Browse content similar to 2001. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
One eventful night in 1996, comedy and rock 'n' roll | 0:00:20 | 0:00:23 | |
had an ill-advised fumble with devastating effects. | 0:00:23 | 0:00:27 | |
The resulting offspring would soon become famed for its acerbic wit, | 0:00:27 | 0:00:31 | |
musical know-how and celebrity-ish friends. | 0:00:31 | 0:00:34 | |
It soon became known as Never Mind The Buzzcocks. | 0:00:36 | 0:00:40 | |
Calm down, God! It's only a pop quiz! | 0:00:40 | 0:00:43 | |
Always the first in line to offer words of wisdom and compassion... | 0:00:43 | 0:00:46 | |
Come on, bellends, do something. | 0:00:46 | 0:00:48 | |
..this show became an oracle for the world of entertainment. | 0:00:48 | 0:00:51 | |
I'm Simon Amstell, and if you think I'm a poor booking, | 0:00:51 | 0:00:53 | |
let's meet tonight's guests. | 0:00:53 | 0:00:55 | |
-And when it comes to splits, spats... -See you later. -Why? | 0:00:55 | 0:00:58 | |
..and guessing which member of a line-up used to be | 0:00:58 | 0:01:00 | |
the drummer in some band you barely remember, Buzzcocks has seen it all. | 0:01:00 | 0:01:04 | |
So, join us as we stumble down memory lane | 0:01:07 | 0:01:10 | |
and see a little bit of this, that, and them. | 0:01:10 | 0:01:13 | |
You're watching... | 0:01:14 | 0:01:18 | |
A tumultuous year for some of the greatest bands of all time. | 0:01:21 | 0:01:25 | |
The boy band 5ive have announced that they are splitting up after | 0:01:25 | 0:01:28 | |
four years. The band, which notched up three number one hit singles, said | 0:01:28 | 0:01:32 | |
the decision to break up the group was made after lengthy discussions. | 0:01:32 | 0:01:35 | |
# Baby when the lights go out... # | 0:01:35 | 0:01:39 | |
Today is the day that 5ive ended and... And that's all there is. | 0:01:39 | 0:01:44 | |
The future, we're all going to have a future because we exist, | 0:01:44 | 0:01:47 | |
if you know what I mean. | 0:01:47 | 0:01:48 | |
You've got nothing to worry about, Ritchie. | 0:01:48 | 0:01:51 | |
Not with your vocal range. | 0:01:51 | 0:01:52 | |
RITCHIE SINGS WILDLY OUT OF TUNE | 0:01:52 | 0:01:55 | |
Get it, will you? | 0:01:55 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
I've never seen someone's voice break in the middle of the show. | 0:02:02 | 0:02:06 | |
Another group lying capsized on the rocks was Atomic Kitten, | 0:02:09 | 0:02:12 | |
as Kerry jumped ship. | 0:02:12 | 0:02:14 | |
Her departure really damaged the band, | 0:02:14 | 0:02:16 | |
as Whole Again became their biggest-ever single, | 0:02:16 | 0:02:19 | |
hitting the number one spot and going double platinum. | 0:02:19 | 0:02:22 | |
Here to explain more, Kerry's replacement, | 0:02:22 | 0:02:25 | |
the ever-affable Jenny Frost. | 0:02:25 | 0:02:27 | |
When Kerry decided she wanted to leave, I've been mates with | 0:02:27 | 0:02:30 | |
the girls for a couple of years, and it just came about... Sorry, one sec. | 0:02:30 | 0:02:34 | |
-Oi! -Shut up! -Shut it! | 0:02:34 | 0:02:35 | |
Baby, you're the one, you still turn me on... | 0:02:35 | 0:02:38 | |
You can make me whole again. It is. Atomic Kitten. | 0:02:38 | 0:02:40 | |
-Did you write that one? -No. -Bonus point for not writing it. Well done. | 0:02:40 | 0:02:43 | |
But arguably the biggest tragedy of them all | 0:02:45 | 0:02:47 | |
was the break-up of this lot. | 0:02:47 | 0:02:50 | |
# Tragedy # When the feeling's gone | 0:02:50 | 0:02:52 | |
# And you can't go on # It's tragedy... # | 0:02:52 | 0:02:55 | |
I think we'll be remembered with a big smile | 0:02:55 | 0:02:57 | |
and I think people will think of Steps and just say, yeah! | 0:02:57 | 0:03:00 | |
Look at them... | 0:03:02 | 0:03:04 | |
Look at those idiots! | 0:03:04 | 0:03:07 | |
Of course, we all had our favourite member of Steps. | 0:03:07 | 0:03:10 | |
Mine was the shy and retiring Lisa, | 0:03:10 | 0:03:12 | |
always desperate to keep out of the limelight. | 0:03:12 | 0:03:15 | |
-Come on. -I don't want to be in Steps. -I'll do it on my own, then. | 0:03:16 | 0:03:20 | |
-How does it go? -Yeah. | 0:03:22 | 0:03:24 | |
LAUGHTER | 0:03:24 | 0:03:26 | |
Imagine watching them live! | 0:03:26 | 0:03:29 | |
APPLAUSE | 0:03:29 | 0:03:30 | |
-When is the next tour? How's it go? -Right! | 0:03:30 | 0:03:35 | |
-Five, six, seven, eight... -And they say they're manufactured. | 0:03:35 | 0:03:38 | |
