Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening, welcome along to Would I Lie To You, | 0:00:26 | 0:00:29 | |
the show where porky-pies are the dish of the day every day. | 0:00:29 | 0:00:33 | |
And on Lee Mack's team tonight, | 0:00:33 | 0:00:35 | |
one of the best-known faces on EastEnders. | 0:00:35 | 0:00:38 | |
David, it's a show about working-class people. Nina Wadia! | 0:00:38 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:43 | |
And he's the star of Screenwipe, Newswipe, Gameswipe | 0:00:45 | 0:00:48 | |
and for one night only Would I Lie To You-wipe, it's Charlie Brooker! | 0:00:48 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:54 | |
And joining David Mitchell tonight, | 0:00:55 | 0:00:59 | |
his catchphrase on MasterChef is, | 0:00:59 | 0:01:01 | |
"Cooking doesn't get tougher than this." | 0:01:01 | 0:01:04 | |
LAUGHTER | 0:01:04 | 0:01:05 | |
Here's a man who's clearly never tasted Mrs Brydon's Yorkshire puddings. Gregg Wallace! | 0:01:05 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:12 | |
And a splendid actor who withdrew from I'm A Celebrity | 0:01:12 | 0:01:16 | |
because he didn't want to eat kangaroo testicles or crocodile anus. | 0:01:16 | 0:01:20 | |
LAUGHTER | 0:01:20 | 0:01:21 | |
He's going to go hungry in the greenroom tonight. Nigel Havers! | 0:01:21 | 0:01:26 | |
CHEERING AND APPLAUSE | 0:01:26 | 0:01:28 | |
And so to Round One. It's Home Truths, | 0:01:29 | 0:01:31 | |
where our panellists each read out a statement from the card in front of them. | 0:01:31 | 0:01:35 | |
To make things harder, they've never seen the card before, | 0:01:35 | 0:01:38 | |
so they've no idea what they'll be faced with. | 0:01:38 | 0:01:41 | |
The opposing team separate the facts from the fibs. | 0:01:41 | 0:01:44 | |
Gregg, you're first up, please reveal all. | 0:01:44 | 0:01:47 | |
"I always make toast by ironing the bread." | 0:01:48 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
"It tastes much better that way." | 0:01:54 | 0:01:56 | |
Lee, what do you think? | 0:01:56 | 0:01:58 | |
-Do you, do you apply butter pre-ironing? -No. | 0:01:58 | 0:02:01 | |
-What, that would be MENTAL. -No, it would be crazy | 0:02:01 | 0:02:04 | |
because then you are in danger, of course, of cooking the butter, | 0:02:04 | 0:02:08 | |
you'd get a beurre noisette on top of your toast, | 0:02:08 | 0:02:10 | |
which wouldn't do you any good at all. | 0:02:10 | 0:02:12 | |
-He's good. -Beurre, not, "bwer". -Is this the same... | 0:02:12 | 0:02:15 | |
the same iron that you use for the clothes then straight after? | 0:02:15 | 0:02:18 | |
You can use any hot, flat, metal implement to iron the bread, | 0:02:18 | 0:02:22 | |
you don't have to use an electric iron. | 0:02:22 | 0:02:25 | |
-What other... -I quite often put a shirt in the toaster! | 0:02:25 | 0:02:28 | |
What other hot, flat, metal implements do you have? | 0:02:28 | 0:02:32 | |
Well, you can get a spatula and heat it. | 0:02:32 | 0:02:34 | |
A spatula, that must take a long time to do toast? | 0:02:34 | 0:02:37 | |
Not a plastic one! | 0:02:37 | 0:02:39 | |
I know the basics, Gregg. | 0:02:39 | 0:02:40 | |
You could get a fish slice and the... | 0:02:40 | 0:02:44 | |
Is this the kind of advice you give out on MasterChef? | 0:02:44 | 0:02:47 | |
-COCKNEY ACCENT -"Never ever heat up a plastic spatula." | 0:02:47 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:52 | |
What's the bread on? | 0:02:52 | 0:02:54 | |
It doesn't matter what the bread's on! A work surface. | 0:02:54 | 0:02:57 | |
So when you put the iron on you're going to squash it a little bit, surely? | 0:02:57 | 0:03:01 | |
To flatten and squash it a bit is the point. | 0:03:01 | 0:03:03 | |
Without getting your sweaty palm on it. | 0:03:03 | 0:03:05 | |
Bread is flat, isn't it? | 0:03:05 | 0:03:07 | |
Well, of course, it's not rolling hillocks, I know this. | 0:03:07 | 0:03:12 | |
-It's also bouncy. -Bread isn't necessarily flat. | 0:03:12 | 0:03:14 | |
If you slice it flat, it's flat. LAUGHTER | 0:03:14 | 0:03:17 | |
A loaf of bread isn't flat. | 0:03:17 | 0:03:19 | |
-What are you doing, "to-pourri"? -LAUGHTER | 0:03:19 | 0:03:22 | |
-I mean, you can't say bread is flat. -Now I'll make it into a budgie. | 0:03:22 | 0:03:25 | |
-Paper is flat, bread isn't necessarily flat. -Can I ask... | 0:03:25 | 0:03:29 | |
Bread's only flat if you cut it into a flat shape | 0:03:29 | 0:03:31 | |
and then iron it, like anyone sensible. LAUGHTER | 0:03:31 | 0:03:34 | |
If I was going to pick you up on anything tonight, Lee, | 0:03:34 | 0:03:37 | |
and I like to think that I will, it would be how you pronounce the word topiary. | 0:03:37 | 0:03:41 | |
-To-pourri? -Did anybody notice, he went, "to-pourii"? | 0:03:41 | 0:03:43 | |
It was like a wonderful mixture of trimming a hedge | 0:03:43 | 0:03:46 | |
