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Oh, yes! | 0:00:24 | 0:00:26 | |
Good evening and welcome to Would I Lie To You, | 0:00:26 | 0:00:29 | |
the show that celebrates the art of lying. | 0:00:29 | 0:00:32 | |
On Lee Mack's team tonight, the England star who once beat Wayne Sleep. | 0:00:32 | 0:00:36 | |
Luckily, it was in I'm A Celebrity and not with a cricket bat. It's Phil Tufnell! | 0:00:36 | 0:00:41 | |
And a splendid comedian who likes to satirise the great and the good, | 0:00:43 | 0:00:48 | |
so it'll be nice for him to have a night off and mix with us lot. | 0:00:48 | 0:00:51 | |
It's Marcus Brigstocke. | 0:00:51 | 0:00:53 | |
And joining David Mitchell tonight, an actor and comedian, who during his | 0:00:56 | 0:01:00 | |
13 years as a drama teacher said he found his pupils inspirational. | 0:01:00 | 0:01:05 | |
They inspired him to leave teaching and become a comedian. Greg Davies! | 0:01:05 | 0:01:09 | |
And, as one of the longest serving presenters on Blue Peter, she became | 0:01:12 | 0:01:16 | |
an expert at explaining things in a way that a child could understand. | 0:01:16 | 0:01:20 | |
Excellent training for sitting opposite Lee this evening. It's Konnie Huq. | 0:01:20 | 0:01:24 | |
Right, we start with round one, | 0:01:28 | 0:01:29 | |
which is Home Truths, where our panellists each read out a statement from a card. | 0:01:29 | 0:01:34 | |
They've never seen the card before, so they've no idea what they'll be faced with. | 0:01:34 | 0:01:38 | |
It's up to the opposing team to sort the truth from the lies and, Greg, you are first. | 0:01:38 | 0:01:43 | |
- Am I? - You are, yes. | 0:01:43 | 0:01:46 | |
For my first term at university, | 0:01:48 | 0:01:50 | |
I rented the bathroom in a student house and slept in the bathtub every night. | 0:01:50 | 0:01:55 | |
-Lee. -Greg. -Yes? | 0:01:57 | 0:01:59 | |
Before we even start this, can you stand up? | 0:01:59 | 0:02:02 | |
Unless David stands up with me, there'll be no perspective. | 0:02:07 | 0:02:11 | |
David? In fact, let's have proper perspective. Konnie, can you stand up? | 0:02:11 | 0:02:14 | |
You know the question. | 0:02:20 | 0:02:22 | |
-Yeah. -What's the answer? | 0:02:22 | 0:02:23 | |
Well, I just hung off the end of the bath, as I'd hang off every single bed that I've ever slept in. It's... | 0:02:23 | 0:02:30 | |
No, no, no, no, no! You definitely don't hang off a bath like you hang off a bed. | 0:02:30 | 0:02:35 | |
Because a bed goes like that and then you hang off. You'd have to go up, across and hang off. | 0:02:35 | 0:02:40 | |
You're tall, but you're not a snake, Greg. | 0:02:40 | 0:02:43 | |
The thing that actually drove me to change my circumstances was that I was genuinely | 0:02:43 | 0:02:48 | |
bruising the side of my cheek regularly by waking up in the morning and clanging into one of the taps. | 0:02:48 | 0:02:53 | |
Can I ask why on Earth you would sleep with your head at the tap end? | 0:02:53 | 0:02:59 | |
That is mad. | 0:02:59 | 0:03:01 | |
Yes, well, you know, I was 18 years of age and I mainly lived off | 0:03:01 | 0:03:05 | |
Thunderbird wine, so bad decisions were my forte at that period. | 0:03:05 | 0:03:11 | |
-Did you have a bed in the house? -No. | 0:03:11 | 0:03:13 | |
-So that was the reason you were in the bath. -There was a... | 0:03:13 | 0:03:16 | |
Well, why do you think he was in the bath? | 0:03:16 | 0:03:18 | |
I chose to, Phil, yeah. | 0:03:18 | 0:03:21 | |
How many other people were there in the flat? | 0:03:21 | 0:03:23 | |
-Three. -Three people. What, three beds? -Yeah. | 0:03:23 | 0:03:26 | |
Why would you not sleep on the floor next to the bath? | 0:03:26 | 0:03:29 | |
We had a giant 1970s sofa | 0:03:29 | 0:03:33 | |
that had a peculiar corner unit and I took | 0:03:33 | 0:03:38 | |
both cushions from that corner unit and they fitted in the bath perfectly | 0:03:38 | 0:03:42 | |
and it was incredibly comfortable. | 0:03:42 | 0:03:45 | |
-It wasn't a free standing bath? -A roll top. -Yeah, was it a roll top, free standing bath? | 0:03:45 | 0:03:49 | |
