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APPLAUSE | 0:00:18 | 0:00:20 | |
Good evening, and welcome to 'Would I Lie To You?', | 0:00:23 | 0:00:25 | |
the show with naked truths and well-dressed lies. | 0:00:25 | 0:00:29 | |
On David Mitchell's team tonight, from Loose Women, a singer | 0:00:29 | 0:00:32 | |
who came third on The X Factor and went on to make an absolute fortune | 0:00:32 | 0:00:37 | |
for Simon Cowell, it's Stacey Solomon. | 0:00:37 | 0:00:39 | |
APPLAUSE | 0:00:39 | 0:00:43 | |
And here to grab tonight's show firmly by the consonant, vowel, | 0:00:43 | 0:00:46 | |
consonant, consonant, from Countdown, it's Susie Dent. | 0:00:46 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:54 | |
And on Lee Mack's team tonight, a man who cried when he won Strictly. | 0:00:54 | 0:00:59 | |
I did, too - I had a tenner on Ed Balls. It's Ore Oduba! | 0:00:59 | 0:01:03 | |
APPLAUSE | 0:01:03 | 0:01:06 | |
And a comedian who in 1993 starred in The Smell of Reeves and Mortimer, | 0:01:06 | 0:01:12 | |
These days, that smell, of course, | 0:01:12 | 0:01:14 | |
is a mixture of Werther's Originals and gin - it's Bob Mortimer. | 0:01:14 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:19 | |
And we begin as always with Round One, Home Truths, | 0:01:22 | 0:01:25 | |
where our panellists each read out a statement from the card | 0:01:25 | 0:01:28 | |
in front of them. Now, to make things harder, they've never seen | 0:01:28 | 0:01:30 | |
the card before - they've no idea what they'll be faced with, | 0:01:30 | 0:01:33 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:33 | 0:01:37 | |
Susie, you're first up. | 0:01:37 | 0:01:40 | |
OK. | 0:01:40 | 0:01:41 | |
My dad once broke my leg | 0:01:41 | 0:01:44 | |
during a particularly vigorous bout of gargalesis. | 0:01:44 | 0:01:47 | |
Lee, I can guess your first question. | 0:01:50 | 0:01:52 | |
So, what does the word "dad" mean? | 0:01:55 | 0:01:57 | |
-So, well, go on, what is gargalesis? -Gargalesis. | 0:02:01 | 0:02:03 | |
Gargalesis is very heavy tickling. | 0:02:03 | 0:02:07 | |
-Ah. -Oh. -Did you call it roughhousing? | 0:02:07 | 0:02:09 | |
We used to call it roughhousing, as well as gargalesis, obviously. | 0:02:09 | 0:02:12 | |
-You called it roughhousing? -Yeah. | 0:02:12 | 0:02:13 | |
That's like where I used to live. | 0:02:13 | 0:02:16 | |
Talk us through the incident, then. How did it happen? | 0:02:22 | 0:02:24 | |
Well, I don't like tickling at all. The heavy kind. | 0:02:24 | 0:02:26 | |
Well, you wouldn't now, would you? | 0:02:26 | 0:02:28 | |
Or the light kind, which is called knismesis. | 0:02:28 | 0:02:32 | |
-It's called what? -Knismesis. | 0:02:32 | 0:02:33 | |
Did you just say the same word backwards? | 0:02:33 | 0:02:36 | |
It did that weird thing - "knismesis". | 0:02:36 | 0:02:39 | |
Anyway, gargalesis is the really heavy, heavy kind, and... | 0:02:39 | 0:02:42 | |
Are you...? Sorry, did your family make these words up for fun, | 0:02:42 | 0:02:45 | |
or are these actual words in the dictionary? | 0:02:45 | 0:02:46 | |
-These are actual words, yeah. -Oh, OK. | 0:02:46 | 0:02:48 | |
-In the dictionary. -So, there he was... | 0:02:48 | 0:02:50 | |
-So there he was. -Your dad was tickling you - where? | 0:02:50 | 0:02:54 | |
On the landing. | 0:02:54 | 0:02:56 | |
APPLAUSE | 0:02:58 | 0:03:01 | |
How old were you, Susie? | 0:03:01 | 0:03:02 | |
-I was seven. -Seven years of age. | 0:03:02 | 0:03:04 | |
Seven, and how old was your dad at this time? | 0:03:04 | 0:03:06 | |
My dad would have been... Oh, I don't know. | 0:03:06 | 0:03:09 | |
Oh, I forgot, you do the words, not the maths, don't you? | 0:03:09 | 0:03:13 | |
Yeah, good point. | 0:03:13 | 0:03:14 | |
Do you want to phone Rachel and get back to me? | 0:03:14 | 0:03:16 | |
And so I, just because I absolutely hate tickling, | 0:03:18 | 0:03:21 | |
was desperate to get away, and went to move off, | 0:03:21 | 0:03:25 | |
and in doing so, kind of left my leg behind. | 0:03:25 | 0:03:28 | |
Which leg was it, Susie? | 0:03:28 | 0:03:30 | |
It was my left leg, and it's still ever so slightly crooked. | 0:03:30 | 0:03:35 | |
-Is it? -Yeah. -You were tapping your right leg before, I'm sure. | 0:03:35 | 0:03:38 | |
-Yes, that's what I remember. -Oh, was I? No, it was my left leg. | 0:03:38 | 0:03:42 | |
So what do you think, Lee? Is that the truth? | 0:03:42 | 0:03:45 | |
This is what might have happened - they might have given her a card | 0:03:45 | 0:03:47 | |
with a word on, knowing she's a wordsmith, | 0:03:47 | 0:03:49 | |
and then she's gone, "Right, I'd better give a meaning to this word, | 0:03:49 | 0:03:52 | |
-"quickly - I'll say tickling." -Well, I'll tell you what - | 0:03:52 | 0:03:55 | |
