Browse content similar to The Unseen Bits. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING | 0:00:16 | 0:00:18 | |
Good evening and welcome to a very special edition | 0:00:24 | 0:00:26 | |
of previously unseen clips from this series of Would I Lie To You? | 0:00:26 | 0:00:30 | |
Joining David Mitchell tonight... | 0:00:30 | 0:00:32 | |
Claudia Winkleman. | 0:00:32 | 0:00:34 | |
Nick Robinson. | 0:00:34 | 0:00:35 | |
Nadiya Hussain. | 0:00:35 | 0:00:36 | |
David Haye. | 0:00:36 | 0:00:37 | |
Romesh Ranganathan. | 0:00:37 | 0:00:39 | |
Catherine Ryan. | 0:00:39 | 0:00:40 | |
John Simpson. | 0:00:40 | 0:00:42 | |
Professor Kate Williams. | 0:00:42 | 0:00:43 | |
Michael Smiley. | 0:00:43 | 0:00:45 | |
And Jason Manford. | 0:00:45 | 0:00:46 | |
And joining Lee Mack tonight... | 0:00:46 | 0:00:48 | |
Bob Mortimer. | 0:00:48 | 0:00:49 | |
Mel Giedroyc. | 0:00:49 | 0:00:51 | |
Harry Shearer. Brian Blessed. | 0:00:51 | 0:00:53 | |
Diane Morgan. | 0:00:53 | 0:00:54 | |
Martin Kemp. | 0:00:54 | 0:00:56 | |
Sara Cox. | 0:00:56 | 0:00:57 | |
Hugh Dennis. | 0:00:57 | 0:00:59 | |
And Tracy-Ann Oberman. | 0:00:59 | 0:01:00 | |
So we begin with Round 1, Home Truths, where our panellists | 0:01:00 | 0:01:03 | |
each read out a statement from the card in front of them. | 0:01:03 | 0:01:06 | |
To make things harder, they've never seen the card before - | 0:01:06 | 0:01:09 | |
they've no idea what they'll be faced with. | 0:01:09 | 0:01:11 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:11 | 0:01:14 | |
David Haye, you're first up tonight... | 0:01:14 | 0:01:18 | |
-Possession. -Possession, ah, there's a box under your desk. | 0:01:18 | 0:01:21 | |
-There's a little card in there... -Yeah. | 0:01:21 | 0:01:24 | |
Just read the card first and then show us what's in the box. | 0:01:24 | 0:01:28 | |
This is a dog toy I chew to release tension before a fight. | 0:01:29 | 0:01:33 | |
Right, now, pop the toy on the desk, put the box back down. | 0:01:35 | 0:01:39 | |
Do you chew this every fight? | 0:01:39 | 0:01:42 | |
Before every fight, yeah. Like, day-of situation. | 0:01:42 | 0:01:45 | |
Do what you do, David, before... Imagine it's before a fight. | 0:01:45 | 0:01:48 | |
TOY SQUEAKS | 0:01:48 | 0:01:51 | |
Can I just say, David, that your eyes at that moment | 0:01:54 | 0:01:57 | |
definitely said, "I wasn't expecting that." | 0:01:57 | 0:02:00 | |
-This relaxes you before a fight? -Yeah. | 0:02:06 | 0:02:09 | |
When you say before a fight, you mean the hour before? | 0:02:09 | 0:02:11 | |
When I'm in the hotel before the fight. I normally get to the hotel... | 0:02:11 | 0:02:14 | |
If I'm fighting at 10pm, I get to the hotel around four or five, | 0:02:14 | 0:02:17 | |
just chilling out there, I'll just lie on the bed just thinking... | 0:02:17 | 0:02:21 | |
TOY SQUEAKS | 0:02:21 | 0:02:23 | |
And it makes me feel comfortable. Then I go to sleep, wake up, | 0:02:23 | 0:02:25 | |
I'm charged - feeling good. | 0:02:25 | 0:02:27 | |
What about the people in the room, next to you in the hotel, | 0:02:27 | 0:02:29 | |
what are they thinking is happening? | 0:02:29 | 0:02:31 | |
Yeah, do they think you're making love to a clown? | 0:02:31 | 0:02:34 | |
-Are we allowed to look at it? -Yeah. -Yes. -Let's have a little look. | 0:02:35 | 0:02:39 | |
TOY SQUEAKS | 0:02:39 | 0:02:41 | |
-Right, it has been quite chewed. -It has been chewed. | 0:02:42 | 0:02:45 | |
So, what are you going to see, Lee, is it the truth | 0:02:45 | 0:02:47 | |
or has he made this up? | 0:02:47 | 0:02:49 | |
-I don't know. What do we think? -No. -You don't think he...? | 0:02:49 | 0:02:52 | |
No, I think that's a lie. | 0:02:52 | 0:02:53 | |
-What do you think? -It is well-chewed. | 0:02:53 | 0:02:56 | |
-TOY SQUEAKS -But then, somebody here, backstage, could have chewed on it | 0:02:56 | 0:02:59 | |
-for a couple... -That's a hard job, isn't it? | 0:02:59 | 0:03:03 | |
"What am I doing today?" "Well, it's your lucky day - | 0:03:03 | 0:03:05 | |
"get chewing on that for two hours." | 0:03:05 | 0:03:07 | |
They might have done. | 0:03:08 | 0:03:10 | |
"I hate this job!" | 0:03:10 | 0:03:11 | |
TOY SQUEAKS | 0:03:11 | 0:03:13 | |
"One day, I'm going to be Director-General." | 0:03:15 | 0:03:18 | |
So what are you going to say? | 0:03:18 | 0:03:20 | |
-We'll go for a lie. -You're saying it's a lie? -Yeah. | 0:03:20 | 0:03:23 | |
OK, David, truth or lie? | 0:03:23 | 0:03:24 | |
It's a lie. | 0:03:24 | 0:03:26 | |
Bob, you're up next... | 0:03:29 | 0:03:30 | |
I recently had to charm a spider out of my shoe | 0:03:32 | 0:03:37 | |
by tooting a flute at it. | 0:03:37 | 0:03:39 | |
David's team... | 0:03:41 | 0:03:43 | |
So, where were you? | 0:03:46 | 0:03:48 | |
-I was at home. -So was this spider a normal British domestic spider? | 0:03:48 | 0:03:53 | |
-Yes. -How big was it, Bob? -It was... | 0:03:53 | 0:03:55 | |
