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APPLAUSE | 0:00:16 | 0:00:20 | |
Good evening, and welcome to Would I Lie To You? | 0:00:26 | 0:00:32 | |
The show where for a full half hour, it's fine to fib. | 0:00:32 | 0:00:36 | |
On Lee Mack's team tonight, | 0:00:36 | 0:00:38 | |
a breakfast TV presenter who appeared on Strictly | 0:00:38 | 0:00:40 | |
and suffered a serious ankle injury, | 0:00:40 | 0:00:43 | |
although in my view, not serious enough, | 0:00:43 | 0:00:46 | |
it's Bill Turnbull. | 0:00:46 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:50 | |
And I'm not saying he's camp, but if Glee did a Mamma Mia special | 0:00:50 | 0:00:54 | |
starring poodles wearing spandex, | 0:00:54 | 0:00:57 | |
I imagine he'd watch it in legwarmers. | 0:00:57 | 0:00:59 | |
From Pineapple Dance Studios, Louie Spence. | 0:00:59 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:06 | |
And joining David Mitchell, | 0:01:08 | 0:01:09 | |
an Irish comedian who came to England to find his fortune, | 0:01:09 | 0:01:13 | |
or failing that, any loose change, it's David O'Doherty. | 0:01:13 | 0:01:16 | |
CHEERING AND APPLAUSE | 0:01:16 | 0:01:19 | |
And in Doc Martin, she played a doctor's receptionist | 0:01:20 | 0:01:24 | |
who was rude and stupid, or to put it another way, | 0:01:24 | 0:01:27 | |
she played a doctor's receptionist. | 0:01:27 | 0:01:30 | |
Star of the Old Guys and the IT Crowd, | 0:01:30 | 0:01:32 | |
it's Katherine Parkinson. | 0:01:32 | 0:01:34 | |
CHEERING AND APPLAUSE | 0:01:34 | 0:01:37 | |
Right, we will begin with Round 1, Home Truths, | 0:01:37 | 0:01:41 | |
where our panellists each read out a statement from the card. | 0:01:41 | 0:01:44 | |
To make things harder, they've never seen the card before, | 0:01:44 | 0:01:47 | |
so they've no idea what they'll be faced with. | 0:01:47 | 0:01:49 | |
It's up to the opposing team to separate the truth from the lies. | 0:01:49 | 0:01:53 | |
Katherine, you are first, would you reveal all? | 0:01:53 | 0:01:55 | |
I was so sure that Wombles were real, | 0:01:55 | 0:01:58 | |
I used one as an example of a mammal in a GCSE biology exam. | 0:01:58 | 0:02:03 | |
LAUGHTER | 0:02:03 | 0:02:07 | |
How could it be true? How could it be true? Lee. | 0:02:07 | 0:02:10 | |
Which one did you draw? What did he look like? | 0:02:10 | 0:02:13 | |
I didn't draw anything. The question was give an example of a mammal. | 0:02:13 | 0:02:17 | |
Oh, you used it. Just wrote it down - a Womble. | 0:02:17 | 0:02:19 | |
I gave... It was - give three examples of mammals | 0:02:19 | 0:02:22 | |
and I said bear, cos that's an obvious one, | 0:02:22 | 0:02:26 | |
whale - bit less obvious, | 0:02:26 | 0:02:28 | |
clever, and Womble was my third example. | 0:02:28 | 0:02:31 | |
How old were you, at the time? | 0:02:31 | 0:02:33 | |
Er, 15. | 0:02:33 | 0:02:35 | |
What are you looking at David for? | 0:02:35 | 0:02:38 | |
Let's remind ourselves what the Wombles looked like. | 0:02:38 | 0:02:41 | |
We've got Uncle Bulgaria, there he is. | 0:02:41 | 0:02:44 | |
He was like the Don Corleone of the Womble family. | 0:02:44 | 0:02:49 | |
-What grade did you get, then? -A. -You got As, even though you think Wombles are mammals? | 0:02:49 | 0:02:53 | |
I should make it clear that I didn't think the children's programme was a documentary, | 0:02:53 | 0:02:59 | |
I thought the children's programme, | 0:02:59 | 0:03:01 | |
THAT Womble, was based on a real mammal. | 0:03:01 | 0:03:04 | |
For example, a bear is a real mammal, | 0:03:04 | 0:03:07 | |
but Yogi Bear isn't a fair representation of their life. | 0:03:07 | 0:03:12 | |
You're telling me for a GCSE, at aged 15, the question was, | 0:03:12 | 0:03:17 | |
"Give three examples of a mammal?" | 0:03:17 | 0:03:18 | |
Lee, this isn't the end of a game show. | 0:03:18 | 0:03:20 | |
It's not like, "And this one's for the GCSE". | 0:03:20 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:25 | |
There were lots of questions. | 0:03:25 | 0:03:27 | |
But surely, the question in a GCSE at 15 wouldn't be, | 0:03:27 | 0:03:30 | |
"Give us examples of three mammals". | 0:03:30 | 0:03:32 | |
-It's a basic question. -Why do you think that's easy? | 0:03:32 | 0:03:35 | |
