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'Tonight on Would I Lie To You, always a fun show, it's Frankie Boyle. | 0:00:23 | 0:00:29 | |
'Hot from The One Show, it's Christine Bleakley. | 0:00:29 | 0:00:34 | |
'And their team captain, Lee Mack. | 0:00:34 | 0:00:37 | |
'And facing them tonight, he edited The Sun, it's Kelvin MacKenzie. | 0:00:37 | 0:00:44 | |
'He lives with his mum, comedian Jack Whitehall. | 0:00:44 | 0:00:48 | |
And their team captain, David Mitchell. | 0:00:48 | 0:00:52 | |
'And here's your host, Rob Brydon!' | 0:00:52 | 0:00:57 | |
Good evening, and welcome to Would I Lie To You?, the show where liars always prosper. | 0:01:01 | 0:01:08 | |
A recent survey revealed that one of the most common lies is, "How nice to see you," | 0:01:08 | 0:01:13 | |
as in the sentence, "How nice to see you, Lee." | 0:01:13 | 0:01:16 | |
Another really common lie is, "Sorry to bother you," | 0:01:16 | 0:01:21 | |
as in, "Sorry to bother you, Rob." "No. Come in, Lee. | 0:01:21 | 0:01:25 | |
"How nice to see you(!)" | 0:01:25 | 0:01:28 | |
And last year, a British couple divorced | 0:01:28 | 0:01:30 | |
after the husband lied about a relationship with a girl in cyberspace. | 0:01:30 | 0:01:35 | |
I met a girl in cyberspace, Glitterbabe22, and we started chatting, | 0:01:35 | 0:01:40 | |
eventually ended up having cybersex. | 0:01:40 | 0:01:44 | |
It turns out we had a lot in common in real life. | 0:01:44 | 0:01:46 | |
I was the host of Would I Lie To You? And she was a team captain on Would I Lie To You? | 0:01:46 | 0:01:52 | |
And so to round one, Home Truths, | 0:01:55 | 0:01:57 | |
where our panellists each read out a statement from the card in front of them. | 0:01:57 | 0:02:01 | |
To make things harder, they've never seen the card before, so they've no idea what they'll be faced with. | 0:02:01 | 0:02:06 | |
It's up to the opposing team to sift the fact from the fiction, and Christine is first. | 0:02:06 | 0:02:10 | |
Christine, please reveal all. | 0:02:10 | 0:02:12 | |
OK. | 0:02:12 | 0:02:15 | |
Anton Du Beke and I danced our way out of a parking ticket. | 0:02:15 | 0:02:21 | |
There we are. David's team, what do you think? | 0:02:21 | 0:02:23 | |
So a traffic warden was about to give you a parking ticket | 0:02:23 | 0:02:27 | |
and you did a dance for him or her, and he said, "All right. | 0:02:27 | 0:02:30 | |
"I'll let you off." Is that it? | 0:02:30 | 0:02:33 | |
That's the gist of the story. | 0:02:33 | 0:02:34 | |
-Whereabouts? -It was outside Harvey Nichols. | 0:02:34 | 0:02:39 | |
-But you can't park outside Harvey Nichols. -She got a ticket! | 0:02:39 | 0:02:43 | |
I love you! | 0:02:45 | 0:02:47 | |
It won't take long. | 0:02:47 | 0:02:50 | |
-So whose car was it? -It was in his car. Well, he has a driver. | 0:02:50 | 0:02:55 | |
Oh, right. So his chauffeur. | 0:02:55 | 0:02:58 | |
-Did he join in with the dance, the chauffeur? -No, no, he didn't. -What kind of dance was it? | 0:02:58 | 0:03:03 | |
It was a little bit of a foxtrot. | 0:03:03 | 0:03:06 | |
He's a ballroom guy, you see. And waltz was my best dance on Strictly, so it was a bit of ballroom. | 0:03:06 | 0:03:11 | |
-Does Anton Du Beke try to dance his way out of every traffic violation? -I would say probably! | 0:03:11 | 0:03:16 | |
Was it an Italian traffic warden who watched what you were doing and went, | 0:03:16 | 0:03:20 | |
"You were fast. You were furious. You're back, you're forward, you're up!" | 0:03:20 | 0:03:24 | |
I'm doing Bruno Tonioli from Strictly Come Dancing. | 0:03:24 | 0:03:28 | |
-I think you look a bit like the gentleman in question, don't you? -The traffic warden? -No. | 0:03:28 | 0:03:33 | |
-No. You look like Anton Du Beke. -It has been commented on. | 0:03:33 | 0:03:37 | |
-Why don't you demonstrate with Rob how the dance went? -Go on. | 0:03:37 | 0:03:42 | |
-APPLAUSE -Oh, all right, then. | 0:03:42 | 0:03:44 | |
It's like this. | 0:03:45 | 0:03:46 | |
It certainly is now! | 0:03:46 | 0:03:48 | |
-I've got to get quite close to you. -Go as close as you like. | 0:03:48 | 0:03:52 | |
-We have to touch bodies, OK? -Oh, something's touching. | 0:03:52 | 0:03:56 | |
