Browse content similar to Between Ourselves. Check below for episodes and series from the same categories and more!
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# Oh, what happened to you? | 0:00:02 | 0:00:03 | |
# Whatever happened to me? | 0:00:03 | 0:00:07 | |
# What became of the people | 0:00:07 | 0:00:11 | |
# We used to be? | 0:00:11 | 0:00:14 | |
# Tomorrow's almost over | 0:00:14 | 0:00:18 | |
# Today went by so fast | 0:00:18 | 0:00:21 | |
# Is the only thing to look forward to | 0:00:21 | 0:00:25 | |
# The past? # | 0:00:25 | 0:00:29 | |
I've only a few words to say. I won't take up much of your valuable time, Thelma. | 0:00:32 | 0:00:38 | |
You have decided to leave me. I can accept that. | 0:00:38 | 0:00:42 | |
You think you're right, you may be. Only time will tell. I accept that. | 0:00:42 | 0:00:48 | |
What I cannot begin to accept is that you should think that I was having an affair with another woman. | 0:00:48 | 0:00:57 | |
This I find...well, this lack of trust, it's taken something from our marriage, Thelma. | 0:00:57 | 0:01:04 | |
And it's going to take a long time, a long, long time, and a lot of hard work to put back what's gone. | 0:01:04 | 0:01:12 | |
Do I make myself clear? | 0:01:12 | 0:01:14 | |
-Who are you talking to? -I wasn't talking to anybody. -Saw your lips move, Norman. | 0:01:16 | 0:01:23 | |
-I was just thinking aloud. -Come on, now, drink that while it's hot. | 0:01:23 | 0:01:28 | |
You've put sugar in it! I don't take sugar. I told you I don't take sugar in tea. | 0:01:28 | 0:01:35 | |
I'm sorry, mate. Just don't stir it. | 0:01:35 | 0:01:38 | |
That's no good. It's in there, doing damage. I've cut out sugar. | 0:01:38 | 0:01:43 | |
And chocolate digestives, and salted nuts and lemon curd. | 0:01:43 | 0:01:48 | |
I'm not to know, am I? It's the first day of our new life together. | 0:01:48 | 0:01:54 | |
I'm getting to know you, getting to know all about you, getting to like you, hoping that you'll like me. | 0:01:54 | 0:02:01 | |
Not funny, not funny at all. | 0:02:01 | 0:02:05 | |
Sorry. Just trying for a smile, to take your mind off things. Bacon sandwich? | 0:02:05 | 0:02:11 | |
I can't eat. Like I can't sleep. | 0:02:11 | 0:02:14 | |
I didn't sleep too good. Your guestroom has never had a guest. | 0:02:14 | 0:02:20 | |
It's not aired. I was freezing. I slept in my socks. | 0:02:20 | 0:02:24 | |
You always sleep in your socks. | 0:02:25 | 0:02:28 | |
I do not. Not in the warm weather. | 0:02:28 | 0:02:32 | |
You do. And in your vest. You've got odd personal habits. | 0:02:32 | 0:02:36 | |
-What do you mean, odd personal habits? -Well, you have. | 0:02:36 | 0:02:41 | |
I have not. It's OK for you. You can sleep in the nude if you want. You've got the electric blanket. | 0:02:41 | 0:02:49 | |
-I don't mean just last night. I mean in general. -Well, like what? | 0:02:49 | 0:02:54 | |
Little things. One can't fail to notice. Little, but they let you down. | 0:02:54 | 0:03:01 | |
Like WHAT? | 0:03:01 | 0:03:03 | |
When you go into somebody's house, you kick your shoes off. | 0:03:03 | 0:03:08 | |
You undo your top trouser button when you've overeaten. It's not nice in company. | 0:03:08 | 0:03:14 | |
And you pick your teeth. And you scratch a lot. | 0:03:14 | 0:03:18 | |
I never said so, but in the Scouts, I hated sharing a tent with you. | 0:03:18 | 0:03:24 | |