-By Findus. -I've started! -I don't care. -Shush! | 0:03:40 | 0:03:43 | |
Do bands smash things up any more? | 0:03:45 | 0:03:47 | |
-Did Steps ever smash up a hotel room? -What do you think? | 0:03:47 | 0:03:51 | |
I did once, when they were on the radio. | 0:03:51 | 0:03:53 | |
LAUGHTER | 0:03:53 | 0:03:55 | |
No offence. | 0:03:55 | 0:03:57 | |
I've heard all the jokes about Steps. | 0:03:57 | 0:03:59 | |
I was in it for five years, so I've heard them all. | 0:03:59 | 0:04:02 | |
I wrote them all. | 0:04:02 | 0:04:04 | |
Yeah, you probably did! | 0:04:04 | 0:04:06 | |
Phil was particularly made up | 0:04:07 | 0:04:08 | |
when Claire Richards was made to go on his team. | 0:04:08 | 0:04:12 | |
PHIL HUMS | 0:04:12 | 0:04:18 | |
I love you. | 0:04:18 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:22 | |
You are my favourite. | 0:04:22 | 0:04:24 | |
BOTH SING | 0:04:24 | 0:04:32 | |
IMPROVISES FUNK | 0:04:32 | 0:04:39 | |
I've got no idea. | 0:04:39 | 0:04:41 | |
APPLAUSE | 0:04:41 | 0:04:45 | |
Mark Lamarr also seemed to develop a soft spot for a certain | 0:04:46 | 0:04:49 | |
member of the band. | 0:04:49 | 0:04:51 | |
Wish I was doing this with Faye. | 0:04:51 | 0:04:52 | |
Do you want to? | 0:04:52 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
Do you want to do it? | 0:04:56 | 0:04:57 | |
Come on, then. Come on! | 0:04:57 | 0:04:59 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
Don't start. | 0:05:11 | 0:05:13 | |
SINGS WEDDING MARCH MELODY | 0:05:18 | 0:05:22 | |
All good things come to those who wait, and it took a Steps | 0:05:27 | 0:05:30 | |
reunion 10 years after the split to finally get H onto the show. | 0:05:30 | 0:05:35 | |
We'd like to announce today that we're going back on tour. | 0:05:35 | 0:05:38 | |
-Are you back on tour with Steps? -Yeah. Unbelievably, yeah. | 0:05:38 | 0:05:41 | |
Do you know what I like about that? | 0:05:41 | 0:05:43 | |
That they've managed to get all your diaries together. | 0:05:43 | 0:05:45 | |
I know that Lee was in a job | 0:05:45 | 0:05:46 | |
where he was being used to prop open a door... | 0:05:46 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:51 | |
Which of the other members of Steps is the one who is doing it | 0:05:51 | 0:05:54 | |
most for the money? | 0:05:54 | 0:05:55 | |
Who is the most desperate? | 0:05:55 | 0:05:57 | |
Nobody's desperate. | 0:05:59 | 0:06:01 | |
What is brilliant about that is you could have gone, | 0:06:01 | 0:06:03 | |
"Nobody's desperate," but you went, "Nobody's desperate!" | 0:06:03 | 0:06:06 | |
"We're not desperate! Stop saying that!" | 0:06:06 | 0:06:09 | |
It's really nice that we're all friends again, because we weren't. | 0:06:09 | 0:06:11 | |
-Did you fall out? -Yeah. -Really, big-time? -Yeah. | 0:06:11 | 0:06:13 | |
Who did you fall out with the most? | 0:06:13 | 0:06:15 | |
Ha-ha! Well, you know, Claire and I went off and did our thing... | 0:06:15 | 0:06:18 | |
-So, the other three? -Yeah. | 0:06:18 | 0:06:20 | |
And who's the one you hate the most out of the other three? | 0:06:20 | 0:06:23 | |
I don't hate any of them! | 0:06:23 | 0:06:24 | |
It's Lee Latchford-Evans, ladies and gentlemen. | 0:06:24 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:28 | |
I don't think they're Steps fans, are they? | 0:06:28 | 0:06:31 | |
Raise your hand if you are a Steps fan. | 0:06:31 | 0:06:33 | |
LAUGHTER | 0:06:33 | 0:06:35 | |
Right across the board. | 0:06:35 | 0:06:36 | |
And do you know, it's nobody in the audience, either, H. | 0:06:36 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
-Tinchy, there you go. -No, he just wants to go to the bathroom. | 0:06:41 | 0:06:44 | |
LAUGHTER AND APPLAUSE | 0:06:44 | 0:06:48 | |
And making it a full house, but not quite making it onto | 0:06:48 | 0:06:51 | |
the show as a panellist, Lee Latchford-Evans. | 0:06:51 | 0:06:54 | |
Is it number one, Steps? | 0:06:54 | 0:06:57 | |
Number two, Steptoe and Son? | 0:06:57 | 0:07:00 | |
Number three, Stepford wife? | 0:07:00 | 0:07:02 | |
Number four, Stepticemia? | 0:07:02 | 0:07:05 | |
Or number five, stepfather used to touch him? | 0:07:05 | 0:07:08 | |
LAUGHTER | 0:07:08 | 0:07:09 | |
By the way, before we even start, I think it could be number one, | 0:07:14 | 0:07:17 | |
because he's very disciplined, not even when I go all weird with him. | 0:07:17 | 0:07:21 | |
