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-What's going on? -We've had a call about that lad. | 0:00:02 | 0:00:04 | |
His mum's had a text from him. | 0:00:04 | 0:00:06 | |
MAN SHOUTS | 0:00:09 | 0:00:10 | |
Are you stupid?! | 0:00:10 | 0:00:12 | |
Get me out of here! | 0:00:12 | 0:00:13 | |
I do know something. | 0:00:13 | 0:00:15 | |
-Well, go on, then. -I'll give you the name... | 0:00:15 | 0:00:17 | |
..for a grand. | 0:00:18 | 0:00:19 | |
I'm pregnant. | 0:00:19 | 0:00:21 | |
Are you OK? | 0:00:22 | 0:00:24 | |
You're definitely sure? | 0:00:24 | 0:00:25 | |
Yes. | 0:00:25 | 0:00:26 | |
I did this. | 0:00:26 | 0:00:28 | |
A line means pregnant. | 0:00:28 | 0:00:30 | |
Oh, Leanne. | 0:00:33 | 0:00:35 | |
Uh, Leanne? | 0:00:36 | 0:00:38 | |
Mm? | 0:00:38 | 0:00:39 | |
Nothing. | 0:00:40 | 0:00:42 | |
This programme contains very strong language and adult humour. | 0:00:43 | 0:00:51 | |
And I do believe you will see him again. | 0:01:08 | 0:01:11 | |
Probably as a butterfly. | 0:01:12 | 0:01:14 | |
Yeah. | 0:01:15 | 0:01:16 | |
Right. Let's figure out how we get this gun on Whelan. | 0:01:16 | 0:01:19 | |
Rhona, | 0:01:19 | 0:01:21 | |
Patrick's had some bad news. | 0:01:21 | 0:01:23 | |
An old friend of his, very sad to say, | 0:01:23 | 0:01:27 | |
passed on to the next world. | 0:01:27 | 0:01:29 | |
Oh. Sorry to hear that, Patrick. | 0:01:29 | 0:01:32 | |
Thanks. It's fine. I haven't seen him in a long time. | 0:01:32 | 0:01:35 | |
Hey, shh. | 0:01:35 | 0:01:36 | |
When she says, "old friend," | 0:01:36 | 0:01:38 | |
does that mean a kind old man who taught you chess, | 0:01:38 | 0:01:41 | |
or are we talking... | 0:01:41 | 0:01:42 | |
You know... | 0:01:44 | 0:01:45 | |
-Gang banger? -Rhona! | 0:01:45 | 0:01:47 | |
No, it's fine, it's fine. | 0:01:47 | 0:01:48 | |
Yeah, he was. | 0:01:48 | 0:01:49 | |
-He had a kid, as well. -Oh, God. | 0:01:51 | 0:01:53 | |
It's not right. | 0:01:53 | 0:01:54 | |
It's just not right. | 0:01:56 | 0:01:57 | |
Patrick... | 0:01:58 | 0:01:59 | |
Do you want me to sing Angels by Robbie Williams again? | 0:01:59 | 0:02:03 | |
Well, this is all the more reason why we need to figure out | 0:02:04 | 0:02:06 | |
how we get this gun on Willy Whelan. | 0:02:06 | 0:02:08 | |
I just don't see how it can be done. | 0:02:08 | 0:02:10 | |
Well, couldn't you arrange some sort of meeting with him, Patrick? | 0:02:10 | 0:02:13 | |
And then what? | 0:02:13 | 0:02:15 | |
Put it in his...pocket? | 0:02:15 | 0:02:16 | |
If you want to see Willy Whelan, you have to go to his pub. | 0:02:16 | 0:02:19 | |
-He's got a pub? -Well, that's perfect. | 0:02:19 | 0:02:21 | |
We can just nip round for a couple of swift halves, | 0:02:21 | 0:02:24 | |
and hide it in a nook. | 0:02:24 | 0:02:25 | |
It's not a pub you can just go to. | 0:02:25 | 0:02:27 | |
It's not a Toby Carvery. | 0:02:27 | 0:02:29 | |
Can we just turn up and say we're pub inspectors? | 0:02:29 | 0:02:32 | |
We might get a couple of free drinks. | 0:02:32 | 0:02:34 | |
That's not bad, you know. Environmental health. | 0:02:34 | 0:02:36 | |
-Spot inspection. -No, he'd think it was the police fitting him up, | 0:02:36 | 0:02:38 | |
he's madly paranoid about that. | 0:02:38 | 0:02:40 | |
We're chimney sweeps, roaming the country from town to town. | 0:02:41 | 0:02:45 | |
The problem with all of this is Whelan gave the gun to me. | 0:02:45 | 0:02:48 | |
If it turns up at his house, I'm dead. | 0:02:50 | 0:02:52 | |
Oh. | 0:02:53 | 0:02:54 | |
-Yeah. -Yeah, that is a head-scratcher. | 0:02:55 | 0:02:58 | |
I'm going to take a shower. | 0:03:00 | 0:03:01 | |
OPERA MUSIC | 0:03:05 | 0:03:06 | |