-and a little bowl you have of things that smell nice in the house. -LAUGHTER | 0:03:46 | 0:03:50 | |
-I say to-pourri, what do you say? -Well, it's topiary, not to-pourri! | 0:03:50 | 0:03:54 | |
So, hang on, hang on, whoa, whoa, just to backtrack, | 0:03:54 | 0:03:56 | |
-there's a man ironing his bread... -LAUGHTER | 0:03:56 | 0:03:59 | |
and I'm being picked up because I'm saying to-pourri a bit like potpourri? | 0:03:59 | 0:04:03 | |
-Where the hell's David gone?! -LAUGHTER | 0:04:03 | 0:04:05 | |
Oh, I thought he was so middle class | 0:04:05 | 0:04:07 | |
-that I'd pronounced it wrong and he'd fainted! -LAUGHTER | 0:04:07 | 0:04:11 | |
I'll tell you, I knocked a water bottle | 0:04:11 | 0:04:13 | |
onto what I can only describe as a nest of wires. | 0:04:13 | 0:04:17 | |
And also, he was a little bored! | 0:04:17 | 0:04:20 | |
Oh, yeah, you idiots trying to teach Lee how to speak, | 0:04:20 | 0:04:23 | |
I mean, we could be here all night! LAUGHTER | 0:04:23 | 0:04:26 | |
APPLAUSE | 0:04:26 | 0:04:28 | |
If you iron bread, wouldn't you... Would it ever properly toast? | 0:04:29 | 0:04:33 | |
-Wouldn't it just get very soggy and hot? -You could put butter in the steaming bit. | 0:04:33 | 0:04:38 | |
You could have a butter one and a jam one. | 0:04:38 | 0:04:41 | |
But if you put the jam in, you'll have the problem you have with a Pop-Tart, | 0:04:41 | 0:04:44 | |
which is when a Pop-Tart comes out and you forget to let it cool... | 0:04:44 | 0:04:48 | |
-Something working-class people have for breakfast, -LAUGHTER | 0:04:48 | 0:04:51 | |
-Before it's mentioned. -I'm as working class as it gets, | 0:04:51 | 0:04:54 | |
-I don't know what a Pop-Tart is. -You iron bread! | 0:04:54 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:59 | |
APPLAUSE | 0:04:59 | 0:05:00 | |
I don't always use an iron! | 0:05:02 | 0:05:04 | |
-What do you sometimes use? -I just told you! | 0:05:04 | 0:05:06 | |
-A hot metal implement... -Yeah, yeah, yeah. -..like a spatula. | 0:05:06 | 0:05:09 | |
-Yeah, or a fish slice. -How are you heating up the fish slice? | 0:05:09 | 0:05:12 | |
You could just put that on a naked flame. | 0:05:12 | 0:05:14 | |
It's just occurred to me that it's a bit like toasting on the Aga cos it's a hot surface. | 0:05:14 | 0:05:19 | |
-Similar, mind you... -That is posh! | 0:05:19 | 0:05:21 | |
Aga, that's a posh thing, suddenly realised! | 0:05:21 | 0:05:23 | |
-Have you seen an Aga? -Yes, I have seen an Aga! | 0:05:23 | 0:05:26 | |
I'll have you know I've broken into some very nice homes! | 0:05:26 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:30 | |
-What are you going to say, Lee, truth or lie? -I dunno, what d'you think? | 0:05:32 | 0:05:35 | |
A fish... To toast bread with a fish slice, | 0:05:35 | 0:05:38 | |
you'd have to get it up to such a temperature it'd be like molten lava. | 0:05:38 | 0:05:42 | |
I hate to bring everyone, but the allegation is an iron. | 0:05:42 | 0:05:45 | |
Oh, no, no, he said that he also does it with a fish slice. | 0:05:45 | 0:05:49 | |
-That's chat you're having on your own time, the allegation is the iron. -Who are you, his lawyer? | 0:05:49 | 0:05:54 | |
For the purposes of this, yes! | 0:05:54 | 0:05:56 | |
-Come on, let's make a decision. -Right, what d'you think? | 0:05:56 | 0:05:59 | |
I simply don't buy it because of the fish-slice issue. | 0:05:59 | 0:06:02 | |
Nina? | 0:06:02 | 0:06:04 | |
I just can't imagine that he'd waste like 20 minutes ironing a piece of bread in the mornings. | 0:06:04 | 0:06:09 | |
20 minutes? | 0:06:09 | 0:06:11 | |
-Well, if it... -How big is your bread? | 0:06:11 | 0:06:13 | |
LAUGHTER | 0:06:13 | 0:06:15 | |
-We go lie? -Yeah. -We'll say lie. -You're saying lie. | 0:06:15 | 0:06:17 | |
Gregg Wallace, were you telling the truth or were you telling a lie? | 0:06:17 | 0:06:20 | |
-It's a lie. -It's a lie. | 0:06:20 | 0:06:22 | |
-APPLAUSE -I thought I did well, I thought I did well. | 0:06:22 | 0:06:25 | |
Yeah, Gregg doesn't make toast by ironing bread. | 0:06:25 | 0:06:30 | |
I made a mental note to try that! | 0:06:30 | 0:06:32 | |
Right, Charlie, you're next. | 0:06:34 | 0:06:38 | |
"I once refused to pick up my girlfriend from the station | 0:06:38 | 0:06:43 | |
"because I couldn't bear to step over a spider | 0:06:43 | 0:06:46 | |
"that was between me and my front door." | 0:06:46 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:51 | |
David. | 0:06:51 | 0:06:52 | |
Was this out of fear or respect for the spider? | 0:06:52 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
Kind of a combination of both. | 0:06:57 | 0:06:59 | |
What happened was she rang me and she was slightly... | 0:06:59 | 0:07:02 | |
It was late and so she wanted me to collect, | 0:07:02 | 0:07:04 | |
-be a gentleman, walk her home, so I had to tell her I wouldn't... -You were prepared to tell her | 0:07:04 | 0:07:09 | |
