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# Oh, what happened to you? | 0:00:02 | 0:00:03 | |
# Whatever happened to me? | 0:00:03 | 0:00:07 | |
# What became of the people we used to be? | 0:00:07 | 0:00:13 | |
# Tomorrow's almost over | 0:00:13 | 0:00:17 | |
# Today went by so fast | 0:00:17 | 0:00:21 | |
# Is the only thing to look forward to... | 0:00:21 | 0:00:25 | |
# the past? # | 0:00:25 | 0:00:27 | |
KNOCK | 0:00:40 | 0:00:42 | |
Yes? | 0:00:42 | 0:00:44 | |
Morning, kidda. Seen me clean socks? | 0:00:44 | 0:00:48 | |
-Where's Thelma? -She's gone. -Pardon? -Gone. | 0:00:48 | 0:00:51 | |
-To breakfast? -No. GONE gone. | 0:00:51 | 0:00:54 | |
-Home? -Obviously. My wife's left me. | 0:00:54 | 0:00:58 | |
-When? -About six. I thought she'd gone to the bathroom but she's gone. -It's early. | 0:00:58 | 0:01:04 | |
She doesn't still do a paper round? | 0:01:04 | 0:01:07 | |
Don't be flippant. It's not funny, Terry. It's not so funny at all. | 0:01:07 | 0:01:12 | |
-Sorry. -Why?! | 0:01:12 | 0:01:14 | |
Why did she turn up last night? | 0:01:14 | 0:01:17 | |
Your average wife's lack of trust. | 0:01:17 | 0:01:20 | |
An innocent fishing weekend. Just the lads. | 0:01:20 | 0:01:24 | |
If it was a football excursion to Amsterdam | 0:01:24 | 0:01:28 | |
or a club outing to Morecambe, I'd understand. | 0:01:28 | 0:01:31 | |
But innocently fishing up the Tyne. I haven't done anything. | 0:01:31 | 0:01:36 | |
-I know. So why the dawn departure? -That's your fault. | 0:01:36 | 0:01:41 | |
My fault? It always is when you're in trouble. How is it my fault? | 0:01:41 | 0:01:46 | |
You arranged something, with that barmaid. | 0:01:46 | 0:01:50 | |
What? I put out feelers. There was lots of winking going on but that never comes to owt. | 0:01:50 | 0:01:57 | |
Last night it did. Your number came up. | 0:01:57 | 0:02:00 | |
-She came up here? -Yes. | 0:02:00 | 0:02:03 | |
She came up here after lights out, like? | 0:02:03 | 0:02:06 | |
After WE put the lights out, yes. | 0:02:06 | 0:02:10 | |
Oh, I see. | 0:02:10 | 0:02:13 | |
And Thelma thought that you and her were... | 0:02:13 | 0:02:17 | |
-It's not so funny. -No, course not. | 0:02:17 | 0:02:20 | |
As far as I'm concerned it's tragic. | 0:02:20 | 0:02:22 | |
Yes, yes. It is tragic. | 0:02:22 | 0:02:25 | |
It is not a laughing matter, Terry. | 0:02:27 | 0:02:30 | |
My wife has left me thanks to your rendezvous. | 0:02:30 | 0:02:34 | |
You mean that barmaid actually... | 0:02:34 | 0:02:37 | |
-Well, I never. It is tragic. -Thank you. | 0:02:37 | 0:02:41 | |
Tragic for me! A golden moment lost. | 0:02:41 | 0:02:45 | |
Typical of my rotten luck. | 0:02:45 | 0:02:48 | |
If it wasn't for bad luck, I'd have no luck. | 0:02:48 | 0:02:51 | |
I'll see Thelma and give evidence on your behalf. | 0:02:51 | 0:02:55 | |
No, you'd only convince her of my guilt. | 0:02:55 | 0:02:59 | |
I don't want your help or advice. | 0:02:59 | 0:03:02 | |
I've got to sort it out on me own. | 0:03:02 | 0:03:04 | |
Fine. Good. Right. | 0:03:04 | 0:03:08 | |
-What am I going to do? -Pardon? You talking to me? | 0:03:08 | 0:03:12 | |
-Of course. -I thought you were handling this. | 0:03:12 | 0:03:15 | |