Like all like that. | 0:07:23 | 0:07:25 | |
He has been trained not to laugh and to be highly professional, | 0:07:25 | 0:07:28 | |
so I think it could be number one. | 0:07:28 | 0:07:31 | |
Number two... Ooh. | 0:07:32 | 0:07:34 | |
No, I don't think it is number two because the feel when I touched you | 0:07:36 | 0:07:40 | |
like that, it was more like the feel of a lonely businessman in Telford. | 0:07:40 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:48 | |
Number three looks happy, like he might be getting a few royalties... | 0:07:48 | 0:07:53 | |
Might just be sitting there, | 0:07:55 | 0:07:57 | |
just waiting for the envelope to fall through the front door, | 0:07:57 | 0:08:00 | |
while other people have to work night in, night out! | 0:08:00 | 0:08:06 | |
LAUGHTER AND APPLAUSE | 0:08:06 | 0:08:10 | |
I think it could be number three. | 0:08:10 | 0:08:13 | |
It's like watching a heron in a grey jacket. Paul! | 0:08:13 | 0:08:16 | |
He knows who it is. You might have to come back to the chair. | 0:08:16 | 0:08:19 | |
LAUGHTER | 0:08:21 | 0:08:24 | |
CROWD CHEERS | 0:08:24 | 0:08:26 | |
Would the real Lee Latchford-Evans please step forward? | 0:08:26 | 0:08:28 | |
CHEERING AND APPLAUSE | 0:08:30 | 0:08:33 | |
Sean Hughes started on Buzzcocks as a young hopeful | 0:08:40 | 0:08:43 | |
from the Emerald Isle, with a song in his heart, | 0:08:43 | 0:08:46 | |
and a dream in his pocket. | 0:08:46 | 0:08:47 | |
Hughes possessed the wit and wisdom of Oscar Wilde, the flair and sexual | 0:08:52 | 0:08:56 | |
allure of Georgie Best, and the vocal range of Christine Bleakley. | 0:08:56 | 0:09:00 | |
Here are three of Sean Hughes's most memorable, | 0:09:00 | 0:09:02 | |
and least musical, moments from the intros round. | 0:09:02 | 0:09:06 | |
At three, Sean and Embraces' Danny McNamara put on a show for Vegas. | 0:09:07 | 0:09:11 | |
SING NASAL, TUNELESS SONG | 0:09:12 | 0:09:15 | |
Just think '80s overproduction. Whoo! Hoo-hoo. Cuckoo, cuckoo! | 0:09:16 | 0:09:20 | |
MAKES MECHANICAL NOISES | 0:09:22 | 0:09:25 | |
Haw-haw-haw! | 0:09:25 | 0:09:27 | |
LAUGHTER | 0:09:27 | 0:09:29 | |
I was a blank until the "Haw-haw-haw". | 0:09:29 | 0:09:33 | |
Somehow, that's captured my imagination! | 0:09:33 | 0:09:35 | |
-We Close Our Eyes! -Yes! | 0:09:36 | 0:09:37 | |
APPLAUSE | 0:09:39 | 0:09:42 | |
-He got it just could you went... Ah! That's it. -No, no! | 0:09:42 | 0:09:45 | |
Can you read, Johnny? | 0:09:45 | 0:09:47 | |
-Barely. -Then I'll give you the point. | 0:09:48 | 0:09:51 | |
I know the buses to catch and day centres to visit. | 0:09:51 | 0:09:54 | |
LAUGHTER | 0:09:54 | 0:09:56 | |
For number two, | 0:09:56 | 0:09:58 | |
Sean and Vic Reeves show off their telepathic musical connection. | 0:09:58 | 0:10:01 | |
Boa... | 0:10:01 | 0:10:02 | |
Wuurrgh... | 0:10:02 | 0:10:04 | |
BOTH: Dang, dang dang... | 0:10:04 | 0:10:06 | |
LAUGHTER | 0:10:07 | 0:10:11 | |
BOTH SING TUNE OF "THREE BLIND MICE" | 0:10:14 | 0:10:19 | |
-No, hold on, hold on. It's not... -It is. Listen to the record. -All right. | 0:10:24 | 0:10:28 | |
RESUME SINGING "THREE BLIND MICE" | 0:10:30 | 0:10:34 | |
It's for the kiddies! | 0:10:34 | 0:10:36 | |
BOTH CHANGE TUNE ABRUPTLY | 0:10:41 | 0:10:45 | |
-Is it... Blondie? -Correct! -What was the title of the song? -Atomic. -Yes. | 0:10:46 | 0:10:52 | |
It was Atomic by Blondie. | 0:10:52 | 0:10:54 | |
APPLAUSE | 0:10:54 | 0:10:55 | |
And at number one, Hughes and Burns, a match made in heaven. | 0:10:55 | 0:11:00 | |
That was my bit, you bitch! | 0:11:00 | 0:11:02 | |
It's like a date really gone badly wrong, isn't it? | 0:11:04 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:08 | |
Gone BADLY wrong? | 0:11:08 | 0:11:11 | |
I'm guessing it was a blind date, was it? | 0:11:11 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:15 | |
Listen, mate, I'll do the camera for a bit, will you take over? | 0:11:15 | 0:11:18 | |
-Just for a little bit. -Jolly good idea, Sean! | 0:11:20 | 0:11:23 | |
LAUGHTER AND APPLAUSE | 0:11:23 | 0:11:27 | |
CROWD CHEERS | 0:11:27 | 0:11:29 | |
-Come on, hurry up! -He doesn't know the song. You might as well do it. | 0:11:33 | 0:11:37 | |
-You do that bit, I'll... -OK. | 0:11:37 | 0:11:39 | |
De-de-de-der de-le-le De-de-de-der de-le-le... | 0:11:39 | 0:11:42 | |
Sean, it doesn't help... | 0:11:42 | 0:11:43 | |
Der. De-der. De-der. | 0:11:43 | 0:11:45 | |
