Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening and welcome to Would I Lie To You?, | 0:00:27 | 0:00:30 | |
the show with fantastical fibs and tantalising truths. | 0:00:30 | 0:00:34 | |
And on David Mitchell's team tonight, | 0:00:34 | 0:00:36 | |
a news presenter whose accent has been described as sexy | 0:00:36 | 0:00:39 | |
and like warm honey, or put another way, Welsh. | 0:00:39 | 0:00:43 | |
Huw Edwards! | 0:00:43 | 0:00:44 | |
APPLAUSE | 0:00:44 | 0:00:46 | |
And the star of the Sarah Millican Television Programme, | 0:00:48 | 0:00:51 | |
I'll keep you in suspense no longer, it's Sarah Millican! | 0:00:51 | 0:00:54 | |
APPLAUSE | 0:00:54 | 0:00:57 | |
And on Lee Mack's team tonight, | 0:00:58 | 0:01:00 | |
an actress who can convince you of anything. | 0:01:00 | 0:01:02 | |
She told me earlier she's delighted to be on Lee's team. | 0:01:02 | 0:01:05 | |
It's Josie Lawrence. | 0:01:05 | 0:01:07 | |
And a comedian, actor and former professional footballer who used | 0:01:09 | 0:01:13 | |
to play with the likes of Beckham, Lineker and Shearer, | 0:01:13 | 0:01:16 | |
and if Burt Beckham, Arthur Lineker and Frank Shearer are watching, | 0:01:16 | 0:01:20 | |
he says hi. | 0:01:20 | 0:01:21 | |
It's Bradley Walsh. | 0:01:21 | 0:01:23 | |
So we begin with Round One, Home Truths, where our panellists | 0:01:26 | 0:01:29 | |
read out a statement from the card in front of them. | 0:01:29 | 0:01:32 | |
To make things harder they've never seen the card before | 0:01:32 | 0:01:34 | |
so they've no idea what they'll be faced with. | 0:01:34 | 0:01:38 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:38 | 0:01:40 | |
and Sarah is first up. | 0:01:40 | 0:01:42 | |
Sarah. | 0:01:42 | 0:01:43 | |
When I'm feeling tired I photograph myself to see how tired I look. | 0:01:43 | 0:01:49 | |
I then compare this photograph with other photographs I've taken | 0:01:49 | 0:01:53 | |
of myself when I felt tired to see how tired I really am. | 0:01:53 | 0:01:58 | |
Lee's team, what do you think? | 0:02:01 | 0:02:02 | |
When, when did this begin, Sarah? | 0:02:02 | 0:02:04 | |
Probably three or four years ago. | 0:02:04 | 0:02:08 | |
How? | 0:02:08 | 0:02:09 | |
Boredom. | 0:02:09 | 0:02:12 | |
The first time you did it what brought that on? | 0:02:12 | 0:02:16 | |
I think I was just taking photos of things in the flat | 0:02:16 | 0:02:20 | |
and then thought I'd take a photo of myself. | 0:02:20 | 0:02:23 | |
When you say tired, do you feel your eyes are... | 0:02:23 | 0:02:25 | |
or just a little bit tired? | 0:02:25 | 0:02:26 | |
Well, it depends, it can depend. | 0:02:26 | 0:02:28 | |
Sometimes I'm a little bit tired, sometimes I'm really, really tired. | 0:02:28 | 0:02:31 | |
If you're wearing glasses and taking photographs, of course, | 0:02:31 | 0:02:34 | |
-that would disguise the tiredness in your eyes... -Do you want me to take them off now? | 0:02:34 | 0:02:38 | |
Yes, please do, yes. | 0:02:38 | 0:02:39 | |
Just do a pretend one for us, Sarah, that's it. | 0:02:39 | 0:02:42 | |
To be fair, she looks absolutely knackered. | 0:02:42 | 0:02:45 | |
You look... Do that face again. | 0:02:45 | 0:02:48 | |
What would you give yourself from one to ten, if one is not tired... | 0:02:48 | 0:02:51 | |
I can't see it, that's why I take the photo! | 0:02:51 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:55 | |
APPLAUSE | 0:02:55 | 0:02:57 | |
When you look at these pictures how do they make you feel? | 0:02:59 | 0:03:02 | |
Well, sometimes if I think I'm really tired | 0:03:02 | 0:03:04 | |
and I take a photo of myself and then I compare it | 0:03:04 | 0:03:08 | |
with another much earlier tired one that seems to be more tired, | 0:03:08 | 0:03:12 | |
then I feel better. | 0:03:12 | 0:03:13 | |
Whilst you're asleep, do you ever go... | 0:03:14 | 0:03:17 | |
HE SNORES ..and not realise you've done it? | 0:03:17 | 0:03:20 | |
No, I eat a lot in the night but I've never taken a photo. | 0:03:20 | 0:03:23 | |
Not as you're sleeping though, Sarah, surely? | 0:03:23 | 0:03:27 | |
You're not shovelling it in from the bedside table as you sleep? | 0:03:27 | 0:03:30 | |
No, but I do wake up in the morning with less biscuits than I thought I had. | 0:03:30 | 0:03:33 | |
So what are you going to say, Lee? | 0:03:33 | 0:03:35 | |
Is this the truth or has she made it up? | 0:03:35 | 0:03:37 | |
I think it's true. | 0:03:37 | 0:03:38 | |
Josie thinks it's true. | 0:03:38 | 0:03:39 | |
I think she's lying and I think it's a lie | 0:03:39 | 0:03:41 | |
because I don't think Sarah's that ridiculous or that vain. | 0:03:41 | 0:03:46 | |
Well, we're in trouble if it's true then, aren't we?! | 0:03:46 | 0:03:49 | |
So, Lee, what are you going to say? | 0:03:51 | 0:03:53 | |
I'll say... I'll go with Josie, say it's true. | 0:03:53 | 0:03:55 | |
You're going to say it's true, right. | 0:03:55 | 0:03:57 | |
Sarah, was it the truth or was it a lie? | 0:03:57 | 0:03:59 | |
It was... | 0:03:59 | 0:04:01 | |
true. | 0:04:01 | 0:04:02 | |
