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Across the country, behind closed doors, we British are building. | 0:00:03 | 0:00:07 | |
We're building up, down and out to improve our homes. | 0:00:07 | 0:00:12 | |
It's really going to mean a lot to get the planning permission through | 0:00:12 | 0:00:15 | |
so we can actually go forward. | 0:00:15 | 0:00:16 | |
But before we build, we need permission. | 0:00:16 | 0:00:18 | |
Permission from the planners. | 0:00:18 | 0:00:20 | |
A bunch of people dedicated to protecting our public spaces | 0:00:20 | 0:00:24 | |
and neighbourhoods. | 0:00:24 | 0:00:25 | |
I've got to say that I've got major concerns. | 0:00:25 | 0:00:28 | |
So if you've ever wanted a bigger kitchen, an extra bedroom | 0:00:28 | 0:00:31 | |
or an en suite bathroom, stand by. | 0:00:31 | 0:00:33 | |
It's time to Plan It, Build It. | 0:00:33 | 0:00:37 | |
Home is where the heart is, | 0:00:40 | 0:00:42 | |
but finding the perfect place to put down roots can be | 0:00:42 | 0:00:45 | |
an emotionally draining business. | 0:00:45 | 0:00:47 | |
The hassle and expense of moving are huge | 0:00:47 | 0:00:49 | |
so it's no surprise many of us stretch ourselves to buy | 0:00:49 | 0:00:52 | |
somewhere we can live for longer than the UK 12-year average. | 0:00:52 | 0:00:56 | |
But homes are rarely perfect when we buy them. | 0:00:56 | 0:00:59 | |
Getting them the way we want can involve renovations, | 0:00:59 | 0:01:02 | |
some building work, often a pricey extension. | 0:01:02 | 0:01:05 | |
Planners are inundated with applications from people who | 0:01:05 | 0:01:08 | |
have grand ideas for their homes and who are determined to | 0:01:08 | 0:01:11 | |
create their perfect living space in their desired area. | 0:01:11 | 0:01:15 | |
We do work really hard at trying to get people what they want, | 0:01:15 | 0:01:20 | |
but it can't impact on nearby properties. | 0:01:20 | 0:01:24 | |
Today it's all about creating a dream home. | 0:01:24 | 0:01:27 | |
Can homeowners with a vision make alterations and improvements without | 0:01:27 | 0:01:31 | |
being forced into unacceptable and often expensive compromises? | 0:01:31 | 0:01:36 | |
The planners will meet | 0:01:38 | 0:01:39 | |
a man who is desperate to fulfil a long-term ambition... | 0:01:39 | 0:01:43 | |
It felt right. It ticked the boxes. | 0:01:43 | 0:01:46 | |
It's actually attached to a Grade II-listed building. | 0:01:46 | 0:01:50 | |
..and a family who have strong views about their perfect home. | 0:01:50 | 0:01:54 | |
Well, I've instructed my architect that I'm not | 0:01:54 | 0:01:57 | |
comfortable at all with that. | 0:01:57 | 0:01:58 | |
I think in its present state, it possibly isn't quite, | 0:01:58 | 0:02:01 | |
quite acceptable. | 0:02:01 | 0:02:02 | |
This show isn't just about the money, | 0:02:02 | 0:02:05 | |
it's also about following a dream but by following their dreams, | 0:02:05 | 0:02:09 | |
can our homeowners also add value to their properties? | 0:02:09 | 0:02:12 | |
And will an improvement to their home be an improvement | 0:02:12 | 0:02:15 | |
to their neighbourhood? | 0:02:15 | 0:02:16 | |
The narrow streets and picturesque period houses of Old Hastings | 0:02:19 | 0:02:23 | |
are increasingly popular. | 0:02:23 | 0:02:24 | |
Old Hastings is a stone's throw from the sea, with a trendy art gallery, | 0:02:24 | 0:02:28 | |
unique shops and quirky visitor attractions. | 0:02:28 | 0:02:31 | |
People who visit fall in love with the area's bohemian atmosphere | 0:02:31 | 0:02:35 | |
and many move here for sea air and a better quality of life. | 0:02:35 | 0:02:39 | |
Some of the wooden-clad properties date back to Medieval times, | 0:02:40 | 0:02:43 | |
and with so much history, is it any wonder house prices are higher | 0:02:43 | 0:02:47 | |
