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CHEERING AND APPLAUSE | 0:00:20 | 0:00:22 | |
Good evening! And welcome to Would I Lie To You, | 0:00:26 | 0:00:30 | |
the show where deceit and dishonestly is applauded and rewarded. | 0:00:30 | 0:00:35 | |
On David Mitchell's team tonight, a woman with a thing for athletic men | 0:00:35 | 0:00:38 | |
and sporting talent. | 0:00:38 | 0:00:40 | |
Look out, David, it's sports presenter, Gabby Logan! | 0:00:40 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:44 | |
And an actor and writer who created the series Outnumbered, | 0:00:48 | 0:00:51 | |
a sitcom about living with unruly juveniles, | 0:00:51 | 0:00:54 | |
so he'll be right at home tonight. It's Andy Hamilton. | 0:00:54 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
And over on Lee Mack's team tonight - she's been in countless fights, | 0:01:01 | 0:01:06 | |
been kidnapped by her own husband and had an affair with her GP, | 0:01:06 | 0:01:09 | |
and that was just on the way here tonight. | 0:01:09 | 0:01:11 | |
All the way from Albert Square, Eastenders' Diane Parish. | 0:01:11 | 0:01:15 | |
CHEERING AND APPLAUSE | 0:01:15 | 0:01:16 | |
And the doctor who pokes and prods the patients | 0:01:18 | 0:01:21 | |
on his TV show Embarrassing Bodies. | 0:01:21 | 0:01:23 | |
Forgive me if I don't shake hands, it's Dr Christian Jessen. | 0:01:23 | 0:01:27 | |
CHEERING AND APPLAUSE | 0:01:27 | 0:01:29 | |
And so we begin with Round One, Home Truths, | 0:01:32 | 0:01:35 | |
where our panellists read out a statement from the card in front of them. | 0:01:35 | 0:01:39 | |
To make things harder, they've never seen the card before, | 0:01:39 | 0:01:42 | |
so they've no idea what they'll be faced with, | 0:01:42 | 0:01:44 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:44 | 0:01:47 | |
Now Gabby, you're first up tonight. Off you go. | 0:01:47 | 0:01:50 | |
When I want to remember something late at night, | 0:01:52 | 0:01:54 | |
instead of writing it down, I just grab an object from my bedside table | 0:01:54 | 0:01:58 | |
and throw it across the room. | 0:01:58 | 0:02:00 | |
There we are. Lee, what do you think? | 0:02:00 | 0:02:03 | |
So what's the theory behind that? | 0:02:03 | 0:02:05 | |
Well, I think that if I throw it, in the morning, | 0:02:05 | 0:02:09 | |
I'll remember what it was that I was trying to remember. | 0:02:09 | 0:02:12 | |
So if you were lying in bed and you were thinking, | 0:02:12 | 0:02:15 | |
I must remember tomorrow to pick up the pillow, | 0:02:15 | 0:02:17 | |
you'd get the pillow you'd throw it... | 0:02:17 | 0:02:20 | |
Have you experimented with slightly easier techniques | 0:02:20 | 0:02:24 | |
of remembering stuff like, pen and paper maybe? | 0:02:24 | 0:02:27 | |
It is quite odd to throw things, but actually, in a way, | 0:02:27 | 0:02:30 | |
having a pen and paper next to your bed I would say is odder. | 0:02:30 | 0:02:33 | |
I'd be more freaked out, like it was some sort of marking system. | 0:02:33 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:37 | |
Is that why there's pen and paper next to the beds in hotels? | 0:02:37 | 0:02:42 | |
It's in case people want to mark each other?! | 0:02:42 | 0:02:44 | |
It's not just for Countdown, David. | 0:02:44 | 0:02:46 | |
LAUGHTER | 0:02:46 | 0:02:47 | |
When was the last time you did it? | 0:02:49 | 0:02:52 | |
Do you remember when I did it? | 0:02:52 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:55 | |
Sorry! What was that? What was that?! | 0:02:55 | 0:02:58 | |
That was an odd moment, wasn't it? | 0:02:58 | 0:03:00 | |
First of all we're trying to work out which of the two of you | 0:03:00 | 0:03:03 | |
she's looking at, | 0:03:03 | 0:03:04 | |
if indeed, was it both? | 0:03:04 | 0:03:07 | |
What happened there is I considered saying something, | 0:03:07 | 0:03:11 | |
and then stopped myself, I thought, before anyone had noticed | 0:03:11 | 0:03:14 | |
I'd considered saying something... | 0:03:14 | 0:03:16 | |
And I, for comedic effect, pretended that we were sleeping together. | 0:03:16 | 0:03:19 | |
Trust me, we knew it was for comedic effect. | 0:03:19 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:22 | |
It's the only reason anyone ever does sleep with me. | 0:03:24 | 0:03:27 | |
The last time that I did it, | 0:03:27 | 0:03:29 | |
was to remember... I think I hadn't done my kids' school lunch boxes, | 0:03:29 | 0:03:33 | |
so it was to remember to do their lunch boxes. | 0:03:33 | 0:03:37 | |
Does it have to be something related? | 0:03:37 | 0:03:38 | |
So if it's to remember to book a taxi, | 0:03:38 | 0:03:40 | |
