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APPLAUSE | 0:00:18 | 0:00:22 | |
Ha-ha! | 0:00:22 | 0:00:23 | |
Good evening and welcome to Would I Lie to You?, | 0:00:25 | 0:00:29 | |
the show with tremendous truths and humungous lies. | 0:00:29 | 0:00:33 | |
On David Mitchell's team tonight, | 0:00:33 | 0:00:34 | |
a man whose TV show is called Richard Bacon's Beer And Pizza Club. | 0:00:34 | 0:00:38 | |
Not only is it good fun, but if it comes on TV | 0:00:38 | 0:00:41 | |
more than five minutes late, you get free garlic bread. It's Richard Bacon. | 0:00:41 | 0:00:44 | |
APPLAUSE | 0:00:44 | 0:00:47 | |
And, erm, the man who gave us Touch The Truck, Pets Win Prizes | 0:00:47 | 0:00:52 | |
and Hole In The Wall, yet still no BAFTA, it's Dale Winton. | 0:00:52 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:01:00 | |
And on Lee Mack's team tonight, a TV presenter who's | 0:01:00 | 0:01:03 | |
so immersed in the culture of horse racing, | 0:01:03 | 0:01:06 | |
when she buys a new pair of shoes, | 0:01:06 | 0:01:08 | |
it's all she can do to stop herself nailing them on. | 0:01:08 | 0:01:12 | |
-It's Clare Balding. -APPLAUSE | 0:01:12 | 0:01:15 | |
And a comedian and star of the very realistic | 0:01:15 | 0:01:19 | |
Call The Midwife. I didn't watch it myself, | 0:01:19 | 0:01:22 | |
I just stayed the other side of the screen and offered encouragement. | 0:01:22 | 0:01:26 | |
-It's Miranda Hart. -APPLAUSE | 0:01:26 | 0:01:30 | |
And so we begin with Round 1, Home Truths, | 0:01:30 | 0:01:34 | |
where our panellists read out a statement from the card in front of them | 0:01:34 | 0:01:37 | |
and to make things harder, they've never seen the card before. | 0:01:37 | 0:01:41 | |
So they've got no idea what they'll be faced with. | 0:01:41 | 0:01:43 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:43 | 0:01:47 | |
-Dale is first up tonight. -OK. | 0:01:47 | 0:01:49 | |
As a child, rather than sleeping with a comfort blanket | 0:01:51 | 0:01:55 | |
or teddy bear, I slept with a potato. | 0:01:55 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
Lee Mack, what do you think? | 0:02:02 | 0:02:04 | |
Was it the same potato or did you | 0:02:04 | 0:02:06 | |
have different potatoes over the years? | 0:02:06 | 0:02:09 | |
That was the problem because you get attached to a potato | 0:02:09 | 0:02:13 | |
so when you get attached to a potato, it's rotting a bit | 0:02:13 | 0:02:17 | |
but it's your comfort, it's like you... | 0:02:17 | 0:02:19 | |
Your teddy bear smells of your old teddy bear or whatever it happens to be. | 0:02:19 | 0:02:23 | |
The potato was my favourite potato and I used to draw on it. | 0:02:23 | 0:02:26 | |
So it was one potato the whole time? | 0:02:26 | 0:02:28 | |
The actual truth is, it was taken away from me | 0:02:28 | 0:02:30 | |
and I cried and I cried and I cried but they threw it out | 0:02:30 | 0:02:33 | |
so it took me another three or four weeks to get used to the new potato. | 0:02:33 | 0:02:37 | |
Dale, did they have names, your potatoes? | 0:02:37 | 0:02:40 | |
No. | 0:02:40 | 0:02:41 | |
You slept with a potato that you didn't even know its name. | 0:02:41 | 0:02:44 | |
-Well... -You slag! | 0:02:44 | 0:02:46 | |
Did you hug them, did you have them close to your face? | 0:02:46 | 0:02:51 | |
I used to put it on the pillow, like that, and I used to bash it. | 0:02:51 | 0:02:55 | |
-What? -What? | 0:02:55 | 0:02:56 | |
Why did you bash it? Is that how you show love, Dale? | 0:02:56 | 0:03:00 | |
What's the bashing? | 0:03:03 | 0:03:04 | |
Well, I used to, I used to like the dent it made in the pillow. | 0:03:04 | 0:03:07 | |
Oh, you'd bash it onto the pillow and then you'd sleep? | 0:03:07 | 0:03:09 | |
So, then I'd take it out. "That's where you're going to bed later." | 0:03:09 | 0:03:13 | |
Be honest, Dale, is the truth of this story that your parents | 0:03:13 | 0:03:16 | |
would shout through the door, "What are you doing in there?" | 0:03:16 | 0:03:18 | |
You'd say, "Nothing, just bashing the potato." | 0:03:18 | 0:03:22 | |
You haven't asked me why I stopped, | 0:03:22 | 0:03:24 | |
and this is why you'll realise... | 0:03:24 | 0:03:27 | |
Oh, Dale, why did you stop? | 0:03:27 | 0:03:28 | |
Because Mrs Marks, who was our next door neighbour, | 0:03:28 | 0:03:31 | |
I heard her talking to my mother in the driveway and I heard | 0:03:31 | 0:03:35 | |
Mrs Marks say to my mother, "Is he still sleeping with a potato?" | 0:03:35 | 0:03:39 | |
I think that they'd been talking about it and she probably said to | 0:03:40 | 0:03:43 | |
Mrs Marks, "Did any of your children ever want to sleep with a potato?" | 0:03:43 | 0:03:46 | |