-Well, it's quite... -You are such an intellectual snob. | 0:03:35 | 0:03:38 | |
LAUGHTER AND APPLAUSE | 0:03:38 | 0:03:41 | |
That's my role on the show. | 0:03:41 | 0:03:44 | |
I'm sorry, I'm sorry, you could have said, cat, | 0:03:44 | 0:03:46 | |
dog. Any number of things. | 0:03:46 | 0:03:49 | |
Are you stuck for the third one? | 0:03:49 | 0:03:51 | |
Cat, dog... | 0:03:51 | 0:03:53 | |
..Womble! I know what you're saying, | 0:03:55 | 0:03:57 | |
you could say that you knew that they were fictional, | 0:03:57 | 0:04:00 | |
but based on a real animal called the Womble. | 0:04:00 | 0:04:03 | |
I thought that maybe it was based on the fact that in real life, | 0:04:03 | 0:04:06 | |
they made their burrows from, like, condoms and coke cans. | 0:04:06 | 0:04:10 | |
In reality, of course, most creatures perish because of litter, | 0:04:10 | 0:04:15 | |
things that the everyday folk leave behind. | 0:04:15 | 0:04:18 | |
So, in a way, the Wombles did a lot of bad. | 0:04:18 | 0:04:21 | |
Are you saying that the Wombles message encouraged people to litter? | 0:04:21 | 0:04:25 | |
Yes. | 0:04:25 | 0:04:26 | |
People said, "Maybe I was going to throw this away properly, | 0:04:26 | 0:04:29 | |
"but maybe the Wombles can make an extension out of it". | 0:04:29 | 0:04:32 | |
Yes, yes. That's exactly what I'm saying, yes. | 0:04:32 | 0:04:35 | |
People do dress dogs up like that, these days and so, | 0:04:35 | 0:04:38 | |
you can be sure whether they're possibly just trained Wombles. | 0:04:38 | 0:04:43 | |
In the story the Wombles were... | 0:04:44 | 0:04:46 | |
That wasn't just poor old bewildered Womble, | 0:04:46 | 0:04:49 | |
but someone's put glasses on him. | 0:04:49 | 0:04:51 | |
He's put his own glasses - he's gone to the Womble optician and said, | 0:04:51 | 0:04:55 | |
"Can you fashion me some reading glasses out of stuff that everyday folk have left around?" | 0:04:55 | 0:04:59 | |
-And they've done that. -That's actually not true, he found the glasses. He found... | 0:04:59 | 0:05:03 | |
-He found glasses of exactly the right prescription. -No, no! | 0:05:03 | 0:05:06 | |
There was no evidence it was the right prescription. | 0:05:06 | 0:05:11 | |
There was an episode where an old man had died on Wimbledon Common. | 0:05:11 | 0:05:14 | |
Immediately the Wombles are on him! | 0:05:14 | 0:05:17 | |
They're taking everything - his medals, his gold watch, | 0:05:17 | 0:05:20 | |
his glasses, his shoes, and there he is, naked. | 0:05:20 | 0:05:24 | |
No dignity! No dignity if the Wombles are around. | 0:05:24 | 0:05:27 | |
It's a brilliant programme! | 0:05:27 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:31 | |
Well, what do we think, Bill? | 0:05:31 | 0:05:34 | |
I think it would be an insult to Katherine's intelligence to believe that she wrote that down in an exam. | 0:05:34 | 0:05:39 | |
-I don't believe it. -You don't? I think... Go on, what do you think? -No, I don't believe it. | 0:05:39 | 0:05:43 | |
I don't, because I think that she seems better educated than that. | 0:05:43 | 0:05:47 | |
-I mean, I got kicked out of school at 15. -Why? -I wasn't very educated and I didn't really know anything. | 0:05:47 | 0:05:52 | |
I couldn't spell or read, I did high kicks and back flips. They got bored! | 0:05:52 | 0:05:56 | |
What did you do - run out in the street singing and dancing | 0:05:56 | 0:05:59 | |
-and going, "I don't need this"? -Yeah. | 0:05:59 | 0:06:01 | |
# I don't need this, I don't want this, I can't spell, I can't do. # | 0:06:01 | 0:06:04 | |
Head roll, head roll, head roll! Boom, boom! | 0:06:04 | 0:06:08 | |
Can I just say... | 0:06:08 | 0:06:12 | |
I would say that in the history of this programme | 0:06:12 | 0:06:14 | |
we have never had two such opposing guests... | 0:06:14 | 0:06:17 | |
as Bill and Louie. | 0:06:17 | 0:06:20 | |
Well, there we are. | 0:06:20 | 0:06:22 | |
It's time, Lee, to make a decision. | 0:06:22 | 0:06:25 | |
-Which way are you going? -I'll go with my team and say it's not true. | 0:06:25 | 0:06:28 | |
-Even though my gut is screaming it's true, I will go with my team and say it's a lie. -OK. | 0:06:28 | 0:06:33 | |