Hang on, hang on. | 0:03:07 | 0:03:09 | |
You want a grand of my fucking money? | 0:03:10 | 0:03:12 | |
Listen, she's got the name of this guy, | 0:03:12 | 0:03:14 | |
the boyfriend, and I reckon that this guy is Charlie Little Pockets. | 0:03:14 | 0:03:17 | |
So fucking make her talk! | 0:03:17 | 0:03:20 | |
We don't fucking pay fuckers. | 0:03:20 | 0:03:21 | |
This woman is a piece of work, I am telling you. | 0:03:21 | 0:03:23 | |
She don't give a shit. | 0:03:23 | 0:03:25 | |
If we don't give her the money, she ain't going to talk, end of. | 0:03:25 | 0:03:27 | |
Fuck me. | 0:03:27 | 0:03:29 | |
Everyone's a fucking gangster. | 0:03:29 | 0:03:30 | |
Right, here's what's going to happen. | 0:03:34 | 0:03:36 | |
One Pack is going to get the cash and drop it round at yours. | 0:03:36 | 0:03:40 | |
You are going to get that name, | 0:03:40 | 0:03:42 | |
and you're going to make sure you bring back every fucking penny. | 0:03:42 | 0:03:45 | |
I leave the details of how in your capable hands. | 0:03:45 | 0:03:48 | |
Fucking... | 0:03:50 | 0:03:52 | |
How's it going with your suspect? | 0:04:02 | 0:04:04 | |
-Bad. -It's not bad. | 0:04:04 | 0:04:06 | |
It's medium. | 0:04:06 | 0:04:08 | |
I'll tell you what, that lawyer is good. | 0:04:08 | 0:04:09 | |
Have you checked the CCTV? | 0:04:09 | 0:04:11 | |
Well, with respect, | 0:04:11 | 0:04:12 | |
I don't think he's going to have bummed him right there in the shop. | 0:04:12 | 0:04:15 | |
-No, but I mean in terms of how the phone got there. -Oh. | 0:04:15 | 0:04:18 | |
I mean, presumably, a lot of people are in and out of that shop all day. | 0:04:18 | 0:04:20 | |
-That's what his lawyer said. -Shut up, Naysmith. | 0:04:20 | 0:04:23 | |
Oh, I'm going to go and get some Nik Naks. | 0:04:24 | 0:04:26 | |
KNOCK ON DOOR | 0:04:29 | 0:04:31 | |
Yeah? | 0:04:31 | 0:04:32 | |
Right, say what you just said. | 0:04:32 | 0:04:34 | |
What if we made it look like a police fit-up? | 0:04:34 | 0:04:37 | |
A police fit-up! | 0:04:37 | 0:04:39 | |
Cos you said he was paranoid about the police fitting him up. | 0:04:39 | 0:04:41 | |
Yeah. | 0:04:42 | 0:04:44 | |
So, what if we made it look like they'd taken the gun from you... | 0:04:44 | 0:04:47 | |
Then we planted the gun in Whelan's house, | 0:04:47 | 0:04:50 | |
tip off the police with the exact location... | 0:04:50 | 0:04:53 | |
-So then... -So then the police raid his house | 0:04:53 | 0:04:55 | |
and very, very quickly find the gun. | 0:04:55 | 0:04:57 | |
What does that look like? | 0:04:57 | 0:04:59 | |
Like they brought the gun with them. | 0:04:59 | 0:05:01 | |
Yes! Like they stole the gun off you, and used it to fit him up. | 0:05:01 | 0:05:05 | |
Yeah, and how are you going to make it look like the police took the gun? | 0:05:05 | 0:05:08 | |
Well, you said they came round the other day. | 0:05:08 | 0:05:10 | |
Maybe they came back with a warrant, searched the place? | 0:05:10 | 0:05:12 | |
No, they did that, it would be off books. | 0:05:14 | 0:05:15 | |
They wouldn't come with a warrant. | 0:05:15 | 0:05:17 | |
But... | 0:05:18 | 0:05:19 | |
What if we made it look like someone broke in, | 0:05:20 | 0:05:23 | |
ransacked the place and took the gun? | 0:05:23 | 0:05:26 | |
I go to Whelan, tell him what happened, | 0:05:26 | 0:05:29 | |
and he figures out it was the police | 0:05:29 | 0:05:31 | |
when they apparently find the gun on him. | 0:05:31 | 0:05:34 | |
Give him the pieces, but let him put them together himself. | 0:05:34 | 0:05:37 | |
LEANNE GASPS | 0:05:37 | 0:05:39 | |
Like a Kinder Surprise. | 0:05:39 | 0:05:40 | |
It's risky, but... | 0:05:44 | 0:05:45 | |