It wasn't a free standing bath, but the end of the bath projected out into the room. | 0:03:49 | 0:03:54 | |
Where was this, Greg? Which town where you? Was this Oxford or Cambridge? | 0:03:54 | 0:03:58 | |
It was in Isleworth, in West London. | 0:03:58 | 0:04:02 | |
It was only because of a mix-up in housing agreements. | 0:04:04 | 0:04:07 | |
We soon sorted it out after a term. I only had to do it for a term. | 0:04:07 | 0:04:11 | |
What was the mix-up? | 0:04:11 | 0:04:12 | |
I'd agreed to move in with these three guys and we got the wrong size house. | 0:04:12 | 0:04:17 | |
Hang on, that's not a mix-up, that's just stupidity. | 0:04:17 | 0:04:19 | |
There was four of you and you got a three bedroom house and went, | 0:04:19 | 0:04:22 | |
"There's been a bit of a mix-up here". | 0:04:22 | 0:04:24 | |
The boys blamed me, which is why I got the bath. | 0:04:24 | 0:04:27 | |
-Why did they blame you? -I was the one who booked the house. | 0:04:27 | 0:04:30 | |
How did you get into university? | 0:04:30 | 0:04:33 | |
LAUGHTER AND APPLAUSE | 0:04:33 | 0:04:37 | |
-So, Lee, what are you thinking? -Marcus? -I think it's too preposterous to be true. -Mm. | 0:04:42 | 0:04:48 | |
The taps. The taps for me. If you're going to sleep in a bath, you don't put your head up the tap end. | 0:04:48 | 0:04:53 | |
I think it might be true, but I'm not going to over... | 0:04:53 | 0:04:56 | |
-You've got the armband, son. -I might be the skip... -Do you get armbands if you're a captain? | 0:04:56 | 0:05:00 | |
Only if you can't swim. | 0:05:00 | 0:05:02 | |
I'm telling you - I don't know if this is in the spirit of this game - this is true. | 0:05:02 | 0:05:07 | |
That was sufficiently moving. | 0:05:12 | 0:05:17 | |
I'm going with it, I'm saying it's true now. | 0:05:17 | 0:05:20 | |
-What are you saying, Skippy? -Shall we say true? -True, yeah. -Not Skippy, Rob. | 0:05:20 | 0:05:26 | |
I'm not going to go and fetch help, I'm the skip. | 0:05:26 | 0:05:30 | |
Someone's fallen into a mine shaft? | 0:05:30 | 0:05:32 | |
-Go on, mate. -We'll change it to true. We're going for true. | 0:05:34 | 0:05:37 | |
Greg Davies, were you telling us the truth or were you telling a lie? | 0:05:37 | 0:05:40 | |
Do you feel, David, any sense of genuine competition in this game? | 0:05:40 | 0:05:44 | |
-Yes, I do, yeah. -Then I think you're going to like me very much. It was a lie. | 0:05:44 | 0:05:49 | |
Yes, it was a lie. | 0:05:54 | 0:05:56 | |
Greg didn't sleep in his bathtub every night for his first term at university. | 0:05:56 | 0:06:01 | |
-Right, Phil Tufnell. -Yes. -You're next. | 0:06:01 | 0:06:03 | |
Right. OK. | 0:06:03 | 0:06:06 | |
I'm haunted by a recurring dream in which I'm a potato. | 0:06:06 | 0:06:11 | |
-David? -OK. How does... | 0:06:17 | 0:06:20 | |
How does the dreaming realisation that you're a potato manifest itself? | 0:06:22 | 0:06:27 | |
I'm being chased. | 0:06:27 | 0:06:31 | |
Oh, right! Oh, yeah. Of course, potatoes get chased all the time. | 0:06:31 | 0:06:35 | |
I'm being chased by a pitchfork. | 0:06:35 | 0:06:40 | |
-How do you know you're a potato? -(DAVID) Because you can't move. | 0:06:40 | 0:06:44 | |
No, no I can. It's like Mr Potato Head. | 0:06:44 | 0:06:48 | |
I wear a little trilby hat, little legs and I'm running along the garden like that | 0:06:48 | 0:06:54 | |
with a pitchfork trying to poke me. And I'm sort of climbing up trees and things | 0:06:54 | 0:06:58 | |
and the pitchfork's sort of going for me. | 0:06:58 | 0:07:00 | |
-Has it ever caught you? -No, it has never caught me yet. | 0:07:00 | 0:07:03 | |
And then, just as it is going to catch me, I think I wake up. | 0:07:03 | 0:07:07 | |
What do you think the pitchfork wants to do? | 0:07:07 | 0:07:09 | |
Is it attempting to harvest you? | 0:07:09 | 0:07:12 | |
-It's a family show. -I think all the... | 0:07:12 | 0:07:15 | |
It's heavy with symbolism, David, isn't it? | 0:07:15 | 0:07:18 | |
I mean, the sturdy steel of the pitchfork, the soft, pliant flesh of the potato. | 0:07:18 | 0:07:25 | |
I'm getting a little worked up just thinking about it, to be honest with you. | 0:07:26 | 0:07:30 | |