-So what are you thinking, Lee? -Miranda. | 0:03:46 | 0:03:49 | |
I sort of want it to be true. | 0:03:49 | 0:03:52 | |
Because he's so sweet. | 0:03:52 | 0:03:53 | |
I do think the two winning things are "That's where you're going to sleep," and Mrs Marks. | 0:03:55 | 0:04:00 | |
D'you know what? | 0:04:00 | 0:04:01 | |
I think Mrs Marks exists and I like Mrs Marks, I like what | 0:04:01 | 0:04:07 | |
she represents, she represents the sanity of the street. | 0:04:07 | 0:04:09 | |
Whereas the Wintons, they're all over the shop. | 0:04:09 | 0:04:12 | |
So what are you gonna say, Lee? What's it gonna be? | 0:04:12 | 0:04:15 | |
-You think it's true? -I do think it's true. -I think it's true. | 0:04:15 | 0:04:17 | |
I'll go with my team and say that it's true. | 0:04:17 | 0:04:19 | |
You're saying it's true, OK. Dale Winton, the potato, in the bed, | 0:04:19 | 0:04:25 | |
was it the truth or was it a lie? | 0:04:25 | 0:04:27 | |
I have slept with many things over the years cos I'm a very old man, | 0:04:27 | 0:04:30 | |
but I have never slept with a potato - it's a lie. | 0:04:30 | 0:04:33 | |
That's very good. | 0:04:35 | 0:04:36 | |
Yes, it was a very convincing lie. | 0:04:40 | 0:04:42 | |
As a child, Dale didn't sleep with a potato. | 0:04:42 | 0:04:46 | |
Richard, you're next. | 0:04:46 | 0:04:47 | |
OK, when I worked in McDonalds, my long-term girlfriend joined | 0:04:47 | 0:04:52 | |
the queue to my till and when she got to the counter, she dumped me. | 0:04:52 | 0:04:58 | |
Lee, Lee, Lee. | 0:04:58 | 0:05:01 | |
How old were you? | 0:05:01 | 0:05:02 | |
-I was 18, I think I was 18. -OK, so you're 18 years old. | 0:05:02 | 0:05:05 | |
How long did you consider a long-term girlfriend to be | 0:05:05 | 0:05:09 | |
-when you were 18. -Well, she was actually my first girlfriend. | 0:05:09 | 0:05:12 | |
Her name was, presumably is, Kate. | 0:05:12 | 0:05:16 | |
She could have died. I mean, I don't know. | 0:05:16 | 0:05:20 | |
Yeah, look on the bright side! | 0:05:20 | 0:05:21 | |
Kay dumped you, was she special? | 0:05:21 | 0:05:24 | |
She was, she was. | 0:05:24 | 0:05:26 | |
-It's a "Special K" joke, I'm not explaining them all. -Very good. | 0:05:26 | 0:05:30 | |
Can I mention Special K, or do I have to mention Crunchy Nut Cornflakes? | 0:05:30 | 0:05:33 | |
Well, I think when it comes to breakfast cereals, | 0:05:33 | 0:05:35 | |
there is one that stands head and shoulders above all the rest. | 0:05:35 | 0:05:39 | |
So how long was long term? | 0:05:42 | 0:05:44 | |
Two years. But when you're 18, that's a long-term relationship. | 0:05:44 | 0:05:47 | |
Can you remember what she said to you? | 0:05:47 | 0:05:49 | |
I can't, Miranda, no, but... | 0:05:49 | 0:05:50 | |
what made it doubly heartbreaking was I, I loved that job and... | 0:05:50 | 0:05:53 | |
-What? -You didn't get the sack, did you? | 0:05:53 | 0:05:56 | |
Well, no, but I was very... I loved the job and then she came in | 0:05:56 | 0:05:59 | |
and broke my heart at this place that meant so much to me | 0:05:59 | 0:06:01 | |
and that added to the emotional impact of what she said. | 0:06:01 | 0:06:03 | |
What was it about the job that you loved so much? | 0:06:03 | 0:06:06 | |
Let me tell you a fact about this place. | 0:06:06 | 0:06:08 | |
This is amazing, right? | 0:06:08 | 0:06:09 | |
The regular meat which is the meat that | 0:06:09 | 0:06:12 | |
goes in their signature burger... | 0:06:12 | 0:06:14 | |
it goes from frozen to fully cooked in 44 seconds. | 0:06:14 | 0:06:19 | |
I found this amazing. | 0:06:19 | 0:06:21 | |
Fascinating. I wonder why she dumped you? | 0:06:21 | 0:06:23 | |
I think we should get back to the girl. | 0:06:30 | 0:06:31 | |
She got to the front of the queue, she dumped me there and then. | 0:06:31 | 0:06:35 | |
I left my station, didn't serve the other customers and then I went | 0:06:35 | 0:06:39 | |
to the store room and I sat on a box of gherkins and I cried my eyes out. | 0:06:39 | 0:06:44 | |
Oh, that's gherkins for you, though. | 0:06:44 | 0:06:48 | |
Kay put in her order. | 0:06:48 | 0:06:49 | |
-She puts in her order and says I would like... -Kate. | 0:06:49 | 0:06:52 | |
-Oh, Kate. -Oh, that changes everything.. | 0:06:52 | 0:06:54 | |
-What's her name? -Kate. | 0:06:54 | 0:06:57 | |
The Special K joke doesn't work. I didn't want to say anything. | 0:06:57 | 0:07:00 | |
-Kate. -Kate. -I thought it deserved a bigger laugh. | 0:07:00 | 0:07:02 | |
I wondered why the hell you said it! | 0:07:02 | 0:07:06 | |
You're always trying to work it round to Crunchy Nut. Leave him alone. | 0:07:08 | 0:07:11 | |