that you were too frightened to walk across the spider to collect her in the middle of the night? | 0:07:09 | 0:07:15 | |
-It was a big spider! -How PATHETIC was that? | 0:07:15 | 0:07:17 | |
It caused a huge argument | 0:07:17 | 0:07:19 | |
cos I was refusing to let... She was saying she would, | 0:07:19 | 0:07:22 | |
you know, she didn't want to walk through the streets of London, it was frightening at night | 0:07:22 | 0:07:26 | |
and I was going, "Yeah, but there's a spider here, which is real. | 0:07:26 | 0:07:30 | |
-"You're scared of some notional threat, I can see one." -LAUGHTER | 0:07:30 | 0:07:34 | |
Get a stick or something, give it a little tweak and it'll run away. | 0:07:34 | 0:07:38 | |
And he has faced spiders in the JUNGLE, | 0:07:38 | 0:07:42 | |
and Lembit Opik. | 0:07:42 | 0:07:44 | |
LAUGHTER We still don't know how she got in, you got out and then what happened. | 0:07:44 | 0:07:48 | |
Well, obviously I was scared so I dropped a... | 0:07:48 | 0:07:51 | |
I dropped a Yellow Pages on it. | 0:07:51 | 0:07:53 | |
-I kill spiders without any conscious... -With only hours | 0:07:53 | 0:07:57 | |
-and hours of terrified hesitation. -David, which way are you leaning? | 0:07:57 | 0:08:00 | |
Could be true, but that's so often the case on this game. | 0:08:00 | 0:08:03 | |
-A complete lie! -You think it's a complete lie? | 0:08:03 | 0:08:06 | |
-If it's true, I feel very sorry for Charlie, actually. It's pathetic. -Don't PITY me! | 0:08:06 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:11 | |
Don't just openly pity me, for God's sake! | 0:08:11 | 0:08:14 | |
I hate it when there's so much riding on whether something's true or a lie, | 0:08:14 | 0:08:18 | |
particularly when it's just a game, but now it's your whole view of Charlie. | 0:08:18 | 0:08:22 | |
-What d'you think? -A lie. | 0:08:22 | 0:08:24 | |
-OK, we're going to say... -You're going to say lie? | 0:08:24 | 0:08:26 | |
-..it's a lie. -David's team think it's a lie. | 0:08:26 | 0:08:28 | |
Were you telling the truth or were you telling us a lie? | 0:08:28 | 0:08:31 | |
It's actually a hideous... | 0:08:31 | 0:08:34 | |
truth. | 0:08:34 | 0:08:35 | |
Oh, no! | 0:08:35 | 0:08:36 | |
APPLAUSE | 0:08:36 | 0:08:38 | |
I'm genuinely paralysed by fear when I encounter a spider - | 0:08:40 | 0:08:43 | |
they're not natural. I know they ARE, but you know what I mean. | 0:08:43 | 0:08:47 | |
I don't like spiders at all and I would agree with you, Charlie, | 0:08:47 | 0:08:50 | |
-they are basically monsters. -Yeah. | 0:08:50 | 0:08:52 | |
But fortunately they are tiny. LAUGHTER | 0:08:52 | 0:08:54 | |
I tell you what spiders would scare me - the spiders that kill you in Australia, | 0:08:54 | 0:08:59 | |
the spiders that hide in toilets | 0:08:59 | 0:09:01 | |
and bite you on the arse just when you're, | 0:09:01 | 0:09:03 | |
at your most relaxed and then you... LAUGHTER | 0:09:03 | 0:09:07 | |
You don't see them, you die happy. | 0:09:07 | 0:09:09 | |
You die at the moment of relaxation the glorious moment of egestion, | 0:09:09 | 0:09:12 | |
"Ahh," and then, all gone. | 0:09:12 | 0:09:14 | |
Can I ask you, David, is that the only time you, you truly relax? | 0:09:14 | 0:09:18 | |
LAUGHTER | 0:09:18 | 0:09:19 | |
Yeah, even then I don't truly relax! | 0:09:19 | 0:09:23 | |
Yes, it's true, Charlie did refuse to pick his girlfriend up | 0:09:23 | 0:09:26 | |
because he couldn't step over a spider on the stairs. | 0:09:26 | 0:09:29 | |
The best way to get rid of a spider is with a glass | 0:09:29 | 0:09:32 | |
and a piece of cardboard. | 0:09:32 | 0:09:33 | |
You put the cardboard over the spider, | 0:09:33 | 0:09:35 | |
then bash it to death with the glass! | 0:09:35 | 0:09:37 | |
Nigel Havers, you're next. | 0:09:37 | 0:09:39 | |
Right. "I once went on a date with a flamenco dancer | 0:09:39 | 0:09:44 | |
"who turned out to be a man." | 0:09:44 | 0:09:46 | |
LAUGHTER | 0:09:46 | 0:09:48 | |
Oh, Lee, this is ringing bells for you, isn't it? | 0:09:48 | 0:09:53 | |
This reminds me of the time I was a flamenco dancer | 0:09:53 | 0:09:55 | |
and I once went out with Nigel Havers! | 0:09:55 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:09:59 | |
Well, OK. First of all, when was this? | 0:09:59 | 0:10:02 | |
I was 15, 16. | 0:10:02 | 0:10:04 | |
You knew that this woman, as you thought she was at the time, was a flamenco dancer? | 0:10:04 | 0:10:08 | |
Yes, well, yes, I'd seen her dance. | 0:10:08 | 0:10:11 | |
Oh, and that's what attracted you to her, when she was dancing? | 0:10:11 | 0:10:15 | |
-Yes. -So tell me the story, but after you've seen her dance, | 0:10:15 | 0:10:18 | |
-so where did you see her dancing? -I was on holiday. | 0:10:18 | 0:10:21 | |
-Where? -In Spain. -Spain? | 0:10:21 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:26 | |
