0:20:01 | 0:20:03 | |
and here he is trying to guess one of the biggest hits of 2006, | 0:20:03 | 0:20:06 | |
as performed by Bill Bailey and Tony Mortimer from East 17. | 0:20:06 | 0:20:11 | |
# Robin Hood, Robin Hood, riding through the... # No. | 0:20:12 | 0:20:16 | |
This is it. # My old man's a dustman, he wears a dustman's hat. # | 0:20:18 | 0:20:22 | |
-No, it's not that one. -Bill, I don't like to see you struggle. | 0:20:22 | 0:20:24 | |
-Have you ever heard of Nelly Furtado? -Of course I have. | 0:20:24 | 0:20:27 | |
She's a girl singer, second album just out. Go on. | 0:20:27 | 0:20:31 | |
-Ooh! -Oo-ooh! | 0:20:31 | 0:20:33 | |
-You have underestimated the Oddie. -Nerrina Pallot. There's another one. | 0:20:33 | 0:20:38 | |
There's another singer! | 0:20:38 | 0:20:39 | |
# She's a man-eater Make you buy cars... # | 0:20:41 | 0:20:44 | |
Yes, 2006 saw the charts dominated by females. | 0:20:44 | 0:20:49 | |
# I'm on tonight You know, my hips don't lie... # | 0:20:49 | 0:20:52 | |
Shakira had one of the biggest selling songs of the year, | 0:20:52 | 0:20:55 | |
topping the charts in over 796 countries | 0:20:55 | 0:20:58 | |
and winning 1,000 awards with this single. | 0:20:58 | 0:21:01 | |
But then again, her hips told me that. | 0:21:01 | 0:21:03 | |
# Oh, I wish I was a punk rocker With flowers in my hair... # | 0:21:03 | 0:21:07 | |
From her bedroom to the charts, | 0:21:07 | 0:21:09 | |
wannabe revolutionary Sandi Thom bypassed tradition | 0:21:09 | 0:21:12 | |
and became an overnight sensation through the power of the internet. | 0:21:12 | 0:21:16 | |
Well, according to Shakira's hips, anyway. | 0:21:16 | 0:21:19 | |
# ..with flowers in my hair. # | 0:21:19 | 0:21:21 | |
# At first when I see you cry | 0:21:21 | 0:21:26 | |
# Yeah, it makes me smile... # | 0:21:26 | 0:21:28 | |
And finally, 2006 saw potty-mouthed songstress Lily Allen take the world | 0:21:28 | 0:21:32 | |
by storm, redefining the status of women in music with her | 0:21:32 | 0:21:36 | |
unique vocal style, chirpy melodies and charming opinions. | 0:21:36 | 0:21:41 | |
Lily, of course, is renowned for slagging off people in the press. | 0:21:41 | 0:21:45 | |
Hey, forget about the pixilation, it's now time to play... | 0:21:45 | 0:21:48 | |
Fingers on buzzers. "He has to be exterminated?" | 0:21:52 | 0:21:54 | |
-WHOOSHING BUZZER Yes. -Chris De Burgh! | 0:21:54 | 0:21:57 | |
-I know the answer. -No, Lily, tell us the answer. | 0:21:57 | 0:21:59 | |
It's Pete Doherty, but can I explain myself quickly? | 0:21:59 | 0:22:02 | |
-No. Fingers on buzzers. -Please! | 0:22:02 | 0:22:04 | |
"I would kick her over and then stab her in the ear." | 0:22:04 | 0:22:08 | |
-HONKING BUZZER Yes. -Princess Michael of Kent. | 0:22:10 | 0:22:12 | |
-WHOOSHING BUZZER Yes. -Peaches? | 0:22:14 | 0:22:15 | |
Peaches Geldof is correct. | 0:22:15 | 0:22:17 | |
You'd stab her in the ear?! | 0:22:17 | 0:22:19 | |
"She's a relationship ruiner. Javine is a slag." | 0:22:21 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
-HONKING BUZZER -Jamelia. -Oh, dear. | 0:22:27 | 0:22:31 | |
That was actually about Javine, but Jamelia talking about Javine. | 0:22:31 | 0:22:34 | |
Jamelia! Outspoken Jamelia! | 0:22:34 | 0:22:37 | |
How could you say such a thing? | 0:22:38 | 0:22:41 | |
No, she really is a slag, though. | 0:22:41 | 0:22:43 | |
LAUGHTER AND APPLAUSE | 0:22:43 | 0:22:46 | |
If you don't know the story, | 0:22:49 | 0:22:51 | |
she went off with Alesha of Mis-Teeq's husband MC Harvey. | 0:22:51 | 0:22:56 | |
So, we are starting a war with the So Solid Crew here. | 0:22:56 | 0:23:00 | |