Why the hell not? Did you think I would attack you? | 0:03:24 | 0:03:29 | |
There was an evil smell every morning. I couldn't eat my porridge. | 0:03:29 | 0:03:34 | |
Oh, the nastiness is setting in now though, but! | 0:03:34 | 0:03:38 | |
You've bottled this up for years. We were 13 when we got hoyed out of the Scouts. | 0:03:38 | 0:03:45 | |
All these years and - I don't know. | 0:03:45 | 0:03:48 | |
Don't start on me because your wife's left and I've put sugar in your tea. | 0:03:48 | 0:03:54 | |
What about YOUR peculiar habits? Like talking to bears. | 0:03:54 | 0:03:59 | |
The whole Seagull Patrol was in the tent, not just me. Why blame me? | 0:04:02 | 0:04:07 | |
Of course there was an evil smell. | 0:04:07 | 0:04:10 | |
It was wet feet, wind and woodbines. | 0:04:10 | 0:04:14 | |
It was your wind. | 0:04:16 | 0:04:19 | |
I don't have to stay. I can go home to a warm bed, where nobody cares about my trouser buttons. | 0:04:19 | 0:04:27 | |
I came here to help you over your problems. However... | 0:04:27 | 0:04:31 | |
-I... -No-one's let in here without a Swiss finishing school diploma. | 0:04:31 | 0:04:37 | |
-I'm sorry. -You used to cut your toenails in the fireplace, but I wouldn't dream of mentioning that. | 0:04:37 | 0:04:45 | |
-I'm stressed. You know how it is when you can't sleep. -Yes, after last night. | 0:04:45 | 0:04:52 | |
-You have the electric blanket tonight. -Oh, you want me to stay? | 0:04:52 | 0:04:57 | |
-If you don't mind. -Yeah, want me to stay now, do you? | 0:04:57 | 0:05:01 | |
I'd be very grateful. | 0:05:01 | 0:05:04 | |
Oh, look, kid, I don't want your gratitude. I mean, what are friends for? | 0:05:04 | 0:05:11 | |
Times like this you find out who your friends are. | 0:05:11 | 0:05:15 | |
-You need comfort and understanding from a man like me. Can I really have the electric blanket? -Yes. | 0:05:15 | 0:05:23 | |
I'm not sleeping, am I? Not with this emotion hanging over me. | 0:05:23 | 0:05:28 | |
OK. I may not be as genteel as Thelma, but I'll to try to keep the place tidy. | 0:05:28 | 0:05:34 | |
-And I'll get your meals. -I'll leave you something for the housekeeping. | 0:05:34 | 0:05:39 | |
-Yes, the cost of living now. -It'd be best if you got everything at the supermarket. | 0:05:39 | 0:05:46 | |
It depends how long I'm here. How long'll this emotional crisis last? | 0:05:46 | 0:05:52 | |
-It's up to her. -Is it? | 0:05:52 | 0:05:54 | |
Definitely. She's responsible. I'll say to her "You've decided to leave me. | 0:05:54 | 0:06:01 | |
"I accept that. You may be right. Only time can tell. I can accept that. | 0:06:01 | 0:06:08 | |
"What I can't accept, what I can't | 0:06:08 | 0:06:11 | |
-"accept is you thinking I've been having it off with another woman." -Pardon? | 0:06:11 | 0:06:17 | |
-I know the rest, kid. I heard. -Oh. | 0:06:17 | 0:06:20 | |
-I couldn't help it. -I was finding the best way of putting it. | 0:06:20 | 0:06:25 | |
-WHEN will you put it? When will you tell Thelma what you told Norman? -Soon. | 0:06:25 | 0:06:31 | |
-Good. -You think so? -Yes, it's a long speech to remember. | 0:06:31 | 0:06:36 | |
I don't need to be word-perfect, just to get the gist. It's a very important speech - I should try. | 0:06:36 | 0:06:43 | |
I agree. I'm not getting at you. I know how important words are. | 0:06:43 | 0:06:48 | |
I should - I was married to a German girl. | 0:06:48 | 0:06:52 | |