-It's black...but... -And what colour was it? | 0:03:55 | 0:03:58 | |
It's not the ones that have got a little body and big long legs. | 0:04:03 | 0:04:08 | |
Sorry, it wasn't the type with a small body and long legs? | 0:04:08 | 0:04:12 | |
-No. -What type was it? -You can work the rest out yourself, surely? | 0:04:12 | 0:04:15 | |
-Big body, small legs. -Yeah. -Was this a gerbil? | 0:04:16 | 0:04:20 | |
-No, that's a bird, you idiot. -If it was a gerbil, | 0:04:21 | 0:04:24 | |
I would have used a lute! | 0:04:24 | 0:04:25 | |
Honestly... | 0:04:27 | 0:04:28 | |
It's actually just a very everyday situation. | 0:04:30 | 0:04:33 | |
My wife doesn't like spiders, very scared of them. | 0:04:33 | 0:04:36 | |
It's kind of my job to get rid of spiders. | 0:04:36 | 0:04:39 | |
I don't like them either, I'm not going to use my hands or whatever. | 0:04:39 | 0:04:43 | |
Can you mime the blow moment? | 0:04:43 | 0:04:45 | |
-Don't fall for this. -Sorry? | 0:04:45 | 0:04:47 | |
He gets me with this every week, don't fall for it, Bob. | 0:04:49 | 0:04:52 | |
"I've got just the thing for you if you haven't got a flute - | 0:04:52 | 0:04:54 | |
"close your eyes." | 0:04:54 | 0:04:56 | |
Don't fall for it, do not... | 0:04:57 | 0:05:00 | |
-Did you blow it into the shoe? -Yes, I blew down the flute | 0:05:00 | 0:05:03 | |
to bring it out into the heel area. | 0:05:03 | 0:05:05 | |
-These were a kind of snakeskin elastic slipper. -Yeah. | 0:05:05 | 0:05:09 | |
Just under the windowsill - | 0:05:09 | 0:05:11 | |
above where the cat litter is... | 0:05:11 | 0:05:13 | |
I put them there cos I wanted to get that height and it didn't come out. | 0:05:13 | 0:05:16 | |
-So you moved... -I tapped it... -..the slipper with the spider in it? | 0:05:16 | 0:05:20 | |
I moved it, facing the cupboard where I keep the plates - | 0:05:20 | 0:05:25 | |
it's got little holes in it - | 0:05:25 | 0:05:26 | |
and the spider emerged. | 0:05:26 | 0:05:29 | |
So, the spider emerged but didn't leave the shoe or slipper? | 0:05:29 | 0:05:32 | |
-No, it didn't leave the slipper. -Didn't leave the slipper... | 0:05:32 | 0:05:35 | |
Had a look around... Back in? | 0:05:35 | 0:05:37 | |
So you were no better off, were you? | 0:05:37 | 0:05:39 | |
I didn't feel like I was better off, | 0:05:39 | 0:05:41 | |
but at least I found out that we owned a flute, as a family. | 0:05:41 | 0:05:44 | |
If I was scared of spiders, | 0:05:44 | 0:05:46 | |
I wouldn't go anywhere near that slipper. I'd just leave it. | 0:05:46 | 0:05:49 | |
I'm not that scared. | 0:05:49 | 0:05:51 | |
-I'm ginger about them. -OK. | 0:05:51 | 0:05:54 | |
-Ginger? -Is that right? | 0:05:54 | 0:05:56 | |
-DAVID: -It is. -It's a word.... | 0:05:56 | 0:05:58 | |
I'm just not sure it's the correct word in that situation. | 0:06:00 | 0:06:03 | |
You pick something up gingerly. | 0:06:03 | 0:06:05 | |
It doesn't just mean the flavour ginger. | 0:06:05 | 0:06:08 | |
A ginger nut is not just a biscuit. | 0:06:08 | 0:06:12 | |
It could be a tentative testicle. | 0:06:12 | 0:06:15 | |
LAUGHTER | 0:06:15 | 0:06:18 | |
Do you now know who the flute belongs to? | 0:06:22 | 0:06:24 | |
-Yes, of course, it was my son's flute. -Is he a flautist? | 0:06:24 | 0:06:28 | |
No. We hoped he would be, but he could never find the flute. | 0:06:28 | 0:06:32 | |
APPLAUSE | 0:06:36 | 0:06:38 | |
Well, what are you thinking? | 0:06:40 | 0:06:42 | |
-Well, what I'm confused by is if you fear spiders... -I do a bit. | 0:06:42 | 0:06:45 | |
..and you believe that there's a spider in this shoe, | 0:06:45 | 0:06:48 | |
-I think you would be afraid to move the shoe. -Not at all. | 0:06:48 | 0:06:52 | |
I also think you would have worried about, | 0:06:52 | 0:06:54 | |
as you go to take the breath to blow it, you accidentally breathe in. | 0:06:54 | 0:06:58 | |
Yeah, yeah, yeah! | 0:06:58 | 0:07:00 | |
I don't have to breathe in to breathe out. | 0:07:00 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:05 | |
Michael, which way are you leaning? | 0:07:09 | 0:07:11 | |
It sounds too much like the surreal world of Bob Mortimer | 0:07:11 | 0:07:15 | |
to be actually the truth, I think it's a lie. | 0:07:15 | 0:07:17 | |
It's a lie? Do you think it's a lie? | 0:07:17 | 0:07:19 | |
Nobody in the world owns a flute really, do they? | 0:07:19 | 0:07:22 | |
-We think it's a lie. -You think it's a lie. Bob, truth or lie? | 0:07:25 | 0:07:29 | |
It was... | 0:07:29 | 0:07:31 | |
A lie. | 0:07:31 | 0:07:32 | |
APPLAUSE | 0:07:32 | 0:07:34 | |
It's John. | 0:07:37 | 0:07:38 | |
OK. | 0:07:39 | 0:07:41 | |
I once saw a six-foot goldfish in the jungles of South America. | 0:07:41 | 0:07:47 | |
Lee's team. | 0:07:47 | 0:07:49 | |
-Were you working? -I was working. | 0:07:49 | 0:07:51 | |
-What were you doing? -I was filming this village, this tribe, | 0:07:51 | 0:07:56 | |
