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Everywhere you look, we British are building. | 0:00:02 | 0:00:04 | |
We're adding, developing | 0:00:04 | 0:00:06 | |
and extending our homes in every possible direction. | 0:00:06 | 0:00:09 | |
In my mind I feel like it's going to be amazing. | 0:00:09 | 0:00:12 | |
But any substantial change we make must be approved | 0:00:13 | 0:00:17 | |
by a bunch of people dedicated | 0:00:17 | 0:00:19 | |
to protecting our public spaces and neighbourhoods. | 0:00:19 | 0:00:22 | |
We've never had an application with them on tracing paper still. | 0:00:22 | 0:00:26 | |
So, if you want an eat-in kitchen, | 0:00:26 | 0:00:28 | |
an en-suite bathroom or a self-contained study, | 0:00:28 | 0:00:31 | |
then it's time to take action. | 0:00:31 | 0:00:34 | |
You've got to plan it, build it. | 0:00:34 | 0:00:36 | |
Which of us wouldn't love just one extra room in our house? | 0:00:40 | 0:00:44 | |
A spare bedroom? A big family room? | 0:00:44 | 0:00:46 | |
Somewhere to store sports equipment or a quiet place to work? | 0:00:46 | 0:00:50 | |
Planners are well aware that up and down the country, | 0:00:50 | 0:00:52 | |
people long to increase their living space, | 0:00:52 | 0:00:55 | |
but it's a planner's job to protect our built environment, | 0:00:55 | 0:00:58 | |
not just for us and our neighbours, but for generations yet to come. | 0:00:58 | 0:01:02 | |
Planners want to make sure we always think before we build. | 0:01:04 | 0:01:09 | |
They've obviously sat at home and thought, | 0:01:09 | 0:01:11 | |
"Oh, we'd like to build this extension." | 0:01:11 | 0:01:13 | |
But by the time they come to us and make the application | 0:01:13 | 0:01:15 | |
they've already - in their mind - gone out and bought the curtains | 0:01:15 | 0:01:19 | |
and the cushions and all that stuff. So when we come back and say, | 0:01:19 | 0:01:22 | |
"No, actually it has to be half a metre narrower", | 0:01:22 | 0:01:24 | |
it's a big deal, it's a big step back for them. | 0:01:24 | 0:01:27 | |
You think, "Did you really not think how it was going to impact on your neighbour?" | 0:01:27 | 0:01:31 | |
So, is it possible to get just one extra room | 0:01:31 | 0:01:34 | |
without falling foul of planning restrictions? | 0:01:34 | 0:01:38 | |
Today the planners will meet... | 0:01:38 | 0:01:40 | |
a couple with a tiny flat | 0:01:40 | 0:01:42 | |
and an innovative plan for carving out an additional bedroom... | 0:01:42 | 0:01:45 | |
-From here to the wall behind you becomes the spare room. -Mm-hmm. | 0:01:46 | 0:01:51 | |
Which really is going to be quite a reasonable size | 0:01:51 | 0:01:53 | |
by the time it's done. | 0:01:53 | 0:01:55 | |
..and a man who wants one huge room right along the back of his house. | 0:01:55 | 0:02:00 | |
If the planning application is refused, then I really don't | 0:02:00 | 0:02:03 | |
know what we'd do. I think we'd just have to fight, to be honest, | 0:02:03 | 0:02:06 | |
cos I don't think there's anything wrong with the plan. | 0:02:06 | 0:02:09 | |
One person's modernist extension is another person's eyesore. | 0:02:09 | 0:02:13 | |
Will our home owners be allowed to add their extra rooms? | 0:02:13 | 0:02:16 | |
And if they increase their space, | 0:02:16 | 0:02:18 | |
how much value could they add to the price of their homes? | 0:02:18 | 0:02:20 | |
Planners work hard to approve applications but they'll never | 0:02:25 | 0:02:28 | |
accept developments that cause loss of light, | 0:02:28 | 0:02:31 | |
loss of privacy, or clash with a cohesive street scene. | 0:02:31 | 0:02:34 | |
One extra room may feel like a minor change, but planners have to keep | 0:02:34 | 0:02:38 | |
our ever-expanding ambitions under control. | 0:02:38 | 0:02:41 | |
If planning policies and planning control didn't exist | 0:02:43 | 0:02:47 | |
we'd be back to where we were | 0:02:47 | 0:02:50 | |
100 years ago, 150 years ago. | 0:02:50 | 0:02:53 | |
You'd get people building what they wanted where they wanted regardless, | 0:02:53 | 0:02:56 | |
it would be quite a mess. | 0:02:56 | 0:02:58 | |
Carol Boudel works in Hastings - for one of the country's | 0:02:58 | 0:03:01 | |
most forward-looking planning departments. | 0:03:01 | 0:03:04 | |
Hastings is on the south coast. | 0:03:05 | 0:03:07 | |
It's not as famous as Brighton, 40-odd miles to the west, | 0:03:07 | 0:03:10 | |
but it's a place with plenty of character | 0:03:10 | 0:03:12 | |
and some beautiful Regency and Victorian homes. | 0:03:12 | 0:03:16 | |
The centre of town is popular with first-time buyers and commuters, | 0:03:16 | 0:03:19 | |
who can be close to the sea. | 0:03:19 | 0:03:20 | |
A two-bed flat typically costs around £80,000 to £90,000 | 0:03:22 | 0:03:26 | |
- a bargain when compared to other towns along the coast - | 0:03:26 | 0:03:29 | |