Katherine, is it a lie, or is it true? | 0:06:33 | 0:06:36 | |
It is in fact, true. | 0:06:36 | 0:06:38 | |
Yes, it's true. Katherine did use a Womble | 0:06:46 | 0:06:48 | |
as an example of a mammal in her GCSE biology exams. | 0:06:48 | 0:06:51 | |
Right, David O'Doherty, you're next. | 0:06:51 | 0:06:54 | |
I am currently seeing a hypnotist | 0:06:58 | 0:07:00 | |
to cure me of my compulsion to visit hypnotists. | 0:07:00 | 0:07:04 | |
Wow! I don't think this is going to take too long. | 0:07:09 | 0:07:15 | |
How long have you had a compulsion to see hypnotists? | 0:07:15 | 0:07:18 | |
Well, it started off I had a fear of heights | 0:07:18 | 0:07:20 | |
and I visited a lot of different practitioners. | 0:07:20 | 0:07:23 | |
It is a serious enough thing. I mean, it is, it's unusual to be this high. | 0:07:23 | 0:07:27 | |
And...yeah, I tried hypnosis and then I seemed to be getting something temporary from it, | 0:07:30 | 0:07:36 | |
so then I ended up visiting a lot more hypnotists. | 0:07:36 | 0:07:39 | |
-What did you get temporary from it? -I got some relief for a while. | 0:07:39 | 0:07:43 | |
-From your fear of heights? -Yeah. -You're now relieved of that at this point. | 0:07:43 | 0:07:47 | |
-Why would you go back? -Oh, because then... | 0:07:47 | 0:07:50 | |
The relief is temporary, so I ended up going back | 0:07:50 | 0:07:53 | |
and then I ended up getting really addicted to visiting different hypnotists. | 0:07:53 | 0:07:58 | |
-What do they do? -Normally they just put me under for a minute. -Put you under what? | 0:07:58 | 0:08:02 | |
-Water?! -They make me - it's serious - | 0:08:02 | 0:08:05 | |
they make me lie... | 0:08:05 | 0:08:07 | |
-lie on the ground. -So they make you lie on the ground? | 0:08:07 | 0:08:11 | |
How does that cure your fear of heights? Surely they should make you lie on top of the cupboard? | 0:08:11 | 0:08:16 | |
Well, I am knocked out during this, and when I wake up they put me on top of something high. | 0:08:16 | 0:08:21 | |
-Oh, right! So how many different hypnotists have you seen? -I don't know. | 0:08:21 | 0:08:24 | |
-It's into the hundreds at this point. -Hundreds of hypnotists? | 0:08:24 | 0:08:28 | |
It was costing... Most of my income was going on it. | 0:08:28 | 0:08:30 | |
I mean, I would do... whatever money I could get was just going straight into hypnosis then. | 0:08:30 | 0:08:35 | |
How long have you been seeing the one you've been seeing now for to get you off seeing a hypnotist? | 0:08:35 | 0:08:42 | |
Well, this one, about two years now. | 0:08:42 | 0:08:45 | |
So the man you've been seeing for the last two years | 0:08:45 | 0:08:48 | |
has been specifically for the problem that you want to stop seeing hypnotists? | 0:08:48 | 0:08:53 | |
Not for the height thing any more, just, | 0:08:53 | 0:08:55 | |
-"I'm addicted to hypnotists, I need to stop" - that's why you're seeing him? -Yeah. | 0:08:55 | 0:08:59 | |
And you've been seeing him for two years? | 0:08:59 | 0:09:02 | |
We are nearly... we're nearly out of the woods. | 0:09:02 | 0:09:05 | |
LAUGHTER AND APPLAUSE | 0:09:05 | 0:09:09 | |
-Do they ever touch you in any way? -Generally, the severe vertigo hypnosis I get | 0:09:11 | 0:09:15 | |
doesn't involve physical contact, but it involves being winched up. | 0:09:15 | 0:09:19 | |
-Winched up? -Well, winched up to get the height, | 0:09:19 | 0:09:22 | |
so when you come around you're at a height and think, this is normal. | 0:09:22 | 0:09:26 | |
-So when he puts you under... -This is back when I had a serious problem. | 0:09:26 | 0:09:29 | |
Yeah. Let's go back to that problem, the bit that interests me, winching up. | 0:09:29 | 0:09:33 | |
They put you out and then you're gone. Do you remember being... | 0:09:33 | 0:09:36 | |
Do you wake up and go, "How did I get up here?" | 0:09:36 | 0:09:39 | |
You put on a sort of Velcro suit at the start, and then... | 0:09:39 | 0:09:43 | |
-Are you aware of what they're saying? -No. I'm gone and then it's, "Come down from on top of the... | 0:09:46 | 0:09:52 | |
-"on top of the cupboard." -So they winch you up and winch you down onto the cupboard? | 0:09:52 | 0:09:57 | |
