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CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Good evening and welcome to Would I Lie To You, | 0:00:26 | 0:00:31 | |
the show teeming with tall tales, and tantalising truths. | 0:00:31 | 0:00:34 | |
On David Mitchell's team tonight - a comedian who once starred | 0:00:34 | 0:00:38 | |
in a programme to find the world's most dangerous road. | 0:00:38 | 0:00:41 | |
Turns out it's the one between Snappy Snaps and George Michael's house, | 0:00:41 | 0:00:44 | |
it's Rhod Gilbert! | 0:00:44 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:49 | |
And a comedy actress currently on our screens in Miranda | 0:00:49 | 0:00:53 | |
who also co-created Smack The Pony, | 0:00:53 | 0:00:56 | |
a sketch show that received critical acclaim, | 0:00:56 | 0:00:58 | |
Emmy awards and a stern letter from the RSPCA. | 0:00:58 | 0:01:00 | |
It's Sally Phillips. | 0:01:00 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:05 | |
And on Lee Mack's team tonight, a showbiz legend whose TV show | 0:01:06 | 0:01:12 | |
once drew an audience of 15 million people. | 0:01:12 | 0:01:15 | |
Admittedly, there were only two channels and no remote control - | 0:01:15 | 0:01:18 | |
Des O'Connor! | 0:01:18 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:23 | |
And a lady who co-stars with Bruce Forsyth on Strictly Come Dancing, | 0:01:23 | 0:01:27 | |
but she's here tonight in her own right, | 0:01:27 | 0:01:29 | |
so there'll be no more mention of Brucie. | 0:01:29 | 0:01:32 | |
It's nice to see her, to see her nice, Tess Daly! | 0:01:32 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
And so to Round 1, Home Truths, | 0:01:40 | 0:01:43 | |
where our panellists each read out a statement. To make things harder, they've never seen | 0:01:43 | 0:01:47 | |
the card before, so they've no idea what they'll be faced with, | 0:01:47 | 0:01:49 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:49 | 0:01:53 | |
Des, you're first up tonight. | 0:01:53 | 0:01:55 | |
LAUGHTER | 0:01:58 | 0:01:59 | |
For three days running, I accidentally ate cat food for dinner. | 0:01:59 | 0:02:03 | |
LAUGHTER | 0:02:03 | 0:02:05 | |
David's team. | 0:02:05 | 0:02:06 | |
Right, um. | 0:02:06 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:10 | |
So how did this happen? | 0:02:10 | 0:02:13 | |
It was an accident. | 0:02:13 | 0:02:14 | |
But it happened for three days, so we're looking at nine meals. | 0:02:17 | 0:02:21 | |
No, I didn't eat every meal, but I ate on one of the meals | 0:02:21 | 0:02:26 | |
one a lunch time, one a snack and one a dinner. | 0:02:26 | 0:02:30 | |
But not necessarily in that order. | 0:02:30 | 0:02:32 | |
And I'm assuming you thought the cat food was something else? | 0:02:32 | 0:02:35 | |
Why would you assume that? | 0:02:35 | 0:02:37 | |
Because otherwise, Des, it's not an accident. | 0:02:38 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:43 | |
Was it wet or dry cat food? | 0:02:46 | 0:02:48 | |
I'm not a cat, I don't know. | 0:02:48 | 0:02:50 | |
But as a, you know, | 0:02:51 | 0:02:52 | |
a highly evolved mammal, you do know the difference between wet and dry. | 0:02:52 | 0:02:56 | |
It depends what we're talking about. | 0:02:57 | 0:03:00 | |
Des, have you, have you got a cat? | 0:03:00 | 0:03:01 | |
No. | 0:03:01 | 0:03:03 | |
I would point... | 0:03:06 | 0:03:07 | |
There's a chink in this, isn't there, there's a little chink in this. | 0:03:07 | 0:03:11 | |
I would point out that this didn't happen at home, obviously. | 0:03:11 | 0:03:14 | |
-Where did it happen? -Abroad. | 0:03:14 | 0:03:16 | |
I was abroad in a foreign country. | 0:03:16 | 0:03:21 | |
-Which foreign country? -Which foreign country? | 0:03:22 | 0:03:25 | |
I don't know, I didn't see their flag. | 0:03:25 | 0:03:27 | |
How did you eventually find out that it was cat food? | 0:03:28 | 0:03:32 | |
I had rented a place. It was in Spain. | 0:03:32 | 0:03:34 | |
I had rented a villa, and I had to go and do my own shopping. | 0:03:34 | 0:03:39 | |
And I was walking around and I saw these tins | 0:03:39 | 0:03:41 | |
with a little fish on the side. I thought, that'll do. | 0:03:41 | 0:03:44 | |
I don't speak Spanish that well. | 0:03:44 | 0:03:45 | |
I bought it back and I was opening it, and the lady who was | 0:03:45 | 0:03:50 | |
doing the house went, "No, no, no, miaow, miaow, miaow." | 0:03:50 | 0:03:52 | |
LAUGHTER | 0:03:52 | 0:03:55 | |