Thank you, in Spain, actually. | 0:10:26 | 0:10:28 | |
-You were on holiday with your family? -Yeah, family. | 0:10:28 | 0:10:31 | |
OK, so you're watching the flamenco dancer and she's how old? | 0:10:31 | 0:10:34 | |
-Young, I mean, 18, bit older, I don't... -So, she's about 18 and so what happens next? | 0:10:34 | 0:10:39 | |
So you're watching her dance in a show, I guess? | 0:10:39 | 0:10:41 | |
I was watching her dancing and I thought I would ask her out. | 0:10:41 | 0:10:45 | |
And she said... (LOW-PITCHED) ..yes. | 0:10:45 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:48 | |
Just so you know, mate, I don't kiss on the first date! | 0:10:48 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:54 | |
Now, I'm not messing about, these are the ground rules. | 0:10:54 | 0:10:58 | |
You can kiss but no bollock-grabbing! | 0:10:58 | 0:11:00 | |
-LAUGHTER -No clues! | 0:11:00 | 0:11:04 | |
How do you make contact? Where was she when you asked her out? | 0:11:04 | 0:11:07 | |
-In the hotel we were staying at. -So you just went round to her room, | 0:11:07 | 0:11:11 | |
-you sort of tapped on the door, she got confused and started dancing... -LAUGHTER | 0:11:11 | 0:11:15 | |
-..and then she opens the door and she says, "What can I do for you?" -LAUGHTER | 0:11:15 | 0:11:19 | |
Take it from there. | 0:11:19 | 0:11:20 | |
She's smoking, she's got to decide whether she's got a pipe | 0:11:20 | 0:11:25 | |
or a little roll-up. LAUGHTER | 0:11:25 | 0:11:27 | |
No, no she, she's very classy, | 0:11:27 | 0:11:29 | |
she only smokes the Woodbines outside and the pipe in her room. | 0:11:29 | 0:11:33 | |
LAUGHTER | 0:11:33 | 0:11:34 | |
So you're on the date, how long is it before you found out she's a man? | 0:11:34 | 0:11:38 | |
-A couple of hours. -So, two hours, and how does this come about? | 0:11:38 | 0:11:42 | |
Was it during a fumble or a conversation? | 0:11:42 | 0:11:45 | |
It was due... | 0:11:45 | 0:11:46 | |
LAUGHTER | 0:11:46 | 0:11:48 | |
I mean that, really, THAT is the interesting question! | 0:11:49 | 0:11:52 | |
LAUGHTER | 0:11:52 | 0:11:53 | |
I think it'd be fair to say I'm speaking on behalf of the group. | 0:11:53 | 0:11:56 | |
-We're all thinking it! -At the urinals? | 0:11:56 | 0:11:58 | |
LAUGHTER | 0:11:58 | 0:12:00 | |
-I'm just trying to remember. -"You don't mind if I stand, do ya?" | 0:12:01 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:07 | |
Oh, sorry, she's out, isn't she? | 0:12:09 | 0:12:11 | |
LAUGHTER | 0:12:11 | 0:12:12 | |
-We were on the dance floor. -On the dance floor, doing the flamenco? | 0:12:14 | 0:12:17 | |
-No, just dancing, quite, you know, close, close. -Slow dancing. | 0:12:17 | 0:12:20 | |
-Ahh, I can see where this is going! -LAUGHTER | 0:12:20 | 0:12:24 | |
Something came between us. | 0:12:24 | 0:12:26 | |
So what did you do, Nigel? You kind of went, "Ohh!" | 0:12:26 | 0:12:29 | |
I went, "Whoa!", I did, I went, "Whoa!", just like that | 0:12:29 | 0:12:32 | |
-and then I left immediately. -What do you think, Lee? | 0:12:32 | 0:12:35 | |
It's a harrowing tale for the young lad. | 0:12:35 | 0:12:38 | |
I think Nigel's a very nice, polite man | 0:12:38 | 0:12:42 | |
and you can imagine what he was like when he was 16, | 0:12:42 | 0:12:44 | |
-probably even politer and possibly a little bit shy at 16. -Possibly. | 0:12:44 | 0:12:48 | |
I think he'd have just been too... | 0:12:48 | 0:12:50 | |
-He'd have just gone through with it because... -LAUGHTER | 0:12:50 | 0:12:53 | |
I don't buy that you would be able to ask somebody out | 0:12:54 | 0:12:59 | |
and not twig that they were a man. | 0:12:59 | 0:13:02 | |
What about you, Nina, where, where, what do you think? | 0:13:02 | 0:13:05 | |
-You're a woman after all. -Yeah, hopefully! | 0:13:05 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:08 | |
Do you know, it's the kind of thing that happens, I think, | 0:13:11 | 0:13:14 | |
to a lot of actors, | 0:13:14 | 0:13:15 | |
where you get confident when you're a lot younger, | 0:13:15 | 0:13:18 | |
so I imagine that something like this could have happened. | 0:13:18 | 0:13:21 | |
-You think it's true? -I do. | 0:13:21 | 0:13:22 | |
What's it going to be, Lee, truth or lie? | 0:13:22 | 0:13:25 | |
-It's a lie. -OK, you say it's a lie, | 0:13:25 | 0:13:27 | |
Nigel Havers, truth or lie? | 0:13:27 | 0:13:29 | |
Well...it's... | 0:13:29 | 0:13:31 | |
the truth. | 0:13:31 | 0:13:33 | |
GASPING AND APPLAUSE | 0:13:33 | 0:13:35 | |
We won one! | 0:13:35 | 0:13:37 | |
Yes, it's true, Nigel did go on a date with a flamenco dancer | 0:13:38 | 0:13:42 | |
who turned out to be a man. | 0:13:42 | 0:13:44 | |
So at the end of that round, David's team has two points, | 0:13:44 | 0:13:48 | |
Lee's in the lead with three points. | 0:13:48 | 0:13:51 | |