do you throw a model taxi on to the floor? | 0:03:40 | 0:03:44 | |
Will there be a clue? | 0:03:44 | 0:03:46 | |
AS DAVID FROST: Will the clue be there as we go through...? | 0:03:46 | 0:03:50 | |
I'm doing David Frost. | 0:03:50 | 0:03:53 | |
Somehow when I trip over them in the morning, | 0:03:53 | 0:03:56 | |
it just immediately triggers. | 0:03:56 | 0:03:58 | |
So, Lee, what's it going to be? | 0:03:58 | 0:04:00 | |
I think it's a 50/50 one, this. | 0:04:00 | 0:04:04 | |
Oh, no, no, sorry! | 0:04:04 | 0:04:05 | |
What would your percentage balance be? | 0:04:05 | 0:04:09 | |
I think 100%, it's a lie. | 0:04:09 | 0:04:11 | |
That's a big call. | 0:04:11 | 0:04:13 | |
-Which way are you leaning, Christian? -Oh... | 0:04:13 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:18 | |
-Oh, for heaven's sake, please! -I nearly answered that. | 0:04:18 | 0:04:21 | |
Must this be a festival of smut? | 0:04:21 | 0:04:23 | |
I suspect it's probably true. | 0:04:25 | 0:04:27 | |
I think I'm going to lean more towards Christian | 0:04:27 | 0:04:29 | |
and say that that is true. | 0:04:29 | 0:04:31 | |
You're saying true. OK, Gabby. | 0:04:31 | 0:04:33 | |
Were you telling the truth or were you telling a lie? | 0:04:33 | 0:04:35 | |
I was telling the truth. | 0:04:35 | 0:04:38 | |
APPLAUSE | 0:04:38 | 0:04:39 | |
Yes, it's true. | 0:04:42 | 0:04:44 | |
Whenever Gabby wants to remember something late at night, | 0:04:44 | 0:04:47 | |
she grabs an object from her bedside table | 0:04:47 | 0:04:50 | |
and she throws it across the room. | 0:04:50 | 0:04:52 | |
Andy, you're next. | 0:04:52 | 0:04:53 | |
I used to write and hand in homework for an imaginary class-mate. | 0:04:54 | 0:05:00 | |
LAUGHTER | 0:05:00 | 0:05:01 | |
So, you used to write... You used to do homework | 0:05:03 | 0:05:05 | |
-for an imaginary class-mate, and hand it in to the teacher? -Yeah. | 0:05:05 | 0:05:08 | |
For a pupil that he didn't have cos they were imaginary? | 0:05:08 | 0:05:13 | |
Yes. It was a collective effort... | 0:05:13 | 0:05:15 | |
Who was the group of collectives? | 0:05:15 | 0:05:17 | |
It was the class. | 0:05:17 | 0:05:19 | |
Are they real friends, the class, or...? | 0:05:19 | 0:05:21 | |
Yeah, yeah, with names and everything - real people. | 0:05:21 | 0:05:23 | |
What was his name? | 0:05:23 | 0:05:25 | |
He must have had a name, but I can't remember what the name was. | 0:05:25 | 0:05:28 | |
One of our class was quite enterprising. | 0:05:28 | 0:05:31 | |
This teacher was new, he was a French teacher, | 0:05:31 | 0:05:34 | |
he came in and he read the register, and one kid went, | 0:05:34 | 0:05:37 | |
"Sir, you've missed out..." I don't know, | 0:05:37 | 0:05:40 | |
call him Fisher for narrative purposes, | 0:05:40 | 0:05:43 | |
and so this guy wrote in an additional name, in his register. | 0:05:43 | 0:05:48 | |
And then you kept the pretence of this boy up | 0:05:48 | 0:05:51 | |
by doing his homework for him and handing it in? | 0:05:51 | 0:05:53 | |
Yeah. | 0:05:53 | 0:05:55 | |
And, just out of interest, this teacher, | 0:05:55 | 0:05:57 | |
-when he handed the homework back...? -Yeah. | 0:05:57 | 0:06:00 | |
..did he come up to you and go, "Give that to Fisher." | 0:06:00 | 0:06:04 | |
LAUGHTER | 0:06:04 | 0:06:05 | |
Well, that would've been a problem. | 0:06:05 | 0:06:07 | |
Right. | 0:06:07 | 0:06:08 | |
But, he was... He wasn't a great teacher. | 0:06:08 | 0:06:12 | |
He couldn't remember my name. I sat near the window, | 0:06:12 | 0:06:15 | |
so he called me "Windows". | 0:06:15 | 0:06:17 | |
-A French teacher, did you say? -Yeah. | 0:06:19 | 0:06:20 | |
He didn't call you Windows then? | 0:06:20 | 0:06:22 | |
He did. He didn't call me "Fenetre". He called me Windows cos that was... | 0:06:22 | 0:06:26 | |
Often the very best French teachers speak English as well. | 0:06:26 | 0:06:29 | |
LAUGHTER AND APPLAUSE | 0:06:29 | 0:06:31 | |
Who sat his exams for him though? You couldn't sit his exam papers. | 0:06:35 | 0:06:39 | |
He was off sick quite a lot. | 0:06:39 | 0:06:41 | |
Oh, right. | 0:06:41 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:43 | |
So at which point did you own up and say, "Look, sir. Fisher..." | 0:06:43 | 0:06:47 | |
We've killed Fisher. | 0:06:47 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:50 | |
He was doing too well. | 0:06:51 | 0:06:52 | |
He never found out and the school decided to let him go | 0:06:54 | 0:06:58 | |
and then the deputy headmaster, as I recall, | 0:06:58 | 0:07:02 | |
came in and ticked us off, | 0:07:02 | 0:07:05 | |
and said that he wasn't prepared to tolerate fictional children at his school. | 0:07:05 | 0:07:10 | |
