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Good evening and welcome to Would I Lie To You, | 0:00:23 | 0:00:26 | |
the show with tall tales and tantalising truths. | 0:00:26 | 0:00:29 | |
On Lee Mack's team tonight, | 0:00:29 | 0:00:31 | |
an actress who recently played the part of Anne Boleyn. | 0:00:31 | 0:00:34 | |
Very exciting. Although, spoiler alert, | 0:00:34 | 0:00:37 | |
she's not in the second series! | 0:00:37 | 0:00:38 | |
It's Cariad Lloyd. | 0:00:38 | 0:00:40 | |
APPLAUSE | 0:00:40 | 0:00:43 | |
And a comedian, who when he was on Celebrity MasterChef, | 0:00:43 | 0:00:46 | |
arranged his herbs in alphabetical order. | 0:00:46 | 0:00:49 | |
Where did he find the thyme? | 0:00:49 | 0:00:51 | |
Probably next to the parsley! It's Ade Edmondson. | 0:00:51 | 0:00:54 | |
APPLAUSE | 0:00:54 | 0:00:56 | |
And over on David Mitchell's team tonight, | 0:00:58 | 0:01:00 | |
a singer who is one half of Rizzle Kicks. | 0:01:00 | 0:01:03 | |
So tonight's biggest lie | 0:01:03 | 0:01:05 | |
will be when David pretends he's heard of them! | 0:01:05 | 0:01:07 | |
It's Jordan Stephens. | 0:01:07 | 0:01:09 | |
APPLAUSE | 0:01:09 | 0:01:11 | |
And as part of The Apprentice, | 0:01:12 | 0:01:14 | |
he's responsible for Lord Sugar's annual search | 0:01:14 | 0:01:17 | |
to find Britain's most deluded narcissist! | 0:01:17 | 0:01:19 | |
Please welcome Claude Littner. | 0:01:19 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
And so to round one, Home Truths, where our panellists | 0:01:26 | 0:01:30 | |
each read a statement from the card in front of them. | 0:01:30 | 0:01:32 | |
Now, to make things harder they've never seen the card before, | 0:01:32 | 0:01:35 | |
they have no idea what they'll be faced with | 0:01:35 | 0:01:38 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:38 | 0:01:41 | |
Ade, you're first up. | 0:01:41 | 0:01:43 | |
Right. | 0:01:43 | 0:01:45 | |
"When I broke my neck at school all I was given was an aspirin." | 0:01:46 | 0:01:51 | |
-David's team. -What happened? How did you break your neck? | 0:01:53 | 0:01:56 | |
Erm... | 0:01:56 | 0:01:57 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
Don't worry, we can lose that pause in the edit! | 0:02:01 | 0:02:04 | |
LAUGHTER | 0:02:04 | 0:02:06 | |
As a young man I was in the gym team. | 0:02:06 | 0:02:08 | |
-Right. -At school. | 0:02:08 | 0:02:10 | |
We were doing a display for... Whatever you do... | 0:02:10 | 0:02:13 | |
Founder's Day, something like that you know. | 0:02:13 | 0:02:17 | |
I had to do a somersault over a box. | 0:02:17 | 0:02:20 | |
A box? | 0:02:20 | 0:02:22 | |
A horse. | 0:02:22 | 0:02:23 | |
-Yeah, yeah, a horse box. -The bit... | 0:02:23 | 0:02:25 | |
-One of the... -It wasn't that big. -No, a vault. -Yes. | 0:02:25 | 0:02:29 | |
So I jumped over one of those | 0:02:29 | 0:02:31 | |
and was supposed to do a somersault, but I did one and a half. | 0:02:31 | 0:02:36 | |
And landed on your head. | 0:02:38 | 0:02:40 | |
He's very clever, isn't he, that one? | 0:02:40 | 0:02:42 | |
So what happened then, Ade? You came crashing to the floor? | 0:02:42 | 0:02:46 | |
There was a very loud noise. | 0:02:46 | 0:02:48 | |
Your neck breaking made a noise? | 0:02:48 | 0:02:50 | |
Yes. Why wouldn't a neck breaking make a lot of noise? | 0:02:50 | 0:02:54 | |
-That's a good point. -Wouldn't you scream anyway? | 0:02:54 | 0:02:57 | |
But the noise would precede the scream. | 0:02:57 | 0:02:59 | |
But on the way down, on the way to hitting your neck, | 0:02:59 | 0:03:02 | |
presumably you'd be shouting out something like, "Ahhh!" | 0:03:02 | 0:03:05 | |
No because actually there's sometimes a delay before the pain actually arrives. | 0:03:05 | 0:03:08 | |
Yeah, but there still might be alarm as you see the chances of you saving yourself from your neck breaking. | 0:03:08 | 0:03:13 | |
It's like people in an aeroplane that's crashing, | 0:03:13 | 0:03:16 | |
they're probably screaming and you don't go, | 0:03:16 | 0:03:18 | |
"Well, you're fine at the moment." | 0:03:18 | 0:03:20 | |
LAUGHTER AND APPLAUSE | 0:03:20 | 0:03:22 | |
So you've hit the ground, you fall to the floor, what happens then? | 0:03:26 | 0:03:30 | |
-I was in a great deal of pain. -Was there a gym teacher present? | 0:03:30 | 0:03:33 | |
There was. He was Scottish. Jock Watt, his name was. | 0:03:33 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:40 | |
-No, no, no. -That was his... -Jock Watt. | 0:03:40 | 0:03:43 | |
You had a teacher called Jock Watt? So what did Watt do? | 0:03:43 | 0:03:47 | |
One of the first things he did... | 0:03:47 | 0:03:49 | |
..was he put out his cigarette. | 0:03:51 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:56 | |
-Erm, no... -On the head of a nearby child. | 0:03:56 | 0:04:00 | |
LAUGHTER | 0:04:00 | 0:04:02 | |
-Watt was there... -Where? | 0:04:02 | 0:04:04 | |