My marriage might have worked if we'd been able to communicate. | 0:06:52 | 0:06:57 | |
When we rowed, she didn't get the abuse I hurled at her. | 0:06:57 | 0:07:01 | |
-Perhaps that was just as well. -Of course it wasn't! | 0:07:01 | 0:07:06 | |
She kept locking me out. You can't ask a total stranger to translate "Let me in, I need the lavatory." | 0:07:06 | 0:07:15 | |
-Did you never attempt to bridge the language barrier? -I did once. | 0:07:15 | 0:07:20 | |
One night, when she'd gone too far. | 0:07:20 | 0:07:23 | |
I went to a neighbour's and borrowed a German phrase book. Huge it was, that thick. | 0:07:23 | 0:07:29 | |
-Was it useful? -Very. I took it home and clouted her with it. | 0:07:29 | 0:07:35 | |
-That's charming, that(!) -The only time the neighbours came in handy. | 0:07:35 | 0:07:40 | |
About the neighbours - there's no point them knowing about this. | 0:07:40 | 0:07:46 | |
I don't want them here with advice and home-made marmalade. | 0:07:46 | 0:07:51 | |
Look at the time! You'll be late. I've got lots to do! | 0:07:51 | 0:07:56 | |
This business with Thelma - I don't want everyone knowing. Let's keep it to ourselves. | 0:07:56 | 0:08:03 | |
-Of course. -I know you. If you're going out, I don't want this all round the estate. | 0:08:03 | 0:08:10 | |
-My lips are sealed. -Bump into your Audrey and word'll fly round. | 0:08:10 | 0:08:15 | |
Round the whole north by the six o'clock news. It'll be ON the news. | 0:08:15 | 0:08:20 | |
My lips are sealed... Mind you... | 0:08:20 | 0:08:25 | |
-What? -I can't help the neighbours seeing me with your shopping. | 0:08:25 | 0:08:31 | |
Make an excuse. Say Thelma's ill. | 0:08:31 | 0:08:33 | |
Then they're bound to be round with home-made marmalade. | 0:08:33 | 0:08:39 | |
It's very infectious. | 0:08:39 | 0:08:41 | |
-Why am I here? -You've been injected. So have I. -That's a relief(!) | 0:08:41 | 0:08:46 | |
She's not to see anybody, total rest. She's done too much stocktaking at work. | 0:08:46 | 0:08:53 | |
I know what. I'll say "That work at the library is killing Thelma. They found her, buried in her books." | 0:08:53 | 0:09:02 | |
-Oh, come on, Terry - be serious. -All right, why am I here? What about everybody else? | 0:09:03 | 0:09:10 | |
Les the milkman, the postman, that cheeky lad on the ice-cream van. We don't want them speculating, do we? | 0:09:10 | 0:09:17 | |
-You're here because your street's being demolished. -WHAT? | 0:09:17 | 0:09:22 | |
-It's being demolished. It's due for it. -Don't be stupid! Everyone knows it's not. | 0:09:22 | 0:09:28 | |
Nobody here'll know. They wouldn't be seen dead there. | 0:09:28 | 0:09:33 | |
It's got more character than round here. | 0:09:33 | 0:09:36 | |
Is that supposed to be clean? | 0:09:36 | 0:09:39 | |
And we don't bother over gossip like you lot. | 0:09:39 | 0:09:43 | |
-MILK BOTTLES RATTLE > -It's Les. Not a word. | 0:09:43 | 0:09:47 | |
-I told you, my lips... -are sealed. Let's see they are. -I'm discreet. | 0:09:47 | 0:09:53 | |
-Hello. -Morning, Les. -You're late. Are you off work? | 0:09:54 | 0:09:58 | |
-No, Thelma's off. Infection. But I've been injected. -And I'm being demolished. -Oh, aye. | 0:09:58 | 0:10:06 | |
I'm sorry. I hope she's better soon. | 0:10:06 | 0:10:08 | |
-She'll be fine. Peace and quiet. -I knocked cos there's no empties out. | 0:10:08 | 0:10:14 | |