He didn't say it was boiled, did he? | 0:07:30 | 0:07:33 | |
-I think it's baked. -Oh, it is baked. -Baked potato. | 0:07:33 | 0:07:36 | |
So you're a baked potato? | 0:07:36 | 0:07:37 | |
I think I'm a baked... | 0:07:37 | 0:07:39 | |
What are you doing in the garden, then? | 0:07:39 | 0:07:41 | |
How long have you had this dream? | 0:07:41 | 0:07:45 | |
-I've had it... -He only has it when he's mashed. | 0:07:45 | 0:07:47 | |
Yeah, I have it quite a bit, actually, you know? | 0:07:52 | 0:07:55 | |
It's quite at the forefront of my dreams. | 0:07:55 | 0:07:58 | |
I'm just sitting listening to you. You could be related to Len Goodman from Strictly Come Dancing. | 0:07:58 | 0:08:02 | |
-Could you just say for me... -Seven! -Look at that, yeah. | 0:08:02 | 0:08:06 | |
"Your Paso Doble was lovely, I liked it, it was good. | 0:08:06 | 0:08:09 | |
"You're a bit over there, but you were trying hard, I'm going to give you six." | 0:08:09 | 0:08:14 | |
I'm doing Len Goodman off Strictly Come Dancing. What do you think, David? | 0:08:14 | 0:08:20 | |
-Well, it's possible, isn't it? What do you think? -I'm not convinced. | 0:08:20 | 0:08:24 | |
I think it's, without question, a lie, because when he was asked | 0:08:24 | 0:08:27 | |
how the potato was moving, I actually saw Phil's brain working | 0:08:27 | 0:08:32 | |
to think of the Mr Potato Head. | 0:08:32 | 0:08:35 | |
Yeah. It is true that lots of people have dreams where they're being sort of chased, | 0:08:35 | 0:08:39 | |
that's quite a natural thing. | 0:08:39 | 0:08:41 | |
Yes, but generally, they haven't become a root vegetable. | 0:08:41 | 0:08:44 | |
You think it could be true, don't you? | 0:08:44 | 0:08:48 | |
My brain is shot by this game. I think anything could be true. | 0:08:48 | 0:08:53 | |
-I am so sure it's a lie. -Well, we're going to say it's a lie, then. | 0:08:53 | 0:09:00 | |
So, you're going to say it's a lie. OK. Phil Tufnell, were you telling the truth or were you lying? | 0:09:00 | 0:09:04 | |
I was telling... | 0:09:04 | 0:09:07 | |
No! | 0:09:08 | 0:09:10 | |
It's true. | 0:09:14 | 0:09:16 | |
Phil is haunted by a recurring dream in which he is a potato. | 0:09:16 | 0:09:19 | |
There's a technical term for Phil Tufnell turning into a potato. | 0:09:19 | 0:09:24 | |
It's called evolution. | 0:09:24 | 0:09:26 | |
That's not very nice. | 0:09:30 | 0:09:32 | |
And our next round is called This Is My, where we bring | 0:09:32 | 0:09:36 | |
on a mystery guest who has a close connection to one of our panellists. | 0:09:36 | 0:09:40 | |
This week, each of David's team will claim it's them that has the genuine connection to the guest and it's up | 0:09:40 | 0:09:45 | |
to Lee's team to spot who's telling the truth. So, please welcome this week's special guest, Ian. | 0:09:45 | 0:09:50 | |
APPLAUSE | 0:09:50 | 0:09:53 | |
-Right, Konnie. -Sorry, even before we start I can tell you now, lads, this man does not know David Mitchell. | 0:09:56 | 0:10:03 | |
Konnie, what is Ian to you? | 0:10:03 | 0:10:05 | |
This is Ian. When he brought his lizards onto Blue Peter, one of them went missing. | 0:10:05 | 0:10:11 | |
Later that evening, I found it in my handbag. | 0:10:11 | 0:10:15 | |
All right. David, what's your connection? | 0:10:15 | 0:10:17 | |
This is Ian. I sat next to him on a plane and he had such a fear | 0:10:17 | 0:10:22 | |
of flying that I had to hold his hand throughout take-off and landing. | 0:10:22 | 0:10:27 | |
It turns out David Mitchell might know this man really, really well. | 0:10:29 | 0:10:33 | |
Greg, how do you know Ian? | 0:10:35 | 0:10:37 | |
This is my friend, Ian. One night, after getting drunk together, | 0:10:37 | 0:10:41 | |
he was wrongly arrested on suspicion of murder. | 0:10:41 | 0:10:44 | |
Greg, keep it light! | 0:10:46 | 0:10:49 | |
Konnie's lizard loser, David's terrified passenger | 0:10:49 | 0:10:54 | |
or Greg's falsely accused friend. Where do you want to start? | 0:10:54 | 0:10:57 | |
So, Ian here brought lizards to a flagship BBC children's programme | 0:10:57 | 0:11:02 | |