-because Susie was coming on the show we have got a dictionary. -Ah! | 0:03:55 | 0:03:58 | |
-Ah! -So... -And is this cheating? Are we allowed to do this? | 0:03:58 | 0:04:00 | |
I'm allowed to do whatever I want. | 0:04:00 | 0:04:03 | |
Susie, would you spell it for me? It's the wrong way up. | 0:04:03 | 0:04:06 | |
LAUGHTER Would you spell it for me, please? | 0:04:06 | 0:04:09 | |
Good job you put those glasses on. | 0:04:09 | 0:04:11 | |
AS RONNIE CORBETT: Ah-ha-ha, I'll never forget the day. There we are. | 0:04:13 | 0:04:18 | |
APPLAUSE | 0:04:20 | 0:04:24 | |
How do you spell it? | 0:04:24 | 0:04:26 | |
G-A... | 0:04:26 | 0:04:27 | |
G... Right, give me a minute. | 0:04:27 | 0:04:29 | |
-..R-G... -G-A-R-G. | 0:04:29 | 0:04:31 | |
-..A-L... -G-A-R-A-L? | 0:04:31 | 0:04:33 | |
-G-A-R-G-A-L... -I've got G... What? Would you...? | 0:04:33 | 0:04:36 | |
-Let me say, "I've got G-A-R," and then... -OK. Right. | 0:04:36 | 0:04:39 | |
Oh, my God, it's like trying to get my dad to write an e-mail. | 0:04:39 | 0:04:42 | |
APPLAUSE | 0:04:42 | 0:04:45 | |
No, there it... It's not... It's seriously not in here. | 0:04:47 | 0:04:50 | |
G-A-R - it goes from garfish to garganey, which is a small duck. | 0:04:50 | 0:04:55 | |
-Oh, yeah. -OK, so we've got a problem here, haven't we? -Mm. | 0:04:55 | 0:04:57 | |
Because we've found out that the word doesn't exist. | 0:04:57 | 0:04:59 | |
-You said G-A-R-G-A-L. -It's a small dictionary. | 0:04:59 | 0:05:02 | |
It's not a small dictionary, it's huge! | 0:05:02 | 0:05:06 | |
-So, what's it going to be? -I am totally confused on this one. | 0:05:06 | 0:05:08 | |
-I'm lie now, I think. -You're a lie now? | 0:05:08 | 0:05:10 | |
-Yeah. -Why? -Well, based on the wrong leg, the strange word, | 0:05:10 | 0:05:14 | |
two strange words - not for me. | 0:05:14 | 0:05:17 | |
-So we say lie. -You're saying lie. | 0:05:17 | 0:05:19 | |
-Well, for me, Lee, yeah. -It's a lie? -For me, lie. | 0:05:19 | 0:05:21 | |
-We're going lie. -It's a lie. Susie, truth or lie? | 0:05:21 | 0:05:25 | |
It is in fact... | 0:05:25 | 0:05:28 | |
-..true. -Ah! | 0:05:28 | 0:05:30 | |
So there we are, it's true, Susie did once break her leg | 0:05:34 | 0:05:37 | |
after her dad tickled her. | 0:05:37 | 0:05:39 | |
-Bob, you're up next. -Ooh! | 0:05:39 | 0:05:41 | |
For the past 15 years, | 0:05:44 | 0:05:47 | |
I have performed my own dentistry. | 0:05:47 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
David's team. | 0:05:55 | 0:05:57 | |
-So... -Give us a big grin. | 0:05:57 | 0:06:00 | |
It could be true. | 0:06:02 | 0:06:04 | |
No, you're implying I'm a bad dentist. | 0:06:07 | 0:06:10 | |
No, because even very, very, very good dentists sometimes | 0:06:10 | 0:06:14 | |
get someone else to do their teeth. | 0:06:14 | 0:06:18 | |
Ah, right. | 0:06:18 | 0:06:19 | |
And by "sometimes", I of course mean "always". | 0:06:19 | 0:06:24 | |
How do you do that? Like, do you...? | 0:06:24 | 0:06:27 | |
-What do you do? -Yeah. | 0:06:27 | 0:06:28 | |
Well, no, the, the key to it is I... I don't... I don't do extractions. | 0:06:28 | 0:06:33 | |
I haven't had to... I haven't had a... | 0:06:33 | 0:06:35 | |
-Fillings? -I do fillings. -Caps? | 0:06:35 | 0:06:37 | |
I do fillings, crown replacements. I repair bridges, I... | 0:06:37 | 0:06:43 | |
Specifically, I don't do - so don't ask, Stacey - I don't do implants. | 0:06:46 | 0:06:50 | |
-Ah. -And I don't do root canal. | 0:06:50 | 0:06:53 | |
-Do you drill? -I do have a drill I use, yes. | 0:06:53 | 0:06:56 | |
You have to, to do a filling, you've got to drill it out first | 0:06:56 | 0:06:59 | |
-haven't you? -Exactly, yeah, yeah. | 0:06:59 | 0:07:00 | |
-Do you use local anaesthetic? -No, no need. | 0:07:00 | 0:07:02 | |
-STACEY GASPS -No need? -No need. | 0:07:02 | 0:07:03 | |
Why, because it's not true? | 0:07:03 | 0:07:05 | |
The situation in my mouth is I have one very long piece of teeth. | 0:07:07 | 0:07:12 | |
That white bit there, that's all one piece, yeah? | 0:07:12 | 0:07:14 | |
-What? -It's one, one... -One tooth? -Well, that... One piece. | 0:07:14 | 0:07:19 | |
-But... -Made to look like many teeth. | 0:07:19 | 0:07:22 | |
Oh, I see, so it... That's false teeth. | 0:07:22 | 0:07:25 | |
-Yes. -OK. | 0:07:25 | 0:07:26 | |
Either end of this, I have two what you call crowns, yeah? | 0:07:26 | 0:07:29 | |
Right at the end. At the bottom, I have my own teeth here, | 0:07:29 | 0:07:33 | |
as my dentist says, my bottom ones are poppadum colour, yeah? | 0:07:33 | 0:07:37 | |
And my top ones are pilau rice. | 0:07:37 | 0:07:41 | |
-So who said that? -My dentist. | 0:07:41 | 0:07:43 | |
-So this was some time ago? -No, no, no, I pre... | 0:07:43 | 0:07:47 | |
-David... -15 years. | 0:07:47 | 0:07:48 | |