-What did you think it was, Des? -I thought it was a kind of fish. | 0:03:57 | 0:04:00 | |
-Like a tuna, perhaps? -Yes. | 0:04:00 | 0:04:03 | |
I'm surprised there wasn't a picture of a cat. | 0:04:04 | 0:04:07 | |
-LEE: -Why would there be a picture of a cat? | 0:04:07 | 0:04:09 | |
You don't get a picture of a human on a Pot Noodle, do you? | 0:04:09 | 0:04:12 | |
-You always have a picture of a cat on cat food. Even in Spain. -Not always. | 0:04:15 | 0:04:19 | |
-I could give you an example when there wasn't. -When? | 0:04:19 | 0:04:22 | |
Des, tell him again. | 0:04:22 | 0:04:23 | |
Right, David, what are you going to say? What's your guess? | 0:04:25 | 0:04:27 | |
Is he telling the truth? | 0:04:27 | 0:04:30 | |
I'm beginning to think it's true, I must say. I'm sorry, Des. | 0:04:30 | 0:04:33 | |
I'm coming round to it. | 0:04:33 | 0:04:34 | |
-David? -I think it's true. | 0:04:34 | 0:04:36 | |
So, Des, are you telling the truth or telling a lie? | 0:04:36 | 0:04:39 | |
They all think it's the truth, but... | 0:04:39 | 0:04:42 | |
it's the truth. | 0:04:42 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:04:43 | 0:04:44 | |
Yes, it's true. | 0:04:48 | 0:04:50 | |
Des did accidentally eat cat food for dinner for three days running. | 0:04:50 | 0:04:55 | |
It was his cleaner who first noticed something was wrong. | 0:04:55 | 0:04:58 | |
Namely that Des was licking himself clean in front of the fire | 0:04:58 | 0:05:00 | |
and going to the toilet in a tray. | 0:05:00 | 0:05:02 | |
Rhod Gilbert, you're next. | 0:05:04 | 0:05:06 | |
I cannot go on airport travelators. The one and only time I did, | 0:05:06 | 0:05:10 | |
I got so freaked out by how superhumanly fast I was walking | 0:05:10 | 0:05:13 | |
that I had to be taken to the sick bay to calm down. | 0:05:13 | 0:05:16 | |
Lee, what do you think? | 0:05:18 | 0:05:19 | |
Right, just how fast would you say you were going? | 0:05:19 | 0:05:23 | |
Superhuman was the word I used. | 0:05:23 | 0:05:26 | |
OK. How fast would you define "superhuman"? | 0:05:27 | 0:05:30 | |
-Because I've got my own definition. -What's yours? -Ah! I asked you first. | 0:05:30 | 0:05:35 | |
Let's just say it went very fast, and I didn't like it. | 0:05:35 | 0:05:38 | |
You say you had to be escorted off and taken to the sick bay? | 0:05:38 | 0:05:40 | |
I wasn't escorted off - I got off the end and sought assistance. | 0:05:40 | 0:05:45 | |
-You felt nauseous? -Yes, that's right, I felt NAUS-eous. | 0:05:45 | 0:05:49 | |
What's the difference between NAUS-eous and nauseous? | 0:05:50 | 0:05:54 | |
David, what's the difference? | 0:05:54 | 0:05:57 | |
Excuse me! You could have asked me! | 0:05:57 | 0:05:58 | |
Excuse me! I'm a human being! | 0:05:58 | 0:06:01 | |
I'm imagining you'll refer me to David. | 0:06:01 | 0:06:04 | |
David, what's the difference between nauseous... is it simply pronunciation? | 0:06:04 | 0:06:08 | |
-I think it's simply pronunciation, Rob. -Thank you, David. As you were. | 0:06:08 | 0:06:13 | |
I'll tell you another thing I don't like - it freaks me out when escalators don't work. | 0:06:14 | 0:06:17 | |
You know when you go up an escalator, and you're exhausted, | 0:06:17 | 0:06:21 | |
and your legs are burning and they don't work. | 0:06:21 | 0:06:23 | |
It's more tiring than the stairs, and when you get to the top, | 0:06:23 | 0:06:26 | |
you fly off the end like that? That freaks me out. | 0:06:26 | 0:06:28 | |
That, I don't like that feeling of lack of control. | 0:06:29 | 0:06:33 | |
The escalator doesn't work, yet you still fly off the top. Why's that? | 0:06:33 | 0:06:35 | |
-I don't think you do fly off the top. -No, you do fly off the top. | 0:06:35 | 0:06:38 | |
That is your brain telling you a lie. | 0:06:38 | 0:06:41 | |
No, my brain doesn't tell me anything. Honestly. | 0:06:41 | 0:06:43 | |
Rhod's brain does not tell him anything. | 0:06:44 | 0:06:47 | |
It's not my brain telling me that I'm flying off the escalator. | 0:06:47 | 0:06:50 | |
You're saying at the top of a stationary escalator, | 0:06:50 | 0:06:52 | |
you're in some way thrown off the end of it as if it were moving. | 0:06:52 | 0:06:56 | |
That's nothing to do with the electrical motor in the escalator | 0:06:56 | 0:06:59 | |
-that isn't turned on. -I'm not saying it is! | 0:06:59 | 0:07:01 | |
That's because you're using a certain amount of extra energy | 0:07:01 | 0:07:04 | |
in order to go up some stairs, and then suddenly it seems, | 0:07:04 | 0:07:06 | |