and left going, "Well, you know, you don't always go home with the same number of lizards..." | 0:11:02 | 0:11:09 | |
The great thing with Blue Peter is if you lose an animal there, | 0:11:09 | 0:11:13 | |
they'll make up a name for it. What type of lizard? | 0:11:13 | 0:11:17 | |
Well, there was a selection of lizards. | 0:11:17 | 0:11:20 | |
He brought in about eight or ten lizards, and there were chameleons. | 0:11:20 | 0:11:26 | |
-And what? Did one of them change its colour to the same as your handbag? -Yes. -Hence getting lost? | 0:11:26 | 0:11:33 | |
-It wasn't a chameleon. -It was a lizard. -What was it? | 0:11:33 | 0:11:35 | |
-It was a lizard. -What was your handbag made of? | 0:11:35 | 0:11:38 | |
The handbag was made of snake. No, it wasn't! | 0:11:38 | 0:11:42 | |
Whereabouts were you at Blue Peter when you found the lizard in the end? | 0:11:42 | 0:11:46 | |
-No, I wasn't, I was actually in my car and my handbag was on the passenger seat. -Yeah. | 0:11:46 | 0:11:53 | |
So you open your bag to get some money out? | 0:11:53 | 0:11:55 | |
I was in the multi storey car park and I'd stopped and I just wanted to check that I had my phone. | 0:11:55 | 0:12:02 | |
-Right, OK. -And then I was, like... -So, you opened it and did you go, "Er, hello, hello? | 0:12:02 | 0:12:06 | |
"Hello?" | 0:12:06 | 0:12:08 | |
I had the theory that someone put it in as a joke, but I don't know and I've not... | 0:12:08 | 0:12:13 | |
Oh, the wacky days of Blue Peter. | 0:12:13 | 0:12:15 | |
Hilarious! | 0:12:15 | 0:12:17 | |
I don't know if it's in the spirit of this game, but it really is true. | 0:12:17 | 0:12:22 | |
They've done it again. | 0:12:22 | 0:12:24 | |
-I'd like to say I'm not stupid enough to fall for this again. -I am. | 0:12:26 | 0:12:32 | |
OK, right. David? | 0:12:32 | 0:12:35 | |
-Yes? -Just remind us again of your implausible story. | 0:12:35 | 0:12:38 | |
Well, I was on a plane next to Ian | 0:12:38 | 0:12:42 | |
and his fear of flying was such that I had to hold his hand during take-off and landing. | 0:12:42 | 0:12:47 | |
And where were you going from and to? | 0:12:47 | 0:12:50 | |
I was going from Gatwick to... | 0:12:50 | 0:12:53 | |
That's an airport. Think of another one now. | 0:12:53 | 0:12:57 | |
Corsica. | 0:12:57 | 0:12:59 | |
Gatwick to Corsica. | 0:12:59 | 0:13:01 | |
And what did he say? Was there any, | 0:13:01 | 0:13:03 | |
for want of a better word, foreplay, or did he go straight for the hand? | 0:13:03 | 0:13:08 | |
On take-off, he just suddenly... he started... | 0:13:08 | 0:13:11 | |
-What? -He started sort of making agitated noises. | 0:13:11 | 0:13:14 | |
Please, please, can you do the demonstration of the... I think we all want to see his agitated noises. | 0:13:14 | 0:13:20 | |
-No! -Go on! | 0:13:21 | 0:13:22 | |
As I remember it, it was just sort of "Ahh!". | 0:13:22 | 0:13:26 | |
Are you sure that wasn't the engine, David? | 0:13:26 | 0:13:29 | |
Yes. Yes, Lee, I'm sure it wasn't the engine. | 0:13:29 | 0:13:32 | |
-So, basically, he's sounding agitated... -Yeah. | 0:13:32 | 0:13:35 | |
-Has he grabbed your hand? -Then he grabs my hand. -Oh, no talking? | 0:13:35 | 0:13:38 | |
-There's no, "D'you mind if I..."? -Not at that point, no. | 0:13:38 | 0:13:40 | |
You slag, David Mitchell. | 0:13:40 | 0:13:42 | |
And what did you say, "Do you mind? "I'm a married woman"? I mean, what did you do? | 0:13:42 | 0:13:46 | |
I don't think I said anything. | 0:13:48 | 0:13:50 | |
You know why he's grabbed your hand, do you? | 0:13:50 | 0:13:53 | |
Well, I assumed it was... I didn't think it was sexual attraction. | 0:13:53 | 0:13:56 | |
-Right. -But it's very sweet of you to leap to that conclusion. | 0:13:56 | 0:13:59 | |
-Did either of you have fellow travellers with you? -No. | 0:13:59 | 0:14:03 | |
-No, we were... -You were both just flying to Corsica to see what might happen. | 0:14:03 | 0:14:08 | |
See who you meet on the plane, maybe. | 0:14:08 | 0:14:11 | |
And this happened again when you came in for landing? | 0:14:11 | 0:14:14 | |
After it levelled off, | 0:14:14 | 0:14:18 | |
it became fully airborne... | 0:14:18 | 0:14:20 | |