-In the display. -Watt was in the display? | 0:04:04 | 0:04:08 | |
What? Part of it? | 0:04:08 | 0:04:10 | |
-We're quite small schoolboys. -Cheer leaders. | 0:04:10 | 0:04:13 | |
-So there's a kind of teacher to catch you. -Oh, yes. | 0:04:13 | 0:04:15 | |
-Or half catch you, half catch... -What, somebody dropped you? | 0:04:15 | 0:04:20 | |
You bounce over the thing and you sort of... | 0:04:20 | 0:04:22 | |
Is that after he dropped you? Is that when he went... | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
I was carried off the field of display. | 0:04:30 | 0:04:33 | |
-By what? -By... | 0:04:33 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:37 | |
And taken to the sick bay... | 0:04:40 | 0:04:43 | |
..where I was given an aspirin. | 0:04:44 | 0:04:47 | |
So where was Watt now? | 0:04:48 | 0:04:50 | |
LAUGHTER | 0:04:50 | 0:04:53 | |
I wish his name wasn't Watt. | 0:04:53 | 0:04:55 | |
Why? | 0:04:56 | 0:04:57 | |
LAUGHTER AND APPLAUSE | 0:04:57 | 0:05:01 | |
Oh, dear. | 0:05:01 | 0:05:03 | |
So was it evident to you from the start that you'd | 0:05:04 | 0:05:07 | |
broken your neck? | 0:05:07 | 0:05:09 | |
Er, no. | 0:05:09 | 0:05:10 | |
I suffered a great deal of pain for very many years... | 0:05:10 | 0:05:14 | |
..and didn't really find out about the... | 0:05:15 | 0:05:17 | |
..crushed vertebrae... | 0:05:19 | 0:05:21 | |
..until... | 0:05:21 | 0:05:22 | |
Yesterday. | 0:05:22 | 0:05:23 | |
Until a few years after. | 0:05:26 | 0:05:28 | |
So what are you thinking? Are you thinking that it could be true? | 0:05:28 | 0:05:33 | |
Well, the thing is, I have been observing him, as I do, | 0:05:33 | 0:05:35 | |
and he doesn't have full movement of his neck. | 0:05:35 | 0:05:37 | |
Look, look at that. | 0:05:39 | 0:05:41 | |
Wow! | 0:05:41 | 0:05:42 | |
How long have you been observing him for, Claude? | 0:05:42 | 0:05:45 | |
Yeah, you see. | 0:05:45 | 0:05:47 | |
-What do you think? -I reckon it's true now because | 0:05:52 | 0:05:54 | |
-of the whole neck thing. -You think it's true because | 0:05:54 | 0:05:56 | |
-of inhibited neck movement. -I do, indeed. | 0:05:56 | 0:05:58 | |
We're going to say it's true. | 0:05:58 | 0:05:59 | |
Ade Edmondson, was it true or was it a lie? | 0:05:59 | 0:06:02 | |
It's... | 0:06:02 | 0:06:04 | |
-..true. -Yeah! | 0:06:04 | 0:06:06 | |
Yes, it's true, Ade was given an aspirin for a broken neck. | 0:06:09 | 0:06:15 | |
-Cariad... -Yes. -..you're next. | 0:06:15 | 0:06:16 | |
OK. | 0:06:16 | 0:06:18 | |
I was sacked from my job in a call centre for repeatedly using | 0:06:18 | 0:06:21 | |
different accents on the phone. | 0:06:21 | 0:06:22 | |
David's team. | 0:06:24 | 0:06:25 | |
Who were you in a call centre for? Who did you work for? | 0:06:25 | 0:06:27 | |
I was working for Royal Mail. | 0:06:27 | 0:06:30 | |
-Royal Mail? -Yeah. | 0:06:30 | 0:06:31 | |
And what sort of call do you get, "Where's my post?" | 0:06:31 | 0:06:35 | |
It was a while ago, and you used to not have Google | 0:06:37 | 0:06:43 | |
and people used to ring for postcodes. | 0:06:43 | 0:06:46 | |
What's your favourite accent to do? | 0:06:46 | 0:06:48 | |
So, obviously Welsh is easy, so... | 0:06:48 | 0:06:49 | |
Would you do the accent of the postcode? | 0:06:49 | 0:06:52 | |
Yeah, that would... Sometimes you could do that. | 0:06:54 | 0:06:56 | |
-So, OK, I'll be the person who needs my postcode, OK? -OK. | 0:06:56 | 0:07:00 | |
IMITATES A PHONE RINGING | 0:07:02 | 0:07:04 | |
Yeah. | 0:07:04 | 0:07:05 | |
That does sound like a pre-Google phone, I'll give you that. | 0:07:05 | 0:07:09 | |
-Hello. -Oh, hello. -Bore da. | 0:07:09 | 0:07:11 | |
-I need a postcode, please. -That's nice. | 0:07:11 | 0:07:14 | |
Oh, are you Welsh as well? | 0:07:14 | 0:07:16 | |
THEY SPEAK WELSH | 0:07:16 | 0:07:19 | |
HE CONTINUES TO SPEAK WELSH: Sitting on panel, moron to your left. | 0:07:20 | 0:07:23 | |
Can you give me the full address, please? | 0:07:29 | 0:07:31 | |
All right, 14 Mack Avenue. | 0:07:31 | 0:07:35 | |
Now where's that now? | 0:07:35 | 0:07:37 | |
It's just round the corner from Success Street. | 0:07:37 | 0:07:39 | |
14 Mack Avenue, Deadsville, Nowhere Town. | 0:07:42 | 0:07:46 | |
-I'm afraid... -Oh, it is in Wales. | 0:07:46 | 0:07:48 | |
Oh, yes, that's very near Swansea. | 0:07:51 | 0:07:52 | |
The postcode you require is S for sugar, W for Wilson, eight, | 0:07:52 | 0:07:58 | |
R for Robert, B for Bertie. | 0:07:58 | 0:08:01 | |
That's a lot nearer Wimbledon than I expected. | 0:08:01 | 0:08:03 | |
SW. | 0:08:05 | 0:08:06 | |
Well, I wasn't always right. | 0:08:06 | 0:08:08 | |
-David, why don't you make an enquiry? -OK. Hello. | 0:08:08 | 0:08:11 | |
Well, hang on, you've got to ring her first. | 0:08:11 | 0:08:13 | |
HE IMITATES PHONE RINGING | 0:08:13 | 0:08:15 | |
-That's really good. -The sooner this is privatised the better! | 0:08:16 | 0:08:19 | |