I am. I'm just asking you. What am I going to do? | 0:03:15 | 0:03:21 | |
Look, Bob... Don't do anything. | 0:03:22 | 0:03:26 | |
Sometimes it's better not to try to explain. If there's a crisis, pretend it's not there. | 0:03:26 | 0:03:34 | |
-It's mind over matter. -I don't follow. | 0:03:34 | 0:03:37 | |
-Remember Malcolm Price? -Little Malc? | 0:03:37 | 0:03:40 | |
-Moustache and an odd walk. -Odd moustache! | 0:03:40 | 0:03:44 | |
Women didn't think so. He always put it about. | 0:03:44 | 0:03:48 | |
Didn't he marry that Dougie Pringle's sister, Sandra? | 0:03:48 | 0:03:53 | |
Yes, I think so. Anyhow... | 0:03:53 | 0:03:56 | |
-Dougie only had one ear. -Yes, Bob, I know. | 0:03:56 | 0:04:00 | |
At school we used to call him Lugless Douglas. | 0:04:00 | 0:04:04 | |
-Can we leave the reminiscences for later? -Sorry. You were saying? | 0:04:04 | 0:04:09 | |
I was saying... What was I saying? | 0:04:09 | 0:04:12 | |
Malcolm was at a party. He works for a cosmetic firm, so imagine the crumpet. | 0:04:12 | 0:04:19 | |
He wakes up with a huge hangover and his wife says... | 0:04:19 | 0:04:24 | |
-Sandra. -She says "I'm going shopping. Can I take the car?" | 0:04:24 | 0:04:28 | |
He says yes. He's looking for the roof of his mouth. | 0:04:28 | 0:04:33 | |
But what does she find on the front seat of the car? | 0:04:33 | 0:04:37 | |
-What? -Only his underpants. | 0:04:37 | 0:04:40 | |
What were they doing on the front seat? | 0:04:40 | 0:04:44 | |
I know you've got a lot on your mind, but use a little imagination. | 0:04:44 | 0:04:50 | |
Oh, yes. Underpants. My word! | 0:04:50 | 0:04:54 | |
Quite. But the worst is yet to come. | 0:04:54 | 0:04:57 | |
There's a phone number written on the underpants in black eyebrow pencil. | 0:04:57 | 0:05:03 | |
Whose number was it? | 0:05:03 | 0:05:05 | |
A girl on the switchboard, but that's irrelevant. | 0:05:05 | 0:05:10 | |
What's important is his attitude in a crisis. | 0:05:10 | 0:05:14 | |
What would you say if your wife was waving some autographed Y-fronts? | 0:05:14 | 0:05:19 | |
Me? Oh, God. | 0:05:19 | 0:05:22 | |
I'd say "They're Terry's. I gave him a lift last night." | 0:05:22 | 0:05:26 | |
That's typical, that is. Trust you to turn round and blame me. | 0:05:26 | 0:05:32 | |
-What did Malcolm say? -That's the whole point. | 0:05:32 | 0:05:36 | |
He just looked through her and said, "I refuse to discuss the matter." | 0:05:36 | 0:05:41 | |
And the matter was never discussed. | 0:05:41 | 0:05:44 | |
I refuse to discuss the matter. | 0:05:44 | 0:05:47 | |
Not like that. You have to say it like HE did so it'll never be brought up again. | 0:05:47 | 0:05:54 | |
I refuse to discuss the matter. | 0:05:54 | 0:05:56 | |
-I refuse to discuss the matter. -That's better. | 0:05:56 | 0:06:00 | |
-I REFUSE to discuss the matter. -Put a Thelma at the beginning. | 0:06:00 | 0:06:05 | |
Thelma, I refuse to discuss the matter. I absolutely refuse. I added an "absolutely"! | 0:06:05 | 0:06:12 | |
It helped. | 0:06:12 | 0:06:14 | |
Thelma, I absolutely refuse to discuss the matter. | 0:06:14 | 0:06:18 | |
No, no. That's a bit menacing. Be Henry Fonda not Anthony Quinn. | 0:06:18 | 0:06:24 | |