but space is still limited, and people here are keen to expand. | 0:03:29 | 0:03:33 | |
I'm carrying out a site visit today because I've had an application | 0:03:34 | 0:03:37 | |
for the conversion of a coal shed | 0:03:37 | 0:03:40 | |
or coal cellar to be a habitable room. | 0:03:40 | 0:03:44 | |
It's a bedroom, to enlarge the size of an existing bedroom. | 0:03:44 | 0:03:47 | |
Where's that first drawing that we had, just the sketch? | 0:03:50 | 0:03:53 | |
Drew and Carrie Brooke-Mellor | 0:03:53 | 0:03:54 | |
bought a two-bed flat in a conservation area | 0:03:54 | 0:03:57 | |
close to the centre for £120,000 after relocating from Surrey. | 0:03:57 | 0:04:01 | |
They love Hastings, | 0:04:01 | 0:04:03 | |
but are desperate for planning permission to give them more space. | 0:04:03 | 0:04:07 | |
We moved down here in 2007, having visited... | 0:04:07 | 0:04:12 | |
-early in the spring? -Yes. | 0:04:12 | 0:04:14 | |
We came down on a day | 0:04:14 | 0:04:17 | |
when the sky was pure blue and the air was so clear, | 0:04:17 | 0:04:21 | |
and Carrie just turned to me and said, | 0:04:21 | 0:04:24 | |
"You want to live here, don't you?" | 0:04:24 | 0:04:27 | |
-And... -We said yes. -We said yes! | 0:04:27 | 0:04:29 | |
We saw, well, I saw this flat, I'm afraid I made a very bold decision | 0:04:29 | 0:04:33 | |
and bought it without really showing Carrie it, | 0:04:33 | 0:04:36 | |
apart from a few grotty photographs. | 0:04:36 | 0:04:38 | |
Carrie still works in Covent Garden. | 0:04:39 | 0:04:42 | |
We're three minutes from the station, | 0:04:42 | 0:04:44 | |
and Carrie also likes to swim, so we're three minutes from the sea! | 0:04:44 | 0:04:47 | |
The mad sea. | 0:04:47 | 0:04:49 | |
Coincidentally we're three minutes from the pub, so everybody's happy! | 0:04:49 | 0:04:53 | |
The Brooke-Mellors have had little room for expansion, | 0:04:53 | 0:04:56 | |
but have come up with a really clever way | 0:04:56 | 0:04:58 | |
of gaining an extra room, with its own brand new door and window. | 0:04:58 | 0:05:01 | |
The current project is to generate a guest room | 0:05:04 | 0:05:09 | |
big enough to put two people up in, | 0:05:09 | 0:05:12 | |
cos we use the existing second bedroom as an office. | 0:05:12 | 0:05:16 | |
-It's tiny. -Tiny. -Junk room really, isn't it? | 0:05:16 | 0:05:20 | |
Yeah, shabby chic with the emphasis on shabby at the moment. | 0:05:20 | 0:05:23 | |
What we've decided to do is to knock through that | 0:05:23 | 0:05:26 | |
into what used to be the coal cellar, | 0:05:26 | 0:05:29 | |
and create a bigger room here, | 0:05:29 | 0:05:31 | |
but our builder suggested that we try and retain the cellar wall, | 0:05:31 | 0:05:36 | |
as opposed to just boxing it in with plasterboard. | 0:05:36 | 0:05:39 | |
We like quirky, unusual things | 0:05:39 | 0:05:41 | |
that reflect the seaside and reflect Hastings, which is a quirky place. | 0:05:41 | 0:05:46 | |
And so we are going to try and retain that ceiling, aren't we? | 0:05:46 | 0:05:49 | |
Keep the arch, the vaulted ceiling. | 0:05:49 | 0:05:51 | |
Having bought their home for 120,000, | 0:05:53 | 0:05:56 | |
Drew and Carrie plan to spend 10-15 grand on their extra room, | 0:05:56 | 0:06:00 | |
but changes to the exterior of their flat will be carefully scrutinised. | 0:06:00 | 0:06:05 | |
Developments in all of Britain's 9,000 conservation areas | 0:06:05 | 0:06:08 | |
are strictly managed because | 0:06:08 | 0:06:10 | |
of their historic and architectural significance. | 0:06:10 | 0:06:13 | |
It won't actually change the visual appearance | 0:06:13 | 0:06:16 | |
of the building from the outside, | 0:06:16 | 0:06:18 | |
apart from a window and a door. | 0:06:18 | 0:06:21 | |
We're hoping that because we've got the uPVC windows in our bedroom, | 0:06:21 | 0:06:25 | |
that they'll except the uPVC in the extension. | 0:06:25 | 0:06:31 | |
The property is within a conservation area, | 0:06:31 | 0:06:34 | |
it's within the Cornwallis Gardens conservation area, | 0:06:34 | 0:06:37 | |
so its not just any impact | 0:06:37 | 0:06:39 | |
on neighbouring properties and the building itself | 0:06:39 | 0:06:43 | |
but on the conservation area as well. | 0:06:43 | 0:06:45 | |
Well, this is where it is all going to take place - | 0:06:47 | 0:06:49 | |
hopefully, HBC permitting. | 0:06:49 | 0:06:51 | |
That bookshelf there, that's where we hope to knock through. | 0:06:51 | 0:06:55 | |
And a quick trip around the side reveals their hidden space. | 0:06:57 | 0:07:00 | |
Well, this is the other side of that bookshelf, | 0:07:05 | 0:07:07 | |
and this would have been the original entrance to the house | 0:07:07 | 0:07:11 | |
when it had staff. | 0:07:11 | 0:07:12 | |
And it's this wall that's going | 0:07:12 | 0:07:13 | |