Why don't...? Richard, you be young Richard, OK, | 0:07:13 | 0:07:17 | |
at the counter of this fast-food outlet. | 0:07:17 | 0:07:20 | |
David. You are a normal customer. | 0:07:20 | 0:07:23 | |
Dale is Kate. | 0:07:23 | 0:07:25 | |
Could I please have a, a, a Filet-O-Fish but with no cheese? | 0:07:27 | 0:07:33 | |
Hold the cheese, and put the cheese on the chips, please. | 0:07:33 | 0:07:37 | |
Excuse me, sorry, excuse me, excuse me, excuse me... | 0:07:37 | 0:07:39 | |
Where are the toilets? | 0:07:39 | 0:07:42 | |
They're just, they're actually just next to my till, actually, | 0:07:43 | 0:07:47 | |
the door's just about there. | 0:07:47 | 0:07:49 | |
I'll...see you later, Kate. | 0:07:49 | 0:07:52 | |
Oh, gosh, it's my girlfriend, Kate. Hello, Kate. | 0:07:58 | 0:08:01 | |
Well, I thought I'd come in and see you tonight. | 0:08:01 | 0:08:04 | |
-I haven't heard... -LAUGHTER | 0:08:04 | 0:08:07 | |
What's funny about that? | 0:08:08 | 0:08:11 | |
Oh, it's Meryl Streep in The Iron Lady. | 0:08:13 | 0:08:16 | |
I'm afraid, Richard, it's over. You're just not my kind of guy. | 0:08:18 | 0:08:25 | |
SHE MIMICS EASTENDERS THEME | 0:08:25 | 0:08:26 | |
Aw, beautiful. So, what are you thinking, Lee? | 0:08:30 | 0:08:33 | |
Does this sound credible to you? | 0:08:33 | 0:08:34 | |
I'm suddenly going truth, I think | 0:08:34 | 0:08:36 | |
he was dumped in a queue at said burger joint. | 0:08:36 | 0:08:38 | |
I find it staggering that he remembers all the facts that he | 0:08:38 | 0:08:43 | |
remembers about how long it takes meat to defrost and yet he cannot | 0:08:43 | 0:08:46 | |
remember what she actually said when she got to the front of the queue. | 0:08:46 | 0:08:49 | |
-But is he...? -The answer to that is, he's a man. | 0:08:49 | 0:08:52 | |
So, Lee, what's it going to be, truth or lie? | 0:08:52 | 0:08:56 | |
-You're saying lie, Clare? -I am. -Miranda says true. | 0:08:56 | 0:08:58 | |
-Yeah. -Go on, we'll go with Miranda and say it's true. | 0:08:58 | 0:09:01 | |
You're saying it's true. | 0:09:01 | 0:09:02 | |
OK. Richard Bacon, was that the truth or was it a lie? | 0:09:02 | 0:09:06 | |
That story...is... | 0:09:06 | 0:09:09 | |
true. AUDIENCE GASPS | 0:09:09 | 0:09:12 | |
-Well done, well done, well done. -DAVID: Thank you for sharing. | 0:09:12 | 0:09:15 | |
Yes, it's true. When Richard worked in a fast-food restaurant, | 0:09:15 | 0:09:20 | |
his long-term girlfriend joined the queue to his till | 0:09:20 | 0:09:23 | |
and dumped him when she got to the counter, and then, | 0:09:23 | 0:09:26 | |
to rub salt in the wound, she ordered a Happy Meal. | 0:09:26 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:09:31 | 0:09:34 | |
who has a close connection to one of our panellists. | 0:09:34 | 0:09:36 | |
This week, each of Lee's team will claim it's them | 0:09:36 | 0:09:40 | |
that has the genuine connection to the guest, | 0:09:40 | 0:09:42 | |
it's up to David's team to spot who's telling the truth. | 0:09:42 | 0:09:45 | |
So please welcome this week's special guests, Robert and Will. | 0:09:45 | 0:09:49 | |
APPLAUSE | 0:09:49 | 0:09:52 | |
So, Clare, what are Robert and Will to you? | 0:09:57 | 0:10:00 | |
This is Robert and Will. They do my garden | 0:10:00 | 0:10:02 | |
and to avoid the embarrassment of me | 0:10:02 | 0:10:04 | |
ever getting them mixed up, I call them both Barry. | 0:10:04 | 0:10:07 | |
OK. Lee, how do you know Robert and Will? | 0:10:07 | 0:10:11 | |
This is Robert and Will. I once used them | 0:10:11 | 0:10:13 | |
to convince an audience I could teleport people. | 0:10:13 | 0:10:16 | |
And finally, Miranda, your relationship with Robert and Will? | 0:10:16 | 0:10:20 | |
This is Robert and Will. | 0:10:20 | 0:10:22 | |
I was a judge at the Identical Twins Of The Year award | 0:10:22 | 0:10:26 | |
and they came third, but we had to disqualify them | 0:10:26 | 0:10:32 | |
because it turns out they were two of triplets. | 0:10:32 | 0:10:35 | |
Wow, there we have it. | 0:10:36 | 0:10:38 | |
So, Clare's green-fingered Barrys, Lee's teleporting twosome, | 0:10:38 | 0:10:42 | |
or Miranda's cheating triplets. | 0:10:42 | 0:10:44 | |
David, where, where do you begin? | 0:10:44 | 0:10:47 | |
Explain the rationale behind the Identical Twins Of The Year awards. | 0:10:47 | 0:10:52 | |
Well, I have to say, when I was asked to come along and judge, | 0:10:52 | 0:10:57 | |
I was a little confused but I think there's a sort of magazine or | 0:10:57 | 0:11:01 | |
trade magazine or it's part... or there was some... | 0:11:01 | 0:11:04 | |
A trade magazine? What's the trade? | 0:11:04 | 0:11:08 | |
