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CHEERING AND APPLAUSE | 0:00:22 | 0:00:24 | |
Oh, yes. | 0:00:24 | 0:00:27 | |
Good evening and welcome to a very special edition | 0:00:27 | 0:00:30 | |
of previously unseen clips from this series of Would I Lie To You? | 0:00:30 | 0:00:34 | |
On David Mitchell's team tonight, Mackenzie Crook, Frank Skinner, | 0:00:34 | 0:00:39 | |
Katherine Parkinson, Dara O'Briain, Lorraine Kelly, | 0:00:39 | 0:00:43 | |
Bill Oddie, David O'Doherty, Rebecca Front, and Jack Whitehall. | 0:00:43 | 0:00:49 | |
And on Lee Mack's team tonight, | 0:00:49 | 0:00:51 | |
Miranda Hart, Rhod Gilbert, Nick Hewer, Sarah Millican, | 0:00:51 | 0:00:57 | |
Louie Spence, Bill Turnbull, Victoria Coren, Barry Cryer | 0:00:57 | 0:01:02 | |
and Sue Perkins. | 0:01:02 | 0:01:04 | |
And so to Home Truths, where our panellists each read out a statement from the card in front of them. | 0:01:04 | 0:01:09 | |
To make things harder, they've never seen the card before | 0:01:09 | 0:01:12 | |
and they've no idea what they'll be faced with. | 0:01:12 | 0:01:14 | |
It's up to the opposing team to sort the fact from the fiction | 0:01:14 | 0:01:17 | |
and, Mackenzie, you're up first. | 0:01:17 | 0:01:20 | |
When I won the Pirates of the Caribbean sandcastle competition... | 0:01:22 | 0:01:26 | |
LAUGHTER | 0:01:26 | 0:01:28 | |
..Keith Richards was so angry he stamped on my drawbridge | 0:01:28 | 0:01:31 | |
and threw Johnny Depp's bucket in the sea. | 0:01:31 | 0:01:33 | |
LAUGHTER | 0:01:33 | 0:01:35 | |
This, this is delicious. Lee, what d'you think? | 0:01:35 | 0:01:38 | |
The competition was what, at the end of filming the whole thing? | 0:01:38 | 0:01:41 | |
It wasn't at the end, it was during one of the films, | 0:01:41 | 0:01:45 | |
I think it was the second one we were...yeah. | 0:01:45 | 0:01:47 | |
-Why was Keith Richards there? -Keith Richards played, erm... | 0:01:47 | 0:01:50 | |
-Why was Keith Richards there? -Oh, was he in it? | 0:01:50 | 0:01:52 | |
D'you go to the cinema? | 0:01:52 | 0:01:53 | |
-LAUGHTER -I don't really watch TV or go to cinemas, | 0:01:53 | 0:01:56 | |
I'm struggling to recognise anyone round here. | 0:01:56 | 0:01:59 | |
-LAUGHTER -Well, imagine how we feel. | 0:01:59 | 0:02:01 | |
LAUGHTER | 0:02:01 | 0:02:03 | |
I thought the Chuckle brothers had split up. Erm... | 0:02:03 | 0:02:07 | |
-D'you have any connection with popular culture? -None whatsoever. | 0:02:07 | 0:02:10 | |
Big fan of yours though. | 0:02:10 | 0:02:11 | |
LAUGHTER | 0:02:11 | 0:02:13 | |
-APPLAUSE -Oh, don't applaud it! | 0:02:13 | 0:02:16 | |
So, your sandcastle, why was your sandcastle so good? | 0:02:19 | 0:02:21 | |
I'm just particularly good at making sandcastles, sand sculptures, it's one of my... | 0:02:21 | 0:02:27 | |
-Some people think, say it's a super power... -But it isn't really, is it? | 0:02:27 | 0:02:31 | |
-No, it's not really. -"A burning building, there's a child trapped!" | 0:02:31 | 0:02:34 | |
-"Don't worry, I'll make a dolphin." -LAUGHTER | 0:02:34 | 0:02:36 | |
Had Keith Richards made a sandcastle? | 0:02:38 | 0:02:40 | |
I think he'd attempted one, he wasn't in the best...of health. | 0:02:40 | 0:02:45 | |
If Keith Richards hadn't had a proper go at the sandcastle | 0:02:45 | 0:02:48 | |
cos he didn't really care, why was he so angry that you'd won? | 0:02:48 | 0:02:51 | |
I think because I had trumped Johnny Depp and he's... | 0:02:51 | 0:02:55 | |
-they're very good friends and... -No, he threw Johnny Depp's bucket in the sea. | 0:02:55 | 0:02:58 | |
He was just furious, he's... | 0:02:58 | 0:03:00 | |
He went so mental he threw somebody's bucket without knowing whose it was. | 0:03:00 | 0:03:03 | |
-LAUGHTER -Can you describe Keith Richards' sandcastle? | 0:03:03 | 0:03:08 | |
It was basically a mound. | 0:03:08 | 0:03:10 | |
LAUGHTER | 0:03:10 | 0:03:11 | |
Did he try to snort it? | 0:03:11 | 0:03:13 | |
-And what beach was this? -This was on a beach in St Vincent | 0:03:15 | 0:03:18 | |
in the Grenadines. | 0:03:18 | 0:03:20 | |
Was it a completely empty beach, nobody playing on it, sandcastle beach? | 0:03:20 | 0:03:23 | |
We were on... | 0:03:23 | 0:03:24 | |
Can I interrupt? If there's a beach with Johnny Depp and Keith Richards | 0:03:24 | 0:03:27 | |
it's not an empty beach any more, that's going to attract tourists. | 0:03:27 | 0:03:30 | |
I doubt they were having to film amongst holiday makers. | 0:03:30 | 0:03:34 | |
I've not seen in Pirates Of The Caribbean | 0:03:34 | 0:03:36 | |
families, you know, carrying kids into the sea, | 0:03:36 | 0:03:39 | |
"Argh, I'm Cap'n Jack Sparrow. Sorry, mind how you go there, kiddie, | 0:03:39 | 0:03:42 | |
"put factor 24 on there." | 0:03:42 | 0:03:44 | |
How far out was the, was the sea from where you were making the sandcastles? | 0:03:44 | 0:03:49 | |