There's only five of them left, I think we can take them. | 0:23:00 | 0:23:03 | |
-Simon, we can't take on the Crew! -Yeah, we can, Bill. What about it? | 0:23:03 | 0:23:07 | |
Why don't Bill and I come over and sleep with your wives?! | 0:23:07 | 0:23:10 | |
And Phill, he's loaded and ready to go! Let's go! | 0:23:12 | 0:23:15 | |
I'm coming over with my sex men! | 0:23:15 | 0:23:17 | |
What have you got, Phill? | 0:23:18 | 0:23:19 | |
I've got £300 that you probably won't be able | 0:23:19 | 0:23:22 | |
to get from underneath. | 0:23:22 | 0:23:24 | |
And the winner is... | 0:23:27 | 0:23:29 | |
..X&Y by Coldplay. | 0:23:31 | 0:23:33 | |
Coldplay went from strength to strength in 2006, | 0:23:36 | 0:23:39 | |
nabbing BRIT Awards for Best Single and Best Album. | 0:23:39 | 0:23:42 | |
It's hard for us sometimes cos we're English, | 0:23:42 | 0:23:45 | |
and we don't get to admit that we think we're great. | 0:23:45 | 0:23:47 | |
So tonight, we'd like to agree with you for giving us this award. | 0:23:47 | 0:23:50 | |
Thanks a lot. | 0:23:50 | 0:23:52 | |
All of which fuelled Buzzcocks' passionate relationship | 0:23:52 | 0:23:55 | |
with the band, a love affair you might call "complicated"? | 0:23:55 | 0:23:59 | |
We take the attitude that it's just music. | 0:23:59 | 0:24:01 | |
If you don't like it, you can just listen to something else. | 0:24:01 | 0:24:04 | |
Chris Martin is notoriously touchy, | 0:24:04 | 0:24:06 | |
and this year walked out of two interviews when Gwyneth Paltrow | 0:24:06 | 0:24:08 | |
was mentioned, so tonight, in order to show he's got a sense of humour, | 0:24:08 | 0:24:12 | |
he's sent us his own Coldplay-based jokes. Here you go. | 0:24:12 | 0:24:14 | |
Coldplay walk into a bar, but it's a bit crowded | 0:24:14 | 0:24:17 | |
so they go to a private members club, | 0:24:17 | 0:24:18 | |
but that's not really their scene cos it's all a bit too showbiz, | 0:24:18 | 0:24:21 | |
and they're just normal guys. | 0:24:21 | 0:24:23 | |
How many members of Coldplay can you get into a Mini? | 0:24:24 | 0:24:27 | |
-Oh, another Coldplay joke. -All four. | 0:24:28 | 0:24:30 | |
It's a four-seater vehicle so it's actually fairly straightforward. | 0:24:30 | 0:24:35 | |
Every day, Chris Martin draws the words "Fair Trade" on his left hand, | 0:24:35 | 0:24:38 | |
probably with pens made by four-year-olds | 0:24:38 | 0:24:40 | |
in a Taiwanese sweat shop. | 0:24:40 | 0:24:42 | |
What's happening with Chris Martin? | 0:24:43 | 0:24:45 | |
He looks like he's got contact lenses of his own eyes | 0:24:45 | 0:24:47 | |
over his own eyes. | 0:24:47 | 0:24:50 | |
He looks like every one of his songs. | 0:24:50 | 0:24:54 | |
APPLAUSE | 0:24:54 | 0:24:56 | |
I've been really good tonight, I've not dissed Coldplay in any way, | 0:24:58 | 0:25:01 | |
and it's burning me up inside. | 0:25:01 | 0:25:04 | |
You boys are so bitter. | 0:25:04 | 0:25:05 | |
Just cos he's talented and he's good looking. | 0:25:05 | 0:25:07 | |
It's like when girls say about girls... | 0:25:07 | 0:25:10 | |
Ohhhhhhhh! | 0:25:10 | 0:25:11 | |
I feel a little bit of stuff going on here! | 0:25:11 | 0:25:15 | |
You know what, though? People often say to me, | 0:25:15 | 0:25:17 | |
"Oh, you do like Coldplay." | 0:25:17 | 0:25:19 | |
They're shit. | 0:25:19 | 0:25:21 | |
I think that's a full snap to Noel and half snap to Helen. | 0:25:26 | 0:25:30 | |
Alesha, it says here that you once hitched a ride back from Cannes | 0:25:31 | 0:25:36 | |
in Chris Martin's jet. Is that true? | 0:25:36 | 0:25:38 | |
-Yes. -Do you know that you only have to pay 20 quid for an Easyjet ticket | 0:25:38 | 0:25:41 | |
and then you don't have to sit next to Chris Martin? | 0:25:41 | 0:25:45 | |