-Twins! -The...the marketing of twins? | 0:11:08 | 0:11:12 | |
-Twins. -Yeah, I've heard of that. | 0:11:12 | 0:11:14 | |
I've actually heard of the competition. | 0:11:14 | 0:11:16 | |
There is a competition to do with twins. | 0:11:16 | 0:11:18 | |
What do they do in the competition? | 0:11:18 | 0:11:19 | |
There's the physical lookalike thing, how much they look alike. | 0:11:19 | 0:11:23 | |
Right. | 0:11:23 | 0:11:24 | |
And then they also do kind of games, like Mr & Mrs type games | 0:11:24 | 0:11:29 | |
so it's a personality thing, as well. | 0:11:29 | 0:11:32 | |
Did they win, or...? | 0:11:32 | 0:11:33 | |
No, they came third. But they were disqualified. | 0:11:33 | 0:11:35 | |
-Why? Oh, cos of the triplets thing? -Yeah. | 0:11:35 | 0:11:37 | |
And we did see a third. I didn't see it, | 0:11:37 | 0:11:40 | |
but apparently there is a third one. | 0:11:40 | 0:11:42 | |
So the third triplet turned up to this event? | 0:11:42 | 0:11:44 | |
-Yes! -That's not exactly Moscow rules, is it? | 0:11:44 | 0:11:48 | |
The third one was picking them up to take them home. | 0:11:49 | 0:11:52 | |
-And was seen. -Clare. | 0:11:54 | 0:11:56 | |
Robert and Will are your gardeners, and you call them both Barry. | 0:11:56 | 0:12:00 | |
Mm-hmm. | 0:12:00 | 0:12:02 | |
Isn't that a bit of a sort of an affront to their individuality? | 0:12:02 | 0:12:05 | |
No, because the first time I did it, I said, | 0:12:05 | 0:12:07 | |
"Would you like a cup of tea, Barry, love?" | 0:12:07 | 0:12:10 | |
As soon as you say "love", they're fine with it, | 0:12:10 | 0:12:12 | |
they just smiled, had a cup of tea and they were fine, and do you know, | 0:12:12 | 0:12:16 | |
when sound engineers work a lot on outside broadcasts, they | 0:12:16 | 0:12:18 | |
all call each other Percy, they all call each other Perce, and so they | 0:12:18 | 0:12:22 | |
call me Perce as well and I call them Perce, and I called them Barry. | 0:12:22 | 0:12:25 | |
-Yeah. -Why? | 0:12:25 | 0:12:27 | |
Because they can't remember everyone's name. | 0:12:27 | 0:12:30 | |
-Are you sure they're not trying to mug you? -Purse! | 0:12:30 | 0:12:34 | |
RICHARD: Those nails are very clean for gardeners. | 0:12:34 | 0:12:37 | |
Well, I hope they've had a bath before they've come. | 0:12:37 | 0:12:41 | |
But they are pristine, beautiful, soft hands. | 0:12:41 | 0:12:45 | |
I'm not coming on to you! | 0:12:45 | 0:12:48 | |
-Richard, if you want to go and have a look, you can. -Thank you. | 0:12:48 | 0:12:53 | |
-I'd love to. -You can't touch, but you can look. | 0:12:53 | 0:12:57 | |
-Would you like a look, Dale? -Not particularly. | 0:12:57 | 0:12:59 | |
-Really? -Oh, go on, then! | 0:12:59 | 0:13:01 | |
I'm now not as attracted to these hands as I was! | 0:13:01 | 0:13:05 | |
-There's dirt under the nails. -Don't touch, Dale. | 0:13:05 | 0:13:08 | |
Could you turn them over? | 0:13:08 | 0:13:10 | |
DAVID: I feel I should have a look, as well. | 0:13:10 | 0:13:15 | |
It'd look unconscientious. | 0:13:15 | 0:13:18 | |
This here... | 0:13:18 | 0:13:19 | |
That could be the remnants of soil. | 0:13:22 | 0:13:24 | |
They're not very big, so... | 0:13:26 | 0:13:28 | |
You know what your gardener's hands look like? | 0:13:28 | 0:13:30 | |
I'm like everyone else here, apparently, I don't have a gardener. | 0:13:30 | 0:13:33 | |
You'd probably expect I'd have about nine. | 0:13:33 | 0:13:36 | |
What did you think of what you saw, Richard? | 0:13:36 | 0:13:39 | |
How did the hands rate for you? | 0:13:39 | 0:13:40 | |
That's actually thrown me a little. | 0:13:40 | 0:13:43 | |
I regret going over there, to be honest. | 0:13:43 | 0:13:46 | |
-Did they look like...? -Well, from this distance, | 0:13:46 | 0:13:48 | |
they were beautiful, pristine, manicured hands. | 0:13:48 | 0:13:50 | |
Close up, there's dirt under the nails. | 0:13:50 | 0:13:52 | |
LEE: I hope these poor fellas are gardeners! | 0:13:52 | 0:13:55 | |
They're not, by the way! | 0:13:55 | 0:13:58 | |
Erm, Lee? | 0:14:04 | 0:14:06 | |
Yes? | 0:14:06 | 0:14:08 | |
You're going to bother going through this one, are you?! | 0:14:09 | 0:14:13 | |
What was this particular show? You were trying to pretend | 0:14:13 | 0:14:17 | |
-that you were able to teleport people? -Correct. | 0:14:17 | 0:14:20 | |
-Was it a stage show or TV show? -Was it a stage show or TV show? | 0:14:20 | 0:14:23 | |
That's funny, are you an interpreter of Dale?! | 0:14:23 | 0:14:26 | |
I thought you'd said it. I'd missed it so asked my captain. | 0:14:26 | 0:14:30 | |
Sorry, what's your friend saying, David? | 0:14:30 | 0:14:34 | |
Was it a stage show or a TV show? | 0:14:34 | 0:14:36 | |