LAUGHTER | 0:14:20 | 0:14:22 | |
It sounds like a virus. | 0:14:24 | 0:14:25 | |
..he then sort of apologised and said, "I'm really sorry... | 0:14:27 | 0:14:32 | |
" freak out sometimes on a plane". | 0:14:32 | 0:14:35 | |
And I said, "Oh, you know, not to worry". | 0:14:35 | 0:14:39 | |
I bet THAT calmed him down(!) | 0:14:39 | 0:14:41 | |
I once stroked a girl's back while we were having a very difficult re-entry over... | 0:14:43 | 0:14:48 | |
Not now. | 0:14:48 | 0:14:50 | |
We were coming into Heathrow and I didn't know her and she was crying, | 0:14:50 | 0:14:54 | |
and I just reached out and just stroked her back and held her hand. | 0:14:54 | 0:14:58 | |
There was a reason why she was crying, wasn't there, Rob? | 0:14:58 | 0:15:01 | |
The madman behind was stroking her back. | 0:15:01 | 0:15:03 | |
I wasn't behind her, I was going, "Hey it's OK. This is just turbulence. | 0:15:03 | 0:15:09 | |
"This is nothing, honestly. | 0:15:09 | 0:15:10 | |
"This is normal, really. This... Bloody hell, whoa!". | 0:15:10 | 0:15:15 | |
And she was quietly sobbing. | 0:15:15 | 0:15:17 | |
I mean, it was quite... I'm BAFTA nominated, I should point that out. | 0:15:17 | 0:15:21 | |
-So, these things do happen. -Yes, there's definitely people get nervous on flights. | 0:15:21 | 0:15:25 | |
I think we have to deal with Greg's story. | 0:15:25 | 0:15:27 | |
Go on, Greg, let's have it. | 0:15:27 | 0:15:29 | |
I got drunk with Ian, | 0:15:29 | 0:15:32 | |
and later he was arrested wrongly on suspicion of murder. | 0:15:32 | 0:15:37 | |
And thank God that bit's in. | 0:15:37 | 0:15:39 | |
So, what happened? | 0:15:39 | 0:15:41 | |
Well, I wasn't really part of it because we both passed out. | 0:15:41 | 0:15:45 | |
It was a college ball | 0:15:45 | 0:15:46 | |
and we all drank vast amounts, particularly Ian and I drank a ridiculous amount | 0:15:46 | 0:15:51 | |
and then both collapsed. | 0:15:51 | 0:15:54 | |
The last thing I remember is Ian falling down and him obviously being horribly hurt. | 0:15:54 | 0:15:59 | |
-And I woke up on a carpet and ran... -So, nice change from the bath. | 0:15:59 | 0:16:06 | |
I ran upstairs and he was sitting up in his bed, | 0:16:06 | 0:16:09 | |
honestly, looking... His face was swollen like a pumpkin. | 0:16:09 | 0:16:14 | |
And then he told me that that night when he'd been stumbling about drunk, | 0:16:14 | 0:16:18 | |
he'd been arrested for murder because someone with a similar facial wound | 0:16:18 | 0:16:22 | |
had murdered someone in the town. | 0:16:22 | 0:16:24 | |
-Someone with a similar... Oh, so the facial wound from falling... -Yeah. | 0:16:24 | 0:16:28 | |
And someone with a similar facial wound had murdered somebody else? | 0:16:28 | 0:16:31 | |
-Yeah. -That's unlucky. | 0:16:31 | 0:16:34 | |
Where was this? | 0:16:34 | 0:16:35 | |
How did they know he wasn't the murderer? | 0:16:35 | 0:16:38 | |
What was the defining point in the interview? | 0:16:38 | 0:16:42 | |
He told me that they had questioned him for hours and, eventually, | 0:16:42 | 0:16:46 | |
he said to the police, and I think this is a quote, | 0:16:46 | 0:16:48 | |
"I'll be honest with you, lads, I could well have done it". | 0:16:48 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:54 | |
And yet, they still let him out before you'd woken up. | 0:16:56 | 0:17:00 | |
It upsets me to think that police respond to double bluffs like that. | 0:17:00 | 0:17:06 | |
And, just to be clear, it was proven at the end that he had absolutely nothing to do with it. | 0:17:07 | 0:17:13 | |
-Correct. -Obviously, otherwise he wouldn't be here. | 0:17:13 | 0:17:17 | |
We never established just why David was going to Corsica. | 0:17:17 | 0:17:21 | |
-On his own. -Was it Club 18 to 30 again? | 0:17:21 | 0:17:24 | |
No, it was a holiday. | 0:17:25 | 0:17:27 | |
I was going on holiday with a group of friends, | 0:17:27 | 0:17:29 | |
but I could only go a day after everyone else. | 0:17:29 | 0:17:32 | |
They made those rules, did they? | 0:17:32 | 0:17:35 | |
LAUGHTER AND APPLAUSE | 0:17:35 | 0:17:37 | |
So, Lee's team, | 0:17:41 | 0:17:43 | |