De-de-de-der de-le-le... | 0:11:45 | 0:11:47 | |
I hated the frigging record anyway! | 0:11:47 | 0:11:50 | |
It's throwing me that Sean looks like he's a folk singer. | 0:11:50 | 0:11:54 | |
Imagine if they turned up in your local pub. | 0:11:54 | 0:11:56 | |
-We're Peters and Lee! -We've changed a little bit over the years... | 0:11:57 | 0:12:01 | |
- I think I've got it. - How?! | 0:12:01 | 0:12:03 | |
That's... That is not possible! | 0:12:03 | 0:12:06 | |
I can, actually. Is it Groovy Train, Farm? | 0:12:06 | 0:12:08 | |
MARK: It is Groovy Train, by The Farm. | 0:12:08 | 0:12:10 | |
APPLAUSE It should have sounded like this. | 0:12:10 | 0:12:12 | |
# "Groovy Train" by The Farm | 0:12:12 | 0:12:15 | |
LAUGHTER | 0:12:16 | 0:12:18 | |
I think children all over the country will go to bed tonight with | 0:12:22 | 0:12:26 | |
something that they've learned from us. | 0:12:26 | 0:12:28 | |
Not to watch Buzzcocks next week. | 0:12:28 | 0:12:30 | |
2001 also turned out to be a significant year in politics. | 0:12:35 | 0:12:39 | |
George W Bush has been sworn in as the 43rd President of America. | 0:12:39 | 0:12:43 | |
Seems like a pretty smart guy. | 0:12:43 | 0:12:45 | |
There is an old saying in Tennessee, I know it's in Texas, | 0:12:45 | 0:12:48 | |
probably in Tennessee. It fooled me once... Shame on... | 0:12:48 | 0:12:53 | |
..shame on you. | 0:12:55 | 0:12:56 | |
Fool me, you can't get fooled again. | 0:12:58 | 0:13:01 | |
Meanwhile, in the UK, | 0:13:01 | 0:13:02 | |
this protester left John Prescott with egg on his face. | 0:13:02 | 0:13:06 | |
Celebrity egging. I think that could catch on. | 0:13:06 | 0:13:09 | |
REPORTER: As Mr Prescott walks past, he throws an egg, | 0:13:09 | 0:13:12 | |
which hits the Deputy Prime Minister on the side of the head. | 0:13:12 | 0:13:15 | |
Instantly, Mr Prescott turns, and throws a punch. | 0:13:15 | 0:13:18 | |
It was a first-class jab, said Lennox Lewis's manager today, | 0:13:18 | 0:13:21 | |
going on to offer to train | 0:13:21 | 0:13:23 | |
the Deputy Prime Minister. | 0:13:23 | 0:13:24 | |
The chain of bookies are offering odds of 25 to 1 on him | 0:13:24 | 0:13:27 | |
retiring to Japan to take up sumo wrestling. | 0:13:27 | 0:13:30 | |
2001 marked the debut of Celebrity Big Brother. | 0:13:30 | 0:13:33 | |
A few days in, and cuddly TV presenter Vanessa Feltz | 0:13:33 | 0:13:37 | |
managed to have a complete meltdown. | 0:13:37 | 0:13:39 | |
And so, naturally, the next time she came on Buzzcocks, | 0:13:39 | 0:13:42 | |
she was handled delicately. | 0:13:42 | 0:13:43 | |
SCRATCHY INTRO SINGING | 0:13:43 | 0:13:47 | |
We're dancing together now, Vanessa, come on. Yeah. | 0:13:47 | 0:13:50 | |
VANESSA SINGS TUNELESSLY | 0:13:50 | 0:13:52 | |
-I just don't have any idea what it is at all. -But you've got rhythm! | 0:13:52 | 0:13:56 | |
LAUGHTER | 0:13:56 | 0:13:58 | |
I've got no rhythm, and I don't know what it is. No idea. | 0:13:58 | 0:14:01 | |
APPLAUSE | 0:14:01 | 0:14:03 | |
I'm going to pass it over. But that's not anything against you. | 0:14:03 | 0:14:05 | |
It's not a personal... | 0:14:05 | 0:14:07 | |
..it's not, "Pass it over, because I hate Vanessa Feltz!" No. | 0:14:07 | 0:14:11 | |
Pass it over because they know, and otherwise they will be upset. | 0:14:11 | 0:14:14 | |
I'll live with it. | 0:14:14 | 0:14:16 | |
After the show, we're going to make love. | 0:14:16 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:20 | |
How does he do that? | 0:14:20 | 0:14:22 | |
2001 saw Eamonn Holmes embark on one of the most painful endurance | 0:14:22 | 0:14:26 | |
challenges of all time. | 0:14:26 | 0:14:28 | |
-A five-minute interview with David Blaine. -The eye in the hand. | 0:14:28 | 0:14:32 | |
And what is that? What is the eye in the hand? Let's see that again. | 0:14:32 | 0:14:35 | |
-It's protection. -Protection? | 0:14:35 | 0:14:37 | |
What does that mean? | 0:14:38 | 0:14:40 | |
-Protection from death. -Oh. Mmm. | 0:14:40 | 0:14:43 | |
And the year's most unlikely romance saw Billie Piper | 0:14:44 | 0:14:48 | |
and Chris Evans tie the knot. | 0:14:48 | 0:14:50 | |
Bob The Builder has such a cult following that many | 0:14:50 | 0:14:53 | |
celebrities have taken roles in the show. | 0:14:53 | 0:14:54 | |
Chris Evans had a small part in Bob The Builder, | 0:14:54 | 0:14:57 | |
and an even smaller part in Billie The Piper. | 0:14:57 | 0:14:59 | |