Ah, gosh, brrr, 50 yards? | 0:03:49 | 0:03:52 | |
Oh, no, and Richards made it all the way down the sea with Depp's bucket?! LAUGHTER | 0:03:52 | 0:03:57 | |
I reckon he ran ten of those yards and lobbed it the rest. | 0:03:57 | 0:04:01 | |
Get off! He lobbed a plastic bucket 40 yards?! | 0:04:01 | 0:04:05 | |
-LAUGHTER -I think you've heard enough, | 0:04:05 | 0:04:07 | |
-what d'you reckon, is he telling the truth? -I don't know, I... | 0:04:07 | 0:04:10 | |
-You DON'T know? -D'you think he did it, you think it's a lie? | 0:04:10 | 0:04:14 | |
-No. -I think he did it. | 0:04:14 | 0:04:15 | |
So, you think he did, you think the story is true... | 0:04:15 | 0:04:17 | |
The story is true in its base form. | 0:04:17 | 0:04:19 | |
-Right, well, that's pretty much what we need. -That's the game, yeah. | 0:04:19 | 0:04:22 | |
LAUGHTER | 0:04:22 | 0:04:24 | |
So come on then, Lee, truth or lie? | 0:04:24 | 0:04:26 | |
Right, I'm going to go with Rhod and say it's true. | 0:04:26 | 0:04:28 | |
You say it's true? OK, Mackenzie Crook, | 0:04:28 | 0:04:30 | |
star of Pirates Of The Caribbean... | 0:04:30 | 0:04:32 | |
is it the truth or is it a lie? | 0:04:32 | 0:04:35 | |
It is a... | 0:04:35 | 0:04:37 | |
lie. | 0:04:37 | 0:04:38 | |
Oh, is it no, a lie? | 0:04:38 | 0:04:40 | |
APPLAUSE | 0:04:40 | 0:04:42 | |
-Of course it was a lie. -Yes, it's a big, big lie. | 0:04:42 | 0:04:46 | |
Mackenzie didn't upset Keith Richards | 0:04:46 | 0:04:48 | |
by winning The Pirates Of The Caribbean sandcastle competition. | 0:04:48 | 0:04:51 | |
The cast actually used to pass time on the set | 0:04:51 | 0:04:55 | |
by drinking lots of beer and then urinating their name into the sand. | 0:04:55 | 0:04:59 | |
A competition that was amazingly won by Keira Knightley. | 0:04:59 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
Miranda, you're next, off you go. | 0:05:05 | 0:05:07 | |
Last year, whilst house-sitting for friends, I had to shout for help for two hours | 0:05:09 | 0:05:15 | |
when I got stuck in their children's Wendy house. | 0:05:15 | 0:05:19 | |
LAUGHTER | 0:05:19 | 0:05:20 | |
-David, what do you think of that? -Right, so where was the Wendy house? | 0:05:20 | 0:05:24 | |
Er, in their garden. | 0:05:24 | 0:05:27 | |
Was there bait in the Wendy house? | 0:05:27 | 0:05:29 | |
-GRUFFLY: -There was cake and I have to have it! | 0:05:29 | 0:05:32 | |
No, I actually thought, | 0:05:34 | 0:05:35 | |
"This looks fun, I'm going to go and have a little look." | 0:05:35 | 0:05:37 | |
You were supposed to be looking after the children? | 0:05:37 | 0:05:40 | |
-No, I was house-sitting. -Oh, you were house-sitting. -Yes. -Right... | 0:05:40 | 0:05:42 | |
The Wendy house specifically or the actual house? | 0:05:42 | 0:05:45 | |
-LAUGHTER -The actual house. | 0:05:45 | 0:05:47 | |
-Oh, the actual house. -What was it made of? -Wooden structure. | 0:05:47 | 0:05:50 | |
It was a shed. | 0:05:50 | 0:05:51 | |
LAUGHTER | 0:05:51 | 0:05:53 | |
A wooden structure in a garden is called a shed, not a Wendy house. LAUGHTER | 0:05:53 | 0:05:56 | |
It was smaller than a shed, it was a little house made of wood. | 0:05:56 | 0:06:00 | |
It looks very inviting, you open the little door... | 0:06:00 | 0:06:02 | |
-Yes. -..crawl in... -Yeah. -..then what happens? | 0:06:02 | 0:06:05 | |
Then I shut the door, and think, "Oh, this'll be fun." | 0:06:05 | 0:06:08 | |
-Right. -I know I'm coming across as a bit weird! | 0:06:08 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:13 | |
I go to the little door and there's one of those latchy things, which doesn't work, | 0:06:13 | 0:06:18 | |
and then, so I think, "Well, I'll just push it," | 0:06:18 | 0:06:22 | |
and you see it got stuck to the concrete on the bottom | 0:06:22 | 0:06:28 | |
and I could not push it. | 0:06:28 | 0:06:31 | |
-That's quite sad. -So it was... LAUGHTER | 0:06:31 | 0:06:33 | |
-It was about, you see... -You're like a very posh Chilean miner. | 0:06:33 | 0:06:36 | |
LAUGHTER | 0:06:36 | 0:06:38 | |
-So, what, so you shouted for two hours. -Yeah. | 0:06:38 | 0:06:42 | |
What did you shout? | 0:06:42 | 0:06:43 | |
-Help me! -Help?! | 0:06:43 | 0:06:45 | |
-LAUGHTER -What d'you think she shouted? | 0:06:45 | 0:06:49 | |
Recipes? | 0:06:49 | 0:06:50 | |
LAUGHTER | 0:06:50 | 0:06:51 | |
-Who saved you in the end? -The neighbours. | 0:06:51 | 0:06:54 | |
And how did they manage to open the door? | 0:06:54 | 0:06:56 | |
-They got a little saw and sawed around the...latchy bit. -How? | 0:06:56 | 0:07:02 | |
-Is this an episode of Tom & Jerry? -LAUGHTER | 0:07:02 | 0:07:05 | |
How do you do that? How do you get a saw in there? | 0:07:05 | 0:07:09 | |
-It was one of those, "Vrrrr" ones. -LAUGHTER | 0:07:09 | 0:07:12 | |
-Jig saw. -"Vrrrr!" -It's a jig saw. | 0:07:12 | 0:07:16 | |