-I do... I perform my own dentistry... -Yes. | 0:07:48 | 0:07:51 | |
-There's no exclusivity there. -You still have a dentist. -Yes. | 0:07:51 | 0:07:55 | |
But you just don't... You don't let him do all the stuff. | 0:07:55 | 0:07:58 | |
-Yes. -Why is your mouth in such a state? | 0:07:58 | 0:08:02 | |
Because I used to... I used to have 17 sugars in a cup of coffee or tea. | 0:08:02 | 0:08:06 | |
VARIOUS GASPS | 0:08:06 | 0:08:07 | |
-17?! -17, yeah. | 0:08:07 | 0:08:09 | |
-17 in a mug? -Yes. | 0:08:09 | 0:08:11 | |
If I had 18, it's too sweet for me, so... | 0:08:11 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:16 | |
So the crowns would come off, I'd go to the dentist, yeah? | 0:08:16 | 0:08:20 | |
He'd charge me 300, 400 quid to put them back in, and it's outrageous | 0:08:20 | 0:08:24 | |
and I heard this magic word, I heard him say to his dental nurse, | 0:08:24 | 0:08:29 | |
Fuji 9. | 0:08:29 | 0:08:31 | |
OK, Fuji 9, and I became aware that this Fuji 9 - | 0:08:32 | 0:08:36 | |
it's actually a luting cement, which means you can use it... | 0:08:36 | 0:08:40 | |
Are you sure he wasn't halfway through a Japanese football result? | 0:08:40 | 0:08:44 | |
You can actually use it... Mixed 1:1, the liquid | 0:08:44 | 0:08:47 | |
and the powder, it's a cement, yeah? Mixed two part liquid... | 0:08:47 | 0:08:51 | |
-Yeah? -..then it becomes more malleable, for fillings. | 0:08:51 | 0:08:55 | |
I found a way via my TV work to get hold of some Fuji 9. | 0:08:55 | 0:08:59 | |
Once you have Fuji 9... | 0:08:59 | 0:09:01 | |
-Why couldn't you use...? -..you are a dentist. No, you are! | 0:09:01 | 0:09:05 | |
So what equipment do you have, then? | 0:09:05 | 0:09:07 | |
All I have is my Fuji 9 with its little orange spoon, | 0:09:07 | 0:09:13 | |
with a bigger end and a littler end. | 0:09:13 | 0:09:15 | |
For the different amounts depending on whether you want | 0:09:15 | 0:09:17 | |
the 50:50 or the 2:1. | 0:09:17 | 0:09:19 | |
That's Fuji 9! It's all done for you. It's done for you. | 0:09:19 | 0:09:24 | |
-APPLAUSE -It's magic. It's magic. It's magic. | 0:09:24 | 0:09:26 | |
-It's like, your... -The cement is softer than your teeth, yeah? | 0:09:26 | 0:09:30 | |
So I have a leather-maker's drill, yeah? For... | 0:09:30 | 0:09:35 | |
LAUGHTER | 0:09:35 | 0:09:36 | |
-A leather-maker's drill? -Yes, a leather-maker's drill, | 0:09:37 | 0:09:40 | |
because that has sanding fitments to grind it down. | 0:09:40 | 0:09:45 | |
You've got to check your bite after you fit. If you've fixed | 0:09:45 | 0:09:48 | |
a crown, if you get it a bit wonky, your bite won't be right. | 0:09:48 | 0:09:50 | |
So you have to file the Fuji down to, | 0:09:50 | 0:09:53 | |
-"Oh, that bite's nice, now. That's nice." -OK, but you... | 0:09:53 | 0:09:56 | |
That's true. The other thing you've got to check after doing your own | 0:09:56 | 0:09:58 | |
dentistry is your mental health. | 0:09:58 | 0:10:01 | |
Do you not need one of those special lights? | 0:10:01 | 0:10:03 | |
Kitchen island. I've got a kitchen island. | 0:10:03 | 0:10:05 | |
-It's nice to have a kitchen island, isn't it? -Yeah. | 0:10:05 | 0:10:08 | |
And it has a big... It's the only place with a big light over it. | 0:10:08 | 0:10:11 | |
So my son has a PlayStation seat that's very low back, | 0:10:11 | 0:10:16 | |
-like that, so I put... -PlayStation seat? | 0:10:16 | 0:10:18 | |
-Yeah, it's a gamer's seat. -Yeah. -And I put that on the kitchen... | 0:10:18 | 0:10:21 | |
-Island. -..island. -ON the kitchen island? | 0:10:21 | 0:10:23 | |
-You put it ON the island? -Yeah. | 0:10:23 | 0:10:25 | |
So you're up high on the island. | 0:10:25 | 0:10:27 | |
Yes, because, well, then that then puts the lamp about there. | 0:10:27 | 0:10:29 | |
-So you're in a PlayStation gamer's seat... -Yes. | 0:10:31 | 0:10:34 | |
..balancing on... What's the surface of the kitchen island? | 0:10:34 | 0:10:36 | |
Do you know? I think it's Corian. It's very nice. | 0:10:36 | 0:10:39 | |
Corian was originally what was used for autopsy surfaces, | 0:10:39 | 0:10:43 | |
-again, so... -Are you doing your own autopsies at home as well? | 0:10:43 | 0:10:46 | |
"Bob, the dog's dead!" "Bring it in, bring it in." | 0:10:46 | 0:10:50 | |
So if I was to say this, | 0:10:51 | 0:10:53 | |
the hardest thing is somewhere to hold the mirror. | 0:10:53 | 0:10:56 | |
I think the hardest thing is to sell the story, Bob. | 0:10:56 | 0:10:59 | |
I have the most curved Indian instrument, called the sumashi, | 0:11:00 | 0:11:05 | |
or something, and if I put it next to me | 0:11:05 | 0:11:08 | |
on my gaming thing, the curve of it, it's like a flute thing. | 0:11:08 | 0:11:11 | |
The curve of it goes there, and I can put my mirror there | 0:11:11 | 0:11:14 | |