Ah, very good well played. | 0:04:02 | 0:04:03 | |
Yeah. | 0:04:03 | 0:04:05 | |
And the exciting thing is... | 0:04:08 | 0:04:11 | |
not only is it true, we have the evidence. | 0:04:11 | 0:04:14 | |
Take a look at this. | 0:04:14 | 0:04:15 | |
LAUGHTER | 0:04:15 | 0:04:17 | |
Now, Sarah, how do you rate... How do you rate that one? | 0:04:19 | 0:04:21 | |
That's a good seven out of ten. | 0:04:21 | 0:04:23 | |
You know, that's been a hell of a day, hasn't it? | 0:04:23 | 0:04:27 | |
All right, let's go on now to snap number two. | 0:04:27 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:32 | |
That's different cos that's happy tired. | 0:04:32 | 0:04:34 | |
-Can you see? -That's happy tired?! -Yes. | 0:04:34 | 0:04:37 | |
Let's have a look at number three. | 0:04:37 | 0:04:39 | |
LAUGHTER | 0:04:39 | 0:04:41 | |
Were you on a drip there? | 0:04:42 | 0:04:45 | |
-Were you being kept alive in that one? -That is the worst one! | 0:04:45 | 0:04:48 | |
I couldn't even be bothered to hide my bra strap. | 0:04:48 | 0:04:52 | |
Yes, it's true, Sarah does photograph herself | 0:04:52 | 0:04:55 | |
to see how tired she looks. | 0:04:55 | 0:04:57 | |
I'm terrible after a late night. You know, some mornings | 0:04:57 | 0:04:59 | |
I barely recognise the old man looking back at me in the mirror, | 0:04:59 | 0:05:02 | |
or remember why I invited him home in the first place. | 0:05:02 | 0:05:06 | |
LAUGHTER | 0:05:06 | 0:05:07 | |
Right, Huw, you're next. | 0:05:07 | 0:05:09 | |
I have an evil eye that I use on my colleagues during broadcasts | 0:05:09 | 0:05:14 | |
when I want them to move on. | 0:05:14 | 0:05:16 | |
Now when you say your colleagues, who in particular? | 0:05:16 | 0:05:20 | |
Cos don't you read the news on your own? | 0:05:20 | 0:05:23 | |
-It's a very lonely job. -You mean correspondents, don't you? | 0:05:23 | 0:05:26 | |
-Colleagues who might be correspondents. -Nick Robinson? | 0:05:26 | 0:05:29 | |
Oh, I see! | 0:05:29 | 0:05:31 | |
Robert Peston for example. | 0:05:31 | 0:05:33 | |
People who come in to drone on about something endlessly. | 0:05:33 | 0:05:36 | |
All right, well, Lee I'll tell you what, you be a correspondent. | 0:05:36 | 0:05:39 | |
-I'll be a correspondent. -So I'll... | 0:05:39 | 0:05:41 | |
And then Huw, do your evil eye. | 0:05:41 | 0:05:42 | |
You mentioned Robert Peston going on and on about | 0:05:42 | 0:05:45 | |
the world coming to an end, I've got to stop him talking. | 0:05:45 | 0:05:48 | |
Right, in news today, we believe that there's a chance that the... | 0:05:48 | 0:05:52 | |
Oh, my God! | 0:05:52 | 0:05:53 | |
That's it. | 0:05:53 | 0:05:55 | |
Do it again! | 0:05:55 | 0:05:56 | |
You've got to start again, I can't do it in silence. | 0:05:56 | 0:05:59 | |
Today the icecaps were melting once again and we've found... | 0:05:59 | 0:06:01 | |
-That's not what a correspondent says. -That's true. | 0:06:01 | 0:06:04 | |
A correspondent doesn't say "In the news today"! | 0:06:04 | 0:06:06 | |
You've got to talk about the euro. | 0:06:06 | 0:06:07 | |
Oh, I'm sorry, David(!) | 0:06:07 | 0:06:09 | |
I'm sorry, I didn't realise there was going to have to be method! | 0:06:09 | 0:06:12 | |
Talk about the euro and do it with some level of insight for God's sake! | 0:06:12 | 0:06:15 | |
I will, I will! Today... | 0:06:15 | 0:06:18 | |
-"Today"?! -Today, yes! | 0:06:18 | 0:06:19 | |
All right, tomorrow! | 0:06:19 | 0:06:21 | |
"We're now going to our correspondent, TODAY"! | 0:06:21 | 0:06:23 | |
Why are you saying "today"? | 0:06:23 | 0:06:24 | |
All right, forget it! | 0:06:24 | 0:06:26 | |
Tomorrow, do you know what I heard? That the euro.... | 0:06:26 | 0:06:30 | |
Good, it is good. | 0:06:30 | 0:06:33 | |
David can't see it. Do it to David. | 0:06:33 | 0:06:35 | |
There are gradations of it, OK. | 0:06:35 | 0:06:36 | |
David, wait, do it properly. Pretend you're a sports correspondent. | 0:06:36 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:43 | |
You're talking about the Carling Cup Final last year, David. | 0:06:44 | 0:06:46 | |
Today... | 0:06:46 | 0:06:47 | |
Not today, not today. | 0:06:47 | 0:06:49 | |
-Today... -No, no today! | 0:06:49 | 0:06:51 | |
Today in the football, once again, they were kicking it... | 0:06:51 | 0:06:55 | |
-Oh, God! -It does work. | 0:06:55 | 0:06:56 | |
It does work. Some of them are very, very resistant to it. | 0:06:56 | 0:07:01 | |
You are the BBC version of Medusa, are you not? | 0:07:01 | 0:07:03 | |
I have to stop these people, they have to be stopped. | 0:07:03 | 0:07:07 | |
LAUGHTER | 0:07:07 | 0:07:08 | |
-You said there are gradations. -That's right. | 0:07:08 | 0:07:11 | |
So, OK, let's see minor irritation. | 0:07:11 | 0:07:14 | |
-Did you see that? -Well, it's barely noticeable. | 0:07:14 | 0:07:16 | |
-Well, exactly. -That's a nervous twitch surely. | 0:07:16 | 0:07:19 | |
-No, it's not. -OK, medium? | 0:07:19 | 0:07:22 | |
-That's good. I like that. -OK, and then full on. | 0:07:22 | 0:07:24 | |