to have a lintel put across the top of it, | 0:07:13 | 0:07:16 | |
and it's going to be taken down, | 0:07:16 | 0:07:18 | |
so that effectively from here, to the wall behind you, | 0:07:18 | 0:07:23 | |
becomes the spare room. | 0:07:23 | 0:07:25 | |
Which really is going to be quite a reasonable size. | 0:07:25 | 0:07:28 | |
We hope that the window will be against that wall there, and, er... | 0:07:28 | 0:07:34 | |
-Should be plenty of light then. -Should give us plenty of light. | 0:07:34 | 0:07:37 | |
The property is divided into flats, | 0:07:37 | 0:07:39 | |
so they have limited permitted development rights | 0:07:39 | 0:07:42 | |
with regards to external alterations, | 0:07:42 | 0:07:45 | |
and they're wanting to put in a doorway. | 0:07:45 | 0:07:48 | |
There's an existing doorway | 0:07:48 | 0:07:49 | |
but no door there, so they want to put this door in and a new window. | 0:07:49 | 0:07:53 | |
It is a uPVC window, | 0:07:53 | 0:07:54 | |
which is normally resisted in a conservation area. | 0:07:54 | 0:07:57 | |
We think between £8,000 and £10,000 | 0:07:57 | 0:08:00 | |
to get it to the point where we can start furnishing and decorating it. | 0:08:00 | 0:08:03 | |
We'll be able to have more books, more pictures... | 0:08:03 | 0:08:07 | |
-And people. -More people! Our families can come and stay, | 0:08:07 | 0:08:12 | |
-which is nice. -That will be great. | 0:08:12 | 0:08:13 | |
If, however, we don't get the planning permission, well, | 0:08:13 | 0:08:16 | |
we'd have to continue using it for storage, | 0:08:16 | 0:08:20 | |
which is a great shame cos it's a great waste of space. | 0:08:20 | 0:08:23 | |
Drew and Carrie's bid for one quirky extra room | 0:08:23 | 0:08:26 | |
will depend on what Carol sees | 0:08:26 | 0:08:28 | |
when she makes her crucial site inspection. | 0:08:28 | 0:08:30 | |
If their external alterations | 0:08:30 | 0:08:31 | |
don't fit with the council's policy for the area, | 0:08:31 | 0:08:34 | |
then their application will be a no-no. | 0:08:34 | 0:08:36 | |
In densely populated urban areas, adding an additional room | 0:08:40 | 0:08:44 | |
usually requires a clever use of existing space. | 0:08:44 | 0:08:47 | |
Loft conversions have long been popular, | 0:08:48 | 0:08:50 | |
but planners are now seeing an increased number of applications | 0:08:50 | 0:08:53 | |
for basement conversions, | 0:08:53 | 0:08:55 | |
where people dig deep to gain additional room. | 0:08:55 | 0:08:57 | |
With house prices once again on the up, | 0:08:58 | 0:09:00 | |
building work makes sound financial sense. | 0:09:00 | 0:09:03 | |
What this boils down to is everybody is trying to maximise their space | 0:09:06 | 0:09:10 | |
and make the economical solution to actually get the extra space | 0:09:10 | 0:09:13 | |
that suits their particular family unit. | 0:09:13 | 0:09:16 | |
It's not just in densely-packed, urban areas | 0:09:17 | 0:09:20 | |
that families need more space. | 0:09:20 | 0:09:22 | |
Welcome to the Sheffield suburb of Totley, | 0:09:22 | 0:09:25 | |
which lies on the edge of the city. | 0:09:25 | 0:09:27 | |
The area has a semi-rural feel | 0:09:27 | 0:09:28 | |
because of its proximity to the countryside. | 0:09:28 | 0:09:31 | |
But the story in Totley echoes the story up and down the country. | 0:09:32 | 0:09:36 | |
People can always do with one extra room! | 0:09:36 | 0:09:40 | |
Sheffield Council sees a large number of applications | 0:09:40 | 0:09:43 | |
from ambitious Totley homeowners who want to add extra space, | 0:09:43 | 0:09:47 | |
and planner Simon Tucker keeps a watchful eye | 0:09:47 | 0:09:49 | |
on development in the area. | 0:09:49 | 0:09:51 | |
This application refers to a semi-detached house, | 0:09:52 | 0:09:55 | |
that currently has a smaller rear extension. | 0:09:55 | 0:09:59 | |
What the application is for is to convert that extension | 0:10:00 | 0:10:04 | |
and extend that extension | 0:10:04 | 0:10:05 | |
into a larger single storey-rear | 0:10:05 | 0:10:08 | |
that goes across the entire width of the property. | 0:10:08 | 0:10:10 | |
Richard Snape and his family have lived in their Totley home | 0:10:13 | 0:10:16 | |
for the past 12 years. | 0:10:16 | 0:10:18 | |
Richard thinks the house is worth 250,000, | 0:10:18 | 0:10:21 | |
and he's already put a small extension on the back. | 0:10:21 | 0:10:24 | |
But now, he's going for broke. | 0:10:24 | 0:10:26 | |
He plans to spend 25 grand on an extra room - | 0:10:26 | 0:10:29 | |
one huge family area with flexible living space | 0:10:29 | 0:10:32 | |
that will run right across the back of his house. | 0:10:32 | 0:10:36 | |
The room we're in now was built about seven years ago. | 0:10:36 | 0:10:39 | |
We're going to take three quarters of it down | 0:10:39 | 0:10:42 | |