-I haven't done it yet! -OK. Usual - two pints and a strawberry yoghurt? | 0:10:14 | 0:10:20 | |
-Yoghurt? You've cut out sugar. -It's for Thelma. | 0:10:20 | 0:10:23 | |
Oh. Well, just the two pints today, Les. You can cancel the yoghurt indefinitely. | 0:10:23 | 0:10:30 | |
It's going to take a long time, a long, long time, and a lot of hard work, to put back what's gone. | 0:10:32 | 0:10:41 | |
-Is that a dash? > -Pardon? | 0:10:41 | 0:10:44 | |
After "hard work", is it a dash or a colon? | 0:10:44 | 0:10:48 | |
-Does it matter? -You said it was an important letter. | 0:10:48 | 0:10:51 | |
-The most important of my life. -Then you should get the punctuation right. | 0:10:51 | 0:10:58 | |
-My marriage won't hang on the difference between a colon and a semi-colon. -Dash. Colon or dash? | 0:10:58 | 0:11:05 | |
-You're the bloody genius! -I'll get the Swear Box. | 0:11:05 | 0:11:10 | |
-I'm sorry, Wendy, I'm sorry. I'm under a lot of strain. -Emotional strain? -Yes. | 0:11:10 | 0:11:16 | |
-That's the worst sort. My boyfriend, Gordon, and I went through lots. -Really? | 0:11:16 | 0:11:23 | |
-At Easter, when we went to Derbyshire, potholing. -One can see that would cause strain. | 0:11:23 | 0:11:30 | |
He does the potholing, not me. It's dangerous. And it can't do you any good, all that damp. | 0:11:30 | 0:11:37 | |
It's no fun for me. I sit in a tent all day while he's burrowing some hole with a flashlight. | 0:11:37 | 0:11:44 | |
Wendy, have your potholing experiences anything to do with my problems? | 0:11:44 | 0:11:50 | |
I thought it'd help to know that others had bad times. | 0:11:50 | 0:11:54 | |
I want Thelma to come home, not emerge from a dark hole. | 0:11:54 | 0:11:59 | |
-I just meant... -Just type it out. | 0:11:59 | 0:12:02 | |
-Yes, Bob. -Just type it out, please. | 0:12:02 | 0:12:05 | |
-I would just like to say one thing. -Yes. Must you? | 0:12:05 | 0:12:10 | |
It's impersonal to write a letter of this importance on work notepaper. | 0:12:10 | 0:12:16 | |
-I'm not! I just want you to type it out so I can go over it and polish it, like. -Oh, I see. | 0:12:16 | 0:12:23 | |
-I would just like to say one thing. -Must you? | 0:12:24 | 0:12:29 | |
I think it's a very lovely letter. | 0:12:29 | 0:12:32 | |
Do you, Wendy? Do you really? | 0:12:32 | 0:12:34 | |
She can't fail to be impressed - once I've corrected the punctuation. | 0:12:34 | 0:12:40 | |
Wendy, listen. This letter - let's keep it between ourselves. I don't want it right round the office. | 0:12:40 | 0:12:49 | |
I'm the soul of discretion. | 0:12:49 | 0:12:51 | |
Good, cos I don't want anybody to see it. If one of those girls saw... | 0:12:51 | 0:12:57 | |
-You know how they thrive on gossip. -My lips are sealed. | 0:12:57 | 0:13:01 | |
-Sorry! -Shouldn't we knock, Vivien? | 0:13:02 | 0:13:05 | |
Yes. I'm sorry. Shall I come back next week? | 0:13:05 | 0:13:09 | |
What is it, Vivienne, please? | 0:13:11 | 0:13:14 | |
I'm making a list of those going on the office trip to Hexham races. Are you and your wife going? | 0:13:14 | 0:13:21 | |
Yes, probably. Put us down for it. | 0:13:21 | 0:13:24 | |
-Is it worth it? -What? | 0:13:24 | 0:13:27 | |
It's £3 a ticket. Shouldn't you see if Thelma comes back... | 0:13:27 | 0:13:31 | |
-Oh, watch...hello, Aud. -What are you doing? -I'm shopping, aren't I? | 0:13:40 | 0:13:45 | |