No, I can get down because I've been hypnotised. | 0:09:57 | 0:09:59 | |
-So you've been winched up to the top of the cupboard? -While I'm under. -So he winches you up, | 0:09:59 | 0:10:04 | |
and slightly nudges... slightly nudges you over the cupboard and winches you down again. | 0:10:04 | 0:10:09 | |
Why does he have to put you on the cupboard, why doesn't he just winch you up and keep you winched? | 0:10:10 | 0:10:15 | |
What's the advantage of being on a cupboard over being winched up? | 0:10:15 | 0:10:19 | |
Have you got a fear of being up high on cupboards? | 0:10:19 | 0:10:22 | |
-What's the name of the hypnotist you're seeing? -Dr Spanks. | 0:10:24 | 0:10:27 | |
LAUGHTER AND APPLAUSE | 0:10:27 | 0:10:33 | |
-Never before, never before. -You were doing really well. | 0:10:37 | 0:10:40 | |
-I don't think I... -They were buying it! | 0:10:43 | 0:10:46 | |
You know when you, you know when you start a sentence and you don't know how it's going to end, | 0:10:46 | 0:10:51 | |
it's never happened before with just two words, Dr and Spanks. | 0:10:51 | 0:10:55 | |
He's German. | 0:10:56 | 0:10:58 | |
Oh, no! | 0:10:58 | 0:10:59 | |
He's German, yeah? | 0:10:59 | 0:11:02 | |
It's very emotional. | 0:11:06 | 0:11:07 | |
-What do you think, Lee? It's a tricky one. -Well, it's a tough one. | 0:11:17 | 0:11:21 | |
-We're going with you on this one. -What do you think? | 0:11:21 | 0:11:24 | |
Even if I believed everything else, | 0:11:24 | 0:11:26 | |
I've never met anybody German called Spanks. | 0:11:26 | 0:11:29 | |
It's S-P-E-umlaut... | 0:11:31 | 0:11:34 | |
G-H-N-K-S. | 0:11:34 | 0:11:37 | |
You've just ruined it. | 0:11:37 | 0:11:39 | |
Oh, is that what ruined it?! | 0:11:39 | 0:11:42 | |
Because there is never an umlaut on an E. | 0:11:42 | 0:11:45 | |
There's never a man being Velcro'd and winched up, that's the bit you want to be focusing on. | 0:11:45 | 0:11:49 | |
Not the spelling of his surname. | 0:11:49 | 0:11:52 | |
-Right, so, Lee. -I'd better say it's a lie then. | 0:11:53 | 0:11:56 | |
You're saying it's a lie. | 0:11:56 | 0:11:57 | |
David O'Doherty, was that fantastic tale the truth, | 0:11:57 | 0:12:01 | |
or was it a lie? | 0:12:01 | 0:12:03 | |
Incredible as it seems, that is a lie. | 0:12:03 | 0:12:06 | |
Good effort. | 0:12:10 | 0:12:11 | |
Yes, unsurprisingly it's a lie, David isn't seeing | 0:12:11 | 0:12:16 | |
a hypnotist to cure him of a compulsion to visit hypnotists. | 0:12:16 | 0:12:19 | |
I went to see a hypnotist once, all the time he was saying | 0:12:19 | 0:12:22 | |
"Look into my eyes, look in..." | 0:12:22 | 0:12:23 | |
Sorry, sorry, not hypnotist, optician. | 0:12:23 | 0:12:26 | |
And at the end of that round the scores are tied. | 0:12:27 | 0:12:30 | |
APPLAUSE | 0:12:30 | 0:12:31 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:12:31 | 0:12:35 | |
who has a close connection to one of our panellists | 0:12:35 | 0:12:37 | |
and this week each of David's team will claim it's them | 0:12:37 | 0:12:40 | |
that has the genuine connection to the guest | 0:12:40 | 0:12:42 | |
and it's up to Lee's team to spot who's telling the truth, | 0:12:42 | 0:12:46 | |
-so please welcome this week's special guest, it's Mark. -APPLAUSE | 0:12:46 | 0:12:50 | |
Right, we'll start with you, David O'Doherty. What is Mark to you? | 0:12:54 | 0:12:57 | |
Well, this is Mark | 0:12:57 | 0:13:00 | |
and together we started a lost animals detective agency. | 0:13:00 | 0:13:05 | |
So, there we have it, David's animal detective. | 0:13:05 | 0:13:08 | |
-Katherine, what's your connection to Mark? -This is Mark. | 0:13:08 | 0:13:12 | |
He's my recycling man and last year he put a note through my door | 0:13:12 | 0:13:16 | |
saying he thought we were eating too many takeaways. | 0:13:16 | 0:13:20 | |
Right, Katherine's healthy-eating recycling man. | 0:13:22 | 0:13:25 | |
-David Mitchell, your relationship with Mark? -This is Mark. | 0:13:25 | 0:13:29 | |
He saved me from choking in Argos after I... | 0:13:29 | 0:13:32 | |
David, you haven't even heard of Argos! | 0:13:35 | 0:13:38 | |
He saved me from choking in Argos | 0:13:41 | 0:13:43 | |
after I swallowed one of their little pens. | 0:13:43 | 0:13:47 | |