is Ian Konnie's reptile wrangler, | 0:17:43 | 0:17:47 | |
David's frightened flyer, | 0:17:47 | 0:17:49 | |
or Greg's suspicious friend? Which one are you going for? | 0:17:49 | 0:17:51 | |
-What do we think, Phil? -I quite like Konnie. | 0:17:51 | 0:17:54 | |
Well, we all do. | 0:17:54 | 0:17:56 | |
-Well, there you go. -Focus, Phil! | 0:17:56 | 0:17:59 | |
No, I can imagine a bit of Blue Peter, he looks like a chap | 0:17:59 | 0:18:01 | |
who might keep lizards, I don't know why. | 0:18:01 | 0:18:04 | |
I'm slightly leaning towards Greg, only because I don't believe David. | 0:18:04 | 0:18:09 | |
I'm inclined to think that Konnie's story is true. | 0:18:09 | 0:18:15 | |
Oh, go on, then. Konnie, if you've suckered these two idiots into it, I'll go along with that. | 0:18:15 | 0:18:19 | |
Ian, would you like to reveal to us your true identity? | 0:18:19 | 0:18:23 | |
My name is Ian, whilst at college with Greg Davies, we got very drunk one night | 0:18:23 | 0:18:30 | |
and I was wrongly arrested on suspicion of murder. | 0:18:30 | 0:18:33 | |
APPLAUSE | 0:18:33 | 0:18:36 | |
When I went up in the morning he was sitting upright in bed and his head was three times its natural size, | 0:18:36 | 0:18:42 | |
and I went, "Oh, my God, mate! Are you all right?". And he looked at me | 0:18:42 | 0:18:46 | |
like this...and went, "We've gone too far this time, mate". | 0:18:46 | 0:18:50 | |
-Thank you very much, Ian. -Thank you. | 0:18:50 | 0:18:53 | |
Which brings us to our final round, Quickfire Lies, in which our panellists | 0:18:59 | 0:19:03 | |
lie not only through their teeth, but against the clock. We will start with... | 0:19:03 | 0:19:07 | |
..Lee, yes. | 0:19:08 | 0:19:11 | |
I once had to show my boss an intimate area of my body | 0:19:11 | 0:19:14 | |
to prove why I was late for work. | 0:19:14 | 0:19:17 | |
OK! | 0:19:19 | 0:19:20 | |
Which part of your body and why did that prove that you were late for work? | 0:19:20 | 0:19:25 | |
It was my, er... Well, I think we all know what I'm talking about. | 0:19:25 | 0:19:31 | |
-I don't! -No. | 0:19:31 | 0:19:33 | |
Well, let's call it Mr Weewee. | 0:19:35 | 0:19:39 | |
You actually had to show it to him? | 0:19:40 | 0:19:42 | |
-Well, I didn't have... He didn't say... -You elected to. | 0:19:42 | 0:19:46 | |
He didn't say, | 0:19:46 | 0:19:47 | |
"Prove it, get it out", but I could tell he was doubting me. | 0:19:47 | 0:19:50 | |
-I said, "Honestly, look!", and I got it out. -So, what was...? | 0:19:50 | 0:19:54 | |
-What was the...? -That's the bit they're all waiting for, David. | 0:19:54 | 0:19:57 | |
-What did it prove? -Mr Weewee had banged his head. -What on? | 0:19:57 | 0:20:02 | |
-"What on?", is a good question. -Ceiling. | 0:20:02 | 0:20:06 | |
LAUGHTER AND APPLAUSE | 0:20:06 | 0:20:09 | |
Yeah, basically, I was lying in bed | 0:20:13 | 0:20:17 | |
and I was naked, | 0:20:17 | 0:20:20 | |
and I think there was a tiny, little bit of glass in the bed. | 0:20:20 | 0:20:24 | |
And it just wouldn't stop bleeding. So, I had to get some tissue paper. | 0:20:24 | 0:20:28 | |
I wrapped it round quite a lot and, I can't lie, it ended up looking like Mr Bump. | 0:20:28 | 0:20:34 | |
It was blue? | 0:20:34 | 0:20:36 | |
It was... | 0:20:36 | 0:20:37 | |
I just put lots of it on, and then I just told him the truth. | 0:20:39 | 0:20:42 | |
"Sorry I'm late, there was an incident". | 0:20:42 | 0:20:44 | |
I told him, he went...as if to say, "You're not telling the truth". | 0:20:44 | 0:20:47 | |
I said, "Do you want to see it?", whizzed it out, he went, "Oh, it's Mr Bump". | 0:20:47 | 0:20:51 | |
Every time someone raises their eyebrows at you, your instinct is to get your penis out? | 0:20:51 | 0:20:57 | |
Stop it, Greg! Stop it! You know I can't help myself! | 0:20:59 | 0:21:01 | |
Stop it! | 0:21:01 | 0:21:03 | |
-He made you show it? -No, he didn't make me. He never, at any point, made me do it. | 0:21:03 | 0:21:07 | |
No, all he did was give you the sign. | 0:21:07 | 0:21:11 | |
Stop it, Greg. | 0:21:12 | 0:21:14 | |
You were in no position to deploy it. | 0:21:14 | 0:21:16 | |
