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CHEERING AND APPLAUSE | 0:00:18 | 0:00:20 | |
Good evening and welcome to Would I Lie To You? | 0:00:26 | 0:00:30 | |
The show where fabrication is the name of the game. | 0:00:30 | 0:00:32 | |
On David Mitchell's team tonight, | 0:00:32 | 0:00:34 | |
star of the award-winning sitcom, The Thick Of It, who says | 0:00:34 | 0:00:38 | |
most MPs claim to love the show. | 0:00:38 | 0:00:40 | |
My God, MPs will claim for anything! It's Rebecca Front! | 0:00:40 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:47 | |
And a splendid comedian who's so young that, last year, | 0:00:47 | 0:00:52 | |
he won Funniest Embryo at the Edinburgh Festival. Jack Whitehall! | 0:00:52 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:00:58 | |
And joining Lee Mack tonight, as the hapless clumsy star of Miranda, | 0:01:01 | 0:01:05 | |
she recently picked up three comedy awards, | 0:01:05 | 0:01:07 | |
then dropped two, tripped over the red carpet | 0:01:07 | 0:01:10 | |
and threw wine into the crotch of Colin Firth. | 0:01:10 | 0:01:13 | |
It's Miranda Hart! | 0:01:13 | 0:01:15 | |
APPLAUSE | 0:01:15 | 0:01:17 | |
And a man whose "will they won't they" relationship with Margaret | 0:01:17 | 0:01:23 | |
made The Apprentice a hotbed of sexual tension for five series, | 0:01:23 | 0:01:28 | |
Nick Hewer! | 0:01:29 | 0:01:30 | |
APPLAUSE | 0:01:30 | 0:01:33 | |
And we start with Round One, it's Home Truths, | 0:01:35 | 0:01:37 | |
where panellists read a statement from a card in front of them. | 0:01:37 | 0:01:41 | |
They've never seen the card before. | 0:01:41 | 0:01:43 | |
So they have no idea what they'll be faced with, | 0:01:43 | 0:01:46 | |
It's up to the opposing team to separate the facts from the fibs. | 0:01:46 | 0:01:49 | |
Nick, you're going to be first. | 0:01:49 | 0:01:52 | |
When filming is over for the day, Lord Sugar and I sometimes wind down | 0:01:52 | 0:01:57 | |
by playing ping pong on the boardroom table. | 0:01:57 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:00 | |
-That's a hell of a story. -True. | 0:02:00 | 0:02:04 | |
David, what do you think? Have a minute just to let it sink in. | 0:02:04 | 0:02:09 | |
You don't play on a proper table tennis table...? | 0:02:09 | 0:02:12 | |
No. You can buy... | 0:02:12 | 0:02:15 | |
It's underneath actually in the boardroom, | 0:02:15 | 0:02:17 | |
it's rolled up. | 0:02:17 | 0:02:18 | |
And then you unroll it and you clamp it on the boardroom table, | 0:02:18 | 0:02:22 | |
stretched across, and you're in business. | 0:02:22 | 0:02:25 | |
Is it just a net, or is there also? | 0:02:25 | 0:02:27 | |
No, we don't have the lines. | 0:02:27 | 0:02:29 | |
Not a mat with lines, no. | 0:02:29 | 0:02:30 | |
The table is slightly bigger than regulation size. | 0:02:30 | 0:02:34 | |
Right. | 0:02:34 | 0:02:35 | |
-Is it not also curved? -Curved?! | 0:02:35 | 0:02:39 | |
I thought it was curved. | 0:02:39 | 0:02:40 | |
-You're thinking of Loose Women. -That's the one, yeah. | 0:02:40 | 0:02:44 | |
It's difficult to tell watching on television. | 0:02:45 | 0:02:48 | |
But how much room is there at the ends of the table? | 0:02:48 | 0:02:51 | |
Oh, plenty. | 0:02:51 | 0:02:52 | |
-OK, I'll believe you. -Ample. | 0:02:52 | 0:02:55 | |
You have to be able to back off quite a way | 0:02:55 | 0:02:57 | |
playing table tennis properly, I happen to know. | 0:02:57 | 0:03:01 | |
Can we stamp on this immediately? | 0:03:01 | 0:03:03 | |
Lord Sugar's boardroom is plenty big enough for almost everything. | 0:03:03 | 0:03:07 | |
And yet, you play table tennis! | 0:03:10 | 0:03:13 | |
LAUGHTER | 0:03:13 | 0:03:14 | |
Where do you keep the bats, are they under the table? | 0:03:14 | 0:03:17 | |
-Under the table. -She's left now, hasn't she? | 0:03:17 | 0:03:20 | |
LAUGHTER | 0:03:20 | 0:03:21 | |
-Are you talking about Margaret? -Not Margaret, no, no, not her! | 0:03:21 | 0:03:24 | |
I'll tell her. Margaret's no bat. | 0:03:24 | 0:03:27 | |
Tell us how this whole thing started. | 0:03:31 | 0:03:34 | |