and build the full width of the house to give us | 0:10:42 | 0:10:44 | |
much more living space | 0:10:44 | 0:10:46 | |
and at the end there will also be a very small study area, | 0:10:46 | 0:10:49 | |
which we'll be able to make bigger and smaller with a moveable wall. | 0:10:49 | 0:10:54 | |
There's two adults and two kids in the house, | 0:10:54 | 0:10:56 | |
one of them's a teenager, 14-year-old, he wants his own space, | 0:10:56 | 0:10:59 | |
so effectively the lounge will become the kids' living space | 0:10:59 | 0:11:02 | |
and this area will become the adults' living space... | 0:11:02 | 0:11:07 | |
big sofas, TV-on-the-wall type of thing. | 0:11:07 | 0:11:10 | |
Richard's extra room doesn't require any clever use of space, | 0:11:10 | 0:11:14 | |
it's simply extending into his garden. | 0:11:14 | 0:11:16 | |
But he still needs planning permission. | 0:11:16 | 0:11:18 | |
The new room can't be too overbearing, | 0:11:18 | 0:11:20 | |
or affect his neighbours' privacy, | 0:11:20 | 0:11:22 | |
and the finish must blend in with the original building. | 0:11:22 | 0:11:26 | |
Effectively this extension more or less comes down... | 0:11:26 | 0:11:29 | |
It's going to be built from here, | 0:11:29 | 0:11:31 | |
it will come straight along this line... | 0:11:31 | 0:11:33 | |
..and then tie in with the end of this building, | 0:11:35 | 0:11:39 | |
which is basically four metres out from there | 0:11:39 | 0:11:41 | |
and the full width of the house, which is eight metres. | 0:11:41 | 0:11:44 | |
It will have a flat roof | 0:11:44 | 0:11:46 | |
and there is going to be some bi-folding doors | 0:11:46 | 0:11:49 | |
which will start about here... | 0:11:49 | 0:11:52 | |
and they will come out four metres, | 0:11:52 | 0:11:54 | |
and then the last two metres is brickwork, | 0:11:54 | 0:11:57 | |
so it will be brick-built with a flat roof. | 0:11:57 | 0:11:59 | |
In terms of the design, | 0:11:59 | 0:12:01 | |
it is what it is, it is a simple flat-roof rear extension, | 0:12:01 | 0:12:06 | |
it's not going to win any design awards | 0:12:06 | 0:12:08 | |
and the agent would be the first to admit that. | 0:12:08 | 0:12:11 | |
One person's modernist extension is another person's eyesore. | 0:12:11 | 0:12:16 | |
In the short term, Richard doesn't think his home will be worth | 0:12:18 | 0:12:21 | |
much more than he's willing to spend on the extension, | 0:12:21 | 0:12:23 | |
but it's worth it to get the space for his family. | 0:12:23 | 0:12:26 | |
However he has to be careful with certain design features | 0:12:26 | 0:12:29 | |
if he wants to get the green light. | 0:12:29 | 0:12:31 | |
The neighbours were upset with the last build. | 0:12:31 | 0:12:34 | |
The big window was the problem last time, | 0:12:34 | 0:12:37 | |
it was only a little window originally | 0:12:37 | 0:12:39 | |
and when we decided that we'd like to put a set of patio doors in, | 0:12:39 | 0:12:43 | |
there was an objection | 0:12:43 | 0:12:45 | |
from the neighbour over the fence, he said he was going to be overlooked. | 0:12:45 | 0:12:49 | |
When the building was passed, we were then under Permitted Development | 0:12:49 | 0:12:52 | |
allowed to put the big window in, we were also allowed | 0:12:52 | 0:12:54 | |
to put patio doors in as long as they opened outwards. | 0:12:54 | 0:12:57 | |
And it's been like that ever since cos we've never really got round | 0:12:57 | 0:13:00 | |
to putting the doors in, which we would be allowed to do. | 0:13:00 | 0:13:03 | |
Under this development, on the plans the doors are shown, | 0:13:03 | 0:13:07 | |
and hopefully there won't be an objection this time. | 0:13:07 | 0:13:10 | |
Simon is on his way to conduct his site visit, | 0:13:10 | 0:13:13 | |
and already he's started assessing Richard's design | 0:13:13 | 0:13:15 | |
against Sheffield's planning policy. | 0:13:15 | 0:13:17 | |
One of the potential issues with this extension is the splaying | 0:13:19 | 0:13:22 | |
they're proposing for the rear. | 0:13:22 | 0:13:24 | |
Basically we have a three-metre rule next to the neighbour's boundary, | 0:13:24 | 0:13:27 | |
whereby anything beyond the three metres | 0:13:27 | 0:13:29 | |
we class as an over-shadowing problem. | 0:13:29 | 0:13:31 | |
Now to counter that, they're going up to three metres | 0:13:31 | 0:13:34 | |
up to this point and then they're proposing | 0:13:34 | 0:13:37 | |
to splay it in there at a 45-degree angle. | 0:13:37 | 0:13:40 | |
In terms of our guidelines, | 0:13:40 | 0:13:42 | |
it probably isn't really in the spirit of the guidelines. | 0:13:42 | 0:13:44 | |
Aesthetically it certainly isn't ideal | 0:13:44 | 0:13:46 | |
cos it is quite an unusual feature, | 0:13:46 | 0:13:48 | |
especially for a brick-built extension. | 0:13:48 | 0:13:50 | |