like that, got the light there, game thing, and... | 0:11:14 | 0:11:18 | |
LAUGHTER | 0:11:18 | 0:11:21 | |
Sorry, you... You hang the mirror | 0:11:21 | 0:11:22 | |
on the end of a curvaceous Indian musical instrument? | 0:11:22 | 0:11:26 | |
-Yes. -Well, this is very specific. | 0:11:26 | 0:11:29 | |
So, what's it going to be? | 0:11:31 | 0:11:32 | |
-I mean, there's a lot of detail. -Yeah. | 0:11:32 | 0:11:35 | |
If he was trying to make this story plausible, why would he say, | 0:11:35 | 0:11:39 | |
"The way I set up the mirror is that | 0:11:39 | 0:11:41 | |
"I tie it to the end of an Indian musical instrument"? | 0:11:41 | 0:11:43 | |
Sorry, do you remember Bob being on this show before? | 0:11:43 | 0:11:46 | |
Yes, and it's always true! | 0:11:46 | 0:11:49 | |
It was true about the masks in Castle Douglas, it was true | 0:11:50 | 0:11:54 | |
about him being able to tear an apple apart with his bare hands. | 0:11:54 | 0:11:59 | |
It was true about the game in the gardens! | 0:11:59 | 0:12:01 | |
Well, look, whether or not it's true, and we don't know yet, | 0:12:01 | 0:12:04 | |
don't try it at home, I should say that. | 0:12:04 | 0:12:07 | |
-Do you ever do extractions, Bob? -I've never done an extraction. | 0:12:07 | 0:12:10 | |
Cos I genuinely had an extraction yesterday, look. | 0:12:10 | 0:12:13 | |
-Can you see that there? -Ooh, they've not used Fuji! | 0:12:13 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:20 | |
All right, so, what's it going to be? | 0:12:22 | 0:12:24 | |
-I think it's true. -You think it's what?! | 0:12:24 | 0:12:26 | |
I think it's true! | 0:12:26 | 0:12:27 | |
So, Bob, is it the truth, or is it a lie? | 0:12:29 | 0:12:34 | |
It is... | 0:12:34 | 0:12:36 | |
..true! | 0:12:36 | 0:12:37 | |
GASPS, APPLAUSE, CHEERING | 0:12:37 | 0:12:40 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:12:44 | 0:12:47 | |
who has a close connection to one of our panellists. | 0:12:47 | 0:12:49 | |
Now, this week, each of David's team will claim it's them | 0:12:49 | 0:12:52 | |
that has the genuine connection to the guest, | 0:12:52 | 0:12:55 | |
and it's up to Lee's team to spot who's telling the truth. | 0:12:55 | 0:12:57 | |
So, please welcome this week's special guest, John. | 0:12:57 | 0:13:00 | |
APPLAUSE | 0:13:00 | 0:13:02 | |
So, Susie, what is John to you? | 0:13:08 | 0:13:12 | |
This is John. He came to my rescue when I once got stuck in a tree. | 0:13:12 | 0:13:18 | |
Stacey, perhaps you'd like to explain how you know John. | 0:13:18 | 0:13:21 | |
This is John, and he once booked me | 0:13:21 | 0:13:23 | |
to sing Happy Birthday to his tortoise. | 0:13:23 | 0:13:25 | |
And finally, David, what is your relationship with John? | 0:13:29 | 0:13:32 | |
This is John. He's the locksmith who came to rescue my locksmith | 0:13:32 | 0:13:37 | |
after that locksmith got locked out of his van. | 0:13:37 | 0:13:40 | |
Lee, where do you want to start? | 0:13:44 | 0:13:46 | |
-Susie, what were you doing up the tree? -Well, I was... | 0:13:46 | 0:13:48 | |
I presume escaping your dad's tickles. | 0:13:48 | 0:13:51 | |
I was rowing. | 0:13:51 | 0:13:53 | |
Rowing in a tree? | 0:13:53 | 0:13:54 | |
No, in a boat on my own for one of the very first times, | 0:13:54 | 0:13:59 | |
cos I'd always been out with John, who was my rowing coach, | 0:13:59 | 0:14:04 | |
and when you're rowing, of course, you have to steer backwards | 0:14:04 | 0:14:08 | |
and I steered straight into a tree, and it was a tree that was | 0:14:08 | 0:14:12 | |
overhanging the river, and I got my rowing jersey... | 0:14:12 | 0:14:17 | |
We'll call it a life jacket. | 0:14:17 | 0:14:18 | |
No, well I didn't have a life jacket, it was just a rowing jersey. | 0:14:18 | 0:14:21 | |
-A rowing jersey? -Yeah. | 0:14:21 | 0:14:22 | |
Did you have any sort of life saver on? | 0:14:22 | 0:14:25 | |
-No. -Oh. -Oh, dear, dear, dear. | 0:14:25 | 0:14:27 | |
No, but I can swim. | 0:14:27 | 0:14:29 | |
Well, I'll tell you what, if he really is your coach then, | 0:14:29 | 0:14:32 | |
once this is over I'll be having a pretty stern word with him. | 0:14:32 | 0:14:35 | |
What, so a little bit of branch snagged your top? | 0:14:35 | 0:14:38 | |
Yeah, but then it just dragged me into this labyrinth of branches. | 0:14:38 | 0:14:42 | |
-Labyrinth? -Oh, so now you're lost in the branches? | 0:14:42 | 0:14:46 | |
So what happened? | 0:14:46 | 0:14:48 | |
John saw me, and then John is a very tough coach. | 0:14:48 | 0:14:51 | |
-Quite quiet, isn't he? -It's tough love, and... | 0:14:51 | 0:14:53 | |
He's quite quiet, yes, but this is... | 0:14:53 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:15:00 | |
He was shouting instructions as to how to get myself out, | 0:15:02 | 0:15:05 | |