-So it has a thing that initially penetrates. -Yes. | 0:07:16 | 0:07:19 | |
-And then cuts laterally. -There is, there is... -It's a jig saw. -Yes. | 0:07:19 | 0:07:23 | |
Have you ever thought of advertising for B&Q, you'd be the perfect voice. | 0:07:23 | 0:07:27 | |
"Are you looking for something that does that, then penetrates laterally? B&Q." | 0:07:27 | 0:07:31 | |
LAUGHTER | 0:07:31 | 0:07:32 | |
Which way are you leaning on this? | 0:07:32 | 0:07:35 | |
-So are we leaning towards a lie? -Yeah, but I... -Yeah. -..I slightly want it to be true | 0:07:35 | 0:07:39 | |
cos I think it's a funny image of Miranda being stuck, screaming in a Wendy house. | 0:07:39 | 0:07:42 | |
I'm not buying it, I'm afraid. | 0:07:42 | 0:07:44 | |
-Let's say it's a lie. -You're saying it's a lie. OK Miranda, truth or lie? | 0:07:44 | 0:07:48 | |
It is... | 0:07:48 | 0:07:50 | |
a lie. | 0:07:50 | 0:07:51 | |
APPLAUSE | 0:07:51 | 0:07:52 | |
-You did very well, though. I thought it was impossible. -I was struggling. | 0:07:52 | 0:07:56 | |
Bill, you're up next. | 0:07:56 | 0:07:58 | |
I have drunk rum from a human skull. | 0:08:00 | 0:08:04 | |
David's team, what do you think? | 0:08:04 | 0:08:07 | |
That's...that must have been a dark moment. | 0:08:07 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:11 | |
I was in Haiti. | 0:08:13 | 0:08:15 | |
Right. | 0:08:15 | 0:08:16 | |
And I was working, and the opportunity presented itself. | 0:08:16 | 0:08:20 | |
UNCOMFORTABLE LAUGHTER | 0:08:20 | 0:08:21 | |
-I, I, I don't think we need to ask any more then. -No. | 0:08:22 | 0:08:26 | |
LAUGHTER How did the opportunity present itself? | 0:08:26 | 0:08:29 | |
I was attending a voodoo ceremony in the middle of the night. | 0:08:29 | 0:08:33 | |
-Right. -Best time for a voodoo ceremony. -LAUGHTER | 0:08:33 | 0:08:36 | |
Those ten o'clock brunch ones are rubbish. | 0:08:36 | 0:08:39 | |
-Were you, were you covering the... -Was this work related? -Yes. | 0:08:39 | 0:08:42 | |
-Yeah, work related, yes, it was, yes. -Where was it held? -In Haiti. | 0:08:42 | 0:08:46 | |
Where specifically in Haiti? | 0:08:46 | 0:08:49 | |
-Where they practised voodoo. -Yeah, in a conference centre? A cave? | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:53 | |
Don't you know? | 0:08:53 | 0:08:55 | |
-It was in, er, out in the countryside. -Right. | 0:08:55 | 0:08:58 | |
In a little...shed. | 0:08:58 | 0:09:00 | |
-Right. -And they passed around this skull. | 0:09:00 | 0:09:04 | |
It wasn't the whole skull that was full, it was, the top had come off. | 0:09:04 | 0:09:07 | |
They poured rum in it and then they all took a drink from it | 0:09:09 | 0:09:12 | |
and they asked me to... drink from it as well. | 0:09:12 | 0:09:15 | |
How did you know that this sort of grey, little... | 0:09:15 | 0:09:19 | |
-How did I know it was a skull? -Yeah. | 0:09:19 | 0:09:21 | |
Someone told me afterwards, | 0:09:21 | 0:09:22 | |
-I thought it was a coconut at the time. -Right. | 0:09:22 | 0:09:25 | |
Did it have hair on the... did it have hair coming out of it? | 0:09:25 | 0:09:28 | |
What?! It's a skull. | 0:09:28 | 0:09:31 | |
Like a coconut, he said he thought it was a coconut, | 0:09:31 | 0:09:34 | |
there are two hard round things that have hair on them, | 0:09:34 | 0:09:36 | |
human heads and coconuts. That's the point! | 0:09:36 | 0:09:39 | |
The head, not a skull. | 0:09:39 | 0:09:40 | |
A skull doesn't have bloody hair on it, does it? | 0:09:40 | 0:09:43 | |
LAUGHTER | 0:09:43 | 0:09:45 | |
I think it's possible, I've seen hair on a pork scratching. | 0:09:45 | 0:09:48 | |
LAUGHTER | 0:09:48 | 0:09:50 | |
It gets passed round, you take a sip from the weird grey saucer, | 0:09:50 | 0:09:53 | |
it gets passed on, the voodoo ceremony ends, you head back. | 0:09:53 | 0:09:57 | |
Who tapped you on the shoulder and went, "I'll tell you what you just drank out of, mate." | 0:09:57 | 0:10:01 | |
-Was it the bloke with his brain showing? -LAUGHTER | 0:10:01 | 0:10:05 | |
I was there actually to do an interview with a zombie. | 0:10:05 | 0:10:09 | |
-You met the zombie? -Yes. | 0:10:09 | 0:10:12 | |
When you say zombie, what d'you mean? | 0:10:12 | 0:10:15 | |
Well, he's a zombie. | 0:10:15 | 0:10:16 | |
Well, a zombie is somebody in the hinterland between life and death, you idiot. | 0:10:16 | 0:10:20 | |
-LAUGHTER -Evidently he wasn't that. | 0:10:20 | 0:10:24 | |
Can I just say your hosting position is a bit aggressive? | 0:10:24 | 0:10:27 | |
LAUGHTER | 0:10:27 | 0:10:29 | |
-What do you mean by a zombie, Bill? -Well, they said he was a zombie. | 0:10:29 | 0:10:32 | |
-Oh, right. -They brought him in | 0:10:32 | 0:10:35 | |
and said, "Now you can do an interview with him." | 0:10:35 | 0:10:37 | |
-Oh, you interviewed him! -LAUGHTER | 0:10:37 | 0:10:40 | |