Can I just say, that's...that's my phone. | 0:03:56 | 0:03:59 | |
A little bit of this, I have to stick my head... | 0:03:59 | 0:04:03 | |
-You go the other way. That's it. -No, I do not! | 0:04:03 | 0:04:07 | |
There was a little bit of this, a little bit of waltzing, | 0:04:07 | 0:04:11 | |
but it involves moving your feet, a little bit like that, but not quite. | 0:04:11 | 0:04:15 | |
Well done! | 0:04:15 | 0:04:17 | |
Superb! | 0:04:20 | 0:04:22 | |
Now what do you reckon, then, | 0:04:24 | 0:04:27 | |
-David? What do you think? -Kelvin. | 0:04:27 | 0:04:29 | |
I don't believe a word of it. | 0:04:29 | 0:04:31 | |
I don't believe that there is a generous-spirited traffic warden anywhere in the world. | 0:04:31 | 0:04:37 | |
-Dan, what do you think? -I think he's telling the truth | 0:04:37 | 0:04:39 | |
because I know when she's being dishonest because I watch The One Show every day, | 0:04:39 | 0:04:44 | |
and I've seen your face laughing at Adrian Chiles's jokes. | 0:04:44 | 0:04:47 | |
I think she's telling the truth. | 0:04:51 | 0:04:53 | |
-You think she's telling the truth, and you think she's lying. -I do. | 0:04:53 | 0:04:56 | |
My instinct is I think it's a lie. | 0:04:56 | 0:04:58 | |
You think it's a lie. OK. Christine, is it the truth, or is it a lie? | 0:04:58 | 0:05:02 | |
It is in fact...a lie. | 0:05:02 | 0:05:05 | |
I did well! Didn't I do well? | 0:05:05 | 0:05:07 | |
It's a lie! Christine and Anton Du Beke did not dance their way out of a parking ticket. | 0:05:07 | 0:05:14 | |
I mean, no-one who saw Christine dance would believe that! | 0:05:14 | 0:05:18 | |
If anything, they'd probably increase the fine. | 0:05:18 | 0:05:21 | |
Jack, you're next. | 0:05:21 | 0:05:23 | |
Every Christmas, my dad makes the whole family stand up to watch the Queen's Speech. | 0:05:23 | 0:05:30 | |
-Lee's team, what do you think? -How many is in your family? | 0:05:30 | 0:05:34 | |
There's, uh, two brothers and sisters and then two parents. | 0:05:34 | 0:05:38 | |
-You look like you're lying about that. -No, just trying to remember. | 0:05:38 | 0:05:41 | |
So he makes the you all stand for the Queen's Speech? Not just the National Anthem at the beginning, | 0:05:41 | 0:05:46 | |
-the actual... -The whole speech. So when it goes on, we're all, "Go on. Hurry up, old woman." | 0:05:46 | 0:05:51 | |
"Old woman," he doesn't like us referring to her as that either. | 0:05:51 | 0:05:54 | |
-Right. -Is that the only thing on Christmas Day that's got some sort of physical challenge element to it? | 0:05:54 | 0:05:59 | |
Or do you have to hop throughout Indiana Jones? | 0:05:59 | 0:06:03 | |
-There's just the standing for the Queen's Speech. -But why would that be? | 0:06:03 | 0:06:07 | |
He's quite old-fashioned. He's living in a kind of like time warp. | 0:06:07 | 0:06:11 | |
He's quite an old dad, and he's one of those people, | 0:06:11 | 0:06:14 | |
like, he'll buy Spam and sit in the cellar because he misses the blitz. | 0:06:14 | 0:06:17 | |
He's like, he still thinks he's living in a bygone era. | 0:06:17 | 0:06:22 | |
How old is he, Jack? | 0:06:22 | 0:06:24 | |
-He's 69 today, actually. -How old are you? -20. | 0:06:24 | 0:06:28 | |
So basically, if you're 20 and your dad's 69, | 0:06:28 | 0:06:32 | |
at the point that he conceived you, he must have thought, | 0:06:32 | 0:06:35 | |
"There is a significant risk that this will kill me." | 0:06:35 | 0:06:39 | |
Are you allowed to speak during the speech at all, or is it very much, this is 15 minutes of silence? | 0:06:39 | 0:06:45 | |
-Did you say 50 minutes of silence? Is that the director's cut? -15. | 0:06:45 | 0:06:50 | |
It's actually, it's ten at most, and they pad it out with music and handshaking. | 0:06:50 | 0:06:55 | |
In terms of actual facts she's conveying, | 0:06:55 | 0:06:58 | |
it's still five-and-a-half minutes, if you ask me. And she talks slowly. | 0:06:58 | 0:07:03 | |
She's bad at it. It's a shit programme! | 0:07:03 | 0:07:05 | |
Did you see when the Queen met Obama? And it was amazing. | 0:07:05 | 0:07:10 | |
You saw her face thinking, "Please don't talk to my husband." | 0:07:10 | 0:07:16 | |