than the Hastings' average? | 0:02:47 | 0:02:49 | |
A four or five-bed townhouse will set you back | 0:02:49 | 0:02:51 | |
between £400,000 to £600,000, | 0:02:51 | 0:02:54 | |
depending on the views and the state of the property. | 0:02:54 | 0:02:57 | |
The council are understandably keen to preserve the historic | 0:02:59 | 0:03:03 | |
character of Old Hastings and planner Carol Boydell | 0:03:03 | 0:03:06 | |
is excited about the latest application. | 0:03:06 | 0:03:09 | |
I've had an application from the Old Town, it's in Tackelway. | 0:03:09 | 0:03:13 | |
It's not somewhere many holiday makers seem to find at all, | 0:03:13 | 0:03:16 | |
they don't seem to venture up there. | 0:03:16 | 0:03:18 | |
They've applied for planning permission to change the roof tiles, | 0:03:18 | 0:03:22 | |
add a piece of cornice along the front that's gone missing over the | 0:03:22 | 0:03:27 | |
years, render the rear, replacement windows and doors. | 0:03:27 | 0:03:31 | |
Peter Varley has moved around for most of his life, | 0:03:32 | 0:03:36 | |
but he would dearly love to eventually settle in Old Hastings. | 0:03:36 | 0:03:39 | |
He recently bought this two-bed terraced house for £250,000. | 0:03:39 | 0:03:44 | |
It's a charming property with fabulous views, | 0:03:44 | 0:03:47 | |
but it needs a complete overhaul to become his dream home. | 0:03:47 | 0:03:51 | |
I was looking for a place on the front for ages | 0:03:51 | 0:03:53 | |
and I often walk down this street thinking how nice it was | 0:03:53 | 0:03:56 | |
without thinking a house here would be good and then this place | 0:03:56 | 0:03:59 | |
came on the market, I went and saw it and it felt right. | 0:03:59 | 0:04:04 | |
It ticked the boxes. | 0:04:06 | 0:04:07 | |
It's actually attached to a grade II-listed building so I need to check | 0:04:07 | 0:04:12 | |
the impact on the setting of the listed building and on the character | 0:04:12 | 0:04:16 | |
and setting of the conservation area, make sure there's no impact. | 0:04:16 | 0:04:21 | |
So it looks a bit of a mess, but it's not as bad as it looks. | 0:04:21 | 0:04:24 | |
So let's take a look inside. | 0:04:24 | 0:04:26 | |
Peter plans to spend 120,000 doing up the house. | 0:04:26 | 0:04:30 | |
He thinks it could be worth as much as 350,000 when finished. | 0:04:30 | 0:04:34 | |
He will attempt to completely renovate the property and turn | 0:04:34 | 0:04:37 | |
it into his perfect home, but because it's an old building in such | 0:04:37 | 0:04:41 | |
an historic area, everything external has to be approved by planning. | 0:04:41 | 0:04:46 | |
This has been and will be the kitchen. | 0:04:46 | 0:04:48 | |
There's going to be a folding sliding door from there to there | 0:04:48 | 0:04:53 | |
full height. | 0:04:53 | 0:04:54 | |
OK, so here we are in the rear yard. | 0:04:55 | 0:04:59 | |
The brickwork that you see is going to be repaired and then rendered. | 0:04:59 | 0:05:03 | |
I can also have a pastel colour included in the render which is | 0:05:03 | 0:05:09 | |
used a lot in the Old Town so I think that would look really nice. | 0:05:09 | 0:05:12 | |
-Any other issues? -There are old asbestos slates on this roof | 0:05:12 | 0:05:16 | |
which I've had tested. Had to have them tested to find out | 0:05:16 | 0:05:19 | |
the asbestos composition. | 0:05:19 | 0:05:20 | |
When you change the roof covering, of course, that again effects the | 0:05:20 | 0:05:24 | |
external appearance of the building so it's a planning permission issue. | 0:05:24 | 0:05:27 | |
Peter wants to restore the outside facade to its 19th century | 0:05:29 | 0:05:33 | |
splendour and add new bedrooms, kitchen and a dining area. | 0:05:33 | 0:05:37 | |