-SHE IMITATES AN AMERICAN ACCENT: -Hi, there, hello. Hi. | 0:08:21 | 0:08:24 | |
Oh, I wasn't expecting to speak to an American. | 0:08:24 | 0:08:26 | |
No, I know, it's exciting, we just... | 0:08:26 | 0:08:29 | |
I just came over here and I got myself a job. | 0:08:29 | 0:08:32 | |
-That's very good, that's very good. -Thanks. | 0:08:32 | 0:08:34 | |
Were you working nine to five, by any chance? | 0:08:34 | 0:08:37 | |
-How can I help y'all? -Well, I would like... | 0:08:37 | 0:08:39 | |
How y'all doing there, you have a nice day? | 0:08:39 | 0:08:41 | |
It's so hot here in London, I can't tell you, I'm sweating like a pig. | 0:08:41 | 0:08:45 | |
Well, hang on, it's not one of those lines, is it? | 0:08:45 | 0:08:48 | |
HE IMITATES AMERICAN ACCENT: Well, it's real hot here. | 0:08:48 | 0:08:50 | |
I might just get out of these hot clothes. | 0:08:50 | 0:08:53 | |
I literally didn't say that! | 0:08:54 | 0:08:56 | |
I said sweating like a pig! | 0:08:56 | 0:08:58 | |
In which case, at the other end you'd hear... | 0:08:58 | 0:09:00 | |
HE IMITATES DAVID: "Ah, really? | 0:09:00 | 0:09:02 | |
"Oh, gosh, well, I certainly wasn't expecting that." | 0:09:02 | 0:09:05 | |
So, how did they discover that you were doing these voices? | 0:09:07 | 0:09:10 | |
I didn't know, but they were listening in to check. | 0:09:10 | 0:09:14 | |
For training purposes. | 0:09:14 | 0:09:15 | |
And so they were listening in for a week on me. | 0:09:15 | 0:09:18 | |
Look, I have as much of a sense of fun as the next man, but... | 0:09:19 | 0:09:23 | |
I hope it's not him. | 0:09:23 | 0:09:24 | |
..that's very disrespectful to your employers. | 0:09:26 | 0:09:29 | |
They were paying me like 4.60 an hour, I think. | 0:09:29 | 0:09:33 | |
Well, work more hours. | 0:09:33 | 0:09:34 | |
Work more hours, save up, you could go on a cruise! | 0:09:37 | 0:09:40 | |
So what did they say to you? What did they say to you? | 0:09:45 | 0:09:47 | |
They took me aside and it was going to be like Christmas break | 0:09:47 | 0:09:51 | |
and they just said, "We're asking everyone back after Christmas, | 0:09:51 | 0:09:54 | |
"but we're not asking you." | 0:09:54 | 0:09:56 | |
I should have said, "That's fine, sugar, I don't even care." | 0:09:56 | 0:09:59 | |
But I didn't. | 0:09:59 | 0:10:00 | |
So what do you think, Claude? | 0:10:00 | 0:10:02 | |
Yeah, you have to say it out loud. | 0:10:05 | 0:10:06 | |
-I think it's a lie. -You think it's a lie? | 0:10:09 | 0:10:12 | |
They wouldn't wait a week to fire her. I'd have fired her immediately. | 0:10:12 | 0:10:16 | |
I think it's believable that you could be that bored | 0:10:16 | 0:10:18 | |
in a phone centre. | 0:10:18 | 0:10:20 | |
I'm leaning towards true. | 0:10:20 | 0:10:22 | |
OK, you're saying it's true? | 0:10:22 | 0:10:24 | |
Cariad, truth or lie? | 0:10:24 | 0:10:27 | |
It's true. | 0:10:27 | 0:10:29 | |
Yes, it's true. | 0:10:32 | 0:10:34 | |
Cariad was sacked from her job for using different accents. | 0:10:34 | 0:10:38 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:10:38 | 0:10:41 | |
who has a close connection to one of our panellists. | 0:10:41 | 0:10:43 | |
Now this week, each of David's team will claim it's them | 0:10:43 | 0:10:46 | |
that has the genuine connection to the guest, | 0:10:46 | 0:10:48 | |
and it's up to Lee's team to spot who's telling the truth. | 0:10:48 | 0:10:51 | |
So please welcome this week's special guest, Ian. | 0:10:51 | 0:10:54 | |
So, Claude, what is Ian to you? | 0:11:01 | 0:11:04 | |
Well, this is Ian and he's keeping my motorbike in his shed, | 0:11:04 | 0:11:10 | |
and my wife doesn't know that I've actually got a motorbike. | 0:11:10 | 0:11:13 | |
Jordan, how do you know Ian? | 0:11:15 | 0:11:17 | |
This is Ian, we used to regularly drive to a field together | 0:11:17 | 0:11:21 | |
and howl at the moon. | 0:11:21 | 0:11:22 | |
And, David, what is your relationship with Ian? | 0:11:25 | 0:11:27 | |
This is Ian, he is the taxi driver who cooked me | 0:11:27 | 0:11:31 | |
a fried egg sandwich on the engine of his car. | 0:11:31 | 0:11:34 | |
So there we have it. Lee, where do you want to start? | 0:11:36 | 0:11:39 | |
Well, we could do with one more, cos none of them | 0:11:39 | 0:11:41 | |
are sounding very convincing. | 0:11:41 | 0:11:43 | |
So, Jordan, why would you bark at the moon? | 0:11:44 | 0:11:46 | |
Because full moon, you know, like, it's what you do. | 0:11:46 | 0:11:51 | |
-Oh, so, you were doing it... -No, no, no, you don't. | 0:11:51 | 0:11:54 | |
You would only do the full moon? | 0:11:55 | 0:11:57 | |
-Yeah, it would be a full moon. -Where would you do this? | 0:11:57 | 0:12:00 | |
Um, a field. | 0:12:00 | 0:12:03 | |
How old were you? | 0:12:03 | 0:12:05 | |
Four. | 0:12:05 | 0:12:06 | |
My mum was there and some of her friends. | 0:12:06 | 0:12:10 | |
-How old are you? -I'm 25. | 0:12:10 | 0:12:13 | |