LAUGHTER | 0:07:10 | 0:07:12 | |
I think that's what he said. | 0:07:12 | 0:07:13 | |
So, Lee Mack, what are you thinking? | 0:07:13 | 0:07:16 | |
I can't believe it, cos I just don't think kids would create | 0:07:16 | 0:07:19 | |
that much work for themselves. | 0:07:19 | 0:07:21 | |
A lot of factors have to be true here. There has to be - | 0:07:21 | 0:07:24 | |
they all agree to do it, we have to believe the teacher | 0:07:24 | 0:07:27 | |
never looks up during the register and that no-one... | 0:07:27 | 0:07:29 | |
Fisher was off a lot. Fisher wasn't there every morning. | 0:07:29 | 0:07:35 | |
Fisher was never there, Andy! | 0:07:35 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:38 | |
Andy, can I ask what's Fisher doing now? | 0:07:43 | 0:07:47 | |
The awful thing is, for a moment there I tried to think, | 0:07:47 | 0:07:49 | |
I actually went... | 0:07:49 | 0:07:50 | |
Time to take a guess, Lee. What are you going to say? | 0:07:50 | 0:07:54 | |
Oh we, trust me, this won't be a guess. | 0:07:54 | 0:07:56 | |
This is not true. | 0:07:56 | 0:07:58 | |
Not true? | 0:07:58 | 0:07:59 | |
If it is, I'm worried for Fisher's welfare. I think he's... | 0:07:59 | 0:08:02 | |
Fisher doesn't exist! | 0:08:02 | 0:08:04 | |
I don't think I'm going to sleep tonight thinking about Fisher. | 0:08:04 | 0:08:07 | |
There is no Fisher! | 0:08:07 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
Come on, Lee. What's it going to be, truth or lie? | 0:08:11 | 0:08:13 | |
Lie. | 0:08:13 | 0:08:14 | |
Let's put Fisher quietly to rest and say it's a lie. | 0:08:14 | 0:08:18 | |
OK, it's a lie. | 0:08:18 | 0:08:20 | |
It's a lie, OK, Andy. Is it true or is it a lie? | 0:08:20 | 0:08:24 | |
There is no Fisher... | 0:08:24 | 0:08:26 | |
but it is true. | 0:08:26 | 0:08:28 | |
CHEERING AND APPLAUSE | 0:08:28 | 0:08:30 | |
So what happened to Fisher then?! | 0:08:34 | 0:08:37 | |
Yes, it's true. | 0:08:37 | 0:08:40 | |
Andy did write and hand in homework for an imaginary class-mate. | 0:08:40 | 0:08:44 | |
Now remember, it's funny to have imaginary friends at school, | 0:08:44 | 0:08:47 | |
but when you start signing on for them, it's fraud. | 0:08:47 | 0:08:51 | |
Diane, you're next. | 0:08:51 | 0:08:53 | |
When I travel by Tube, | 0:08:56 | 0:08:58 | |
I like to see how many strangers I can make yawn by yawning myself. | 0:08:58 | 0:09:03 | |
My record is nine in one carriage. | 0:09:03 | 0:09:07 | |
David's team. | 0:09:07 | 0:09:09 | |
Well, let's see how good you are at faking a yawn. Oh, you... | 0:09:09 | 0:09:13 | |
Oh, that's good. | 0:09:13 | 0:09:15 | |
Although I have been speaking so it's not a test... | 0:09:15 | 0:09:18 | |
Gabby's gone, Gabby's gone. | 0:09:18 | 0:09:20 | |
I'm feeling a bit... | 0:09:20 | 0:09:21 | |
I yawned earlier when you were talking about it earlier. | 0:09:21 | 0:09:25 | |
That's good, David! Brilliant. | 0:09:25 | 0:09:27 | |
This would be great for the trail. Coming up on BBC One. | 0:09:27 | 0:09:30 | |
Your record was, what was it? | 0:09:32 | 0:09:34 | |
Nine. | 0:09:34 | 0:09:36 | |
Nine, and how long a Tube journey was that? | 0:09:36 | 0:09:38 | |
I think I started at Cockfosters, and I think I'd ended up | 0:09:38 | 0:09:43 | |
at Piccadilly Circus, yeah. | 0:09:43 | 0:09:46 | |
I remember where I was going actually. | 0:09:46 | 0:09:48 | |
-You started at Cockfosters? -That's the end of the line, isn't it? | 0:09:48 | 0:09:50 | |
Yeah, that's right at the end of the line. | 0:09:50 | 0:09:53 | |
-Do you live at Cockfosters? -Thereabouts. | 0:09:53 | 0:09:55 | |
The reason I'm inquiring about Cockfosters | 0:09:55 | 0:09:58 | |
is that, obviously, it's a well-known station name, | 0:09:58 | 0:10:01 | |
because all of the Piccadilly line trains going in one direction | 0:10:01 | 0:10:04 | |
are going to Cockfosters and I think, therefore... | 0:10:04 | 0:10:07 | |
Going from Cockfosters is... | 0:10:07 | 0:10:09 | |
Or going from, obviously I'm aware that you have to... | 0:10:09 | 0:10:11 | |
The same number of trains have to come from there as go to there, | 0:10:11 | 0:10:14 | |
otherwise they'll end up stock-piling. | 0:10:14 | 0:10:17 | |
So I'm not denying that many trains emanate from Cockfosters. | 0:10:17 | 0:10:22 | |
What I'm thinking, though, is that you were thinking, | 0:10:22 | 0:10:25 | |
"What Tube journey could this have been?" | 0:10:25 | 0:10:27 | |
and Cockfosters came into your head cos you've seen it so many times on the display in the station. | 0:10:27 | 0:10:31 | |
And that's making you think that you're lying. | 0:10:31 | 0:10:33 | |