APPLAUSE | 0:13:51 | 0:13:52 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:13:54 | 0:13:57 | |
who has a connection to one of our panellists. | 0:13:57 | 0:14:00 | |
Please welcome this week's special guest, John. | 0:14:00 | 0:14:02 | |
APPLAUSE | 0:14:02 | 0:14:04 | |
Right, Charlie, we'll start with you. | 0:14:09 | 0:14:12 | |
-How do you know John? -This is John... | 0:14:12 | 0:14:15 | |
On Valentine's Day, when I was 17, | 0:14:15 | 0:14:18 | |
I presented him with a dustbin for his daughter. | 0:14:18 | 0:14:21 | |
Nina, how do you know John? | 0:14:22 | 0:14:24 | |
This is John, he was the first person ever to have a drink at the Queen Vic | 0:14:24 | 0:14:30 | |
and the first person ever to have a curry at my restaurant, The Argee Bhajee. | 0:14:30 | 0:14:34 | |
And Lee, what about you? | 0:14:34 | 0:14:36 | |
This is John and he is the previous owner of my house, | 0:14:36 | 0:14:39 | |
who still pops round with his deckchair | 0:14:39 | 0:14:42 | |
so he can sit in my garden on sunny days. | 0:14:42 | 0:14:45 | |
All right, so, there we are. | 0:14:45 | 0:14:48 | |
-David, where do you want to start? -Oh... Well, Charlie... | 0:14:48 | 0:14:52 | |
what's... This is quite a complex series of events. | 0:14:52 | 0:14:55 | |
You presented him with a dustbin on Valentine's Day, | 0:14:55 | 0:15:00 | |
when you were 17, for his daughter? | 0:15:00 | 0:15:03 | |
Yes, I intended to give the bin to her, | 0:15:03 | 0:15:09 | |
but she wasn't there, so I gave the bin to John. | 0:15:09 | 0:15:13 | |
What was the name of his daughter? | 0:15:13 | 0:15:15 | |
Ted Rogers. | 0:15:15 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
Catherine. | 0:15:21 | 0:15:22 | |
Catherine, what sort of bin was it? | 0:15:22 | 0:15:24 | |
Like a big garden bin, OK? | 0:15:24 | 0:15:26 | |
I thought it would be a funny Valentine's gift, | 0:15:26 | 0:15:30 | |
was to give a bin... | 0:15:30 | 0:15:31 | |
Because it's SO unromantic! LAUGHTER | 0:15:31 | 0:15:35 | |
Yes, but that's the clever ruse, you see, if you're a bit, you know, | 0:15:35 | 0:15:38 | |
you're a bit unsure of yourself, | 0:15:38 | 0:15:40 | |
so you don't want to give a card that says, | 0:15:40 | 0:15:42 | |
"I actually fancy you," you want to give something that, sort of, | 0:15:42 | 0:15:45 | |
could make you look a...bit...mad? | 0:15:45 | 0:15:48 | |
What, what was the, was there a note, with the bin, saying a poem? | 0:15:48 | 0:15:52 | |
No I... I put her initials on it, | 0:15:52 | 0:15:57 | |
-you could get these gold initials you could stick... -Oh, you can, | 0:15:57 | 0:16:01 | |
you can ask for a bin to have, like, nice gold initials | 0:16:01 | 0:16:04 | |
or a something, you know, a nice sentiment written on it. | 0:16:04 | 0:16:07 | |
-A monogrammed bin. -A lot of companies do that to bins. | 0:16:07 | 0:16:10 | |
No, I made it, don't be facetious! | 0:16:10 | 0:16:12 | |
-Sorry. -I stuck the letters on myself. | 0:16:12 | 0:16:15 | |
-You haven't got a shred of romance in you! -LAUGHTER | 0:16:15 | 0:16:18 | |
Was it wrapped, did you wrap it? | 0:16:18 | 0:16:22 | |
-I put a red bow round it. -Red... -Romantic red bow. -No, you didn't! | 0:16:22 | 0:16:25 | |
Don't mock what happened, I was really nervous that day! | 0:16:25 | 0:16:28 | |
-Don't rubbish his bin. -Yeah. -I was really, my heart... | 0:16:28 | 0:16:31 | |
I can imagine why you were nervous, | 0:16:31 | 0:16:33 | |
you were probably thinking, "I don't know, is the bin the right present? | 0:16:33 | 0:16:37 | |
"I mean, I think any girl would love a bin, | 0:16:37 | 0:16:40 | |
"but you can't be sure." LAUGHTER | 0:16:40 | 0:16:43 | |
Oh, I'm glad my torment amuses you so much, | 0:16:43 | 0:16:46 | |
you NASTY little man! | 0:16:46 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
Let's move along now, I think, to someone else. | 0:16:50 | 0:16:53 | |
So, Lee, why would you let the previous owner of your house | 0:16:53 | 0:16:56 | |
still come and sun himself in the garden? | 0:16:56 | 0:16:58 | |
Don't say it's because you're kind cos I know you! LAUGHTER | 0:16:58 | 0:17:02 | |
What's wrong with his garden? | 0:17:03 | 0:17:06 | |
That's the sad story, he hasn't got a garden any more. | 0:17:06 | 0:17:08 | |
-Oh, right. -Does he live on his own? -Yeah, in a flat. | 0:17:08 | 0:17:11 | |
And he keeps a deckchair just for the purpose of visiting your garden? | 0:17:11 | 0:17:16 | |
Well, yeah, cos he used to come round and then I found out that he loved the garden | 0:17:16 | 0:17:20 | |
and so I said, "Well, come round if you want to come and sit in my garden." | 0:17:20 | 0:17:24 | |
-Sweet, but it's bollocks, isn't it? -LAUGHTER | 0:17:24 | 0:17:27 | |
Why don't you let him leave a deckchair there? | 0:17:27 | 0:17:30 | |
I don't tell him he has to take the deckchair, | 0:17:30 | 0:17:32 | |
but I don't know, maybe... | 0:17:32 | 0:17:35 | |