It was my idea. | 0:03:34 | 0:03:37 | |
You crazy fool. | 0:03:37 | 0:03:39 | |
It was my idea. | 0:03:40 | 0:03:42 | |
But the point is that, it's a fairly long drawn out process. | 0:03:42 | 0:03:45 | |
It is tense, it is nerve-wracking, particularly for... | 0:03:45 | 0:03:48 | |
The game of table tennis? | 0:03:48 | 0:03:49 | |
..For Karen and I. | 0:03:49 | 0:03:50 | |
Because we don't know what on Earth's going on. | 0:03:50 | 0:03:53 | |
Only Lord Sugar is master of all this. | 0:03:53 | 0:03:55 | |
I murmured to him once that I find it very difficult, | 0:03:55 | 0:03:58 | |
and he said, "Don't worry, next time I'll bring in a net and some balls | 0:03:58 | 0:04:01 | |
"and some bats, and it'll help you relax." | 0:04:01 | 0:04:06 | |
-And it grew out of that. -LAUGHTER | 0:04:06 | 0:04:09 | |
Nothing strange about that. | 0:04:09 | 0:04:12 | |
What does Karen do? If you're playing table... | 0:04:12 | 0:04:14 | |
-She's umpire. -She's umpire? | 0:04:14 | 0:04:17 | |
She's got a very keen eye. | 0:04:17 | 0:04:21 | |
-What do you think, David? -I think this is absolute nonsense, | 0:04:21 | 0:04:24 | |
albeit it convincingly told. | 0:04:24 | 0:04:26 | |
If Alan Sugar wanted to play ping-pong, | 0:04:26 | 0:04:28 | |
he'd have a proper table tennis table to play on. | 0:04:28 | 0:04:30 | |
-So, we think it's not true. No. -You think it's a lie? -Yes. | 0:04:30 | 0:04:35 | |
Nick, truth or lie? | 0:04:35 | 0:04:36 | |
It's a damned lie. | 0:04:38 | 0:04:41 | |
Very, very convincingly told though. > | 0:04:41 | 0:04:44 | |
It was a lie. Nick doesn't wind down by playing ping-pong | 0:04:44 | 0:04:48 | |
on the boardroom table with Lord Sugar. | 0:04:48 | 0:04:50 | |
Jack, you're next. | 0:04:50 | 0:04:52 | |
I was once commissioned to paint a portrait of Gyles Brandreth's cat. | 0:04:52 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:04:59 | |
Are you going to point out to the younger viewers | 0:05:02 | 0:05:04 | |
who Gyles Brandreth is? | 0:05:04 | 0:05:06 | |
Gyles Brandreth presents strands of The One Show, and he was an MP, | 0:05:06 | 0:05:11 | |
and he wears jumpers. | 0:05:11 | 0:05:14 | |
This is a picture of him, OK. | 0:05:15 | 0:05:18 | |
How did he hear about you? | 0:05:18 | 0:05:21 | |
I did a lot of art around the area, not like graffiti, but... | 0:05:21 | 0:05:25 | |
What is this area? | 0:05:25 | 0:05:26 | |
-Um. Barnes. -OK. | 0:05:26 | 0:05:28 | |
-And I've always been an artist. -What was the cat called? | 0:05:28 | 0:05:32 | |
That, I can't remember the name of the cat. It was a black cat. | 0:05:32 | 0:05:35 | |
-Right. -Lucky. -Lucky. | 0:05:35 | 0:05:39 | |
How much did you get paid? | 0:05:39 | 0:05:40 | |
A hundred and, like, thirty pounds. | 0:05:40 | 0:05:43 | |
-A hundred and, like, thirty pounds? -And also, I'm allergic to cats, so... | 0:05:43 | 0:05:47 | |
Danger money! > | 0:05:47 | 0:05:48 | |
But it was like, no, it was 130 quid and I was 18 at the time. | 0:05:48 | 0:05:52 | |
So, at that stage of my life, I would have worn the cat as a mask. | 0:05:52 | 0:05:55 | |
-How did you paint it? > -They didn't ask that. | 0:05:55 | 0:05:57 | |
Did the cat pose for you or did you? | 0:05:57 | 0:06:00 | |
I had to do sittings with the cat. | 0:06:00 | 0:06:03 | |
-Shut up, come on now! -I did. I did. | 0:06:03 | 0:06:06 | |
You do not paint a cat and go, "Cat, sit on that for three hours, | 0:06:06 | 0:06:09 | |
"I'll just..." The cat moves about. | 0:06:09 | 0:06:13 | |
It kept moving. The most annoying cat. "Please, sit down." | 0:06:13 | 0:06:16 | |
A cat's not gonna sit on a stool while you're painting its picture! | 0:06:16 | 0:06:20 | |
"I'll be fine for three hours, paint me." It's a cat! | 0:06:20 | 0:06:24 | |
You can totally do a sitting with a cat, cats are very sedentary. | 0:06:24 | 0:06:27 | |
They stay in one place all the time. You can't command the cat. | 0:06:27 | 0:06:30 | |
But you tell if it is a good moment, the cat seems to be fine... | 0:06:30 | 0:06:34 | |