Your honour...! | 0:10:33 | 0:10:35 | |
When I say to people about that end of the line, it's like it's Brigadoon! | 0:10:35 | 0:10:38 | |
It's not... It's there! People live there, there are lovely houses. | 0:10:38 | 0:10:42 | |
No, no, no, no. Cockfosters is a fictional place! | 0:10:42 | 0:10:46 | |
That's where Fisher lives. | 0:10:46 | 0:10:48 | |
LAUGHTER | 0:10:48 | 0:10:49 | |
When you yawn, Diane, | 0:10:49 | 0:10:51 | |
in order to draw attention to the fact that you're yawning | 0:10:51 | 0:10:54 | |
and spread your yawn more effectively, do you make any noise? | 0:10:54 | 0:10:58 | |
Do you just do...? | 0:10:58 | 0:11:00 | |
Yawning isn't the noisiest of... | 0:11:00 | 0:11:02 | |
You can do a noise, you go... | 0:11:02 | 0:11:03 | |
EXAGGERATED YAWN | 0:11:03 | 0:11:04 | |
-I do it. -See, it works. | 0:11:04 | 0:11:06 | |
VERY EXAGGERATED YAWN | 0:11:06 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:09 | |
That's how I yawn, my wife loves it! | 0:11:12 | 0:11:14 | |
VERY EXAGGERATED YAWN | 0:11:14 | 0:11:16 | |
Let's all yawn like... | 0:11:17 | 0:11:19 | |
Let's all yawn how we feel. | 0:11:19 | 0:11:20 | |
ANGUISHED WAILING | 0:11:20 | 0:11:22 | |
"Not more!" I often say when I yawn. | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
"Kill me now!" I say when I'm tired. | 0:11:28 | 0:11:32 | |
Diane, one thing that troubles me about this is that you are, | 0:11:32 | 0:11:36 | |
because of Eastenders, a very recognisable face. | 0:11:36 | 0:11:39 | |
-Yeah. -I would have thought you'd be wanting to... | 0:11:39 | 0:11:41 | |
We yawn. | 0:11:41 | 0:11:42 | |
I'm not saying nobody in Eastenders yawns, | 0:11:42 | 0:11:45 | |
certainly the viewers for one. | 0:11:45 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:48 | |
What, what I'm saying is... | 0:11:48 | 0:11:49 | |
APPLAUSE | 0:11:49 | 0:11:51 | |
What I'm saying is that, someone who is in the public eye | 0:11:53 | 0:11:56 | |
often doesn't want to draw attention to themselves. | 0:11:56 | 0:11:59 | |
Interestingly enough, of course, if you're yawning, you look less like yourself, | 0:11:59 | 0:12:03 | |
so it's a way of not drawing attention to yourself by going... | 0:12:03 | 0:12:06 | |
I don't think, Lee, that anyone... | 0:12:07 | 0:12:09 | |
I genuinely do that if I'm in a situation like where there's, | 0:12:09 | 0:12:12 | |
it's not often, but people recognise me, | 0:12:12 | 0:12:14 | |
I'll slightly change the shape of my face. I'll sort of go... | 0:12:14 | 0:12:17 | |
LAUGHTER | 0:12:17 | 0:12:18 | |
Are you Lee Mack? | 0:12:21 | 0:12:23 | |
I'll go, "my name's Fisher". | 0:12:23 | 0:12:26 | |
"I live in Cockfosters." | 0:12:26 | 0:12:28 | |
So what are you going to say, David? | 0:12:31 | 0:12:33 | |
It could be true. My instinct is that it's not. | 0:12:33 | 0:12:36 | |
I know, I think she was so genuinely enthusiastic when she told it, | 0:12:36 | 0:12:40 | |
and she's only just seen that and it's a lie, | 0:12:40 | 0:12:42 | |
I'm not sure she'd have quite that enthusiasm for it. | 0:12:42 | 0:12:44 | |
But she is an actress. | 0:12:44 | 0:12:47 | |
In EastEnders. | 0:12:47 | 0:12:48 | |
How very dare you...! | 0:12:48 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:51 | |
You think it's true. | 0:12:55 | 0:12:57 | |
-So your instinct is it's true, and your instinct is it isn't. -Yes. | 0:12:57 | 0:13:00 | |
Well, I think it's not true, that's my instinct. | 0:13:00 | 0:13:04 | |
-I'm two to one. -So we're going to say we think it's a lie. | 0:13:04 | 0:13:07 | |
Diane. Truth or lie? | 0:13:07 | 0:13:09 | |
It's a lie. | 0:13:11 | 0:13:13 | |
Well done! | 0:13:13 | 0:13:14 | |
APPLAUSE | 0:13:14 | 0:13:16 | |
Yes, it's a lie. | 0:13:16 | 0:13:18 | |
Diane does not see how many strangers she can make yawn | 0:13:18 | 0:13:20 | |
when she travels by Tube. | 0:13:20 | 0:13:22 | |
Our next round is called This Is My, | 0:13:22 | 0:13:25 | |
where we bring on a mystery guest who has a close connection to one of our panellists. | 0:13:25 | 0:13:28 | |
Now this week, each of Lee's team will claim it's them | 0:13:28 | 0:13:32 | |
that has the genuine connection to the guest | 0:13:32 | 0:13:34 | |
It's up to David's team to spot who's telling the truth. | 0:13:34 | 0:13:37 | |
Please welcome this week's special guest, Kevin. | 0:13:37 | 0:13:39 | |
So, first of all, Christian, what is Kevin to you? | 0:13:45 | 0:13:50 | |
This is Kevin and he's the surgeon who performed the operation | 0:13:50 | 0:13:54 | |
after I swallowed one of the pieces from the board game Operation. | 0:13:54 | 0:14:00 | |
Diane, could you explain how you know Kevin? | 0:14:00 | 0:14:04 | |