Obama said about the Queen that he thought that she was surprisingly knowledgeable about politics, | 0:07:16 | 0:07:20 | |
and she was clearly thinking, "Nelson Mandela's looking well!" | 0:07:20 | 0:07:23 | |
So, Lee, what are you thinking? | 0:07:28 | 0:07:31 | |
-What do you think, Frankie? -It sort of depends on how posh we think he is. | 0:07:31 | 0:07:35 | |
I think Jack is quite posh. | 0:07:35 | 0:07:37 | |
He is quite posh, isn't he? | 0:07:37 | 0:07:39 | |
He sounds like a Korean man begging for help after a traffic accident. | 0:07:39 | 0:07:43 | |
He's got that almost incomprehensible poshness about him. | 0:07:43 | 0:07:48 | |
Sorry. Is that what conjures up poshness to you, more than anything else? | 0:07:48 | 0:07:53 | |
An injured Korean, that sounds to you incredibly posh? | 0:07:53 | 0:07:58 | |
To be honest, I can't understand a word you're saying. | 0:07:58 | 0:08:01 | |
Do you, Jack, do you get to a point where you're so posh that you do without hairbrushes? | 0:08:03 | 0:08:08 | |
I file my debts... | 0:08:08 | 0:08:11 | |
Those protest things where they go on the marches and stuff, | 0:08:11 | 0:08:14 | |
the only one I've ever been on was fox-hunting, | 0:08:14 | 0:08:16 | |
and there were people going around saying, "This is a real cause, | 0:08:16 | 0:08:20 | |
"and there are more names on the pro-fox-hunting petition than there are on the anti one." | 0:08:20 | 0:08:25 | |
I thought, "Yeah, because most people that sign it have triple-barrelled surnames." | 0:08:25 | 0:08:28 | |
Foxes are a great way to tell class, aren't they? | 0:08:28 | 0:08:31 | |
Because if you see a fox in your back garden, if you're upper class, you get on a horse and chase it. | 0:08:31 | 0:08:36 | |
If you're a middle-class person, you get your children to do a picture of it, maybe send it to Blue Peter. | 0:08:36 | 0:08:42 | |
And if you're working class, you beat it to death with a shovel and use it to make soup. | 0:08:42 | 0:08:47 | |
-So, Lee, it's time to come down on one side or the other. -So what do we think? | 0:08:50 | 0:08:55 | |
-Is he telling the truth? -I think yeah, he's probably telling the truth. -Do you think? -Yeah. | 0:08:55 | 0:08:59 | |
Mmm. I think he's posh enough to be telling the truth. | 0:08:59 | 0:09:02 | |
-We think he's telling the truth. -They're saying it's the truth. | 0:09:02 | 0:09:05 | |
-Jack, are you telling the truth, or are you telling them a BIG lie? -It is... | 0:09:05 | 0:09:09 | |
-I'm going to stand. ..true. -APPLAUSE | 0:09:09 | 0:09:13 | |
True. Every Christmas, Jack's dad does make the whole family stand up | 0:09:16 | 0:09:22 | |
to watch the Queen's Speech. My father made us stand one Christmas. | 0:09:22 | 0:09:27 | |
He'd pawned our sofa to pay his gambling debts. | 0:09:27 | 0:09:30 | |
Happy Christmas, Dad. A child doesn't forget these things. | 0:09:30 | 0:09:34 | |
Frankie, you're next. | 0:09:34 | 0:09:37 | |
When I was a child, I was scared that my entire life was a book | 0:09:38 | 0:09:42 | |
being read by a bear, and one day... | 0:09:42 | 0:09:47 | |
the bear would close the book and my life would end. | 0:09:47 | 0:09:51 | |
The first question is, what on earth made you stop thinking that? | 0:09:55 | 0:09:59 | |
I grew older and more rational. I thought... | 0:09:59 | 0:10:03 | |
-That's a matter of opinion! -What age were you | 0:10:03 | 0:10:10 | |
when this rather peculiar thought came to you? | 0:10:10 | 0:10:14 | |
Quite early. But then, you know, up until I was maybe seven or eight, I was quite afraid of that. | 0:10:14 | 0:10:19 | |
So in a way your interior monologue was in the voice of a gruff bear? | 0:10:19 | 0:10:24 | |
I thought that there was a chance that my life was simply a fiction. | 0:10:24 | 0:10:31 | |
We've all felt that, haven't we? | 0:10:31 | 0:10:33 | |
Yeah, but not in a bear society. | 0:10:33 | 0:10:36 | |
What does the bear look like? | 0:10:36 | 0:10:37 | |
Was he a little cartoony bear, or did he look very natural, like a natural bear? | 0:10:37 | 0:10:41 | |
He was reading a book, so he didn't look that natural. | 0:10:41 | 0:10:45 | |
It came from a story book I had which was called Tell Me Another Story, | 0:10:45 | 0:10:48 | |