-maybe he hasn't got any furniture. -LAUGHTER | 0:17:35 | 0:17:38 | |
Nina, remind us. | 0:17:41 | 0:17:42 | |
Sure, John is basically a supporting artist that has been there since day one, 25 years on EastEnders, | 0:17:42 | 0:17:50 | |
and he's known as being the first of everything, | 0:17:50 | 0:17:53 | |
so he'll be the first who had a drink at the Vic, | 0:17:53 | 0:17:56 | |
he's the first in the launderette, | 0:17:56 | 0:17:59 | |
he's the first who's, kind of, done any set. | 0:17:59 | 0:18:02 | |
-And also you say he was the first person to eat in... -To have a curry | 0:18:02 | 0:18:05 | |
-since the Masoods have owned the Argee Bhajee. -Right... | 0:18:05 | 0:18:08 | |
-So, so well that's very, I mean... -I can't... | 0:18:08 | 0:18:10 | |
-That's very plausible. -Yeah. | 0:18:10 | 0:18:12 | |
-At the same time could have been made up. -Can I just check something? | 0:18:12 | 0:18:16 | |
Is he the first in every, well he's not, | 0:18:16 | 0:18:18 | |
he's the bloke who sits in the garden, but if he wasn't... | 0:18:18 | 0:18:21 | |
-LAUGHTER -is he, is he the first... | 0:18:21 | 0:18:24 | |
Imagine he wasn't, right, the bloke that sits in my garden... | 0:18:24 | 0:18:27 | |
-APPLAUSE -..for a minute, and he is, but imagine he's not, right? | 0:18:27 | 0:18:31 | |
If it turns out you were telling the truth, Lee, this is one hell of a ballsy double bluff! | 0:18:31 | 0:18:36 | |
-LAUGHTER -Is he the first in EVERY set? | 0:18:36 | 0:18:39 | |
Is he like, is he like in Dot Cotton's cupboard, | 0:18:39 | 0:18:42 | |
is he just stepping out, or you mean in the public sets? | 0:18:42 | 0:18:45 | |
-No, in the public sets. -So, David... | 0:18:45 | 0:18:48 | |
Is John Charlie's dustbin dad, Nina's EastEnders extra | 0:18:48 | 0:18:51 | |
or Lee's friend with the deckchair? | 0:18:51 | 0:18:53 | |
Do you watch EastEnders, d'you recognise this guy? | 0:18:53 | 0:18:56 | |
Hands up if you recognise him. | 0:18:56 | 0:18:58 | |
Has anybody been in my garden? | 0:18:58 | 0:19:00 | |
LAUGHTER | 0:19:00 | 0:19:01 | |
It's DEFINITELY not Lee... LAUGHTER | 0:19:01 | 0:19:04 | |
And Charlie's is so ridiculous, | 0:19:04 | 0:19:07 | |
it's just so absolutely up his road, isn't it? | 0:19:07 | 0:19:09 | |
Charlie became so heated in defence of his romantic actions. | 0:19:09 | 0:19:12 | |
Too passionate about it really. Bless. | 0:19:12 | 0:19:15 | |
That's what emotions are like. | 0:19:15 | 0:19:17 | |
LAUGHTER | 0:19:17 | 0:19:19 | |
It's a hell of a thing to get back in touch with the father of someone | 0:19:19 | 0:19:23 | |
you were infatuated with years ago and who you gave a bin to. | 0:19:23 | 0:19:28 | |
I mean, it's possible, but it's a lot easier to get in touch | 0:19:28 | 0:19:31 | |
with the regular supporting artist on the show that you work on. | 0:19:31 | 0:19:35 | |
You're absolutely right. | 0:19:35 | 0:19:37 | |
-Come on then, what are you going to say? -OK, Nina. | 0:19:37 | 0:19:39 | |
You're going to say Nina is telling the truth. | 0:19:39 | 0:19:42 | |
John, would you please reveal your true identity. | 0:19:42 | 0:19:45 | |
I'm John and when Charlie was 17... | 0:19:45 | 0:19:49 | |
CHEERING AND LAUGHTER | 0:19:49 | 0:19:50 | |
..he presented... | 0:19:53 | 0:19:54 | |
He presented me with a dustbin for my daughter on Valentine's Day. | 0:19:54 | 0:19:58 | |
Yes! | 0:19:58 | 0:19:59 | |
CHEERING AND APPLAUSE | 0:19:59 | 0:20:02 | |
And Charlie, John has a present for you tonight. | 0:20:02 | 0:20:06 | |
You haven't seen it for 23 years... | 0:20:07 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:10 | |
..and I'm serious, it's here tonight, the actual bin! | 0:20:10 | 0:20:14 | |
CHEERING AND APPLAUSE | 0:20:14 | 0:20:16 | |
And there are the initials on there. | 0:20:19 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:23 | |
Charlie, you old romantic, you. | 0:20:23 | 0:20:25 | |
So there, you cynics! | 0:20:25 | 0:20:28 | |
Thank you, John. | 0:20:28 | 0:20:30 | |
APPLAUSE | 0:20:30 | 0:20:32 | |
Which brings us to our final round, Quick-fire Lies, | 0:20:35 | 0:20:37 | |
in which our panellists lie against the clock. | 0:20:37 | 0:20:40 | |
We will start with... | 0:20:40 | 0:20:43 | |
BUZZER | 0:20:43 | 0:20:44 | |
It is Lee. | 0:20:44 | 0:20:47 | |
"Every Sunday I treat myself to a relaxing bath | 0:20:47 | 0:20:49 | |
"with three squirts of Fairy Liquid in it." | 0:20:49 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:53 | |
Why? | 0:20:59 | 0:21:01 | |
Because when I was a kid... | 0:21:01 | 0:21:03 | |
we, we used to use... | 0:21:03 | 0:21:05 | |
put a bit of Fairy Liquid if we'd run out of bubble bath and so... | 0:21:05 | 0:21:08 | |
Yes, I can believe that, but then you decided, | 0:21:08 | 0:21:11 | |
"In fact, why do we need the bubble bath?" | 0:21:11 | 0:21:13 | |
But why only on a Sunday? | 0:21:13 | 0:21:15 | |