This WAS Kevin, but he is such a big Eastenders fan, | 0:14:04 | 0:14:09 | |
that last year, he changed his name by deed poll to Albert Square. | 0:14:09 | 0:14:15 | |
LAUGHTER | 0:14:15 | 0:14:16 | |
Finally, Lee, your relationship with Kevin? | 0:14:19 | 0:14:21 | |
This is Kevin, he has worked as my bum double. | 0:14:21 | 0:14:24 | |
LAUGHTER | 0:14:24 | 0:14:25 | |
There we are. So, Christian's toy surgeon, | 0:14:27 | 0:14:31 | |
Diane's real-life Albert Square, or Lee's cheeky friend? | 0:14:31 | 0:14:35 | |
David's team, where do you want to start? | 0:14:35 | 0:14:37 | |
Hmm, well, what a barrage of plausibility. | 0:14:37 | 0:14:40 | |
Christian, what piece from Operation was inside you? | 0:14:42 | 0:14:45 | |
It was the wishbone. | 0:14:45 | 0:14:48 | |
How old were you when you swallowed it? | 0:14:48 | 0:14:49 | |
About 23. | 0:14:49 | 0:14:51 | |
LAUGHTER | 0:14:51 | 0:14:52 | |
Why did you swallow it then? | 0:14:56 | 0:14:58 | |
Well, we were at medical school. | 0:15:01 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:04 | |
And it was a sort of a dare. | 0:15:05 | 0:15:07 | |
I have a friend, um, who has, shall we say he's got a tremor. | 0:15:07 | 0:15:12 | |
I bet him, I said "You cannot remove all of the pieces | 0:15:12 | 0:15:15 | |
"from Operation without setting off the big red buzzy nose, | 0:15:15 | 0:15:18 | |
"and if you can, I will swallow a piece of your choice." | 0:15:18 | 0:15:22 | |
We've got a picture here, | 0:15:22 | 0:15:23 | |
just to show you. You had little metal pincers, | 0:15:23 | 0:15:26 | |
and you had to get the little plastic pieces. | 0:15:26 | 0:15:28 | |
There was the Adam's apple, the broken heart. | 0:15:28 | 0:15:31 | |
-What's the scale of this, how long? -It's about yay big. | 0:15:31 | 0:15:33 | |
So the wishbone thing... | 0:15:33 | 0:15:37 | |
-Small. -Small. | 0:15:37 | 0:15:38 | |
Where did it get stuck? | 0:15:38 | 0:15:40 | |
It got stuck in my lower oesophagus, | 0:15:40 | 0:15:42 | |
and the next day I had a sharp pain and I coughed | 0:15:42 | 0:15:46 | |
and a little bit of blood sort of puked up a little bit, um... | 0:15:46 | 0:15:50 | |
I'm feeling a bit faint now. | 0:15:50 | 0:15:52 | |
OK, bit of blood. It's not going to get worse, is it, than blood? | 0:15:52 | 0:15:55 | |
Well, it would if I'd left it. | 0:15:55 | 0:15:59 | |
So this blood was coming from your stomach? | 0:15:59 | 0:16:01 | |
-It had stuck in the side of the oesophagus. -Yeah, but... | 0:16:01 | 0:16:03 | |
You don't just...it must have cut something, mustn't it? | 0:16:03 | 0:16:06 | |
You don't bring blood up | 0:16:06 | 0:16:08 | |
-with things being stuck, do you? -I don't feel well. | 0:16:08 | 0:16:11 | |
You have a sphincter at the lower end of your oesophagus | 0:16:11 | 0:16:15 | |
that stops food coming up into it. That sphincter had closed | 0:16:15 | 0:16:17 | |
on to this spiky little bit of plastic, | 0:16:17 | 0:16:20 | |
and that's exactly what happened. | 0:16:20 | 0:16:22 | |
It's all right. It's just like... | 0:16:22 | 0:16:25 | |
It's just like a shoe getting caught in a door. | 0:16:25 | 0:16:29 | |
And what sort of procedure was it to have it removed? | 0:16:29 | 0:16:32 | |
Do they have to hack you open, pull the flesh back off, | 0:16:32 | 0:16:37 | |
-take a big claw... -He's doing that deliberately. | 0:16:37 | 0:16:41 | |
..blood coming out like that, | 0:16:41 | 0:16:43 | |
spurting over the face of the surgeons, there's blood everywhere and they're reaching | 0:16:43 | 0:16:46 | |
and pulling out organs and intestines, | 0:16:46 | 0:16:48 | |
and then a little creature comes up and goes "Eaaagh!" | 0:16:48 | 0:16:52 | |
And then they get the little piece. | 0:16:52 | 0:16:54 | |
Or was it a keyhole thing? | 0:16:54 | 0:16:57 | |
Or was it just a small camera with a little grabber on the end | 0:16:57 | 0:17:01 | |
that went down there, grabbed it and pulled it out? | 0:17:01 | 0:17:03 | |
OK, so do you want to move on to another suspect? | 0:17:03 | 0:17:05 | |
Yes. Diane. | 0:17:05 | 0:17:07 | |
Kevin's name is now Albert Square? | 0:17:07 | 0:17:10 | |
Yeah. | 0:17:10 | 0:17:11 | |
How did you come to meet such a weird person? | 0:17:11 | 0:17:16 | |
He's not... He's a fan of the show. | 0:17:16 | 0:17:20 | |
We see our fans a lot. They... Kevin waits outside - sorry, Albert | 0:17:20 | 0:17:25 | |
waits outside Elstree studios for us to drive in and out and we stop and sign autographs. | 0:17:25 | 0:17:30 | |
And he has cufflinks on, I notice. | 0:17:30 | 0:17:32 | |
Unusual, isn't it, for a fan | 0:17:32 | 0:17:35 | |