well, you'll find that at the top of a normal flight of stairs. | 0:07:06 | 0:07:11 | |
-No, you won't. -Yes, you will! | 0:07:11 | 0:07:13 | |
Nobody flies off the top of normal stairs! | 0:07:13 | 0:07:16 | |
Hang on, let's give it a little go. Whoa! You're right, David! | 0:07:16 | 0:07:20 | |
You're quite right. What are you on about? | 0:07:22 | 0:07:26 | |
What I'm going to tell you now, Rhod, you may not be ready to hear, | 0:07:26 | 0:07:29 | |
but the feeling of getting to the top of a normal | 0:07:29 | 0:07:31 | |
flight of stairs and the feeling of getting to the top | 0:07:31 | 0:07:35 | |
of an escalator that is not turned on IS the same. | 0:07:35 | 0:07:39 | |
-Rubbish, it's not. It's not. -It is the same. -It's not. -This is madness. | 0:07:39 | 0:07:43 | |
It's not. | 0:07:43 | 0:07:45 | |
-You started off saying... -I'm not going to discuss it any more. | 0:07:45 | 0:07:48 | |
I've told you the information, and, at some point, you will accept it. | 0:07:48 | 0:07:52 | |
-Rhod, you're on this travelator. -I was. | 0:07:53 | 0:07:56 | |
And you didn't like the fact you were going so fast. | 0:07:56 | 0:07:58 | |
-Would that be a fair assessment? -That's exactly what I said, so yes. | 0:07:58 | 0:08:02 | |
Why didn't you stop walking, so you weren't going as fast? | 0:08:02 | 0:08:05 | |
I just don't like the way they... shift along. I just don't like it. | 0:08:05 | 0:08:09 | |
Oh, it's the up-and-down motion! | 0:08:09 | 0:08:11 | |
There's that little cushioned padding in it. | 0:08:11 | 0:08:13 | |
You could have walked backwards and then you'd have been | 0:08:13 | 0:08:16 | |
standing still, if you'd judged the speed right. | 0:08:16 | 0:08:18 | |
Well, I had a plane to catch, David. | 0:08:18 | 0:08:20 | |
-What do you think, Lee? -Tess, what do you think? -I'm trying to read his body language, | 0:08:20 | 0:08:24 | |
because I'm a woman, and we do intuition very well. | 0:08:24 | 0:08:27 | |
He's very laid back and he seems very committed. | 0:08:27 | 0:08:30 | |
-He might be telling the truth. -What about you, Des? | 0:08:30 | 0:08:34 | |
-I think he's telling the truth. -Thank you, Des. -I think he might be telling the truth. | 0:08:34 | 0:08:37 | |
You're saying true? | 0:08:37 | 0:08:39 | |
-True. -True. Rhod, truth or lie? -It is... | 0:08:39 | 0:08:43 | |
a lie! | 0:08:43 | 0:08:44 | |
Yes, it's a lie. Of course, Rhod can use airport travelators. | 0:08:50 | 0:08:56 | |
Our next round is called This Is My...where I bring on | 0:08:56 | 0:08:59 | |
a mystery guest who has a close connection to one of our panellists. | 0:08:59 | 0:09:02 | |
This week, each of David's team will claim it's them that | 0:09:02 | 0:09:05 | |
has the genuine connection to the guest, | 0:09:05 | 0:09:07 | |
and it's up to Lee's team to spot who's telling the truth. | 0:09:07 | 0:09:09 | |
So please welcome this week's special guest, Tony! | 0:09:09 | 0:09:12 | |
APPLAUSE | 0:09:12 | 0:09:14 | |
Welcome, Tony. | 0:09:19 | 0:09:21 | |
Rhod, what is Tony to you? | 0:09:21 | 0:09:24 | |
This is Tony. | 0:09:24 | 0:09:26 | |
And for five years, he was my badminton doubles partner. | 0:09:26 | 0:09:31 | |
Right, Sally, what is your relationship with Tony? | 0:09:35 | 0:09:38 | |
This is my Uncle Tony, and last year, I had a go on his mobility scooter | 0:09:38 | 0:09:41 | |
and I drove it into a pond and wrote it off. | 0:09:41 | 0:09:45 | |
Finally, David, how do you know Tony? | 0:09:46 | 0:09:49 | |
This is Tony, and when I was little, he used to help me | 0:09:49 | 0:09:52 | |
get to sleep by telling me bedtime stories about the war. | 0:09:52 | 0:09:56 | |
Isn't that lovely? There we are. | 0:09:58 | 0:10:00 | |
So, Rhod's badminton buddy, Sally's scooterless uncle | 0:10:00 | 0:10:03 | |
or David's bedtime storyteller? | 0:10:03 | 0:10:05 | |
Before you start asking, I'm going to bring a chair on for you, | 0:10:05 | 0:10:09 | |
and you can have a lovely sit down there. There we are. You relax there. | 0:10:09 | 0:10:13 | |
-Lee? -Sally, does he use the mobility scooter a lot? | 0:10:13 | 0:10:17 | |
He's had two hip replacements. | 0:10:17 | 0:10:21 | |
So he can get by without it? | 0:10:21 | 0:10:23 | |
The fact he walked on fine, he can get by. | 0:10:23 | 0:10:27 | |
I don't think they're just for old people. I've got a bath with a door. | 0:10:27 | 0:10:31 | |
I think it's nice. | 0:10:32 | 0:10:34 | |
That was more a DIY mishap, though, wasn't it? | 0:10:34 | 0:10:38 | |