OK, it was a stage show. | 0:14:36 | 0:14:38 | |
And where was it on? | 0:14:38 | 0:14:40 | |
It was on at the Hackney Empire. | 0:14:40 | 0:14:43 | |
And when was it on? | 0:14:43 | 0:14:44 | |
It was on in the mid-'90s. | 0:14:44 | 0:14:46 | |
And what was it called? | 0:14:46 | 0:14:48 | |
It was a new act competition for new people and I thought | 0:14:48 | 0:14:50 | |
I'll do a magic trick cos it'll impress everyone. | 0:14:50 | 0:14:53 | |
Yeah, to make up for the comedy. | 0:14:53 | 0:14:55 | |
What did you say at the end? "I'm sorry, everyone, but I CAN teleport." | 0:14:57 | 0:15:01 | |
Talk me through the act. What did you do? | 0:15:01 | 0:15:05 | |
-Magic Circle, love, Magic Circle. -Right. -Can't tell you anything. | 0:15:05 | 0:15:08 | |
He's going to tell us... | 0:15:08 | 0:15:10 | |
So, what's the illusion we're supposed to be seeing? | 0:15:10 | 0:15:12 | |
-I'm not going to tell you how I did it. -It's the Magic Circle! | 0:15:12 | 0:15:16 | |
You're not going to say you made it look as if you teleported! | 0:15:16 | 0:15:19 | |
Oh, I see. Yeah, very wise! | 0:15:19 | 0:15:22 | |
I'm not giving away my secrets on television! | 0:15:22 | 0:15:26 | |
So, go on, Lee, what did you do? | 0:15:26 | 0:15:27 | |
You're there on the stage, the audience are enrapt. | 0:15:27 | 0:15:30 | |
I come on and I bring someone out the audience, | 0:15:30 | 0:15:32 | |
and then I put them in a box at one side of the stage, | 0:15:32 | 0:15:35 | |
or in a cupboard actually, I put them in a cupboard, | 0:15:35 | 0:15:37 | |
-and then I do a bit of the showbiz magic... -Yeah. | 0:15:37 | 0:15:39 | |
Said a few words... Can't remember now, might have been "Alakazam". | 0:15:39 | 0:15:42 | |
And then I opened up a box | 0:15:42 | 0:15:46 | |
and out comes the first person who's gone in out the other... | 0:15:46 | 0:15:49 | |
Well, it looks like that, but he was already in the box. | 0:15:49 | 0:15:54 | |
And he sits down and the audience give me a big round of applause, so that's actually quite good. | 0:15:54 | 0:15:58 | |
-He goes and sits down in the seat. -So you've done the teleport thing, then what? | 0:15:58 | 0:16:01 | |
Straight into the levitation, I'm not an idiot. | 0:16:01 | 0:16:05 | |
Actually, as a technique for a magic trick | 0:16:05 | 0:16:08 | |
to try and make it look as though someone's magicked across the room, | 0:16:08 | 0:16:12 | |
-it's clever to use identical twins. -DALE: -Do you still do it in the act? | 0:16:12 | 0:16:15 | |
-Hey, don't tell me, tell the judges that night. -How did you do? | 0:16:15 | 0:16:18 | |
Awful, came third, turns out I was a triplet. | 0:16:18 | 0:16:21 | |
Right, we need an answer, so David's team, | 0:16:24 | 0:16:26 | |
are Robert and Will Clare's green-fingered Barrys, | 0:16:26 | 0:16:30 | |
Lee's teleporting twosome, or Miranda's cheating triplets? | 0:16:30 | 0:16:33 | |
What do you think, Dale? | 0:16:33 | 0:16:35 | |
I think it's Lee, I think he's telling the truth. | 0:16:35 | 0:16:38 | |
-OK. Richard, what about you? -I don't believe Lee. | 0:16:38 | 0:16:40 | |
They had a bit of soil on their hands. I think they're gardeners. | 0:16:40 | 0:16:43 | |
David, what about you? | 0:16:43 | 0:16:44 | |
I don't think Lee did a random magic trick | 0:16:44 | 0:16:48 | |
at the beginning of his try-out spot at the Hackney Empire in 1995. | 0:16:48 | 0:16:52 | |
Maybe he did, but I just don't believe it. | 0:16:52 | 0:16:55 | |
So I think I agree with Richard. | 0:16:55 | 0:16:57 | |
-I think it's Clare. I think it's... -You think it's Clare? -Yeah. | 0:16:57 | 0:17:01 | |
OK, here we go. | 0:17:01 | 0:17:02 | |
Robert and Will, would you please reveal your true identity? | 0:17:02 | 0:17:07 | |
-I'm Robert. -I'm Will, and Lee tried to convince an audience that he could teleport. | 0:17:07 | 0:17:13 | |
CHEERING AND APPLAUSE | 0:17:13 | 0:17:16 | |
Yes. Lee used Robert and Will to convince an audience | 0:17:20 | 0:17:23 | |
he could teleport someone. Thank you very much, Robert and Will. | 0:17:23 | 0:17:26 | |
Which brings us to our final round, Quickfire Lies. | 0:17:31 | 0:17:35 | |
We start with... | 0:17:35 | 0:17:37 | |
Lee. | 0:17:37 | 0:17:39 | |
-Possession. -Right, there's a box under the desk, Lee. | 0:17:40 | 0:17:42 | |
Now, I'd like you to take the item out of the box | 0:17:42 | 0:17:46 | |
and hold the object, then read the card out, please. | 0:17:46 | 0:17:50 | |
This is my dibber. I donated it to the British Lawnmower Museum | 0:17:50 | 0:17:55 | |
where it is now a permanent exhibit. | 0:17:55 | 0:17:57 | |
