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CHEERING AND APPLAUSE | 0:00:14 | 0:00:19 | |
Good evening and welcome to Would I Lie To You, | 0:00:26 | 0:00:29 | |
the show that celebrates the dark art of the tall tale. | 0:00:29 | 0:00:33 | |
On David Mitchell's team tonight, he's spied on more birds than a teenage Russell Brand. | 0:00:33 | 0:00:38 | |
It's the comedian, naturalist and TV presenter, Bill Oddie. | 0:00:38 | 0:00:41 | |
APPLAUSE | 0:00:41 | 0:00:44 | |
And one of the country's best-loved comedians, | 0:00:44 | 0:00:47 | |
who's also had a number one hit in the charts. | 0:00:47 | 0:00:51 | |
Finally, someone I can relate to. It's Frank Skinner! | 0:00:51 | 0:00:54 | |
CHEERS AND APPLAUSE | 0:00:54 | 0:00:57 | |
And joining Lee Mack tonight, | 0:00:57 | 0:00:59 | |
a comedian who used to have a job in a call centre. | 0:00:59 | 0:01:02 | |
She says it wasn't that bad, | 0:01:02 | 0:01:04 | |
but the daily 17-hour commute to Mumbai was knackering. | 0:01:04 | 0:01:07 | |
Sarah Millican. | 0:01:07 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:12 | |
And a comedian who trained as a chef but had to give it up | 0:01:12 | 0:01:15 | |
when he realised he wasn't a rude, cantankerous arse, Jon Richardson. | 0:01:15 | 0:01:21 | |
APPLAUSE | 0:01:21 | 0:01:24 | |
We start with Round 1, Home Truths. | 0:01:24 | 0:01:25 | |
Our panellists each read out a statement from the card in front of them. | 0:01:25 | 0:01:29 | |
To make things harder, they've never seen the card, | 0:01:29 | 0:01:32 | |
so they've no idea what they'll be faced with. | 0:01:32 | 0:01:34 | |
It's up to the opposing team to sort the truth from the lies and Sarah Millican is first tonight. | 0:01:34 | 0:01:39 | |
OK. | 0:01:39 | 0:01:40 | |
I once wet myself in a car and then blamed it on my friend's dog. | 0:01:42 | 0:01:47 | |
LAUGHTER | 0:01:47 | 0:01:49 | |
David. | 0:01:49 | 0:01:50 | |
Right. Um... | 0:01:50 | 0:01:51 | |
I mean, it's... I'm willing to believe it, | 0:01:51 | 0:01:54 | |
I'll say that at this point. | 0:01:54 | 0:01:57 | |
Why did you wet yourself in a car? | 0:01:57 | 0:01:58 | |
Cos I needed a wee in a car. | 0:01:58 | 0:02:00 | |
I've needed a wee in a car but I've never weed in a car. | 0:02:00 | 0:02:05 | |
I was once stuck in a very long line of traffic | 0:02:06 | 0:02:09 | |
trying to get on to the Severn Bridge on the M4 | 0:02:09 | 0:02:11 | |
and I let myself go in a one litre bottle of Volvic. | 0:02:11 | 0:02:15 | |
I did that on the motorway and my problem was | 0:02:15 | 0:02:19 | |
I was really desperate | 0:02:19 | 0:02:21 | |
and I had a bottle of water and I had to drink the water. | 0:02:21 | 0:02:25 | |
My body was saying, "No! No more water!" | 0:02:25 | 0:02:29 | |
So, it was a it was a terrible, cyclical thing. | 0:02:29 | 0:02:32 | |
No sooner had I got it down, it was out again. | 0:02:32 | 0:02:34 | |
I didn't want to draw attention to myself, | 0:02:34 | 0:02:37 | |
cos people might pull up either side | 0:02:37 | 0:02:39 | |
and I'd clearly, by my facial expression, be urinating. | 0:02:39 | 0:02:42 | |
Oh, please show us that face. | 0:02:43 | 0:02:45 | |
So, this is obviously, just for everyone but me, | 0:02:48 | 0:02:51 | |
-a commonplace occurrence. -Yes. | 0:02:51 | 0:02:54 | |
I don't, you know, basically lavatories are just for me. | 0:02:54 | 0:02:59 | |
What a great name for your autobiography. | 0:02:59 | 0:03:01 | |
APPLAUSE | 0:03:03 | 0:03:06 | |
Who did you blame the dog to, if you see what I mean? | 0:03:08 | 0:03:12 | |
To the mechanic when I took it in for a valet. | 0:03:12 | 0:03:19 | |
-So, so whose car was it? -My car. | 0:03:19 | 0:03:21 | |
-Your car. You peed in the car? -Yeah. | 0:03:21 | 0:03:26 | |
Were you in a... Was there a good reason for that? | 0:03:26 | 0:03:28 | |
Were you in a traffic jam after a large bottle of Evian? | 0:03:28 | 0:03:31 | |
I was... Well, just tap water probably. | 0:03:31 | 0:03:34 | |
I've never been in a car with a tap, so, you know. | 0:03:34 | 0:03:37 | |
-It's a very posh car. -Oh, right. -Yeah, I was stuck in... | 0:03:39 | 0:03:42 | |
It's so posh, it's plumbed in! | 0:03:42 | 0:03:44 | |
Literally got gangs of people following it with pipes. | 0:03:44 | 0:03:48 | |