-What position was the cat in, in the painting? -Like, sort of, that. | 0:06:34 | 0:06:37 | |
No, come on. | 0:06:37 | 0:06:38 | |
It was! No, it wasn't... | 0:06:38 | 0:06:42 | |
-It was like this, sat like that. -What's that about? > | 0:06:42 | 0:06:45 | |
That's how cats sit, like that. | 0:06:45 | 0:06:47 | |
-With their hands on their knees? -> It's a normal thing like that. | 0:06:47 | 0:06:50 | |
You go, "Oh, Jack's doing a cat impression." That's a cat! | 0:06:50 | 0:06:53 | |
-So the cat is sitting or standing, I'm trying... -< Sitting! | 0:06:53 | 0:06:55 | |
Do you want me to do it like that? There. | 0:06:55 | 0:06:59 | |
Anyone with half a brain would have taken a picture of the thing, | 0:06:59 | 0:07:02 | |
-gone home and painted it at home wouldn't they? -I love this man. | 0:07:02 | 0:07:05 | |
I would have done that but I didn't have that choice. | 0:07:05 | 0:07:08 | |
She insisted that I come so that I could sort of get to know the cat. | 0:07:08 | 0:07:12 | |
-I know Gyles Brandreth. -< Do you know his cat? | 0:07:12 | 0:07:14 | |
-I know his wife. What's his wife's name? -She's called Michele. | 0:07:14 | 0:07:17 | |
-Is his wife Michele? Were you bluffing? -< It is! | 0:07:17 | 0:07:20 | |
-Do you know Gyles Brandreth's wife? -No. | 0:07:20 | 0:07:22 | |
LAUGHTER AND APPLAUSE | 0:07:22 | 0:07:24 | |
You were quite a good artist, reasonably good, if he's paid £130. | 0:07:30 | 0:07:33 | |
-Yeah. -OK, no, that's fine, stay there. | 0:07:33 | 0:07:35 | |
Draw me a cat. | 0:07:37 | 0:07:39 | |
I should at this point tell viewers at home that, | 0:07:44 | 0:07:48 | |
whilst we do like to receive your paintings, | 0:07:48 | 0:07:51 | |
we can't return any of them. | 0:07:51 | 0:07:53 | |
The suspense is... David is captivated! | 0:07:56 | 0:08:00 | |
-It's actually rather good. -David's face is going, this is pretty good. | 0:08:00 | 0:08:04 | |
-It's hard to do it quite quickly, obviously. -That's fine... > | 0:08:04 | 0:08:08 | |
For David, this is an extreme sport. | 0:08:08 | 0:08:10 | |
If people have just turned over, | 0:08:10 | 0:08:12 | |
they're gonna be thinking, what on Earth is David looking at? | 0:08:12 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:17 | |
OK, Jack, reveal the cat. | 0:08:21 | 0:08:23 | |
LAUGHTER | 0:08:25 | 0:08:26 | |
APPLAUSE | 0:08:29 | 0:08:32 | |
That's very good. | 0:08:32 | 0:08:34 | |
Lee, it's time to make up your mind. | 0:08:34 | 0:08:35 | |
What do you think about Jack's story? | 0:08:35 | 0:08:38 | |
Is he telling the truth or is he in fact telling us a lie? | 0:08:38 | 0:08:40 | |
I'm right down the middle. | 0:08:40 | 0:08:42 | |
Gyles, does he know you at this point? No. | 0:08:42 | 0:08:45 | |
He knew me through the family, through mother. My mum. | 0:08:45 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:51 | |
He knew me through mother. | 0:08:52 | 0:08:54 | |
Jack, you're succeeding in making David look positively working class. | 0:08:57 | 0:09:02 | |
I barely need to be here this week. | 0:09:04 | 0:09:06 | |
I can't give it to him, I think it's a dreadful lie. | 0:09:10 | 0:09:14 | |
It's 100% true, honestly. | 0:09:14 | 0:09:16 | |
You two fight it out, I'm not getting involved. | 0:09:16 | 0:09:18 | |
-It's definitely true. -I'll go with you because I like you. | 0:09:18 | 0:09:21 | |
Oh... Touch me. | 0:09:21 | 0:09:23 | |
OK, they're both saying true, and I don't want to argue with the team, | 0:09:25 | 0:09:29 | |
so I'd better say it's true. | 0:09:29 | 0:09:31 | |
Jack, true or lie? | 0:09:31 | 0:09:32 | |
It is... | 0:09:32 | 0:09:35 | |
..true. | 0:09:35 | 0:09:37 | |
-Art. -I knew it. -Art. | 0:09:37 | 0:09:39 | |
-Well done. -Well, done, team. | 0:09:39 | 0:09:41 | |
Yes, it's true. | 0:09:41 | 0:09:42 | |
And this is the most exciting part of all. | 0:09:42 | 0:09:46 | |
We've got the painting here. | 0:09:46 | 0:09:48 | |
Now this has been lent to us by the Brandreths, | 0:09:48 | 0:09:53 | |
Gyles and Michele, | 0:09:53 | 0:09:54 | |
and this is a bit special. Get ready. | 0:09:54 | 0:09:57 | |