Did you mic, did you mic the zombie up? | 0:10:40 | 0:10:44 | |
LAUGHTER | 0:10:44 | 0:10:46 | |
What are you thinking, David? Is Bill telling the truth or is he lying? | 0:10:46 | 0:10:49 | |
Katherine, what do you think? | 0:10:49 | 0:10:51 | |
I think it's so mental and ludicrous, | 0:10:51 | 0:10:54 | |
I just, I don't think it's true. | 0:10:54 | 0:10:56 | |
Insane, I'm going to say that is not true. | 0:10:56 | 0:11:00 | |
So we're going to say we think it's a lie. | 0:11:00 | 0:11:02 | |
You think it's a lie? OK, Bill Turnbull...truth or lie? | 0:11:02 | 0:11:06 | |
What did you say - "insane", "ludicrous"? | 0:11:06 | 0:11:09 | |
And true. | 0:11:09 | 0:11:11 | |
APPLAUSE | 0:11:11 | 0:11:12 | |
Rebecca. | 0:11:16 | 0:11:18 | |
Erm, right... | 0:11:18 | 0:11:20 | |
OK. | 0:11:20 | 0:11:22 | |
I have vomited in Cliff Richard's hedge. | 0:11:22 | 0:11:25 | |
LAUGHTER | 0:11:25 | 0:11:26 | |
Now, can I just be very clear about this? | 0:11:26 | 0:11:29 | |
LAUGHTER | 0:11:29 | 0:11:32 | |
I don't know about you, but I'm terrible with euphemisms. | 0:11:32 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:37 | |
-Was it his front hedge or his back hedge? -Lee, please. | 0:11:37 | 0:11:39 | |
Please, Lee! | 0:11:39 | 0:11:41 | |
-It was the hedge... -Inside a Wendy house. | 0:11:41 | 0:11:42 | |
..abutting the pavement, the front pavement. | 0:11:42 | 0:11:45 | |
Where is this house? | 0:11:45 | 0:11:46 | |
Er, I think it was Surrey. | 0:11:46 | 0:11:50 | |
You think, how drunk were you? | 0:11:50 | 0:11:52 | |
No, I was very, very young at the time, | 0:11:52 | 0:11:54 | |
-this explains the vomiting. -How old were you? | 0:11:54 | 0:11:56 | |
I think I was about five or six. | 0:11:56 | 0:11:58 | |
How did you know it was Cliff Richard's house? | 0:11:58 | 0:12:01 | |
Because I was... | 0:12:01 | 0:12:02 | |
-He came out and said, "Congratulations." -LAUGHTER | 0:12:02 | 0:12:05 | |
I had been taken to see this house | 0:12:07 | 0:12:09 | |
because it was Cliff Richard's house. | 0:12:09 | 0:12:12 | |
-Oh, you were taken like a day out? -Yeah, | 0:12:12 | 0:12:14 | |
-because I was a big fan at the time. -LAUGHTER | 0:12:14 | 0:12:18 | |
-Was it a revulsion or something you had eaten? -Car sickness. | 0:12:18 | 0:12:23 | |
-Car sickness. -Yeah. -What was the plan when you were getting there? | 0:12:23 | 0:12:26 | |
-It was a drive-by almost. -Just him... | 0:12:26 | 0:12:29 | |
-A drive-by puking. -Drive-by puking. -Drive-by vomit. | 0:12:29 | 0:12:33 | |
Presumably there was a lot of other vomit in the hedge, | 0:12:33 | 0:12:36 | |
it was sort of matted with the vomit of admirers. | 0:12:36 | 0:12:39 | |
Probably. | 0:12:39 | 0:12:41 | |
Was Cliff in the house going, "Oh, oh, oh, what's, what's...?" | 0:12:41 | 0:12:44 | |
-I'm doing Cliff Richard. -LAUGHTER | 0:12:44 | 0:12:48 | |
You never want to say the phrase, "I'm doing Cliff Richard." Never. | 0:12:48 | 0:12:51 | |
Never say that, Rob, especially if you're doing that with your hands. | 0:12:51 | 0:12:56 | |
LAUGHTER AND APPLAUSE | 0:12:56 | 0:12:58 | |
-So, what do we think, Lee? -Shall we say true, Nick? | 0:12:58 | 0:13:00 | |
I think so, it's a dismal little story. | 0:13:00 | 0:13:02 | |
LAUGHTER AND APPLAUSE | 0:13:02 | 0:13:04 | |
D'you know what, can I just say, | 0:13:08 | 0:13:10 | |
-you really should have your own chat show, you'd be amazing. -LAUGHTER | 0:13:10 | 0:13:13 | |
So, Lee, you are saying that it's true, yeah? | 0:13:13 | 0:13:15 | |
-We'll say it's true. -You're going to say it's true. OK, Rebecca Front, is it true or is it a lie? | 0:13:15 | 0:13:20 | |
It is true. | 0:13:20 | 0:13:22 | |
-Well done, team. -Well done. -APPLAUSE | 0:13:22 | 0:13:25 | |
Yes, Rebecca did once vomit in Cliff Richard's hedge. | 0:13:27 | 0:13:32 | |
Cliff, on the other hand, | 0:13:32 | 0:13:33 | |
has never been made to feel nauseous by a bush of any kind. | 0:13:33 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:38 | |
Sarah Millican, you're next. | 0:13:38 | 0:13:41 | |
I once ruined a Christening party | 0:13:43 | 0:13:45 | |
when I was overheard calling the baby ugly on a baby monitor. | 0:13:45 | 0:13:49 | |
LAUGHTER | 0:13:49 | 0:13:50 | |
David. | 0:13:50 | 0:13:51 | |
So, the baby monitor, presumably, is by the baby. | 0:13:51 | 0:13:55 | |
Yes. | 0:13:55 | 0:13:56 | |
So you, so most of the party is in, let's call it room A. | 0:13:56 | 0:14:00 | |
OK. | 0:14:00 | 0:14:02 | |
-And the baby... -How big is your house? -Is, is... | 0:14:02 | 0:14:05 | |
Room Z! | 0:14:05 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:07 | |
Oh, we'd never speak of Room Z. | 0:14:07 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:11 | |
And the baby is in Room B, very appropriately in Room B. | 0:14:15 | 0:14:19 | |