To be fair, if it was plumbed in, I'd have probably had a toilet in there as well. | 0:03:48 | 0:03:52 | |
I've not done this, but is it... Cos women don't really have much control over where it's going, | 0:03:52 | 0:03:56 | |
but as a man, is it conceivable you could aim it out of the window? | 0:03:56 | 0:04:02 | |
You could, you could, but the speed you were going at | 0:04:02 | 0:04:05 | |
would mean that it would all come straight back in at you. | 0:04:05 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:11 | |
So when you got to this "mechanic", what did you say? | 0:04:11 | 0:04:15 | |
I mean, was the stain so clearly visible? | 0:04:15 | 0:04:18 | |
No, it had sunk right in. | 0:04:18 | 0:04:21 | |
Was he a bit confused that the dog was driving? | 0:04:21 | 0:04:23 | |
No, because it wasn't on the driver's seat. | 0:04:23 | 0:04:27 | |
You changed seats to have a wee? | 0:04:27 | 0:04:29 | |
That is dangerous. | 0:04:29 | 0:04:30 | |
You changed seats in a traffic jam, | 0:04:30 | 0:04:32 | |
-where you're in control of the vehicle. -Yes. | 0:04:32 | 0:04:35 | |
You can't buy class, can you? | 0:04:35 | 0:04:37 | |
If I looked in a rear view mirror, I'd think that passenger | 0:04:37 | 0:04:41 | |
looks very, very content, considering there's no-one driving. | 0:04:41 | 0:04:45 | |
-So what are you thinking, David? -What do you think, Frank? | 0:04:48 | 0:04:51 | |
I just think Sarah is the kind of strong, independent woman | 0:04:51 | 0:04:56 | |
who would step out of her car, | 0:04:56 | 0:04:57 | |
stride to the hard shoulder and just go... | 0:04:57 | 0:05:02 | |
-..and then and then do it. -Yeah. Bill can you believe it? | 0:05:04 | 0:05:08 | |
-Yes, I think it happened. -You think it's true and you think it's a lie. | 0:05:08 | 0:05:11 | |
I have to decide. Which I hate. | 0:05:11 | 0:05:15 | |
-I think, I think it's true. -You think it's true? -Yeah. | 0:05:15 | 0:05:19 | |
OK. So, in that case, Sarah, truth or lie? | 0:05:19 | 0:05:22 | |
It is, ah... | 0:05:22 | 0:05:24 | |
True. | 0:05:24 | 0:05:26 | |
APPLAUSE | 0:05:27 | 0:05:29 | |
-Well done, David. -Now you listen to us in future. | 0:05:29 | 0:05:34 | |
Goodness me. | 0:05:34 | 0:05:35 | |
I was stuck in traffic for two and a half hours. | 0:05:38 | 0:05:40 | |
I was in absolute agony and thought it was the only way out, | 0:05:40 | 0:05:43 | |
and it was either that or rupture something, | 0:05:43 | 0:05:46 | |
so I just moved across, stripped, | 0:05:46 | 0:05:48 | |
weed, moved across, pulled back up, champion. | 0:05:48 | 0:05:52 | |
LAUGHTER AND APPLAUSE | 0:05:52 | 0:05:56 | |
Well, there we are. And if you've been affected by any of the issues | 0:05:58 | 0:06:01 | |
raised on tonight's show... | 0:06:01 | 0:06:04 | |
-Frank. -OK. | 0:06:04 | 0:06:07 | |
I was once driven to A&E in an ice-cream van. | 0:06:07 | 0:06:11 | |
In place of a siren, the driver turned on the musical chimes. | 0:06:11 | 0:06:14 | |
What happened to you that involved having to go to A&E? | 0:06:18 | 0:06:22 | |
Well, I was playing rounders. | 0:06:22 | 0:06:25 | |
I ran in between bases and I sort of went over on my ankle. | 0:06:25 | 0:06:31 | |
-And it was in Cornwall. -Your ankle? | 0:06:31 | 0:06:34 | |
Yeah. | 0:06:34 | 0:06:36 | |
That's how far out of place it went. | 0:06:36 | 0:06:39 | |
Blimey! | 0:06:39 | 0:06:41 | |
So I was in, I mean, real, proper agony. | 0:06:41 | 0:06:44 | |
Like, honestly, I thought I was going to black out, | 0:06:44 | 0:06:47 | |
it hurt so much and somebody phoned an ambulance and... | 0:06:47 | 0:06:52 | |
..it probably was about 25 minutes and still no sign. | 0:06:53 | 0:06:58 | |
This bloke came over | 0:06:58 | 0:07:00 | |
from the ice-cream van and he said, "I'll take you to the hospital". | 0:07:00 | 0:07:06 | |
So they're trying to dial the emergency service? | 0:07:06 | 0:07:08 | |
Perhaps instead of dialling 999, they pressed 99. | 0:07:08 | 0:07:12 | |
APPLAUSE | 0:07:12 | 0:07:14 | |
It's easily done. | 0:07:14 | 0:07:16 | |
-So you've gone over on your ankle... -Yeah. | 0:07:16 | 0:07:19 | |
..and the ice-cream man saw you from a distance? | 0:07:19 | 0:07:21 | |
-We didn't have a car. We got the train down, so no-one had a car. -Right. -So this bloke said... | 0:07:21 | 0:07:26 | |