I think it's nice to open the door, step in, | 0:10:38 | 0:10:41 | |
wait for 19 or 20 minutes while it slowly fills up in the freezing cold. | 0:10:41 | 0:10:43 | |
I think it's lovely. | 0:10:43 | 0:10:45 | |
Why did you take the mobility scooter in the first place? | 0:10:45 | 0:10:49 | |
Because I was going to play a psychopath in a film, | 0:10:49 | 0:10:55 | |
a psychopath on mobility scooter, and I said, "Can I have a go?" | 0:10:55 | 0:10:59 | |
because I can't drive a car. | 0:10:59 | 0:11:01 | |
Sally, how far did you drive before you went into the pond? | 0:11:01 | 0:11:05 | |
A good distance. I didn't know I had it in reverse. | 0:11:05 | 0:11:08 | |
So you were very close to the pond? | 0:11:08 | 0:11:10 | |
It wasn't far from the pond, but it was facing that way, | 0:11:10 | 0:11:14 | |
and I took it out of park, the wrong way, and went backwards. | 0:11:14 | 0:11:19 | |
-Was your uncle with you at the time? -Yes. | 0:11:19 | 0:11:21 | |
How much instruction did Tony give you before you got on? | 0:11:21 | 0:11:25 | |
Well, he thought, as he said afterwards over tea, | 0:11:25 | 0:11:28 | |
many, many times, that it was quite self-evident | 0:11:28 | 0:11:31 | |
how one drove this thing. | 0:11:31 | 0:11:33 | |
He said all it had was a little gear tiller, | 0:11:35 | 0:11:37 | |
-and he thought even a nincompoop... -TESS: -Backwards and forwards... | 0:11:37 | 0:11:40 | |
Did he say gear tiller? That's a nautical expression. | 0:11:40 | 0:11:46 | |
You obviously felt on some subconscious level | 0:11:46 | 0:11:50 | |
more comfortable at sea. | 0:11:50 | 0:11:51 | |
-Did you buy your Uncle Tony another mobility scooter? -I did. | 0:11:55 | 0:11:58 | |
How much was that mobility scooter? | 0:11:58 | 0:12:00 | |
Yes, how much that mobility scooter? | 0:12:00 | 0:12:01 | |
-It was £1,500. -For a brand-new mobility scooter? | 0:12:01 | 0:12:04 | |
Hang on, is that right, Des? | 0:12:04 | 0:12:08 | |
-How long ago were they, that you were playing badminton doubles? -That we were doubles partners? -Yes. | 0:12:15 | 0:12:19 | |
-10-15 years. -LEE: And when did this end? | 0:12:22 | 0:12:26 | |
When did this end? | 0:12:26 | 0:12:27 | |
We had to stop because...I was getting on a bit. | 0:12:27 | 0:12:30 | |
-How did your partnership begin? -Well, we played for the same club. | 0:12:32 | 0:12:36 | |
What was the club called? | 0:12:36 | 0:12:38 | |
Um...it was in West London. | 0:12:38 | 0:12:41 | |
West London. You can't remember the name of the club? | 0:12:43 | 0:12:46 | |
-It was called Old Actonians. -Old Actonians Badminton Club? -Yes. | 0:12:46 | 0:12:51 | |
Did you wear the full gear, short shorts, you know? | 0:12:51 | 0:12:53 | |
No, I wore a miner's helmet, and he wore a frogman's outfit! | 0:12:53 | 0:12:56 | |
Of course we did, Des! | 0:12:56 | 0:12:59 | |
-Did you ever win anything, yourself and Tony? -We won a lot, yeah. | 0:13:01 | 0:13:06 | |
And why did you come about playing together? | 0:13:06 | 0:13:08 | |
No disrespect, but why didn't you go for someone more of your age? | 0:13:08 | 0:13:11 | |
Because we complemented each other's game. | 0:13:11 | 0:13:14 | |
When you say, "complemented each other's game", you went, "You're good", "So are you, come on." | 0:13:14 | 0:13:19 | |
Out of you two badminton players, who would you say was the better? | 0:13:19 | 0:13:24 | |
Tony was a much, much better player than me. Tony played for England. | 0:13:24 | 0:13:27 | |
ROB LAUGHS | 0:13:27 | 0:13:31 | |
This started out, "We were just knocking around | 0:13:31 | 0:13:34 | |
"in a West London club." Now he is the Rafael Nadal of badminton. | 0:13:34 | 0:13:38 | |
If he played for England and he was so good, | 0:13:38 | 0:13:42 | |
why is he choosing you to partner him? | 0:13:42 | 0:13:46 | |
I think it would be fair, and Tony wouldn't mind me saying... | 0:13:46 | 0:13:50 | |
when I played with him, he would have been probably in his early 70s. | 0:13:50 | 0:13:54 | |
Whoa, whoa! When you were playing with him? | 0:13:54 | 0:13:56 | |
When I was playing with him, yeah. | 0:13:56 | 0:13:59 | |
OK. The prime age for badminton. Particularly at international level. | 0:13:59 | 0:14:04 | |
OK, David. What's your connection with Tony? | 0:14:07 | 0:14:11 | |
-He lived next door when I was little. -And he read bedtime stories? | 0:14:11 | 0:14:14 | |
-He would occasionally babysit for me and my brother. -TESS: -It's feasible. | 0:14:14 | 0:14:18 | |