If I angle the head down, that is serious, it really is. | 0:07:26 | 0:07:31 | |
-If you're really not interested do you raise both eyebrows? -No! | 0:07:31 | 0:07:34 | |
-It's going to backfire, isn't it? -No, there's a different one I use. | 0:07:34 | 0:07:38 | |
He's fascinated by this! | 0:07:38 | 0:07:41 | |
Wow, this is interesting! | 0:07:41 | 0:07:42 | |
There's always the "turn your back on them" technique | 0:07:42 | 0:07:45 | |
which I have used as well, but Robert Peston still carries on. | 0:07:45 | 0:07:49 | |
You don't really turn on him. | 0:07:49 | 0:07:50 | |
Oh, I have done. So, Rob you're now Robert Peston. | 0:07:50 | 0:07:53 | |
So you say "quantitative easing". | 0:07:53 | 0:07:54 | |
Quantitative easing, will it work? It's hard to say, Huw. | 0:07:54 | 0:07:58 | |
And at the end of the day we won't know until Tuesday | 0:07:58 | 0:08:01 | |
when the Chancellor is going to give us his report. | 0:08:01 | 0:08:04 | |
Now, word is that that report is going to contain | 0:08:04 | 0:08:06 | |
many of the ingredients... | 0:08:06 | 0:08:08 | |
APPLAUSE | 0:08:08 | 0:08:10 | |
..but until it's released we won't know and don't forget | 0:08:10 | 0:08:13 | |
that there's always the opportunity for the Shadow Chancellor | 0:08:13 | 0:08:16 | |
to put forward his proposal. | 0:08:16 | 0:08:17 | |
We won't know until Wednesday. Why Wednesday, you ask? | 0:08:17 | 0:08:20 | |
Well, Wednesday is the day when the report will be presented. | 0:08:20 | 0:08:24 | |
-Our Business Editor, Rob Brydon, thank you very much indeed. -Thank you very much. | 0:08:24 | 0:08:28 | |
So, what do we think? You think it's true? | 0:08:28 | 0:08:31 | |
Lie, lie, lie. | 0:08:31 | 0:08:32 | |
You think it's a lie? | 0:08:32 | 0:08:33 | |
He's too lovely, he really is. | 0:08:33 | 0:08:36 | |
-He's like a big, old, cuddly Welsh bear. -Old?! | 0:08:36 | 0:08:40 | |
I mean old in the loveliest sense rather than in the old sense. | 0:08:40 | 0:08:45 | |
Lie. | 0:08:45 | 0:08:46 | |
You think it's a lie? Why lie, Bradley, why lie? | 0:08:46 | 0:08:49 | |
Because you can. | 0:08:49 | 0:08:51 | |
No, I mean why do you think this is a lie?! | 0:08:51 | 0:08:53 | |
LAUGHTER | 0:08:53 | 0:08:55 | |
He's a very solitary person on television. | 0:08:55 | 0:08:59 | |
I see Huw in my living room, he's on his own. | 0:08:59 | 0:09:01 | |
He's never given me the evil eye. | 0:09:01 | 0:09:02 | |
So truth or lie? | 0:09:02 | 0:09:04 | |
Lie. OK, my team say lie. | 0:09:04 | 0:09:06 | |
You say it's a lie. | 0:09:06 | 0:09:07 | |
Huw, was it the truth or was it a lie? | 0:09:07 | 0:09:10 | |
You should know that I am programmed by the BBC to tell the truth. | 0:09:10 | 0:09:15 | |
APPLAUSE | 0:09:15 | 0:09:17 | |
Wow, yes, it's true. | 0:09:20 | 0:09:22 | |
Different news presenters have their own little techniques, | 0:09:22 | 0:09:25 | |
Fiona Bruce will incline her head to one side. | 0:09:25 | 0:09:27 | |
Emily Maitlis will cough, and Jeremy Paxman will grab you | 0:09:27 | 0:09:31 | |
by the lapels and tell you to "shut it" or he'll glass you. | 0:09:31 | 0:09:34 | |
-Bradley, you're next. -Oh, OK, here we go. | 0:09:36 | 0:09:39 | |
Whilst fulfilling a lifelong dream | 0:09:42 | 0:09:44 | |
of swimming with dolphins, | 0:09:44 | 0:09:46 | |
I had to punch one of them on the nose | 0:09:46 | 0:09:49 | |
because I firmly believed it was trying to remove my trunks. | 0:09:49 | 0:09:53 | |
David. | 0:09:53 | 0:09:55 | |
Where and when? | 0:09:55 | 0:09:56 | |
Florida. | 0:09:56 | 0:09:58 | |
When? | 0:09:58 | 0:09:59 | |
2005. | 0:10:01 | 0:10:03 | |
-2005. -Yes. -What was this dolphin doing? | 0:10:03 | 0:10:07 | |
You're swimming along... I've never swum with dolphins. | 0:10:07 | 0:10:11 | |
He's getting off on this! | 0:10:11 | 0:10:12 | |
I want it as arousing as possible! | 0:10:12 | 0:10:16 | |
And a blow by blow, if it came to that, | 0:10:16 | 0:10:20 | |
account of what this particular | 0:10:20 | 0:10:22 | |
saucy bottlenose did around your trunks. | 0:10:22 | 0:10:26 | |
OK, erm... | 0:10:26 | 0:10:28 | |
LEE MIMICS DOLPHIN CALL | 0:10:28 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:31 | |
-Don't! -Get 'em off! | 0:10:35 | 0:10:37 | |
-Get 'em off! -Lee, please stop, | 0:10:37 | 0:10:39 | |
because I have nightmares about it. I have flashbacks! Flashbacks. | 0:10:39 | 0:10:43 | |
You have to hold onto the dolphin's fins, like this, | 0:10:43 | 0:10:46 | |
and they propel you across the water so you're in tandem with dolphins. | 0:10:46 | 0:10:50 | |
-Is it in the sea? -It was like a SeaWorld place. | 0:10:50 | 0:10:54 | |
And I was being propelled across the water, | 0:10:54 | 0:10:56 | |
or dragged across the water, by these dolphins. | 0:10:56 | 0:10:58 | |
-Holding them by the dorsal fins. -Indeed. I got to the other side | 0:10:58 | 0:11:01 | |
of the tank that we were in, | 0:11:01 | 0:11:04 | |
and one swam left and the other one came round | 0:11:04 | 0:11:07 | |
and was poking me in the back. | 0:11:07 | 0:11:10 | |