Chart news now, and here's one of the year's most-loved hits, | 0:15:02 | 0:15:06 | |
as performed by Sean Hughes and David Van Day. | 0:15:06 | 0:15:09 | |
# La la la | 0:15:09 | 0:15:10 | |
# La la la la-la | 0:15:10 | 0:15:13 | |
# La la la... # | 0:15:13 | 0:15:14 | |
I can't believe I'm the best at this for the first time ever! | 0:15:14 | 0:15:18 | |
LAUGHTER | 0:15:18 | 0:15:20 | |
That's a first. | 0:15:20 | 0:15:21 | |
# I just can't get you out of my head... # | 0:15:21 | 0:15:24 | |
Yes. 2001 saw Kylie hit the number one spot with this smash. | 0:15:24 | 0:15:28 | |
And here's a selection of other tunes | 0:15:28 | 0:15:30 | |
we couldn't get out of our heads that year. | 0:15:30 | 0:15:33 | |
Shaggy's It Wasn't Me | 0:15:34 | 0:15:36 | |
was the biggest-selling single of the year. Shaggy, | 0:15:36 | 0:15:39 | |
is it true you went on to have a long and fruitful career in music? | 0:15:39 | 0:15:42 | |
# Wasn't me... # | 0:15:42 | 0:15:43 | |
My mistake. | 0:15:43 | 0:15:46 | |
# One for the money and the free rides... # | 0:15:46 | 0:15:48 | |
2001 saw Blue burst onto the scene with their debut single, All Rise. | 0:15:48 | 0:15:55 | |
They seemed to have everything, the good looks, the talent, | 0:15:55 | 0:15:58 | |
the street cred... | 0:15:58 | 0:15:59 | |
..and the other one. | 0:15:59 | 0:16:02 | |
And So Solid Crew enjoyed their 21 seconds of chart success. | 0:16:02 | 0:16:07 | |
# I've got 21 seconds to flow I've got 21 seconds to go... # | 0:16:07 | 0:16:10 | |
We couldn't fit all 30 of the crew on the show, | 0:16:10 | 0:16:12 | |
but we did manage to book three of our favourites. | 0:16:12 | 0:16:15 | |
Here is Mega Man. | 0:16:15 | 0:16:16 | |
This was bound to happen, I suppose. I've got 21 seconds to flow... | 0:16:16 | 0:16:20 | |
Ha-ha-ha! | 0:16:20 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:23 | |
# Cos if you like me let me know Let me in the studio | 0:16:23 | 0:16:25 | |
# I got 21 seconds before | 0:16:25 | 0:16:26 | |
# I got 21 seconds to flow, I got 21 seconds to go... # | 0:16:26 | 0:16:29 | |
Couldn't it have all have been so simpler than that? | 0:16:29 | 0:16:32 | |
Next, MC Harvey. | 0:16:32 | 0:16:33 | |
You're going to get drive by'd now, Paul. | 0:16:33 | 0:16:35 | |
If any hip-hop lot wanted to click me, | 0:16:35 | 0:16:37 | |
they'd just need an ice cream van. | 0:16:37 | 0:16:39 | |
LAUGHTER | 0:16:39 | 0:16:41 | |
I'd come running out, bam! | 0:16:42 | 0:16:44 | |
And last, but by no means least, Lisa Mafia. | 0:16:46 | 0:16:49 | |
# Da-nan da-nan... # | 0:16:49 | 0:16:51 | |
# Where did you come from, where did you go, | 0:16:51 | 0:16:53 | |
# Where did you come from, So Solid Crew. | 0:16:53 | 0:16:56 | |
# Where did you come from... # I'm just, I am, free styling. | 0:16:56 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
-I'm guessing it's something to do with So Solid. -No. -No, it's not. | 0:17:00 | 0:17:03 | |
This was a big hit. | 0:17:03 | 0:17:05 | |
LAUGHTER | 0:17:05 | 0:17:08 | |
SHE STAMPS A RHYTHM Isn't she angry? | 0:17:08 | 0:17:10 | |
-# Isn't she angry? -# | 0:17:10 | 0:17:12 | |
-Hey! -What? | 0:17:12 | 0:17:13 | |
-Get off that cloud! -Keep out of this one. -I host the show! | 0:17:14 | 0:17:19 | |
-You spoil it, you do! -You don't scare me... Mafia? | 0:17:19 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:25 | |
Buzzcocks has always been a big fan of rock. | 0:17:31 | 0:17:35 | |
MUSIC: "Back In Black" by AC/DC | 0:17:35 | 0:17:36 | |
Over the years, we've been joined by some true legends. | 0:17:36 | 0:17:40 | |
The voice of rock. | 0:17:40 | 0:17:41 | |
Here are three of the best, starting with axe-maestro | 0:17:42 | 0:17:45 | |
and top hat merchant, Slash, whose dreams finally came true in 2001, | 0:17:45 | 0:17:50 | |
when he got to play in this all-star line-up. | 0:17:50 | 0:17:53 | |
Blackburn and Slash, what a team! | 0:17:53 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:57 | |
That's a cop show I'd pay to see. Blackburn And Slash. | 0:17:57 | 0:18:00 | |
Book 'em, Blackburn! | 0:18:00 | 0:18:02 | |
You two, in my office, now! | 0:18:03 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
Buckle up, we're in for a bumpy ride. | 0:18:07 | 0:18:10 | |
This might take a while. Each one is a 30 minute guitar solo. | 0:18:11 | 0:18:14 | |
Do-do de-de do-do de-de... | 0:18:16 | 0:18:18 | |