And I was just... | 0:07:26 | 0:07:27 | |
The idea of getting to somewhere where they could just give me | 0:07:27 | 0:07:30 | |
a pain-killing injection would have been lovely. | 0:07:30 | 0:07:32 | |
Presumably you didn't get the siren straight away. | 0:07:32 | 0:07:35 | |
-No, it wasn't the siren, it was Greensleeves. -Well, Greensleeves. | 0:07:35 | 0:07:40 | |
Did you give him some money for lost trade? | 0:07:40 | 0:07:42 | |
Oh, no. | 0:07:42 | 0:07:43 | |
Jon, when you've been a celebrity a bit longer, | 0:07:44 | 0:07:47 | |
you'll realise that money is no longer relevant. | 0:07:47 | 0:07:49 | |
-Whereabouts in Cornwall were you? -I was in Truro. | 0:07:54 | 0:07:57 | |
I don't understand why you would put the siren on. | 0:07:57 | 0:08:00 | |
I think I did mention to him that I liked... | 0:08:00 | 0:08:05 | |
music from the Tudor period. | 0:08:05 | 0:08:08 | |
I also don't understand why you were in Truro, | 0:08:10 | 0:08:12 | |
cos if you didn't drive, you'd have got the fast service to Penzance. | 0:08:12 | 0:08:16 | |
The holiday was a combination of rail travel and taxis... | 0:08:18 | 0:08:23 | |
and a little bit of ice-cream van. | 0:08:23 | 0:08:26 | |
-So, time for a decision. -What do we think? -I'm not happy with it. | 0:08:26 | 0:08:30 | |
-Not happy with it? -Not happy. -Not having it? -I think it's true. | 0:08:30 | 0:08:33 | |
I don't want to become Trevor Travel Planner, but if... | 0:08:33 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:38 | |
A rounders kit is something you take in the car boot, not on a train. | 0:08:38 | 0:08:41 | |
-OK, so you're saying it's true. -I think it's true. | 0:08:41 | 0:08:44 | |
-Jon thinks it's a lie. -Yeah. | 0:08:44 | 0:08:46 | |
-We'll say it's lie. -You're saying it's a lie? | 0:08:46 | 0:08:48 | |
OK, Frank, truth or lie? | 0:08:48 | 0:08:50 | |
It is... | 0:08:50 | 0:08:51 | |
a lie. | 0:08:51 | 0:08:52 | |
APPLAUSE | 0:08:52 | 0:08:55 | |
Yes, it's a lie. Frank wasn't driven to A&E in an ice-cream van. | 0:08:56 | 0:09:01 | |
In fact, accidents involving ice-cream vans are incredibly rare, | 0:09:01 | 0:09:05 | |
yet always result in the tragic loss of hundreds and thousands. | 0:09:05 | 0:09:09 | |
Bill, you're next. | 0:09:12 | 0:09:13 | |
Right, OK. | 0:09:13 | 0:09:14 | |
I was saved from drowning | 0:09:14 | 0:09:17 | |
by a character from the children's show Rainbow. | 0:09:17 | 0:09:22 | |
-Wow. -Surprising buoyant, your six-foot, felt-covered man. | 0:09:24 | 0:09:30 | |
We don't know he's felt-covered. | 0:09:30 | 0:09:32 | |
There was un-felt-covered men, too. People. | 0:09:32 | 0:09:35 | |
-Human beings, I think they're called. -Geoffrey. | 0:09:35 | 0:09:37 | |
Don't give him names, don't help him! | 0:09:37 | 0:09:39 | |
Which character? If he says Geoffrey, I'll kill you! | 0:09:39 | 0:09:42 | |
-Freddy. -Well, there was a Freddy. | 0:09:42 | 0:09:44 | |
-There was a Rod, Jane and Freddy. -Rod, Jane and Freddy, yeah. | 0:09:44 | 0:09:47 | |
Yeah, he was the sexier of them. | 0:09:47 | 0:09:50 | |
-I always liked the pink hippo. -Only one arm though. | 0:09:50 | 0:09:53 | |
-What? -George and Zippy had one arm each. | 0:09:53 | 0:09:57 | |
Oh, yeah, they did, the other arm was in their mouth. | 0:09:57 | 0:09:59 | |
What are you saying?! | 0:09:59 | 0:10:01 | |
Sorry! | 0:10:03 | 0:10:04 | |
You say a lot of disgusting things on this show, | 0:10:04 | 0:10:07 | |
but now you've gone too far. | 0:10:07 | 0:10:09 | |
So, Freddy has saved you from a... What was it, a pond? | 0:10:09 | 0:10:13 | |
-From drowning. A pond?! -It was in the sea. -It was the ocean. | 0:10:13 | 0:10:17 | |
The ocean. OK, which ocean was it? | 0:10:17 | 0:10:19 | |
It was the...Indian Ocean. | 0:10:19 | 0:10:22 | |
Did you get the train there, I would like to know. | 0:10:22 | 0:10:25 | |
LAUGHTER AND APPLAUSE | 0:10:25 | 0:10:29 | |
Now, the question I want to know is, is Fred from Rod, Jane and Freddy, | 0:10:29 | 0:10:33 | |
is he on holiday with you or is this an unbelievable coincidence? | 0:10:33 | 0:10:37 | |
It is actually an unbelievable coincidence. | 0:10:37 | 0:10:40 | |
-Did he recognised you? -Yes, he did. -Or did he know you already? | 0:10:40 | 0:10:43 | |
No, he did know me. | 0:10:43 | 0:10:45 | |