-Right, David. -What is a dibber? | 0:17:57 | 0:18:01 | |
What's a dibber? A dibber... That's a good question, David. | 0:18:01 | 0:18:05 | |
And would you believe me if I was to say I don't know? | 0:18:05 | 0:18:09 | |
But it's a... It's a... | 0:18:09 | 0:18:12 | |
-Yes, I would. -I'll mime it for you! | 0:18:13 | 0:18:16 | |
-Could be any of these. -OK, yeah. | 0:18:23 | 0:18:25 | |
It's to do with gardening. | 0:18:27 | 0:18:30 | |
So what does your dibber do? | 0:18:32 | 0:18:34 | |
-Pardon? -What does your dibber do? | 0:18:34 | 0:18:37 | |
Are you... Are you Fred Flintstone? | 0:18:37 | 0:18:38 | |
Answer the question! What does your dibber do? | 0:18:42 | 0:18:44 | |
I'm not 100% sure, but at a guess, | 0:18:45 | 0:18:48 | |
I would say the dibber is for pushing holes in the ground, | 0:18:48 | 0:18:52 | |
-and then maybe popping something in there like a seed. -I see. | 0:18:52 | 0:18:56 | |
How did your dibber come to be in the British Lawnmower Museum? | 0:18:56 | 0:18:59 | |
I'll tell you, Inspector Morse. | 0:18:59 | 0:19:02 | |
Have you ever been to Southport, my home town? | 0:19:02 | 0:19:05 | |
-Er, I have, yes. -Oh, great! | 0:19:05 | 0:19:07 | |
Can I start again? | 0:19:09 | 0:19:11 | |
-Yes. -Right, I have never been to the British Lawnmower... | 0:19:12 | 0:19:16 | |
-I was online, I was online! -But it is in Southport? | 0:19:17 | 0:19:20 | |
It is in Southport, that's true, and I did see it online. | 0:19:20 | 0:19:24 | |
What did you put into Google that that came up? | 0:19:24 | 0:19:26 | |
Well, you don't want to know that! | 0:19:26 | 0:19:29 | |
But I noticed on the website there was a bit that said, | 0:19:29 | 0:19:32 | |
"The tools of the rich and famous." "Famous tools" is what I typed in. | 0:19:32 | 0:19:36 | |
There is actually... | 0:19:37 | 0:19:38 | |
I do know for a fact that there is a British Lawnmower Museum, | 0:19:38 | 0:19:43 | |
because I have donated a trowel. | 0:19:43 | 0:19:46 | |
-You haven't! I -have, honestly, Rob. I donated a trowel. | 0:19:46 | 0:19:48 | |
What IS this museum?! | 0:19:48 | 0:19:50 | |
But surely they want a lawnmower? | 0:19:52 | 0:19:55 | |
-So you saw the Lawnmower Museum online. -Online. | 0:19:55 | 0:19:58 | |
-With a list of celebrity artefacts. -There was quite a few. | 0:19:58 | 0:20:01 | |
Brian May from Queen had given a lawnmower. | 0:20:01 | 0:20:04 | |
Joe Pasquale had given a strimmer. | 0:20:04 | 0:20:07 | |
So what happened then? | 0:20:07 | 0:20:09 | |
I thought it'd be nice to do cos it's my home town. | 0:20:09 | 0:20:11 | |
Sorry, you saw that and you thought, "I want a piece of that." | 0:20:11 | 0:20:15 | |
I want a piece of the action. Prince Charles, he gave something. | 0:20:15 | 0:20:18 | |
-This is where the story falls apart. -No, that's not where it's falling apart! | 0:20:18 | 0:20:21 | |
But what is asked to donate to...? | 0:20:21 | 0:20:24 | |
I wanted to donate something and thought it'd be nice | 0:20:24 | 0:20:27 | |
to have something of mine, cos it's my home town. | 0:20:27 | 0:20:29 | |
So you picked up the phone... | 0:20:29 | 0:20:31 | |
-I picked up... You're still doubting my abilities, aren't you David? -HE SCREAMS | 0:20:31 | 0:20:35 | |
It is not your ability to make a phone call... | 0:20:35 | 0:20:38 | |
"There's a man in the phone!" | 0:20:38 | 0:20:40 | |
Are you seriously saying that the fact that you could | 0:20:40 | 0:20:45 | |
have physically made this phone call means I should believe that you did? | 0:20:45 | 0:20:48 | |
I picked up the phone. | 0:20:48 | 0:20:50 | |
You say, "I could have made the call. I'm physically capable. | 0:20:50 | 0:20:52 | |
Therefore, it happened, David, end of story." | 0:20:52 | 0:20:54 | |
I phoned them up, I said, "I'd like to donate something," | 0:20:54 | 0:20:57 | |
they said, "What have you got?" I said, "Dibber." | 0:20:57 | 0:21:00 | |
-You knew its name? -Well, actually, I...yes. | 0:21:00 | 0:21:03 | |
-You knew its name but didn't know what it was for? -That's actually not true. | 0:21:03 | 0:21:06 | |
-So what did you say? -I took advice before the phone call. -From whom? | 0:21:06 | 0:21:09 | |
-From who? -From whom? -I'm not doing it if you put an M at the end. | 0:21:09 | 0:21:12 | |
-All right, from who? -Thank you. | 0:21:12 | 0:21:16 | |
Who's putting the M at the end, know what I mean? | 0:21:16 | 0:21:18 | |
-No-one any more, no-one! -Who did you take advice from?! | 0:21:18 | 0:21:20 | |
I shall tell you. | 0:21:20 | 0:21:22 | |
You found a thing in the shed, didn't know you owned it, | 0:21:22 | 0:21:24 | |
you didn't know what it was, who did you ask about it? | 0:21:24 | 0:21:27 | |