you could have something there. | 0:05:45 | 0:05:47 | |
Hang on. What's that guy doing? | 0:05:59 | 0:06:01 | |
-He didn't buy anything, did he? -No. | 0:06:01 | 0:06:03 | |
OK, show me that again, would you? | 0:06:03 | 0:06:05 | |
Stop there. | 0:06:07 | 0:06:08 | |
There, can you zoom in on that? | 0:06:09 | 0:06:11 | |
PHONE RINGS | 0:06:22 | 0:06:24 | |
-Hello? -All right, sunshine. | 0:06:28 | 0:06:30 | |
Do you own a watch? | 0:06:30 | 0:06:31 | |
-Yeah. -Good, then you've got no excuse for being late, have you? | 0:06:31 | 0:06:34 | |
Big man's got a job for you, | 0:06:35 | 0:06:36 | |
and he's asked for you by name for this one. | 0:06:36 | 0:06:38 | |
Yeah? | 0:06:38 | 0:06:39 | |
Yeah, "Get me Quavers, the lad who likes to get his bollocks out." | 0:06:39 | 0:06:42 | |
Be at The Badger tomorrow morning, 8AM, yes? | 0:06:42 | 0:06:44 | |
Yeah. | 0:06:44 | 0:06:45 | |
# This is why we hustle | 0:06:48 | 0:06:50 | |
# Every day I'm hustlin' | 0:06:50 | 0:06:52 | |
# Every day I'm hustlin' | 0:06:52 | 0:06:54 | |
# Every day I'm | 0:06:54 | 0:06:55 | |
# Every day I'm | 0:06:55 | 0:06:56 | |
# Every day I'm hustlin' | 0:06:56 | 0:06:57 | |
# Who you suckers think you're trippin' with? | 0:06:57 | 0:07:00 | |
# Yes, I'm the boss. # | 0:07:00 | 0:07:01 | |
Delicious. | 0:07:13 | 0:07:15 | |
Thanks, Patrick. | 0:07:15 | 0:07:16 | |
How would you feel about our child learning a musical instrument? | 0:07:16 | 0:07:19 | |
Oh, I'd love that, actually. | 0:07:19 | 0:07:21 | |
I was thinking maybe the saxophone. | 0:07:21 | 0:07:23 | |
He can play jazz, play soft soul. | 0:07:23 | 0:07:25 | |
Patrick, I would be the proudest woman on earth | 0:07:25 | 0:07:29 | |
if our baby were a soft soul saxophonist. | 0:07:29 | 0:07:32 | |
Hey, we should get you a doctor's appointment. | 0:07:37 | 0:07:39 | |
RHONA COUGHS | 0:07:39 | 0:07:40 | |
I can get you registered at my local GP. | 0:07:42 | 0:07:44 | |
Want to make sure you've got the right plan in place. | 0:07:44 | 0:07:47 | |
PHONE RINGS | 0:07:47 | 0:07:48 | |
Hello? | 0:07:51 | 0:07:52 | |
Leanne... | 0:07:54 | 0:07:55 | |
Patrick has been so amazing, you know. | 0:07:55 | 0:07:58 | |
I said to him yesterday, | 0:07:58 | 0:07:59 | |
I've had my first baby's name picked out since I was nine years old, | 0:07:59 | 0:08:03 | |
and for better or for worse, it's Pocahontas. | 0:08:03 | 0:08:06 | |
And he just said, if it makes me happy... | 0:08:06 | 0:08:10 | |
..it makes him happy. | 0:08:11 | 0:08:12 | |
Leanne... | 0:08:13 | 0:08:15 | |
Do you know, I knew he'd be a good dad... | 0:08:15 | 0:08:17 | |
..from his attitude to the clitoris. | 0:08:19 | 0:08:20 | |
Er... Right. | 0:08:23 | 0:08:24 | |
Leanne, there's something I've been meaning to tell you... | 0:08:24 | 0:08:28 | |
OK, right, we could have something here. | 0:08:28 | 0:08:31 | |
I could have a way we could plant the gun on Whelan. | 0:08:31 | 0:08:34 | |
Really? | 0:08:34 | 0:08:35 | |
My friend's funeral's on Thursday, and the wake is at Whelan's pub now. | 0:08:35 | 0:08:39 | |
It's far from perfect, but it's an excuse for me to be in The Badger | 0:08:41 | 0:08:44 | |
without it seeming suspicious. | 0:08:44 | 0:08:45 | |
So do you think you could take the gun and stash it somewhere? | 0:08:45 | 0:08:49 | |
I think it needs to go upstairs in his flat, otherwise | 0:08:49 | 0:08:52 | |
it's too easy to blame someone else, if it's just in the pub. | 0:08:52 | 0:08:54 | |
So can you do that? | 0:08:54 | 0:08:55 | |
I want to be in Willy's eyeline at all times. | 0:08:55 | 0:08:57 | |
I don't want him looking back, | 0:08:57 | 0:08:58 | |
thinking, where did Patrick slip off to? | 0:08:58 | 0:09:00 | |