You shower the rest of the week and bath on a Sunday? | 0:21:15 | 0:21:18 | |
-I'm old school. -LAUGHTER | 0:21:18 | 0:21:20 | |
There's nothing wrong with an all-over flannel wash. | 0:21:20 | 0:21:23 | |
-Under the armpits on a Monday, down below on a Tuesday... -LAUGHTER | 0:21:23 | 0:21:26 | |
feet on a Wednesday, knees on a Thursday... | 0:21:26 | 0:21:29 | |
-This is like a really dirty version of a Craig David song! -LAUGHTER | 0:21:29 | 0:21:33 | |
APPLAUSE | 0:21:33 | 0:21:35 | |
So, you ran out of bubble bath many years ago and have never re-stocked. | 0:21:39 | 0:21:43 | |
-No, not true. -What happens when you run out of Fairy Liquid? | 0:21:43 | 0:21:46 | |
I run out all the time, I'm always restocking on a Monday. | 0:21:46 | 0:21:49 | |
How can you run out of bubble bath if you only bath on a Sunday? | 0:21:49 | 0:21:52 | |
Yeah, cos you shower the rest of the week! | 0:21:52 | 0:21:55 | |
This is rich coming from a man who irons bread! | 0:21:55 | 0:21:58 | |
I stick it on a flannel, a bit of liquid soap on the flannel, | 0:21:58 | 0:22:01 | |
under the arms on a Monday. | 0:22:01 | 0:22:03 | |
You put bubble bath on a flannel?! LAUGHTER | 0:22:03 | 0:22:05 | |
You telling me you've never used bubble bath in a shower cos you've run out of soap? | 0:22:05 | 0:22:10 | |
-That's, all the time. -Liquid soap... No wonder you keep running out of bubble bath on a Sunday! | 0:22:10 | 0:22:15 | |
You're just like my wife! | 0:22:15 | 0:22:16 | |
In many ways. | 0:22:16 | 0:22:18 | |
LAUGHTER | 0:22:18 | 0:22:20 | |
David, what do you think? | 0:22:20 | 0:22:22 | |
I don't think this is true. | 0:22:22 | 0:22:25 | |
-Gregg? -It's cobblers. | 0:22:25 | 0:22:27 | |
Think it's a lie. | 0:22:27 | 0:22:28 | |
-We think this isn't true. -It's a lie. | 0:22:28 | 0:22:31 | |
Lee, here's your chance. Truth or lie? | 0:22:31 | 0:22:33 | |
Well, well, well, here we go. | 0:22:33 | 0:22:35 | |
It is in fact a lie. | 0:22:35 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:38 | |
APPLAUSE | 0:22:38 | 0:22:39 | |
Oh, my! | 0:22:39 | 0:22:41 | |
-Next... -BUZZER | 0:22:41 | 0:22:43 | |
It's David Mitchell. | 0:22:43 | 0:22:45 | |
"My parents recently forced me to have a new kitchen fitted | 0:22:47 | 0:22:51 | |
"because my flat embarrassed them." | 0:22:51 | 0:22:53 | |
LAUGHTER | 0:22:53 | 0:22:56 | |
-Lee. -How bad was the kitchen? | 0:22:56 | 0:22:59 | |
It was, I mean, I considered it adequate. | 0:22:59 | 0:23:02 | |
That good(!) | 0:23:02 | 0:23:03 | |
LAUGHTER | 0:23:03 | 0:23:05 | |
"Come back to mine, I've got a very adequate kitchen." | 0:23:05 | 0:23:08 | |
-LAUGHTER -How would you describe the old kitchen? | 0:23:08 | 0:23:11 | |
It sort of had plasticy units that, some of whom had... | 0:23:11 | 0:23:15 | |
"some of whom?", some of which, | 0:23:15 | 0:23:16 | |
I like to make them into personalities. LAUGHTER | 0:23:16 | 0:23:19 | |
"Hello, Brian, I've had a really lonely day again." | 0:23:19 | 0:23:23 | |
Exactly, Brenda where the pans go. LAUGHTER | 0:23:23 | 0:23:26 | |
"Hello, Tommy the toaster, done anything today? | 0:23:26 | 0:23:29 | |
-"No, Ian the iron seems to be getting all the work." -LAUGHTER | 0:23:29 | 0:23:33 | |
Your parents came round, you feel that the kitchen's not really too bad. | 0:23:33 | 0:23:37 | |
No, they they were sort of very unhappy about it and, | 0:23:37 | 0:23:39 | |
and ultimately they said, "Look, we really think you should do this. | 0:23:39 | 0:23:43 | |
"We'll deal with the admin if, you know, if you pay." | 0:23:43 | 0:23:47 | |
You're a creative mind, I mean, you must have given them a steer | 0:23:47 | 0:23:50 | |
as to which way you wanted it to go. | 0:23:50 | 0:23:53 | |
Describe a creative kitchen design steer | 0:23:53 | 0:23:56 | |
that you imagine someone like me might have given them. | 0:23:56 | 0:23:59 | |
You may have said I want an island in the middle, I want an Aga and a traditional... | 0:23:59 | 0:24:03 | |
I'm not a god, I'm not making a planet! | 0:24:03 | 0:24:06 | |
LAUGHTER | 0:24:06 | 0:24:07 | |
An island and a lagoon... | 0:24:07 | 0:24:09 | |
An island... | 0:24:09 | 0:24:10 | |
I want DRAGONS in the north! | 0:24:10 | 0:24:12 | |
LAUGHTER | 0:24:12 | 0:24:13 | |
What's the new kitchen like? | 0:24:13 | 0:24:15 | |
Erm... It's plain. | 0:24:15 | 0:24:18 | |
No, the sort of, I think, sort of, cream units, but... | 0:24:19 | 0:24:22 | |
-Have you been a kitchen salesman long, sir? -LAUGHTER | 0:24:22 | 0:24:25 | |
What's the most complex thing you do in your kitchen? | 0:24:25 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
I think... | 0:24:32 | 0:24:33 | |
..worry about death. | 0:24:34 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:37 | |
APPLAUSE | 0:24:38 | 0:24:39 | |
-So what d'you think, Lee? -What d'you think, Nina? | 0:24:42 | 0:24:47 | |