Planners encourage people to return homes to their former glory, | 0:05:37 | 0:05:41 | |
but they keep a close eye on exactly how it's done. | 0:05:41 | 0:05:45 | |
It's good that people are actually reinstating... | 0:05:45 | 0:05:48 | |
I know it seems crazy that you need planning permission to reinstate | 0:05:48 | 0:05:51 | |
an original feature but regardless, it still needs planning permission. | 0:05:51 | 0:05:57 | |
Peter's plans for his perfect home will rest on what Carol sees | 0:05:57 | 0:06:01 | |
when she makes her crucial site inspection. | 0:06:01 | 0:06:04 | |
We British love our homes. | 0:06:09 | 0:06:11 | |
In fact, last year we spent a massive £10.5 billion doing up | 0:06:11 | 0:06:15 | |
and renovating our properties. | 0:06:15 | 0:06:17 | |
Many of us have an idea of just how our dream home would look | 0:06:18 | 0:06:22 | |
if money was no object. | 0:06:22 | 0:06:23 | |
But planners have a duty to stop anything that might harm | 0:06:23 | 0:06:26 | |
the local environment. | 0:06:26 | 0:06:28 | |
This can often lead to homeowner frustration, especially | 0:06:28 | 0:06:31 | |
if they're required to compromise on their dream. | 0:06:31 | 0:06:34 | |
People's homes are important | 0:06:36 | 0:06:37 | |
because they have a lot of emotional interest there. | 0:06:37 | 0:06:40 | |
Many people have lived there for several years for instance | 0:06:40 | 0:06:42 | |
and invested a lot of time and energy on their home, | 0:06:42 | 0:06:45 | |
so of course it's very important to them. | 0:06:45 | 0:06:47 | |
This is the Sheffield borough of Eccleshall, | 0:06:49 | 0:06:52 | |
one of the most desirable places to live in the city. | 0:06:52 | 0:06:55 | |
With large houses, quiet streets and plenty of green space, | 0:06:55 | 0:06:58 | |
the area attracts middle-class professional families. | 0:06:58 | 0:07:03 | |
There is the odd bargain, but large detached properties | 0:07:03 | 0:07:06 | |
on the most gentrified streets are worth well over 500,000. | 0:07:06 | 0:07:11 | |
Sheffield Council are responsible for maintaining the look | 0:07:11 | 0:07:14 | |
of Eccleshall and planner Simon Tucker has dealt with increasing numbers | 0:07:14 | 0:07:18 | |
of applications from people with grand visions for their homes. | 0:07:18 | 0:07:23 | |
This street, they are executive houses. | 0:07:23 | 0:07:25 | |
So as times have changed, we get more applications for master suites | 0:07:25 | 0:07:30 | |
and what have you where you get a dressing room, | 0:07:30 | 0:07:32 | |
an en suite attached to the main bedroom. | 0:07:32 | 0:07:34 | |
And those kind of things that are quite fashionable, really, | 0:07:34 | 0:07:39 | |
for executive homes these days. | 0:07:39 | 0:07:42 | |
Greg and Nicola Thompson bought this detached family home | 0:07:45 | 0:07:48 | |
in Eccleshall seven years ago for 370,000. | 0:07:48 | 0:07:52 | |
It's a magnificent property, with four reception rooms, | 0:07:52 | 0:07:55 | |
four bedrooms and a huge garden leading on to woodland. | 0:07:55 | 0:07:58 | |
But the Thompson's desperately want planning permission to add | 0:07:58 | 0:08:01 | |
an additional 40 square metres. | 0:08:01 | 0:08:04 | |
We're hoping to extend in two bedrooms upstairs, one of them being | 0:08:05 | 0:08:09 | |
an en suite and then in addition to that, hopefully we're going to | 0:08:09 | 0:08:12 | |
replace the roof and that's going to give us a bigger living area | 0:08:12 | 0:08:16 | |
in the loft with two bedrooms and I think we're going to have a... | 0:08:16 | 0:08:21 | |
We're going to have quite a large room that we're going to turn into a cinema room. | 0:08:21 | 0:08:26 | |
The Thompsons plan to spend 50,000 to 70,000 on their extension, | 0:08:28 | 0:08:32 | |