So, consequently, the lady | 0:11:10 | 0:11:13 | |
-who was there... -The lady dolphin? -No, not the lady dolphin. | 0:11:13 | 0:11:18 | |
You know, the instructor lady, she said, "Just shoo him away." | 0:11:18 | 0:11:21 | |
So I went, "Shoo, shoo!" | 0:11:21 | 0:11:23 | |
But he wouldn't go and all of the sudden, it actually | 0:11:23 | 0:11:27 | |
ran its nose down the back... | 0:11:27 | 0:11:30 | |
I've got a crevice in my spine, | 0:11:30 | 0:11:33 | |
right the way down, and my trunks started to go south. | 0:11:33 | 0:11:36 | |
When you say you've got a crevice in your spine, | 0:11:36 | 0:11:38 | |
you're not getting mixed up with the bottom, are you? | 0:11:38 | 0:11:41 | |
As I turned round, I went like that | 0:11:41 | 0:11:44 | |
and caught the dolphin right | 0:11:44 | 0:11:46 | |
on the nose and it startled the dolphin | 0:11:46 | 0:11:48 | |
and the dolphin swam off. | 0:11:48 | 0:11:51 | |
-You been back to SeaWorld in the meantime? -Yes, I've been back. | 0:11:51 | 0:11:54 | |
Swimming with dolphins again, after that rousing experience? | 0:11:54 | 0:11:58 | |
I went with a charity. | 0:11:58 | 0:12:00 | |
-What had happened to you? Did you have an illness? -No, I didn't. | 0:12:00 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:05 | |
So what are you thinking, David? | 0:12:06 | 0:12:09 | |
Which way are you leaning? | 0:12:09 | 0:12:11 | |
It's pervy and a bit creepy, isn't it? | 0:12:11 | 0:12:14 | |
But it's perfectly believable. | 0:12:14 | 0:12:16 | |
Never mind the other two on your team! What do you think? | 0:12:16 | 0:12:19 | |
Perfectly believable! | 0:12:19 | 0:12:21 | |
I didn't believe it at all to start with, and now I believe it a bit. | 0:12:21 | 0:12:24 | |
But it is disgusting. | 0:12:24 | 0:12:26 | |
Disgusting! | 0:12:26 | 0:12:28 | |
He seems quite ashamed of it, which makes me think it might be true. | 0:12:28 | 0:12:31 | |
He's a good-looking fella! I can see what they were thinking! | 0:12:31 | 0:12:35 | |
We think it's true. | 0:12:35 | 0:12:36 | |
The team are in agreement. | 0:12:36 | 0:12:38 | |
OK, Bradley Walsh, | 0:12:38 | 0:12:41 | |
were you telling us the truth, or was it a lie? | 0:12:41 | 0:12:43 | |
HE SIGHS HEAVILY | 0:12:43 | 0:12:45 | |
Rob Brydon, it's a total lie! | 0:12:45 | 0:12:49 | |
APPLAUSE | 0:12:49 | 0:12:50 | |
Yes, it's a lie. | 0:12:54 | 0:12:56 | |
Bradley didn't punch a dolphin on the nose, | 0:12:56 | 0:12:58 | |
because he believed it was trying to remove his trunks. | 0:12:58 | 0:13:01 | |
Next round is called This Is My, where we bring on a mystery guest | 0:13:01 | 0:13:04 | |
who has a close connection to one of our panellists. | 0:13:04 | 0:13:07 | |
This week, each of Lee's team will claim it's them | 0:13:07 | 0:13:09 | |
who has a genuine connection to the guest and it's up | 0:13:09 | 0:13:12 | |
to David's team to spot who's telling the truth. So, please welcome | 0:13:12 | 0:13:15 | |
this week's special guest - Paul. | 0:13:15 | 0:13:17 | |
APPLAUSE | 0:13:17 | 0:13:19 | |
Right, Bradley, what is Paul to you? | 0:13:23 | 0:13:27 | |
This is Paul, my school friend, | 0:13:27 | 0:13:32 | |
who loved mashed potato | 0:13:32 | 0:13:35 | |
so much, that I used to steal it off teachers' plates for him. | 0:13:35 | 0:13:40 | |
LAUGHTER | 0:13:40 | 0:13:41 | |
OK, Josie, how do you know Paul? | 0:13:41 | 0:13:44 | |
This is Paul and he taught me | 0:13:44 | 0:13:47 | |
the carrot technique | 0:13:47 | 0:13:48 | |
for giving up smoking. | 0:13:48 | 0:13:50 | |
Finally, Lee, your relationship to Paul? | 0:13:50 | 0:13:53 | |
This is my milkman, Paul. | 0:13:53 | 0:13:55 | |
I came down one morning to find | 0:13:55 | 0:13:57 | |
he'd left 88 pints of milk on my doorstep. | 0:13:57 | 0:14:01 | |
So, there we are. Bradley's Mr Potato Head, | 0:14:01 | 0:14:06 | |
Josie's carrot counsellor | 0:14:06 | 0:14:08 | |
or Lee's mixed-up milkman. David, where do you start? | 0:14:08 | 0:14:10 | |
All right, mashed potato? Why did you see it as your role | 0:14:10 | 0:14:13 | |
to obtain mashed potato for Paul? | 0:14:13 | 0:14:17 | |
MOMENTARY SILENCE | 0:14:17 | 0:14:18 | |
LAUGHTER | 0:14:18 | 0:14:20 | |
Because he loved mashed potato so much, | 0:14:22 | 0:14:25 | |
and I was his friend, | 0:14:25 | 0:14:27 | |
and he wasn't brave enough. | 0:14:27 | 0:14:29 | |
How did you steal it without the teachers noticing? | 0:14:29 | 0:14:32 | |
PENSIVE SILENCE | 0:14:32 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:36 | |
I stole it when the teachers weren't looking. | 0:14:36 | 0:14:40 | |
AUDIENCE LAUGHS INCREDULOUSLY | 0:14:40 | 0:14:43 | |
How many teachers did you steal mashed potato from, | 0:14:43 | 0:14:46 | |
and on how many separate occasions? | 0:14:46 | 0:14:48 | |
Described the scale and nature of the scam! | 0:14:48 | 0:14:51 | |
Five years I've had this! | 0:14:53 | 0:14:56 | |
RAUCOUS LAUGHTER | 0:14:56 | 0:14:57 | |
What happened was, | 0:14:57 | 0:15:01 | |
the teachers' dinners | 0:15:01 | 0:15:03 | |