I hadn't met or anything like that but... | 0:10:45 | 0:10:48 | |
-No, but he was aware, he was aware. -But he was aware that there was somebody in the sea, | 0:10:48 | 0:10:52 | |
some way off shore, waving as if to say, "I am drowning, I am drowning." | 0:10:52 | 0:10:56 | |
He probably thought you were doing the Funky Gibbon, didn't he? | 0:10:56 | 0:11:00 | |
It might have been pre-Funky Gibbon. | 0:11:00 | 0:11:02 | |
What year was it? | 0:11:02 | 0:11:03 | |
Wow. Surely human beings still lived in the sea then? | 0:11:03 | 0:11:07 | |
You're in the sea and then Rod, Jane and Freddy, or just Fred. | 0:11:10 | 0:11:14 | |
-Is he with Rod and Jane, by the way? -He was with Jane. | 0:11:14 | 0:11:17 | |
Well, Jane and Freddy were a couple, weren't they? | 0:11:17 | 0:11:19 | |
-I think they still are a couple. -Rod must have felt left out. | 0:11:19 | 0:11:23 | |
He was giving it to Zippy. | 0:11:23 | 0:11:25 | |
Did he cup you in the traditional... | 0:11:30 | 0:11:33 | |
-No, he didn't cup me! -I don't mean... -Oh. | 0:11:33 | 0:11:35 | |
Yes. | 0:11:35 | 0:11:37 | |
Well, I'm not suggesting he'd arrived and, "Before I save you..." | 0:11:37 | 0:11:40 | |
So I got pulled in backwards, yes, on my back, as it were. | 0:11:43 | 0:11:46 | |
-Onto the shore. -Yes, back to the shore | 0:11:46 | 0:11:48 | |
-and it was about that... -Well, it's obviously going to be | 0:11:48 | 0:11:51 | |
back to the shore. He's not going to take him further out! | 0:11:51 | 0:11:54 | |
He might have been intercepted by a life boat! | 0:11:54 | 0:11:59 | |
That was the angriest he has been in three series! | 0:12:02 | 0:12:08 | |
Don't come onto this show and soil the seats. | 0:12:08 | 0:12:11 | |
Too late! | 0:12:12 | 0:12:13 | |
So, Bill, he gets you back to the shore, was that it? | 0:12:17 | 0:12:19 | |
We then exchanged pleasantries | 0:12:19 | 0:12:21 | |
and said, "What the hell are you doing here?" | 0:12:21 | 0:12:24 | |
They were on holiday, we were on holiday, total coincidence. | 0:12:24 | 0:12:27 | |
My query would be this, and it's not train related, right? | 0:12:27 | 0:12:31 | |
If no one else but Freddy was around, how did you not know you were on holiday with Freddy? | 0:12:31 | 0:12:36 | |
It was a very small island. | 0:12:36 | 0:12:39 | |
I'll name drop it now, in the Seychelles. | 0:12:39 | 0:12:42 | |
Oooh! Bit of class. | 0:12:42 | 0:12:44 | |
-Will we all get free holidays in the Seychelles now you've said that? -No, but I will. | 0:12:49 | 0:12:53 | |
I also think the Seychelles sound nice. | 0:12:53 | 0:12:57 | |
I've always adored the island of Mauritius. | 0:12:58 | 0:13:02 | |
If there's anybody watching from Alton Towers... | 0:13:02 | 0:13:05 | |
OK, Lee, time for your decision. | 0:13:07 | 0:13:09 | |
-What is your laser-like mind telling you? -Me? | 0:13:09 | 0:13:12 | |
I think it's a lie, yeah. | 0:13:12 | 0:13:14 | |
Because I don't remember any episodes of Rainbow | 0:13:14 | 0:13:16 | |
that had Freddy swimming in them, so I'm not sure he could. | 0:13:16 | 0:13:20 | |
I think it's true, but I just have this really sad image | 0:13:20 | 0:13:24 | |
of lots of other people watching you drown | 0:13:24 | 0:13:27 | |
and Freddy going, "Well, I'll bloody get him, then!" | 0:13:27 | 0:13:29 | |
OK, Jon says it's true, Sarah says it's a lie. | 0:13:29 | 0:13:33 | |
-I'm going to say it's true. -OK. | 0:13:33 | 0:13:35 | |
Very well. The answer is... | 0:13:35 | 0:13:38 | |
-it's true. -No way! | 0:13:38 | 0:13:40 | |
Yes, it's true. Bill was saved from drowning by Freddy from Rainbow. | 0:13:41 | 0:13:47 | |
Our next round is called This Is My, | 0:13:47 | 0:13:50 | |
where we bring on a mystery guest | 0:13:50 | 0:13:52 | |
who has a close connection to a panellist, and this week | 0:13:52 | 0:13:55 | |
Lee's team will claim they have a connection to the guest, | 0:13:55 | 0:13:58 | |
and it's up to David's team to spot who's telling the truth. | 0:13:58 | 0:14:01 | |
So, please welcome our special guest, Cathy. | 0:14:01 | 0:14:04 | |
Welcome, Cathy. So, Jon, what is Cathy to you? | 0:14:11 | 0:14:14 | |
This is Cathy, | 0:14:14 | 0:14:16 | |
and we crashed into each other while we were both on our driving test. | 0:14:16 | 0:14:19 | |