-and it was about a bear reading stories to his little bears. -Did you have any relationship with him? | 0:10:48 | 0:10:53 | |
-Did you converse with him, or was he just reading? -You can't converse with him! | 0:10:53 | 0:10:58 | |
He's in the bear's world. | 0:10:58 | 0:11:00 | |
You can't jump out of the book that is your life and talk to the person reading it, can you? | 0:11:00 | 0:11:06 | |
-You can't say, "Why is this happening, Bear?" -No! | 0:11:06 | 0:11:09 | |
Otherwise, the bear's just going to go, "And then why is this happening, Bear?" said Frankie Boyle. | 0:11:09 | 0:11:14 | |
"I don't like this bit of the story. I'll stop reading it, shall I?" | 0:11:14 | 0:11:17 | |
"No, no, no!" screamed Frankie Boyle, "Don't stop reading the story, | 0:11:17 | 0:11:20 | |
"or it is the end of my life... This is definitely not suitable for little bears!" | 0:11:20 | 0:11:24 | |
APPLAUSE | 0:11:24 | 0:11:27 | |
David, time to make a decision. | 0:11:27 | 0:11:30 | |
All right. Well, what do you think? | 0:11:30 | 0:11:33 | |
I think it's a massive whopper. | 0:11:33 | 0:11:36 | |
I really want it to be true, so I'm going to say true, because I think it could be. | 0:11:36 | 0:11:39 | |
-I think it's true. -A creative mind. | 0:11:39 | 0:11:41 | |
I do think it's true, because it's a very odd thing for them to have made up. | 0:11:41 | 0:11:47 | |
-So you're going to go for true? -Yeah, I think we're going to go for true. -You're saying it's true. | 0:11:47 | 0:11:53 | |
You say that it's true. | 0:11:53 | 0:11:54 | |
Frankie, were you telling the truth? | 0:11:54 | 0:11:57 | |
It's a lie. | 0:11:57 | 0:12:00 | |
It's a lie. | 0:12:03 | 0:12:05 | |
When Frankie was a child, he wasn't scared that his entire life was a book being read by a bear. | 0:12:05 | 0:12:10 | |
A Chinese philosopher once asked me, | 0:12:10 | 0:12:13 | |
"Am I a man dreaming he's a butterfly or a butterfly dreaming he's a man?" | 0:12:13 | 0:12:18 | |
And I replied, "Do I get free crackers if my order comes to more than £10?" | 0:12:18 | 0:12:23 | |
Our next round is called The Ring of Truth, | 0:12:25 | 0:12:27 | |
in which I read out some amazing celebrity facts | 0:12:27 | 0:12:30 | |
and all our teams have to do is decide whether they're true or not. | 0:12:30 | 0:12:34 | |
David's team, take a look at this. | 0:12:34 | 0:12:36 | |
'At a terraced house in Ramsgate, a family settle down to watch the television, | 0:12:36 | 0:12:41 | |
'but the pictures on screen | 0:12:41 | 0:12:42 | |
'are from a rather special, but unusual, event. | 0:12:42 | 0:12:46 | |
'The people here are watching their granny's ashes | 0:12:46 | 0:12:48 | |
'being blasted into the sky. | 0:12:48 | 0:12:50 | |
'Her family say she was slightly eccentric, with a great sense of humour. | 0:12:50 | 0:12:54 | |
'It was her stated wish that her ashes be placed in a rocket and blasted heavenwards. | 0:12:54 | 0:12:59 | |
'This was the event itself.' | 0:12:59 | 0:13:01 | |
Here we go. Here we go. | 0:13:01 | 0:13:04 | |
All right, Granny! | 0:13:07 | 0:13:09 | |
Yes, Granny's gone to a better place...next door's garden. | 0:13:12 | 0:13:19 | |
Well, here is the related fact, then, for David's team. | 0:13:21 | 0:13:24 | |
They offered Mick Jagger and it seems too good an opportunity | 0:13:32 | 0:13:34 | |
-to waste. -IMITATES MICK JAGGER: -Mick Jagger! | 0:13:34 | 0:13:38 | |
It's not up there with my Ronnie Corbett, I'm not going to say for a second that it is, | 0:13:38 | 0:13:43 | |
-but it was worth an airing. -But what would Ronnie Corbett sound like if he was singing a Mick Jagger song? | 0:13:43 | 0:13:49 | |
-IMITATES RONNIE CORBETT: -Ha-ha! I can't get no satisfaction. | 0:13:49 | 0:13:54 | |
Don't try and look like you weren't pleased to be asked! | 0:14:01 | 0:14:05 | |
All right. On we go. | 0:14:07 | 0:14:08 | |
Um, an Australian novelty firm called Trend Connection, | 0:14:08 | 0:14:11 | |
they were the ones, they offered Mick Jagger £20 million for his ashes. | 0:14:11 | 0:14:16 | |
And the plan was for a share of the profits to go back to Mick Jagger's estate. | 0:14:16 | 0:14:21 | |