LAUGHTER AND APPLAUSE | 0:10:01 | 0:10:03 | |
I'm so sorry, I'm not... > | 0:10:06 | 0:10:08 | |
Argh! > | 0:10:08 | 0:10:11 | |
-Oh, my God! > -It's terrible. > | 0:10:11 | 0:10:14 | |
I'm not being cruel, right, but that looks a bit like a dog to me. | 0:10:14 | 0:10:18 | |
Well, here's the thing. | 0:10:18 | 0:10:19 | |
That is the most canine cat I've ever seen. | 0:10:19 | 0:10:21 | |
Here's the other thing. We've also got a photo of the cat | 0:10:21 | 0:10:24 | |
and we're going to do a very modern split screen effect. | 0:10:24 | 0:10:27 | |
Look at this, ready. Look at that! | 0:10:27 | 0:10:29 | |
It's not bad. | 0:10:31 | 0:10:32 | |
That is eerie. | 0:10:32 | 0:10:34 | |
I was like 17 when I did it. | 0:10:34 | 0:10:36 | |
Yes, it's true, Jack was commissioned | 0:10:36 | 0:10:39 | |
to paint a portrait of Gyles Brandreth's cat. | 0:10:39 | 0:10:41 | |
APPLAUSE | 0:10:41 | 0:10:43 | |
Our next round is called This Is My, | 0:10:43 | 0:10:45 | |
where we bring on a mystery guest who has a close connection | 0:10:45 | 0:10:48 | |
to one of our panellists. | 0:10:48 | 0:10:49 | |
So, please welcome this week's special guest, Zazi. | 0:10:49 | 0:10:52 | |
APPLAUSE | 0:10:52 | 0:10:55 | |
-So, Miranda, we'll start with you. How do you know Zazi? -> | 0:10:58 | 0:11:02 | |
This is Zazi, and we once had a trial together | 0:11:02 | 0:11:06 | |
for a professional ladies' football team. | 0:11:06 | 0:11:09 | |
But we didn't make the grade. | 0:11:09 | 0:11:11 | |
There we are. Miranda's footballing friend. | 0:11:11 | 0:11:14 | |
Lee, how do you know Zazi? | 0:11:14 | 0:11:16 | |
This is Zay-zi. | 0:11:16 | 0:11:18 | |
I once cut off her pony tail on the school bus, | 0:11:18 | 0:11:22 | |
thinking she was my mate, Paul. | 0:11:22 | 0:11:25 | |
Right, Lee's short-haired schoolmate. | 0:11:27 | 0:11:29 | |
Nick, what's your relationship with Zazi? | 0:11:29 | 0:11:32 | |
Zazi, my neighbour's daughter. | 0:11:32 | 0:11:34 | |
She offered to mend my computer | 0:11:34 | 0:11:37 | |
and inadvertently emailed to everybody in my address book | 0:11:37 | 0:11:41 | |
a picture of my big toe. | 0:11:41 | 0:11:43 | |
So there we have it. | 0:11:46 | 0:11:47 | |
Miranda's failed footballer, | 0:11:47 | 0:11:50 | |
Lee's cropped classmate or Nick's accidental e-mailer. | 0:11:50 | 0:11:53 | |
David? | 0:11:53 | 0:11:54 | |
So, Miranda, | 0:11:54 | 0:11:56 | |
what was the professional football team you tried out for? | 0:11:56 | 0:11:59 | |
It was for... | 0:11:59 | 0:12:02 | |
QPR Rangers. | 0:12:02 | 0:12:05 | |
No, QPR. | 0:12:05 | 0:12:07 | |
QPR? | 0:12:07 | 0:12:08 | |
So what age were you? | 0:12:08 | 0:12:10 | |
Er, about, sort of early twenties. | 0:12:10 | 0:12:13 | |
Early twenties? | 0:12:13 | 0:12:15 | |
Isn't that, that quite old to be breaking into professional football? | 0:12:15 | 0:12:19 | |
You haven't seen QPR play, have you? | 0:12:19 | 0:12:23 | |
BOOING FOLLOWED BY LAUGHTER | 0:12:23 | 0:12:25 | |
-What position did you play? -Well, we, we were just sort of | 0:12:25 | 0:12:29 | |
tipping up and... | 0:12:29 | 0:12:33 | |
..and seeing. | 0:12:33 | 0:12:35 | |
< So, just seeing... | 0:12:35 | 0:12:38 | |
Can you imagine if this is what she'd have done on the day? | 0:12:40 | 0:12:44 | |
A lot of happy memories of your footballing past, obviously. | 0:12:44 | 0:12:48 | |
-You'd be good at the team talk. -Yeah. | 0:12:48 | 0:12:50 | |
We were just hoping that they'd see us, | 0:12:50 | 0:12:53 | |
and say, "Oh, you're a defender." | 0:12:53 | 0:12:57 | |
I don't know why I'm finding this so funny. | 0:12:58 | 0:13:01 | |
Had you, when you turned up to try out, | 0:13:02 | 0:13:04 | |
had you ever played football before? | 0:13:04 | 0:13:08 | |
No. | 0:13:08 | 0:13:11 | |
No, you thought, football's probably a thing that involves practice, | 0:13:13 | 0:13:18 | |
you've either got it or you haven't. | 0:13:18 | 0:13:20 | |
I'll wait until I'm 23. | 0:13:20 | 0:13:23 | |
I'll turn up at QPR | 0:13:23 | 0:13:26 | |