-but I was in such a dither... -Really? | 0:15:05 | 0:15:07 | |
..and so he walked a little bit down the bank towards me, | 0:15:07 | 0:15:10 | |
continued to shout and, somehow I... | 0:15:10 | 0:15:12 | |
..I think I took my jersey off, actually, and then... | 0:15:12 | 0:15:15 | |
It's not a very memorable story, that, is it? | 0:15:15 | 0:15:17 | |
I came back with one oar, with one oar. | 0:15:17 | 0:15:19 | |
Which one? I suppose either oar. | 0:15:19 | 0:15:21 | |
LAUGHTER, APPLAUSE | 0:15:21 | 0:15:25 | |
That's one for the Countdown crowd! | 0:15:26 | 0:15:30 | |
Susie, how fast were you going down this river? Because... | 0:15:30 | 0:15:32 | |
Really not very fast at all. But I just didn't steer properly, | 0:15:32 | 0:15:35 | |
and I still have a little scar under my eye where I... | 0:15:35 | 0:15:38 | |
-So you cut yourself there under the eye? -Yeah. | 0:15:38 | 0:15:40 | |
Wow, did you have to go and get any surgery? | 0:15:40 | 0:15:41 | |
Did you go round to Bob's for his Bob Mortimer's Eye Surgery? | 0:15:41 | 0:15:46 | |
-No, I... -No, that would be Fuji 6. | 0:15:46 | 0:15:48 | |
No, it's for grafting. Yeah. | 0:15:49 | 0:15:52 | |
OK, Lee, who would you like to question next? | 0:15:52 | 0:15:54 | |
-OK, Stacey. -Yes. | 0:15:54 | 0:15:57 | |
Remind us again, sorry. | 0:15:57 | 0:15:58 | |
John booked me to sing Happy Birthday for his tortoise. | 0:15:58 | 0:16:02 | |
Right. And was it the tortoise's birthday? | 0:16:02 | 0:16:04 | |
Yes. Why would I be singing Happy Birthday for the tortoise | 0:16:04 | 0:16:07 | |
if it wasn't his birthday? | 0:16:07 | 0:16:09 | |
My dad randomly met John, and my dad, being the crazy man that he is, | 0:16:09 | 0:16:13 | |
he makes immediate friendships with people, and John had mentioned | 0:16:13 | 0:16:17 | |
that his tortoise, Derek, was turning 60, and that he was | 0:16:17 | 0:16:21 | |
-a big fan. -60?! | 0:16:21 | 0:16:22 | |
-How old? 60? -I know, I thought tortoises lived to, like, 100, | 0:16:22 | 0:16:25 | |
so I didn't think it was a big deal for it to be 60. | 0:16:25 | 0:16:28 | |
But he said that the tortoise was a big fan of mine, | 0:16:28 | 0:16:32 | |
and that he really wanted me to sing it, and my dad was like, | 0:16:32 | 0:16:35 | |
"You've got to start giving back to the community | 0:16:35 | 0:16:37 | |
"and doing nice things," so... | 0:16:37 | 0:16:39 | |
Were you booked professionally? Were you paid? | 0:16:40 | 0:16:42 | |
-I was paid. -You weren't? -I was paid! | 0:16:42 | 0:16:45 | |
That's your dad's version of giving back to the community! | 0:16:45 | 0:16:48 | |
Is this before X Factor or after? | 0:16:51 | 0:16:53 | |
It was only about a year ago. | 0:16:53 | 0:16:55 | |
What was the party like? | 0:16:57 | 0:16:59 | |
What was it? You arrived at the house - what happened? | 0:16:59 | 0:17:01 | |
I arrived there about 3:30, and Derek was pottering around | 0:17:01 | 0:17:07 | |
in the garden, happy as can be and, and, yeah, there must have been | 0:17:07 | 0:17:11 | |
about ten other people. He's not a popular tortoise. | 0:17:11 | 0:17:14 | |
Who were these people? | 0:17:14 | 0:17:15 | |
They were John's friends. | 0:17:15 | 0:17:17 | |
-John's got friends? -Yeah! | 0:17:17 | 0:17:21 | |
Whoa! | 0:17:21 | 0:17:23 | |
That was the worst look I've ever been given on this show. | 0:17:25 | 0:17:29 | |
And did you sing...? | 0:17:29 | 0:17:30 | |
Did you sing unaccompanied, or was there some musical backing? | 0:17:30 | 0:17:33 | |
There was a conversation about doing it, like, Marilyn Monroe style, | 0:17:33 | 0:17:36 | |
but I didn't feel comfortable doing it like that. | 0:17:36 | 0:17:40 | |
Would you sing it now for us? | 0:17:40 | 0:17:42 | |
If you did want to sing it... | 0:17:42 | 0:17:44 | |
Oh, good, you've brought the tortoise's head. | 0:17:44 | 0:17:47 | |
Would you like to? You could imagine David is the tortoise if you like. | 0:17:49 | 0:17:52 | |
-OK. -He could just sit there and look at you. | 0:17:52 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:59 | |
-Derek. -I'm the tortoise? -Yes, you can be. -OK. | 0:17:59 | 0:18:02 | |
But he was a bit happier. It was his birthday. | 0:18:02 | 0:18:05 | |
APPLAUSE | 0:18:06 | 0:18:10 | |
It's me! | 0:18:16 | 0:18:17 | |
-Did you just say, "It's me?" -"It's me!" Derek was... | 0:18:18 | 0:18:21 | |
Do you think he recognised you, the tortoise? | 0:18:21 | 0:18:24 | |
-Derek's my biggest fan. -"It's me, from X Factor!" | 0:18:24 | 0:18:27 | |
-It's... -SHE SUCCUMBS TO LAUGHTER | 0:18:27 | 0:18:30 | |
SHE CLEARS THROAT | 0:18:31 | 0:18:32 | |
# Happy birthday to you, Derek | 0:18:32 | 0:18:36 | |
# Happy birthday to you... # | 0:18:38 | 0:18:40 | |
Come on, Derek. | 0:18:42 | 0:18:43 | |