-I forgot it... Wait. OK, OK. -Yeah, yeah. OK. You forgot? Surely not! | 0:18:18 | 0:18:23 | |
-My family is going to be watching this! -Really? | 0:18:23 | 0:18:25 | |
Your family is going to be watching - | 0:18:25 | 0:18:27 | |
like they've never been more ashamed of you! | 0:18:27 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:31 | |
My cousin will probably be like, | 0:18:31 | 0:18:32 | |
"What's he doing? He looks ridiculous." | 0:18:32 | 0:18:35 | |
And he won't be alone. | 0:18:35 | 0:18:37 | |
# Doh-doh-doh do-doh | 0:18:38 | 0:18:40 | |
# Doh do-do do | 0:18:40 | 0:18:42 | |
# Doh-doh-doh | 0:18:42 | 0:18:43 | |
# Doh do-doont do do-do | 0:18:43 | 0:18:45 | |
# Bo-bo bo bom | 0:18:45 | 0:18:46 | |
# Do do-doont do do-do | 0:18:46 | 0:18:49 | |
# Bo-bo bo bom | 0:18:49 | 0:18:50 | |
# Do do-do | 0:18:50 | 0:18:52 | |
# De-der de-der de-de | 0:18:52 | 0:18:53 | |
BOTH KEEP SINGING | 0:18:53 | 0:18:56 | |
Oh, yeah. | 0:18:56 | 0:18:57 | |
Look at him! It's there now. It's all there. | 0:18:57 | 0:19:00 | |
Look at him go! | 0:19:03 | 0:19:04 | |
MARK: Tony! | 0:19:07 | 0:19:08 | |
# Heaven...! | 0:19:08 | 0:19:10 | |
-# ..must be missing an angel. -Yes! | 0:19:10 | 0:19:12 | |
Look at it. Look at it happen. Look at the magic come through. | 0:19:12 | 0:19:16 | |
APPLAUSE | 0:19:16 | 0:19:19 | |
-We've got to do the three-handed rock thing. -Yeah! Yeah! Whoo! | 0:19:19 | 0:19:23 | |
-Take me down to the Paradise City... -Where the girls got... | 0:19:23 | 0:19:27 | |
LAUGHTER | 0:19:27 | 0:19:29 | |
Hey, hey! | 0:19:29 | 0:19:31 | |
There's an original version, there's an original version of that song. | 0:19:31 | 0:19:34 | |
It's where the girls are fat and they got big titties, | 0:19:34 | 0:19:37 | |
or, where the grass is green, and the girls are pretty. | 0:19:37 | 0:19:40 | |
Whatever you would have said, I would have accepted. | 0:19:40 | 0:19:42 | |
Can't make out any of it. | 0:19:42 | 0:19:45 | |
Next to grace the Buzzcocks studio with his presence, | 0:19:45 | 0:19:48 | |
the meat in rock's sandwich. | 0:19:48 | 0:19:50 | |
# Dow de-dowt dowt dowt | 0:19:50 | 0:19:53 | |
# De dowt dowt dowt | 0:19:53 | 0:19:54 | |
# De dowt dowt dowt | 0:19:54 | 0:19:56 | |
# De dowt... # | 0:19:56 | 0:19:58 | |
I've got it, I've got it. | 0:19:58 | 0:20:00 | |
MEATLOAF IMPERSONATES PERCUSSION | 0:20:00 | 0:20:03 | |
-Oh! Oh! -Boom! Boom! | 0:20:05 | 0:20:07 | |
BOTH CONTINUE WITH INCREASING VOLUME | 0:20:09 | 0:20:11 | |
# Dou-dou dou-dou Boh! # | 0:20:11 | 0:20:13 | |
A siren! It's a siren! | 0:20:13 | 0:20:15 | |
-# Boh! -# | 0:20:15 | 0:20:17 | |
MARK: Mate, mate, mate, mate, mate... | 0:20:17 | 0:20:19 | |
It does put you team under a disadvantage | 0:20:19 | 0:20:21 | |
when you ad lib an intro. | 0:20:21 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:23 | |
It has to be the intro of the song. | 0:20:23 | 0:20:25 | |
-I know what it is. -You know what it is? -It's written right here. | 0:20:25 | 0:20:28 | |
OK. What is it? | 0:20:28 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:30 | |
It's Connection by Elastica. | 0:20:30 | 0:20:32 | |
But I'm assuming, you don't live here, | 0:20:32 | 0:20:35 | |
you probably wouldn't have known that, you get a point. | 0:20:35 | 0:20:37 | |
Thank you very much. | 0:20:37 | 0:20:39 | |
APPLAUSE | 0:20:39 | 0:20:42 | |
You know, I'm beginning to think we can make a good team. | 0:20:42 | 0:20:45 | |
# Do you love me? Do you love me for ever? # | 0:20:45 | 0:20:47 | |
But not singing. | 0:20:47 | 0:20:48 | |
LAUGHTER AND APPLAUSE | 0:20:48 | 0:20:51 | |
And finally, stepping into the Buzzcocks hot-seat in more | 0:20:54 | 0:20:57 | |
recent years, Mr Alice Cooper with this, probably the most | 0:20:57 | 0:21:01 | |
rock'n'roll tale ever told. | 0:21:01 | 0:21:04 | |
Now, I met Elvis in 1970. | 0:21:04 | 0:21:06 | |
I got a thing that says, "Elvis wants to meet you." | 0:21:06 | 0:21:08 | |
I got to the Hilton Hotel, the elevator opened up, | 0:21:08 | 0:21:11 | |
and it was me, Liza Minnelli, Chubby Checker, and Linda Lovelace. | 0:21:11 | 0:21:17 | |
Wow. | 0:21:17 | 0:21:18 | |
What, you had come together, | 0:21:18 | 0:21:20 | |
or you just sort of happened to be in that lift? | 0:21:20 | 0:21:22 | |
-No, he invited those four people. -Really? | 0:21:22 | 0:21:24 | |
So, we went up and they searched us for guns, | 0:21:24 | 0:21:26 | |