He was quite well covered. It was full of bandaged tissue paper. | 0:21:16 | 0:21:20 | |
So, it was it was easy to get it out and keep my dignity. In fact, | 0:21:20 | 0:21:25 | |
I was quite proud of it. It was like this! I was like, "Do you want to have a look at it, mate? | 0:21:25 | 0:21:29 | |
"There it is. | 0:21:29 | 0:21:31 | |
"Wrap your eyes round that little beauty, eh? | 0:21:31 | 0:21:35 | |
"Mr Bump's fainted, get used to it". | 0:21:35 | 0:21:38 | |
David, what do you think, is he telling the truth? Let's have a decision. | 0:21:38 | 0:21:42 | |
-Konnie? -Well, I could weirdly believe it. | 0:21:42 | 0:21:46 | |
Yes, I could believe. | 0:21:46 | 0:21:47 | |
-I mean, it's a very extreme story to have made up. -It's too much so it must be true. | 0:21:47 | 0:21:53 | |
-Yeah. -You're saying true? -Yeah, we're saying true. | 0:21:53 | 0:21:57 | |
-You're saying true. OK, Lee, truth or lie? -It is, in fact, true. | 0:21:57 | 0:22:01 | |
Yes, it's true. Lee went on to a successful career in entertainment, | 0:22:07 | 0:22:10 | |
while his boss went on to anti depressants and a course of trauma therapy. Next... | 0:22:10 | 0:22:16 | |
it's David. | 0:22:16 | 0:22:17 | |
I recently bought a cat, | 0:22:20 | 0:22:22 | |
but took it back a day later because our personalities clashed. | 0:22:22 | 0:22:26 | |
Once again, David is mixing up the words "cat" and "wife". | 0:22:32 | 0:22:36 | |
What was the matter with his personality? What did you clash on? | 0:22:38 | 0:22:41 | |
Well, the use of claws. | 0:22:41 | 0:22:44 | |
He didn't like that, did he? | 0:22:44 | 0:22:46 | |
What was he scratching? | 0:22:48 | 0:22:50 | |
Scratching? Well, slightly me, | 0:22:50 | 0:22:52 | |
but also furniture quite vigorously. | 0:22:52 | 0:22:56 | |
-Scratching your furniture. -Yeah. There was a sort of corner of a sofa | 0:22:56 | 0:23:00 | |
and a corner of a table. | 0:23:00 | 0:23:03 | |
-Corners. -Always corners. | 0:23:03 | 0:23:05 | |
Was he a kitten when you got him? | 0:23:05 | 0:23:09 | |
No, I think sort of about...two. | 0:23:09 | 0:23:13 | |
-Two years old. -That's quite... -Why did you buy a two-year-old cat rather than a kitten? | 0:23:13 | 0:23:18 | |
Well, it, it came from Battersea Cats and Dogs Home, | 0:23:18 | 0:23:22 | |
which I thought that's quite a responsible place to source a pet, | 0:23:22 | 0:23:27 | |
-rather than, you know... -Did you pay for the cat? | 0:23:27 | 0:23:30 | |
-No. Well, it was just sort of, you know, you home it. -You home it? -You give it a home. -Oh, I see. | 0:23:30 | 0:23:37 | |
-It was a homing cat. -Oh, I thought you meant you threw it out of the window like a pigeon. | 0:23:37 | 0:23:42 | |
I've rehomed a cat. | 0:23:42 | 0:23:44 | |
Did they come round and have a look at where he was going to stay? | 0:23:44 | 0:23:48 | |
-No. -Didn't they? | 0:23:48 | 0:23:50 | |
-No. They did with mine. -Yeah, well, that's your history, Phil. | 0:23:50 | 0:23:55 | |
That's just you. | 0:23:55 | 0:23:57 | |
What colour was it? What kind of style was it? | 0:23:57 | 0:24:00 | |
Style! What sort of... | 0:24:00 | 0:24:03 | |
Art Deco. | 0:24:03 | 0:24:07 | |
What sort of breed was it? | 0:24:07 | 0:24:10 | |
It was tortoiseshell with a sort of...the odd blotch. | 0:24:10 | 0:24:14 | |
-You took it back after one day? -Yes. | 0:24:14 | 0:24:16 | |
How long was it in your house before you went, "Oh, this is rubbish? | 0:24:16 | 0:24:20 | |
"This is going back."? | 0:24:20 | 0:24:22 | |
I was suspicious after as little as an hour. | 0:24:22 | 0:24:26 | |
I was despondent after six hours. | 0:24:26 | 0:24:29 | |
After eight hours, I was decided. | 0:24:29 | 0:24:33 | |
So, what are you going to say then, truth or lie? | 0:24:33 | 0:24:36 | |
-Lie for me. -What do you say, Marcus? -Oh, I don't know, I'm confused. A lie, then. -I'll say lie, then. | 0:24:36 | 0:24:41 | |
-You're going to say lie. OK, David, truth or lie? -It is a lie. | 0:24:41 | 0:24:45 | |
Yes, it's a lie. David didn't buy a cat and then return it a day later because their personalities clashed. | 0:24:49 | 0:24:54 | |