When we're round the back we'll see how prominent that element is. | 0:13:50 | 0:13:53 | |
It's worth noting | 0:13:53 | 0:13:55 | |
that you're entitled to extend up to three metres | 0:13:55 | 0:13:57 | |
on a semi-detached house without even needing planning permission. | 0:13:57 | 0:14:01 | |
Sheffield council advise people against extending | 0:14:01 | 0:14:04 | |
beyond three metres to avoid | 0:14:04 | 0:14:06 | |
overshadowing a neighbour's property. | 0:14:06 | 0:14:08 | |
However this isn't a hard-and-fast rule. | 0:14:08 | 0:14:11 | |
Richard's extra room is big - too big for permitted development - | 0:14:13 | 0:14:18 | |
will Simon consider it absurdly overambitious? | 0:14:18 | 0:14:21 | |
SEAGULLS CAW | 0:14:25 | 0:14:27 | |
Seagulls are in full voice in Hastings, perhaps announcing | 0:14:27 | 0:14:30 | |
the arrival of Carol to conduct | 0:14:30 | 0:14:32 | |
the Brooke-Mellors' all-important site inspection. | 0:14:32 | 0:14:35 | |
Remember, the Brooke-Mellors have a cunning plan for an additional room, | 0:14:38 | 0:14:41 | |
but Carol's concerned about external changes | 0:14:41 | 0:14:44 | |
within the conservation area. | 0:14:44 | 0:14:46 | |
Right, so this is where the wall... Where the window's going. | 0:14:46 | 0:14:50 | |
Yes, in that area there. | 0:14:50 | 0:14:52 | |
We're putting a door in there, which will open out onto the decked area. | 0:14:52 | 0:14:59 | |
So roughly in the middle of there is where the window | 0:14:59 | 0:15:02 | |
is going to go...hopefully. | 0:15:02 | 0:15:04 | |
THEY LAUGH OK, that's fine. | 0:15:04 | 0:15:07 | |
In the pre-planning letter that Bob sent you, you said that | 0:15:07 | 0:15:11 | |
the window should be a sash window, but he's actually redrawn this | 0:15:11 | 0:15:16 | |
as a PVC to match those. Is that a problem? | 0:15:16 | 0:15:19 | |
It could well be, Drew. Out-of-place features | 0:15:19 | 0:15:22 | |
in conservation areas are usually a no-no. | 0:15:22 | 0:15:25 | |
This may be bad news for their application. | 0:15:25 | 0:15:28 | |
I just want to have a proper look from the highway | 0:15:28 | 0:15:31 | |
to see how visible it is and whereabouts it'll be. | 0:15:31 | 0:15:34 | |
So the top of it will be level with that door? | 0:15:34 | 0:15:37 | |
-Erm... Might possibly be a bit lower. -Right, OK. | 0:15:37 | 0:15:42 | |
-Oh, he's drawn it like that. -Yeah. | 0:15:43 | 0:15:45 | |
Hadn't actually noticed that. | 0:15:47 | 0:15:49 | |
Is that something you might want to change? | 0:15:49 | 0:15:51 | |
We might drop it lower if you'd be happy with that. | 0:15:51 | 0:15:54 | |
OK, we would need amended plans. | 0:15:54 | 0:15:57 | |
That would probably be better actually. | 0:15:57 | 0:16:01 | |
The main issue is how visible it is from the conservation area. | 0:16:01 | 0:16:05 | |
Right. We can just have a look from where we normally would walk. | 0:16:06 | 0:16:10 | |
Before she leaves, Carol must be satisfied that the external features | 0:16:15 | 0:16:19 | |
won't be too prominent within the street scene. | 0:16:19 | 0:16:22 | |
The main bone of contention seemed to be the window, | 0:16:23 | 0:16:28 | |
and it looks like if I can get Bob to redraw that, | 0:16:28 | 0:16:31 | |
so that it's a little bit lower and works with the sight line, | 0:16:31 | 0:16:36 | |
re-submit them, and hopefully we'll be on our way. | 0:16:36 | 0:16:39 | |
The door is a little bit visible | 0:16:41 | 0:16:43 | |
but then bringing the window down slightly, that will help, | 0:16:43 | 0:16:46 | |
and it's what he wanted or was expecting in any case. | 0:16:46 | 0:16:49 | |
So I'll just have a quick look at it against the policies. | 0:16:49 | 0:16:53 | |
One visit down, one to go. | 0:16:56 | 0:16:58 | |
In Sheffield, Simon has arrived at Richard's to go over his plans. | 0:16:58 | 0:17:02 | |
-..Sheffield Planning Department. Nice to meet you too. -Come in. | 0:17:02 | 0:17:06 | |
Once again, it's just one additional room, but it couldn't be | 0:17:06 | 0:17:09 | |
more different to the Brooke-Mellors' case in Hastings. | 0:17:09 | 0:17:12 | |
Richard's extra room is a huge box on the back of his house - | 0:17:12 | 0:17:16 | |
but he wants it just as badly. | 0:17:16 | 0:17:18 | |
These are the plans I've got for the general extension. | 0:17:18 | 0:17:21 | |
One quick question I've got for you, these doors here... | 0:17:21 | 0:17:24 | |
Obviously you've got a full-height window there presently, | 0:17:24 | 0:17:28 | |
Are you proposing like a Juliet balcony or...? | 0:17:28 | 0:17:31 | |
-If necessary. -If necessary? -If necessary. | 0:17:31 | 0:17:35 | |
If we don't need the balcony, then we weren't going to put it in. | 0:17:35 | 0:17:38 | |
OK. | 0:17:38 | 0:17:40 | |
Simon needs to get a good idea of exactly where the extension will be. | 0:17:40 | 0:17:45 | |