-But me mam doesn't shop here. -No, I'm getting Bob's stuff in. | 0:13:45 | 0:13:51 | |
-Bob? -Oh, and Thelma. Bob and Thelma. Thelma's not well, you see. She's in bed. -Oh, poor pet. | 0:13:51 | 0:13:58 | |
-I'll drive you round, and see how she is. -Er, no, you can't. -Why not? | 0:13:58 | 0:14:04 | |
-Infectious. -What is? -What she's got. | 0:14:04 | 0:14:07 | |
I'm OK. Me and Bob've had jabs. And she needs the rest. | 0:14:07 | 0:14:12 | |
Peace and quiet and no visitors. It's the stocktaking - takes it out of you. | 0:14:12 | 0:14:18 | |
I'm there if they need anything. Do the shopping, like, watch the house, | 0:14:18 | 0:14:23 | |
make sure there's no visitors... | 0:14:23 | 0:14:26 | |
Eeee...Thelma's left him. | 0:14:27 | 0:14:31 | |
-Terry told me. -Well, what happened? | 0:14:35 | 0:14:38 | |
Well...you know Terry? Apparently, Thelma's left him. You know Bob Ferris? | 0:14:38 | 0:14:44 | |
-But they were happy. -I know, we all thought so. -Well! -Yes! | 0:14:44 | 0:14:49 | |
What is it? | 0:14:54 | 0:14:56 | |
-It's Bob. -Your Bob? Oh, let's see him. -No, not now. | 0:14:56 | 0:15:01 | |
-He's in the cafe opposite. -I've never met him. | 0:15:01 | 0:15:05 | |
-He's been there all afternoon. -Keeping a lonely vigil. -Pardon? | 0:15:05 | 0:15:10 | |
A lonely vigil on the one he loves. | 0:15:10 | 0:15:13 | |
You leaving him has made him realise the depth of his love for you. | 0:15:13 | 0:15:18 | |
-Sshh! -Be quiet. | 0:15:18 | 0:15:20 | |
This thing with Bob, I've told you, because of his phone calls. | 0:15:20 | 0:15:25 | |
I'm relying on your discretion. | 0:15:25 | 0:15:28 | |
-Oh, my lips are sealed, Thelma. -Good. | 0:15:28 | 0:15:31 | |
It's just that I think you should run to his arms... | 0:15:31 | 0:15:36 | |
We're supposed to be re-classifying, and we're only up to archaeology. | 0:15:36 | 0:15:42 | |
I've never met Bob, but he can't be the philanderer you say. | 0:15:42 | 0:15:46 | |
Not a man who keeps long vigils in that horrible cafe. | 0:15:46 | 0:15:51 | |
-He's probably trying to pick up the waitress. -Sshh! | 0:15:51 | 0:15:55 | |
-You've seen her. That's his type - common and available. -I wouldn't describe you like that. | 0:15:55 | 0:16:02 | |
I'm the type he married. That Moira over there's the type he lusts after. | 0:16:02 | 0:16:09 | |
Your Bob'd never run after another woman. He's over there now because you won't take his calls. | 0:16:09 | 0:16:16 | |
If he does notice Moira, you've only yourself to blame. | 0:16:16 | 0:16:21 | |
Your heartless indifference will drive him to the arms of another. | 0:16:21 | 0:16:26 | |
All he did was keep a vigil on his loved one. | 0:16:26 | 0:16:30 | |
You spend too much time in romantic fiction. | 0:16:30 | 0:16:34 | |
-Ha! I knew you'd be here. -What do you want? | 0:16:42 | 0:16:46 | |
-Hey, give us that. -It's typed now, is it? -None of your business. | 0:16:46 | 0:16:51 | |
-A letter now! -It's my concern. -You've bottled out of telling her to her face. | 0:16:51 | 0:16:57 | |
Asking the obvious is an irritating habit of yours. | 0:16:57 | 0:17:02 | |
There you go, changing the subject to my habits, not facing facts. | 0:17:02 | 0:17:07 | |
That's not the way to play it. My advice is tell her straight, to her face. | 0:17:07 | 0:17:13 | |
-Tea, please. -OK. | 0:17:13 | 0:17:16 | |
I do not want your advice. I do not want your help or your opinion. | 0:17:16 | 0:17:21 | |