And do you know how old he is? | 0:12:13 | 0:12:15 | |
-Uh... -Roughly? | 0:12:15 | 0:12:16 | |
-I notice you had to glance there, Jordan, just to check. -40? | 0:12:20 | 0:12:23 | |
So he's 15 years older than you, so when you were four, | 0:12:23 | 0:12:26 | |
he was 19, right? | 0:12:26 | 0:12:29 | |
What's your relationship with this man? | 0:12:29 | 0:12:32 | |
He's, like, my mum's mate. | 0:12:32 | 0:12:33 | |
He's your mum's friend, and so your mum would howl at the moon? | 0:12:33 | 0:12:37 | |
-Yeah. -Why? | 0:12:37 | 0:12:39 | |
Yeah, my mum loves the moon, in fact. | 0:12:39 | 0:12:41 | |
It sounds like you all love the moon. | 0:12:41 | 0:12:42 | |
Yeah. My mum's name's actually Emmaluna, | 0:12:42 | 0:12:45 | |
because she likes the moon. | 0:12:45 | 0:12:46 | |
Right. | 0:12:46 | 0:12:48 | |
Hang on, what? She changed her name to that? | 0:12:50 | 0:12:52 | |
Yeah, I think she was called Emmelina. | 0:12:52 | 0:12:54 | |
And what's his name? | 0:12:54 | 0:12:56 | |
-Um, well, Ian... -Do you want a minute to think? | 0:12:56 | 0:12:58 | |
-It's Ian Howell. -Ian Howell? -Ian Howell? -Yeah. | 0:13:00 | 0:13:04 | |
Ian Howell and Emmaluna. | 0:13:04 | 0:13:05 | |
And did you have a moon associated name at that time? | 0:13:05 | 0:13:08 | |
-I wanted one. -But you weren't old enough to get your moon name. | 0:13:08 | 0:13:11 | |
-You hadn't earned your moon name. -Yeah. | 0:13:11 | 0:13:12 | |
They just kept calling you son. | 0:13:12 | 0:13:14 | |
"You're not ready yet, son." | 0:13:17 | 0:13:19 | |
How many people were in the field howling at the moon? | 0:13:21 | 0:13:24 | |
I don't know, it was dark. | 0:13:24 | 0:13:25 | |
How long are you doing this? | 0:13:30 | 0:13:31 | |
How long are you howling at the moon for? Were you there all night? | 0:13:31 | 0:13:33 | |
-How long for? -Yeah. -Just until we felt better. | 0:13:33 | 0:13:36 | |
Better? What was up with you? | 0:13:36 | 0:13:39 | |
It's very... No, it's very therapeutic howling at the moon. | 0:13:39 | 0:13:41 | |
But, yeah, therapy for what? What was up with you? | 0:13:41 | 0:13:43 | |
-Well, you know, the month gets a bit like, "Oh." -Yeah. | 0:13:43 | 0:13:46 | |
-You look at your hands, they've gone really hairy. -Yeah. Yes. | 0:13:46 | 0:13:49 | |
We'd better howl at the moon. | 0:13:49 | 0:13:51 | |
But I had a, you know, quite a hippie upbringing, you know. | 0:13:51 | 0:13:53 | |
I was just getting at one with nature. | 0:13:53 | 0:13:55 | |
So it's getting at one with nature, it was a bit of a hippie... | 0:13:55 | 0:13:57 | |
Feeling the energy. | 0:13:57 | 0:13:58 | |
We just had a thunder moon, actually, very powerful. | 0:13:58 | 0:14:01 | |
-You've just had one? -Yeah, recently. -We have just had one. -Yeah, we did. | 0:14:01 | 0:14:04 | |
I haven't personally had a thunder moon. | 0:14:04 | 0:14:05 | |
-What's a thunder moon? -It's not, like, a dish. | 0:14:05 | 0:14:08 | |
"I had thunder moon last night, it was fantastic." | 0:14:08 | 0:14:11 | |
I had curry last night, I had thunder moon this morning. | 0:14:11 | 0:14:14 | |
All right, who else would you like to question? | 0:14:16 | 0:14:18 | |
Claude, why don't you remind us of... | 0:14:18 | 0:14:20 | |
-Sorry, Claude, yes. -..how you know Ian? | 0:14:20 | 0:14:23 | |
-Well, I know Ian because I first met him about a year ago. -Yeah. | 0:14:23 | 0:14:26 | |
And he came to fix a leak in my house. | 0:14:26 | 0:14:29 | |
In the course of conversation, he said that he's got a motorbike, | 0:14:29 | 0:14:33 | |
and actually I've always wanted a motorbike. | 0:14:33 | 0:14:35 | |
-Right, have you never owned one before? -No, I haven't. -OK. -No. | 0:14:35 | 0:14:38 | |
So you've never ridden one? | 0:14:38 | 0:14:39 | |
-I probably have on holiday, but not really. -All right. | 0:14:39 | 0:14:42 | |
-What bike is it? -What bike have I actually bought? -Yeah. | 0:14:42 | 0:14:45 | |
Well, I'm glad you've asked me that. | 0:14:45 | 0:14:46 | |
It's called... I don't know how familiar you are with bikes? | 0:14:48 | 0:14:50 | |
-Very familiar. -Well, let's assume he is. -OK. | 0:14:50 | 0:14:53 | |
-It's called a Fat Boy. -Oh, good. -Fat Boy? | 0:14:53 | 0:14:55 | |
It's a Harley Davidson. | 0:14:55 | 0:14:57 | |
And when did you take your test? | 0:14:57 | 0:14:58 | |
No, I haven't taken the test. That's why the bike's in his shed. | 0:14:58 | 0:15:02 | |
-Because you can't drive it? -Not yet, but I can start it up. | 0:15:02 | 0:15:05 | |
So you bought... | 0:15:05 | 0:15:06 | |
Why haven't you told your wife? | 0:15:06 | 0:15:08 | |
I don't think she'd approve. | 0:15:08 | 0:15:09 | |
Well, do you think this is not going to give it away | 0:15:09 | 0:15:11 | |
a bit on national television? | 0:15:11 | 0:15:14 | |
Look, sooner or later the truth must out | 0:15:14 | 0:15:16 | |
and I've chosen tonight. | 0:15:16 | 0:15:18 | |