Yeah, it was a lot like that, it was a lot like that. | 0:18:47 | 0:18:49 | |
Sorry, have you forgot the words? | 0:18:49 | 0:18:51 | |
No, I just... I feel like this substitute for Derek | 0:18:51 | 0:18:54 | |
is really not appreciating what I'm doing, and I don't want to continue. | 0:18:54 | 0:18:59 | |
Excuse me, I take acting very seriously, | 0:18:59 | 0:19:03 | |
and I'm immersing myself in the role of a 60-year-old tortoise, | 0:19:03 | 0:19:06 | |
and I believe this is how the tortoise will have behaved. | 0:19:06 | 0:19:10 | |
But I'm telling you, I'm there. | 0:19:10 | 0:19:12 | |
If you're telling me the tortoise was jumping up and wagging its tail, | 0:19:12 | 0:19:14 | |
then I'm sorry, I think we've left the bounds of credibility. | 0:19:14 | 0:19:17 | |
I was there! | 0:19:17 | 0:19:18 | |
All right, what about David? Remind us of your statement. | 0:19:19 | 0:19:23 | |
Yes, this is John, he's the locksmith that | 0:19:23 | 0:19:26 | |
came to help my locksmith when my locksmith, that locksmith, | 0:19:26 | 0:19:30 | |
had locked himself out of his van. | 0:19:30 | 0:19:32 | |
OK, so, first of all, why did you employ a locksmith? | 0:19:32 | 0:19:34 | |
Because I couldn't get into my house. | 0:19:34 | 0:19:37 | |
-All right. -Erm... | 0:19:37 | 0:19:40 | |
Because? | 0:19:40 | 0:19:42 | |
And it was an issue with the lock. | 0:19:42 | 0:19:45 | |
-What was the issue with the lock? -My key had broken in half. | 0:19:46 | 0:19:50 | |
-In the lock? -In the lock. | 0:19:50 | 0:19:51 | |
-You were locked... You're now locked out. -Yeah. | 0:19:51 | 0:19:54 | |
So, first of all, what do you do next? | 0:19:54 | 0:19:55 | |
-I rang my wife. -Right. | 0:19:55 | 0:19:59 | |
So you had your mobile, you phone your wife, and you said, | 0:19:59 | 0:20:02 | |
"Are you still doing the locksmith stuff, love?" | 0:20:02 | 0:20:04 | |
I said, "I... I'm..." | 0:20:04 | 0:20:06 | |
"I'm on a job, Dave, I'm on a job. I'll be round as soon as I can." | 0:20:06 | 0:20:09 | |
I said... | 0:20:09 | 0:20:10 | |
"I can come round Friday, maybe Saturday, but I can't promise." | 0:20:10 | 0:20:13 | |
I said, "The key has snapped off in the lock. I believe, darling, | 0:20:13 | 0:20:19 | |
"that you have the number of a locksmith in the area, don't you?" | 0:20:19 | 0:20:22 | |
-So you call your wife... -Yeah. -..she gives you the number, | 0:20:22 | 0:20:25 | |
you phone a locksmith, so who was this first locksmith? | 0:20:25 | 0:20:28 | |
-What was his name? -Andrew. | 0:20:28 | 0:20:29 | |
-Andrew. -Andrew the locksmith. | 0:20:29 | 0:20:31 | |
Your classic locksmith name, yeah. | 0:20:31 | 0:20:32 | |
-Yeah. Andrew turned up, assessed the situation... -Right. | 0:20:32 | 0:20:35 | |
..and said, "There'll be no problem, we'll just need to drill out | 0:20:35 | 0:20:38 | |
"the lock and replace it," and then went back to his van, | 0:20:38 | 0:20:41 | |
-and lo and behold... -What? | 0:20:41 | 0:20:44 | |
..he'd left the key in it, and he couldn't get in. | 0:20:44 | 0:20:47 | |
Wow. Now, I'm taking it he's got your wife's number as well. | 0:20:47 | 0:20:50 | |
Right, so when Andrew came, how did he know that that little bit | 0:20:54 | 0:20:57 | |
-of key had broken off in the lock? Did you tell him? -Well, yes. | 0:20:57 | 0:21:00 | |
-Yeah, did you do it...? -I thought I'd give him a clue! | 0:21:00 | 0:21:02 | |
I didn't say, "Oh, I'll tell you what, I'll let you work this out | 0:21:04 | 0:21:07 | |
"for yourself, I'm not going to show the broken off end of key, | 0:21:07 | 0:21:09 | |
"you try and get in". | 0:21:09 | 0:21:12 | |
-How did he examine it? -"Now you try and get in your own van!" | 0:21:12 | 0:21:15 | |
I did the whole thing to make Andrew seem like a failure. | 0:21:17 | 0:21:19 | |
"What are you? You can gain admittance nowhere!" | 0:21:19 | 0:21:24 | |
Who do you phone next? What happens next? | 0:21:24 | 0:21:26 | |
-I didn't phone. -Did...? -Andrew phoned. | 0:21:26 | 0:21:28 | |
You almost looked at him, then, didn't you? | 0:21:28 | 0:21:30 | |
-I DID look at him. -But he didn't phone him. | 0:21:30 | 0:21:32 | |
-No. -He's the phonee, not the phoner. I mean, he's literally the phonee... | 0:21:32 | 0:21:35 | |
-Yeah. -..if you're saying you know him. | 0:21:35 | 0:21:37 | |
Yeah, yeah. | 0:21:37 | 0:21:38 | |
So... Another one for the Countdown audience. | 0:21:38 | 0:21:41 | |
Yeah, so, Andrew, not John, called his own company... | 0:21:43 | 0:21:47 | |
-OK. -Yeah. -OK. | 0:21:47 | 0:21:49 | |
..which I thought was a good sign. | 0:21:49 | 0:21:51 | |
So John now turns up, in the identical looking van, | 0:21:51 | 0:21:54 | |
-cos it's a company van, I assume. -HESITANTLY: -Mm-hm. | 0:21:54 | 0:21:56 | |