adding dormer windows to the front and raising | 0:08:32 | 0:08:34 | |
the height of the roof to give them two more bedrooms and a cinema room. | 0:08:34 | 0:08:39 | |
Nice. | 0:08:39 | 0:08:40 | |
But prepare to be amazed - they estimate the house could be | 0:08:40 | 0:08:43 | |
worth a staggering £750,000 when they've finished. Wow. | 0:08:43 | 0:08:48 | |
Of course, they have no intention of selling up. | 0:08:48 | 0:08:50 | |
They're just determined to create their perfect home. | 0:08:50 | 0:08:54 | |
-The other area we could have gone down was move, couldn't we? -Yeah. | 0:08:54 | 0:08:57 | |
And we decided we're settled here, the kids... | 0:08:57 | 0:09:00 | |
Well, Alex is at school literally 300 yards down the road. | 0:09:00 | 0:09:03 | |
Will starts there this year and the schooling's excellent in the area. | 0:09:03 | 0:09:07 | |
So, yeah, it was important for us, we made a decision to | 0:09:07 | 0:09:10 | |
stay in the property and just try and build on that really. | 0:09:10 | 0:09:14 | |
So the idea is we're literally just coming out three metres, | 0:09:14 | 0:09:19 | |
maybe a little bit more, but we're coming out so everything's in line | 0:09:19 | 0:09:23 | |
and it's just creating a little bit more space for us, really. | 0:09:23 | 0:09:27 | |
They also want to do some roof alterations as well which will | 0:09:27 | 0:09:29 | |
probably be the most prominent bit you're going to see from the street. | 0:09:29 | 0:09:32 | |
Essentially, what they're proposing to do is to increase the roof pitch | 0:09:32 | 0:09:35 | |
slightly to get a higher roof | 0:09:35 | 0:09:39 | |
and get quite sizable attic accommodation. | 0:09:39 | 0:09:42 | |
The main things we'll be looking to are whether it | 0:09:42 | 0:09:45 | |
fits in with the general street scene. | 0:09:45 | 0:09:47 | |
There's also whether the dormers themselves are in character | 0:09:47 | 0:09:50 | |
with the street. | 0:09:50 | 0:09:52 | |
A lot of the properties on our street have already undertaken | 0:09:52 | 0:09:55 | |
similar sort of extensions so all being well, we're hoping that it | 0:09:55 | 0:09:58 | |
should be quite a straightforward process again, really. | 0:09:58 | 0:10:01 | |
Greg may be confident they'll get their plans approved, | 0:10:01 | 0:10:04 | |
but planners work to strict guidelines, | 0:10:04 | 0:10:07 | |
and Simon has plenty of things to consider, both front and back, | 0:10:07 | 0:10:11 | |
before the en suite and cinema room become a reality. | 0:10:11 | 0:10:14 | |
Back in Old Hastings, Carol has arrived to perform her | 0:10:22 | 0:10:25 | |
crucial site inspection. | 0:10:25 | 0:10:27 | |
Remember, Peter has plans to completely renovate his property, | 0:10:28 | 0:10:32 | |
but needs planning permission for almost every alteration. | 0:10:32 | 0:10:36 | |
You've started work on the renovation then? | 0:10:37 | 0:10:40 | |
-Yes, it's a bit dusty. -I'm used to it. | 0:10:40 | 0:10:44 | |
Wow, what a lovely view. | 0:10:49 | 0:10:52 | |
Lovely. | 0:10:54 | 0:10:55 | |
Right, so these are the asbestos tiles that are to be replaced. | 0:10:58 | 0:11:02 | |
It's the replacement tiles that we would need a sample of just | 0:11:02 | 0:11:05 | |
so we can see what's going to go up there. | 0:11:05 | 0:11:07 | |
But I think I read that it's to match the adjacent property. | 0:11:07 | 0:11:09 | |
Yeah, which is composite. | 0:11:09 | 0:11:11 | |
-Yeah, yeah. -So it looks like slate, but it's not. -OK. No, that's fine. | 0:11:11 | 0:11:14 | |
We normally ask for samples just to double check that it's...OK. | 0:11:14 | 0:11:19 | |
-There's no rush, it would be added as a condition. -OK. -All right? | 0:11:19 | 0:11:23 | |
So the other two are rendered already. | 0:11:28 | 0:11:30 | |