Well, what if Leanne went with you as your girlfriend, | 0:09:00 | 0:09:03 | |
and she slipped off and hid it? | 0:09:03 | 0:09:05 | |
There's going to be a lot of people there. | 0:09:05 | 0:09:07 | |
Even if there is an opportunity, someone might see you. | 0:09:07 | 0:09:10 | |
I've got an idea. | 0:09:13 | 0:09:14 | |
Rhona, do you think you could pull off being Patrick's date? | 0:09:14 | 0:09:19 | |
-Yes. -OK. | 0:09:19 | 0:09:21 | |
I'll create a distraction for you to hide the gun. | 0:09:22 | 0:09:25 | |
Picture the scene. | 0:09:26 | 0:09:28 | |
A frosty autumn morning, | 0:09:28 | 0:09:30 | |
mist hangs low over a quiet graveyard. | 0:09:30 | 0:09:33 | |
It's a cremation. | 0:09:33 | 0:09:35 | |
Hmm? | 0:09:35 | 0:09:37 | |
Mist hangs low over the car park of a council-owned crematorium. | 0:09:37 | 0:09:44 | |
Something's out there. | 0:09:44 | 0:09:45 | |
Ferns, job for you. | 0:09:46 | 0:09:48 | |
Phone's back from the lab. | 0:09:49 | 0:09:51 | |
Forensics were inconclusive. | 0:09:51 | 0:09:53 | |
I want you to go through everything on that, | 0:09:53 | 0:09:55 | |
-make a database. -Right. | 0:09:55 | 0:09:58 | |
-Texts, contacts, social media, Google searches, the lot. -OK. | 0:09:58 | 0:10:03 | |
Be on the lookout for anything of a sexual nature. | 0:10:03 | 0:10:07 | |
Anything that might be slang for bumming, | 0:10:07 | 0:10:11 | |
fingers up the bum, use your imagination. | 0:10:11 | 0:10:13 | |
Aye-aye, Captain. | 0:10:13 | 0:10:15 | |
-That includes texts he sent his mum. -Sure. | 0:10:15 | 0:10:17 | |
She might have missed something, you see. | 0:10:17 | 0:10:19 | |
At the end of the day, she's the kid's mother. | 0:10:19 | 0:10:21 | |
She's not necessarily going to be thinking... | 0:10:21 | 0:10:24 | |
-"Is he in a sexual relationship with a 68-year-old newsagent?" -Naive. | 0:10:24 | 0:10:28 | |
But as police, we do need to think that. | 0:10:28 | 0:10:31 | |
-We're paid to think that. -That we are. | 0:10:31 | 0:10:33 | |
I don't mind saying that for the past 24 hours, | 0:10:35 | 0:10:37 | |
I've been picturing exactly that. | 0:10:37 | 0:10:39 | |
Good luck, son. | 0:10:43 | 0:10:44 | |
-FROM TV: -'So, the total amount for the tiara, the strap | 0:10:48 | 0:10:51 | |
'and the petticoat would be 360.' | 0:10:51 | 0:10:53 | |
'Right, OK.' | 0:10:53 | 0:10:54 | |
'All right?' | 0:10:54 | 0:10:55 | |
'I think he can stretch to that, that's not much. | 0:10:55 | 0:10:57 | |
'I'm refusing to wear it unless he gets these extras.' | 0:10:57 | 0:11:00 | |
'Could someone call him?' | 0:11:02 | 0:11:04 | |
Right, Neil is at capoeira till nine | 0:11:04 | 0:11:06 | |
and Mike is still at his girlfriend's. | 0:11:06 | 0:11:08 | |
I need you two to beat me up. | 0:11:08 | 0:11:09 | |
-What? -If I'm going to convince Willy Whelan | 0:11:11 | 0:11:13 | |
that the gun got taken from me, I need you to beat me up. | 0:11:13 | 0:11:15 | |
Why? | 0:11:15 | 0:11:17 | |
The story's going to be | 0:11:17 | 0:11:18 | |
guys broke in with ski masks and baseball bats. | 0:11:18 | 0:11:21 | |
They ransacked the place, beat me up and stole the gun. | 0:11:21 | 0:11:24 | |
And it has to look convincing. | 0:11:24 | 0:11:26 | |
Is that definitely necessary? | 0:11:26 | 0:11:28 | |
Can we not just say these people broke in | 0:11:28 | 0:11:30 | |
while you nipped out to Tesco's? | 0:11:30 | 0:11:31 | |
No, he has to have absolutely no reason to doubt me. | 0:11:31 | 0:11:34 | |
Could we not do something with make-up? | 0:11:34 | 0:11:36 | |
When I saw Phantom, | 0:11:36 | 0:11:38 | |
I was second row from the front and, honestly, | 0:11:38 | 0:11:40 | |