There we have it. | 0:13:53 | 0:13:56 | |
I would like to know, precisely what is implausible about that?! | 0:13:56 | 0:14:00 | |
So there we have it. David O'Doherty's private eye for pets. | 0:14:00 | 0:14:03 | |
Katherine's judgemental bin man or David's high-street hero. | 0:14:03 | 0:14:08 | |
Lee's team - where to begin? | 0:14:08 | 0:14:10 | |
Well...well let's start with Katherine. | 0:14:10 | 0:14:12 | |
-How many takeaways were you eating? -Chinese, Thai and pizzas. | 0:14:12 | 0:14:16 | |
-Yeah, that's the first night, what about the second night? -Indian. | 0:14:16 | 0:14:19 | |
I wasn't having takeaways every night and this is why I personally | 0:14:19 | 0:14:22 | |
think it was a very rude thing to do and apart from the fact that it's | 0:14:22 | 0:14:25 | |
none of this man's business, who I don't know, he's basically my staff. | 0:14:25 | 0:14:30 | |
You know, I don't know him. | 0:14:33 | 0:14:34 | |
How often does your staff turn up to take away the refuse? | 0:14:34 | 0:14:37 | |
God, I don't know, my husband deals with all... all the rubbish and stuff. | 0:14:37 | 0:14:41 | |
I don't know what that means. He doesn't deal with booking them? They just come every week or every... | 0:14:41 | 0:14:45 | |
-He puts the rubbish out, Lee. -You'd still know how often they come. | 0:14:45 | 0:14:49 | |
I accept that, but you said your husband deals with it, whatever that means. It means he's the one, | 0:14:49 | 0:14:54 | |
and in my family, Mrs Brydon is happy for me to put the rubbish out. | 0:14:54 | 0:14:58 | |
-I do it every Thursday night. -Really, do you take a little step ladder out with you? | 0:14:58 | 0:15:01 | |
Yes, cos I...I can't reach the top of the wheelie bin, | 0:15:01 | 0:15:04 | |
-so sometimes she says, "Oh, just take a run at it." -Little tumble. | 0:15:04 | 0:15:08 | |
Cascading down on your head. | 0:15:13 | 0:15:15 | |
And then when you think it's all over the place, | 0:15:15 | 0:15:18 | |
the little mammals turn up to clear all the rubbish. | 0:15:18 | 0:15:21 | |
Give us a rough average over two weeks at that time, | 0:15:23 | 0:15:27 | |
-how many takeaways were you eating? -Every other night, I think. | 0:15:27 | 0:15:30 | |
So that's what... That's, that's normal to me, isn't it? | 0:15:30 | 0:15:33 | |
-He writes a note and it says? -It said, I remember it beginning with, | 0:15:33 | 0:15:36 | |
"I hope you don't think this is rude." And it is rude and it was rude. | 0:15:36 | 0:15:40 | |
I know this is rude, but... | 0:15:40 | 0:15:42 | |
"I wonder if you've considered that you're maybe eating | 0:15:42 | 0:15:45 | |
"too many takeaways. Yours, Mark." | 0:15:45 | 0:15:47 | |
-So just... -Stand up. -What? -Stand up. -I am standing up. -No. | 0:15:47 | 0:15:52 | |
-All them takeaways, let's have a look. -That's my mic pack. | 0:15:53 | 0:15:56 | |
-I'm gonna go and have a quick feel. -Oh, my god. -I'm allowed to, I'm gay. | 0:15:56 | 0:15:59 | |
If it turns out this whole facade has been a lie, Louie... | 0:15:59 | 0:16:03 | |
It's all right, I'm gay. | 0:16:04 | 0:16:06 | |
Can I just say, Katherine, I'm gay! | 0:16:08 | 0:16:11 | |
Well, I can tell you she doesn't feel like she's eaten | 0:16:16 | 0:16:20 | |
a lot of takeaways, she's firm and tiny. | 0:16:20 | 0:16:22 | |
Thank god! Cos it was have been awful if he'd said she's telling the truth, she stinks of curry! | 0:16:22 | 0:16:27 | |
No, she's tight and toned. | 0:16:28 | 0:16:31 | |
Lee, what about, what about your other suspects? | 0:16:31 | 0:16:34 | |
-David O'Doherty. -Hello. -Hi. | 0:16:34 | 0:16:37 | |
You were running a detective agency for lost animals, is that correct? | 0:16:37 | 0:16:41 | |
Well, we started off just as a detective agency generally. | 0:16:41 | 0:16:44 | |
And then these lost animals started ringing you up, | 0:16:47 | 0:16:50 | |
-saying can you find my owner for me? -No. -What? | 0:16:50 | 0:16:54 | |
The...it's the mid-'80s in Dublin and there's a lot of crime | 0:16:55 | 0:17:00 | |
and we were eight or nine | 0:17:00 | 0:17:02 | |
and we decided we were going to do something about the crime. | 0:17:02 | 0:17:05 | |
So you start this detective agency and it, and it doesn't go so well, | 0:17:06 | 0:17:10 | |