-to kind of hang outside the show... -Why? | 0:17:35 | 0:17:37 | |
Well, somebody who stands outside of Elstree... | 0:17:37 | 0:17:40 | |
-Yes. -I wouldn't imagine him to be, kind of... -Perfectly decent, good people. What are you saying? | 0:17:40 | 0:17:45 | |
Well, he is dressed, at the moment, I would say, | 0:17:45 | 0:17:47 | |
more like somebody who has an office job, | 0:17:47 | 0:17:50 | |
and those hours don't necessarily collude with filming times. | 0:17:50 | 0:17:53 | |
Very clever, how you handled that. | 0:17:53 | 0:17:56 | |
-Does he look like a surgeon to you? -Could be a surgeon. -If we're talking about his looks, | 0:17:56 | 0:18:00 | |
he's got a nice bum. | 0:18:00 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:04 | |
Did he say what he was hoping to achieve | 0:18:04 | 0:18:06 | |
through changing his name? | 0:18:06 | 0:18:08 | |
This is the thing. There are people | 0:18:08 | 0:18:10 | |
that absolutely love the show, and this is just something... | 0:18:10 | 0:18:13 | |
I can't explain it for you. | 0:18:13 | 0:18:14 | |
You see, I would say | 0:18:14 | 0:18:16 | |
-the standard response to loving the show... -Yeah. | 0:18:16 | 0:18:19 | |
Would be to watch the show. | 0:18:19 | 0:18:22 | |
That's you. | 0:18:22 | 0:18:24 | |
-Fans do do weird things, though, don't they? -Right, so Lee. | 0:18:24 | 0:18:27 | |
Yes. | 0:18:27 | 0:18:29 | |
In which of your glamorous film roles was a bum double required? | 0:18:29 | 0:18:32 | |
It wasn't a film role. | 0:18:32 | 0:18:34 | |
It was in my situation comedy, Not Going Out. | 0:18:34 | 0:18:37 | |
You may have heard of it. | 0:18:37 | 0:18:39 | |
Don't clap, don't clap. | 0:18:39 | 0:18:40 | |
If he has to start it, it doesn't count. | 0:18:40 | 0:18:43 | |
What is wrong with your bottom? | 0:18:45 | 0:18:46 | |
-Nothing wrong with my bottom. -Why couldn't they use your bum? | 0:18:46 | 0:18:49 | |
I didn't want to get my bum out on national television. Fair enough, isn't it? | 0:18:49 | 0:18:53 | |
Why should Kevin have to - sorry, Albert have to get his out? | 0:18:53 | 0:18:55 | |
It's Kevin. | 0:18:55 | 0:18:57 | |
If it's the bum, it's Kevin. | 0:18:57 | 0:18:59 | |
Unless they're all true. | 0:18:59 | 0:19:00 | |
A brilliant surgeon becomes obsessed with EastEnders. | 0:19:00 | 0:19:04 | |
What was the scene? | 0:19:04 | 0:19:06 | |
The character I play, who's very similar to me, actually, was, er, | 0:19:06 | 0:19:10 | |
in an adult movie. And at the end, I was hung upside down | 0:19:10 | 0:19:16 | |
and whipped by a lady also playing someone in the adult movie industry. | 0:19:16 | 0:19:21 | |
-Could Kevin turn round so we could see his bottom? -Yes, would you turn round, please, | 0:19:21 | 0:19:26 | |
Kevin, so we can see your bottom? | 0:19:26 | 0:19:28 | |
Thank you. And would you, would you like Lee to...? | 0:19:28 | 0:19:30 | |
Could you, Lee, stand up and turn around? | 0:19:30 | 0:19:32 | |
No problem at all. | 0:19:32 | 0:19:34 | |
Can you turn round and lift your jacket up? | 0:19:35 | 0:19:37 | |
This is like a really strange police line-up, isn't it? | 0:19:37 | 0:19:40 | |
Um, Lee's bottom is about half a size bigger. | 0:19:42 | 0:19:47 | |
You what? | 0:19:47 | 0:19:48 | |
LAUGHTER | 0:19:48 | 0:19:49 | |
-Has this episode gone out, Lee? -I don't know, but if the question | 0:19:52 | 0:19:56 | |
you asked about us getting up doesn't get in, they'll think I'm having a wee break. | 0:19:56 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:01 | |
You, er...? | 0:20:08 | 0:20:11 | |
Been here a lot? It's all right here, isn't it? | 0:20:11 | 0:20:15 | |
The hand driers are broken, by the way. | 0:20:15 | 0:20:17 | |
Are you satisfied? | 0:20:19 | 0:20:20 | |
Kevin, you can turn back round now, thank you very much. | 0:20:20 | 0:20:22 | |
So what are you thinking? | 0:20:22 | 0:20:24 | |
I think he's called Albert Square. | 0:20:24 | 0:20:27 | |
-Do you? -You think it's Christian, don't you? | 0:20:27 | 0:20:30 | |
I'm between Christian and Lee. | 0:20:30 | 0:20:32 | |
But the bet is odd. "I'll swallow one of these bits of plastic." | 0:20:32 | 0:20:35 | |
I'm not sure I believe that. | 0:20:35 | 0:20:38 | |
The thing is, there's no massive logical problem with any of those. | 0:20:38 | 0:20:41 | |
They're all stories that sort of hold water, but also are unusual. | 0:20:41 | 0:20:45 | |
How entertaining for the nation. | 0:20:45 | 0:20:48 | |
It could be any of them. It could be any of them. | 0:20:49 | 0:20:51 | |
I think, when you don't know, pick the middle one. Lee. | 0:20:51 | 0:20:57 | |
-You're saying it's Lee. -Yeah. | 0:20:57 | 0:20:58 | |