I swear it was real. I cried my eyes out. | 0:11:40 | 0:11:43 | |
Or, what if we said they put lipstick on you | 0:11:43 | 0:11:46 | |
and pulled your pants down and wrote "faggot" on you with the lipstick, | 0:11:46 | 0:11:49 | |
-because they were, like, attacking your masculinity? -Mm! | 0:11:49 | 0:11:53 | |
No. I know Whelan, this is the way it has to be. | 0:11:53 | 0:11:55 | |
HE EXHALES | 0:11:58 | 0:11:59 | |
Right, OK. | 0:12:00 | 0:12:02 | |
Here we go, then. | 0:12:02 | 0:12:03 | |
I mean, yeah, you've been beaten up before, right? | 0:12:03 | 0:12:06 | |
I mean, you were in a gang, for God's sake. | 0:12:06 | 0:12:08 | |
Weirdly, no. I always avoided scuffles. | 0:12:08 | 0:12:10 | |
I had a nosebleed once. But that was in school. | 0:12:10 | 0:12:13 | |
You prick! | 0:12:14 | 0:12:15 | |
Yes, but harder, harder. | 0:12:17 | 0:12:19 | |
Motherfucker! | 0:12:20 | 0:12:22 | |
I meant harder with the violence, not the language. | 0:12:23 | 0:12:25 | |
Sorry. | 0:12:25 | 0:12:27 | |
LEANNE CLICKS HER TONGUE | 0:12:27 | 0:12:28 | |
Rhona. | 0:12:28 | 0:12:29 | |
RHONA AND LEANNE GRUNT AND YELL | 0:12:29 | 0:12:33 | |
Sorry, sorry, sorry, sorry. | 0:12:45 | 0:12:49 | |
You definitely look...worse than when we started. | 0:12:49 | 0:12:52 | |
-Sallow. You look drawn. -Mm. | 0:12:52 | 0:12:54 | |
Use this. I need a broken nose and at least two missing teeth. | 0:12:58 | 0:13:01 | |
OK then. Here goes. | 0:13:03 | 0:13:06 | |
It's coming. | 0:13:06 | 0:13:07 | |
LEANNE SHRIEKS | 0:13:07 | 0:13:09 | |
I'm sorry! | 0:13:09 | 0:13:10 | |
OK. Strike two. | 0:13:12 | 0:13:15 | |
On its way. Right now. | 0:13:15 | 0:13:17 | |
Ah! | 0:13:17 | 0:13:19 | |
I'm so sorry. It was instinct. | 0:13:19 | 0:13:20 | |
Do you know what? | 0:13:20 | 0:13:22 | |
Don't worry about it. I'll figure something out. | 0:13:22 | 0:13:25 | |
I think that's for the best, Patrick. | 0:13:25 | 0:13:27 | |
Violence is never the answer. | 0:13:27 | 0:13:28 | |
Is my mouth bleeding? | 0:13:29 | 0:13:31 | |
Jeff? | 0:13:46 | 0:13:47 | |
He said I should come in. | 0:13:47 | 0:13:49 | |
Boss has got a job for me. | 0:13:49 | 0:13:51 | |
Oh, yeah, Quavers. Good lad. | 0:13:51 | 0:13:52 | |
Warm, soapy water all over, then rinse it. | 0:13:59 | 0:14:02 | |
Don't scratch it, don't scuff it, it's worth more than your house. | 0:14:02 | 0:14:05 | |
And when you're done with that, | 0:14:07 | 0:14:09 | |
I'll give you a Hoover for the inside. | 0:14:09 | 0:14:11 | |
Right, I've done a Google. | 0:14:20 | 0:14:21 | |
There's a joke shop around the corner that sells wigs | 0:14:21 | 0:14:24 | |
that might just do the trick, | 0:14:24 | 0:14:25 | |
and then I reckon we just trawl the charity shops | 0:14:25 | 0:14:27 | |
-for the rest of the stuff, keep costs down. -Mm. | 0:14:27 | 0:14:29 | |
-Hungry? -I'm eating for two now, Rhones. | 0:14:32 | 0:14:36 | |
Right, sure. | 0:14:36 | 0:14:38 | |
Is that a Snickers on there? | 0:14:39 | 0:14:40 | |
Yeah, cravings. | 0:14:40 | 0:14:42 | |
It's mad. I ate a spoonful of butter in the night. | 0:14:42 | 0:14:45 | |
Mm. | 0:14:49 | 0:14:51 | |
Mm. | 0:14:52 | 0:14:53 | |
Yeah, yeah, yeah. | 0:15:00 | 0:15:01 | |
That... all sounds good. | 0:15:01 | 0:15:03 | |
Soul. That's exactly the kind of thing I'm looking for. | 0:15:05 | 0:15:07 | |
Do you mind if I take that? | 0:15:07 | 0:15:09 | |
I'll take one of these, yeah. | 0:15:09 | 0:15:10 | |
Can I take one? | 0:15:13 | 0:15:14 | |
All right, cheers, lads. | 0:15:14 | 0:15:16 | |
Ahem. | 0:15:38 | 0:15:39 | |
Excuse me, gentlemen? | 0:15:39 | 0:15:40 | |
I'm sorry to interrupt your game, | 0:15:42 | 0:15:44 | |