so you have to think, you need to be a bit more niche. | 0:17:10 | 0:17:13 | |
We weren't...we..we just weren't getting the case load. | 0:17:13 | 0:17:17 | |
-We were getting nothing. -Did you recover any lost animals? | 0:17:17 | 0:17:21 | |
Well, the... In the window of the local shop there seemed to be | 0:17:21 | 0:17:27 | |
some people had lost cats and dogs, | 0:17:27 | 0:17:31 | |
so...and some of them were offering cash rewards. | 0:17:31 | 0:17:34 | |
It was decided that we would ring up one of these people | 0:17:34 | 0:17:38 | |
and, as I had the most mature voice of the agency, er... | 0:17:38 | 0:17:42 | |
-I had to speak to the lady. -And what would you say? | 0:17:44 | 0:17:48 | |
"Hello, is that Mrs Whitaker?" And she would go, "yes", | 0:17:48 | 0:17:52 | |
and I'd say, "And did you lose a cat called Whiskers recently?" | 0:17:52 | 0:17:57 | |
And she'd go, "Oh, yes, oh, yes," and I'd go, "Well, you're in luck, | 0:17:57 | 0:18:00 | |
"because my eight-year-old friend and I have set up a pet finding | 0:18:00 | 0:18:04 | |
"detective agency and we're gonna take on your case." | 0:18:04 | 0:18:08 | |
And did you have any results, any good results? | 0:18:12 | 0:18:15 | |
-Did you ever find an animal, ever? -No. | 0:18:15 | 0:18:19 | |
What...what about the... the other David, as he's now known? | 0:18:19 | 0:18:22 | |
Oh, we're actually considering that, are we? | 0:18:22 | 0:18:26 | |
-Yes. -Oh, sorry. | 0:18:26 | 0:18:28 | |
-What were you buying in Argos? -A kettle. | 0:18:28 | 0:18:33 | |
Talk me through the process of how it works when you go to Argos? | 0:18:33 | 0:18:36 | |
I walked through the door | 0:18:42 | 0:18:44 | |
and I looked through the catalogue to find the kettle. | 0:18:44 | 0:18:48 | |
-What type of kettle did you go for in the end? -For boiling water. | 0:18:48 | 0:18:52 | |
So you've seen the kettle and then what, what happens next? | 0:18:53 | 0:18:56 | |
Well, I...I filled in... | 0:18:56 | 0:18:59 | |
I checked on the little key pad that they had it in, in stock. | 0:18:59 | 0:19:02 | |
Oooh. | 0:19:02 | 0:19:03 | |
I tell you what, you are down with the kids. | 0:19:03 | 0:19:06 | |
This pen which you swallowed, how long was it? | 0:19:08 | 0:19:13 | |
-Sort of about that long, I think. -And you choked? | 0:19:13 | 0:19:17 | |
Marvellous, absolutely marvellous. Never has such a clean sentence meant so much. | 0:19:24 | 0:19:31 | |
Why did you put it in your mouth? | 0:19:31 | 0:19:34 | |
I was sort of chewing the end of it, sort of thinking. | 0:19:34 | 0:19:37 | |
-Trying to look working class. -Then I...I sneezed. -You sneezed! | 0:19:37 | 0:19:41 | |
The way you do when you sneeze and suck in at the same time, yeah. | 0:19:41 | 0:19:45 | |
Achoo. | 0:19:45 | 0:19:46 | |
You had a back-draught effect did you? And it went, huh! Straight in. | 0:19:46 | 0:19:51 | |
So you sneezed. | 0:19:51 | 0:19:53 | |
In order...in order... | 0:19:53 | 0:19:54 | |
I involuntarily inhaled before the exhalation. | 0:19:54 | 0:19:58 | |
Are you like Hoover man, did everything implode into your gob. | 0:19:58 | 0:20:03 | |
That's my child, get his legs. | 0:20:03 | 0:20:05 | |
-So Mark's run up to you. -Yeah. | 0:20:11 | 0:20:13 | |
Has he given you the Heimlich manoeuvre? | 0:20:13 | 0:20:15 | |
No, he just sort of patted me hard on the back a few times. | 0:20:15 | 0:20:20 | |
-Right. We need an answer. -I can't see Mr Mitchell in Argos. | 0:20:20 | 0:20:25 | |
I think it could be true, his story, because he looks quite Irish, quite fair, isn't he? And... | 0:20:25 | 0:20:29 | |
-He looks Irish? -I think he looks Irish. | 0:20:29 | 0:20:31 | |
-So what do you say, Lee? -I think we shall say David O'Doherty? -Yeah. | 0:20:31 | 0:20:35 | |
Don't blame me, that's all I'm saying. | 0:20:35 | 0:20:37 | |
-We're gonna go David O'Doherty. -David O'Doherty. | 0:20:37 | 0:20:39 | |
OK, Mark, would you now please reveal your true identity. | 0:20:39 | 0:20:43 | |
-David O'Doherty and I ran a pet detective agency. -I told you! | 0:20:43 | 0:20:48 | |
I told you! | 0:20:48 | 0:20:50 | |
Yes, it's absolutely true. You had a detective agency. | 0:20:55 | 0:21:00 | |