B for baby, yes. | 0:14:19 | 0:14:20 | |
So, you're looking over the baby. | 0:14:20 | 0:14:22 | |
It just, you know, looked like a Winston Churchill, | 0:14:22 | 0:14:25 | |
like they all do when they're born, | 0:14:25 | 0:14:26 | |
-you know, just little and fat. -LAUGHTER | 0:14:26 | 0:14:29 | |
-So I just, you know, spoke up. -What did you say? | 0:14:29 | 0:14:33 | |
I just said, it wasn't very pretty. | 0:14:33 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
What sort of monitor was it, Sarah? Was it an audio monitor? | 0:14:37 | 0:14:39 | |
Cos we recently invested in the video and audio monitor | 0:14:39 | 0:14:43 | |
and if there are any young parents like myself out there, then... | 0:14:43 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:49 | |
..then I would recommend getting the video cos you can see them, it's lovely. | 0:14:49 | 0:14:52 | |
-Isn't it a lovely image, Rob's wife putting him in the cot like that. -LAUGHTER | 0:14:52 | 0:14:57 | |
-It gives her peace of mind, she knows I'm safe. -LAUGHTER | 0:14:57 | 0:15:01 | |
I went on holiday with a couple and they had... | 0:15:01 | 0:15:03 | |
-You bloody pervert! -LAUGHTER | 0:15:03 | 0:15:08 | |
They had a walkie-talkie on the dinner table, in the evening, | 0:15:08 | 0:15:11 | |
and they said... I said, "What is that?" | 0:15:11 | 0:15:14 | |
They said, "We use this as a baby monitor | 0:15:14 | 0:15:18 | |
"because they've got a much better range." | 0:15:18 | 0:15:22 | |
But wouldn't the baby have to press it down to talk into it? | 0:15:22 | 0:15:27 | |
Yeah, it sort of went, "Wah! Wah! Over." | 0:15:27 | 0:15:32 | |
-LAUGHTER -David, what's it's going to be, truth or lie? | 0:15:32 | 0:15:35 | |
I would say that saying that, basically what you were saying is, | 0:15:35 | 0:15:37 | |
"Oh, babies all look the same to me, they look sort of baby-like, | 0:15:37 | 0:15:40 | |
"I don't find them that pretty," that's not that rude a thing to say. | 0:15:40 | 0:15:43 | |
Saying SPECIFICALLY, "That baby is hideous, | 0:15:43 | 0:15:46 | |
"what with its third eye and everything." | 0:15:46 | 0:15:49 | |
That wouldn't have been shocking | 0:15:49 | 0:15:50 | |
because everybody else would have noticed the third eye as well. | 0:15:50 | 0:15:53 | |
They might have tried to be nice about it and said, "Oh, what a lovely extra feature." | 0:15:53 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:57 | |
Frank? | 0:15:59 | 0:16:00 | |
Well, I sort of believe it. | 0:16:00 | 0:16:02 | |
Yeah, yeah, no, it's easily done, yeah. | 0:16:02 | 0:16:04 | |
-We think it's true then. -You think it's true? | 0:16:04 | 0:16:06 | |
Sarah, were you telling the truth? | 0:16:06 | 0:16:08 | |
It is... | 0:16:08 | 0:16:10 | |
a lie. | 0:16:10 | 0:16:11 | |
APPLAUSE | 0:16:11 | 0:16:12 | |
Oh. | 0:16:12 | 0:16:13 | |
Nick, you're next. | 0:16:16 | 0:16:17 | |
-Possession. -Ah right, there's a box, | 0:16:20 | 0:16:22 | |
if you just pick, pick that up, bring, bring it up to the desk there | 0:16:22 | 0:16:25 | |
and would you read, there's a card in there, | 0:16:25 | 0:16:27 | |
I'd like you to read the card first | 0:16:27 | 0:16:29 | |
and then reach back in and take out the possession. | 0:16:29 | 0:16:32 | |
Right, OK. | 0:16:32 | 0:16:33 | |
This is a hat from my hat collection. | 0:16:35 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:38 | |
I wear one whenever I throw a dinner party. | 0:16:41 | 0:16:43 | |
OK, now take out the possession, the hat. | 0:16:43 | 0:16:47 | |
Please be a fez. | 0:16:47 | 0:16:48 | |
LAUGHTER AND APPLAUSE | 0:16:48 | 0:16:51 | |
Wow, oh, let's see. | 0:16:51 | 0:16:53 | |
There we are, how's that? | 0:16:53 | 0:16:54 | |
-Terrible. -Wow. | 0:16:54 | 0:16:55 | |
You should wear that in the boardroom, that would be terrifying. | 0:16:55 | 0:16:58 | |
Just pop it down there. David's team, what d'you think? | 0:16:58 | 0:17:01 | |
What sort of hat is that, Nick? | 0:17:01 | 0:17:02 | |
-That hat is the hat... -LAUGHTER | 0:17:02 | 0:17:07 | |
..of a Kazakhstan... | 0:17:07 | 0:17:10 | |
border guard. | 0:17:10 | 0:17:11 | |
-Can we have a look at it? -Yes. | 0:17:12 | 0:17:14 | |
Lee, it's a hat. | 0:17:15 | 0:17:18 | |
Oh, yes, it's his hat, isn't it? | 0:17:18 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:21 | |
Thank you. | 0:17:24 | 0:17:25 | |
I would love to see you wearing that hat, David. | 0:17:25 | 0:17:28 | |
Well, I'd be very proud to wear it. | 0:17:28 | 0:17:31 | |
-It's a bit small for me. -Very fetching though. | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
APPLAUSE | 0:17:37 | 0:17:38 | |
Would you like to tell us how you came by this? | 0:17:40 | 0:17:41 | |
-Yes. -LAUGHTER | 0:17:41 | 0:17:44 | |
-Then please do. -I happened to be dawdling my way through Kazakhstan... | 0:17:44 | 0:17:49 | |