Sarah, how do you know Cathy? | 0:14:19 | 0:14:21 | |
This is my friend Cathy. | 0:14:21 | 0:14:23 | |
We fooled the newspapers into reporting that | 0:14:23 | 0:14:26 | |
she'd been left under the spell of a hypnotist at a hen party. | 0:14:26 | 0:14:30 | |
-And, Lee, what about you? -This is Cathy. | 0:14:30 | 0:14:32 | |
She's the hotel receptionist that I had to phone from my room | 0:14:32 | 0:14:36 | |
when I found a peacock in my hotel room. | 0:14:36 | 0:14:39 | |
So, there we have it. Jon's pranged motorist, | 0:14:41 | 0:14:45 | |
Sarah's newspaper prankster or Lee's peacock remover. David. | 0:14:45 | 0:14:49 | |
-Jon. -Hi. -Your driving test. | 0:14:49 | 0:14:52 | |
How did the crash happen, what manoeuvre were you attempting? | 0:14:52 | 0:14:57 | |
I was pulling out of a junction onto a carriageway, | 0:14:57 | 0:15:00 | |
but then I saw a car so I stopped, and she drove into the back of me. | 0:15:00 | 0:15:03 | |
-Basically, two driving tests in convoy, as it were. -Yeah. | 0:15:03 | 0:15:08 | |
You do the same route from the same driving school, | 0:15:08 | 0:15:10 | |
don't you, when you go to get your exam? | 0:15:10 | 0:15:13 | |
Did you fail your test, Jon? | 0:15:13 | 0:15:16 | |
We both had to have our test annulled because of the accident. | 0:15:16 | 0:15:20 | |
Annulled? | 0:15:20 | 0:15:22 | |
That usually involves the Pope, doesn't it? | 0:15:22 | 0:15:26 | |
-When was this, Jon? -I just had to renew my license, so 11 years ago. | 0:15:28 | 0:15:34 | |
11 years ago, OK. Cathy hasn't changed her number in 11 years. | 0:15:34 | 0:15:38 | |
She described it as weird, what had happened, and I remember thinking, | 0:15:38 | 0:15:41 | |
it wasn't weird, you hit me. | 0:15:41 | 0:15:44 | |
So, she said we should keep numbers, jokingly, and said, | 0:15:44 | 0:15:48 | |
"So that we don't get our test on the same day next time, LOL." | 0:15:48 | 0:15:51 | |
Did people say LOL 11 years ago? | 0:15:53 | 0:15:57 | |
-Yeah, it was just coming in, then. -Right. | 0:15:57 | 0:15:59 | |
Before we even knew you could write it down. | 0:15:59 | 0:16:01 | |
Sarah, why did you... | 0:16:05 | 0:16:07 | |
What's the story here? | 0:16:07 | 0:16:09 | |
What...? What...? | 0:16:09 | 0:16:12 | |
-A disinterested policeman. -I think you mean uninterested policeman. | 0:16:12 | 0:16:16 | |
-All good policemen are disinterested. -Yes, good point. | 0:16:16 | 0:16:20 | |
Not an amusing point. | 0:16:20 | 0:16:23 | |
-But grammatically, an absolute belter. -Yeah, yeah. | 0:16:23 | 0:16:26 | |
What's the difference... | 0:16:26 | 0:16:28 | |
What's the difference between... What does disinterested mean? | 0:16:28 | 0:16:32 | |
Disinterested means impartial. Uninterested means bored. | 0:16:32 | 0:16:36 | |
Well, I think I know which one the audience are. | 0:16:36 | 0:16:39 | |
Please continue. | 0:16:42 | 0:16:43 | |
So, Sarah, you fooled the newspapers about a hypnotist at a hen party. | 0:16:43 | 0:16:49 | |
Fooled the newspapers into reporting that she had fallen under a spell, | 0:16:49 | 0:16:54 | |
put under by the hypnotist at the hen party. | 0:16:54 | 0:16:57 | |
What was the nature of the spell? What did Cathy think she was? | 0:16:57 | 0:17:01 | |
She'd just burst into song as Madonna. | 0:17:01 | 0:17:03 | |
So, how did you then fool the paper? You just phoned them up? | 0:17:03 | 0:17:07 | |
Just phoned them up and told them and... | 0:17:07 | 0:17:10 | |
-They printed it. -They came out and did a photo shoot, the local paper. | 0:17:10 | 0:17:14 | |
Did it end up in any national papers? | 0:17:14 | 0:17:16 | |
Yeah, most of the national papers. | 0:17:16 | 0:17:18 | |
-Seriously? -Most? -Yeah. -Was Cathy photographed? | 0:17:18 | 0:17:21 | |
-Was she in the paper looking Madonna-esque? -Yes, she was. | 0:17:21 | 0:17:25 | |
David, are you satisfied with your witness? | 0:17:25 | 0:17:28 | |
-FRANK: -What about Lee? | 0:17:28 | 0:17:30 | |
Lee, you found a peacock in your hotel bedroom? | 0:17:30 | 0:17:33 | |
Yes, I found a peacock in my hotel room, yeah. | 0:17:33 | 0:17:36 | |
Did they have ornamental grounds? | 0:17:36 | 0:17:38 | |
They had some sort of ornamental grounds to a degree. | 0:17:38 | 0:17:41 | |
-They definitely had peacocks. -Did you hear the peacock? | 0:17:41 | 0:17:45 | |