-had mashed potato on them. -Were the pupils allowed no mashed potato? | 0:15:03 | 0:15:08 | |
Was mashed potato the luxury item, available only to teachers? | 0:15:08 | 0:15:11 | |
No, not necessarily. | 0:15:11 | 0:15:13 | |
-Not necessarily? -No, no. | 0:15:13 | 0:15:16 | |
On some days? | 0:15:16 | 0:15:18 | |
Some days we would have mashed potato. | 0:15:18 | 0:15:21 | |
I had a very privileged upbringing, where mashed potato | 0:15:21 | 0:15:23 | |
was available to teachers and pupils alike. | 0:15:23 | 0:15:25 | |
Not a day goes by, when I don't give thanks for that! | 0:15:25 | 0:15:29 | |
Some days we had no mashed potato, and, erm... | 0:15:29 | 0:15:33 | |
DAVID PROMPTING: Paul... | 0:15:33 | 0:15:36 | |
Paul... | 0:15:36 | 0:15:37 | |
LAUGHTER AND APPLAUSE | 0:15:37 | 0:15:41 | |
Rob, how come I never get a newsreader? | 0:15:42 | 0:15:46 | |
We would have lunch in the dining area. | 0:15:48 | 0:15:52 | |
The teachers that were looking after us in that dining area, | 0:15:52 | 0:15:55 | |
would then swap over and have their lunch later than us. | 0:15:55 | 0:15:59 | |
-Right. -The plates of dinner going to the other teachers | 0:15:59 | 0:16:02 | |
had mash on them. | 0:16:02 | 0:16:04 | |
And somewhere else | 0:16:04 | 0:16:06 | |
in the school, other than the dining room, we'd take the mash. | 0:16:06 | 0:16:10 | |
Right. | 0:16:10 | 0:16:11 | |
Just sum up for us, | 0:16:11 | 0:16:14 | |
how you got the mashed potato | 0:16:14 | 0:16:16 | |
off the teacher's plate and onto Paul's plate. | 0:16:16 | 0:16:20 | |
I hijacked | 0:16:20 | 0:16:23 | |
the canteen trolley thing. | 0:16:23 | 0:16:26 | |
On a trolley, so it's an industrial quantity of mash | 0:16:26 | 0:16:28 | |
you're moving around here, yeah? | 0:16:28 | 0:16:30 | |
Is that right? | 0:16:30 | 0:16:33 | |
Would you like to move on with your enquiries? | 0:16:33 | 0:16:35 | |
Josie, what is the carrot method? | 0:16:35 | 0:16:38 | |
Paul, bless him, is my plumber. | 0:16:38 | 0:16:41 | |
And is... I've known him for about ten years now. | 0:16:41 | 0:16:45 | |
I do like a cheeky ciggie every now and then. | 0:16:45 | 0:16:48 | |
About two months ago, he came and did | 0:16:48 | 0:16:51 | |
a tap in my utility room, | 0:16:51 | 0:16:53 | |
and I said, "Paul", when I gave him a cup of tea, | 0:16:53 | 0:16:56 | |
I said, "You know you can have a fag in this house." | 0:16:56 | 0:16:58 | |
He said, "I don't do it any more, but I'll show you what I do." | 0:16:58 | 0:17:01 | |
And he had a packet of ciggies with a little plastic bag thing, | 0:17:01 | 0:17:04 | |
and little sticks of carrots. | 0:17:04 | 0:17:06 | |
And he nibbled them. | 0:17:06 | 0:17:08 | |
-So you don't smoke the carrots? -No! | 0:17:08 | 0:17:10 | |
No! | 0:17:10 | 0:17:11 | |
So it's quite simple, every time you fancy a cigarette, | 0:17:11 | 0:17:15 | |
just nibble on a carrot. | 0:17:15 | 0:17:18 | |
But for some reason, because I've tried before, | 0:17:18 | 0:17:20 | |
just having the packet with you... | 0:17:20 | 0:17:22 | |
-So you put them in the cigarette packet? -Yes, that was his little technique. | 0:17:22 | 0:17:26 | |
I was trying to give up heroin once, | 0:17:26 | 0:17:28 | |
and carried round a little tub of hummus. | 0:17:28 | 0:17:30 | |
I found that worked. | 0:17:30 | 0:17:32 | |
Right, what about Lee's story? | 0:17:32 | 0:17:35 | |
When was this? | 0:17:35 | 0:17:37 | |
It was about six weeks ago. | 0:17:37 | 0:17:39 | |
88 bottles? Glass bottles? | 0:17:39 | 0:17:42 | |
-Glass bottles of milk. -And how were they arranged on the doorstep? | 0:17:42 | 0:17:45 | |
-In the shape of a cow! What does that matter? -It does. | 0:17:45 | 0:17:48 | |
I'm just trying to picture the scene. Where were they arranged? | 0:17:48 | 0:17:51 | |
-On the door, 88 bottles of milk. -Where were they? | 0:17:51 | 0:17:54 | |
Where were they? On the doorstep, around the doorstep... | 0:17:54 | 0:17:57 | |
-You've got a very big doorstep. -Let me finish. | 0:17:57 | 0:17:59 | |
On the doorstep, around the doorstep, | 0:17:59 | 0:18:01 | |
around the side, | 0:18:01 | 0:18:03 | |
up the bit that I have at the side of my house. | 0:18:03 | 0:18:06 | |
-The colour of the foil on the milk bottles? -The colour of the foil? Blue. | 0:18:06 | 0:18:10 | |
Blue? Which means what? | 0:18:10 | 0:18:12 | |
It means that it's full-fat. | 0:18:12 | 0:18:14 | |
I didn't think anybody drank full-fat any more. | 0:18:14 | 0:18:17 | |
Is this the bit you doubt about this story? | 0:18:17 | 0:18:20 | |
I had 88 bottles of milk on my doorstep. | 0:18:20 | 0:18:22 | |
-That's fine. That's champion. -Full-fat? | 0:18:22 | 0:18:25 | |
Are you bonkers? | 0:18:25 | 0:18:27 | |
How many had you ordered? | 0:18:27 | 0:18:28 | |
I had ordered... Well I thought I had ordered eight. | 0:18:28 | 0:18:31 | |
-You thought you'd ordered... that's a lot. -Eight pints? | 0:18:31 | 0:18:34 | |
Of full-fat milk. | 0:18:34 | 0:18:35 | |
Why did you want eight pints of full-fat milk? | 0:18:37 | 0:18:40 | |