On top of the £20 million? Oh, does he get the £20 million...? | 0:14:21 | 0:14:25 | |
-He gets it now. -Now, before dying? | 0:14:25 | 0:14:27 | |
-Yes. -And they just sort of hang around with some paraffin and... | 0:14:27 | 0:14:30 | |
Well, these things were going to be... | 0:14:30 | 0:14:32 | |
They asked Jagger's permission to market small portions of his ashes | 0:14:32 | 0:14:36 | |
in collectible hourglasses costing 1 million each. | 0:14:36 | 0:14:40 | |
I mean, dignity hasn't always been that man's priority, | 0:14:40 | 0:14:43 | |
but even for him, it is quite undignified | 0:14:43 | 0:14:46 | |
to have your remains spread around the houses of a lot of vulgar millionaires | 0:14:46 | 0:14:51 | |
and using it to time their breakfasts. | 0:14:51 | 0:14:54 | |
So what are you going to say, then? | 0:14:55 | 0:14:57 | |
What do you think, Kelvin? | 0:14:57 | 0:14:59 | |
I think it's so ridiculous, it must be true. | 0:14:59 | 0:15:03 | |
Kelvin's been better at the guessing than me, so I think we should go with Kelvin. | 0:15:03 | 0:15:07 | |
So we're going to go with true. | 0:15:07 | 0:15:08 | |
You're saying it's true. All right. | 0:15:08 | 0:15:11 | |
Well, let me tell you this - it is true. | 0:15:11 | 0:15:13 | |
APPLAUSE | 0:15:13 | 0:15:15 | |
Mick Jagger has been asked by a company if they could sell | 0:15:15 | 0:15:20 | |
his ashes in collectible egg timers when he dies. | 0:15:20 | 0:15:23 | |
Actually, Mick doesn't want to be cremated. | 0:15:23 | 0:15:25 | |
He wants to decompose naturally, a process Keith Richards started 30 years ago. | 0:15:25 | 0:15:30 | |
LAUGHTER | 0:15:30 | 0:15:32 | |
At the end of that round, it's Lee in the lead with three points to two. | 0:15:32 | 0:15:35 | |
APPLAUSE | 0:15:35 | 0:15:36 | |
Our next round is called This Is My..., where we bring | 0:15:40 | 0:15:44 | |
on a mystery guest who has a close connection to one of our panellists. | 0:15:44 | 0:15:48 | |
This week, each of David's team will claim it's them that has the connection to the guest, | 0:15:48 | 0:15:52 | |
and Lee's team spot who's telling the truth. | 0:15:52 | 0:15:55 | |
So please welcome this week's special guest, Terry. | 0:15:55 | 0:15:58 | |
APPLAUSE | 0:15:58 | 0:16:00 | |
So, Kelvin, what is Terry to you? | 0:16:05 | 0:16:09 | |
Well, this is Terry, and he built the nuclear bunker in my garden. | 0:16:09 | 0:16:16 | |
-All right. David? -This is Terry, and he's the policeman who was called out | 0:16:16 | 0:16:20 | |
when I was caught trying to break into the window of my own flat. | 0:16:20 | 0:16:24 | |
All right. And Jack? | 0:16:24 | 0:16:26 | |
This is Terry, The Mean Machine, Fraser, and he is teaching me to wrestle. | 0:16:26 | 0:16:32 | |
Right. So there we have it. Lee's team, where on earth do you begin? | 0:16:32 | 0:16:37 | |
Kelvin, how many people can fit into this bunker? | 0:16:37 | 0:16:40 | |
I bet it's just one, you selfish git! "Sorry, love!" | 0:16:40 | 0:16:44 | |
Four at a push. | 0:16:47 | 0:16:49 | |
A push! | 0:16:49 | 0:16:50 | |
So why do you want one in the first place? | 0:16:50 | 0:16:53 | |
It's a dangerous world out there, and I want to be protected and I want to protect those closest to me. | 0:16:53 | 0:16:58 | |
-If there's a nuclear war, I don't want to live. -Neither do I. I'm with you. | 0:16:58 | 0:17:03 | |
I don't want to come out of a shelter and try and rebuild society. | 0:17:03 | 0:17:08 | |
And find Kelvin MacKenzie skipping around saying, "I'm in charge!" | 0:17:08 | 0:17:11 | |
I have no skills. I mean, society is destroyed by nuclear war. | 0:17:11 | 0:17:18 | |
Basically, we're back to the Bronze Age. | 0:17:18 | 0:17:20 | |
How long is it going to be before people start pitching panel shows again? | 0:17:20 | 0:17:25 | |
It's going to be at least 2,000 years. | 0:17:25 | 0:17:28 | |
I can just see you in a Mad Max type of society as everyone's holding off a biker gang, | 0:17:28 | 0:17:34 | |
and you're going, "I can think of an amusing reason why one of these four might be the odd one out." | 0:17:34 | 0:17:39 | |
-So, Kelvin, there's four people that can fit in this bunker? -Yeah. | 0:17:41 | 0:17:44 | |