and they'll probably let me in the team and there I am, sorted. | 0:13:26 | 0:13:30 | |
Yeah, we played a bit at university, I'm actually crying, now. | 0:13:30 | 0:13:33 | |
-So you had played? -We played a bit at university, | 0:13:33 | 0:13:35 | |
mucked about, and we thought, hey, you know, we're quite good. | 0:13:35 | 0:13:38 | |
Just you and Zazi playing or were there other people in this team? | 0:13:38 | 0:13:42 | |
We had some male friends who were in to football and we lived with them. | 0:13:42 | 0:13:46 | |
And we, one day, probably, you know, trying to impress, said, | 0:13:46 | 0:13:49 | |
"Oh, we'll come and play football with you." | 0:13:49 | 0:13:52 | |
And they were thrilled! | 0:13:52 | 0:13:54 | |
And they said, "Hey you've got some skills," you know. | 0:13:54 | 0:13:58 | |
OK. So, Nick, what went wrong with your computer? | 0:13:59 | 0:14:04 | |
Running slow, grindingly slow. | 0:14:04 | 0:14:07 | |
Why didn't you contact a proper computer person? | 0:14:07 | 0:14:11 | |
Maybe she is, who happens to be your neighbour's daughter. | 0:14:11 | 0:14:14 | |
Very simply, because we know them very well. | 0:14:14 | 0:14:17 | |
I know she did a computer course at university. | 0:14:17 | 0:14:19 | |
Why would I spend a fortune when Zazi can come in for a tenner? | 0:14:19 | 0:14:24 | |
Why was there a picture of your big toe on this computer? | 0:14:24 | 0:14:28 | |
One of the issues was, it obviously was clogged up with stuff | 0:14:28 | 0:14:31 | |
and I needed it purged. | 0:14:31 | 0:14:34 | |
And I told her that there were various folders that needed to go. | 0:14:36 | 0:14:41 | |
My medical folder had to be deleted. | 0:14:41 | 0:14:44 | |
A number of other folders. | 0:14:46 | 0:14:47 | |
My doctor is in London. We live in the country. | 0:14:47 | 0:14:50 | |
I had had a very, nasty accident, | 0:14:50 | 0:14:52 | |
stubbed my toe, heavy bruising. | 0:14:52 | 0:14:56 | |
The threat of a lost nail. | 0:14:56 | 0:14:58 | |
I thought that I would e-mail it to the doctor | 0:14:58 | 0:15:00 | |
and he would then e-mail back advice. | 0:15:00 | 0:15:04 | |
That was some time ago and I wanted it now deleted. | 0:15:04 | 0:15:06 | |
And, of course, she wasn't quite as good | 0:15:06 | 0:15:09 | |
at her computing skills as I had hoped she was, | 0:15:09 | 0:15:13 | |
or indeed that she had claimed. | 0:15:13 | 0:15:15 | |
You are terrifying. | 0:15:15 | 0:15:18 | |
No. I don't like to say this in front of her, but she had been drinking. | 0:15:20 | 0:15:23 | |
And she pressed the e-mail thing and 700 people, | 0:15:25 | 0:15:29 | |
including business contacts, serious people, were e-mailed a picture of this battered toe. | 0:15:29 | 0:15:34 | |
And that's it. | 0:15:34 | 0:15:36 | |
-Including Sir Alan Sugar? -Yes. -He was the first to get it. | 0:15:36 | 0:15:38 | |
-He received a picture of your toe? -He sent one back of his! | 0:15:38 | 0:15:41 | |
It was actually quite a bruising experience because people didn't find it at all funny. | 0:15:46 | 0:15:50 | |
Lee. | 0:15:50 | 0:15:52 | |
-Yes. -You, you pronounce Zazi's name Zay-zee. | 0:15:52 | 0:15:55 | |
That's the kind of guy I am, I'm a maverick. | 0:15:55 | 0:15:57 | |
And you were at school with Zazi. | 0:15:57 | 0:15:59 | |
Well, yes, and before it's pointed out, I was in a different year, yes. | 0:15:59 | 0:16:03 | |
OK. How much older? | 0:16:03 | 0:16:05 | |
Oh, I think there was about four years difference. | 0:16:05 | 0:16:10 | |
But you cut off Zazi's pony tail. | 0:16:16 | 0:16:20 | |
Can I just point out we weren't actually at the same school, | 0:16:20 | 0:16:23 | |
I should get that in really. | 0:16:23 | 0:16:25 | |
We were on the, we call it the school bus, it wasn't a school bus that was only for schoolchildren. | 0:16:25 | 0:16:29 | |
-It was the bus I got to school. -So you weren't going to school? | 0:16:29 | 0:16:31 | |
It was a public bus and she was a child you didn't know on the bus. | 0:16:31 | 0:16:38 | |
It's starting to sound like a court case, David, can you back off? | 0:16:38 | 0:16:41 | |