and they made me drink the hallucinogenic drug. | 0:07:56 | 0:08:01 | |
Are you telling us now you imagined you saw a six-foot goldfish? | 0:08:01 | 0:08:04 | |
Yeah. | 0:08:04 | 0:08:05 | |
I don't think I imagined it - I mean, he spoke to me. | 0:08:05 | 0:08:09 | |
He can't have been... | 0:08:09 | 0:08:10 | |
APPLAUSE | 0:08:12 | 0:08:14 | |
What did he say? | 0:08:14 | 0:08:16 | |
He said, "How's it going, man?" | 0:08:16 | 0:08:20 | |
And what did you say? | 0:08:20 | 0:08:22 | |
I didn't say very much, because it isn't very often | 0:08:22 | 0:08:26 | |
that a six-foot goldfish with a straw hat speaks to you. | 0:08:26 | 0:08:30 | |
It's a rarity. | 0:08:30 | 0:08:32 | |
-I think you'd agree. -Oh, definitely. -It doesn't happen every day. | 0:08:32 | 0:08:36 | |
He had a straw hat on. | 0:08:36 | 0:08:38 | |
And what did you have? | 0:08:38 | 0:08:40 | |
This hallucinogenic drug they drink, | 0:08:40 | 0:08:42 | |
and I thought I could take a little sip, | 0:08:42 | 0:08:46 | |
and say, "Oh, yes, how nice, thank you very much. | 0:08:46 | 0:08:49 | |
"Perhaps I'll drink the rest later," or something. | 0:08:49 | 0:08:52 | |
The whole village crowded round to watch me drink it. | 0:08:52 | 0:08:57 | |
Are you sure they were there, John? | 0:08:57 | 0:09:00 | |
Of course they were there! I'd crowd around too if I was going | 0:09:00 | 0:09:04 | |
to watch an old white man get off his face for the first time ever! | 0:09:04 | 0:09:08 | |
And at first, nothing happened, | 0:09:10 | 0:09:13 | |
and I was a little bit disappointed, | 0:09:13 | 0:09:15 | |
and then the moon, | 0:09:15 | 0:09:19 | |
there was a full moon, and it kind of came down on a spring | 0:09:19 | 0:09:22 | |
right in my face, and the trees started talking to one another. | 0:09:22 | 0:09:28 | |
Have I still got you with me? | 0:09:28 | 0:09:30 | |
"Back to you in the studio." | 0:09:30 | 0:09:33 | |
"John Simpson, off me face, Afghanistan." | 0:09:35 | 0:09:38 | |
All right, so what are you thinking? | 0:09:39 | 0:09:41 | |
-I think he probably is telling the truth. -I think it's a lie. | 0:09:41 | 0:09:45 | |
I say it's a lie too. | 0:09:45 | 0:09:46 | |
OK, they are saying it's a lie. | 0:09:46 | 0:09:48 | |
John, truth or lie? | 0:09:48 | 0:09:50 | |
Well, it's... | 0:09:50 | 0:09:52 | |
true. | 0:09:52 | 0:09:53 | |
APPLAUSE | 0:09:53 | 0:09:56 | |
Kate, you're next. | 0:09:57 | 0:09:59 | |
I used to eat so many carrots that I began to turn orange. | 0:09:59 | 0:10:04 | |
Lee's team. | 0:10:04 | 0:10:06 | |
Have you always had red hair? | 0:10:06 | 0:10:08 | |
-Yes. -So it wasn't that that caused it. | 0:10:08 | 0:10:10 | |
They made my face and my hands and my arms | 0:10:10 | 0:10:13 | |
and this part of me go orange. | 0:10:13 | 0:10:16 | |
How many carrots were you eating? | 0:10:16 | 0:10:18 | |
Well, about 25 on a normal day. | 0:10:18 | 0:10:21 | |
25 carrots?! | 0:10:21 | 0:10:22 | |
Are you talking batons or real carrots? | 0:10:22 | 0:10:26 | |
Real ones - big, hairy, organic carrots. | 0:10:26 | 0:10:28 | |
If things got stressful and there was a lot of things going on, | 0:10:28 | 0:10:31 | |
I could hit up to 50. | 0:10:31 | 0:10:33 | |
50 carrots a day? Why were you doing this? | 0:10:33 | 0:10:36 | |
Why would you not? They're really nice. | 0:10:36 | 0:10:38 | |
-No! -They're not THAT nice. | 0:10:38 | 0:10:40 | |
Have you ever tried a Twix? | 0:10:40 | 0:10:42 | |
If you like carrots, a Twix will blow you away. | 0:10:44 | 0:10:47 | |
Kate, have you ever seen the original film | 0:10:50 | 0:10:54 | |
The Thing From Outer Space? | 0:10:54 | 0:10:56 | |
James Arness plays the Thing, about nine feet tall, | 0:10:56 | 0:10:59 | |
and they called him the carrot man. | 0:10:59 | 0:11:01 | |
Is that what inspired you? | 0:11:01 | 0:11:03 | |
LAUGHTER | 0:11:03 | 0:11:06 | |
That's what I call a very specific question. | 0:11:09 | 0:11:12 | |
I'll tell you, Brian, I did drink a lot of tea, | 0:11:14 | 0:11:17 | |
I used to drink 25 cups of that, | 0:11:17 | 0:11:19 | |
and I had to stop. | 0:11:19 | 0:11:20 | |
In place of the 25 cups of tea, I ate carrots instead. | 0:11:20 | 0:11:24 | |
-So the carrots were your tea methadone. -Yes. | 0:11:24 | 0:11:28 | |
And what did you get off the carrots with? | 0:11:28 | 0:11:31 | |
Heroin! | 0:11:31 | 0:11:32 | |
And as soon as you stopped, it stopped, did it? | 0:11:34 | 0:11:36 | |
Well, it was a fight, Lee. It was a fight to give up | 0:11:36 | 0:11:39 | |
-these things that I'd loved. -But they're not addictive, carrots. | 0:11:39 | 0:11:41 | |
-They're not like tea. -How do you know? They really are. | 0:11:41 | 0:11:44 | |
I tell you how I know, cos I have a few and that's enough. | 0:11:44 | 0:11:48 | |
You're telling yourself you haven't got a problem, Lee! | 0:11:48 | 0:11:51 | |