Made up, or these were his stories from the war? | 0:14:18 | 0:14:20 | |
Not out of a book, but ostensibly true. | 0:14:20 | 0:14:23 | |
Did he ever just shout them through the wall? | 0:14:23 | 0:14:25 | |
"We were surrounded by Germans. And so, basically..." "I'm trying to get to sleep." "I don't care." | 0:14:25 | 0:14:32 | |
-How old were you? -I think I would have been... | 0:14:32 | 0:14:36 | |
23! | 0:14:36 | 0:14:39 | |
I think it was around the time I was five, six, seven. | 0:14:39 | 0:14:41 | |
It could happen. I had a neighbour who would sing me nursery rhymes and bounce me on his knee. | 0:14:41 | 0:14:45 | |
Am I the only one who had parents? What's going on here? | 0:14:45 | 0:14:48 | |
I think perhaps what it was, Lee, with you is your parents found it hard to find | 0:14:50 | 0:14:54 | |
any other adult who was willing to take sole responsibility for you. | 0:14:54 | 0:14:59 | |
Now, let me ask you this, | 0:15:00 | 0:15:03 | |
would Tony ever come round, not for babysitting, | 0:15:03 | 0:15:07 | |
but just to tell you some of the stories, | 0:15:07 | 0:15:10 | |
or would it only happen when he was babysitting? | 0:15:10 | 0:15:12 | |
I think it started when he was babysitting, | 0:15:12 | 0:15:14 | |
but he'd come round quite a bit anyway. | 0:15:14 | 0:15:19 | |
Oh! You just did an upwards inflection! | 0:15:19 | 0:15:22 | |
I've never heard you do that before. That's so not like you. | 0:15:22 | 0:15:25 | |
"Sometimes he would come round, ANYWAY!" What's happened to you? | 0:15:26 | 0:15:31 | |
Look, I'm on national television and I'm getting a bit defensive | 0:15:31 | 0:15:34 | |
about talking about my abuse-ridden childhood. | 0:15:34 | 0:15:37 | |
That's all! | 0:15:37 | 0:15:38 | |
Of all the war stories he told you to help you go to sleep, | 0:15:40 | 0:15:43 | |
what would you say was your favourite? | 0:15:43 | 0:15:45 | |
The thing I found most interesting was the story Tony told about his mother, | 0:15:45 | 0:15:50 | |
who, during the war, worked in the library in Oxford. | 0:15:50 | 0:15:56 | |
This is the interesting one? | 0:15:56 | 0:15:57 | |
And what she had to do was compile and analyse | 0:15:59 | 0:16:02 | |
and place photographs of the Japanese coastline. | 0:16:02 | 0:16:06 | |
I tell you what, it's getting better. Carry on. | 0:16:06 | 0:16:08 | |
This was in preparation for an invasion of Japan. | 0:16:08 | 0:16:12 | |
And you said, "Thank you..." - as a five-year-old - | 0:16:12 | 0:16:14 | |
"..that's very interesting." | 0:16:14 | 0:16:15 | |
Because by the end of the story, I was asleep. | 0:16:15 | 0:16:18 | |
It's time for an answer, Lee. So, is Tony...? | 0:16:19 | 0:16:22 | |
Sorry, I'm trying to get the idea out of my head | 0:16:22 | 0:16:24 | |
of passing David's door and hearing a man inside going, | 0:16:24 | 0:16:27 | |
"Obviously, with the coastal line of Tokyo, it's very hard | 0:16:27 | 0:16:31 | |
"to determine whether we should have a land invasion or by... Oh, you're asleep. | 0:16:31 | 0:16:35 | |
"OK. Nighty night! | 0:16:35 | 0:16:38 | |
"Sleep tight! Don't let the Japanese invade!" | 0:16:38 | 0:16:41 | |
I think, Rhod we can discount. There were too many flaws. | 0:16:42 | 0:16:45 | |
I agree with you, I think it's one of the other two. | 0:16:45 | 0:16:48 | |
I've got a horrible feeling that it's David in the middle there. | 0:16:48 | 0:16:50 | |
I know which one David is. | 0:16:50 | 0:16:53 | |
All right, what about the mobility scooter with Sally? | 0:16:54 | 0:16:58 | |
-Have you ever taken your driving test? -No, I've never even taken it. | 0:16:58 | 0:17:02 | |
I've never learned to drive. | 0:17:02 | 0:17:04 | |
You can't emphasise the word "even" if it's the same thing. | 0:17:04 | 0:17:08 | |
"Have you taking your driving test?" "I've not EVEN taken it." | 0:17:08 | 0:17:11 | |
So, Lee's team, is Tony Rhod's badminton buddy, | 0:17:12 | 0:17:17 | |
Sally's scooterless uncle or David's bedtime storyteller? | 0:17:17 | 0:17:21 | |
-What are you going to say? -It's not Rhod. -Tess, what you going for? -Sally. | 0:17:21 | 0:17:26 | |
-I think David. -And in a weird way, I've now gone back to Rhod. | 0:17:26 | 0:17:29 | |
-I have. -Thank you. -I can see it in his little Welsh eyes. | 0:17:32 | 0:17:35 | |
In his little devious Welsh eyes. | 0:17:37 | 0:17:39 | |
Trust me, if there's one thing I know about working on this show, it's little devious Welsh eyes. | 0:17:39 | 0:17:44 | |
-Rhod or Sally? -It's Sally. -Sally? -Yeah, Sally. -Sally. | 0:17:46 | 0:17:51 | |