-And you attacked her head with a sharp object. -I didn't attack her. I did not attack a child on the bus. | 0:16:41 | 0:16:46 | |
Sorry, you mistook a child's head for the head of one of your friends. | 0:16:46 | 0:16:51 | |
Yeah, I was about fifteen, I don't know what she was... | 0:16:51 | 0:16:54 | |
Three! | 0:16:54 | 0:16:56 | |
Why did you want to cut off Paul's pony tail? | 0:16:58 | 0:17:01 | |
Well, Paul's pony tail I always found a little bit annoying. | 0:17:01 | 0:17:06 | |
I mean, let's face it, have you ever seen a pony tail on a man and not wanted to cut it off? | 0:17:06 | 0:17:09 | |
But still, it's still a bit of a step to actually have a go, isn't it? | 0:17:09 | 0:17:13 | |
Cos after all it's up to people how they have their hair. It's not up to you, is it, Lee? | 0:17:13 | 0:17:18 | |
Trust me David, if it was up to me, you wouldn't be having your hair like that. | 0:17:18 | 0:17:23 | |
Likewise! | 0:17:23 | 0:17:25 | |
Thank you. | 0:17:25 | 0:17:28 | |
Was Paul somewhere else on the bus? | 0:17:28 | 0:17:30 | |
Yes, Paul was sat next to me and he went, hey go over there and cut my hair off. | 0:17:30 | 0:17:34 | |
"Paul stay there, I'll do it now!" I was a gullible fool. | 0:17:34 | 0:17:38 | |
This is an environment which you don't know Paul's on the bus at all, | 0:17:38 | 0:17:42 | |
you just see the back of a little girl and go, there's Paul, | 0:17:42 | 0:17:48 | |
where are my scissors? | 0:17:48 | 0:17:50 | |
I thought you might know Paul was somewhere on the bus and then you | 0:17:50 | 0:17:54 | |
see the pony tail oh, you've only got a moment, quick snip. | 0:17:54 | 0:17:56 | |
You don't even know Paul's there, you're just seeing pony tails and snipping away | 0:17:56 | 0:18:01 | |
despite the fact that Paul is apparently wearing a little dress. | 0:18:01 | 0:18:04 | |
So David what are you thinking here? | 0:18:09 | 0:18:11 | |
I'm slightly inclined to believe Lee. | 0:18:11 | 0:18:14 | |
What do you think about Miranda's story about the football trial? | 0:18:14 | 0:18:19 | |
That seemed... | 0:18:19 | 0:18:21 | |
that very much came to life, didn't it? | 0:18:21 | 0:18:24 | |
She certainly seemed to know a lot about football so I was impressed with that. | 0:18:24 | 0:18:27 | |
-I think it might be Nick and his suppurating toe. -E-mailing of the toe and what about you, Jack? | 0:18:27 | 0:18:34 | |
-I reckon it's Nick. -And what about you, David? | 0:18:34 | 0:18:37 | |
Well, I don't know, I'm stuck, but my two team mates agree | 0:18:37 | 0:18:41 | |
so I'm happy to go along with them. | 0:18:41 | 0:18:44 | |
Nick and it's the toe and it's the e-mail? | 0:18:44 | 0:18:45 | |
-Yeah. -Zazi would you please reveal your true identity. | 0:18:45 | 0:18:50 | |
I'm Zazi and Miranda and I once tried out for a professional football team. | 0:18:50 | 0:18:55 | |
APPLAUSE | 0:18:55 | 0:18:58 | |
Yes, Zazi did try out for a ladies professional football team with Miranda, | 0:19:05 | 0:19:10 | |
thank you very much, Zazi. | 0:19:10 | 0:19:12 | |
Time now for some high speed lying, in our final round Quickfire Lies and we'll start with | 0:19:22 | 0:19:28 | |
David Mitchell. | 0:19:28 | 0:19:30 | |
I killed a rat with my BAFTA. | 0:19:30 | 0:19:33 | |
I really hope that's true! | 0:19:40 | 0:19:43 | |
-I want that to be true. -That's brilliant if it is true. -He got a BAFTA? | 0:19:43 | 0:19:45 | |
Yes, I know. | 0:19:49 | 0:19:51 | |
Where was the rat? | 0:19:51 | 0:19:53 | |
The rat was in some bin bags that were sort of outside, | 0:19:53 | 0:19:56 | |
sort of round the corner from my kitchen. | 0:19:56 | 0:20:00 | |
Can I ask a question, is this the BAFTA you won when one of the other nominees was me? | 0:20:00 | 0:20:07 | |
I don't want to make you feel small Rob, but, it was the other one. | 0:20:07 | 0:20:11 | |
How did you kill it? | 0:20:13 | 0:20:16 | |
I didn't mean to kill it. | 0:20:16 | 0:20:18 | |
Whoa, whoa, whoa. you didn't mean to kill it. | 0:20:18 | 0:20:20 | |
Just meant to award it with the BAFTA. | 0:20:20 | 0:20:23 | |