I woke up in the morning, it was ground floor and, | 0:17:45 | 0:17:49 | |
you know, like most blokes who sleep on their own in a hotel, | 0:17:49 | 0:17:52 | |
it can get a bit whiffy. | 0:17:52 | 0:17:53 | |
So, I opened the French doors that were in the room. | 0:17:53 | 0:17:56 | |
Oh, you opened the French doors. | 0:17:56 | 0:17:58 | |
I go into the swimming pool, which is very near my room. | 0:17:58 | 0:18:01 | |
I come back with a dressing gown on. | 0:18:01 | 0:18:03 | |
I walk in and there's a peacock in my room. | 0:18:03 | 0:18:06 | |
Did he do the thing with this tail? | 0:18:06 | 0:18:08 | |
He went like that, and I think his tail went up a little bit | 0:18:08 | 0:18:11 | |
and then he ran around a bit and then he got a bit flustered | 0:18:11 | 0:18:14 | |
and I tried to waft him out the door. I was a bit panicking. | 0:18:14 | 0:18:17 | |
I know it doesn't sound threatening, but it's one of those things | 0:18:17 | 0:18:20 | |
that in your room suddenly becomes terrifying. | 0:18:20 | 0:18:23 | |
-You've tried to waft the peacock out and then you ring reception, Cathy answers? -Yes. | 0:18:23 | 0:18:28 | |
-What do you say? -I said, this is a bit weird, but there's peacock in my room. | 0:18:28 | 0:18:33 | |
And she said, "Oh, yeah, they do that a lot," and she came round. | 0:18:33 | 0:18:37 | |
She sort of just...literally, was more assertive than me. | 0:18:37 | 0:18:42 | |
-She wafted it with more gumption. -Stop saying waft. It was more masculine than that. | 0:18:42 | 0:18:46 | |
I said waft once and you haven't let it go, have you? | 0:18:46 | 0:18:50 | |
-She used the pillow, made a few noises. -Yeah, to... | 0:18:50 | 0:18:53 | |
-And the peacock went out. -The peacock went out | 0:18:53 | 0:18:55 | |
and then she shut the door for me. I was like, I could have done that. | 0:18:55 | 0:18:59 | |
It was a takeover bid by the peacocks to distract Cathy. | 0:18:59 | 0:19:02 | |
When she got back to reception, 50 peacocks there, "This is our hotel now." | 0:19:02 | 0:19:06 | |
I just think... | 0:19:06 | 0:19:08 | |
I just think a receptionist would phone someone else, | 0:19:12 | 0:19:15 | |
another member of staff to deal with it. | 0:19:15 | 0:19:18 | |
It wasn't a big five star hotel. It was a, sort of, you know... | 0:19:18 | 0:19:21 | |
I don't know what star it was, | 0:19:21 | 0:19:23 | |
but it was more casual, the hotel, than you're imagining. | 0:19:23 | 0:19:26 | |
No, peacocks are in very posh places and very formal places. | 0:19:26 | 0:19:31 | |
-Very rural places, generally. -No! | 0:19:31 | 0:19:33 | |
-You don't farm peacocks. -Yes, you do! | 0:19:33 | 0:19:36 | |
People do farm peacocks. | 0:19:36 | 0:19:39 | |
No, but... OK, yes. | 0:19:39 | 0:19:42 | |
The English countryside is covered in massive flocks of peacocks | 0:19:42 | 0:19:46 | |
because of all the peacock milk we endlessly drink. | 0:19:46 | 0:19:49 | |
It has to be all or nothing with you! They farm peacocks. | 0:19:51 | 0:19:55 | |
There's nothing more informal, laid back and basically hippyish than those hotels | 0:19:55 | 0:19:59 | |
with peacocks milling around, | 0:19:59 | 0:20:01 | |
in and out of the rooms, and the occasional panicky comedian | 0:20:01 | 0:20:05 | |
who won't join in, won't pal up with the peacocks. | 0:20:05 | 0:20:08 | |
Say waft, I know you want to. | 0:20:08 | 0:20:10 | |
-Tries to waft it out. -Waft it out! Swine. | 0:20:10 | 0:20:13 | |
The only member of staff in the hotel has to come and make noises with a pillow. | 0:20:13 | 0:20:18 | |
And apologise to the peacock, | 0:20:18 | 0:20:19 | |
and say, "We won't let him stay here again, he is all stuck up." | 0:20:19 | 0:20:24 | |
So, we need an answer, David's team. | 0:20:25 | 0:20:29 | |
Is Cathy Jon's unfortunate learner driver, | 0:20:29 | 0:20:32 | |
Sarah's hypnotised hoaxer or Lee's receptionist to the rescue? | 0:20:32 | 0:20:36 | |
Well, if we take Cathy, though, as the core of this whole thing, | 0:20:36 | 0:20:41 | |
I think Cathy looks too alternative and cool | 0:20:41 | 0:20:46 | |
-to work in a small anonymous hotel. -Do you know what I'd say to that? | 0:20:46 | 0:20:52 | |
Have you ever noticed you're talking to the receptionist, | 0:20:52 | 0:20:55 | |