So, Lee and team, what are you thinking of this? | 0:11:51 | 0:11:53 | |
-Could she be telling the truth? -Kevin. | 0:11:53 | 0:11:56 | |
-I think it's the truth. -OK. Brian? -I think you're telling the truth. | 0:11:56 | 0:12:01 | |
-OK. -Two truths. -I'll go with my team. -OK. -My team say true. | 0:12:01 | 0:12:04 | |
They're saying true. | 0:12:04 | 0:12:06 | |
So, Kate, was that the truth or was it a lie? | 0:12:06 | 0:12:08 | |
My love for carrots | 0:12:08 | 0:12:10 | |
is absolutely true. | 0:12:10 | 0:12:12 | |
Wow! | 0:12:12 | 0:12:14 | |
-Martin Kemp, you're next. -All right. | 0:12:17 | 0:12:19 | |
-Here we go. -Come on, Kempy. Come on! | 0:12:19 | 0:12:21 | |
I was once rescued by London Underground staff | 0:12:21 | 0:12:25 | |
after my New Romantic pantaloons got trapped in the escalator. | 0:12:25 | 0:12:30 | |
David's team. | 0:12:32 | 0:12:33 | |
-Can you describe the pantaloons? -Pantaloons are like.. | 0:12:33 | 0:12:35 | |
Oh, he's standing up. | 0:12:35 | 0:12:37 | |
In those days, they used to come up to about there, | 0:12:37 | 0:12:39 | |
up past your ankles, and they would kind of bend out like this. | 0:12:39 | 0:12:44 | |
Like pirate's trousers. | 0:12:44 | 0:12:45 | |
Yeah. Like pirate's trousers. Vivienne Westwood. | 0:12:45 | 0:12:48 | |
How long ago was this? | 0:12:48 | 0:12:50 | |
1980s. Really early, though. This was before the band started. | 0:12:50 | 0:12:53 | |
So it was while I was still going to the Blitz, which was kind of... | 0:12:53 | 0:12:57 | |
In the '40s?! | 0:12:57 | 0:12:58 | |
-Listen... -LEE IMITATES AIR RAID SIREN | 0:12:58 | 0:13:02 | |
The last of the great pop cultures. | 0:13:02 | 0:13:06 | |
-So, when you say the Blitz, this is a nightclub. -A nightclub. | 0:13:06 | 0:13:10 | |
And I used to wear these pantaloons. | 0:13:10 | 0:13:12 | |
And one night, we decided to have a party on the Circle Line | 0:13:12 | 0:13:17 | |
that would completely just keep going around and around. | 0:13:17 | 0:13:20 | |
Getting down to the Tube, | 0:13:20 | 0:13:22 | |
my pantaloons got stuck in the escalator. | 0:13:22 | 0:13:26 | |
And how long did it take them to arrive and free you? | 0:13:26 | 0:13:28 | |
-Oh, it was a good 20 minutes. -Did it stop? | 0:13:28 | 0:13:30 | |
-Did they turn off the escalator? -Yeah. It actually got jammed. | 0:13:30 | 0:13:34 | |
-It got jammed? -Yeah, there was some kind of monitor in it or something. | 0:13:34 | 0:13:37 | |
-It stopped it. -Back in what day was this? -198...2? | 0:13:37 | 0:13:39 | |
I don't like the sensors. There's no sensors back then. | 0:13:39 | 0:13:42 | |
People used to get their fingers chopped off and all sorts. | 0:13:42 | 0:13:44 | |
-In the early '80s... -This jammed it. It went right in... | 0:13:44 | 0:13:48 | |
And as soon as you jammed in it, it stopped automatically? | 0:13:48 | 0:13:50 | |
Yeah, because it pulled half of my trousers down. | 0:13:50 | 0:13:54 | |
I don't believe that an early '80s pantaloon would be enough to | 0:13:54 | 0:13:58 | |
stop the mechanism of the whole escalator. | 0:13:58 | 0:14:00 | |
What decade of pantaloon would have been able to do that? | 0:14:00 | 0:14:04 | |
-Listen... -Like a real pirate hessian pantaloon, that could stop anything. | 0:14:04 | 0:14:07 | |
-That is exactly what they were. -Right. | 0:14:07 | 0:14:10 | |
What are you thinking? | 0:14:10 | 0:14:11 | |
I can see that the Haymaker is very dismissive. | 0:14:11 | 0:14:14 | |
Well, I think it's a very good point you make about the mechanisms | 0:14:14 | 0:14:17 | |
-of early '80s escalators. -Yeah. -Some of them were wooden. | 0:14:17 | 0:14:20 | |
-Yeah. -I think they'd just keep turning. | 0:14:20 | 0:14:22 | |
I don't think they'd stop because of a pantaloon. | 0:14:22 | 0:14:25 | |
What year was the digital watch made? That was like... | 0:14:25 | 0:14:28 | |
-Yeah, that will tie this all up together. -No, no, no. | 0:14:28 | 0:14:31 | |
You're saying that the time when they just had digital watches, | 0:14:31 | 0:14:34 | |
they had sensors that sensed when someone's trousers were stuck | 0:14:34 | 0:14:38 | |
in a lift that stopped? I don't buy it. | 0:14:38 | 0:14:40 | |
Don't underestimate the voluminosity of | 0:14:40 | 0:14:43 | |
a Spandau Ballet pantaloon in '82. | 0:14:43 | 0:14:45 | |
They were big. There was a lot of material in those pantaloons. | 0:14:45 | 0:14:48 | |
Well, there had to be. | 0:14:48 | 0:14:49 | |
-So, what are you going to say, David? -You think true. | 0:14:52 | 0:14:55 | |
-I think true, yeah. -And you think lie. -I think lie. | 0:14:55 | 0:14:59 | |
-I think it's a lie. -All right, Martin, is it a lie or is it true? | 0:14:59 | 0:15:03 | |
This much is... | 0:15:03 | 0:15:04 | |
lie. | 0:15:04 | 0:15:06 | |
David, you're up next. | 0:15:11 | 0:15:13 | |
I've yet to find the courage to make a contactless card payment. | 0:15:13 | 0:15:17 | |