which was kind of silly because there were guns everywhere once you got in. | 0:21:26 | 0:21:29 | |
When he came in the room, he was Elvis. | 0:21:29 | 0:21:31 | |
He wasn't the fat Elvis, he was Elvis. He was the guy. | 0:21:31 | 0:21:35 | |
He goes, "Hey man. You're the cat with the snake, ain't ya?" | 0:21:35 | 0:21:38 | |
I said, "Yeah." And he goes, "That's cool, man. | 0:21:38 | 0:21:40 | |
"I wish I would have thought of that. | 0:21:40 | 0:21:42 | |
"That's cool." He said, "Hey, I want to show you something." | 0:21:42 | 0:21:45 | |
We go in the kitchen, he opens a drawer, | 0:21:45 | 0:21:47 | |
takes out a loaded snub-nosed .38, puts it in my hand, and he says, | 0:21:47 | 0:21:51 | |
"I'm going to show you how to take this gun out of somebody's hand." | 0:21:51 | 0:21:55 | |
The little devil here on my shoulder says, "Shoot him." | 0:21:55 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
The little angel over here says, "Don't kill him, just wound him." | 0:22:03 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:09 | |
Before I could decide what to do, I was on the floor. | 0:22:09 | 0:22:11 | |
And he's had his boot in my throat, I'm going, "Ah, that's good, Elvis. | 0:22:11 | 0:22:15 | |
"That's great." | 0:22:15 | 0:22:17 | |
I'm still reeling over the fact that you were there with Liza Minnelli. | 0:22:17 | 0:22:20 | |
-Oh, yeah. -He must've thought you were sisters. | 0:22:20 | 0:22:22 | |
LAUGHTER | 0:22:22 | 0:22:24 | |
Of course, only three of us came down on the elevator that night. | 0:22:24 | 0:22:27 | |
Now, I don't know what he did with Chubby Checker all night... | 0:22:27 | 0:22:31 | |
Tell you what, he was an amazing character, a very funny guy, | 0:22:31 | 0:22:35 | |
but he was Elvis. | 0:22:35 | 0:22:37 | |
From the sublime, to this. | 0:22:38 | 0:22:40 | |
2001 saw the launch of Popstars, | 0:22:41 | 0:22:45 | |
and like any major natural disaster, the effects were seismic. | 0:22:45 | 0:22:49 | |
One moment in particular sent shockwaves through the world of pop. | 0:22:49 | 0:22:54 | |
# My loneliness is killing me | 0:22:54 | 0:22:58 | |
# And I, I must confess I still believe | 0:22:58 | 0:23:04 | |
# Still believe | 0:23:04 | 0:23:06 | |
# When I'm not with you I lose my mind | 0:23:06 | 0:23:11 | |
# Give me a sign | 0:23:13 | 0:23:16 | |
# Hit me baby one more... | 0:23:16 | 0:23:18 | |
HE SNAPS HIS FINGERS | 0:23:19 | 0:23:21 | |
# T-i-me | 0:23:22 | 0:23:28 | |
# Ba-by hit me | 0:23:28 | 0:23:32 | |
# One more | 0:23:32 | 0:23:33 | |
# Time. # | 0:23:35 | 0:23:36 | |
MARK: And gave me a... | 0:23:36 | 0:23:37 | |
# S-i-gn! | 0:23:37 | 0:23:40 | |
# Give it to me one more... | 0:23:41 | 0:23:44 | |
LAUGHTER | 0:23:44 | 0:23:46 | |
# T-i-me. # | 0:23:46 | 0:23:50 | |
APPLAUSE | 0:23:50 | 0:23:52 | |
Hey, and none of your mucking about with the melody. | 0:23:52 | 0:23:55 | |
-He's got to find out what it is. -Would I? -I'll... | 0:23:55 | 0:23:59 | |
-..I'll be Darius in this one. -All right. | 0:23:59 | 0:24:02 | |
SINGS SIMPLE MELODY | 0:24:06 | 0:24:10 | |
-Ha-ha-ha! -That's pretty much it. | 0:24:16 | 0:24:18 | |
DARIUS KEEPS SINGING | 0:24:19 | 0:24:21 | |
-That was a nice little... You're ad-libbing again. -No, I wasn't. | 0:24:21 | 0:24:24 | |
-That's in the song. -No, it isn't. -Play it. Play it. | 0:24:24 | 0:24:26 | |
Well, if we play it, it gives him too big a clue. | 0:24:26 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:30 | |
It's not fair. I'm singing on my own, and he's not doing anything. | 0:24:34 | 0:24:37 | |
I was being you! | 0:24:37 | 0:24:39 | |
-I could "doo-doo do-do-doo"... -I have no idea. | 0:24:39 | 0:24:42 | |
So, I'm going to pass it over. | 0:24:42 | 0:24:44 | |
-I Love Your Smile. -It was! I Love Your Smile, by Shanice. | 0:24:44 | 0:24:46 | |
Sadly, Darius failed to gain a place in pop's newest supergroup. | 0:24:48 | 0:24:52 | |
That honour went to Kim, Myleene, Suzanne, Danny, and Noel. | 0:24:52 | 0:24:57 | |
They were brought together by nasty Nigel, | 0:24:59 | 0:25:01 | |
a sensitive man with a diplomatic touch. | 0:25:01 | 0:25:04 | |
You need to lose some weight. You are going on show in... | 0:25:04 | 0:25:08 | |
..six weeks, from now. Six weeks. | 0:25:09 | 0:25:12 | |
And I want you looking the best and feeling the best you can. | 0:25:12 | 0:25:15 | |
It's all right saying that Christmas was there, | 0:25:15 | 0:25:17 | |