and they seem one thing, and you see them in the local pub | 0:20:55 | 0:20:59 | |
later that night and they can be quite punky. | 0:20:59 | 0:21:02 | |
Right, David, decision time. What are you going to say? | 0:21:09 | 0:21:12 | |
Bill, what do you think? | 0:21:12 | 0:21:14 | |
I would think that it could be the peacock rescue. | 0:21:14 | 0:21:18 | |
I can see her doing all the moves for Madonna. | 0:21:18 | 0:21:21 | |
I can see her with three muscular black men behind her doing a synchronised dance. | 0:21:21 | 0:21:25 | |
So can she, by the look of it! | 0:21:27 | 0:21:30 | |
Well, I think it's Sarah's. I think it's the local paper scam. | 0:21:36 | 0:21:39 | |
-That's what you're going for? -Yeah. -OK. | 0:21:39 | 0:21:42 | |
Cathy, would you please reveal your true identity? | 0:21:42 | 0:21:46 | |
Hi, I'm Cathy, and together Sarah and I fooled the local papers | 0:21:46 | 0:21:50 | |
-with our fake hypnotism story. -Go on! | 0:21:50 | 0:21:57 | |
Wow. It was in the national press. | 0:21:59 | 0:22:01 | |
It went in the Star and the Express, | 0:22:01 | 0:22:03 | |
but it was biggest news on the Shields Gazette | 0:22:03 | 0:22:06 | |
where it was front page news. | 0:22:06 | 0:22:08 | |
There it is. Thank you very much, Cathy. | 0:22:08 | 0:22:11 | |
Which brings us to Quickfire Lies, | 0:22:16 | 0:22:18 | |
where our panellists lie through their teeth and against the clock. | 0:22:18 | 0:22:21 | |
First off is... | 0:22:21 | 0:22:23 | |
it's Lee. | 0:22:23 | 0:22:25 | |
When I'm at home, I amuse myself by shaving only half my face | 0:22:25 | 0:22:30 | |
and doing that thing where you have a conversation between two people. | 0:22:30 | 0:22:34 | |
What are the characters of the shaved Lee, unshaven Lee? | 0:22:39 | 0:22:44 | |
I'll do a sailor because that suits the look of the longer beard. | 0:22:44 | 0:22:47 | |
-Could we have a little bit of sailor? -"Looks like you've shaved half your beard off again." | 0:22:47 | 0:22:52 | |
Hang on, that doesn't make sense. It looks like he's got the complete beard. | 0:22:52 | 0:22:56 | |
No, no. He has got the beard and he's talking to the man who hasn't. | 0:22:56 | 0:22:59 | |
"You've shaved half your beard off." | 0:22:59 | 0:23:01 | |
-But the other person... -The little boy goes, | 0:23:01 | 0:23:04 | |
"I couldn't help it, I had to, I was feeling a bit hairy." | 0:23:04 | 0:23:07 | |
But that doesn't make any sense, because the other one looks like | 0:23:07 | 0:23:11 | |
-he's completely shaved his beard. -No, no, no, sorry. | 0:23:11 | 0:23:14 | |
I've shaved half the beard. | 0:23:14 | 0:23:15 | |
The one with the beard is the sailor with the beard. | 0:23:15 | 0:23:18 | |
-Going, "Looks like you've..." -Meaning him. -"..half your beard." | 0:23:18 | 0:23:21 | |
To the other one who is then going, "Yes, I did shave it half off." | 0:23:21 | 0:23:25 | |
But it doesn't look like they've shaved half of it off... | 0:23:25 | 0:23:28 | |
-It looks like they've shaved it all off. -No, no, no, no! | 0:23:28 | 0:23:33 | |
"I've shaved it all off, you stupid bastard!" | 0:23:33 | 0:23:35 | |
OK. Man with half a beard. "You look like you've shaved..." | 0:23:35 | 0:23:39 | |
No! No, the character you're playing is a man with a full beard! | 0:23:39 | 0:23:42 | |
-Let me finish! -OK. | 0:23:42 | 0:23:44 | |
"Looks like you've shaved half your beard off." | 0:23:44 | 0:23:46 | |
-OK. -"Yes, I had to, but you should see the other side, look, it's still there." | 0:23:46 | 0:23:51 | |
And then the other fellow goes, "I'm just as bad as you. Look, clean-shaven." | 0:23:51 | 0:23:56 | |
-No, no, no, no, no, no! -If you'd let the story finish... | 0:23:56 | 0:23:59 | |
Why did you say "half" in the first remark? | 0:23:59 | 0:24:02 | |
He didn't say half. | 0:24:02 | 0:24:04 | |
It should be, "Shaved your whole beard off." And he goes, | 0:24:04 | 0:24:07 | |
"Yes, yes, but let me show you more fully." Like you did... | 0:24:07 | 0:24:10 | |
-DAVID CONTINUES TO RANT -I didn't say it like a rent boy! | 0:24:10 | 0:24:13 | |
"..coincidence, because I too am a cock!" | 0:24:13 | 0:24:16 | |
LAUGHTER AND APPLAUSE | 0:24:16 | 0:24:18 | |
Do you know what? The kids just laugh and clap. | 0:24:24 | 0:24:26 | |