I refuse to DISCUSS the matter. | 0:06:24 | 0:06:27 | |
Perfect! | 0:06:28 | 0:06:30 | |
It's mind over matter. Convince her it doesn't matter and she won't mind. | 0:06:30 | 0:06:36 | |
-Right. Point taken. Convince her. Mind over matter. -Good lad. | 0:06:36 | 0:06:41 | |
-But you'll come in with me? -Oh! If you like. | 0:06:41 | 0:06:45 | |
We'll get her flowers or chocolates or a big fluffy teddy. | 0:06:45 | 0:06:50 | |
Bob, you're innocent! Good God, man, you know the laws of marriage. | 0:06:50 | 0:06:56 | |
The first principle is - presents equal guilt. | 0:06:56 | 0:07:00 | |
-Right. Good thinking. -I'll finish packing and I'll see you downstairs. | 0:07:00 | 0:07:06 | |
-Terry. -Now what? | 0:07:06 | 0:07:09 | |
That barmaid... | 0:07:09 | 0:07:11 | |
What did you say to get her up here, like? | 0:07:11 | 0:07:15 | |
I refuse to discuss the matter. | 0:07:15 | 0:07:18 | |
Will you wait for us, then? | 0:07:33 | 0:07:35 | |
-You can run me home when you've said what has to be said. -That won't take long. | 0:07:35 | 0:07:41 | |
Quite. Go on, then. Shift yourself. | 0:07:41 | 0:07:44 | |
-Thelma, where are you going? -To my mother's. | 0:07:57 | 0:08:00 | |
-Why? -What do you expect? | 0:08:00 | 0:08:03 | |
About last night, I... | 0:08:03 | 0:08:05 | |
I refuse to discuss the matter. | 0:08:05 | 0:08:09 | |
-I've made you a nice hot cup of tea. -She's left me! | 0:08:21 | 0:08:26 | |
-Drink it while it's hot. -I didn't... | 0:08:26 | 0:08:29 | |
You don't take sugar, do you? | 0:08:29 | 0:08:32 | |
-She's left me. -Not for long. | 0:08:32 | 0:08:35 | |
-How do you work that out? -Case was too small. | 0:08:35 | 0:08:38 | |
You're such an expert(!) I should have bought chocolates or flowers or the teddy or all three! | 0:08:38 | 0:08:45 | |
-Fatal. -What, pray, is more fatal than this? | 0:08:45 | 0:08:49 | |
It's another fence in the steeplechase of marriage. | 0:08:49 | 0:08:53 | |
What is important now is how you behave. That is critical. | 0:08:53 | 0:08:58 | |
I'm sick of your tuition, Master-bloody-mind! | 0:08:58 | 0:09:02 | |
I'm in this situation because you are my marriage-guidance counsellor. | 0:09:02 | 0:09:08 | |
Your marriage ground to a halt within months! | 0:09:08 | 0:09:12 | |
-It's only natural for you to be like this. -Go away. Leave me alone. | 0:09:12 | 0:09:16 | |
It's natural for you to want me to go, the only person who can help. | 0:09:16 | 0:09:22 | |
Stop being so understanding. It does not become you. It does not! | 0:09:22 | 0:09:27 | |
It's natural to lose control. I understand. | 0:09:29 | 0:09:33 | |
All right. What would you do in this situation? | 0:09:33 | 0:09:37 | |
I'd never have got into this situation. | 0:09:37 | 0:09:41 | |
Letting me wife leave me? I'd have left HER! | 0:09:41 | 0:09:45 | |
So would I if I'd known she was leaving. | 0:09:45 | 0:09:49 | |
It's a bit late for that. As I say, it's what you do now that matters. | 0:09:49 | 0:09:54 | |
-What do I do? -Nothing. | 0:09:54 | 0:09:57 | |
-Nothing? -Nothing. | 0:09:57 | 0:09:59 | |
Do nothing. | 0:10:00 | 0:10:02 | |
Going round, ringing up, sending flowers - all that is fatal. | 0:10:02 | 0:10:08 | |