So you only have three people in the world that you care about? | 0:17:44 | 0:17:47 | |
-That is true. -So there's us two and who else? | 0:17:47 | 0:17:50 | |
Ronnie Corbett, um... | 0:17:52 | 0:17:53 | |
We can live for another 20 years at the world's shittest party! | 0:17:56 | 0:18:02 | |
-OK, Jack, why are you learning how to wrestle? -Because I'm a big wrestling fan. | 0:18:02 | 0:18:06 | |
I've always liked wrestling. | 0:18:06 | 0:18:08 | |
-What kind of wrestling? -I like WWE. -WWE?! | 0:18:08 | 0:18:11 | |
Yeah, World Wrestling Entertainment. | 0:18:11 | 0:18:14 | |
-Oh, I thought it was WWF. -Oh, it's changed now. | 0:18:14 | 0:18:16 | |
They had to change it, because the World Wildlife Fund sued them. That's not a joke. | 0:18:16 | 0:18:21 | |
-That's why they had to change it. -Is that true? -Yeah. | 0:18:21 | 0:18:23 | |
-Do you really like it? -Yeah, I do. I saw a man who was, like, 7'4" in little spandex undies, | 0:18:23 | 0:18:29 | |
and I felt alive. It was amazing! | 0:18:29 | 0:18:31 | |
How long have you been learning for? | 0:18:31 | 0:18:33 | |
-I've done one lesson, but I'm going to do some more. -One lesson? | 0:18:33 | 0:18:37 | |
-It was good. -What are you learning for? -I want to be able to wrestle. | 0:18:37 | 0:18:40 | |
Who studies this as martial arts? | 0:18:40 | 0:18:42 | |
You see all the posters, right - tae kwon do, karate, judo, whatever. | 0:18:42 | 0:18:46 | |
"I'm going to go and learn how to wrestle like a big pretend American!" | 0:18:46 | 0:18:51 | |
Jack, can you tell us the name of five famous wrestlers? | 0:18:51 | 0:18:54 | |
The Rock, Hulk Hogan, the Undertaker... | 0:18:54 | 0:18:58 | |
-Go on. -Shelton Benjamin. | 0:18:58 | 0:19:02 | |
-That's a bloody solicitor's! -Shelton Benjamin is a wrestler! | 0:19:02 | 0:19:07 | |
-Is he? -Please don't tell me that you've accidentally been represented in law by... | 0:19:07 | 0:19:14 | |
All right, David, remind us again. | 0:19:14 | 0:19:16 | |
This is Terry, the policeman, who was called out | 0:19:16 | 0:19:19 | |
when I was caught trying to break into the window of my own flat. | 0:19:19 | 0:19:23 | |
-Do we believe that, Christine? -I can believe you were trying to break into | 0:19:23 | 0:19:27 | |
your own flat for whatever bizarre reason, but I'm not so sure... | 0:19:27 | 0:19:31 | |
To live there. To continue to live there. | 0:19:31 | 0:19:33 | |
I locked myself out. I had a plumber round trying to unblock a drain. | 0:19:33 | 0:19:40 | |
I find it difficult to imagine you holding a conversation with a plumber as he did the job. | 0:19:40 | 0:19:45 | |
-Did you actually speak to him in your house? -Yes. | 0:19:45 | 0:19:49 | |
Did you have a glove puppet on? | 0:19:49 | 0:19:51 | |
"Ah, little David is very pleased with your work. | 0:19:51 | 0:19:54 | |
"Would you like a cup of tea?" | 0:19:54 | 0:19:56 | |
Your genuine view of me is I would be unable to converse with a plumber. | 0:19:56 | 0:20:01 | |
I'd have to create another character. | 0:20:01 | 0:20:04 | |
"Please excuse my mute friend. | 0:20:04 | 0:20:06 | |
"You can't say a thing, can you?" | 0:20:06 | 0:20:10 | |
Mmm-mmm. "Anyway, I'm in charge! | 0:20:10 | 0:20:13 | |
"That sink no longer functions! | 0:20:13 | 0:20:16 | |
"Silence, you!" | 0:20:16 | 0:20:19 | |
You've not covered how the police got involved in this whole... | 0:20:19 | 0:20:23 | |
A policeman, Terry, turned up, and I think had been called by a neighbour. | 0:20:23 | 0:20:27 | |
All right. So we need an answer. | 0:20:27 | 0:20:30 | |
So, Lee's team, is Terry Kelvin's bunker builder, | 0:20:30 | 0:20:34 | |
David's investigating officer, or Jack's wrestling teacher? | 0:20:34 | 0:20:39 | |
The only thing that's true about any of this is that I do believe that Jack might be into wrestling. | 0:20:39 | 0:20:47 | |
I reckon it's got to be Kelvin. | 0:20:47 | 0:20:50 | |
He seems like the sort of paranoid nutcase who might have too much time on his hands. | 0:20:50 | 0:20:57 | |
At the minute, I'm going to go with Kelvin. I think he might be telling the truth. | 0:20:57 | 0:21:02 | |
-I'll go with my team, then. -So you're saying it's Kelvin? | 0:21:02 | 0:21:04 | |