Right, Tony, would you please reveal your true identity? | 0:17:51 | 0:17:55 | |
I'm Tony, | 0:17:55 | 0:17:56 | |
and Rhod was my badminton partner for five years. | 0:17:56 | 0:18:00 | |
APPLAUSE | 0:18:00 | 0:18:03 | |
Yes, Tony was Rob's badminton doubles partner. | 0:18:05 | 0:18:09 | |
-Tony, thank you very much. -Well, thank you. | 0:18:09 | 0:18:11 | |
APPLAUSE | 0:18:11 | 0:18:14 | |
Which brings us to our final round, Quick-fire Lies, | 0:18:16 | 0:18:20 | |
in which our panellists lie not only through their teeth but also against the clock, | 0:18:20 | 0:18:23 | |
and we start with... | 0:18:23 | 0:18:24 | |
BUZZER | 0:18:24 | 0:18:27 | |
It's Lee. | 0:18:27 | 0:18:29 | |
Possession. | 0:18:29 | 0:18:31 | |
Right, well, in that case, step this way and take the card, | 0:18:31 | 0:18:36 | |
read the card to us, and when you've done that, | 0:18:36 | 0:18:38 | |
you can reveal your possession. | 0:18:38 | 0:18:40 | |
In Thailand, I paid £200 to have my portrait painted by a monkey. | 0:18:41 | 0:18:46 | |
This is that portrait. | 0:18:48 | 0:18:51 | |
-David, what do you think? -What colour shirt were you wearing? | 0:18:57 | 0:19:03 | |
You probably want to ask less what colour shirt I was wearing | 0:19:05 | 0:19:08 | |
and what colours were available to the monkey at the time. | 0:19:08 | 0:19:10 | |
You don't particularly remember it being green? | 0:19:10 | 0:19:14 | |
No, and I don't remember having four green ears either. | 0:19:14 | 0:19:17 | |
What colours were available to the monkey? | 0:19:19 | 0:19:21 | |
Blue, red, green and its own excrement? | 0:19:21 | 0:19:24 | |
That's my face! | 0:19:26 | 0:19:29 | |
Can I just say, I was recently at a zoo | 0:19:29 | 0:19:32 | |
where I was painting with chimps, in the Colwyn Bay mountains | 0:19:32 | 0:19:35 | |
in North Wales, and I tried to get them to paint stuff, | 0:19:35 | 0:19:38 | |
and there's no way they'd have done that well. | 0:19:38 | 0:19:40 | |
I'm not being racist, but that's your Welsh chimp. | 0:19:40 | 0:19:45 | |
-That's all I'm saying. -How big was the chimp? | 0:19:45 | 0:19:48 | |
Well, let me remember now. He was sort of like this. | 0:19:48 | 0:19:50 | |
I'd say he was about... that big sat down, | 0:20:02 | 0:20:07 | |
so that plus a couple of chimp's legs. | 0:20:07 | 0:20:10 | |
I honestly don't think that a monkey... There is a sort of mouth | 0:20:10 | 0:20:14 | |
on that and there's two blue blobs for eyes - monkeys can't do that. | 0:20:14 | 0:20:18 | |
You think it's too good is what you're saying. | 0:20:18 | 0:20:20 | |
Yes. I think the resemblance is too strong. | 0:20:20 | 0:20:24 | |
It's even got your little squinty eyes. | 0:20:24 | 0:20:29 | |
Don't push your luck. | 0:20:29 | 0:20:31 | |
The things I have to put up with on this show. | 0:20:32 | 0:20:35 | |
-You're wondering why it's like this, OK? -No, a chimp did it... | 0:20:35 | 0:20:38 | |
It could have been better, but he was a surrealist. | 0:20:38 | 0:20:42 | |
David, what are you going to say? Is this story true? | 0:20:44 | 0:20:47 | |
I think it's a lie. | 0:20:47 | 0:20:48 | |
I think it's an absolutely pointless act to get a monkey to paint | 0:20:48 | 0:20:52 | |
a picture of you, and I think Lee would also have thought that. | 0:20:52 | 0:20:55 | |
I think Rhod thinks it's a lie, we know that. Sally? | 0:20:55 | 0:20:58 | |
He looks like a hard man. He wouldn't be easily fooled. | 0:20:58 | 0:21:02 | |
-David, you're saying a lie? -I think we all think it's a lie, yeah. | 0:21:02 | 0:21:05 | |
-Lee? -It feels weird being up here | 0:21:05 | 0:21:07 | |
-and not being able to press something. Do you mind? -Not at all. | 0:21:07 | 0:21:09 | |
It is, in fact... | 0:21:09 | 0:21:11 | |
a lie. | 0:21:11 | 0:21:12 | |
LAUGHTER AND APPLAUSE | 0:21:12 | 0:21:14 | |
-Yes, what a surprise. It was a lie. -Of course it's a lie! | 0:21:17 | 0:21:22 | |
How am I supposed to sell that as the truth?! | 0:21:22 | 0:21:25 | |
Do you know what? I'm glad it's not mine. | 0:21:25 | 0:21:28 | |
How am I supposed to have a chance? | 0:21:32 | 0:21:35 | |
If my four-year-old son is watching, erm... | 0:21:35 | 0:21:38 | |
..thanks for doing it, and I'll fix it and I'll bring it home. | 0:21:42 | 0:21:45 | |
Tell him I want my 200 quid back and the monkey suit. | 0:21:48 | 0:21:53 | |
Yes, it was, of course, a lie. | 0:21:53 | 0:21:55 | |
Lee didn't pay £200 to have his portrait painted | 0:21:55 | 0:21:58 | |