You said, "Mm-hm," like I was trying to trick you there. | 0:21:56 | 0:21:58 | |
-Were you not? -No, I was just talking. | 0:21:58 | 0:22:00 | |
Cos you should. You should try that. | 0:22:00 | 0:22:02 | |
LAUGHTER | 0:22:02 | 0:22:04 | |
So he turns up in a completely different van, right? | 0:22:04 | 0:22:06 | |
Yes, well, he couldn't turn up in the same van. | 0:22:06 | 0:22:09 | |
He turns up in a different... | 0:22:11 | 0:22:12 | |
Well, in fact, no, what happened was, Andrew rang, John answered, | 0:22:12 | 0:22:16 | |
and said, "Oh, funnily enough, I'm asleep in the van, | 0:22:16 | 0:22:19 | |
"and I can open it from the inside." | 0:22:19 | 0:22:23 | |
-So he turns up. -Yeah. | 0:22:24 | 0:22:26 | |
-And how does he get him out of the van? -Er... | 0:22:26 | 0:22:29 | |
-Talk us through the process. -I don't... | 0:22:29 | 0:22:31 | |
I know he's a locksmith, but, roughly, what did he do? | 0:22:31 | 0:22:33 | |
-I don't know, even roughly. -Did you watch? | 0:22:33 | 0:22:35 | |
No, I just stayed sitting on the bench by my front door. | 0:22:35 | 0:22:38 | |
-You've got a bench by the front door? -A bench? | 0:22:38 | 0:22:40 | |
You've got a porch? By your front door? | 0:22:40 | 0:22:43 | |
Is that where you make people wait? | 0:22:43 | 0:22:45 | |
People don't have benches by the front door! | 0:22:45 | 0:22:48 | |
I've wasted this brilliant nugget just mentioning it in passing. | 0:22:48 | 0:22:53 | |
This should have been on a card! "I have a bench by my front door." | 0:22:53 | 0:22:56 | |
"Wow, a bench by your front door!" | 0:22:56 | 0:22:59 | |
"A front door and a bench in the same universe, next to each other?" | 0:22:59 | 0:23:04 | |
Have you got a bench outside the front door? | 0:23:04 | 0:23:06 | |
No, I've never seen a bench by a front door! | 0:23:06 | 0:23:08 | |
-Well, try it! -I've gone there. This is annoying me, | 0:23:08 | 0:23:10 | |
cos I've been to your house and there was definitely not a bench. | 0:23:10 | 0:23:12 | |
-Are you getting this bench out just for special people? -You... | 0:23:12 | 0:23:15 | |
The amount of times I've knocked on your door, | 0:23:15 | 0:23:17 | |
and you've gone, "Sit on the floor and wait." | 0:23:17 | 0:23:19 | |
You HAVE been to my house, and there WAS a bench by the front door, | 0:23:19 | 0:23:22 | |
you just didn't notice it. | 0:23:22 | 0:23:24 | |
Well, I'll tell you, after I went, I left, and there isn't one now. | 0:23:24 | 0:23:27 | |
I quite liked that bench. | 0:23:27 | 0:23:29 | |
I can't believe that a team of people, one of whom | 0:23:29 | 0:23:31 | |
does his own dentistry on the top of a kitchen island | 0:23:31 | 0:23:34 | |
with a mirror attached to an Indian wind instrument, | 0:23:34 | 0:23:38 | |
can't believe that someone would have a bench next to a door. | 0:23:38 | 0:23:41 | |
-I can't believe it! -APPLAUSE | 0:23:41 | 0:23:43 | |
All right, well, we need an answer. | 0:23:46 | 0:23:49 | |
So, Lee's team, is John | 0:23:49 | 0:23:51 | |
Susie's helpful hero, Stacey's party planner, | 0:23:51 | 0:23:56 | |
or David's lock legend? | 0:23:56 | 0:23:58 | |
What are you thinking, Bob? Who do you think it is? | 0:23:58 | 0:24:00 | |
Well, I'm thinking, "Is that man a tortoise owner?" | 0:24:00 | 0:24:05 | |
And I've said to myself, "Is he a locksmith?" | 0:24:05 | 0:24:08 | |
and I don't see it. That man's been in cold rivers, look at him. | 0:24:08 | 0:24:12 | |
OK, we're going to have to go with Susie, aren't we? | 0:24:15 | 0:24:17 | |
Cos I can't see it being the other two, so it has to be Susie. | 0:24:17 | 0:24:20 | |
-You're going to say Susie? -Yes. -Let's go with Susie. | 0:24:20 | 0:24:22 | |
-OK. -Yes? -Yeah, for me, yeah. | 0:24:22 | 0:24:24 | |
John, would you please reveal your true identity? | 0:24:24 | 0:24:27 | |
I'm John, and I rescued Susie when she got caught in a tree. | 0:24:27 | 0:24:31 | |
APPLAUSE | 0:24:31 | 0:24:32 | |
-Yes, John is Susie's helpful hero. Thank you very much, John. -Cheers. | 0:24:34 | 0:24:37 | |
APPLAUSE | 0:24:37 | 0:24:39 | |
Which brings us to our final round, Quick-fire Lies, | 0:24:41 | 0:24:45 | |
and we start with... | 0:24:45 | 0:24:46 | |
It's Lee. | 0:24:46 | 0:24:49 | |
En route to a meeting at the BBC, I gave CPR to an OAP. | 0:24:49 | 0:24:54 | |
-How old? -David's team. -Pardon? -How old? | 0:24:56 | 0:24:59 | |
-I'm 48. -Why did she need mouth-to-mouth? | 0:24:59 | 0:25:03 | |
Well, it turns out she didn't, and... | 0:25:03 | 0:25:06 | |
But, you know, how do I know how you fix a sprained ankle? | 0:25:08 | 0:25:12 | |
And how did you encounter the OAP? | 0:25:12 | 0:25:14 | |
The OAP was just outside the Tube station where the BBC was, | 0:25:14 | 0:25:18 | |
-and soon will be again, I believe. -Which line? | 0:25:18 | 0:25:21 | |