So, Kevin, would you please reveal your true identity? | 0:20:58 | 0:21:04 | |
I'm Kevin, | 0:21:04 | 0:21:05 | |
and I did indeed play Lee's bottom double in Not Going Out. | 0:21:05 | 0:21:09 | |
Yes, Kevin was Lee's bum double and, excitingly, we've got a picture. | 0:21:14 | 0:21:19 | |
Look at that. That is... | 0:21:21 | 0:21:23 | |
You didn't mention the donkey. | 0:21:23 | 0:21:24 | |
-Thank you very much, Kevin. -Thanks. | 0:21:26 | 0:21:28 | |
APPLAUSE | 0:21:28 | 0:21:30 | |
Which brings us to our final round, Quickfire Lies. And we start with... | 0:21:32 | 0:21:37 | |
BUZZER | 0:21:37 | 0:21:38 | |
Lee. | 0:21:38 | 0:21:40 | |
I shaved off a beard I had been growing for weeks | 0:21:40 | 0:21:43 | |
because I didn't want David to think I was copying him. | 0:21:43 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:48 | |
David, on the team with two beards. | 0:21:51 | 0:21:55 | |
Yes. | 0:21:55 | 0:21:57 | |
-How long ago was this? -About two months ago. | 0:21:57 | 0:22:00 | |
What was it that alerted you to the fact that I had grown a beard? | 0:22:00 | 0:22:03 | |
Well, I looked at you and you had a beard. | 0:22:03 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:07 | |
Are you all right? Are you having a breakdown? | 0:22:07 | 0:22:11 | |
Were you ever together in the same room with beards? | 0:22:11 | 0:22:15 | |
We did a radio show together and you had a beard, and then... | 0:22:15 | 0:22:18 | |
He doesn't remember the radio show. Look at his eyes, glazed over. | 0:22:18 | 0:22:22 | |
"Who the hell is this man? I thought he was my driver." | 0:22:22 | 0:22:26 | |
Do you recognise me now? | 0:22:26 | 0:22:28 | |
"Hello, Mr David, sir, nice beard." | 0:22:33 | 0:22:35 | |
And then about a couple of months later, | 0:22:35 | 0:22:37 | |
I don't know if you remember this or not, | 0:22:37 | 0:22:40 | |
but I invited you round to my house for dinner. | 0:22:40 | 0:22:42 | |
Yes, I remember. | 0:22:42 | 0:22:44 | |
Thank God for that. And you came. | 0:22:44 | 0:22:46 | |
-I was there as well. -Rob was there too. | 0:22:46 | 0:22:48 | |
-What a cosy picture we're painting. -Yes. | 0:22:48 | 0:22:51 | |
We were all there, all together, and we sat in this position. | 0:22:51 | 0:22:55 | |
I sat at my table. | 0:22:55 | 0:22:56 | |
Rob there. David was sat in the other room. | 0:22:56 | 0:22:59 | |
And at that point, had you shaved your beard off? | 0:22:59 | 0:23:02 | |
I have a beard a lot when I'm at home when I'm not doing a telly show, | 0:23:02 | 0:23:05 | |
and I get rid of it if I'm doing a telly show. | 0:23:05 | 0:23:07 | |
And I said something to my wife like, | 0:23:07 | 0:23:10 | |
"David's got a beard. He might think I've grown a beard to copy him." | 0:23:10 | 0:23:13 | |
And I just said that as a joke. But it festered. | 0:23:13 | 0:23:16 | |
So many of your jokes do. | 0:23:17 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:22 | |
So I thought "I'll give him a bit of a chance, | 0:23:28 | 0:23:30 | |
"I'll shave the beard off so there's no unsaid tension." | 0:23:30 | 0:23:34 | |
-So you shaved it off there and then? -I shaved it off ten minutes before you came round. | 0:23:34 | 0:23:38 | |
What are you going to say, David, truth or lie? | 0:23:38 | 0:23:40 | |
It's a very caring portrait of himself. | 0:23:40 | 0:23:42 | |
Yeah, you might have thought about that before you came on, actually. | 0:23:42 | 0:23:46 | |
It seems that Lee's very worried about your feelings. | 0:23:47 | 0:23:52 | |
I mean, it's very touching. | 0:23:52 | 0:23:54 | |
I wouldn't go that far. | 0:23:54 | 0:23:56 | |
OK, David. | 0:23:56 | 0:23:57 | |
I think we think it's true. | 0:23:57 | 0:23:59 | |
All right. | 0:23:59 | 0:24:00 | |
Lee, truth or lie? | 0:24:00 | 0:24:04 | |
It is in fact... | 0:24:04 | 0:24:07 | |
true. | 0:24:07 | 0:24:09 | |
I'm all heart, David, I'm all heart. | 0:24:10 | 0:24:14 | |
Yes, it's true. Lee did shave off his beard | 0:24:14 | 0:24:16 | |
because he didn't want David to think he was copying him. | 0:24:16 | 0:24:19 | |
Next... | 0:24:19 | 0:24:21 | |
BUZZER | 0:24:21 | 0:24:22 | |
It's Christian. | 0:24:22 | 0:24:24 | |
Possession. | 0:24:24 | 0:24:25 | |
Ah, OK, now. Look at that thing next to you with a drape over it. | 0:24:25 | 0:24:29 | |
First of all, | 0:24:29 | 0:24:30 | |
pop that up on to the desk, keeping it hidden under the drape. | 0:24:30 | 0:24:34 | |
And then before you unveil the object, | 0:24:34 | 0:24:37 | |
would you read the card out, please? | 0:24:37 | 0:24:39 | |
LAUGHTER | 0:24:42 | 0:24:44 | |
This is my monkey, Elsie. She watches over me while I sleep. | 0:24:44 | 0:24:50 | |