by a monkey in Thailand. Why would a dumb, hairy beast | 0:21:58 | 0:22:01 | |
who spends all day throwing his faeces at the wall | 0:22:01 | 0:22:04 | |
and scratching his bottom want a portrait from a monkey? | 0:22:04 | 0:22:08 | |
And next... | 0:22:10 | 0:22:11 | |
..it's Sally. | 0:22:13 | 0:22:15 | |
Out loud, Sally. | 0:22:17 | 0:22:19 | |
Because he swims in our local pool, my husband and I play a game | 0:22:24 | 0:22:29 | |
over text called I've Just Been In The Water With Trevor McDonald. | 0:22:29 | 0:22:35 | |
I'm currently beating him 3-2. | 0:22:35 | 0:22:37 | |
Well, it sounds plausible. | 0:22:38 | 0:22:41 | |
Did I have a couple of blackouts in that sentence? | 0:22:41 | 0:22:43 | |
I suppose there might be some people watching who aren't aware | 0:22:43 | 0:22:48 | |
of who Sir Trevor McDonald is. | 0:22:48 | 0:22:50 | |
He's the esteemed newsreader and journalist. Just in case. | 0:22:50 | 0:22:54 | |
There could be some young people who don't know who he is. | 0:22:54 | 0:22:58 | |
So if you go swimming, and Trevor McDonald's in there, | 0:22:58 | 0:23:02 | |
-you get a point? That's the rules, right? -Yeah. | 0:23:02 | 0:23:06 | |
-Do you live near him? -I do live near him. | 0:23:06 | 0:23:08 | |
-Do you ever talk to Trevor McDonald? -Not really. | 0:23:08 | 0:23:10 | |
I made eye contact with him when we were both buying fireworks once. | 0:23:10 | 0:23:15 | |
You didn't bother playing the game, | 0:23:15 | 0:23:17 | |
I've Made Eye Contact With Trevor McDonald Over Fireworks? | 0:23:17 | 0:23:19 | |
-That didn't catch on? -No, because it's important he's in the water. | 0:23:19 | 0:23:23 | |
Sally, who saw him first? | 0:23:23 | 0:23:26 | |
My husband saw him first, cos I'm quite short-sighted, as you can see. | 0:23:26 | 0:23:29 | |
-Was he swimming? -Yes, he was swimming and... -And what? | 0:23:29 | 0:23:35 | |
He wears nose clips. | 0:23:35 | 0:23:36 | |
Does he? Are you concerned that he's going to watch this programme, | 0:23:36 | 0:23:41 | |
-and this is now going to be awkward? -I am a bit concerned. | 0:23:41 | 0:23:44 | |
The person who'll be really gutted is my dad. | 0:23:44 | 0:23:46 | |
He says hello to him in the supermarket. | 0:23:46 | 0:23:48 | |
He's got his own game going with your mum, has he? | 0:23:48 | 0:23:51 | |
It all started cos my dad was name-dropping Trevor McDonald... "Trevor McDonald said hello..." | 0:23:51 | 0:23:56 | |
so we started going one better... | 0:23:56 | 0:23:58 | |
You live in a very small village, don't you? | 0:23:58 | 0:24:00 | |
You know this is true, don't you? | 0:24:00 | 0:24:02 | |
Of course, because we live near each other in show-business land. | 0:24:02 | 0:24:07 | |
There's a swimming pool, a fireworks shop and a supermarket. | 0:24:07 | 0:24:10 | |
It's a lovely place! | 0:24:10 | 0:24:12 | |
Is he a serious swimmer doing laps? | 0:24:12 | 0:24:15 | |
-He goes up and down. -You mean on the spot? | 0:24:15 | 0:24:17 | |
Up and down would signify sinking and desperately trying... | 0:24:17 | 0:24:21 | |
-You mean back and forth. -He does lengths. | 0:24:21 | 0:24:23 | |
-What's his stroke? -He alternates. -He alternates between what? | 0:24:23 | 0:24:27 | |
-Between breaststroke and front crawl. -Which do you prefer? | 0:24:27 | 0:24:30 | |
I'm afraid I have to do breaststroke. | 0:24:30 | 0:24:33 | |
You've got to keep your head above the water to keep a lookout for newsreaders. | 0:24:33 | 0:24:38 | |
So what do you think, Lee? | 0:24:38 | 0:24:40 | |
What do you think - is Sally telling the truth? | 0:24:40 | 0:24:43 | |
You're making it up, it's a fib. | 0:24:43 | 0:24:45 | |
-What do you think? -I think it's true. -You think it's true? | 0:24:45 | 0:24:48 | |
-Yeah, I think it's true. -I'll go for...true. -You're saying true. OK. | 0:24:48 | 0:24:52 | |
Sally Phillips, truth or lie? | 0:24:52 | 0:24:54 | |
It is a lie. | 0:24:54 | 0:24:56 | |
APPLAUSE | 0:24:56 | 0:24:58 | |
Yes, it's a lie. | 0:25:01 | 0:25:03 | |
Sally and her husband don't play a game over the text called | 0:25:03 | 0:25:08 | |
I've Just Been In The Water With Trevor McDonald. Next... | 0:25:08 | 0:25:12 | |
it's David. | 0:25:12 | 0:25:14 | |
On a wall in my flat, there is a mysterious red switch. | 0:25:14 | 0:25:20 | |
I have no idea what it does, because I have never pressed it | 0:25:20 | 0:25:23 | |
and refuse to do so. | 0:25:23 | 0:25:26 | |
Right, mysterious red switches. Lee? | 0:25:26 | 0:25:28 | |