Pretend you don't give a rat's. Relax! | 0:10:08 | 0:10:11 | |
Ha, ha! My wife has left me. I don't give a rat's. | 0:10:11 | 0:10:16 | |
More champagne! | 0:10:16 | 0:10:18 | |
Relax? I'm at my lowest. My marriage is in shreds. | 0:10:18 | 0:10:22 | |
It's early days yet. Going back to their mother - they all do that. | 0:10:22 | 0:10:28 | |
You've got your whole lives. You're just at the dawn of your disasters. | 0:10:28 | 0:10:35 | |
You really are a great help(!) | 0:10:35 | 0:10:38 | |
I like to think so. Drink that tea while it's hot. All right, is it? | 0:10:38 | 0:10:44 | |
-It's very nice. -Good. -Shouldn't I go round? | 0:10:44 | 0:10:47 | |
Definitely not. They expect that. If you don't it confuses them. | 0:10:47 | 0:10:52 | |
The ball's in your court. Your advantage. | 0:10:52 | 0:10:56 | |
Just like a tennis match. | 0:10:56 | 0:10:59 | |
It is, man, and it's your service. | 0:10:59 | 0:11:02 | |
Knowing you it'll be a double fault. | 0:11:02 | 0:11:05 | |
Terry, how long were you actually married to Ute? | 0:11:05 | 0:11:10 | |
Well, I suppose...the best part of two years, on and off. | 0:11:10 | 0:11:16 | |
Mostly off. | 0:11:16 | 0:11:18 | |
So you didn't enjoy much of married life. | 0:11:18 | 0:11:22 | |
Not if you put it that way. Why? | 0:11:22 | 0:11:24 | |
In such a short time you're such an expert. | 0:11:24 | 0:11:28 | |
A working man's guide to marriage. | 0:11:28 | 0:11:31 | |
I'm giving the benefit of bitter experience. | 0:11:31 | 0:11:35 | |
Did you ever go through this with Ute? | 0:11:35 | 0:11:38 | |
Where she thought you were putting it about? | 0:11:38 | 0:11:42 | |
Aye, from time to time. | 0:11:42 | 0:11:45 | |
Nothing as drastic as Little Mal. | 0:11:45 | 0:11:48 | |
-There was once. -What? | 0:11:48 | 0:11:51 | |
Somebody told Ute that while she was at work I was seeing this WAAF. | 0:11:51 | 0:11:56 | |
She was a canny thing, from up here. She could sup ale so we had a lot in common. | 0:11:56 | 0:12:02 | |
So Ute came home from work and she didn't half give me some stick. | 0:12:03 | 0:12:09 | |
German stick's worse than English stick. | 0:12:09 | 0:12:13 | |
She went on about the Waaf, said she was going back to her mother. | 0:12:13 | 0:12:18 | |
So, I said, "Just you wait one minute, my girl. Just you wait." | 0:12:18 | 0:12:23 | |
This is what you must tell Thelma. | 0:12:23 | 0:12:26 | |
"Ute," I said, "where is a marriage without some basic trust? | 0:12:26 | 0:12:31 | |
"Without the instinct telling you to trust your partner, where are we? | 0:12:31 | 0:12:37 | |
-"Where are we?" I said. -And where were you? | 0:12:37 | 0:12:40 | |
Nowhere. | 0:12:40 | 0:12:43 | |
She found the Waaf in the airing cupboard. | 0:12:43 | 0:12:46 | |
KNOCK | 0:12:53 | 0:12:55 | |
-There you are. Now, drink that while it's hot. -Thank you. | 0:12:59 | 0:13:04 | |
I put sugar in. Cocoa needs sugar. | 0:13:04 | 0:13:07 | |
-I thought she'd ring. -Not from her mother's. | 0:13:07 | 0:13:11 | |
She's stopping her, like you are. | 0:13:11 | 0:13:13 | |
I'm not stopping you. I'm advising you. | 0:13:13 | 0:13:17 | |