Because I had friends staying over. | 0:18:40 | 0:18:43 | |
Who liked milkshakes? | 0:18:43 | 0:18:45 | |
I ordered online, I made a mistake. | 0:18:45 | 0:18:47 | |
I meant to put eight bottles and I hit it and put 88 in the box. | 0:18:47 | 0:18:50 | |
-That's what happened. -And Paul didn't question that at all? | 0:18:50 | 0:18:53 | |
Nobody questioned that you wanted 88 bottles of milk. | 0:18:53 | 0:18:56 | |
Yeah, because what happened, I put 88, double clicked, | 0:18:56 | 0:18:59 | |
and then his face came up on screen and went, "You sure, guv'nor?" | 0:18:59 | 0:19:02 | |
"I mean, come on, Lee, 88 bottles of milk? | 0:19:04 | 0:19:07 | |
"What are you talking about, eh? | 0:19:07 | 0:19:10 | |
"I'll go back down, have another go." | 0:19:10 | 0:19:13 | |
He doesn't get involved in the admin, | 0:19:13 | 0:19:15 | |
he looks at the list and delivers the milk. | 0:19:15 | 0:19:17 | |
Fair enough. | 0:19:17 | 0:19:18 | |
When does Paul deliver? | 0:19:18 | 0:19:19 | |
Monday, Wednesday, Friday. | 0:19:19 | 0:19:21 | |
What time? | 0:19:21 | 0:19:22 | |
Oh, it's quite early, Huw. | 0:19:22 | 0:19:23 | |
So, how many bottles did you say? 80? | 0:19:23 | 0:19:25 | |
88 on this particular occasion. | 0:19:25 | 0:19:27 | |
And he did it silently on the doorstep, you didn't wake up at all? | 0:19:27 | 0:19:30 | |
You heard no big clanking going on, back and forth | 0:19:30 | 0:19:33 | |
and back and forth to the milk float? No? | 0:19:33 | 0:19:35 | |
It was in, he's got, he's a... He's a professional. | 0:19:35 | 0:19:38 | |
We call him the ninja milkman. | 0:19:38 | 0:19:40 | |
OK, talk us through the event. | 0:19:40 | 0:19:42 | |
You open the front door, what happens? | 0:19:42 | 0:19:44 | |
I saw 88 bottles of milk. | 0:19:44 | 0:19:46 | |
Ah, yeah, and what happened then? What happened? | 0:19:46 | 0:19:49 | |
I went, "Love!" | 0:19:49 | 0:19:50 | |
Not to him, obviously he's gone. | 0:19:50 | 0:19:52 | |
I said, "Er, darling," | 0:19:52 | 0:19:54 | |
cos I don't say "love", that'd be far too working class and northern, | 0:19:54 | 0:19:57 | |
"Darling, heavens above, the milkman's left 88 bottles of milk again, | 0:19:57 | 0:20:00 | |
"what an absolute blaggard." | 0:20:00 | 0:20:02 | |
How long did it take you | 0:20:02 | 0:20:03 | |
to get through this supply, till you got rid of them all, or what did you do then? | 0:20:03 | 0:20:07 | |
We didn't get through them all before they'd gone off. | 0:20:07 | 0:20:11 | |
We gave some to the cat. | 0:20:11 | 0:20:12 | |
Actually, I'm lucky because I've got a lion. | 0:20:12 | 0:20:16 | |
OK, we need an answer, so David's team, is Paul | 0:20:16 | 0:20:19 | |
Bradley's Mr Potato Head, Josie's carrot counsellor | 0:20:19 | 0:20:24 | |
or Lee's mixed-up milkman? | 0:20:24 | 0:20:26 | |
I don't understand why you'd have full fat in this day and age. | 0:20:26 | 0:20:30 | |
Think of your heart, flower. | 0:20:30 | 0:20:32 | |
I get semi-skimmed. | 0:20:32 | 0:20:33 | |
I get semi-skimmed. | 0:20:33 | 0:20:34 | |
I get semi-skimmed. | 0:20:34 | 0:20:36 | |
I think everyone gets semi-skimmed. | 0:20:36 | 0:20:38 | |
Everybody gets semi-skimmed. Semi-skimmed? Yes. | 0:20:38 | 0:20:40 | |
I think it's Bradley. | 0:20:40 | 0:20:42 | |
LAUGHTER | 0:20:42 | 0:20:43 | |
No, I think you might be right. | 0:20:43 | 0:20:45 | |
-It was so bad. -Yeah. | 0:20:45 | 0:20:46 | |
Yeah, it was so bad. | 0:20:46 | 0:20:47 | |
It's got to be right. | 0:20:47 | 0:20:48 | |
Bradley's technique to basically collapse in front of us | 0:20:48 | 0:20:51 | |
meant we didn't really get any information either way out of him. | 0:20:51 | 0:20:54 | |
He's just... | 0:20:54 | 0:20:55 | |
And he has, he has a whiff of a thief about him as well, doesn't he? | 0:20:55 | 0:20:58 | |
LAUGHTER | 0:20:58 | 0:21:00 | |
Yeah, yeah. | 0:21:00 | 0:21:01 | |
OK, so, Paul, would you please reveal your true identity. | 0:21:01 | 0:21:04 | |
I'm Paul and Bradley used to steal potatoes for me. | 0:21:04 | 0:21:08 | |
LAUGHTER AND APPLAUSE | 0:21:08 | 0:21:11 | |
Thank you very much, Paul. | 0:21:16 | 0:21:18 | |
Thank you very much. | 0:21:18 | 0:21:19 | |
APPLAUSE | 0:21:19 | 0:21:22 | |
Which brings us to our final round, Quick-fire Lies and we start with... | 0:21:22 | 0:21:28 | |
Lee. | 0:21:28 | 0:21:30 | |
I can tell if someone drinks mainly tea or coffee | 0:21:30 | 0:21:33 | |
just by listening to their stomach. | 0:21:33 | 0:21:35 | |
Right, David's team, what do you think? | 0:21:35 | 0:21:38 | |
How? How? | 0:21:38 | 0:21:39 | |
Yeah, how? | 0:21:39 | 0:21:41 | |
Well, there's a certain rumble to your coffee drinker. | 0:21:41 | 0:21:44 | |
Oh, come on. | 0:21:44 | 0:21:46 | |
It's the slightest thing that only someone with a sensitive ear like mine would hear. | 0:21:46 | 0:21:49 | |
Can you reproduce the rumble yourself? | 0:21:49 | 0:21:51 | |
-What did you say? -Can you reproduce the... | 0:21:51 | 0:21:54 | |
LAUGHTER | 0:21:54 | 0:21:55 | |
The eyebrow's gone up. | 0:21:55 | 0:21:57 | |