do you mind if I tell you about the Caliphate? | 0:15:44 | 0:15:46 | |
You what? | 0:15:46 | 0:15:47 | |
THEY YELL | 0:15:55 | 0:15:56 | |
Read me that last one again? | 0:15:58 | 0:16:00 | |
"Got PE today, LOL." | 0:16:00 | 0:16:03 | |
Hmm. | 0:16:03 | 0:16:05 | |
And what do we think PE stands for? | 0:16:05 | 0:16:07 | |
Physical education? | 0:16:08 | 0:16:10 | |
Yeah. Could be. | 0:16:11 | 0:16:13 | |
I certainly hope so. | 0:16:13 | 0:16:14 | |
But it could just as easily be | 0:16:17 | 0:16:19 | |
penile entry. | 0:16:19 | 0:16:20 | |
And that could be the penis going into something... | 0:16:22 | 0:16:24 | |
..or something going into the penis. | 0:16:25 | 0:16:27 | |
That's also a thing. | 0:16:27 | 0:16:28 | |
Problem ejaculation. | 0:16:29 | 0:16:31 | |
Yeah. Write it down. | 0:16:31 | 0:16:33 | |
Probe enema, that's another one. | 0:16:35 | 0:16:37 | |
Let's not edit ourselves at this stage. | 0:16:38 | 0:16:40 | |
'Breeds such as the French bulldog and pug | 0:16:43 | 0:16:45 | |
'have seen an increase in popularity in recent years. | 0:16:45 | 0:16:48 | |
'But the UK Kennel Club and the British Veterinary Association...' | 0:16:48 | 0:16:52 | |
You finished? I'll pop out and have a look in a minute. | 0:16:52 | 0:16:55 | |
Well, put your feet up. Get yourself a beer. | 0:16:57 | 0:16:59 | |
'..exaggerated features, | 0:16:59 | 0:17:00 | |
'breeding problems and health issues. | 0:17:00 | 0:17:03 | |
'This is Andrew Chaplain.' | 0:17:03 | 0:17:05 | |
Quavers, you dickhead. | 0:17:05 | 0:17:07 | |
Come and sit up here with the lads. | 0:17:07 | 0:17:08 | |
..advised to avoid buying flat-faced breeds.' | 0:17:08 | 0:17:11 | |
Come on. | 0:17:11 | 0:17:12 | |
'Now, a suspect has been arrested in connection with | 0:17:12 | 0:17:15 | |
'the disappearance of schoolboy Gareth Pugh. | 0:17:15 | 0:17:18 | |
Look at this sick bastard. | 0:17:18 | 0:17:19 | |
'The 68-year-old man, who can't be named for legal reasons | 0:17:19 | 0:17:21 | |
'but is believed to be from the Eastern district, | 0:17:21 | 0:17:24 | |
'has been taken in for questioning. | 0:17:24 | 0:17:26 | |
'Police are appealing for anyone with information | 0:17:26 | 0:17:28 | |
'on Gareth's whereabouts to please call them. | 0:17:28 | 0:17:31 | |
'Or you can, of course, tweet them, | 0:17:31 | 0:17:33 | |
'the address is @Bristolandavonpolice, | 0:17:33 | 0:17:36 | |
'and please use the hashtag "wheresgareth".' | 0:17:36 | 0:17:39 | |
Yes, it's about the lad who was on the news. | 0:17:41 | 0:17:44 | |
The one that went missing. | 0:17:44 | 0:17:45 | |
Yeah. | 0:17:45 | 0:17:47 | |
I saw him walking down towards the bit behind the allotments, | 0:17:47 | 0:17:49 | |
near the railway. Yeah. | 0:17:49 | 0:17:51 | |
He was with this, like, old Muslim guy, | 0:17:51 | 0:17:55 | |
and they was, like, holding hands, and getting off, and that. | 0:17:55 | 0:17:59 | |
OK, good job. Now let's get back ASAP, | 0:18:01 | 0:18:03 | |
I don't like being out in public. | 0:18:03 | 0:18:04 | |
Yeah, sure. | 0:18:04 | 0:18:05 | |
I just want to get myself waxed downstairs. | 0:18:05 | 0:18:08 | |
I don't think anyone else will see it, | 0:18:08 | 0:18:10 | |
not unless the plan goes really sideways. | 0:18:10 | 0:18:12 | |
But just from a meta point of view... | 0:18:12 | 0:18:13 | |
SHE GASPS | 0:18:13 | 0:18:14 | |
Rhones! | 0:18:14 | 0:18:16 | |
Aww! | 0:18:16 | 0:18:17 | |
You know, I can't wait to hold her little head, | 0:18:19 | 0:18:23 | |
look into her little eyes, | 0:18:23 | 0:18:25 | |
pierce her little ears... | 0:18:25 | 0:18:26 | |
Rhona, | 0:18:29 | 0:18:30 | |
I haven't discussed this with Patrick yet, but... | 0:18:30 | 0:18:33 | |