Strong advice - saying you'll rip the phone out. | 0:13:17 | 0:13:21 | |
-She'll be back tomorrow. -Perhaps. | 0:13:21 | 0:13:24 | |
You've got me here, and Norman. | 0:13:24 | 0:13:27 | |
Norman makes it worse, really. He smells of Thelma's cologne. | 0:13:29 | 0:13:34 | |
Oh, aye. He's a bit like that, is he? | 0:13:34 | 0:13:37 | |
-Will you be all right in the spare? -Yes. I've slept in worse places. | 0:13:37 | 0:13:42 | |
I appreciate you staying. | 0:13:42 | 0:13:45 | |
-The least I could do. -You'll be guarding the phone? | 0:13:45 | 0:13:49 | |
Your instinct is to ring her, knowing she's only two penn'th away, but that is what she expects. | 0:13:49 | 0:13:56 | |
Sometimes the unexpected gives you the edge on them. Remember Ronnie Oliver? | 0:13:56 | 0:14:02 | |
-Quiet lad. He married that Janet who was a bit... -Yeah, always was. | 0:14:02 | 0:14:07 | |
She went out with Lugless Douglas. | 0:14:07 | 0:14:10 | |
Yes, so I heard. | 0:14:10 | 0:14:13 | |
More than he did, poor lad. | 0:14:13 | 0:14:15 | |
The point is, when Ronnie found she'd been seeing this car salesman, | 0:14:15 | 0:14:22 | |
his reaction was very surprising. | 0:14:22 | 0:14:24 | |
He dragged him through the car wash and threw him through the showroom window. | 0:14:24 | 0:14:31 | |
Exactly. But that wasn't like him. He wasn't happy. | 0:14:31 | 0:14:35 | |
It was for his marriage, and what was the result? | 0:14:35 | 0:14:39 | |
Three months for assault. | 0:14:39 | 0:14:41 | |
Yes, yes. But when he came back she hardly dared raise her voice to him. | 0:14:41 | 0:14:47 | |
Few of us did. | 0:14:47 | 0:14:49 | |
You get me point? It can pay to do the unexpected. | 0:14:49 | 0:14:53 | |
I should throw Thelma through a window? | 0:14:53 | 0:14:57 | |
Not at this stage, no. | 0:14:57 | 0:14:59 | |
Get yourself a good night's sleep. | 0:14:59 | 0:15:02 | |
Thanks, Terry. | 0:15:02 | 0:15:04 | |
You know, I've been thinking, Bob. | 0:15:04 | 0:15:08 | |
When Ute and I went through our crisis, we might have been able to save our marriage | 0:15:08 | 0:15:15 | |
if only I'd had a friend like me. | 0:15:15 | 0:15:19 | |
There's no answer to that. | 0:15:20 | 0:15:23 | |
Bob! | 0:15:34 | 0:15:35 | |
Drink your coffee while it's hot. | 0:15:35 | 0:15:38 | |
That's the time? Why didn't you wake me? | 0:15:41 | 0:15:44 | |
Cos you didn't get a wink till about four. | 0:15:44 | 0:15:48 | |
I heard you moving about and talking to Norman. | 0:15:48 | 0:15:51 | |
I should be at work. | 0:15:51 | 0:15:54 | |
Nobody expects you to work in a crisis. | 0:15:54 | 0:15:58 | |
-You should be here when she comes back. -You think she will? | 0:15:58 | 0:16:02 | |
She'll get some clean things when she thinks you're out. That's when we lock her in the bedroom. | 0:16:02 | 0:16:10 | |
Look what you've made me do! | 0:16:11 | 0:16:14 | |
I wonder if you're worth saving. | 0:16:14 | 0:16:17 | |
-Lock her in the bedroom?! -I've worked it out. | 0:16:17 | 0:16:21 | |
-Remember Alan Stand? Married a bonny girl from the dairy. -Barbara. -Barbara. | 0:16:21 | 0:16:27 | |
Her father was strange. He exposed himself on Whitley Bay seafront, August bank holiday. | 0:16:27 | 0:16:34 | |