Don't tell me how to run my marriage when yours was a disaster. | 0:17:21 | 0:17:26 | |
It's like a man with 15 kids advising on family planning. | 0:17:26 | 0:17:30 | |
-All I'm saying is, if we were married, and we had rows... -Which we would have constantly. | 0:17:30 | 0:17:37 | |
I would expect more than a letter. I'd expect to be told to my face. | 0:17:37 | 0:17:43 | |
Which one of them? | 0:17:43 | 0:17:45 | |
I'll ignore that, as you're under emotional strain. | 0:17:45 | 0:17:50 | |
I will tell her to her face. That's why I'm here. She gets coffee here. | 0:17:50 | 0:17:55 | |
She's avoiding me - I'll post it. | 0:17:55 | 0:17:58 | |
-I'll post it. -No. | 0:17:58 | 0:18:00 | |
I want to make sure it gets there. | 0:18:00 | 0:18:03 | |
-Here you are, pet. -Thanks. -Thank you. | 0:18:03 | 0:18:06 | |
-How did you know I was here? -Ahh! | 0:18:06 | 0:18:09 | |
You rang the office and had a right natter about it with Wendy. And the switchboard girls were listening. | 0:18:09 | 0:18:17 | |
-Bob, man, I guessed you were here. -How? -Because Thelma works opposite. | 0:18:17 | 0:18:23 | |
When we were kids and you two rowed, where did you spend the afternoons? | 0:18:23 | 0:18:28 | |
Outside her grammar school. Waiting to see her and carry her satchel. | 0:18:28 | 0:18:34 | |
And when she ignored you, you wrote a letter and gave it to Norma Braithwaite to give to her. | 0:18:34 | 0:18:42 | |
-Nothing's changed much, has it? -'Spose not. -Nothing's changed. | 0:18:42 | 0:18:48 | |
Once I wrote a really long one. It took days and nights. I took such care with it. | 0:18:48 | 0:18:54 | |
Looked up all the words in my pocket dictionary, a present from my Aunty Gladys. | 0:18:54 | 0:19:01 | |
Only time I used it - except to look up mucky words. | 0:19:01 | 0:19:05 | |
-They were never in. -They're in the big one but not the pocket ones. -Not the sort aunties give you. | 0:19:05 | 0:19:14 | |
I took such care - the most important letter ever. | 0:19:14 | 0:19:18 | |
I wrote it in my new Parker 51 that was a present from my Aunty Elsie. | 0:19:18 | 0:19:24 | |
Sealed it with pink sealing wax and wrote SWALK on the envelope. | 0:19:24 | 0:19:29 | |
But I didn't give it to Norma, cos she was off with chicken pox. | 0:19:29 | 0:19:34 | |
-I gave it to you to give to Thelma. -That's right. | 0:19:34 | 0:19:38 | |
You put it on the noticeboard for the whole school to read. How evil! | 0:19:38 | 0:19:44 | |
You're right, nothing's changed. | 0:19:44 | 0:19:46 | |
Even in those days, all your break-ups were down to your supposed infidelities. | 0:19:46 | 0:19:54 | |
-Nothing's changed. -No truth in any of them. | 0:19:54 | 0:19:57 | |
Right...well, I don't know. I did put it about a bit. | 0:19:57 | 0:20:02 | |
-Not as much as Thelma thought you did. -That's not humanly possible. | 0:20:02 | 0:20:08 | |
It's why it's unfair. Can't she see now I'm married, I don't? I don't. | 0:20:08 | 0:20:14 | |
I'd know if you did - your nervous catarrh would come back. | 0:20:14 | 0:20:19 | |
I'm not saying that I don't like girls, that I don't notice girls. | 0:20:19 | 0:20:24 | |
I can't say I haven't noticed that waitress. Even in my darkest hour, I've noticed her provocative body. | 0:20:24 | 0:20:33 | |
-And that ladder up her left leg. -Fantastic legs. -Right up to her throat. Naughty little bum an' all. | 0:20:33 | 0:20:41 | |