I want you to be fairy godmother. | 0:18:35 | 0:18:37 | |
Oh, God. | 0:18:37 | 0:18:38 | |
Um... | 0:18:39 | 0:18:40 | |
Leanne... | 0:18:41 | 0:18:43 | |
Yeah. | 0:18:46 | 0:18:48 | |
Oh, thank you. | 0:18:48 | 0:18:50 | |
You will have to wear make-up on the day. | 0:18:52 | 0:18:54 | |
You know that, don't you? | 0:18:54 | 0:18:55 | |
Mm. Yeah. | 0:18:55 | 0:18:57 | |
Good. | 0:18:57 | 0:18:58 | |
Um... | 0:19:04 | 0:19:06 | |
-Er... -Say that again? | 0:19:06 | 0:19:09 | |
Er, penile entry, sir. | 0:19:09 | 0:19:11 | |
We think it could be code for penile entry. | 0:19:11 | 0:19:14 | |
Which could mean the penis going into something, or it could mean... | 0:19:14 | 0:19:18 | |
-You've got nothing. -Release the suspect. | 0:19:18 | 0:19:20 | |
Sorry, Sarge. We've got a tip-off. | 0:19:20 | 0:19:21 | |
Big news, Wilton. Someone's phoned in. | 0:19:23 | 0:19:25 | |
A sighting of Gareth Pugh with my suspect. | 0:19:25 | 0:19:28 | |
If you haven't already, start tracing that call for me. | 0:19:33 | 0:19:36 | |
-Yeah. -Thanks. | 0:19:36 | 0:19:37 | |
DOG BARKS | 0:19:44 | 0:19:45 | |
Sir? | 0:19:45 | 0:19:46 | |
Gotcha, you bastard. | 0:19:58 | 0:19:59 | |
If it were a boy, now, obviously, this is totally up to him, | 0:20:01 | 0:20:04 | |
but I'd love it if he was gay. | 0:20:04 | 0:20:06 | |
That'd be so beautiful. | 0:20:06 | 0:20:08 | |
Don't you think I'd be good at that, Rhones? | 0:20:09 | 0:20:11 | |
Standing up for a gay one? | 0:20:11 | 0:20:12 | |
Oh. Oh! | 0:20:15 | 0:20:16 | |
-Are you all right? -Yeah. | 0:20:16 | 0:20:18 | |
Oh. No. | 0:20:18 | 0:20:20 | |
Oh, God. I don't know. I've got a weird pain. | 0:20:20 | 0:20:23 | |
Ah. I think it might be... | 0:20:23 | 0:20:25 | |
Oh, God, Rhones. I think it might be the baby! | 0:20:25 | 0:20:28 | |
Actually, I don't think it's the baby. | 0:20:28 | 0:20:29 | |
It is, Rhones. I think it might be the baby. | 0:20:29 | 0:20:31 | |
-Oh, God. -It's probably just indigestion. | 0:20:31 | 0:20:33 | |
You did have quite a big breakfast. | 0:20:33 | 0:20:34 | |
I need to get to the hospital. | 0:20:34 | 0:20:36 | |
-Help, my baby! -Leanne, it's not the baby. | 0:20:36 | 0:20:38 | |
-How do you know? -Just take some deep breaths. | 0:20:38 | 0:20:40 | |
-Help! Help! Help! -Deep breaths... | 0:20:40 | 0:20:42 | |
Leanne, there is no baby. | 0:20:42 | 0:20:44 | |
There never was. | 0:20:49 | 0:20:50 | |
What? | 0:20:50 | 0:20:52 | |
You had the tester wrong. | 0:20:52 | 0:20:53 | |
Two lines means pregnant, one line means not pregnant. | 0:20:53 | 0:20:56 | |
I checked the packaging. | 0:20:56 | 0:20:58 | |
I'm sorry. | 0:21:00 | 0:21:02 | |
Hang on, since when have you known this? | 0:21:02 | 0:21:04 | |
I, um... | 0:21:05 | 0:21:06 | |
I checked it before we went to bed. | 0:21:08 | 0:21:10 | |
The night before last. | 0:21:10 | 0:21:12 | |
-What?! -I'm sorry, there wasn't a good time. | 0:21:12 | 0:21:14 | |
Rhona, we watched three Come Dines on the trot! | 0:21:14 | 0:21:16 | |
That's six advert breaks. | 0:21:16 | 0:21:18 | |
And...all the recappy bits. | 0:21:18 | 0:21:20 | |
I'm sorry. Leanne! | 0:21:20 | 0:21:22 | |
Leanne! | 0:21:23 | 0:21:25 | |
Selfie. | 0:21:30 | 0:21:31 | |
Selfie, top off. | 0:21:33 | 0:21:35 | |
That's his penis. | 0:21:38 | 0:21:39 | |
Cat. | 0:21:41 | 0:21:42 | |
I THINK that's his penis. | 0:21:45 | 0:21:48 | |
Of course it is, that's the tip. | 0:21:50 | 0:21:52 | |
Wilton, we found a body! | 0:21:52 | 0:21:54 | |
Tip-off was bang on. Ha-ha! | 0:21:54 | 0:21:56 | |
Oh, yeah. | 0:22:00 | 0:22:01 | |
Obviously terrible news. | 0:22:01 | 0:22:04 | |
Senseless, um... | 0:22:04 | 0:22:05 | |