-Can we go into that later, Bob? -Fortunately it was a wet August. | 0:16:34 | 0:16:40 | |
The point is, Alan locked Barbara in the bedroom. | 0:16:40 | 0:16:43 | |
-Why? -Because she went too far. | 0:16:43 | 0:16:46 | |
During one of her tantrums he locks the door and goes to see the lads. | 0:16:46 | 0:16:51 | |
Is that a sensible tactic? | 0:16:51 | 0:16:54 | |
Yes! They have time to cool off. | 0:16:54 | 0:16:57 | |
They can't get over it because it's unpredictable, masculine. | 0:16:57 | 0:17:02 | |
When you open the door you'll have a different woman, all humble and apologetic. | 0:17:02 | 0:17:09 | |
And desperate to go to the lavatory. | 0:17:09 | 0:17:12 | |
But it's hard for her to give you stick when she's dying for a pee. | 0:17:12 | 0:17:17 | |
That's very dodgy. | 0:17:19 | 0:17:21 | |
No. It's the old caveman bit and they all respect that in the end. | 0:17:21 | 0:17:27 | |
-Valid point. -They know there's a man around. | 0:17:27 | 0:17:31 | |
-Remember Vin Welsh? -In the greenhouse, with... | 0:17:31 | 0:17:35 | |
DOOR OPENS | 0:17:35 | 0:17:37 | |
-It's Thelma. -I told you. | 0:17:37 | 0:17:39 | |
I told you she'd be back. | 0:17:45 | 0:17:47 | |
-I'll have a word. -No, no. Let her come to you. | 0:17:47 | 0:17:51 | |
FOOTSTEPS | 0:17:51 | 0:17:53 | |
-She's going upstairs. -Yes. To get a clean nightie and some toothpaste. | 0:17:53 | 0:17:58 | |
She hasn't come back to you yet. Now's your chance. | 0:17:58 | 0:18:02 | |
-What? -To lock her in the bedroom. | 0:18:02 | 0:18:06 | |
-Go on, then. Go on. -I just think... I think... | 0:18:07 | 0:18:12 | |
She's your wife. This is your house. This is where she belongs. | 0:18:12 | 0:18:17 | |
This way she can't go back to her mother, | 0:18:17 | 0:18:21 | |
otherwise it could drag on and on. | 0:18:21 | 0:18:23 | |
-That's a valid point. -Caveman. -Caveman. | 0:18:23 | 0:18:27 | |
-I just think... -Go on! | 0:18:28 | 0:18:30 | |
This is our house, you're my wife and this is where you belong. | 0:18:33 | 0:18:38 | |
Good lad, I've got your coat. | 0:18:39 | 0:18:41 | |
Mr Ferris? | 0:18:42 | 0:18:45 | |
Mr Ferris, what's happened? | 0:18:45 | 0:18:47 | |
Mr Ferris, let me out. | 0:18:47 | 0:18:49 | |
-Cheers, pet. -Thank you. | 0:18:49 | 0:18:52 | |
Now, drink that while it's cold. | 0:18:54 | 0:18:57 | |
It's not right drinking, with Thelma locked in the bedroom. | 0:18:57 | 0:19:02 | |
-Let her simmer for a while. -She sounds like a stew. | 0:19:02 | 0:19:06 | |
You'll see the difference. | 0:19:06 | 0:19:09 | |
Is the heating on? It's very chilly. | 0:19:09 | 0:19:11 | |
She can always cuddle up to Norman. Let's play darts. | 0:19:11 | 0:19:16 | |
You're not emotionally involved, giving advice like Marjorie Proops. | 0:19:16 | 0:19:22 | |
I am involved in protecting the innocent and you are innocent, remember? | 0:19:22 | 0:19:28 | |
She wouldn't listen to your view. | 0:19:28 | 0:19:30 | |
-I was going to refuse to discuss it. -She didn't even give you a chance to do that. | 0:19:30 | 0:19:36 | |
-I'll ring the library. -What for? -They'll wonder why she's not there. | 0:19:36 | 0:19:42 | |
-What will you say? -Not that I've locked her up. | 0:19:42 | 0:19:46 | |