-Where's the switch? -It's on the wall. | 0:25:28 | 0:25:31 | |
Sort of, not directly, but slightly behind the television. | 0:25:31 | 0:25:36 | |
Haven't you just...been tempted to touch it? See what it does? | 0:25:36 | 0:25:40 | |
It's not that distracting. | 0:25:40 | 0:25:42 | |
It's bright red, I'd say it's about maybe three quarters of an inch | 0:25:42 | 0:25:46 | |
or an inch wide. | 0:25:46 | 0:25:48 | |
It sounds like one of those cooker switches, doesn't it? | 0:25:48 | 0:25:51 | |
It's a bit like that. It's cocked up in a sort of inviting way that you might want to give a tweak to. | 0:25:51 | 0:25:57 | |
-You'd have to flick it down. -Exactly. -That's always more scary, isn't it? | 0:25:57 | 0:26:03 | |
If it were down, I'd assume that whatever it does was happening. | 0:26:03 | 0:26:06 | |
-Right. -I'd be afraid to turn it off, because I might need it. | 0:26:06 | 0:26:10 | |
-It might turn the oxygen off. -You've never gone near it, never touched it? | 0:26:10 | 0:26:15 | |
I've gone near it. I've gone very near it! | 0:26:15 | 0:26:19 | |
I don't live in a very large flat. | 0:26:19 | 0:26:21 | |
I can't cordon off a whole area of the living room | 0:26:21 | 0:26:24 | |
just because of the proximity of a mysterious switch. | 0:26:24 | 0:26:26 | |
I need that space. | 0:26:26 | 0:26:27 | |
How long have you been in your flat and ignored this switch? | 0:26:27 | 0:26:31 | |
I moved into the flat about 11 years ago. | 0:26:31 | 0:26:34 | |
That's a long time to ignore a switch. | 0:26:34 | 0:26:37 | |
But sometimes I do other things. It's not just been solidly ignoring the switch 24 hours a day. | 0:26:37 | 0:26:43 | |
How is your granddad's dialysis machine going at the moment? | 0:26:43 | 0:26:47 | |
Lee, what are you going to say? This mysterious switch, is it true? | 0:26:47 | 0:26:50 | |
I started believing it, because I thought, yeah, you have | 0:26:50 | 0:26:53 | |
those switches in your house and don't know what they are for. | 0:26:53 | 0:26:56 | |
-I've got them. -But you'd have to flick the switch? | 0:26:56 | 0:26:58 | |
-I'd have to flick it. -I would be flicking that switch. | 0:26:58 | 0:27:00 | |
You can't not fiddle, can you? It's there, you've got to play with it. | 0:27:00 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:08 | |
I remember seeing an episode of the show | 0:27:08 | 0:27:10 | |
when David talked about his bedroom door, which didn't have a door handle. | 0:27:10 | 0:27:13 | |
He had to claw his door open every time | 0:27:13 | 0:27:15 | |
he opened his bedroom door, so he's not going to bother about a switch. | 0:27:15 | 0:27:19 | |
-He lives in a slum. -Basically, yes, he does. | 0:27:19 | 0:27:23 | |
-He lives in a slum. -So I say it's true. | 0:27:23 | 0:27:26 | |
If they paid proper repeat fees on Dave, it would be different. | 0:27:26 | 0:27:30 | |
LAUGHTER AND APPLAUSE | 0:27:30 | 0:27:33 | |
Lee, what are you going to say - truth or lie? | 0:27:34 | 0:27:38 | |
-Des? -He's telling a lie. -You think he's telling a lie. -Yes. -Why? | 0:27:38 | 0:27:42 | |
I don't think he could ignore it. | 0:27:42 | 0:27:44 | |
Look at that intelligent face, look at that beard. | 0:27:44 | 0:27:47 | |
He does look like a professor. | 0:27:47 | 0:27:49 | |
-He doesn't have a bedroom door handle, Des. -How do you know? | 0:27:49 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:56 | |
-So truth or lie? -I think I will go with...Tess and say it's true. | 0:27:56 | 0:28:02 | |
-You're saying it's true. David, truth or lie? -It is... | 0:28:02 | 0:28:05 | |
true. | 0:28:05 | 0:28:06 | |
Yes! Finally! | 0:28:06 | 0:28:08 | |
Success! | 0:28:08 | 0:28:10 | |
Yes, it's true. | 0:28:10 | 0:28:11 | |
David does have a mysterious red switch on the wall of his flat | 0:28:11 | 0:28:15 | |
which he's never pressed. | 0:28:15 | 0:28:17 | |
BUZZER | 0:28:17 | 0:28:19 | |
And that sound signals time is up and it's the end of the show, | 0:28:19 | 0:28:22 | |
and I can reveal that David's team have won by 5 points to 1. | 0:28:22 | 0:28:25 | |
APPLAUSE | 0:28:25 | 0:28:27 | |
But it's not just a team game, | 0:28:27 | 0:28:29 | |
and my individual liar of the week this week is Sally Phillips. | 0:28:29 | 0:28:33 | |
APPLAUSE | 0:28:33 | 0:28:35 | |
Yes, Sally Phillips who's given us | 0:28:35 | 0:28:37 | |
more barefaced cheek than a leapfrog competition at a nudist colony. | 0:28:37 | 0:28:42 | |
Good night. | 0:28:42 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:02 |