I was at home rooting around and we made business cards | 0:21:00 | 0:21:04 | |
and the caption at the bottom is "we handle everything." | 0:21:04 | 0:21:08 | |
-You're the first detective. -Yeah. -And Mark is... -He's down as "notes". | 0:21:10 | 0:21:14 | |
Down as "notes". What does that mean, "notes"? | 0:21:14 | 0:21:18 | |
You've reduced him to an inanimate noun. | 0:21:18 | 0:21:20 | |
What a man, thank you very much to Mark. | 0:21:20 | 0:21:23 | |
APPLAUSE | 0:21:23 | 0:21:25 | |
Which brings us to our final round Quickfire Lies. | 0:21:28 | 0:21:31 | |
We will start with... | 0:21:31 | 0:21:33 | |
It's Louie. | 0:21:33 | 0:21:34 | |
Oh. Put my glasses on. This means I've gotta read. | 0:21:34 | 0:21:40 | |
Right, hold on. | 0:21:40 | 0:21:41 | |
I make myself cry before every big dance performance, | 0:21:41 | 0:21:44 | |
to get rid of any excess water weight. | 0:21:44 | 0:21:47 | |
What do you think, David? | 0:21:47 | 0:21:49 | |
My...my first question, what do you think of to produce this | 0:21:49 | 0:21:53 | |
torrent of tears that would get rid of all this excess water? | 0:21:53 | 0:21:57 | |
Well, as a dancer, | 0:21:57 | 0:21:58 | |
you're so criticised for the way you look and some of the things | 0:21:58 | 0:22:01 | |
you have to wear on stage are very revealing and can be very tight | 0:22:01 | 0:22:05 | |
and so I just think about how awful I would look and what kind | 0:22:05 | 0:22:08 | |
-of criticism I would get so that's enough to reduce me to tears. -Right. | 0:22:08 | 0:22:12 | |
The spiteful remarks that people would make | 0:22:12 | 0:22:14 | |
if you don't burst into tears and lose a few pounds of water. | 0:22:14 | 0:22:18 | |
-Yes. -Pounds, would you be losing pounds, just from a quick cry? | 0:22:18 | 0:22:22 | |
Oh, yes, you can, you absolutely can. | 0:22:22 | 0:22:24 | |
Louie, where did you...where did you discover this technique? | 0:22:24 | 0:22:28 | |
Well, a lot of ballet dancers, a lot of commercial dancers do do it, | 0:22:28 | 0:22:32 | |
it's a funny world we live in. | 0:22:32 | 0:22:34 | |
What we do is extreme, what we do with our bodies is extreme. | 0:22:34 | 0:22:37 | |
It's just one more thing to be extreme with. | 0:22:37 | 0:22:41 | |
How do you make sure it doesn't go onto your skin | 0:22:41 | 0:22:43 | |
and then still be weighing you down? | 0:22:43 | 0:22:45 | |
You do it like this with the flat back over, | 0:22:45 | 0:22:48 | |
so they just drop like that. | 0:22:48 | 0:22:51 | |
It must be really difficult stand... | 0:22:51 | 0:22:53 | |
-Have you had any experience of standing in that position. -Can you cry now? | 0:22:53 | 0:22:56 | |
-This is the only time I do it. -Terrible. Amazing. | 0:22:56 | 0:23:01 | |
I'm surprised you can be in that position | 0:23:01 | 0:23:04 | |
and can do anything that will bring tears to your eyes. | 0:23:04 | 0:23:07 | |
Louie, would you like some music. | 0:23:09 | 0:23:11 | |
Oh, don't get me started, cos you know I'm not an exhibitionist. | 0:23:11 | 0:23:14 | |
MUSIC PLAYS | 0:23:14 | 0:23:17 | |
CHEERING AND APPLAUSE | 0:23:17 | 0:23:20 | |
-I feel better now. -CHEERING AND APPLAUSE | 0:23:41 | 0:23:45 | |
-You didn't hear a thing, did you? -Right, David, it's time to guess. | 0:23:48 | 0:23:52 | |
I think we as a team don't think that that's true. | 0:23:52 | 0:23:55 | |
We're all on edge as we wait to find out. | 0:23:55 | 0:23:59 | |
Louie, truth or lie? | 0:23:59 | 0:24:00 | |
-Lie. -Oh, what a shocker. | 0:24:07 | 0:24:10 | |
Yes, it's a lie. | 0:24:13 | 0:24:15 | |
Louie doesn't make himself cry before every dance performance | 0:24:15 | 0:24:18 | |
to get rid of any excess water weight. Er, Lee. | 0:24:18 | 0:24:21 | |
I can tell the circumference of someone's head | 0:24:21 | 0:24:25 | |
just by looking at them. | 0:24:25 | 0:24:26 | |
-David, what d'you think? -No, you can't. Let's move on. | 0:24:28 | 0:24:33 | |
I actually had my head measured yesterday for a wig. | 0:24:33 | 0:24:36 | |
What a waste! You should have come here. I'd have told you. | 0:24:36 | 0:24:39 | |
-So I know exactly what my head circumference is... -Hey, hey, Katherine, bring it on. | 0:24:39 | 0:24:44 | |