I'll say she's been taken poorly. Her old trouble's come back again. | 0:19:46 | 0:19:52 | |
-What is her old trouble? -Chilblains. | 0:19:52 | 0:19:55 | |
Chilblains? | 0:19:55 | 0:19:58 | |
Sorry, er, this is Thelma Ferris's husband. | 0:19:58 | 0:20:01 | |
She won't be in today. She's feeling ill. Chilblains. | 0:20:01 | 0:20:06 | |
She won't be in. Just a minute. | 0:20:06 | 0:20:09 | |
It's your husband. He says you won't be in today. | 0:20:09 | 0:20:14 | |
-What are you talking about? -Honest. | 0:20:14 | 0:20:16 | |
Here, let me have a word. Hello. | 0:20:16 | 0:20:19 | |
I'm ringing on behalf of Thelma Ferris. | 0:20:19 | 0:20:24 | |
She's not feeling too well. | 0:20:24 | 0:20:27 | |
-Best to keep her indoors, you know. -Is it serious? | 0:20:27 | 0:20:31 | |
No, no. Just throat trouble - chilblains. She'll be back tomorrow. | 0:20:31 | 0:20:36 | |
-Thank you for letting me know. -Not at all. -What was that about? | 0:20:36 | 0:20:42 | |
Do you mind if I slip home and find out what's going on? | 0:20:42 | 0:20:46 | |
Perhaps your husband isn't feeling well. | 0:20:46 | 0:20:49 | |
-Come on, kidda. Get that down you. -I feel terrible. | 0:20:53 | 0:20:57 | |
There's one solution. Throw yourself into your darts. Howay! | 0:20:57 | 0:21:02 | |
-What's going on? -Mr Ferris locked some woman in his bedroom. | 0:21:11 | 0:21:16 | |
It's no good, I can't concentrate. | 0:21:24 | 0:21:26 | |
It's dangerous. Let's pack it in. | 0:21:26 | 0:21:29 | |
-That's five pence you owe me. -All right. | 0:21:29 | 0:21:33 | |
You're such a worrier. Women don't like that. You have to be firm. | 0:21:33 | 0:21:38 | |
You've never been firm with women. | 0:21:38 | 0:21:41 | |
-I've always carried you through your crisises. -Crises. | 0:21:41 | 0:21:45 | |
-Pardon? -Crises. -I carried you through them. -You've caused them. -I have not! | 0:21:45 | 0:21:52 | |
Since Park Juniors, if I ever had woman trouble, you were the cause. | 0:21:52 | 0:21:57 | |
As I recall, I stopped you from making a complete fool of yourself | 0:21:57 | 0:22:02 | |
over that English mistress - Miss Lundy. | 0:22:02 | 0:22:06 | |
There was something there, some spark when our eyes met. | 0:22:06 | 0:22:11 | |
I couldn't fail to be aware of it. | 0:22:11 | 0:22:13 | |
-She asked you to fill the inkwells. -It was the way she said it. | 0:22:13 | 0:22:19 | |
Two years you spent topping up her inkwells and you never got nowt. | 0:22:19 | 0:22:24 | |
You never even passed English. | 0:22:24 | 0:22:27 | |
I stood a chance till you said I wrote that mucky poem in the bike shed. | 0:22:27 | 0:22:33 | |
It was for your own good. I stopped you from relationships that were no good. | 0:22:33 | 0:22:39 | |
Relationships you should never have got into. | 0:22:39 | 0:22:43 | |
Celia Fulcher, for instance. | 0:22:43 | 0:22:46 | |
You persuaded me to give her up then you went out with her. | 0:22:46 | 0:22:50 | |
-I could handle her. -I wanted to! | 0:22:50 | 0:22:53 | |
She was wrong for you, as was the coloured nurse who wanted to take you home. | 0:22:55 | 0:23:02 | |
You'd be cutting sugar cane in the Windward Islands. | 0:23:03 | 0:23:06 | |