-Cheeky. -But she's just a fantasy. Like the girl at the filling station on the bypass. | 0:20:41 | 0:20:48 | |
I'd no more take her out than I'd take you to the badminton club. | 0:20:48 | 0:20:53 | |
-I don't expect to be. I've got to slave over a hot stove. -I'm going to post this. Coming? | 0:20:53 | 0:21:00 | |
No, I'll stay and keep an eye on the ladder. | 0:21:00 | 0:21:03 | |
-I'm just popping over the road. Do you want anything, or just coffee? -Just coffee. | 0:21:03 | 0:21:10 | |
-Anthea? -Yes? -Are you going to the Venetian? | 0:21:10 | 0:21:13 | |
Well, it is the handiest. Ssshhh! > | 0:21:13 | 0:21:17 | |
-Don't talk to Bob. -No, I don't know him. | 0:21:17 | 0:21:21 | |
You didn't know the man who lost a glove in here today, but you're seeing him tonight. | 0:21:21 | 0:21:28 | |
I don't talk to strangers in coffee bars. And whatever you say, I bet he doesn't even notice me. | 0:21:28 | 0:21:36 | |
- Two white coffees to take out, Moira, no sugar. - OK, Anthea. | 0:21:49 | 0:21:54 | |
-Oh, many thanks. -Do you have to rush off? -Pardon. | 0:22:04 | 0:22:08 | |
There's no rush, is there? Come and have a bit of cake? | 0:22:08 | 0:22:12 | |
-Do you know who I am? -No, but if you sat down, I soon would. Pretty soon we'd find out lots of things. | 0:22:12 | 0:22:21 | |
My God, you're everything she said you are. | 0:22:21 | 0:22:26 | |
-Who was that? -I don't know. | 0:22:29 | 0:22:32 | |
I thought...in fact I was positive...oh, well, never mind. | 0:22:32 | 0:22:37 | |
-You haven't posted it! -No. You were right. I realised the sooner this is settled, the better. | 0:22:41 | 0:22:48 | |
-The word is mightier than the pen. -Yes, I AM going to hand it to her. But she can read it at home. | 0:22:48 | 0:22:56 | |
I'm not afraid to tell her, | 0:22:56 | 0:22:59 | |
but I'd get it wrong. She'd butt in, and you can't talk in a library, and she'd never let me get it out. | 0:22:59 | 0:23:07 | |
Not in a public library she wouldn't. | 0:23:09 | 0:23:13 | |
-So, we'll go over there, shall we? -Me? You want me to come an' all? -I wouldn't mind. | 0:23:13 | 0:23:21 | |
All right, come on, let's go. | 0:23:21 | 0:23:23 | |
Oh, no, first one thing, then the other. What is it now - cold feet? | 0:23:27 | 0:23:32 | |
No, it's just a pity. I stuck the stamp on. | 0:23:32 | 0:23:37 | |
Yes, can I help you? | 0:23:59 | 0:24:02 | |
Is, er, Thelma Ferris here, please? | 0:24:02 | 0:24:04 | |
She's busy. I'll fetch her if it's important. | 0:24:04 | 0:24:08 | |
No, it's not that...I wouldn't dream of...don't bother to... | 0:24:08 | 0:24:13 | |
Can you see she gets that, please? | 0:24:13 | 0:24:17 | |
-OK. Shall I say who it's from? -Say it's from her husband. | 0:24:17 | 0:24:22 | |
He's too cowardly to come in after what's just happened. So he sends a messenger. | 0:24:22 | 0:24:28 | |
Give him this back and tell him if he's a man, he'll fetch it himself. | 0:24:28 | 0:24:33 | |
Pardon? | 0:24:40 | 0:24:42 | |
-Look, I'm just trying to... -Ssshh! > | 0:24:42 | 0:24:46 | |
-I'm... -Ssshhh! | 0:24:46 | 0:24:48 | |
What was that commotion, Anthea? | 0:24:53 | 0:24:56 | |
Oh, nothing, pet. Nothing at all, really. I'll just get my handbag. | 0:24:56 | 0:25:02 | |
What is the matter with that girl? | 0:25:05 | 0:25:08 | |
-HE COUGHS -Excuse me, Thelma, pet. | 0:25:23 | 0:25:26 | |