No-one told you that. | 0:25:45 | 0:25:47 | |
-You were in his jet? -Yeah, offering me sushi. -Really? | 0:25:49 | 0:25:52 | |
-Oh, what a gentleman. -Is that a showbiz kind of euphemism? | 0:25:52 | 0:25:56 | |
You know when you land in planes, they go, | 0:25:58 | 0:26:00 | |
"D'you want a boiled sweet cos your ears are going to pop?" | 0:26:00 | 0:26:03 | |
He goes, "Anyone want sushi?" | 0:26:03 | 0:26:04 | |
What a dick. | 0:26:05 | 0:26:06 | |
Luckily, one man was prepared to fly the Coldplay flag. | 0:26:09 | 0:26:12 | |
You're expecting a funny line, but I don't care what anyone says, | 0:26:12 | 0:26:16 | |
I like Coldplay, all right? | 0:26:16 | 0:26:18 | |
I like Come Dine With Me, I like Honey Nut Shredded Wheat. | 0:26:18 | 0:26:20 | |
Deal with it, it's Coldplay. | 0:26:20 | 0:26:22 | |
I hate Coldplay. Can I just say I can't stand them. | 0:26:27 | 0:26:30 | |
Oh, don't start, they're such an easy target. I like them. | 0:26:30 | 0:26:33 | |
I'm not mad about that cereal you eat either, but still... | 0:26:33 | 0:26:38 | |
They're not an easy target at all, | 0:26:38 | 0:26:40 | |
cos that Christopher fella jumps around the stage quite a bit, | 0:26:40 | 0:26:43 | |
and I have tried to hit him a number of times. | 0:26:43 | 0:26:45 | |
If you try a shotgun, you get sort of a nice spread, | 0:26:46 | 0:26:49 | |
you'll catch him on the move then. | 0:26:49 | 0:26:51 | |
I think I'll be taking Cribbins' advice. | 0:26:51 | 0:26:54 | |
Their manager phoned me up and said, | 0:26:54 | 0:26:56 | |
"You are both very mean to Coldplay." And then texted me | 0:26:56 | 0:27:00 | |
and said, "But I know it's very, you know, COOL to hate Coldplay." | 0:27:00 | 0:27:03 | |
So I texted her back, "Just want to say, I wasn't trying to be cool. | 0:27:03 | 0:27:07 | |
"I genuinely hate Coldplay. | 0:27:09 | 0:27:11 | |
"Just for the record." | 0:27:13 | 0:27:16 | |
# I will try to fix you. # | 0:27:16 | 0:27:22 | |
CHEERING AND APPLAUSE | 0:27:22 | 0:27:25 | |
# What's that coming over the hill? | 0:27:28 | 0:27:30 | |
# Is it a monster? # | 0:27:30 | 0:27:31 | |
So that was our take on 2006. | 0:27:31 | 0:27:34 | |
Time now to sit back and appreciate Buzzcocks' true international appeal | 0:27:34 | 0:27:38 | |
by having a quick game of Who Was That And Where Do They Come From? | 0:27:38 | 0:27:43 | |
First up, that's Reg D Hunter from Georgia, USA, | 0:27:43 | 0:27:46 | |
Cockney geezer Dave Berry, Kayvan Novak, he's Iranian-British, | 0:27:46 | 0:27:50 | |
Geordie lass Michelle Heaton, Josh Groban from LA, | 0:27:50 | 0:27:53 | |
Jenni Falconer, Glasgow, Sally Lindsay, good old northerner, | 0:27:53 | 0:27:56 | |
Daniel Merriweather, he's an Aussie, | 0:27:56 | 0:27:58 | |
Stephen Fry, couldn't be more British. | 0:27:58 | 0:28:00 | |
Daniel Beddingfield, actually born in New Zealand. | 0:28:00 | 0:28:03 | |
Orson's Jason Pebworth, American. | 0:28:03 | 0:28:05 | |
Aaron Gilbert, the Delays, he's from Southampton. | 0:28:05 | 0:28:08 | |
Colin Murray, Northern Ireland. Mollie King, a true English rose, | 0:28:08 | 0:28:11 | |
and Nerrina Pallot, who was apparently brought up in Jersey | 0:28:11 | 0:28:14 | |
by a half-French father and an Indian mother. | 0:28:14 | 0:28:18 | |
I've been Alex James from Bournemouth. Good night. | 0:28:18 | 0:28:20 | |
MUSIC: "When You Were Young" by the Killers | 0:28:24 | 0:28:27 | |
# He doesn't look a thing like Jesus | 0:28:34 | 0:28:38 | |
# But he talks like a gentleman | 0:28:38 | 0:28:40 | |
# Like you imagined when you were young. # | 0:28:40 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:47 |