You've got a Harley Davidson that you're just happy not to | 0:15:18 | 0:15:20 | |
-ride around. -Well, I'm not happy, I'm not happy about it. | 0:15:20 | 0:15:23 | |
It's more of a status symbol, do you know what I mean? | 0:15:23 | 0:15:25 | |
-I've got a Harley. -It's only a status symbol if it's | 0:15:25 | 0:15:27 | |
outside the shed and you're sat on it. | 0:15:27 | 0:15:29 | |
It's not a status symbol if it's in someone's shed and no-one sees it. | 0:15:29 | 0:15:31 | |
You might as well have bought a rake. | 0:15:31 | 0:15:33 | |
-And you go and visit the bike? -I do. -To have a look at it? | 0:15:36 | 0:15:39 | |
Well, what I do is I tell my wife I'm going on a business meeting | 0:15:39 | 0:15:41 | |
and that gives me a few hours of leeway and I go to the shed. | 0:15:41 | 0:15:45 | |
-And what do you do? -Start up the bike. | 0:15:45 | 0:15:48 | |
Feel the throbbing. | 0:15:48 | 0:15:49 | |
What do you think your wife's going to say | 0:15:52 | 0:15:54 | |
when she's watching this programme, apart from, | 0:15:54 | 0:15:56 | |
"Why did you go on that?" | 0:15:56 | 0:15:59 | |
Well, the thing is that actually she's in the audience now, | 0:15:59 | 0:16:01 | |
-so it's even worse than... -She's here tonight? -She is. | 0:16:01 | 0:16:04 | |
Well, this'll be nice for her to find out. | 0:16:04 | 0:16:06 | |
-How much did you pay for it? -Well, the thing is I'm glad... | 0:16:06 | 0:16:09 | |
The list price was around £17,500. | 0:16:11 | 0:16:14 | |
I said that quickly, so it doesn't kind of get too much... | 0:16:14 | 0:16:16 | |
And how much did you pay, darling? | 0:16:16 | 0:16:18 | |
I paid a shade under 15 grand, which I think you'll find is | 0:16:18 | 0:16:20 | |
a very good price. | 0:16:20 | 0:16:21 | |
Why did they give you 2,500 grand off? Cos you're clearly a rich... | 0:16:21 | 0:16:25 | |
Cos that's the way I do deals. | 0:16:25 | 0:16:27 | |
You're just good at doing deals? | 0:16:27 | 0:16:28 | |
Yeah. That's the way I roll. | 0:16:28 | 0:16:30 | |
Now, when you do come to ride this bike, what will your attire be? | 0:16:32 | 0:16:36 | |
-Will you be wearing leathers? -Yes, I've already bought my leathers. | 0:16:36 | 0:16:39 | |
-You wear the leathers when you go to look at it? -Yeah. | 0:16:39 | 0:16:41 | |
-You don't! -I do. | 0:16:41 | 0:16:43 | |
But the thing is with me, | 0:16:43 | 0:16:44 | |
it's just that I just wanted to have the wind in my hair. | 0:16:44 | 0:16:47 | |
All right, what about David? | 0:16:52 | 0:16:55 | |
Remind us again, please, David. | 0:16:55 | 0:16:56 | |
This is Ian, he's the taxi driver who cooked me | 0:16:56 | 0:17:00 | |
a fried egg sandwich on the engine of his car. | 0:17:00 | 0:17:03 | |
And where were you going from and to? | 0:17:03 | 0:17:05 | |
I was going from a holiday home in the west country in Cornwall. | 0:17:05 | 0:17:10 | |
Your holiday home? | 0:17:10 | 0:17:11 | |
No, I temporarily had legal access to the holiday home. | 0:17:11 | 0:17:15 | |
It's quite a common... I don't know what | 0:17:15 | 0:17:17 | |
the name of it in contract law would be, but it's like | 0:17:17 | 0:17:19 | |
when you go on holiday to a holiday home and it's not your | 0:17:19 | 0:17:21 | |
holiday home, but you're allowed to be there for a bit | 0:17:21 | 0:17:24 | |
-if you give them money. -It's called a rental. -Rental! | 0:17:24 | 0:17:26 | |
You're at a rental home. | 0:17:28 | 0:17:29 | |
And then I was leaving it to go to a railway station. | 0:17:29 | 0:17:33 | |
What station was it? | 0:17:33 | 0:17:34 | |
Bodmin Parkway. | 0:17:34 | 0:17:35 | |
You definitely started the word Bodmin not knowing how that | 0:17:37 | 0:17:39 | |
was going to end. | 0:17:39 | 0:17:41 | |
-Bodmin Parkway. -And he drove you to Bodmin Parkway? -Yes. | 0:17:41 | 0:17:44 | |
And when did the fried egg, when did that come out in conversation? | 0:17:44 | 0:17:46 | |
-Yeah. -When we'd arrived at Bodmin. -You'd already arrived? | 0:17:46 | 0:17:49 | |
Didn't you have a train to catch? | 0:17:49 | 0:17:51 | |
-Yes, but the train... -Yes? | 0:17:51 | 0:17:53 | |
-..had been cancelled. -Ah. | 0:17:53 | 0:17:55 | |
Why? Why was it cancelled? | 0:17:55 | 0:17:57 | |
I can't remember, but it does sometimes. | 0:17:57 | 0:17:59 | |
Believe me, that can happen. | 0:17:59 | 0:18:01 | |
Could he not just drive you into Bodmin and find | 0:18:02 | 0:18:05 | |
a cafe and go to a cafe? | 0:18:05 | 0:18:07 | |
I think he's proud of his egg on engine cooking skills. | 0:18:07 | 0:18:10 | |
How did he do it? | 0:18:10 | 0:18:11 | |
-Do you have a frying pan on the engine? -No. -What happened? | 0:18:11 | 0:18:14 | |
Aluminium foil. | 0:18:14 | 0:18:15 | |
-So he has this with him... -Just cracked it in. | 0:18:15 | 0:18:17 | |
Oh, he didn't have any of this with him. No, no, he mimed it. | 0:18:17 | 0:18:20 | |
And where did he find the egg? | 0:18:22 | 0:18:25 | |