I think he's lying cos his eyes go really big when he lies. | 0:24:47 | 0:24:50 | |
-He also does that when he's aroused though, so... -LAUGHTER | 0:24:50 | 0:24:54 | |
What d'you think, Charlie? | 0:24:54 | 0:24:56 | |
I think that's got the ring of truth to it | 0:24:56 | 0:25:00 | |
cos I imagine David probably doesn't really care about his kitchen, | 0:25:00 | 0:25:04 | |
but that other people do. | 0:25:04 | 0:25:06 | |
Look at him, it's the truth. | 0:25:06 | 0:25:07 | |
-OK. -You're going to say true? -Go on then. | 0:25:07 | 0:25:09 | |
True, OK, David, truth or lie? | 0:25:09 | 0:25:12 | |
It is, in fact, true. | 0:25:12 | 0:25:13 | |
APPLAUSE | 0:25:13 | 0:25:14 | |
-Next... -BUZZER | 0:25:18 | 0:25:21 | |
It's Gregg. | 0:25:21 | 0:25:23 | |
Possession. | 0:25:23 | 0:25:24 | |
-Right, there's a box under your desk, Gregg. -Crikey! -Would you pop it on top of the desk, | 0:25:24 | 0:25:29 | |
take out what's inside and then read the card for us. | 0:25:29 | 0:25:32 | |
"This is one of my history books. | 0:25:34 | 0:25:36 | |
"I read them in the sauna to make them look old." | 0:25:36 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:41 | |
Lee, where would you like to start? | 0:25:41 | 0:25:45 | |
Why'd you try and make them look old? | 0:25:45 | 0:25:48 | |
I think they're more attractive that way. | 0:25:48 | 0:25:50 | |
I like them all bashed up and old-looking. | 0:25:50 | 0:25:52 | |
Where, where did you hear about this, | 0:25:52 | 0:25:55 | |
if you read it in a sauna it actually ages nicely? | 0:25:55 | 0:25:57 | |
Well, I didn't, I just took the book into the sauna, | 0:25:57 | 0:26:00 | |
and, I go to the gym, I try not to be fat, I like the sauna as well, | 0:26:00 | 0:26:05 | |
-I read when I'm in the sauna and the books get aged. -Are you naked in the sauna? | 0:26:05 | 0:26:09 | |
-Er, yeah. -You're naked with a book? | 0:26:09 | 0:26:11 | |
LAUGHTER | 0:26:11 | 0:26:13 | |
-What is difficult... -Hang on, hang on, hang on, hang on. | 0:26:13 | 0:26:15 | |
-..my glasses. -How can you read with steamed-up glasses? | 0:26:15 | 0:26:18 | |
-No, I don't wear my glasses, just... -How d'you read then? | 0:26:18 | 0:26:21 | |
Well, I hold the book up, that's not the problem... | 0:26:21 | 0:26:24 | |
So, now you're naked and you're doing that. | 0:26:24 | 0:26:26 | |
Do you ever do this when the bloke sits opposite you, you ever go...? | 0:26:26 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:31 | |
-Can I have a look at the book? -I don't mind. -OK, would you like to pass the book? | 0:26:36 | 0:26:40 | |
Let me have a look at this book. Thank you very much. | 0:26:40 | 0:26:43 | |
-Do you need help with the big words? -No. -ALL: Ooh! | 0:26:43 | 0:26:47 | |
-D'you need help with the Harry Hill impression? -LAUGHTER | 0:26:47 | 0:26:51 | |
APPLAUSE | 0:26:51 | 0:26:52 | |
-Does it smell, does it smell like a sauna? -Pff, it smells of something! | 0:26:54 | 0:26:58 | |
Well, it does it is aged | 0:26:58 | 0:26:59 | |
and I tell you what it is, it's aged by dampness, that I know. | 0:26:59 | 0:27:04 | |
Sorry, sorry, there's a phone number in the back and a bloke's name! | 0:27:04 | 0:27:09 | |
-It says Tony and then a bloke's phone number! -LAUGHTER | 0:27:09 | 0:27:11 | |
What the hell's going on? What? | 0:27:11 | 0:27:14 | |
LAUGHTER | 0:27:14 | 0:27:15 | |
HE MOUTHS | 0:27:15 | 0:27:16 | |
Who's Tony? | 0:27:27 | 0:27:28 | |
-I don't know. -Oh, you slag! -I don't know. | 0:27:29 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
-Lee, is he telling the truth? -You're saying... | 0:27:34 | 0:27:36 | |
-I'm saying lie. -Lie. -I think it's a lie. | 0:27:36 | 0:27:39 | |
-My team say lie, so I'll go with lie. -You're going to say lie? | 0:27:39 | 0:27:42 | |
-Yeah, go on. -OK, Gregg truth or lie. | 0:27:42 | 0:27:45 | |
Well, it is the truth. | 0:27:45 | 0:27:46 | |
Brilliant. | 0:27:48 | 0:27:49 | |
APPLAUSE | 0:27:49 | 0:27:50 | |
It's true, Gregg does read his history books in the sauna to make them look old. | 0:27:54 | 0:27:58 | |
-BUZZER -Ah, and that noise signals time is up | 0:27:58 | 0:28:02 | |
and it's the end of the show and I can reveal that, | 0:28:02 | 0:28:04 | |
in a CLOSELY fought contest, it's a draw at six points each! | 0:28:04 | 0:28:08 | |
APPLAUSE | 0:28:08 | 0:28:10 | |
But, of course, Would I Lie to You is not just a team game | 0:28:14 | 0:28:18 | |
and my individual liar of the week this week is Nigel Havers. | 0:28:18 | 0:28:22 | |
APPLAUSE | 0:28:22 | 0:28:24 | |
Yes, Nigel Havers who's displayed the sort of duplicitous behaviour | 0:28:26 | 0:28:30 | |
that's kept the upper class in power for the last 1,000 years! Good night! | 0:28:30 | 0:28:36 | |
CHEERING AND APPLAUSE | 0:28:36 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:51 | 0:28:54 | |
E-mail [email protected] | 0:28:54 | 0:28:57 |