At least I'd be out of your way. | 0:23:06 | 0:23:10 | |
I might have built up a secure future there. | 0:23:10 | 0:23:14 | |
Except I'd jump at every ship's hooter | 0:23:14 | 0:23:18 | |
because you might come down the gangplank. | 0:23:18 | 0:23:22 | |
You always hurt the one you love. | 0:23:22 | 0:23:25 | |
I'm hurting the one I love now. What happened to Alan? | 0:23:25 | 0:23:29 | |
Ah, that was a bit unfortunate. | 0:23:29 | 0:23:32 | |
-How do you mean? -She never spoke to him again. | 0:23:32 | 0:23:37 | |
-Oh, my God! -He overdid it! He didn't open the door for three days. | 0:23:37 | 0:23:43 | |
Go on, then! | 0:24:00 | 0:24:02 | |
-Aren't you coming? -You have to do it alone. | 0:24:02 | 0:24:05 | |
-You were there when I locked her in. -That's different. | 0:24:05 | 0:24:10 | |
-What will you do? -I'll sit here. You can have a cuddle. | 0:24:10 | 0:24:14 | |
-Then run me home. -What if she leaves me again? | 0:24:14 | 0:24:18 | |
Then Thelma can run me home. | 0:24:18 | 0:24:21 | |
DOOR OPENS | 0:24:34 | 0:24:37 | |
Thelma, before I let you out I want you to listen to me. | 0:24:44 | 0:24:48 | |
This is our house, you're my wife and this is where you belong. | 0:24:48 | 0:24:52 | |
I want you to realise that I can be firm and domineering... and unpredictable. | 0:24:52 | 0:24:59 | |
Thelma? | 0:24:59 | 0:25:01 | |
Thelma, you wronged me with your assumptions, Thelma. | 0:25:01 | 0:25:05 | |
You wouldn't listen when I wanted to refuse to discuss the matter. | 0:25:05 | 0:25:11 | |
If only you'd listen to me. | 0:25:11 | 0:25:13 | |
I'm going to unlock this door now. | 0:25:13 | 0:25:16 | |
Come downstairs and discuss it. | 0:25:16 | 0:25:18 | |
I want you to realise that... I am the master in this house. | 0:25:18 | 0:25:24 | |
Thelma. Thelma. | 0:25:26 | 0:25:29 | |
Thelma. | 0:25:30 | 0:25:33 | |
I knew the Ferris family was insane. | 0:25:33 | 0:25:36 | |
Thelma. | 0:25:36 | 0:25:37 | |
I put down your absent-mindedness to eccentricity. | 0:25:37 | 0:25:41 | |
In fact, you're round the twist. | 0:25:41 | 0:25:44 | |
You ring and tell me I'm not where I am | 0:25:45 | 0:25:48 | |
and Mrs Greenlands says she won't come back while that madman's here. | 0:25:48 | 0:25:53 | |
-Unlock this door at once. -You're being masterful now? | 0:25:53 | 0:25:58 | |
What WERE you doing? Think about it while I go back to my mother's. | 0:25:58 | 0:26:03 | |
Let me out, Thelma! Let me out! | 0:26:20 | 0:26:24 | |
Bob. | 0:26:54 | 0:26:56 | |
Bob! | 0:26:58 | 0:26:59 | |
-What? -Could you make it onto this? | 0:27:03 | 0:27:05 | |
-The ladder might slip. -I'll hold it. | 0:27:05 | 0:27:08 | |
-Quite! When's the locksmith arriving? -He didn't say when. | 0:27:08 | 0:27:13 | |
-Did you ring for an ambulance? -Why? | 0:27:13 | 0:27:16 | |
You'll need one! | 0:27:16 | 0:27:19 | |
Now, Bob, it's only natural for you to abuse your most loyal and valued friend. | 0:27:19 | 0:27:25 | |
-Here, take this. -What is it? | 0:27:25 | 0:27:29 | |
I made you a flask of Oxo. | 0:27:29 | 0:27:31 | |
Now, drink it while it's hot. | 0:27:31 | 0:27:34 | |
Intelfax Subtitles by Kate Shaw for BBC Subtitling, 1995 | 0:27:57 | 0:28:01 |