I considered it once, | 0:15:17 | 0:15:19 | |
but decided that full PIN entry was the safer method. | 0:15:19 | 0:15:23 | |
Lee's team, what do you think of that? | 0:15:24 | 0:15:27 | |
What do you fear, David? | 0:15:27 | 0:15:29 | |
-Well, it's a security risk, isn't it? -Why is it a security risk? | 0:15:29 | 0:15:32 | |
Well, because you don't have to put in your PIN. | 0:15:32 | 0:15:34 | |
The only security that's relevant is that you know it's you. | 0:15:34 | 0:15:37 | |
If you know it's fine, contactless and the PIN is the same thing. | 0:15:37 | 0:15:41 | |
Who among us can be sure of who we really are? | 0:15:41 | 0:15:44 | |
Where did you consider using it, David? | 0:15:45 | 0:15:48 | |
I've considered it a few times in a few places | 0:15:48 | 0:15:50 | |
cos sometimes people suggest it, which I think's rather forward. | 0:15:50 | 0:15:54 | |
You know, they suggest it - "I'm sorry, am I keeping you?" | 0:15:56 | 0:15:59 | |
You know, "You haven't got time for me to enter four digits now?" | 0:15:59 | 0:16:04 | |
-Do you have an Oyster card? -Yes. | 0:16:04 | 0:16:06 | |
Ah, so you're happy with contactless there? | 0:16:06 | 0:16:09 | |
If the Oyster card gave you the option of putting in a PIN, | 0:16:09 | 0:16:12 | |
I'd be all for it, but that's never been set up like that. | 0:16:12 | 0:16:16 | |
And I'm not so weird as to go into Oyster HQ and ask to have | 0:16:16 | 0:16:19 | |
a particular high-security Oyster card issued especially for me. | 0:16:19 | 0:16:24 | |
It's very hard to get into Oyster HQ, isn't it? | 0:16:24 | 0:16:26 | |
You have to get, like, a knife, and prise it open. | 0:16:26 | 0:16:31 | |
You have to get past Pearl on reception! | 0:16:31 | 0:16:35 | |
Hey! Come on! | 0:16:35 | 0:16:36 | |
Have you ever used it, then? Have you used it once? | 0:16:40 | 0:16:43 | |
Erm... | 0:16:43 | 0:16:45 | |
I've yet to find the courage, so no. | 0:16:45 | 0:16:47 | |
-You have a mobile phone. -I have a mobile phone. | 0:16:47 | 0:16:49 | |
Would you ever use Apple Pay? We can't call it that. Orange... | 0:16:49 | 0:16:52 | |
Well, we can't do that. They're a company as well. | 0:16:52 | 0:16:55 | |
Would you ever use, um, Pay? | 0:16:55 | 0:16:57 | |
Would you ever use your mobile phone? | 0:16:57 | 0:16:59 | |
You can. Cos I sometimes do that. | 0:16:59 | 0:17:01 | |
I'm quite happy to get my phone out in M&S. | 0:17:01 | 0:17:04 | |
And I feel quite cool. | 0:17:04 | 0:17:06 | |
I hold it and it pays it. | 0:17:06 | 0:17:08 | |
"Do you want the receipt? No". LAUGHTER | 0:17:08 | 0:17:10 | |
No, I've never paid for anything like that. | 0:17:10 | 0:17:11 | |
You've never played for anything with Apple Pay? | 0:17:11 | 0:17:13 | |
-No. -What? What are you talking about? Have you just got a new...? | 0:17:13 | 0:17:16 | |
Are you starting some new advert that we don't know about, Rob? | 0:17:16 | 0:17:19 | |
LAUGHTER | 0:17:19 | 0:17:20 | |
All right, so what do you think? | 0:17:20 | 0:17:22 | |
-What do we think? -I'm very scared of it, so... -Scared of... | 0:17:22 | 0:17:24 | |
-..I empathise with that, so, yeah, why not? -Yeah, OK. | 0:17:24 | 0:17:27 | |
It seems so obviously him. | 0:17:27 | 0:17:29 | |
LAUGHTER You've got to go for a true. | 0:17:29 | 0:17:31 | |
-I think he fears it, yeah. -OK. You are saying it's true? | 0:17:31 | 0:17:33 | |
David, you fear contactless payment. | 0:17:33 | 0:17:36 | |
Truth or lie? | 0:17:36 | 0:17:37 | |
It is, in fact... | 0:17:37 | 0:17:38 | |
a lie. | 0:17:38 | 0:17:40 | |
Ooh, he loves it. | 0:17:40 | 0:17:41 | |
APPLAUSE | 0:17:41 | 0:17:42 | |
Tracy-Ann, you are up next. | 0:17:44 | 0:17:46 | |
I have never, ever drunk a can of fizzy drink in my life. | 0:17:46 | 0:17:50 | |
-What?! -LAUGHTER | 0:17:50 | 0:17:51 | |
Never. Ever? | 0:17:51 | 0:17:53 | |
There's a limit to what we can ask here. | 0:17:53 | 0:17:55 | |
-LAUGHTER -Have you ever had a can of Coke? | 0:17:55 | 0:17:57 | |
-Never. -Oh! Erm... | 0:17:57 | 0:17:59 | |
LAUGHTER | 0:17:59 | 0:18:00 | |
7-Up? | 0:18:00 | 0:18:01 | |
Nope. | 0:18:01 | 0:18:02 | |
Do you not like fizzy drinks? | 0:18:02 | 0:18:04 | |
All the evidence is there, isn't it? | 0:18:04 | 0:18:06 | |
LAUGHTER | 0:18:06 | 0:18:07 | |
How do you know you don't like fizzy drink? | 0:18:07 | 0:18:09 | |
Because, to me, even as a child, | 0:18:09 | 0:18:11 | |
water was something that was natural and lovely and pure. | 0:18:11 | 0:18:14 | |
-Why somebody would stick carbon... -As a child? | 0:18:14 | 0:18:16 | |
-As a teenager?! -..with a whole load of sugar... | 0:18:16 | 0:18:18 | |
Even as a young child, it just felt like the devil's work. | 0:18:18 | 0:18:21 | |
So, Tracy-Ann, can I tempt you to try a sugary carbonated drink? | 0:18:21 | 0:18:27 | |
-But... -Now, would you be willing to try one of these? | 0:18:27 | 0:18:30 | |