Oh, sorry, Huw, what was the question? | 0:21:57 | 0:22:00 | |
I said, can you reproduce the rumble in some kind of form, | 0:22:00 | 0:22:03 | |
give us a sense of whether it's resonant | 0:22:03 | 0:22:05 | |
or a bit of a squeaky rumble, what kind of rumble is it? | 0:22:05 | 0:22:08 | |
I would say that | 0:22:08 | 0:22:09 | |
the drinkers of coffee have a rumble that I can only describe as, | 0:22:09 | 0:22:13 | |
imagine a small fish passing wind... | 0:22:13 | 0:22:15 | |
LAUGHTER | 0:22:15 | 0:22:17 | |
..but you've got a stethoscope to the glass. | 0:22:17 | 0:22:19 | |
It's just, it's the mildest of rumbles and as I say, | 0:22:19 | 0:22:22 | |
only a trained ear would hear. | 0:22:22 | 0:22:24 | |
Whereas the tea drinker's rumble? | 0:22:24 | 0:22:26 | |
Much... I mean, for hardly ever, hardly ever. | 0:22:26 | 0:22:28 | |
-I mean it's to do with the... -What, they rumble less, tea drinkers? | 0:22:28 | 0:22:31 | |
The tea drinkers have less of a rumble than the coffee drinkers. | 0:22:31 | 0:22:34 | |
Cos I'm a tea drinker and I rumble loads. | 0:22:34 | 0:22:36 | |
-Good job you don't drink coffee, you'd be all over the place. -Really? | 0:22:36 | 0:22:39 | |
But surely they're both the same amount of liquid, | 0:22:39 | 0:22:42 | |
so I don't understand why a difference. | 0:22:42 | 0:22:44 | |
-Well, I'm glad you asked me that, Sarah. Finally, a sensible question. -Yes. -You're welcome. | 0:22:44 | 0:22:48 | |
It's to do, apparently, with... | 0:22:48 | 0:22:50 | |
It's not the actual and I genuinely don't know what it is, | 0:22:50 | 0:22:52 | |
but it's to do with something that's in coffee. | 0:22:52 | 0:22:54 | |
I believe you. | 0:22:54 | 0:22:55 | |
It's something that's in coffee that's not in tea. | 0:22:55 | 0:22:57 | |
And it isn't coffee. | 0:22:57 | 0:22:59 | |
-Right. -It's my party trick, so I'll say, "Do you want tea or coffee?" | 0:22:59 | 0:23:02 | |
Then I go, "In fact, don't tell me," and I'll get down on my knee, | 0:23:02 | 0:23:06 | |
I'll lean in like that and er, I'll go, "I'm guessing coffee." | 0:23:06 | 0:23:11 | |
Could you do that to Bradley or Josie and say which they prefer? | 0:23:11 | 0:23:15 | |
Why don't I do it to you, David, cos I think that's what you want. | 0:23:15 | 0:23:18 | |
-Finally, some physical contact between us. -I know. | 0:23:18 | 0:23:21 | |
Let's just get this out of the way. | 0:23:21 | 0:23:23 | |
I'm desperate to get your ear on my bare skin, | 0:23:23 | 0:23:26 | |
but no, do it to, to, do it to, to Josie. | 0:23:26 | 0:23:30 | |
No, I want to do it to you. | 0:23:30 | 0:23:34 | |
It's a "will they, won't they" panel game and finally it comes to this. | 0:23:34 | 0:23:38 | |
I could do it to everybody. | 0:23:38 | 0:23:40 | |
Are you going to do us all? | 0:23:41 | 0:23:43 | |
Bovril. | 0:23:44 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:48 | |
OK. | 0:23:48 | 0:23:49 | |
Breathe in. | 0:23:51 | 0:23:52 | |
HUW INHALES DEEPLY | 0:23:52 | 0:23:54 | |
LAUGHTER | 0:23:54 | 0:23:56 | |
Oop, news just in. | 0:23:57 | 0:23:59 | |
LAUGHTER | 0:23:59 | 0:24:01 | |
There's a definite rumble there, you're a tea drinker. | 0:24:02 | 0:24:04 | |
I thought you said coffee drinkers rumble more. | 0:24:04 | 0:24:07 | |
-There's a rumble but it's not the rumble... It's the mild rumble. -Yeah? | 0:24:07 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:13 | |
LAUGHTER | 0:24:15 | 0:24:18 | |
-That was lovely. That was really lovely. -Oh, yeah, yes. | 0:24:21 | 0:24:24 | |
Do you know what, I can't make my mind up, I'll have to check again. | 0:24:24 | 0:24:28 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
Got a very warm ear. | 0:24:34 | 0:24:37 | |
It's tea. | 0:24:38 | 0:24:39 | |
Now, I have a different system for the ladies. | 0:24:39 | 0:24:42 | |
LAUGHTER | 0:24:42 | 0:24:44 | |
-Do you mind if I... -Not at all. -..press my ear to this. | 0:24:47 | 0:24:49 | |
I'll lift them up so you can get in. | 0:24:49 | 0:24:51 | |
Do you promise you'll keep them up till I'm away? | 0:24:51 | 0:24:53 | |
No, I'm going to thunk them on your head. | 0:24:53 | 0:24:55 | |
Don't put them on top. I don't want to be forced to the ground. | 0:24:55 | 0:24:58 | |
I'm going to put them on your head. | 0:24:58 | 0:25:00 | |
Dunk! | 0:25:00 | 0:25:01 | |
LAUGHTER | 0:25:01 | 0:25:03 | |
Yeah, see, you're an interesting one because you've got a bit of both, | 0:25:03 | 0:25:06 | |
so it's almost as if there's, it's like you don't drink tea or coffee, | 0:25:06 | 0:25:09 | |
-I'm getting from you. -OK. | 0:25:09 | 0:25:10 | |
I'm getting you don't drink tea or coffee, | 0:25:10 | 0:25:12 | |
I'm getting you drink tea, I'm getting you drink tea, | 0:25:12 | 0:25:15 | |
so that's what I would say, so you now know whether it's true or a lie. | 0:25:15 | 0:25:18 | |
Now, what we need to know is did he get those right? | 0:25:18 | 0:25:21 | |
There's no sense on what these rumbles actually sound like. | 0:25:21 | 0:25:24 | |