You want to know from who? | 0:21:27 | 0:21:28 | |
I want to... I want to know who you asked about that object | 0:21:28 | 0:21:31 | |
-in order to find out what it was called. -I shall tell you. | 0:21:31 | 0:21:34 | |
Well, please! | 0:21:34 | 0:21:35 | |
-David Tennant, or as I call him, Dr Whom. -You asked...? | 0:21:35 | 0:21:38 | |
-You asked Dr Whom? -Dr Whom. | 0:21:40 | 0:21:42 | |
-Who did you ask? -Tom Baker. | 0:21:44 | 0:21:47 | |
There are seven billion humans on Earth. | 0:21:49 | 0:21:51 | |
Please, let's not eliminate them one by one. | 0:21:51 | 0:21:54 | |
Er, I asked my wife. | 0:21:56 | 0:21:58 | |
So David, what do you think? Is Lee telling the truth or is he lying? | 0:21:58 | 0:22:02 | |
-Dale? -I don't believe a word of it. | 0:22:02 | 0:22:05 | |
If it is true, it's one of the best acting performances I've ever seen. | 0:22:05 | 0:22:09 | |
Thank you, if it's true. | 0:22:09 | 0:22:11 | |
-You think it's true? -No, I do not. No, it's a lie. | 0:22:11 | 0:22:13 | |
-OK, what are going to say? -We think it's a lie. -You think it's a lie? | 0:22:13 | 0:22:15 | |
OK. Lee, truth or lie? | 0:22:15 | 0:22:20 | |
It is in fact... | 0:22:20 | 0:22:22 | |
true. | 0:22:22 | 0:22:25 | |
Not only is it true, but how exciting is this? | 0:22:30 | 0:22:34 | |
We've got a picture. | 0:22:34 | 0:22:35 | |
There it is, in situ, at the British Lawnmower Museum. | 0:22:35 | 0:22:41 | |
Yes, incredible, isn't it, eh? Just a simple tool... | 0:22:41 | 0:22:45 | |
who donated his dibber to the British Lawnmower museum. Next. | 0:22:45 | 0:22:50 | |
It's Miranda. | 0:22:51 | 0:22:53 | |
I once embarrassed myself in front of the local vicar at Christmas. | 0:22:53 | 0:23:00 | |
-Is that it?! -Vague, isn't it? | 0:23:00 | 0:23:02 | |
-Is that all we're getting? -Well, no, we can get more. | 0:23:02 | 0:23:06 | |
-What happened? -Well, er, it was Christmas, | 0:23:07 | 0:23:12 | |
and the vicar had to come round to my aunt and uncle's | 0:23:12 | 0:23:16 | |
where I was having Christmas. | 0:23:16 | 0:23:19 | |
Sort of drinks, I think. | 0:23:19 | 0:23:21 | |
I went to sit next to him and sat sort of... | 0:23:21 | 0:23:26 | |
-and sat on the edge of a sofa. -Mm. | 0:23:26 | 0:23:30 | |
And as I sort of sat back like that, I broke enormous wind. | 0:23:30 | 0:23:37 | |
And did he say anything? | 0:23:37 | 0:23:38 | |
-He sort of... -AUDIENCE MEMBER LAUGHS LOUDLY | 0:23:38 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:44 | |
He's here! | 0:23:44 | 0:23:46 | |
No, I don't think he did, which is what made it so funny for me. | 0:23:47 | 0:23:54 | |
Why did you go over to sit next to the vicar to start with? | 0:23:54 | 0:23:57 | |
Because I think my sister was there, and I thought, | 0:23:57 | 0:24:01 | |
"Oh, no, she's been lumbered with the vicar," | 0:24:01 | 0:24:03 | |
and I thought, "Oh, she might need some conversational help." | 0:24:03 | 0:24:07 | |
-Brilliant! -Yeah. -Which I sort of provided! | 0:24:07 | 0:24:11 | |
What direction was the vicar at this point? | 0:24:11 | 0:24:15 | |
I don't know if he was down or upwind, but he was involved. | 0:24:15 | 0:24:18 | |
You saw his hair move? | 0:24:19 | 0:24:22 | |
I think, actually, what I did was... | 0:24:22 | 0:24:24 | |
That is a great image, isn't it? | 0:24:24 | 0:24:26 | |
I think I burst out laughing and did one of those laugh-spits. | 0:24:29 | 0:24:33 | |
Laugh-spits?! So having farted at the man, you then spat on him? | 0:24:33 | 0:24:37 | |
-You know when you go... -SHE MIMICS FART NOISE | 0:24:37 | 0:24:40 | |
-So, it was like... -REPEATS NOISE TWICE | 0:24:40 | 0:24:43 | |
-So, what do you think, David? What are you going to say? -Hmm. | 0:24:44 | 0:24:48 | |
Miranda, the way you told the story, I couldn't work out... You had lots of pauses. | 0:24:48 | 0:24:51 | |
Was that for effect or were you thinking it up? | 0:24:51 | 0:24:53 | |
And I think, probably, you were making it up as you went along, | 0:24:53 | 0:24:56 | |
so I think it's probably a lie. | 0:24:56 | 0:24:58 | |
Hmm, Dale, what do you think? | 0:24:58 | 0:24:59 | |
Miranda is one of those fabulous people in the world who's uninhibited with... | 0:24:59 | 0:25:03 | |
-Am I right? You're kind of like, "Oh, what the heck, I don't care!" -My face is a mask. | 0:25:03 | 0:25:07 | |
So, you think it's true, you think it's a lie. | 0:25:07 | 0:25:09 | |
-Yeah. -I'll say I think it's true. -You think it's true? | 0:25:09 | 0:25:12 | |
OK, Miranda, true or lie? | 0:25:12 | 0:25:15 | |
It is actually... | 0:25:15 | 0:25:17 | |
true. | 0:25:17 | 0:25:19 | |
APPLAUSE | 0:25:19 | 0:25:22 | |