-It's you, is it? Well? -Bob asked me to give you this. | 0:25:26 | 0:25:31 | |
It's a letter, like, from him to you. | 0:25:31 | 0:25:35 | |
He wanted to tell you, but knew you wouldn't let him get it out here. | 0:25:35 | 0:25:41 | |
He asked YOU to bring ME a letter from HIM? | 0:25:41 | 0:25:44 | |
Tell him if he's got anything to say, he can say it to my face. | 0:25:44 | 0:25:49 | |
Give him that message from his ex-wife! | 0:25:49 | 0:25:53 | |
-Sshhh! -Sshhh yourselves! | 0:25:53 | 0:25:56 | |
Loving, they say, means never having to say sorry. | 0:25:58 | 0:26:02 | |
So how come, of all the people I know in love, they spend all the time apologising to each other? | 0:26:02 | 0:26:11 | |
Well, it's worth thinking about, Norman. | 0:26:11 | 0:26:14 | |
'Ey up, here's your father. Now, he needs all the support he can get. Give him a nice smile. Bear up. | 0:26:14 | 0:26:23 | |
-Course it's all over town now, isn't it? -It isn't. -Yes. | 0:26:23 | 0:26:28 | |
It is after that library fiasco. I went to the Fat Ox on my way home - you know that sexy Scots barmaid? | 0:26:28 | 0:26:36 | |
She gives me a gooey smile and tells me to keep my pecker up! Huh! | 0:26:36 | 0:26:41 | |
-That doesn't mean owt. -Yes, it does! She knows. You should have seen the smile. | 0:26:41 | 0:26:48 | |
In the Crimea, Florence Nightingale gave that smile to amputees. Keep me pecker up! Huh! | 0:26:48 | 0:26:55 | |
If you're going to sit there wallowing in self-pity, I'll tell you something. | 0:26:55 | 0:27:02 | |
-You don't half flatter yourself. -What? | 0:27:02 | 0:27:05 | |
Flatter yourself people here are so interested in you and Thelma. | 0:27:05 | 0:27:11 | |
The endless saga of Bob and Thelma has been going on for years. | 0:27:11 | 0:27:16 | |
-It's rumoured Florence Nightingale or Boadicea introduced you two. -Eh? | 0:27:16 | 0:27:22 | |
You're fretting unnecessarily. You are getting a persecution complex. | 0:27:22 | 0:27:28 | |
There's nothing wrong with your marriage. If there is, nobody knows. | 0:27:28 | 0:27:33 | |
Well, hardly anybody. Nobody round here goes near the Fat Ox, do they? | 0:27:33 | 0:27:39 | |
I suppose you're right. | 0:27:39 | 0:27:41 | |
I, we, the people of this town are just not that interested in your personal problems. | 0:27:41 | 0:27:50 | |
You're right. I'm sorry. Nobody knows. Or if they do know, nobody cares. | 0:27:50 | 0:27:56 | |
-Yes, it's trivial. We'll patch it up. Sorry. -I'll go and put the kettle on. | 0:27:56 | 0:28:03 | |
Yes, we'll have a nice cup of tea. | 0:28:03 | 0:28:05 | |
-Aye, and we'll write another letter. -I've forgot what I said. -I haven't. | 0:28:05 | 0:28:11 | |
By the way, any phone calls? | 0:28:11 | 0:28:15 | |
-The badminton club secretary called. -Why? I've paid the subscription. | 0:28:15 | 0:28:20 | |
It's OK! He wanted to ask if you two were entering the tournament. | 0:28:20 | 0:28:26 | |
You didn't say anything, did you? If it's round the badminton club...oh! | 0:28:26 | 0:28:32 | |
Bob, Bob! For Heaven's sake, how many times have I got to tell you? | 0:28:32 | 0:28:37 | |
Your personal affairs are none of my business. Nobody's interested in spreading rumour and speculation. | 0:28:37 | 0:28:46 | |
All I said was "Put them down for the singles, but don't bank on the mixed doubles." | 0:28:46 | 0:28:53 | |
Intelfax Subtitles by Sophie Brown for BBC Subtitling, 1995 | 0:29:20 | 0:29:24 |