-LAUGHTER -..and on the way out of Kazakhstan | 0:17:49 | 0:17:54 | |
I thought it would be sad to leave that great country... | 0:17:54 | 0:17:58 | |
without a souvenir. | 0:17:58 | 0:17:59 | |
Did this belong to a border guard? Did you... | 0:17:59 | 0:18:02 | |
Erm, I'm going to let that one pass. | 0:18:02 | 0:18:05 | |
Is that what you said as you walked through? | 0:18:05 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:08 | |
Are you implying that you stole it? | 0:18:09 | 0:18:12 | |
I'm not really, I'm pleading the fifth on that one. | 0:18:12 | 0:18:14 | |
-Now, can you tell me some... -LAUGHTER | 0:18:14 | 0:18:16 | |
something, about your hat parties? What happens at these hat parties? | 0:18:16 | 0:18:21 | |
Wherever I go I try and pick up a national hat, | 0:18:21 | 0:18:23 | |
so I have one from Kyrgyzstan from Mongolia, | 0:18:23 | 0:18:27 | |
from Kazakhstan, from Russia... | 0:18:27 | 0:18:28 | |
So you have a whole assortment of ridiculous military hats? | 0:18:28 | 0:18:31 | |
I keep them on a beam on my house and we have all the different hats up there | 0:18:31 | 0:18:34 | |
and when dinner parties get rowdy we put our hats on. | 0:18:34 | 0:18:38 | |
Wow. I want to get to that party! | 0:18:38 | 0:18:41 | |
Is everyone allowed to wear these hats, or is it just you and... | 0:18:41 | 0:18:44 | |
No, everybody's got to pick their hats | 0:18:44 | 0:18:46 | |
-and then sometimes during dinner we change them around. -Ah, wild! -LAUGHTER | 0:18:46 | 0:18:51 | |
How do you swap the hats round, like keys in a bowl sort of thing? | 0:18:51 | 0:18:55 | |
No, we just, "Oh, may I have a go with yours?" | 0:18:55 | 0:18:59 | |
I think it's very much like the key in the bowl! | 0:18:59 | 0:19:03 | |
-Keys in the bowl thing. -David, I'd like you to take a guess, please. | 0:19:03 | 0:19:06 | |
-I think this is true. -You think it's true, OK. | 0:19:06 | 0:19:08 | |
Nick, is it true or is it a lie? | 0:19:08 | 0:19:12 | |
-True. -True. | 0:19:12 | 0:19:13 | |
APPLAUSE | 0:19:13 | 0:19:15 | |
And here's a picture of Nick in another of his favourite hats. | 0:19:16 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:22 | |
Isn't that nice? | 0:19:22 | 0:19:24 | |
Yes, it's true, that is a hat from Nick's hat collection | 0:19:24 | 0:19:28 | |
that he wears at dinner parties. | 0:19:28 | 0:19:30 | |
One of Nick's dinner parties ended up in a food fight. | 0:19:30 | 0:19:33 | |
Margaret Mountford got a face full of Sugar | 0:19:33 | 0:19:35 | |
and when Lady Sugar found out she started a food fight. | 0:19:35 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:40 | |
Katherine, you're up next. | 0:19:42 | 0:19:45 | |
Me and my husband have a fake laugh that we do at parties to signal when it's time to leave. | 0:19:45 | 0:19:52 | |
Oh, fantastic. | 0:19:52 | 0:19:53 | |
Lee, fake laughs, what d'you know about those? | 0:19:53 | 0:19:55 | |
Well, I know she's been doing it quite a lot tonight. | 0:19:55 | 0:19:58 | |
HA-HA-HA-HA-HA! | 0:19:58 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:01 | |
That's nice, do that again. | 0:20:01 | 0:20:02 | |
HA-HA-HA-HA-HA! | 0:20:02 | 0:20:05 | |
Is that it? What about just saying, "Can we leave now, darling?" | 0:20:05 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:11 | |
That was, "Can we leave now, darling?" | 0:20:11 | 0:20:13 | |
LAUGHTER | 0:20:13 | 0:20:14 | |
APPLAUSE | 0:20:15 | 0:20:16 | |
So, just put us through this scenario then. | 0:20:20 | 0:20:23 | |
You're both having the same conversation at a party with somebody else... | 0:20:23 | 0:20:27 | |
And when one of us wants to go home, we will just laugh in a certain way. | 0:20:27 | 0:20:32 | |
Does your husband do the same laugh as you, or has he got his own version? | 0:20:32 | 0:20:35 | |
He's got his version, his voice is deeper than mine. | 0:20:35 | 0:20:37 | |
-Same thing but deeper? -Yeah. -Like, for instance? -Do his laugh. | 0:20:37 | 0:20:40 | |
Sort of... | 0:20:40 | 0:20:42 | |
It's sort of, erm... | 0:20:42 | 0:20:43 | |
"HA-HA-HA-HA-HA!" | 0:20:43 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
-Give me your laugh again cos I didn't quite hear it. -OK. | 0:20:48 | 0:20:50 | |
-This is Katherine's laugh. -Yeah. | 0:20:50 | 0:20:52 | |
HA-HA-HA-HA-HA! | 0:20:52 | 0:20:54 | |
-LAUGHTER -And now the husband's laugh. | 0:20:54 | 0:20:56 | |
Well, I'm not so good at doing that one, so, you know. | 0:20:56 | 0:20:58 | |
-Do the husband's laugh. -LAUGHTER | 0:20:58 | 0:21:01 | |
I feel like you're mocking me. | 0:21:01 | 0:21:03 | |
No, I'm threatening you. | 0:21:03 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:07 | |
HA-HA-HA-HA-HA! | 0:21:07 | 0:21:10 | |
-And your laugh again? -HA-HA-HA-HA-HA! | 0:21:10 | 0:21:12 | |
-And his laugh? -HA-HA-HA-HA-HA! | 0:21:12 | 0:21:15 | |