Go on, then, what's her head circumference. | 0:24:44 | 0:24:47 | |
Let the lady ask if she wants to know. Yes, Katherine, | 0:24:47 | 0:24:50 | |
-can I help you? -Lee, what is the circumference of my head? | 0:24:50 | 0:24:54 | |
Could you just have a little bit of a... | 0:24:57 | 0:25:00 | |
I would say that from my expert opinion you are... | 0:25:03 | 0:25:07 | |
I would say you are a large. | 0:25:11 | 0:25:13 | |
-David! -Lee, large isn't a circumference. | 0:25:23 | 0:25:27 | |
Tell me, what did he say? | 0:25:27 | 0:25:28 | |
-Cos he'll have got it wrong, I guarantee, what did he say? -He said that I was 24 inches. | 0:25:31 | 0:25:36 | |
Well, there you go, classic layman, you're clearly a 23. | 0:25:36 | 0:25:40 | |
What d'you reckon about my head? You know, in terms of circumference. | 0:25:40 | 0:25:43 | |
-You're a 26, 26. -Right, 26 inches. -28, 26, 23 and a half. | 0:25:43 | 0:25:48 | |
You're not just thinking that the heads | 0:25:50 | 0:25:52 | |
that are further away must be larger. | 0:25:52 | 0:25:54 | |
Bizarrely, David's head is actually bigger than Katherine's | 0:25:54 | 0:25:58 | |
even with perspective of distance. Katherine's got quite a small head. | 0:25:58 | 0:26:01 | |
-She's got quite a small head which you defined early on as large. -Large. | 0:26:01 | 0:26:06 | |
David it's time to, er, encourage Lee to...to stop talking, and, what d'you think? | 0:26:06 | 0:26:12 | |
-I don't think it's true. -D'you not? -No. | 0:26:12 | 0:26:15 | |
-There is something about it that just has the ring of... -Fishy. | 0:26:15 | 0:26:19 | |
-..total crock to it. -Have you got a tape measure? -What, why? | 0:26:19 | 0:26:24 | |
We could prove I'm right by measuring your heads. | 0:26:24 | 0:26:26 | |
If we did have a tape measure you wouldn't want to prove you're right, | 0:26:26 | 0:26:30 | |
because you don't get a point if this is true, you have to make it... | 0:26:30 | 0:26:33 | |
If you had a tape measure, you'd prove that I'm right and then you'd say true. | 0:26:33 | 0:26:37 | |
-Yeah, and it would be true. -I'd get a point. -And we'd get a point. | 0:26:37 | 0:26:41 | |
Can I just...do you mind if I... It's all right, I know what I'm doing I used to be a vet. | 0:26:51 | 0:26:54 | |
My head shape is like a torpedo though, you have to get the full... | 0:26:58 | 0:27:02 | |
-Remember not to measure it from the nose, Lee, that was a tip you did earlier. -Hang on, hang on. | 0:27:02 | 0:27:07 | |
I mean, you can take it, the nature of a head is that it gets smaller. | 0:27:07 | 0:27:11 | |
-You've got to get the height of the head. -David would you read out the result please? | 0:27:11 | 0:27:15 | |
-No? -Bang on 23! | 0:27:15 | 0:27:17 | |
LAUGHTER AND APPLAUSE | 0:27:17 | 0:27:20 | |
-So, David, what, what does that lead you to... -I still don't believe it. | 0:27:24 | 0:27:28 | |
-Really? -Do you believe him now? -No, I don't. -Do you believe him now? | 0:27:28 | 0:27:33 | |
-A little bit. -A little bit. I think we're going to say this is a lie. | 0:27:33 | 0:27:37 | |
-You're going to say it's a lie. -Yeah. | 0:27:37 | 0:27:40 | |
Lee Mack! Were you telling the truth or were you lying. | 0:27:40 | 0:27:43 | |
I was in fact telling a lie. | 0:27:43 | 0:27:44 | |
Yes, it's a lie, Lee can't tell the circumference of someone's head just by looking at them. | 0:27:50 | 0:27:54 | |
-BUZZER -And that noise signals time is up | 0:27:54 | 0:27:58 | |
and it's the end of the show and I can reveal that David's team | 0:27:58 | 0:28:01 | |
romped to victory by six points to three. | 0:28:01 | 0:28:05 | |
CHEERING AND APPLAUSE | 0:28:05 | 0:28:08 | |
But of course, it's not just a team game, | 0:28:10 | 0:28:14 | |
and my individual liar of the week this week is David O'Doherty. | 0:28:14 | 0:28:18 | |
CHEERING AND APPLAUSE | 0:28:18 | 0:28:22 | |
Yes, David O'Doherty, obviously, I don't really think he's the best liar, | 0:28:22 | 0:28:27 | |
but I'm just giving him the award to fulfil a regional quota. Good night. | 0:28:27 | 0:28:33 | |
CHEERING AND APPLAUSE | 0:28:33 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:47 | |
Email [email protected]. | 0:28:47 | 0:28:49 |