Yes, it's true. | 0:25:22 | 0:25:24 | |
Miranda did embarrass herself in front of the local vicar. Next. | 0:25:24 | 0:25:28 | |
Oh, it's me. | 0:25:29 | 0:25:31 | |
When I'm in a play, as part of my nightly vocal warm-up, | 0:25:33 | 0:25:37 | |
I perform sets of scales in the voice of a chimpanzee. | 0:25:37 | 0:25:43 | |
-Will you give us a quick rendition? -Of course. | 0:25:43 | 0:25:45 | |
-HE MIMICS A CHIMPANZEE -Ooh-ooh-ah-ah-ah-ah-ah-ah. | 0:25:45 | 0:25:49 | |
Ooh-ooh-ah-ah-ah-ah-ah-ah. | 0:25:49 | 0:25:52 | |
-HIGH-PITCHED -Ooh-ooh-ah-ah-ah-ah-ah-ah. | 0:25:52 | 0:25:55 | |
You just go through the scales as a chimpanzee. | 0:25:55 | 0:25:59 | |
Is it just for plays, cos I've been next to you in a dressing room for a gig | 0:26:01 | 0:26:04 | |
and I didn't hear chimpanzees? | 0:26:04 | 0:26:06 | |
I used to do a singing tape of... | 0:26:06 | 0:26:07 | |
-IN STYLE OF A VOCAL WARM-UP -# Ah-ah-ah-ah-ah-ah-ah. # | 0:26:07 | 0:26:10 | |
-And then... That was lovely. -It was lovely! | 0:26:10 | 0:26:12 | |
# La-la-la-la-la-la-la | 0:26:12 | 0:26:16 | |
# La-la-la-la. # | 0:26:16 | 0:26:19 | |
That really is lovely. Don't blow your nose! | 0:26:19 | 0:26:23 | |
Rob, where did you get this from? | 0:26:23 | 0:26:25 | |
Was it another celebrity that gave you the idea? | 0:26:25 | 0:26:28 | |
No, no, it was one night I was doing it and the other actor said, | 0:26:28 | 0:26:31 | |
when I started going, "Ooh-ooh-ooh-ooh," | 0:26:31 | 0:26:34 | |
he says, "Just relax." "Ooh-ooh-ooh." He said, "You sound like a chimpanzee." | 0:26:34 | 0:26:37 | |
So then I went, "Ooh-ooh-ooh-ooh." | 0:26:37 | 0:26:40 | |
I found it really opened up the diaphragm and actually worked. | 0:26:40 | 0:26:42 | |
Can you go the other way? Can you go from high notes down? | 0:26:42 | 0:26:45 | |
That's what Dale was asking me earlier! | 0:26:45 | 0:26:47 | |
Is he angry, Lee, is he angry? | 0:26:49 | 0:26:50 | |
Well, it's hard to tell what colour his face is, but can you go...? | 0:26:50 | 0:26:54 | |
Can you go from the high note down? | 0:26:54 | 0:26:57 | |
-INCREASINGLY LOW-PITCHED -Ooh-ooh-ooh-ooh-ooh. | 0:26:57 | 0:26:59 | |
-Oh, excellent! -That is good. | 0:26:59 | 0:27:00 | |
Who was the actor who said you look like a chimpanzee? | 0:27:00 | 0:27:03 | |
-Miranda, you know very well he didn't say I LOOKED like a chimpanzee. -Sorry! | 0:27:03 | 0:27:08 | |
You won't trip me up like that. It was Kenneth Branagh. | 0:27:08 | 0:27:10 | |
-Kenneth Branagh gave you this idea? -He did, he did! | 0:27:10 | 0:27:14 | |
Yeah, laugh it up, Balding. | 0:27:14 | 0:27:17 | |
I know your reaction was to laugh! | 0:27:17 | 0:27:19 | |
The reaction was, "How preposterous." | 0:27:19 | 0:27:21 | |
The man with the breakfast cereal would be in a play | 0:27:21 | 0:27:24 | |
with Kenneth Branagh, yet it was true. | 0:27:24 | 0:27:26 | |
So what are you thinking? | 0:27:26 | 0:27:28 | |
-IN A DEEP VOICE -Mitchell, Winton, Bacon. | 0:27:28 | 0:27:31 | |
-I think it's true. -You think it's true? | 0:27:31 | 0:27:34 | |
-Do you think it's true? -Oh, absolutely, he does it so well. | 0:27:34 | 0:27:37 | |
-I think it would sort of help. -What about you? | 0:27:37 | 0:27:40 | |
-IN A DEEP VOICE -Balding, Mack, Hart. | 0:27:40 | 0:27:43 | |
Sounds like a series of illnesses, that! | 0:27:43 | 0:27:46 | |
"I'm afraid you've got Balding-Mack-Hart." | 0:27:46 | 0:27:49 | |
-What are you going to say? -I think he's probably lying. | 0:27:49 | 0:27:51 | |
You're saying true... | 0:27:51 | 0:27:53 | |
I imagine you and Branagh having a right old hoot doing that together. | 0:27:53 | 0:27:57 | |
-I'm going to go with Clare. -You're going to say lie? -Yeah. | 0:27:57 | 0:28:00 | |
-You're saying true? -ALL: True. -It is in fact... | 0:28:00 | 0:28:02 | |
a lie. | 0:28:02 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:06 | |
It's a lie. When I'm in a play, I don't perform sets of scales in the voice of a chimpanzee. | 0:28:09 | 0:28:15 | |
-BUZZER SOUNDS -That noise signals time is up, it's the end of the show. | 0:28:15 | 0:28:18 | |
I can reveal that Lee's team have won by 4-2. | 0:28:18 | 0:28:23 | |
APPLAUSE | 0:28:23 | 0:28:25 | |
But of course it's not just a team game | 0:28:25 | 0:28:27 | |
and my individual Liar Of The Week this week is Dale Winton. | 0:28:27 | 0:28:33 | |
CHEERING AND APPLAUSE | 0:28:33 | 0:28:36 | |
Yes, Dale Winton, a man who lies so much, | 0:28:36 | 0:28:40 | |
I don't know how his wife and three children put up with it! Good night. | 0:28:40 | 0:28:44 | |
CHEERING | 0:28:46 | 0:28:48 | |
Subtitles by Red Bee Media Ltd | 0:29:03 | 0:29:06 |