-OK, OK. -What was your laugh like again? -HA-HA-HA-HA-HA! | 0:21:15 | 0:21:18 | |
And his laugh? | 0:21:18 | 0:21:19 | |
LAUGHTER | 0:21:19 | 0:21:21 | |
When's the last time you did it? | 0:21:21 | 0:21:22 | |
I think we did it about two weeks ago at... | 0:21:22 | 0:21:26 | |
Who were you talking to? LAUGHTER | 0:21:26 | 0:21:28 | |
I'd rather not say on television. | 0:21:28 | 0:21:30 | |
-Is it a television person, is it someone famous? -No. | 0:21:30 | 0:21:33 | |
No, it's not someone famous, | 0:21:33 | 0:21:35 | |
it's someone who LOVES being insulted on television. LAUGHTER | 0:21:35 | 0:21:38 | |
-Lee, let's go for a guess. -Shall we say it's true, is that what we're saying? | 0:21:38 | 0:21:41 | |
-I think that, but I'm going with you. -You're trusting me, aren't you? | 0:21:41 | 0:21:45 | |
-I'll trust you. -Trust. -I don't know why, but I will. | 0:21:45 | 0:21:47 | |
Go on, true. | 0:21:47 | 0:21:48 | |
You're saying true, OK, Katherine, truth or lie? | 0:21:48 | 0:21:51 | |
It is in fact... | 0:21:51 | 0:21:53 | |
a lie. | 0:21:53 | 0:21:54 | |
Ohh! | 0:21:54 | 0:21:55 | |
APPLAUSE | 0:21:55 | 0:21:57 | |
Yes, it's a lie! | 0:21:57 | 0:21:58 | |
Katherine and her husband don't have a fake laugh | 0:21:58 | 0:22:01 | |
that they do at parties to signal when it's time to leave. | 0:22:01 | 0:22:04 | |
When they're bored stiff at a party, they say, | 0:22:04 | 0:22:06 | |
"Thanks for having us, Rob, but we'd better make a move." | 0:22:06 | 0:22:08 | |
LAUGHTER | 0:22:08 | 0:22:10 | |
Bill. | 0:22:10 | 0:22:12 | |
-It's a possession. -Ah, there's a little box under your desk, | 0:22:12 | 0:22:15 | |
if you'd bring that up, please. | 0:22:15 | 0:22:16 | |
Take the possession out for us | 0:22:16 | 0:22:18 | |
and then read the card for us, please. | 0:22:18 | 0:22:22 | |
This is my conversation book. | 0:22:22 | 0:22:25 | |
In it... | 0:22:25 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:27 | |
..I've written a list of topics that I refer to | 0:22:27 | 0:22:30 | |
should I ever run out of things to talk about. | 0:22:30 | 0:22:33 | |
LAUGHTER | 0:22:33 | 0:22:35 | |
How do you, without seeming weird, consult the book | 0:22:35 | 0:22:39 | |
in the middle of this floundering conversation? | 0:22:39 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:43 | |
-Like that. -Like that, you hardly noticed. | 0:22:43 | 0:22:46 | |
Have you thought about draught proofing your house recently, Rob? | 0:22:46 | 0:22:49 | |
Yes, I have, yes, I have. | 0:22:49 | 0:22:51 | |
Is that one of your subjects, to sort of enliven a conversation? | 0:22:51 | 0:22:54 | |
LAUGHTER | 0:22:54 | 0:22:56 | |
-Is that genuinely in the book? -No, to be honest, erm... -Let me see. | 0:22:56 | 0:22:59 | |
Give me the book, give me the book. | 0:22:59 | 0:23:02 | |
Throw me the book. | 0:23:02 | 0:23:03 | |
This is a very special book to me. | 0:23:03 | 0:23:05 | |
We promise...we promise we'll take good care of the book. | 0:23:08 | 0:23:12 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
Erm... | 0:23:16 | 0:23:17 | |
Right, let's have a look, OK. | 0:23:17 | 0:23:20 | |
Home insulation tips is indeed the first thing. LAUGHTER | 0:23:20 | 0:23:23 | |
-Interest rates, very low of course. -They may be going up. | 0:23:23 | 0:23:28 | |
Yeah, they may be going up, but not on this programme! | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:32 | |
Are the Cotswolds overrated? | 0:23:32 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:36 | |
-Are the Cotswolds overrated? -See, it's interesting, isn't it? | 0:23:37 | 0:23:42 | |
Rugby, three question marks after rugby. | 0:23:42 | 0:23:45 | |
D'you not know much about rugby, | 0:23:45 | 0:23:47 | |
is that why you were a bit worried about... | 0:23:47 | 0:23:49 | |
No, sometimes it doesn't really work as a topic | 0:23:49 | 0:23:51 | |
-and I'm not sure... -Not with women. -..how it would go with you, Katherine. | 0:23:51 | 0:23:54 | |
Quite a few of those won't go very well with me, if I'm honest with you! | 0:23:54 | 0:23:58 | |
When was the last time you thought about draught proofing your... | 0:23:58 | 0:24:01 | |
HA-HA-HA-HA-HA! | 0:24:01 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:04 | |
APPLAUSE | 0:24:04 | 0:24:06 | |
What do you call it? Is there a name, like the Governor? | 0:24:07 | 0:24:10 | |
"I'll just ask the Governor," something like that. Yeah. | 0:24:10 | 0:24:14 | |
LAUGHTER D'you call it the Ustinov? | 0:24:14 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
"I'll just consult Ustinov... | 0:24:18 | 0:24:21 | |
"Erm... | 0:24:21 | 0:24:23 | |
"rugby?" | 0:24:23 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
Let's write some unexpected ones in it! | 0:24:26 | 0:24:28 | |
LAUGHTER | 0:24:28 | 0:24:30 | |
"Boobs!" | 0:24:31 | 0:24:34 | |