Aloof, rather prickly and temperamental and hard to befriend, David still doesn't have a cat. | 0:24:54 | 0:24:59 | |
Next... | 0:24:59 | 0:25:01 | |
and it's Greg. | 0:25:01 | 0:25:04 | |
I used to try and scare school friends by planting | 0:25:06 | 0:25:09 | |
a particular drawing in their pockets, signifying death. | 0:25:09 | 0:25:13 | |
Lee, what do you think? | 0:25:13 | 0:25:16 | |
-What was the drawing? -It was an owl. | 0:25:16 | 0:25:19 | |
Ah, the owl of death. | 0:25:21 | 0:25:23 | |
-Its full title was actually the hoot owl death sign. -Oh. | 0:25:23 | 0:25:27 | |
-What do you mean the owl of death? What was it doing in this drawing? -Hoot owl death sign. | 0:25:27 | 0:25:32 | |
-That old chestnut. -I could draw it for you, if you like. | 0:25:32 | 0:25:35 | |
Greg, I've got a pen and paper. I'll come there. | 0:25:35 | 0:25:38 | |
No, I'll come to you. Don't stand up next to me, it just highlights it. | 0:25:38 | 0:25:41 | |
Greg, can you... | 0:25:44 | 0:25:45 | |
LAUGHTER AND APPLAUSE | 0:25:45 | 0:25:49 | |
So, please, draw the owl of death. | 0:25:50 | 0:25:53 | |
So... | 0:25:53 | 0:25:55 | |
Don't look at it, David, you'll die. | 0:25:59 | 0:26:01 | |
Oh, my God! Blimey. | 0:26:05 | 0:26:07 | |
Oh! | 0:26:09 | 0:26:11 | |
Oh, please put it away! | 0:26:11 | 0:26:13 | |
Just imagine, you're innocently, in your pocket, | 0:26:13 | 0:26:17 | |
minding your own business, and you go, "Oh, what's this in my..." | 0:26:17 | 0:26:21 | |
Oh, no it's the owl of death! | 0:26:22 | 0:26:25 | |
Your friends would find that in their pocket and be... | 0:26:25 | 0:26:29 | |
Not my friends, my deadly enemies. | 0:26:29 | 0:26:31 | |
What would be the purpose of that? | 0:26:31 | 0:26:34 | |
It would serve for people who had crossed my friend and I. | 0:26:34 | 0:26:37 | |
-What kind of things would they have to do to cross you? -There was an English teacher who | 0:26:37 | 0:26:41 | |
we found a bit boring, so we slipped one in his pocket. | 0:26:41 | 0:26:45 | |
That was the highlight of the whole campaign actually - | 0:26:45 | 0:26:48 | |
the English teacher once stood up in front of class, | 0:26:48 | 0:26:52 | |
was chatting away and went into his pocket and went, "Oh..." | 0:26:52 | 0:26:56 | |
And he went, "Sorry, everyone. Does anyone know anything about this, because I've just..." | 0:27:00 | 0:27:05 | |
Was the purpose of it to scare them? | 0:27:05 | 0:27:07 | |
Like, you would tell them later on it was your, or...? | 0:27:07 | 0:27:10 | |
No, no, of course not, we were both nerdy cowards. | 0:27:10 | 0:27:14 | |
You created a sort of mythology around what might happen | 0:27:14 | 0:27:18 | |
if you found the hoot owl of death in your pocket? | 0:27:18 | 0:27:21 | |
In our minds, anyone who found the hoot owl of death in their pocket | 0:27:21 | 0:27:24 | |
would very shortly afterwards meet their demise. | 0:27:24 | 0:27:29 | |
Time to take a guess. What are you going to say? | 0:27:33 | 0:27:36 | |
-Phil, do you think that is possible? -I think it's possible, | 0:27:36 | 0:27:39 | |
-but I think it's a lie. -I think it's a lie. -OK. | 0:27:39 | 0:27:42 | |
-You say lie, you say lie, what about you, Lee? -I say lie. | 0:27:42 | 0:27:46 | |
Right, Greg, truth or lie? | 0:27:46 | 0:27:48 | |
Well, it would be pretty tragic if two boys had spent their youth doing that, wouldn't it? | 0:27:48 | 0:27:53 | |
And it is indeed true. | 0:27:53 | 0:27:54 | |
Yes, it's true, Greg did try and scare school friends | 0:27:59 | 0:28:03 | |
by planting a particular drawing in their pockets, signifying death. BUZZER | 0:28:03 | 0:28:07 | |
Well, that noise signals time is up and it's the end of the show - | 0:28:07 | 0:28:10 | |
I can reveal that David's team are the victors by seven points to three. | 0:28:10 | 0:28:15 | |
APPLAUSE | 0:28:15 | 0:28:18 | |
But, of course, it's not just a team game. | 0:28:18 | 0:28:20 | |
My individual liar of the week is Greg Davies. | 0:28:20 | 0:28:23 | |
Yes, Greg Davies, whose stories were so tall, some of them almost came up to his shoulder. Good night. | 0:28:29 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:55 |