-He had it in the car. -He had an egg in the car? | 0:18:25 | 0:18:28 | |
-Oh, that's weird. -I'll tell you what, he didn't just have one egg, | 0:18:28 | 0:18:30 | |
he had, I think, I would estimate between three and six. | 0:18:30 | 0:18:33 | |
-Where did he keep these eggs in the car? -Yeah. -In an egg box. | 0:18:34 | 0:18:37 | |
No, but where was the egg box? Was it in the boot? | 0:18:37 | 0:18:39 | |
No, I think it was in a bag in the boot. | 0:18:39 | 0:18:41 | |
A bag in the boot. | 0:18:41 | 0:18:42 | |
Boot, bag, egg box, | 0:18:42 | 0:18:44 | |
eggshell, white, yolk. | 0:18:44 | 0:18:47 | |
You forgot an egg for a minute. | 0:18:47 | 0:18:49 | |
For a man like you, David, it seems socially awkward to be | 0:18:55 | 0:18:59 | |
standing round the engine with a bit of tinfoil and... | 0:18:59 | 0:19:03 | |
But isn't that more reason that it happened? | 0:19:03 | 0:19:05 | |
Any normal people like us would just go, "You're all right, mate," | 0:19:05 | 0:19:08 | |
-and walk off. -Yeah. | 0:19:08 | 0:19:10 | |
David, he's stood there, "Well, I suppose I'd better forget | 0:19:10 | 0:19:13 | |
"the train and just have an egg sandwich." | 0:19:13 | 0:19:15 | |
Forget the train! I'm waiting. | 0:19:15 | 0:19:17 | |
I've got to wait there an hour. | 0:19:17 | 0:19:19 | |
Yeah, I'm not trying to sort of forge a new life with | 0:19:19 | 0:19:21 | |
Ian at Bodmin Parkway car park. | 0:19:21 | 0:19:23 | |
Oh, we've got four eggs, that'll see us through the next day or two. | 0:19:24 | 0:19:28 | |
So, we need an answer. Lee's team, is Ian Claude's motorbike minder, | 0:19:29 | 0:19:35 | |
Jordan's moonlight mate, or David's fried egg friend? | 0:19:35 | 0:19:39 | |
What I don't like about David's story is | 0:19:39 | 0:19:41 | |
the idea that there was another - I live in the south-west - | 0:19:41 | 0:19:44 | |
that there was another train in an hour, they're not that frequent. | 0:19:44 | 0:19:47 | |
Really? Are they like once a day? | 0:19:47 | 0:19:48 | |
There's like three trains on that line from Bodmin. | 0:19:48 | 0:19:52 | |
You've been done. | 0:19:52 | 0:19:53 | |
-Wow. -OK, what about Claude and the motorbike? | 0:19:56 | 0:19:59 | |
The idea that he wouldn't tell his wife | 0:19:59 | 0:20:01 | |
that he's bought a motorbike, I actually do buy, I buy that bit. | 0:20:01 | 0:20:04 | |
The bit I don't buy is that he chooses a light entertainment show | 0:20:04 | 0:20:08 | |
that's been nominated for three BAFTAs - we've never won - | 0:20:08 | 0:20:11 | |
to tell everybody, mainly his wife, that that is what he's done. | 0:20:11 | 0:20:18 | |
All right, now what about Jordan and howling at the moon? | 0:20:18 | 0:20:21 | |
I'm liking this story. | 0:20:21 | 0:20:22 | |
I still don't know why. He said it's to make him feel better, but... | 0:20:22 | 0:20:25 | |
No, I had hippie parents and I had to do a lot of weird stuff. | 0:20:25 | 0:20:28 | |
What did you have to do? | 0:20:28 | 0:20:29 | |
Oh, we had to go and sit in circles and chant and shout, | 0:20:29 | 0:20:31 | |
in like communes in Scotland. Yeah. | 0:20:31 | 0:20:34 | |
So I had to weird stuff like that. | 0:20:34 | 0:20:35 | |
Am I the only one that we all had to go shop lifting at Threshers? | 0:20:35 | 0:20:38 | |
-I'm thinking Jordan. -OK, we'll go... Shall we go for Jordan? | 0:20:42 | 0:20:45 | |
You're going for Jordan? | 0:20:45 | 0:20:46 | |
Or it could be Claude, look at his little eyes. | 0:20:46 | 0:20:49 | |
It was just as I said Jordan then, you were about to turn, | 0:20:49 | 0:20:52 | |
Claude literally, like the evil man with the white cat. | 0:20:52 | 0:20:55 | |
He literally went, "Ha-ha-ha-ha." | 0:20:57 | 0:21:00 | |
Just because of the menacing evil smile, | 0:21:00 | 0:21:02 | |
-I think we should change to Claude. -You're going to go with Claude? | 0:21:02 | 0:21:05 | |
-Claude, the smile of victory. -All right. | 0:21:05 | 0:21:07 | |
Ian, please reveal your true identity. | 0:21:07 | 0:21:09 | |
-I'm Ian, and Jordan and I used to howl at the moon. -Ah! | 0:21:09 | 0:21:12 | |
HE HOWLS | 0:21:15 | 0:21:18 | |
Is he called Ian Howell? | 0:21:20 | 0:21:21 | |
And were you called Ian Howell before you were | 0:21:23 | 0:21:25 | |
howling at the moon or did you change your name? | 0:21:25 | 0:21:27 | |
Yes, I was always called Ian Howell. | 0:21:27 | 0:21:29 | |
I knew it, weird hippie stuff. | 0:21:29 | 0:21:31 | |
Let's hear the howl. | 0:21:31 | 0:21:33 | |
THEY HOWL | 0:21:33 | 0:21:35 | |
Yes, Ian is Jordan's moonlight mate. | 0:21:38 | 0:21:41 | |
Thank you very much, Ian. | 0:21:41 | 0:21:42 | |
Thank you. | 0:21:42 | 0:21:43 | |
Which brings us to our final round, Quickfire Lies, and we start with... | 0:21:46 | 0:21:50 | |
..it's Lee. | 0:21:51 | 0:21:53 | |
Having recently got into Eastern cuisine, this Christmas sees | 0:21:54 | 0:21:58 | |
the launch of my new cookbook... | 0:21:58 | 0:22:00 | |