He worries the new design will reduce the neighbours' privacy, | 0:17:45 | 0:17:48 | |
and will look out of proportion with the existing house. | 0:17:48 | 0:17:51 | |
So I presume it's re-utilising this existing wall? But obviously... | 0:17:53 | 0:17:58 | |
Yeah, that stops. That goes, anything from that side that way goes, | 0:17:58 | 0:18:03 | |
-and we'll carry on building from here. -Yeah, I've got you. | 0:18:03 | 0:18:06 | |
-Do you think they'll be any issues? -Well, it's early days. | 0:18:07 | 0:18:11 | |
Obviously it's early days on the application at the moment. | 0:18:11 | 0:18:15 | |
OK, that's fine, good. | 0:18:15 | 0:18:16 | |
We've just got to clarify what's happening | 0:18:19 | 0:18:21 | |
with the double doors there. | 0:18:21 | 0:18:24 | |
A Juliet balcony doesn't need planning permission | 0:18:24 | 0:18:27 | |
if it doesn't have a raised platform that projects out. | 0:18:27 | 0:18:30 | |
We'll have to clarify that with the agent, | 0:18:30 | 0:18:33 | |
and probably get it clarified on the plans so it's more obvious. | 0:18:33 | 0:18:36 | |
The increase in the eaves height will have an impact | 0:18:36 | 0:18:38 | |
on the neighbour, but our guidelines | 0:18:38 | 0:18:40 | |
suggest it's within our limits of acceptability | 0:18:40 | 0:18:43 | |
with regards to the impact. | 0:18:43 | 0:18:44 | |
We might get some representations on that | 0:18:44 | 0:18:47 | |
and it might mean we've got to look into that issue more carefully. | 0:18:47 | 0:18:50 | |
I think the overshadowing | 0:18:50 | 0:18:52 | |
will actually be lower than what it is now, | 0:18:52 | 0:18:54 | |
the roof will definitely be lower, | 0:18:54 | 0:18:56 | |
and admittedly the wall goes up about 300mm, | 0:18:56 | 0:18:59 | |
but overall, the loss of light on their side | 0:18:59 | 0:19:01 | |
will be less than what we get now. | 0:19:01 | 0:19:03 | |
Fingers crossed, we get that right decision, | 0:19:03 | 0:19:05 | |
make sure it's for exactly what we want. | 0:19:05 | 0:19:07 | |
The sun is shining in Hastings and let's hope that's auspicious. | 0:19:11 | 0:19:14 | |
Carol's had time to assess the Brooke-Mellor's planning application | 0:19:14 | 0:19:18 | |
against local policy guidelines. | 0:19:18 | 0:19:20 | |
She's now come to a decision. | 0:19:20 | 0:19:22 | |
With this application, the main issue was the conservation area, | 0:19:23 | 0:19:27 | |
because although normally if there's a new window opening, | 0:19:27 | 0:19:30 | |
we'd be looking at any loss of privacy to neighbouring properties. | 0:19:30 | 0:19:34 | |
Because it's set down from the highway | 0:19:34 | 0:19:37 | |
and because it wasn't highly prominent, | 0:19:37 | 0:19:39 | |
or prominent even, in the conservation area, | 0:19:39 | 0:19:42 | |
my recommendation was for approval of the application. | 0:19:42 | 0:19:46 | |
That's a yes for Carrie and Drew! | 0:19:46 | 0:19:49 | |
The phone went yesterday morning and it was the architect's name | 0:19:49 | 0:19:53 | |
that came up on the screen, and he said he'd just heard | 0:19:53 | 0:19:57 | |
from the planning office | 0:19:57 | 0:20:00 | |
and our planning application has been granted. | 0:20:00 | 0:20:02 | |
I was delighted, it's been quite a long time | 0:20:02 | 0:20:05 | |
and it was just really nice to hear the news | 0:20:05 | 0:20:08 | |
and know that we can get on with the project. | 0:20:08 | 0:20:11 | |
It's likely to take two or three weeks to do the work. | 0:20:11 | 0:20:14 | |
So, who knows? We might even | 0:20:14 | 0:20:15 | |
be able to have your goddaughter down in the autumn! | 0:20:15 | 0:20:18 | |
Might be able to, yes. With a bit of luck. | 0:20:18 | 0:20:20 | |
It's what we wanted for this flat | 0:20:20 | 0:20:22 | |
and we're going to have something pretty unique at the end of it. | 0:20:22 | 0:20:25 | |
-I think so, yes. -It's going to be quite...quite unusual. | 0:20:25 | 0:20:28 | |
Carrie and Drew have got their approval - | 0:20:28 | 0:20:30 | |
providing them with their much-needed room to manoeuvre! | 0:20:30 | 0:20:33 | |
But what about Richard? | 0:20:36 | 0:20:38 | |
If the planning application is refused | 0:20:38 | 0:20:40 | |
then I really don't know what we'd do. | 0:20:40 | 0:20:42 | |
I think we'd just have to fight it | 0:20:42 | 0:20:44 | |
cos I don't think there is anything wrong with the plan, | 0:20:44 | 0:20:46 | |
I think the plan's a good plan, it's got good materials | 0:20:46 | 0:20:49 | |
it looks right, it blends in, | 0:20:49 | 0:20:51 | |
it blends in with the type of house, 1950s semi-detached house... | 0:20:51 | 0:20:55 | |
I cannot see any reason why it would be refused. | 0:20:56 | 0:20:59 | |
Maybe not, Richard, but as planners know all too well, | 0:20:59 | 0:21:02 | |
one man's ideal is another man's eyesore. | 0:21:02 | 0:21:05 | |