loss. | 0:22:05 | 0:22:06 | |
Steve, found a body! | 0:22:06 | 0:22:08 | |
He shoots, he scores! | 0:22:08 | 0:22:10 | |
Ma'am, I've traced that number. | 0:22:15 | 0:22:17 | |
The tip-off call. | 0:22:17 | 0:22:18 | |
Colin, the call came in from The Badger. | 0:22:23 | 0:22:26 | |
Owner and proprietor, Willy Whelan. | 0:22:26 | 0:22:29 | |
Well, so what? It's a pub. Lots of people go into pubs. | 0:22:29 | 0:22:32 | |
Colin, this is The Badger. | 0:22:32 | 0:22:33 | |
Knock, knock. | 0:22:33 | 0:22:35 | |
Sorry if this is a bad time, | 0:22:35 | 0:22:37 | |
but you might want to take a look at this. | 0:22:37 | 0:22:39 | |
Shit. | 0:22:43 | 0:22:44 | |
Leanne? | 0:22:50 | 0:22:51 | |
# Take me to the docks | 0:22:58 | 0:23:00 | |
# There is a ship without a name there | 0:23:00 | 0:23:03 | |
# And it is sailing to the middle of the sea... # | 0:23:03 | 0:23:05 | |
Leanne, are you OK? | 0:23:05 | 0:23:07 | |
# The water there is deeper | 0:23:09 | 0:23:12 | |
# Than anything you've ever seen. # | 0:23:12 | 0:23:16 | |
Leanne? | 0:23:16 | 0:23:17 | |
Oh, God. | 0:23:22 | 0:23:23 | |
In many ways, | 0:23:26 | 0:23:28 | |
that's my baby. | 0:23:28 | 0:23:30 | |
Leanne, I'm really sorry. | 0:23:39 | 0:23:41 | |
You do know we need to keep this up, right? | 0:23:43 | 0:23:45 | |
-What?! -Just for the next couple of days. | 0:23:46 | 0:23:48 | |
Patrick's only helping us because he thinks you're pregnant. | 0:23:48 | 0:23:51 | |
Before that, he was all for chucking us out on the street | 0:23:51 | 0:23:54 | |
with whatever loose change he had in his pocket. | 0:23:54 | 0:23:56 | |
Are you kidding me? | 0:23:56 | 0:23:57 | |
Leanne? | 0:23:58 | 0:24:00 | |
Leanne? | 0:24:00 | 0:24:01 | |
Look, I didn't plan this, but this may be our only chance. | 0:24:01 | 0:24:04 | |
No, I'm sorry, Rhona. | 0:24:04 | 0:24:05 | |
I'm not doing it. Not like this. | 0:24:05 | 0:24:07 | |
Please just think about this. | 0:24:07 | 0:24:08 | |
It's not right. I'm telling Patrick. | 0:24:08 | 0:24:10 | |
We're lying to him. We're putting him in danger. | 0:24:10 | 0:24:13 | |
Leanne, please just listen. | 0:24:13 | 0:24:15 | |
Leanne. | 0:24:15 | 0:24:16 | |
Patrick? | 0:24:16 | 0:24:18 | |
You all right? | 0:24:18 | 0:24:19 | |
Patrick. | 0:24:20 | 0:24:21 | |
What happened? | 0:24:21 | 0:24:23 | |
I got myself beaten up. | 0:24:24 | 0:24:25 | |
For the plan. Like I said, it's got to look real. | 0:24:27 | 0:24:29 | |
So, I've been to Bristol, | 0:24:29 | 0:24:32 | |
I spoke to Willy, told him what happened, like what we said. | 0:24:32 | 0:24:37 | |
A couple of people broke in, ransacked the place, | 0:24:37 | 0:24:40 | |
I told him the gun's gone. | 0:24:40 | 0:24:42 | |
And...? | 0:24:42 | 0:24:43 | |
It worked a charm. | 0:24:46 | 0:24:47 | |
We're on for tomorrow. | 0:24:49 | 0:24:50 | |
Good. | 0:24:53 | 0:24:54 | |
Great work. | 0:24:54 | 0:24:55 | |
Bud! | 0:24:57 | 0:24:58 | |
HE GROANS Oh, sorry, sorry. | 0:24:58 | 0:25:00 | |
What was you shouting me for? | 0:25:00 | 0:25:02 | |
Oh, um... | 0:25:05 | 0:25:06 | |
I just wanted to tell you that I did a really big poo. | 0:25:06 | 0:25:10 | |
She saw it. | 0:25:10 | 0:25:11 | |
Yeah. | 0:25:13 | 0:25:15 | |
Well, this is it. | 0:25:34 | 0:25:36 | |
The big day. | 0:25:36 | 0:25:37 | |
You can tell the people you work for to suck my ass. | 0:25:37 | 0:25:41 | |
With Sandra, | 0:25:41 | 0:25:44 | |
it is never over. | 0:25:44 | 0:25:46 | |
You bitch! | 0:25:46 | 0:25:47 | |
Whoa, whoa, whoa, ladies! | 0:25:47 | 0:25:49 | |
Big mistake. | 0:25:51 | 0:25:52 | |
SCARED PANTING | 0:25:57 | 0:25:59 | |
GUNSHOT | 0:26:01 | 0:26:02 |