OK. Right. Now, Terry, would you like to reveal your true identity? | 0:21:04 | 0:21:10 | |
I'm Terry Fraser. | 0:21:10 | 0:21:11 | |
I'm The Mean Machine, and I taught Jack how to wrestle. | 0:21:11 | 0:21:16 | |
APPLAUSE | 0:21:16 | 0:21:17 | |
Terry, The Mean Machine, Fraser, is teaching Jack to wrestle. Now, show us together what you can do. | 0:21:21 | 0:21:29 | |
-Are you ready for this? -I'm ready. | 0:21:29 | 0:21:31 | |
This show gets more and more like The Generation Game! | 0:21:31 | 0:21:35 | |
-This is the basic slam. OK. Wait, wait, wait. -Whoa! | 0:21:37 | 0:21:40 | |
AUDIENCE: Ohh! | 0:21:42 | 0:21:44 | |
That's fine, Terry. | 0:21:50 | 0:21:51 | |
Frankie, you're no longer the scariest person on the show. Are you OK? | 0:21:55 | 0:22:01 | |
Yeah! I think so. | 0:22:01 | 0:22:02 | |
I've done one lesson. | 0:22:02 | 0:22:04 | |
I'm not very good. | 0:22:04 | 0:22:06 | |
I've got to be honest, you didn't win! | 0:22:06 | 0:22:08 | |
Can I just ask, during the lesson, did you get the impression you were annoying Terry? | 0:22:10 | 0:22:14 | |
So, at the end of that round, David's team have three points and Lee's team have three. | 0:22:16 | 0:22:21 | |
Which brings us to our final round, Quick-Fire Lies, | 0:22:24 | 0:22:27 | |
in which our panellists lie against the clock. | 0:22:27 | 0:22:30 | |
Now, the scores are tied, so there's everything to play for. | 0:22:30 | 0:22:33 | |
We start with... It's Lee. | 0:22:33 | 0:22:36 | |
If you give me any date before the year 2000, I can instantly tell you what day of the week it was. | 0:22:36 | 0:22:43 | |
Bollocks. | 0:22:43 | 0:22:46 | |
Is this something you learn, or is this a kind of, you know, Rain Man-type thing? | 0:22:46 | 0:22:51 | |
-No, no, I had to learn... -You learnt how to do it? | 0:22:51 | 0:22:54 | |
-I learnt the system. -What's the system? | 0:22:54 | 0:22:56 | |
The system is, what you do is you actually just learn... | 0:22:56 | 0:23:01 | |
-You learn one... -You're sitting there trying to think of a system, and what you're plumping for is, | 0:23:02 | 0:23:08 | |
you actually just learn what day of the week every day is. | 0:23:08 | 0:23:11 | |
You can't go back to 14BC, but I can do it right the way back to the sort of 1920s, 1930s, | 0:23:11 | 0:23:19 | |
and what you do is you learn a midway, so you learn one particular point in 1955, | 0:23:19 | 0:23:22 | |
three months in 1955, you learn it off by heart, those 90 days, | 0:23:22 | 0:23:26 | |
and then there's a calculation you can do... | 0:23:26 | 0:23:29 | |
What's that calculation? | 0:23:29 | 0:23:31 | |
Take a day from your expert period, around Suez or whenever it was. | 0:23:31 | 0:23:36 | |
-Well, you'd have to give me the exact year... -I don't mind. | 0:23:36 | 0:23:39 | |
-Right, the 14th of May, 1955. -Hang on. The 14th of May 1955... | 0:23:39 | 0:23:44 | |
Tuesday. | 0:23:46 | 0:23:48 | |
And so how do you extrapolate from your knowledge of that | 0:23:48 | 0:23:53 | |
to go back to the 1920s to the 23rd of June, 1927? | 0:23:53 | 0:23:56 | |
Dead simple. It's seven - hang on - to the power of two. | 0:23:56 | 0:24:01 | |
Then you take away 10%, unless it's a leap year. | 0:24:01 | 0:24:06 | |
And is it a leap year, 1955? | 0:24:06 | 0:24:08 | |
Of course not, you idiot. I was 54. | 0:24:08 | 0:24:11 | |
Of course... | 0:24:11 | 0:24:13 | |
This one - did you hear that? | 0:24:13 | 0:24:15 | |
Is '55 a leap year? Did you hear that? | 0:24:15 | 0:24:19 | |
He's Oxbridge-educated! | 0:24:22 | 0:24:24 | |
None of the years is a leap year. Seven to the power of two... | 0:24:24 | 0:24:28 | |
-Seven to the power of two is 49. Minus 10%. -So you've got 44.1. | 0:24:28 | 0:24:33 | |
-Correct. I was going to say that. -That's not a day of the week, that's 44.1. | 0:24:33 | 0:24:37 | |
It is. If you round it up or round it down, which is 44. | 0:24:37 | 0:24:40 | |
44, key of the door, 21 - two and one is three, Sunday's the first day. Sunday, Monday, Tuesday. | 0:24:40 | 0:24:46 | |
Well done! | 0:24:46 | 0:24:48 | |
APPLAUSE | 0:24:48 | 0:24:50 | |
So, David, you think it's true? | 0:24:50 | 0:24:53 | |