This property is at the head of the cul-de-sac, | 0:21:05 | 0:21:08 | |
there's a very good separation distance to the next property along, | 0:21:08 | 0:21:12 | |
so with regards to overshadowing it's not too bad. | 0:21:12 | 0:21:17 | |
They've currently got a full-height window here, | 0:21:17 | 0:21:20 | |
and cos it's going directly onto the flat roof, we're a bit concerned | 0:21:20 | 0:21:24 | |
that might be used to use the flat roof as a full balcony, | 0:21:24 | 0:21:29 | |
so in order to improve on that | 0:21:29 | 0:21:32 | |
we've got amended plans quite quickly off the agent | 0:21:32 | 0:21:35 | |
showing a Juliet feature and railings on that full-height window. | 0:21:35 | 0:21:38 | |
We haven't received any comments from neighbours, | 0:21:38 | 0:21:41 | |
so I'll be submitting my written report, | 0:21:41 | 0:21:44 | |
which is all here, | 0:21:44 | 0:21:46 | |
and my team leader will take a look at it and make the final decision. | 0:21:46 | 0:21:50 | |
You may want to have a quick look | 0:21:52 | 0:21:54 | |
at whether there's a balcony issue or not. | 0:21:54 | 0:21:56 | |
Once senior planner Chris Heeley has studied the report, | 0:21:56 | 0:21:59 | |
the Snapes will receive their decision - | 0:21:59 | 0:22:01 | |
but will it be the one they want? | 0:22:01 | 0:22:03 | |
Simon, it's Richard Snape. | 0:22:03 | 0:22:05 | |
I just wondered now the consultation period was over, | 0:22:05 | 0:22:07 | |
whether you had any news for us? | 0:22:07 | 0:22:09 | |
Yeah, sure...it has been granted, the application. | 0:22:09 | 0:22:13 | |
That's a yes for Richard and the family! | 0:22:13 | 0:22:16 | |
The great big back-garden box can now be built. | 0:22:16 | 0:22:19 | |
Right, fantastic, thanks very much. Thanks for all your help. | 0:22:19 | 0:22:23 | |
Let's get digging. | 0:22:23 | 0:22:25 | |
And that's exactly what they've done. | 0:22:26 | 0:22:29 | |
Fast forward five weeks and the extension is halfway to completion. | 0:22:29 | 0:22:33 | |
It's just a pity the neighbours aren't too pleased. | 0:22:33 | 0:22:36 | |
The neighbours expressed a view to the bricklayers, | 0:22:36 | 0:22:40 | |
saying that it's big, it's ridiculous, it doesn't look right, | 0:22:40 | 0:22:43 | |
it stands out. And at the moment it does look big | 0:22:43 | 0:22:45 | |
and it does look a little bit ridiculous, | 0:22:45 | 0:22:47 | |
cos it does just look like a big brick box. | 0:22:47 | 0:22:50 | |
So this'll be the office area, they'll be a moveable wall, | 0:22:50 | 0:22:54 | |
to make the room bigger or smaller | 0:22:54 | 0:22:56 | |
more the living space, to make that bigger, | 0:22:56 | 0:22:58 | |
if we need to for Christmas and stuff like that. | 0:22:58 | 0:23:00 | |
That window gets bricked up, this window gets made bigger. | 0:23:00 | 0:23:05 | |
The obvious opening for the bi-fold doors. | 0:23:05 | 0:23:09 | |
When you're stood from the outside you can see why the neighbours | 0:23:09 | 0:23:12 | |
have got a bit of an issue at the moment, and because of all the mess, | 0:23:12 | 0:23:16 | |
but once we've had a good clear up - | 0:23:16 | 0:23:18 | |
all the wood's going this week - | 0:23:18 | 0:23:20 | |
it will look a lot better. | 0:23:20 | 0:23:22 | |
It increases the ground floor area of the house... | 0:23:22 | 0:23:26 | |
by about 25%. | 0:23:26 | 0:23:28 | |
The kids will have more space and we'll have more space, | 0:23:28 | 0:23:32 | |
and it'll just feel more open and more relaxed to a certain extent. | 0:23:32 | 0:23:36 | |
Back in Hastings, | 0:23:39 | 0:23:41 | |
Drew and Carrie's extra bedroom is nearing completion. | 0:23:41 | 0:23:44 | |
The stress and upheaval of planning and building has been huge, | 0:23:44 | 0:23:47 | |
but they're close to getting the space they've dreamed about. | 0:23:47 | 0:23:50 | |
Well, we're two months down into the project | 0:23:50 | 0:23:53 | |
since you last came to see us, | 0:23:53 | 0:23:55 | |
and we've ended up with a cellar at the moment that looks like | 0:23:55 | 0:23:59 | |
the inside of the TARDIS or a set from Doctor Who. | 0:23:59 | 0:24:03 | |
I think my goddaughter | 0:24:04 | 0:24:05 | |
is going to be very surprised and hopefully pleased. | 0:24:05 | 0:24:08 | |
I think she will really like the fact that she has got a room to herself. | 0:24:08 | 0:24:11 | |
And we've got a space that we can see as being a quirky, unusual, | 0:24:11 | 0:24:16 | |
wacky, fun place that goes with our style... | 0:24:16 | 0:24:21 | |
and says Hastings as well. | 0:24:21 | 0:24:25 | |
They've knocked through the door. And if you step up onto the floor | 0:24:25 | 0:24:29 | |
the floorboards gone down, this is membrane that's got to come in. | 0:24:29 | 0:24:36 | |
We've got the window way and the doorway here, which is going to | 0:24:36 | 0:24:41 | |