Bring it over. | 0:18:30 | 0:18:31 | |
And, well, let's see how far I can get in the process. | 0:18:31 | 0:18:33 | |
Look, the whole thing with the big, famous one. | 0:18:33 | 0:18:36 | |
It's 125 years old. It's a secret recipe. | 0:18:36 | 0:18:39 | |
The fact that it is still a secret, after 125 years, | 0:18:39 | 0:18:42 | |
means it was made by the devil. | 0:18:42 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:44 | |
This is a diet drink. This is full sugar. | 0:18:44 | 0:18:47 | |
And this is also a sugary drink. | 0:18:47 | 0:18:49 | |
Rob, can I ask... | 0:18:49 | 0:18:51 | |
what is the point of this exercise? | 0:18:51 | 0:18:53 | |
-LAUGHTER -To see if I'm lying! -Well, if... | 0:18:53 | 0:18:55 | |
No, because obviously... you're clearly going to be capable | 0:18:55 | 0:18:58 | |
of going, "Oh, no. I don't want a fizzy drink." | 0:18:58 | 0:19:00 | |
You're not going to be such a fizzy drink addict | 0:19:00 | 0:19:03 | |
that you can't stop yourself from going, | 0:19:03 | 0:19:05 | |
-"Oh, yes, I do love it!" -LAUGHTER | 0:19:05 | 0:19:06 | |
"I do love it. Absolutely!" | 0:19:06 | 0:19:08 | |
"Yes, it was a lie and I'd do it again!" | 0:19:08 | 0:19:09 | |
LAUGHTER | 0:19:09 | 0:19:11 | |
Because, if she is telling the truth, what a lovely opportunity. | 0:19:11 | 0:19:14 | |
How often have you seen a grown woman | 0:19:14 | 0:19:17 | |
taking her first sips of a sugary carbonated drink? | 0:19:17 | 0:19:21 | |
LAUGHTER | 0:19:21 | 0:19:22 | |
-The best thing this can be is cruel. -LAUGHTER | 0:19:22 | 0:19:25 | |
Right, OK. Which one are you going for? | 0:19:25 | 0:19:28 | |
That one. | 0:19:28 | 0:19:29 | |
-Don't... I don't want... -So, we can lose these two? | 0:19:29 | 0:19:31 | |
-Let's bring it here. -You haven't sha... | 0:19:31 | 0:19:33 | |
I haven't... Shut your face. | 0:19:33 | 0:19:34 | |
You've made the most light entertainment bit I've ever seen! | 0:19:34 | 0:19:37 | |
"Lose them two. Those are safe. | 0:19:37 | 0:19:39 | |
"That's your bus fare home". | 0:19:39 | 0:19:40 | |
LAUGHTER "They're fine. | 0:19:40 | 0:19:42 | |
"You're just playing now for the red can, love. | 0:19:42 | 0:19:44 | |
"Just the red can!" APPLAUSE | 0:19:44 | 0:19:45 | |
Where have you come from tonight, Tracy-Ann? | 0:19:45 | 0:19:48 | |
LAUGHTER | 0:19:48 | 0:19:49 | |
Do you want to give a wave to everybody back home there? | 0:19:49 | 0:19:51 | |
LAUGHTER She's gone for the red can. | 0:19:51 | 0:19:53 | |
So, this may or may not be Tracy-Ann's first time | 0:19:53 | 0:19:57 | |
-drinking a sugary carbonated drink. -Oh, God! -Go on, Tracey. | 0:19:57 | 0:20:00 | |
Don't drink it if you don't want to! | 0:20:00 | 0:20:02 | |
-Yeah. -You've made your point! | 0:20:02 | 0:20:03 | |
-Have I? Have I? -You don't have to! | 0:20:03 | 0:20:05 | |
CAN CLICKS AND FIZZES | 0:20:05 | 0:20:06 | |
-LAUGHTER -I'm getting better at the opening. | 0:20:06 | 0:20:09 | |
No. It's...it's wrong. | 0:20:09 | 0:20:10 | |
-Can you not even sip it? -No. -I think that's... | 0:20:10 | 0:20:12 | |
So, you're definitively saying that you are not going to drink it? | 0:20:12 | 0:20:15 | |
-GASPING -She's drinking it. -Ooh! | 0:20:15 | 0:20:17 | |
Oh, my God! It's everything I thought it was going to be! | 0:20:18 | 0:20:20 | |
-It's disgusting! -LAUGHTER | 0:20:20 | 0:20:21 | |
Ooh, get used that phrase, Rob. | 0:20:21 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:25 | |
APPLAUSE | 0:20:25 | 0:20:26 | |
Horrible! | 0:20:26 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:28 | |
All right. There we are. | 0:20:32 | 0:20:34 | |
So, what are you going to say? | 0:20:34 | 0:20:35 | |
Was she acting? | 0:20:35 | 0:20:37 | |
-I think you are brilliant. -She's been in EastEnders. | 0:20:37 | 0:20:39 | |
Would she be that good an actress | 0:20:39 | 0:20:41 | |
to convince you? LAUGHTER | 0:20:41 | 0:20:43 | |
I instinctively... I liked the... | 0:20:43 | 0:20:45 | |
-The shining cans were great. -Yes, yes. | 0:20:45 | 0:20:46 | |
You know, the different colours. | 0:20:46 | 0:20:48 | |
-I think it's a great addition to the format. -Yes. | 0:20:48 | 0:20:50 | |
LAUGHTER | 0:20:50 | 0:20:51 | |
I think we think it's a lie. | 0:20:51 | 0:20:53 | |
OK. Tracy-Ann... | 0:20:53 | 0:20:55 | |
truth or lie? | 0:20:55 | 0:20:57 | |
-It's the truth. -Ah! -No! | 0:20:57 | 0:20:59 | |
APPLAUSE DROWNS SPEECH | 0:20:59 | 0:21:01 | |
Hugh, you're up next. | 0:21:03 | 0:21:04 | |
As a child, | 0:21:04 | 0:21:06 | |
my family weren't able to have a dog. | 0:21:06 | 0:21:08 | |
So, instead, we got a cat | 0:21:08 | 0:21:10 | |
and treated it like a dog. | 0:21:10 | 0:21:12 | |
LAUGHTER | 0:21:12 | 0:21:13 | |
David's team? | 0:21:13 | 0:21:15 | |
When you say "weren't able to have a dog", | 0:21:15 | 0:21:16 | |