I run into the flat, I grabbed the BAFTA. | 0:20:24 | 0:20:28 | |
-Where is the BAFTA in the flat? -It's on a bookshelf. | 0:20:28 | 0:20:30 | |
-Right, on display. -Oh, absolutely yeah, it's got lights round it. | 0:20:30 | 0:20:35 | |
It's in what I call my "me" room. | 0:20:35 | 0:20:39 | |
I then go outside with the BAFTA, I hold the BAFTA at arm's length, | 0:20:39 | 0:20:45 | |
sort of over where the bin bags were and I drop it. | 0:20:45 | 0:20:49 | |
-And then scuttle round the corner... -So you drop it with the idea of just shoo, that sort of? | 0:20:49 | 0:20:54 | |
Sort of shoo, but maybe I'm entertaining the possibility | 0:20:54 | 0:20:58 | |
of injuring it and I don't like that side of myself. | 0:20:58 | 0:21:01 | |
-And by absolute coincidence, it's landed right down on the rat. -Bang. | 0:21:01 | 0:21:05 | |
-Wow. -And then there's silence. | 0:21:05 | 0:21:07 | |
Look at you. | 0:21:07 | 0:21:10 | |
Now that's where you're wrong. | 0:21:10 | 0:21:12 | |
-Right. -Why? -You'd get a squeal. | 0:21:12 | 0:21:15 | |
Just a little, "I'd like to thank my family" and then it would die. | 0:21:15 | 0:21:18 | |
I know about rats. | 0:21:20 | 0:21:22 | |
-So have you killed a rat? -Yeah, my dogs kill rats. | 0:21:22 | 0:21:24 | |
-And did it squeal. -Squeal like hell. | 0:21:24 | 0:21:27 | |
Well, dogs are much crueller than BAFTAs. | 0:21:27 | 0:21:29 | |
-Truth or lie? -Oh, I'm really torn on this one, what d'you think, Nick? | 0:21:32 | 0:21:37 | |
No, you attack a rat from a distance, | 0:21:37 | 0:21:40 | |
you do not go hunting into your "me" room looking for something heavy. | 0:21:40 | 0:21:45 | |
-You think it's a lie, you're not sure. -I'm utterly confused. | 0:21:45 | 0:21:48 | |
Well, then I'm going to go for lie but there's a bit of me that | 0:21:48 | 0:21:50 | |
-just thinks it could be true, I'll say lie. -Saying lie. -Yeah. | 0:21:50 | 0:21:53 | |
-David, truth or lie? -It is a lie. | 0:21:53 | 0:21:56 | |
Yee-ha. | 0:21:56 | 0:21:57 | |
Well done, well done team. | 0:21:57 | 0:22:00 | |
Yes, it's a lie, David didn't kill a rat with his BAFTA. | 0:22:00 | 0:22:04 | |
You mustn't get obsessed by meaningless awards as I was telling my children. | 0:22:04 | 0:22:08 | |
Oscar, Emmy and Brit only yesterday! | 0:22:08 | 0:22:10 | |
Next. Er, that's me. | 0:22:10 | 0:22:13 | |
This is the sweatshirt that my wife and I put on together when we | 0:22:13 | 0:22:18 | |
are cosying up on a chilly evening, we call it the cuddle jumper. | 0:22:18 | 0:22:23 | |
True! | 0:22:25 | 0:22:27 | |
Can I just ask for the full demonstration with Nick, would that be all right? | 0:22:40 | 0:22:44 | |
-Can we see you model? -Nick, can you model with Rob the cuddle jumper? | 0:22:44 | 0:22:47 | |
-Prefer not to. -Well, we all prefer not to that's why I got in quick. | 0:22:47 | 0:22:51 | |
Cos I know where it was heading. | 0:22:51 | 0:22:54 | |
You can cuddle with him and you can... | 0:22:54 | 0:22:56 | |
-I have to get in there. -Come on, Nick. | 0:22:56 | 0:23:00 | |
I know you've not done it before, think of yourself as a bit of an apprentice with this, there we go, | 0:23:02 | 0:23:08 | |
stick your left arm in there. | 0:23:08 | 0:23:11 | |
It's quite nice actually. | 0:23:38 | 0:23:40 | |
You can just sit on my lap there, Nick. | 0:23:40 | 0:23:42 | |
Right, ask... | 0:23:42 | 0:23:45 | |
Who wants to ask first, both teams. | 0:23:47 | 0:23:50 | |
Nick, how does it feel? | 0:23:50 | 0:23:52 | |
Yeah oh... that's my phone, by the way! | 0:23:52 | 0:23:55 | |
Hard to describe accurately. | 0:23:58 | 0:24:00 | |
Nick, will you help me and turn this way? | 0:24:00 | 0:24:03 | |
Because our, our... | 0:24:03 | 0:24:06 | |
I'm not doing anything, I am not doing anything...! | 0:24:10 | 0:24:15 | |
Our television room is very draughty so... | 0:24:19 | 0:24:26 | |
What are you doing? Whoa! | 0:24:26 | 0:24:28 | |
Come back, it's very draughty | 0:24:28 | 0:24:31 | |
and we saw this on a shopping channel | 0:24:31 | 0:24:36 | |