look out onto what will eventually be a Mediterranean garden. | 0:24:41 | 0:24:46 | |
And at the moment looks like a builder's yard. | 0:24:46 | 0:24:48 | |
What they've done is put in the frame for the slope | 0:24:48 | 0:24:53 | |
and also we've got the arch ceiling that we wanted. | 0:24:53 | 0:24:57 | |
That's the whole point of doing... We wanted something unusual. | 0:24:57 | 0:25:01 | |
This is a conservation area, | 0:25:01 | 0:25:03 | |
it's nice to hold the spirit of conservation and try | 0:25:03 | 0:25:07 | |
and keep this character within it. | 0:25:07 | 0:25:10 | |
And how many spare rooms have an arched ceiling and a sloped wall? | 0:25:10 | 0:25:13 | |
I think we'll move in here. | 0:25:15 | 0:25:16 | |
Over in sunny Sheffield, the work is almost finished on the extension. | 0:25:21 | 0:25:26 | |
Richard and his family are about to get the space | 0:25:26 | 0:25:29 | |
they desperately wanted. | 0:25:29 | 0:25:30 | |
Now the doors are in it, it's like, | 0:25:34 | 0:25:36 | |
it feels really good to have it done. | 0:25:36 | 0:25:38 | |
there's a few little things to finish off outside with | 0:25:38 | 0:25:41 | |
landscaping and things like that, but besides that it's good. | 0:25:41 | 0:25:45 | |
Sat outside last night, it was really nice. | 0:25:45 | 0:25:47 | |
And what do you think of the doors? | 0:25:47 | 0:25:49 | |
-Cool. -They're cool. | 0:25:49 | 0:25:51 | |
If a nine-year-old thinks they're cool, they must be. | 0:25:51 | 0:25:54 | |
It is massive when you're in there. | 0:25:54 | 0:25:56 | |
There's more space than we actually need. | 0:25:56 | 0:25:58 | |
The idea of having all this space is really good. | 0:25:58 | 0:26:01 | |
We just got to decide what flooring to use. | 0:26:01 | 0:26:03 | |
We've got a dark and a light one, I prefer the light one. | 0:26:03 | 0:26:06 | |
Which one do you prefer? | 0:26:06 | 0:26:08 | |
-Neither of them. -You prefer neither of them, there you go. | 0:26:08 | 0:26:11 | |
If we move round here, this will move backwards and forwards. | 0:26:11 | 0:26:15 | |
So if you want to make the room bigger, we can slide it that way. | 0:26:15 | 0:26:19 | |
We won't really make it any smaller, I haven't of thought, but | 0:26:19 | 0:26:22 | |
maybe in a few years, I don't know, then we can move it the other way. | 0:26:22 | 0:26:25 | |
And we've got plenty of storage and everything on this side. | 0:26:25 | 0:26:28 | |
We've got a desk which fits here. | 0:26:28 | 0:26:30 | |
Just loads and loads of storage space. | 0:26:30 | 0:26:33 | |
Bit of light from the window, which was never on the original drawings. | 0:26:33 | 0:26:37 | |
We decided halfway through to put a window in, | 0:26:37 | 0:26:40 | |
which really strictly we should have done from day one. | 0:26:40 | 0:26:42 | |
and I was advised by the architect to put a window in as well. | 0:26:42 | 0:26:45 | |
He was right. Listen to your architect. | 0:26:45 | 0:26:49 | |
Juliet balcony was part of the planning restriction. | 0:26:49 | 0:26:52 | |
We're having a little bit of a problem of the moment | 0:26:52 | 0:26:55 | |
trying to find one that looks right, to be perfectly honest, | 0:26:55 | 0:26:57 | |
cos there are plenty out there, | 0:26:57 | 0:26:59 | |
but they just don't seem to...just don't seem to look right. | 0:26:59 | 0:27:02 | |
But from the point of view as a structure, | 0:27:02 | 0:27:04 | |
the structure is finished all by the Juliet balcony. | 0:27:04 | 0:27:07 | |
And a couple of little electrical things and it could be signed off, | 0:27:07 | 0:27:11 | |
so from that point of view, I think it's been a resounding success. | 0:27:11 | 0:27:15 | |
I'm 50 in two weeks, so the first thing is my big party. | 0:27:15 | 0:27:19 | |
It's always been in the back of my mind that as long as it's finished | 0:27:19 | 0:27:22 | |
by my 50th birthday, then that will be like the icing on the cake. | 0:27:22 | 0:27:25 | |
So, yeah, as far as I'm concerned anyway. | 0:27:25 | 0:27:28 | |
Richard has planned it, built it. | 0:27:30 | 0:27:33 | |
And what a difference one room can make. | 0:27:33 | 0:27:35 | |
The back extension has transformed the family living area. | 0:27:35 | 0:27:39 | |
It's a huge increase in space and in the long-term should more | 0:27:39 | 0:27:42 | |
than repay the 25 grand Richard spent on it. | 0:27:42 | 0:27:45 | |
Drew and Carrie's extension is almost complete. | 0:27:47 | 0:27:51 | |
They've created a charming and idiosyncratic new bedroom. | 0:27:51 | 0:27:55 | |
And it's a canny investment - carving out extra space | 0:27:55 | 0:27:58 | |
in a conservation area is complicated but clever. | 0:27:58 | 0:28:02 | |
I think it's congratulations all round. | 0:28:02 | 0:28:04 | |
Subtitles by Red Bee Media Ltd | 0:28:22 | 0:28:25 |