was there a medical reason for it? | 0:21:16 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
No. It was... | 0:21:20 | 0:21:22 | |
Essentially, there was nowhere | 0:21:22 | 0:21:24 | |
to exercise a dog, where we lived. | 0:21:24 | 0:21:27 | |
So my parents decided that it wasn't really fair have a dog. | 0:21:27 | 0:21:30 | |
-Where did you live? -So, I wasn't able... | 0:21:30 | 0:21:32 | |
Well, weirdly, it was called the Isle of Dogs. | 0:21:32 | 0:21:35 | |
LAUGHTER | 0:21:35 | 0:21:37 | |
What was the cat called? | 0:21:37 | 0:21:39 | |
The cat was called Kisska. | 0:21:39 | 0:21:41 | |
-Kisska? -Yeah. | 0:21:41 | 0:21:42 | |
If anything, it's quite a feline name. Isn't it? | 0:21:42 | 0:21:45 | |
Well, it was a cat. Of course... | 0:21:45 | 0:21:47 | |
LAUGHTER DROWNS SPEECH | 0:21:47 | 0:21:48 | |
How do you treat a cat like a dog? | 0:21:48 | 0:21:52 | |
You put it on a lead | 0:21:52 | 0:21:54 | |
-and you take it for walks. -LAUGHTER | 0:21:54 | 0:21:56 | |
Isn't that exercising the cat? | 0:21:56 | 0:21:58 | |
That is exercising the cat. | 0:21:58 | 0:22:00 | |
I thought that was the very reason why you couldn't have a dog. | 0:22:00 | 0:22:03 | |
LAUGHTER | 0:22:03 | 0:22:04 | |
That you were unable to exercise it. | 0:22:04 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:08 | |
Wherever we went during the day, the cat came with us. | 0:22:08 | 0:22:12 | |
-On a lead. -Yeah, on a lead, but...but... | 0:22:12 | 0:22:15 | |
the lead isn't really long enough for a cat, | 0:22:15 | 0:22:17 | |
so we used to tie a 30-foot washing line... | 0:22:17 | 0:22:21 | |
LAUGHTER | 0:22:21 | 0:22:22 | |
..to the lead, and you could walk at least 30 yards. | 0:22:22 | 0:22:27 | |
And dry your clothes at the same time! | 0:22:27 | 0:22:30 | |
When you would take this... You'd take the cat out in the car, | 0:22:31 | 0:22:35 | |
what would be the arrangement in the car, | 0:22:35 | 0:22:36 | |
if you were going on a journey? | 0:22:36 | 0:22:38 | |
Well, my dad built the cat a shelf, | 0:22:38 | 0:22:41 | |
which went... | 0:22:41 | 0:22:42 | |
..from the dashboard of the passenger seat... | 0:22:44 | 0:22:48 | |
-And slotted in... -Can I just say...? | 0:22:48 | 0:22:52 | |
..slotted into the metal of the headrest. | 0:22:52 | 0:22:54 | |
..if this turns out to be a lie and they get it right | 0:22:54 | 0:22:57 | |
that it's a lie, you have made life extremely hard for yourself. | 0:22:57 | 0:23:00 | |
Why couldn't the cat just be the on the seat? | 0:23:02 | 0:23:05 | |
Why does the cat need a shelf? | 0:23:05 | 0:23:07 | |
Cos the cat couldn't see if it was on the seat. | 0:23:07 | 0:23:09 | |
So what are you thinking, David's team? | 0:23:10 | 0:23:12 | |
The thing that I find very believable, cos I don't think Hugh | 0:23:12 | 0:23:16 | |
would have invented it, is the shelf. | 0:23:16 | 0:23:18 | |
It's not actually treating a cat like a dog or like a cat | 0:23:20 | 0:23:23 | |
but just like, I don't know, like a book. | 0:23:23 | 0:23:25 | |
Or like a catalogue. | 0:23:27 | 0:23:29 | |
-What are you going to say? -Do you think a lie? -I think a lie. | 0:23:34 | 0:23:37 | |
-I think a lie. -A lie? Well, we'll say it's a lie. | 0:23:37 | 0:23:39 | |
You're going to say it's a lie, OK. | 0:23:39 | 0:23:41 | |
Hugh Dennis, is it true or is it a lie? | 0:23:41 | 0:23:44 | |
It is in fact... | 0:23:44 | 0:23:46 | |
-true. -Ah! | 0:23:46 | 0:23:48 | |
Nick, you're next. | 0:23:52 | 0:23:53 | |
I'm the BBC Newsroom's rock, paper, scissors champion. | 0:23:55 | 0:23:59 | |
Having recently stolen the crown from George Alagiah. | 0:23:59 | 0:24:02 | |
-Oh, Lee's team. -How often is the championship? | 0:24:04 | 0:24:06 | |
Quite often at the end of a news bulletin, people are there. | 0:24:06 | 0:24:09 | |
There's a championship at the end of every news bulletin? | 0:24:09 | 0:24:13 | |
Not everyone but, you know, if it's not been a particularly stressful day. | 0:24:13 | 0:24:16 | |
How often would you say that you've had | 0:24:16 | 0:24:17 | |
a championship at this in your office? | 0:24:17 | 0:24:20 | |
Not every day is the championship | 0:24:20 | 0:24:22 | |
but there might be a particular contest. | 0:24:22 | 0:24:23 | |
I'll ask you one more time, Nick, and then... | 0:24:23 | 0:24:26 | |
You know how frustrated you get when you are interviewing a politician? | 0:24:26 | 0:24:29 | |
I'll put it to you. | 0:24:29 | 0:24:30 | |
How often is what you would call the championship? | 0:24:30 | 0:24:33 | |
I think it's more random than it is regular. | 0:24:33 | 0:24:36 | |
See, I was often at Downing Street doing broadcasting... | 0:24:36 | 0:24:38 | |
Is there a delay between when I'm speaking | 0:24:38 | 0:24:41 | |
and to what your ears are perceiving? | 0:24:41 | 0:24:43 | |
Cos I want to know, an average, per year, | 0:24:43 | 0:24:46 | |