LAUGHTER | 0:24:34 | 0:24:35 | |
APPLAUSE | 0:24:37 | 0:24:38 | |
"So, Archbishop, what d'you think about boobs? | 0:24:39 | 0:24:43 | |
"Oh, my God! | 0:24:43 | 0:24:45 | |
"I said BOOBS!" | 0:24:45 | 0:24:47 | |
-Right, David, come on. -Well, I don't think it's true. | 0:24:47 | 0:24:50 | |
I think...I think it is. | 0:24:50 | 0:24:52 | |
I mean, he went to all the effort of doing it. | 0:24:52 | 0:24:54 | |
Well, someone did. LAUGHTER | 0:24:54 | 0:24:57 | |
-You think it's true and you think it's a lie? -Lie. | 0:24:57 | 0:24:59 | |
Decide. | 0:24:59 | 0:25:00 | |
I think it's a lie, my instinct is it's a lie. | 0:25:00 | 0:25:03 | |
OK, Bill, truth or lie. | 0:25:03 | 0:25:05 | |
I'm immensely relieved to tell you it is in fact... | 0:25:05 | 0:25:08 | |
a lie. | 0:25:08 | 0:25:09 | |
APPLAUSE | 0:25:09 | 0:25:11 | |
It's a lie, | 0:25:12 | 0:25:14 | |
it's not Bill's conversation book that he refers to if he ever runs out of things to talk about. | 0:25:14 | 0:25:18 | |
In fact, if Bill ever finds himself short of things to say | 0:25:18 | 0:25:22 | |
he just throws to Carol Kirkwood for a round up of the weather. | 0:25:22 | 0:25:25 | |
LAUGHTER | 0:25:25 | 0:25:26 | |
BUZZER SOUNDS | 0:25:26 | 0:25:28 | |
It's me. | 0:25:28 | 0:25:29 | |
LAUGHTER | 0:25:29 | 0:25:31 | |
For one week I appeared in a Dear Deidre photo casebook | 0:25:32 | 0:25:37 | |
in the Sun newspaper. | 0:25:37 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:40 | |
Both teams are able to probe me. | 0:25:41 | 0:25:44 | |
LAUGHTER | 0:25:44 | 0:25:45 | |
Although I'd be happiest if it was Lorraine. | 0:25:45 | 0:25:48 | |
Can I just clarify the Dear Deirdre is the sex thing where you have sex problems | 0:25:48 | 0:25:52 | |
and you're the photographs with the balloons. | 0:25:52 | 0:25:54 | |
-What are you doing, what's your relationship problem? -I was the husband. | 0:25:54 | 0:25:59 | |
-What was the problem? -The wife was attracted to my friend. | 0:25:59 | 0:26:02 | |
-And what face did you do? -I only realised at the very end, | 0:26:02 | 0:26:05 | |
-so most of the time I was being happy or vacant. -LAUGHTER | 0:26:05 | 0:26:08 | |
How did you find out in the story about the... | 0:26:08 | 0:26:11 | |
-that she fancied the friend? -I walked in on them, so I had to... | 0:26:11 | 0:26:14 | |
Oh, do the walked in face! | 0:26:14 | 0:26:15 | |
I did vacant, happy, shocked and sad. | 0:26:15 | 0:26:20 | |
Right, do happy. | 0:26:20 | 0:26:21 | |
Do vacant. | 0:26:21 | 0:26:22 | |
LAUGHTER | 0:26:22 | 0:26:24 | |
-Shocked. -Shocked. -Shocked. | 0:26:24 | 0:26:26 | |
There you go. | 0:26:26 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:28 | |
-Do sad. -Sad. | 0:26:28 | 0:26:30 | |
Oh, oh, that's nasty, that's...that looks pained. | 0:26:30 | 0:26:34 | |
Well, how would you feel? | 0:26:34 | 0:26:36 | |
My best friend was in bed with my wife! | 0:26:36 | 0:26:40 | |
No, it doesn't look like you're upset, | 0:26:40 | 0:26:42 | |
it looks like you're trying to pass something uncomfortable. | 0:26:42 | 0:26:46 | |
Let's imagine for a moment that Lorraine was my wife. | 0:26:46 | 0:26:48 | |
She is having a relationship | 0:26:48 | 0:26:50 | |
with the better-looking half of Mitchell and Webb, OK? | 0:26:50 | 0:26:54 | |
He's not here so we'll use David. Right... | 0:26:54 | 0:26:58 | |
-Boo. -Boo! -So the two of them... | 0:26:58 | 0:27:00 | |
So the two of them, so get yourself in a position that might, you know. | 0:27:00 | 0:27:04 | |
-Are we have having an affair, is that what he's saying? -Yes. | 0:27:04 | 0:27:07 | |
-We have to get closer. -I don't know how you do that. -Do it, do it, do it! | 0:27:07 | 0:27:10 | |
-I could sit on you. -Oh, all right. | 0:27:10 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:14 | |
-I don't want to squish you! -APPLAUSE | 0:27:14 | 0:27:16 | |
OK. | 0:27:16 | 0:27:17 | |
-In this scenario, am I waiting my turn? -LAUGHTER | 0:27:17 | 0:27:22 | |
So I... | 0:27:24 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:27 | |
I'm coming home. I'm about to give you shocked. | 0:27:30 | 0:27:34 | |
LAUGHTER AND APPLAUSE | 0:27:38 | 0:27:39 | |
-Truth or lie, Lee? -We're going to say lie, are we, Sue? | 0:27:46 | 0:27:49 | |
-I think so. -Lie. -OK, I don't think I can argue. | 0:27:49 | 0:27:52 | |
Lie? OK, David? | 0:27:52 | 0:27:53 | |
-I think it's a lie. -You think it's a lie? -Mm. | 0:27:53 | 0:27:56 | |
-OK, we'll say it's a lie. -You'll say it's a lie. A-ha. | 0:27:56 | 0:27:58 | |
It is in fact... | 0:27:58 | 0:28:00 | |
a lie. | 0:28:00 | 0:28:01 | |
APPLAUSE | 0:28:01 | 0:28:02 | |
BUZZER SOUNDS | 0:28:03 | 0:28:04 | |
Well, that's all for now, good night! | 0:28:04 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:21 | 0:28:24 | |
E-mail [email protected] | 0:28:24 | 0:28:27 |