-I think it's true. -I think it's a lie. -I think it's clever. I think it's true. | 0:24:53 | 0:24:57 | |
We all know what day of week we were born on | 0:24:57 | 0:24:59 | |
and if you tell me your date of birth, I'll tell you what day. | 0:24:59 | 0:25:03 | |
-OK. 14th of July, 1974. -Is that your birthday? -Yeah. | 0:25:03 | 0:25:06 | |
You were born on a...Thursday. | 0:25:06 | 0:25:11 | |
-Looking at the demographic of this audience, this will be a shock - 22/10/46. -BC! | 0:25:15 | 0:25:21 | |
-Do you know the day of the week you were born? -No. -Well, that's handy. Thursday. | 0:25:23 | 0:25:27 | |
Lie. | 0:25:27 | 0:25:29 | |
You're saying it's a lie. OK, Lee, are you telling a lie? | 0:25:29 | 0:25:34 | |
Of course I'm telling a lie. | 0:25:34 | 0:25:36 | |
Yes, it's a lie. Next...Christine. | 0:25:40 | 0:25:45 | |
LAUGHTER | 0:25:49 | 0:25:51 | |
A Coronation Street star once made me remove all the red M&Ms from a bowl for him. | 0:25:51 | 0:25:58 | |
Which Coronation Street star? My mum watches this, so I'm good. | 0:25:58 | 0:26:01 | |
-Adam Rickitt. -Adam Rickitt. | 0:26:01 | 0:26:04 | |
I should tell you that Adam Rickitt played Gail Tilsley's son. | 0:26:04 | 0:26:10 | |
Oh, right. Well, that's really figured it for me. | 0:26:10 | 0:26:13 | |
Didn't he go off to Canada, or... He went off, didn't he? | 0:26:13 | 0:26:17 | |
I don't watch it, my darling. They just told me. | 0:26:17 | 0:26:20 | |
-I've never worked with such a bunch of snobs in my life. -I know! | 0:26:26 | 0:26:29 | |
In what context did you meet him? | 0:26:29 | 0:26:31 | |
I met him when he was a guest on a show in BBC Northern Ireland. | 0:26:31 | 0:26:37 | |
So what were you doing on the show? | 0:26:37 | 0:26:39 | |
I was working behind the scenes, which is what I used to do. | 0:26:39 | 0:26:43 | |
-What as? -A floor manager. | 0:26:43 | 0:26:45 | |
You did make the move from being a studio manager to in front of the screen, didn't you? | 0:26:45 | 0:26:51 | |
-Yep, yes. -She hasn't made the move in front of the screen. That would be annoying. | 0:26:51 | 0:26:55 | |
You're going, "Christine, love, would you get out of the way, please?" | 0:26:55 | 0:27:00 | |
Er, what do you think? | 0:27:00 | 0:27:02 | |
-Lie. -And you? -Go on, then. What do you think? -I think it's a lie. | 0:27:02 | 0:27:05 | |
Well, my views don't count, then, do they? | 0:27:05 | 0:27:09 | |
You're saying lie. OK. Christine, true or lie? | 0:27:09 | 0:27:14 | |
It is actually true. | 0:27:14 | 0:27:16 | |
APPLAUSE | 0:27:16 | 0:27:19 | |
How did this request come through to you? What did he say? | 0:27:21 | 0:27:26 | |
You see, we get rider lists, for sort of big names. | 0:27:26 | 0:27:30 | |
What's on your rider list? | 0:27:30 | 0:27:32 | |
This is when I'm on tour - flapjacks, raspberries, | 0:27:32 | 0:27:35 | |
a Diet Coke, two still mineral waters, grapes and blueberries. | 0:27:35 | 0:27:40 | |
Rock 'n' roll, Rob, rock 'n' roll. | 0:27:40 | 0:27:42 | |
-You don't look like this without effort! -LAUGHTER | 0:27:42 | 0:27:45 | |
What a very particular list of things. | 0:27:47 | 0:27:51 | |
That's why it's a LIST, Frankie. | 0:27:51 | 0:27:53 | |
What's on your rider? Six cans of bitter and a knife! | 0:27:53 | 0:27:57 | |
Six cans of bitter for a teetotal alcoholic. | 0:27:58 | 0:28:02 | |
Only Frankie Boyle could complain that I said bitter and not mention the knife! | 0:28:03 | 0:28:08 | |
SCOTTISH ACCENT: "I'll take the knife, but don't accuse me of drinking!" | 0:28:09 | 0:28:13 | |
-BUZZER SOUNDS -That means only one thing. It is the end of the show. | 0:28:13 | 0:28:16 | |
And I can reveal that David's team have five, and in what we call a tie, Lee's team have five. | 0:28:16 | 0:28:24 | |
APPLAUSE | 0:28:24 | 0:28:25 | |
But of course, it's not just a team game, | 0:28:26 | 0:28:30 | |
and my individual liar of the week this week is Kelvin MacKenzie. | 0:28:30 | 0:28:36 | |
APPLAUSE | 0:28:36 | 0:28:38 | |
It's Kelvin's biggest award since Elton John's £1,000,000 damages against him in 1987. Goodnight! | 0:28:38 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:29:01 | 0:29:04 | |
E-mail [email protected] | 0:29:04 | 0:29:07 |