how many times you would have what they call a championship. | 0:24:46 | 0:24:48 | |
And, trust me, I will not stop asking this question. | 0:24:48 | 0:24:50 | |
-I am persistent. -Around about 20 a year. -20 a year. | 0:24:51 | 0:24:55 | |
So you are the current champion. | 0:24:55 | 0:24:57 | |
Who was the one that you took over from? | 0:24:57 | 0:24:59 | |
-George Alagiah. -George Alagiah. | 0:24:59 | 0:25:00 | |
Who was the previous champion before George? | 0:25:00 | 0:25:02 | |
-Huw Edwards. -And before him? | 0:25:02 | 0:25:05 | |
-Fiona Bruce. -All right, let me rephrase the question. | 0:25:05 | 0:25:07 | |
Can you just randomly list newsreaders? | 0:25:07 | 0:25:10 | |
Because I can't help thinking that's what's going on here. | 0:25:14 | 0:25:17 | |
There's another easy way. | 0:25:17 | 0:25:19 | |
Why don't you nominate, Lee, | 0:25:19 | 0:25:20 | |
someone in your team to represent your team in rock, paper, scissors? | 0:25:20 | 0:25:24 | |
So you want to prove he's telling the truth, we're going to give him | 0:25:24 | 0:25:27 | |
a chance to have a 50-50 chance of getting... | 0:25:27 | 0:25:29 | |
It's not 50-50, is it? | 0:25:29 | 0:25:30 | |
If you went up against Derren Brown, | 0:25:30 | 0:25:32 | |
I reckon he'd probably win 100% of the time. | 0:25:32 | 0:25:35 | |
Do you know what? Weirdly, | 0:25:35 | 0:25:36 | |
I'm joking but there is actually, and this is true... | 0:25:36 | 0:25:38 | |
I know there is, so why don't you try this technique now, you idiot? | 0:25:38 | 0:25:41 | |
-OK. -That's what I'm trying to get you to do. | 0:25:41 | 0:25:43 | |
Oh, I see. | 0:25:43 | 0:25:44 | |
So we'll play now, then, between... It'll be you representing you. | 0:25:44 | 0:25:48 | |
-Right, can I just...? -You've got to work out | 0:25:48 | 0:25:50 | |
at what point you're going to show your paper or your... | 0:25:50 | 0:25:53 | |
Because something to do with, | 0:25:53 | 0:25:54 | |
on the third, or they do one, two, three, and then do it. | 0:25:54 | 0:25:57 | |
Thank you, Sarah. | 0:25:57 | 0:25:59 | |
This show does have a host. | 0:25:59 | 0:26:01 | |
I can guarantee that I'll win over best of three. | 0:26:04 | 0:26:06 | |
What we're going to do is I'm going to say something to you | 0:26:06 | 0:26:09 | |
and then you can't pause, | 0:26:09 | 0:26:10 | |
-you've just got to do it. -OK. -So, are you ready? | 0:26:10 | 0:26:13 | |
Right, can I genuinely say I think you're a terrible broadcaster. | 0:26:13 | 0:26:15 | |
Here we go. | 0:26:15 | 0:26:17 | |
One, two, three, boom. | 0:26:17 | 0:26:20 | |
-Oh! Rock beats scissors. He's beaten you. -Oh. -Good, good. | 0:26:20 | 0:26:23 | |
-One-nil. -Don't let him get to you. | 0:26:23 | 0:26:25 | |
Are you ready for the second one? | 0:26:28 | 0:26:29 | |
And can I also say, genuinely, that your glasses are awful. | 0:26:29 | 0:26:33 | |
One, two, three, boom. | 0:26:33 | 0:26:36 | |
-Oh, paper beats rock. -Yes! | 0:26:36 | 0:26:39 | |
So we've reached possibly the most tense moment of this competition. | 0:26:41 | 0:26:45 | |
It's a decider. Lee, do you want to try some subterfuge? | 0:26:46 | 0:26:50 | |
Backstage, you're a bit smelly. | 0:26:50 | 0:26:52 | |
One, two, three, boom. | 0:26:53 | 0:26:56 | |
ALL: Oh! | 0:26:56 | 0:26:58 | |
We've got to try again. We've got to go again. | 0:26:58 | 0:27:00 | |
I'm running out of insults and I don't want to say bald. | 0:27:00 | 0:27:03 | |
But you've left me no option. | 0:27:05 | 0:27:06 | |
I didn't know it was going to go to a penalty shootout. | 0:27:06 | 0:27:08 | |
Here we go. | 0:27:08 | 0:27:09 | |
Can you imagine if this gives me the draw by number 27? | 0:27:09 | 0:27:12 | |
"I've had your wife!" | 0:27:12 | 0:27:13 | |
-Here we go. -She still remembers? | 0:27:16 | 0:27:18 | |
One, two, three, boom. | 0:27:20 | 0:27:23 | |
Yeah! Oh, my word. Come on. That will do, that will do. | 0:27:23 | 0:27:29 | |
The theory still holds. | 0:27:29 | 0:27:30 | |
Cos it would have to be over a longer period of time. | 0:27:30 | 0:27:32 | |
There has been some scientific evidence to prove that | 0:27:32 | 0:27:35 | |
if you insult somebody directly before rock, paper, scissors, | 0:27:35 | 0:27:38 | |
they are slightly more likely to use scissors. | 0:27:38 | 0:27:40 | |
You're saying somebody got a grant to do research on that. | 0:27:40 | 0:27:43 | |
-Well, Nick is obviously very good at it. He's beaten you. -Yes. | 0:27:45 | 0:27:49 | |
Is he the Newsroom champion? | 0:27:49 | 0:27:50 | |
-OK, we'll say it's a lie. -OK. | 0:27:50 | 0:27:53 | |
Nick, truth or lie? | 0:27:53 | 0:27:55 | |
It is a lie. | 0:27:55 | 0:27:58 | |
Nice work, team. Nice work. | 0:27:58 | 0:28:00 | |
Well, that's all we've time for | 0:28:02 | 0:28:04 | |
on this special edition of Would I Lie To You? | 0:28:04 | 0:28:06 | |
Thanks for watching. Goodnight. | 0:28:06 | 0:28:07 |