LAUGHTER | 0:22:01 | 0:22:03 | |
..Lee Mack's Wok Around The Clock. | 0:22:04 | 0:22:06 | |
-David. -Give us some of the recipes from Wok Around The Clock. | 0:22:13 | 0:22:16 | |
Shall I give you my favourite ones? | 0:22:16 | 0:22:18 | |
-Just your favourite six or seven. -OK. | 0:22:18 | 0:22:21 | |
Yeah, well, I like quite simplistic | 0:22:21 | 0:22:25 | |
because believe it or not, believe it or not... | 0:22:25 | 0:22:27 | |
-Simplistic! -..I thought simplistic... | 0:22:27 | 0:22:29 | |
Simplistic, so raw pork. | 0:22:29 | 0:22:30 | |
So, sweet-and-sour pork balls is one of my specialities. | 0:22:32 | 0:22:36 | |
How would you cook your sweet-and-sour pork balls? | 0:22:36 | 0:22:40 | |
Well, I'll tell you exactly how I would cook | 0:22:40 | 0:22:42 | |
my sweet-and-sour pork balls - for £9.99 you can find out. | 0:22:42 | 0:22:48 | |
Did you go to the publishers with this idea? | 0:22:48 | 0:22:50 | |
I went to Penguin because they're the only book publishers | 0:22:50 | 0:22:52 | |
I've heard of. | 0:22:52 | 0:22:54 | |
How keen were they? Because I have to say, if I was a publisher | 0:22:54 | 0:22:56 | |
-and you came to me... -Yeah. | 0:22:56 | 0:22:58 | |
..I wouldn't be interested. | 0:22:58 | 0:23:00 | |
-Well, ironically, Penguin didn't p-p-p-pick it up straight away. -Yes! | 0:23:00 | 0:23:04 | |
Did you work in conjunction with a proper chef? | 0:23:04 | 0:23:08 | |
-Of course I was helped a little bit. -Who? By whom? | 0:23:08 | 0:23:11 | |
It's a friend of mine, works at the Chinese restaurant. | 0:23:11 | 0:23:13 | |
-What's the name of this person? -You wouldn't know him. | 0:23:13 | 0:23:15 | |
-Well, give it a try. -Steve. | 0:23:15 | 0:23:17 | |
Steve Jenkins. | 0:23:18 | 0:23:20 | |
I've been going into the Chinese restaurant a lot recently, | 0:23:20 | 0:23:23 | |
and I've been really sort of learning about it | 0:23:23 | 0:23:25 | |
and savouring the dishes, and I keep saying, | 0:23:25 | 0:23:27 | |
"Steve, this is fantastic, what is this?" | 0:23:27 | 0:23:30 | |
And then he says something in Chinese, | 0:23:30 | 0:23:32 | |
which I don't understand, and then I said... | 0:23:32 | 0:23:33 | |
Steve Jenkins is Chinese? | 0:23:33 | 0:23:35 | |
He was adopted when he was a kid by a Chinese family | 0:23:35 | 0:23:38 | |
and taken to China, but he was an English baby, yeah. | 0:23:38 | 0:23:41 | |
This is a true story. They took... They took Steve Jenkins. | 0:23:41 | 0:23:44 | |
They adopted him. | 0:23:44 | 0:23:46 | |
Even though he was a baby, he was known as Steve. | 0:23:46 | 0:23:48 | |
Obviously not. Then, he was called Baby Steve. | 0:23:48 | 0:23:52 | |
-So this Chinese couple adopt Baby Steve... -Stephen. | 0:23:52 | 0:23:55 | |
His full name, he's called Steve Jenkins. | 0:23:55 | 0:23:58 | |
And they don't change his name. | 0:23:58 | 0:24:00 | |
But they couldn't change his name, could they, cos he was... | 0:24:00 | 0:24:02 | |
They continue to call him Steve Jenkins. | 0:24:02 | 0:24:04 | |
But he was clearly an English baby. | 0:24:04 | 0:24:06 | |
They knew he was going to grow up looking western. | 0:24:06 | 0:24:09 | |
Was he the only Steve Jenkins in his school? | 0:24:09 | 0:24:12 | |
He was actually, yes. | 0:24:12 | 0:24:14 | |
I think we should concentrate more on my ability to cook | 0:24:14 | 0:24:17 | |
and less on my ability to understand the basic systems | 0:24:17 | 0:24:19 | |
of adopted children and taking them to China. | 0:24:19 | 0:24:22 | |
What was the hardest recipe to perfect? | 0:24:22 | 0:24:25 | |
The hardest one to perfect was definitely | 0:24:25 | 0:24:27 | |
the beef in oyster sauce, with chilli. | 0:24:27 | 0:24:30 | |
How would you go about cooking that? | 0:24:31 | 0:24:33 | |
Well, first of all, I will get my wok. | 0:24:33 | 0:24:36 | |
-Yes. -Very bold of you. | 0:24:36 | 0:24:38 | |
-Yeah, so I get my wok down from my wok shelf. -Yeah. | 0:24:38 | 0:24:41 | |
-Put it down. -You've got a wok shelf? | 0:24:41 | 0:24:42 | |
-Wok shelf, yes. -How many woks do you own? | 0:24:42 | 0:24:45 | |
-About seven. -Seven woks! | 0:24:45 | 0:24:47 | |
How many woks have you got? | 0:24:47 | 0:24:49 | |
One. | 0:24:49 | 0:24:50 | |
-Well, that's why you haven't got a book out at Christmas, mate. -Yeah. | 0:24:50 | 0:24:53 | |
So I light the burner like that, "Whoosh." That's the noise. | 0:24:53 | 0:24:57 | |
And I heat the oil, put the oil down, | 0:24:57 | 0:24:59 | |
peanut oil actually, don't use olive oil, peanut oil. | 0:24:59 | 0:25:01 | |
-So I put the peanut oil... -Sounds delicious. | 0:25:01 | 0:25:03 | |
The trick with a wok is not to put the oil at the bottom | 0:25:03 | 0:25:05 | |
of the pan, it's to dribble it round the edge. You know, the same way | 0:25:05 | 0:25:08 | |
-as you do a Toilet Duck? -Yeah. | 0:25:08 | 0:25:10 | |
All the way round the edge and watch it slightly go down. | 0:25:10 | 0:25:13 | |