Right, David, time for a decision. | 0:24:26 | 0:24:30 | |
-Well, I think we think it's lie. -I think so, yes. | 0:24:30 | 0:24:32 | |
-Yeah, definitely a lie. -Lie. -Lie, OK. | 0:24:32 | 0:24:35 | |
Lee, is it the truth or were you telling a lie? | 0:24:35 | 0:24:38 | |
It is, in fact, true. | 0:24:38 | 0:24:39 | |
Yes, it's true. | 0:24:47 | 0:24:49 | |
Lee does amuse himself by shaving only half of his face | 0:24:49 | 0:24:53 | |
and pretending to have a conversation between two people. | 0:24:53 | 0:24:57 | |
Jon. | 0:24:57 | 0:24:59 | |
-Possession. -Right, there's a box under your desk, Jon, | 0:25:01 | 0:25:04 | |
would you bring the box up, please? | 0:25:04 | 0:25:07 | |
This is the emergency kit that I keep in my car at all times. | 0:25:07 | 0:25:13 | |
-OK. -Well, not at all times, obviously. | 0:25:13 | 0:25:15 | |
It's here. | 0:25:15 | 0:25:18 | |
Lie! | 0:25:18 | 0:25:19 | |
-BILL: -Next! | 0:25:20 | 0:25:22 | |
Jon, will you take it out of the box and put it on the desk, there? | 0:25:25 | 0:25:28 | |
It would have been brilliant if he'd have taken his car out of there. | 0:25:28 | 0:25:32 | |
Can we investigate it? | 0:25:34 | 0:25:37 | |
-Do you want to? -I'd quite like to. I'll be very careful with it. | 0:25:37 | 0:25:40 | |
Are you going to bring it back? | 0:25:40 | 0:25:42 | |
Yeah. I'll be careful. There we go, thank you. | 0:25:42 | 0:25:45 | |
Oh, I've never given another man my box before. | 0:25:45 | 0:25:48 | |
-OK. -I have, it's quite nice. | 0:25:48 | 0:25:52 | |
There's a mug, spotted mug. | 0:25:54 | 0:25:57 | |
Yeah, well spotted. | 0:25:57 | 0:25:59 | |
Here's Options, Belgian Chocolate. | 0:25:59 | 0:26:01 | |
Bill, be careful, that's his mother's ashes. | 0:26:01 | 0:26:04 | |
-SARAH: -Ah, chocolaty ashes. | 0:26:07 | 0:26:09 | |
And, here, a little bottle of.... | 0:26:09 | 0:26:12 | |
-Some red wine. -Can I just say, this is like | 0:26:12 | 0:26:14 | |
the most boring version of the Generation Game? | 0:26:14 | 0:26:18 | |
Or the best Ready Steady Cook ever. | 0:26:18 | 0:26:21 | |
It's sort of a post-nuclear Deal Or No Deal. | 0:26:21 | 0:26:25 | |
Right, OK, so take us through why you've got these items. | 0:26:28 | 0:26:31 | |
Well, I'm on the road a lot and I like food and alcohol, | 0:26:31 | 0:26:37 | |
so I make sure I have some in case I have an unexpected overnight stay. | 0:26:37 | 0:26:41 | |
I love how seriously Bill and Frank are studying the products. | 0:26:41 | 0:26:45 | |
This has got a very curious marking on it. | 0:26:47 | 0:26:50 | |
There's a circle and a pregnant woman and a line going across it. | 0:26:50 | 0:26:54 | |
What's that got to do...? | 0:26:54 | 0:26:56 | |
That suggests to me that they don't advise that pregnant women drink. | 0:26:56 | 0:27:01 | |
It's hardly hieroglyphics, Bill, is it? | 0:27:01 | 0:27:04 | |
I tell you what, if I'd found this in a car, | 0:27:04 | 0:27:07 | |
I'd assume it was the flight recorder. | 0:27:07 | 0:27:10 | |
-David, time to guess. -I think it's nonsense, are we happy to say that? | 0:27:13 | 0:27:16 | |
-Yeah, yeah. -A lie, OK. | 0:27:16 | 0:27:18 | |
Jon, were you telling the truth or were you telling a lie? | 0:27:18 | 0:27:21 | |
It is... | 0:27:21 | 0:27:22 | |
true. | 0:27:22 | 0:27:24 | |
And I should say, if you're thinking of compiling an emergency car kit of your own, | 0:27:26 | 0:27:31 | |
both Would I Lie to You and the BBC would like to point out | 0:27:31 | 0:27:34 | |
-that other brands are available. -CHEESY MUZAK PLAYS | 0:27:34 | 0:27:38 | |
BUZZER | 0:27:45 | 0:27:47 | |
And that noise signals time is up, | 0:27:47 | 0:27:49 | |
and I can reveal that tonight's winners, | 0:27:49 | 0:27:52 | |
by a massive seven points to three, Lee's team. | 0:27:52 | 0:27:56 | |
APPLAUSE | 0:27:56 | 0:27:58 | |
But, of course, it's not just a team game | 0:28:00 | 0:28:02 | |
and my individual liar of the week is Sarah Millican. | 0:28:02 | 0:28:07 | |
Yes, Sarah Millican. | 0:28:11 | 0:28:13 | |
Sarah hasn't lied so much since her first day on Loose Women | 0:28:13 | 0:28:17 | |
when she told her co-hosts, "Honestly, I can't smell gin." Goodnight! | 0:28:17 | 0:28:22 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:38 | |
E-mail [email protected] | 0:28:38 | 0:28:40 |