I need to sort of get a sound. | 0:25:24 | 0:25:26 | |
OK, I'll try and do the sound. | 0:25:26 | 0:25:29 | |
David as a tea drinker was the mild rumble, a sort of... | 0:25:29 | 0:25:33 | |
HE MAKES A QUIET TICKING SOUND | 0:25:33 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:36 | |
HE MAKES A TICKING SOUND | 0:25:36 | 0:25:37 | |
HE MAKES A POPPING SOUND | 0:25:37 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:41 | |
So, David, are you a tea drinker? Is he right? | 0:25:41 | 0:25:43 | |
I am a tea drinker, but I... | 0:25:43 | 0:25:45 | |
No way! How did I do it? | 0:25:45 | 0:25:46 | |
Can you confirm to the audience that we've never met. | 0:25:46 | 0:25:50 | |
I think Lee probably got it by listening to the rumbles of my stomach, | 0:25:50 | 0:25:54 | |
or he might have got it from my saying I'm a tea drinker | 0:25:54 | 0:25:57 | |
several moments beforehand, one or the other. | 0:25:57 | 0:25:59 | |
It could have been that, you never know with this kind of weird thing. | 0:25:59 | 0:26:02 | |
What about you, Huw? | 0:26:02 | 0:26:03 | |
I'm not saying UHU, what about, what about you, Huw? | 0:26:03 | 0:26:07 | |
It's a very complex picture with me, and you know, it's tea and coffee. | 0:26:07 | 0:26:11 | |
No, but it's mainly tea. | 0:26:11 | 0:26:12 | |
-It depends on the time of day. -It's mainly tea with you, don't lie to me, Huw. | 0:26:12 | 0:26:16 | |
Have you had a coffee? Have you had tea this evening, Huw, or coffee? What have you had? Be honest. | 0:26:16 | 0:26:20 | |
I've had a tea. | 0:26:20 | 0:26:21 | |
Well, there you are, you see. He knows what he's doing. | 0:26:21 | 0:26:23 | |
Brilliant, even the audience are clapping now, I'm loving this. | 0:26:23 | 0:26:27 | |
Now, with me you said it was either one or the other. | 0:26:27 | 0:26:31 | |
No, I said you're not really a big tea or coffee drinker | 0:26:31 | 0:26:33 | |
but occasionally you'll have a tea. | 0:26:33 | 0:26:35 | |
I drink a lot of tea. | 0:26:35 | 0:26:36 | |
No, you don't. | 0:26:36 | 0:26:38 | |
-To be fair, I've got... -LAUGHTER | 0:26:38 | 0:26:39 | |
I've got a lot of underwear on, so that might have spoiled it. | 0:26:39 | 0:26:42 | |
Ah, it doesn't work with underwear. I didn't say, but it doesn't work with underwear. | 0:26:42 | 0:26:46 | |
-You should have said, I would have taken it off. -I didn't, yeah, that was a... | 0:26:46 | 0:26:50 | |
What about the noise of the coffee then? | 0:26:50 | 0:26:52 | |
The coffee rumble is a lot more like a... | 0:26:52 | 0:26:54 | |
HE MAKES A MUTTERING SOUND | 0:26:54 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:57 | |
HE REPEATS THE SOUND | 0:26:57 | 0:26:58 | |
Like that, that's the only way to describe it. | 0:26:58 | 0:27:00 | |
-I mean, I can't make the noise of a... -HE REPEATS THE SOUND | 0:27:00 | 0:27:03 | |
Can I suggest that that would be a better party trick? | 0:27:03 | 0:27:06 | |
Don't call my, my, my skill a trick, Sarah. | 0:27:06 | 0:27:09 | |
It's a... I find it a curse I've had to live with all my life. | 0:27:09 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:13 | |
-So what do you think, David? -What do you think, Huw? | 0:27:13 | 0:27:16 | |
I'm trained to spot liars in my life. That's my job. | 0:27:16 | 0:27:19 | |
It's something I can do with a kind of unerring sort of sense of certainty. | 0:27:19 | 0:27:22 | |
Why are we losing then? | 0:27:22 | 0:27:23 | |
LAUGHTER | 0:27:23 | 0:27:24 | |
It's, it's erm, it's not working tonight. | 0:27:24 | 0:27:28 | |
-Oh, right. -On this one I just think it's unlikely, isn't it? | 0:27:28 | 0:27:32 | |
And however much fun it was to thwack one of my boobs on his head, | 0:27:32 | 0:27:36 | |
erm, I still think it's a lie. | 0:27:36 | 0:27:38 | |
That was just one? | 0:27:38 | 0:27:40 | |
LAUGHTER | 0:27:40 | 0:27:42 | |
Yes! | 0:27:42 | 0:27:44 | |
So what are you saying, David? | 0:27:44 | 0:27:45 | |
-We're going to say it's a lie. -You think it's a lie, OK. | 0:27:45 | 0:27:47 | |
Lee, was that the truth or were you lying? | 0:27:47 | 0:27:51 | |
It is in fact true. | 0:27:51 | 0:27:52 | |
No, it's not, it's a lie. | 0:27:52 | 0:27:54 | |
APPLAUSE | 0:27:55 | 0:27:57 | |
Yes, it's a lie. | 0:27:58 | 0:27:59 | |
Lee can't tell if someone drinks mainly tea or coffee just by listening to their stomach. | 0:27:59 | 0:28:05 | |
-BUZZER GOES OFF -Oh, that noise signals time is up, it's the end of the show. | 0:28:05 | 0:28:08 | |
I can reveal that David's team have won by three points to two. | 0:28:08 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:14 | |
But it's not just a team game | 0:28:14 | 0:28:16 | |
and my individual Liar Of The Week this week is Huw Edwards. | 0:28:16 | 0:28:20 | |
APPLAUSE | 0:28:20 | 0:28:23 | |
Yes, Huw Edwards, | 0:28:24 | 0:28:26 | |
who's been less genuine than an email from a Nigerian billionaire. | 0:28:26 | 0:28:30 | |
Goodnight. | 0:28:30 | 0:28:32 | |
CHEERING AND APPLAUSE | 0:28:32 | 0:28:34 | |
Subtitles by Red Bee Media Ltd. | 0:28:38 | 0:28:40 |