And now please reveal Elsie. | 0:24:50 | 0:24:53 | |
Oh! I'm so sorry, David, she could have shaved. | 0:25:00 | 0:25:04 | |
-This is a dead monkey, isn't it? -Oh, my. | 0:25:06 | 0:25:08 | |
Yeah, you should know! | 0:25:08 | 0:25:09 | |
Oh, no, love. Look at that face! | 0:25:09 | 0:25:13 | |
-Is Elsie actually stuffed? -No, she's very well trained. | 0:25:13 | 0:25:15 | |
What disappointed her so badly when she died? | 0:25:15 | 0:25:18 | |
-Dying. -Death. | 0:25:18 | 0:25:21 | |
So where did you find Elsie? Did you kill her yourself? | 0:25:22 | 0:25:28 | |
I was flicking through a magazine. Of interiors. | 0:25:28 | 0:25:33 | |
And in the magazine was an advert for a shop that sells fireplaces. | 0:25:33 | 0:25:39 | |
And monkeys? | 0:25:39 | 0:25:41 | |
And on the fireplace was an arrangement of objects, | 0:25:41 | 0:25:45 | |
including the monkey. | 0:25:45 | 0:25:47 | |
So I phoned up the place that sold fireplaces | 0:25:47 | 0:25:49 | |
and said, "Oi, give us your monkey." | 0:25:49 | 0:25:52 | |
-And they did. -What's the story with the tiara? | 0:25:52 | 0:25:56 | |
Just out of interest, completely separate subject, | 0:25:56 | 0:25:59 | |
does anyone think that Camilla will ever become Queen? | 0:25:59 | 0:26:02 | |
LAUGHTER | 0:26:02 | 0:26:04 | |
I just thought I'd throw it open, have a discussion. What do you think? | 0:26:05 | 0:26:09 | |
I didn't mean the monkey with the crown! | 0:26:09 | 0:26:11 | |
That's genuinely a stuffed monkey? | 0:26:14 | 0:26:18 | |
Can we have a look at it? | 0:26:18 | 0:26:19 | |
-That is genuinely a stuffed monkey. -Are we allowed to inspect it? | 0:26:19 | 0:26:22 | |
Yeah, you can inspect his monkey if you want to. | 0:26:22 | 0:26:25 | |
Why don't we bring the monkey to you? | 0:26:25 | 0:26:28 | |
What are you doing, all three of you? | 0:26:28 | 0:26:31 | |
You look like an act you'd have in the Royal Variety Show in the 1970s. | 0:26:31 | 0:26:34 | |
-I have to stretch my legs at this point. -I'll bring it to you. -Oh, all right. | 0:26:34 | 0:26:38 | |
I'm just wandering around. | 0:26:38 | 0:26:39 | |
I'll bring it to you. | 0:26:41 | 0:26:43 | |
This is chaos. | 0:26:43 | 0:26:45 | |
Join me, come on, join me. | 0:26:45 | 0:26:46 | |
LAUGHTER AND APPLAUSE | 0:26:49 | 0:26:51 | |
Can we have a look at the tiara? | 0:26:53 | 0:26:56 | |
-Oh, I've left the tiara. -Let's have a look at the tiara. | 0:26:56 | 0:26:58 | |
-Where's the tiara? -My God, it's terrifying. | 0:26:58 | 0:27:01 | |
You know when you're asleep, Christian, | 0:27:01 | 0:27:03 | |
and you wake up in the middle of the night | 0:27:03 | 0:27:06 | |
and she's looking down on you | 0:27:06 | 0:27:07 | |
with that glum expression, doesn't it unsettle or unnerve you? | 0:27:07 | 0:27:11 | |
No, I find her very sort of... soothing. | 0:27:11 | 0:27:15 | |
Monkey! | 0:27:15 | 0:27:16 | |
So what are you going to say, David? Is it a truth or is it a lie? | 0:27:20 | 0:27:23 | |
Firstly, I'm going to hand that back. | 0:27:23 | 0:27:25 | |
I think you should be insuring that. Not for theft, I wouldn't have said. | 0:27:25 | 0:27:29 | |
It looks like he's just won a wildlife BAFTA. | 0:27:30 | 0:27:33 | |
Is it the truth? Is this a tall story? | 0:27:38 | 0:27:39 | |
We think it's a lie. | 0:27:39 | 0:27:41 | |
-I...yes. -I think we all think it's a lie. -I think it's a lie. | 0:27:41 | 0:27:44 | |
I think Christian's a very good actor. | 0:27:44 | 0:27:46 | |
-So you're saying that it is, then...? -A lie. | 0:27:46 | 0:27:49 | |
A lie, OK, Christian, was it the truth, or was it in fact a lie? | 0:27:49 | 0:27:53 | |
It is in fact... | 0:27:53 | 0:27:56 | |
True. | 0:27:56 | 0:27:57 | |
Very well played. | 0:28:00 | 0:28:01 | |
Good work. | 0:28:01 | 0:28:03 | |
Yes, that was all true. Christian does have a stuffed monkey | 0:28:03 | 0:28:10 | |
who watches over him while he sleeps. | 0:28:10 | 0:28:12 | |
KLAXON | 0:28:12 | 0:28:13 | |
That noise signals that the time is up. It's the end of the show, | 0:28:13 | 0:28:16 | |
and I can reveal that David's team have won by 4-2. | 0:28:16 | 0:28:19 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
But it's not just a team game, | 0:28:22 | 0:28:25 | |
and my individual liar of the week this week is Andy Hamilton. | 0:28:25 | 0:28:32 | |
APPLAUSE | 0:28:32 | 0:28:33 | |
Yes, Andy Hamilton, a man whose stories are as fake | 0:28:33 | 0:28:37 | |
as the smile on his face | 0:28:37 | 0:28:38 | |
after four months of filming with those kids on Outnumbered. | 0:28:38 | 0:28:42 | |
Good night. | 0:28:42 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:29:01 | 0:29:04 |