and we ordered it for a laugh and it's actually... | 0:24:36 | 0:24:40 | |
I mean you'd have to admit it's very cosy. | 0:24:40 | 0:24:43 | |
He looks like a ventriloquist's dummy now. | 0:24:43 | 0:24:46 | |
I'll tell you what, Orville's let himself go, hasn't he? | 0:24:46 | 0:24:51 | |
So we ordered it, we don't wear it every night but we do wear it sometimes. | 0:24:51 | 0:24:55 | |
Is this the position you'll be in where the, your wife will be stuck on top? | 0:24:55 | 0:24:58 | |
No, because we have more than one chair in our television room, so we sit on the sofa side by side. | 0:24:58 | 0:25:04 | |
But we haven't got a sofa so we can't. | 0:25:04 | 0:25:06 | |
Have you got more than one jumper? | 0:25:06 | 0:25:09 | |
It's a cuddle jumper. | 0:25:09 | 0:25:11 | |
Why don't you wear jumpers and cuddle up. | 0:25:11 | 0:25:13 | |
Why did you get it in orange? | 0:25:13 | 0:25:15 | |
We wanted that Guantanamo feel, you know. | 0:25:17 | 0:25:19 | |
-Do they have pants too? -No. | 0:25:19 | 0:25:22 | |
You could have pants couldn't you, three legs. | 0:25:22 | 0:25:25 | |
Are you suggesting that you lose the pants? | 0:25:26 | 0:25:29 | |
-Does the design lend itself to intimacy? -Yes. | 0:25:32 | 0:25:35 | |
Not tonight, it doesn't! | 0:25:35 | 0:25:37 | |
-Time for a guess, what are you going to say, Lee? -Er, Miranda? | 0:25:43 | 0:25:45 | |
I just really hope... | 0:25:45 | 0:25:48 | |
I want to get in your jumper now. | 0:25:48 | 0:25:50 | |
Thank you, that's quite nice, I like it. | 0:25:54 | 0:25:57 | |
Rebecca, Rebecca this does put some pressure on you. | 0:26:04 | 0:26:07 | |
-Nobody's getting in mine. -It's either mine or David's trousers. | 0:26:09 | 0:26:13 | |
-So what d'you think, Lee? -I don't want to rush it, I'm really cosy. | 0:26:13 | 0:26:17 | |
So what are you saying truth or lie? | 0:26:17 | 0:26:19 | |
Um... | 0:26:19 | 0:26:21 | |
BOTH: What's happening? Um... | 0:26:31 | 0:26:34 | |
BOTH: We think | 0:26:36 | 0:26:39 | |
it's a... | 0:26:39 | 0:26:41 | |
-Lie. -Truth! | 0:26:43 | 0:26:45 | |
It's a try. | 0:26:45 | 0:26:47 | |
Hang on, we have to consult our other team member, come over here. | 0:26:47 | 0:26:51 | |
-Do we think it's true or a lie? -I don't know what the question is. | 0:26:59 | 0:27:02 | |
The question is, does he cuddle... | 0:27:02 | 0:27:05 | |
does he cuddle up to his wife with this jumper? | 0:27:05 | 0:27:08 | |
-In this jumper. -No. -No. -It's a lie. | 0:27:08 | 0:27:10 | |
-Nick. -Got strong thighs, this boy. | 0:27:10 | 0:27:14 | |
And you've got a very bony bum. | 0:27:14 | 0:27:16 | |
David, what about you and Rebecca and Jack, what do you think? | 0:27:16 | 0:27:22 | |
-I think it might be true. -I think it's true. | 0:27:22 | 0:27:23 | |
-In a bizarre, perverse other universe. -Quick as you like. | 0:27:23 | 0:27:26 | |
-We'll go for true then. -You're saying true and what are you saying? | 0:27:26 | 0:27:29 | |
-Oh, I forgot. -Lie. -Let's go back and ask Nick. We said it's a lie. | 0:27:29 | 0:27:35 | |
You're saying it's a lie. Well, I can tell you it's actually a lie. | 0:27:35 | 0:27:38 | |
Now what do we do? | 0:27:41 | 0:27:43 | |
Hang on. | 0:27:43 | 0:27:45 | |
Come in here, it's great, it's great, there's room for three! | 0:27:55 | 0:27:58 | |
Yes, thank goodness it's a lie, it isn't the sweatshirt that my wife | 0:28:04 | 0:28:09 | |
and I put on together when we're cosying up on a chilly evening. | 0:28:09 | 0:28:13 | |
BUZZER SOUNDS | 0:28:13 | 0:28:15 | |
Oh, and that noise signals time is up and it's the end of the show | 0:28:15 | 0:28:18 | |
and I can reveal that David's team have three points, but Lee has won with five! | 0:28:18 | 0:28:23 | |
But it's not just a team game and my individual liar of the week is Nick Hewer. | 0:28:29 | 0:28:34 | |
Yes, Nick Hewer who hasn't deceived the public so much since he had a picture taken with Lord Sugar | 0:28:37 | 0:28:43 | |
and they both looked the same height, good night. | 0:28:43 | 0:28:46 | |
Subtitles by Red Bee Media | 0:28:52 | 0:28:56 |