-What? -Which line did you get on? | 0:25:21 | 0:25:24 | |
-I got the train to Waterloo, and then I got the Tube. -Which colour? | 0:25:24 | 0:25:27 | |
Well, she started off sort of pink, then she went red, | 0:25:27 | 0:25:31 | |
and then she went a bit yellow, and then I just got her back again. | 0:25:31 | 0:25:34 | |
What colour Tube? | 0:25:34 | 0:25:35 | |
Funnily enough, when I got back that day and my wife said, | 0:25:35 | 0:25:38 | |
"What's happened today?", I didn't go, "Well, what a journey". | 0:25:38 | 0:25:40 | |
When did this h...? | 0:25:40 | 0:25:42 | |
I believe that you've been on the London Underground. | 0:25:42 | 0:25:44 | |
Thank you, thank you, David. Well, shall we leave it at that? | 0:25:44 | 0:25:47 | |
Not quite. Describe the scene. | 0:25:47 | 0:25:48 | |
I saw people in a circle, looking down on the floor. | 0:25:48 | 0:25:52 | |
-Right. -Someone said, "Is anyone a doctor?" | 0:25:52 | 0:25:57 | |
And I said, "Yeah". | 0:25:57 | 0:25:58 | |
"Yeah, there's loads of people." | 0:25:58 | 0:26:00 | |
-Yeah. -She goes, "I don't suppose you can do CPR, can you?" | 0:26:02 | 0:26:06 | |
And I went, "Can I do CPR?" And as it happens, I can do CPR. | 0:26:06 | 0:26:10 | |
-So what does CPR involve? -Yeah. | 0:26:10 | 0:26:12 | |
Put my hand there, put my hand there, and I started doing this, | 0:26:12 | 0:26:16 | |
-this. -What's your rhythm? -I did this. | 0:26:16 | 0:26:18 | |
-That's too slow. -Way too slow. -It's meant to be Staying Alive. | 0:26:20 | 0:26:23 | |
Oh, you want it in real...? | 0:26:23 | 0:26:24 | |
Sorry, I thought you wanted it in slow motion. | 0:26:24 | 0:26:26 | |
-It's the music of Staying Alive. -You wanted it in the beat I did. | 0:26:26 | 0:26:29 | |
-It's... # Ah, ah, ah, ah... # -Ah, yeah, but my record player's broke. | 0:26:29 | 0:26:32 | |
-SLOWLY: -# Ah, ah, ah, ah | 0:26:32 | 0:26:35 | |
-SLOWLY, DEEP VOICE: -# Staying alive, staying alive... # | 0:26:35 | 0:26:40 | |
"Will you speed that record player up, love?" | 0:26:40 | 0:26:42 | |
-SLOWLY, DEEP VOICE: -# Staying alive... # | 0:26:42 | 0:26:45 | |
I'll tell you what, Tragedy's the worst. | 0:26:45 | 0:26:47 | |
-SLOWLY, DEEP VOICE: -# Tragedy... # | 0:26:47 | 0:26:49 | |
-Really upsetting. -So what happened? | 0:26:49 | 0:26:51 | |
We got a new record player. | 0:26:51 | 0:26:53 | |
How many of these did you do? | 0:26:57 | 0:26:59 | |
I think I did... | 0:26:59 | 0:27:01 | |
-CORRECT TEMPO: -# Ah, ah, ah, ah | 0:27:01 | 0:27:03 | |
# Staying aliiiiiive... # | 0:27:03 | 0:27:07 | |
Ah, that was the problem - I paused for the high pitched note, | 0:27:07 | 0:27:09 | |
and she went blue again, I went back again. | 0:27:09 | 0:27:11 | |
# Staying alive, staying alive. # | 0:27:11 | 0:27:13 | |
This didn't help - # Ah, ah, ah, ah, staying alive... # | 0:27:13 | 0:27:17 | |
So, I'd say I probably got through the first verse. | 0:27:21 | 0:27:24 | |
OK, so you did... | 0:27:24 | 0:27:26 | |
You did the first verse of Staying Alive, then what happened? | 0:27:26 | 0:27:29 | |
And then she literally got up at the right moment of the verse. | 0:27:29 | 0:27:32 | |
She went... # Staying aliiiiiive! # | 0:27:32 | 0:27:35 | |
And then the ambulance came and took her off, | 0:27:37 | 0:27:40 | |
and she went straight over a bridge and died. | 0:27:40 | 0:27:43 | |
All right, so, erm... | 0:27:43 | 0:27:45 | |
What are you thinking? Stacey, does that have the ring of truth for you? | 0:27:45 | 0:27:48 | |
Awful, awful ending to the story, I'm so sorry. | 0:27:48 | 0:27:50 | |
I'm very suspicious. He doesn't even know what Tube he got on. | 0:27:50 | 0:27:53 | |
You really...? Really? That's the most doubtful part of the story? | 0:27:53 | 0:27:58 | |
-What do you think? -What do you think, Susie? | 0:27:58 | 0:27:59 | |
-No, I think his rhythm was all wrong. -Whoa! | 0:27:59 | 0:28:01 | |
Bet you've been told that before. | 0:28:01 | 0:28:04 | |
AUDIENCE SHRIEKS | 0:28:04 | 0:28:06 | |
-No, I don't believe it. -Don't believe it. -No. | 0:28:06 | 0:28:09 | |
Then I think we think it's a lie. | 0:28:09 | 0:28:11 | |
-You think he was making all of that up? -I do, I'm afraid. -Goodness me. | 0:28:11 | 0:28:14 | |
Lee, truth or lie? | 0:28:14 | 0:28:16 | |
It is, in fact, a lie! | 0:28:16 | 0:28:18 | |
I missed, ironically, after that. | 0:28:18 | 0:28:20 | |
Yes, it's a lie. | 0:28:21 | 0:28:22 | |
BUZZER SOUNDS | 0:28:22 | 0:28:23 | |
That noise signals time is up, it's the end of the show. | 0:28:23 | 0:28:25 | |
I can reveal that David's team have won by three points to one. | 0:28:25 | 0:28:29 | |
-Yay! -APPLAUSE | 0:28:29 | 0:28:32 | |
Thank you for watching. We'll see you next time. Goodnight. | 0:28:32 | 0:28:35 | |
APPLAUSE | 0:28:35 | 0:28:38 |