And the publisher said, "Probably don't use that analogy." | 0:25:13 | 0:25:16 | |
So put it round the edge, let it all sink down to the bottom | 0:25:17 | 0:25:20 | |
like that, yeah. Give it a good spinning round like that. | 0:25:20 | 0:25:23 | |
And this is peanut oil, even though an increasing number of people | 0:25:23 | 0:25:26 | |
in Britain are allergic to peanuts. | 0:25:26 | 0:25:28 | |
-Absolutely, but I do... -Doesn't bother you? | 0:25:28 | 0:25:30 | |
No, I make it very clear to those people on the front of the book. | 0:25:30 | 0:25:32 | |
I say, "If you have a peanut allergy, you are not welcome." | 0:25:32 | 0:25:36 | |
And I do that like that, throw it in, you flash fry it... | 0:25:36 | 0:25:38 | |
HE HISSES | 0:25:38 | 0:25:41 | |
I'm there. | 0:25:41 | 0:25:42 | |
HE CONTINUES TO HISS | 0:25:42 | 0:25:45 | |
You're throwing in three or four different ingredients, | 0:25:45 | 0:25:47 | |
there's different versions of it. | 0:25:47 | 0:25:49 | |
I'm going to go with the one with lots of greens, | 0:25:49 | 0:25:51 | |
lots of broccoli, lots of carrots, a few sesame seeds, | 0:25:51 | 0:25:53 | |
you're throwing it in. The thing is to feel the pan, feel it! | 0:25:53 | 0:25:56 | |
Become the pan, become one with the pan! | 0:25:56 | 0:25:58 | |
You flick it up like that, stir it round. | 0:25:58 | 0:26:00 | |
That's when you add the sauce, that's when you've got to add | 0:26:00 | 0:26:02 | |
the sauce, the oyster sauce, but it's home-made oyster sauce. | 0:26:02 | 0:26:05 | |
"How do you make home-made oyster sauce?" | 0:26:05 | 0:26:07 | |
I'll tell you exactly how you make home-made oyster - you get some | 0:26:07 | 0:26:09 | |
water from the tap, you soak your oysters in it. | 0:26:09 | 0:26:11 | |
Yes, you do use oysters. | 0:26:11 | 0:26:12 | |
You soak them for four weeks in water until the water goes black. | 0:26:12 | 0:26:17 | |
How does it go black? You get your squid ink, you squid ink it in, | 0:26:17 | 0:26:20 | |
you mix it up. Mash, down, in, get it really liquidy. | 0:26:20 | 0:26:23 | |
It's on the turn, but it's not gone off, you've got to get it | 0:26:23 | 0:26:26 | |
just on the turn you put it in, you whisk it round. | 0:26:26 | 0:26:28 | |
It's not hissing any more, cos that's stopped. | 0:26:28 | 0:26:30 | |
It's simmering away like that, it all settles down | 0:26:30 | 0:26:32 | |
and you pour it onto the pan like that. | 0:26:32 | 0:26:34 | |
9.99, the book's yours. | 0:26:34 | 0:26:35 | |
CHEERING AND APPLAUSE | 0:26:35 | 0:26:37 | |
I want that. | 0:26:40 | 0:26:41 | |
David, what are you thinking? | 0:26:42 | 0:26:43 | |
It was very entertaining, but was it... Well, I say very. | 0:26:43 | 0:26:46 | |
Was it true? | 0:26:48 | 0:26:49 | |
No, no, it wasn't true. | 0:26:49 | 0:26:51 | |
Do you need a little time to discuss this with your team? | 0:26:57 | 0:27:00 | |
No, no, no. | 0:27:00 | 0:27:02 | |
Well, firstly, it wasn't true off the card to start with | 0:27:02 | 0:27:05 | |
because there's no way Lee would bring out that sort of book. | 0:27:05 | 0:27:08 | |
-Why? -I've met him, it's evident. | 0:27:08 | 0:27:10 | |
But why? You don't know everything about me, David. | 0:27:10 | 0:27:13 | |
He then went on to make it less plausible by the fact that | 0:27:13 | 0:27:15 | |
your collaborator in this book is a man called Steve Jenkins, | 0:27:15 | 0:27:20 | |
who was adopted as a baby in this country, taken back to China... | 0:27:20 | 0:27:25 | |
-Not for long. -No, for his whole childhood. -No, no. | 0:27:25 | 0:27:27 | |
-He said they came back to Britain. -Yeah, but when he was an adult. | 0:27:27 | 0:27:30 | |
-Oh, when he's an adult. -Yeah. -Yeah, otherwise he'd have been able | 0:27:30 | 0:27:33 | |
-to speak English now, wouldn't he? -How did you write a book with a man | 0:27:33 | 0:27:36 | |
that only spoke Cantonese? | 0:27:36 | 0:27:37 | |
Well, we had an interpreter. | 0:27:37 | 0:27:38 | |
Chinese fella called Brian Smith. | 0:27:38 | 0:27:40 | |
I think you're incredible, man. | 0:27:44 | 0:27:46 | |
Blown me away. | 0:27:46 | 0:27:47 | |
Incredible as in not credible? | 0:27:47 | 0:27:49 | |
So we're saying it's a lie? | 0:27:50 | 0:27:52 | |
Well, the audience are on tenterhooks. | 0:27:52 | 0:27:54 | |
Lee, was it the truth? | 0:27:56 | 0:27:59 | |
See there's a slight part of me now thinking... | 0:27:59 | 0:28:02 | |
"I could actually bring this out." | 0:28:02 | 0:28:04 | |
It's a lie. | 0:28:05 | 0:28:06 | |
It's a lie, Lee hasn't written a cookbook called | 0:28:10 | 0:28:12 | |
Lee Mack's Wok Around The Clock. | 0:28:12 | 0:28:14 | |
BUZZER SOUNDS And that noise signals time is up, | 0:28:14 | 0:28:17 | |
it's the end of the show. | 0:28:17 | 0:28:18 | |
I can reveal that David's team have won by four points to nil. | 0:28:18 | 0:28:21 | |
Thanks for watching, we'll see you next time, good night. | 0:28:25 | 0:28:28 |