and, well, the goose has gotten fat. | 0:25:17 | 0:25:19 | |
Do you think I'm fat? | 0:25:19 | 0:25:21 | |
I think you put weight on over Christmas, | 0:25:21 | 0:25:23 | |
and I think you needed to lose weight before Christmas. | 0:25:23 | 0:25:25 | |
-Do you? -Yeah. | 0:25:25 | 0:25:27 | |
Bit harsh. | 0:25:27 | 0:25:28 | |
Anyway, Pure And Simple became the UK's fastest-selling debut | 0:25:28 | 0:25:31 | |
single of all time. | 0:25:31 | 0:25:33 | |
And in April 2001, whilst perched at the peak of the charts, | 0:25:33 | 0:25:37 | |
Buzzcocks scored a coup by booking Kim and Noel to appear on the show. | 0:25:37 | 0:25:42 | |
Five weeks ago you were sat there anyway. | 0:25:42 | 0:25:44 | |
LAUGHTER | 0:25:44 | 0:25:45 | |
-And after eight series, you're still sat there. -Hey! | 0:25:50 | 0:25:53 | |
CROWD CHEERS | 0:25:53 | 0:25:54 | |
I'm trying to work out how that was an insult, Miss One Single. | 0:25:56 | 0:26:00 | |
CROWD JEERS | 0:26:00 | 0:26:02 | |
Did you do anything in your videos like that, have a mixer, | 0:26:02 | 0:26:05 | |
something stupid like that? | 0:26:05 | 0:26:06 | |
We did get ideas and they were just politely taken onboard | 0:26:06 | 0:26:09 | |
-and then never heard of again. -Yeah. | 0:26:09 | 0:26:11 | |
-Like "We'll sing on this record..." -Totally. | 0:26:11 | 0:26:14 | |
-I don't mean you, I don't mean you, Myleene. -Have you got... | 0:26:16 | 0:26:19 | |
-There's a tribute act, isn't there? -It was called Nearsay. -Ah! | 0:26:19 | 0:26:23 | |
It's got Danny and Noel in it. | 0:26:23 | 0:26:25 | |
Over the years, Myleene carved out a hugely successful career, | 0:26:27 | 0:26:31 | |
managing to juggle her music and her other stuff. | 0:26:31 | 0:26:35 | |
What kind of person just hangs out in a bikini? | 0:26:35 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:40 | |
APPLAUSE | 0:26:44 | 0:26:46 | |
I'll drink to that. | 0:26:46 | 0:26:47 | |
You were, at one point, Britain's premier... Shower-er. | 0:26:48 | 0:26:51 | |
-Are you still showering? -I am still showering. | 0:26:51 | 0:26:54 | |
Still keeping... You do it for fun now, though, rather than...? | 0:26:54 | 0:26:58 | |
At the time, in fairness, I was doing it for cleanliness, | 0:26:58 | 0:27:00 | |
-but yeah, I do it... -You weren't doing it for cleanliness! | 0:27:00 | 0:27:04 | |
-Are you kidding? I really was. -Is there a waterfall near here? | 0:27:04 | 0:27:07 | |
Make sure... Yeah, bring some, I think I need four cameras. | 0:27:09 | 0:27:12 | |
Can you bring more cameras? | 0:27:12 | 0:27:15 | |
Any plans for a Hearsay reunion? | 0:27:15 | 0:27:17 | |
Funnily enough, not that I know of. | 0:27:17 | 0:27:20 | |
-But I don't think we had enough songs. -You had a good... Three. | 0:27:20 | 0:27:23 | |
# Pure and simple, every time... # | 0:27:25 | 0:27:29 | |
-Was that one? -What was it? Pure And Simple? What else? | 0:27:31 | 0:27:33 | |
The Way To Your Love. | 0:27:33 | 0:27:35 | |
-Show me the way to your love... -# I'm tired and I want to go to bed! | 0:27:35 | 0:27:38 | |
# I had a little drink about an hour ago, and it's gone right to my head! # | 0:27:40 | 0:27:44 | |
Why do people care about Myleene Klass but not Danny Foster? | 0:27:44 | 0:27:48 | |
Why is that? | 0:27:48 | 0:27:49 | |
By the way, let me tell you, | 0:27:49 | 0:27:51 | |
it took three researchers to find out his surname. | 0:27:51 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:55 | |
Time now to remind ourselves of some of the Bohemian hipsters that | 0:28:02 | 0:28:05 | |
made up tonight's supporting cast, | 0:28:05 | 0:28:08 | |
starting with funny man | 0:28:08 | 0:28:10 | |
Julius Simpson, Ashley Taylor-Dawson, | 0:28:10 | 0:28:12 | |
Toyah Wilcox, Christian O'Connell, | 0:28:12 | 0:28:15 | |
Nemone, Mike Lewis from Lostprophets, and John Entwistle. | 0:28:15 | 0:28:19 | |
Lemmy, Paul Marazzi from A1, comedian Mark Steele, | 0:28:19 | 0:28:23 | |
Roland Rivron, Tania Strecker, and that's Billie Piper. | 0:28:23 | 0:28:27 | |
I've been Alex James, and that was 2001, What A Load Of Buzzcocks. | 0:28:27 | 0:28:32 | |
# Cos I'm just a teenage dirtbag, baby | 0:28:32 | 0:28:36 | |
# Yeah I'm just a teenage dirtbag, baby | 0:28:36 | 0:28:42 | |
# Listen to Iron Maiden maybe with me | 0:28:42 | 0:28:48 | |
# Ooh ooh ooh ooh ooh... # | 0:28:48 | 0:28:51 | |
Subtitles by Red Bee Media Ltd | 0:28:51 | 0:28:53 |