You're going to replace this window and door with a larger opening. | 0:11:30 | 0:11:34 | |
-Yes. -That'll let a lot more light in, won't it? -Yeah. -OK. | 0:11:34 | 0:11:37 | |
And that's the listed building there, isn't it? OK. | 0:11:37 | 0:11:41 | |
Thank you. | 0:11:41 | 0:11:42 | |
-You've got replacement windows and door? -Yes. -Lovely. | 0:11:46 | 0:11:50 | |
And you're reinstating the cornice along the front, that's good. | 0:11:50 | 0:11:54 | |
Yes, it says on the application cement render, | 0:11:54 | 0:11:57 | |
but I was wondering if I could do it in fibreglass. | 0:11:57 | 0:12:00 | |
Fibreglass, hmm. | 0:12:00 | 0:12:02 | |
I don't know if I've come across that before, can I look into it? | 0:12:02 | 0:12:05 | |
-Yeah, yeah. -Is that OK? | 0:12:05 | 0:12:06 | |
Right, I'll make a note about that and I'll let you know. | 0:12:06 | 0:12:09 | |
And now to the finer points. | 0:12:09 | 0:12:12 | |
-One thing, the paint on the front. -Yes. | 0:12:12 | 0:12:17 | |
-I think I put on the application white. -OK. | 0:12:17 | 0:12:21 | |
-Can that be sort of off-white? -Off-white. | 0:12:21 | 0:12:24 | |
What I'll do, I'll have a word with my conservation officer | 0:12:27 | 0:12:30 | |
and just make sure there's no reason that she can see | 0:12:30 | 0:12:32 | |
-why it can't be off-white. -OK. | 0:12:32 | 0:12:36 | |
The Old Town has many pastel painted-buildings. | 0:12:36 | 0:12:39 | |
They're a charming feature. | 0:12:39 | 0:12:41 | |
But town planners regulate colours, | 0:12:41 | 0:12:43 | |
and even care about the look of your front door. | 0:12:43 | 0:12:46 | |
It might be that we'll be asking for the panels to be slightly... | 0:12:46 | 0:12:51 | |
proportioned differently because normally, it would be a smaller, | 0:12:51 | 0:12:54 | |
lower panel but I'll have a look at that. | 0:12:54 | 0:12:57 | |
It's not something that would be a problem, we can just condition that. | 0:12:57 | 0:13:00 | |
-Right, thank you very much for that, showing me around. -Thank you. | 0:13:00 | 0:13:04 | |
The consultation period closes in a couple of weeks | 0:13:04 | 0:13:07 | |
so you'll hear from me soon. | 0:13:07 | 0:13:08 | |
-All right? Thank you, bye. -Thank you. Bye. | 0:13:08 | 0:13:10 | |
That seemed positive but what does Carol think? | 0:13:10 | 0:13:13 | |
The only issues are really to do with the door and possibly | 0:13:13 | 0:13:16 | |
with the cornicing and it depends on the finish of the slate. | 0:13:16 | 0:13:21 | |
If we ask for a sample and it's not acceptable, it could be refused | 0:13:21 | 0:13:26 | |
but he seems like he wants to do a good job. | 0:13:26 | 0:13:29 | |
I'm sure he'll do what's best for the property. | 0:13:29 | 0:13:32 | |
I'm actually starting to realise the vision I have for this place, | 0:13:32 | 0:13:38 | |
that I'm going to get it as I want it. Fingers crossed. | 0:13:38 | 0:13:41 | |
Over in Sheffield, Simon has arrived on the Thompson's doorstep. | 0:13:42 | 0:13:46 | |
-Hello, is it Mr Thompson? -It is, yes. | 0:13:46 | 0:13:48 | |
-Oh, hiya, Simon. -Hello, Simon, nice to meet you. | 0:13:48 | 0:13:51 | |
Greg and Nicola's grand plans for an extra 40 square metres of roof space | 0:13:51 | 0:13:55 | |
with an en suite bathroom, extra bedrooms and a cinema room | 0:13:55 | 0:13:59 | |
rely on what Simon sees during this vital site inspection. | 0:13:59 | 0:14:03 | |
All I need to see is just see the outside so is it possible to just go outside to...? | 0:14:04 | 0:14:08 | |
Yeah, of course it is. | 0:14:08 | 0:14:10 | |
Do you want us to leave you to your own devices and then come in or...? | 0:14:14 | 0:14:17 | |
It's up to you, really. I mean, I don't need you here, | 0:14:17 | 0:14:20 | |
if you want me to just take a quick look outside, so that'll be fine. | 0:14:20 | 0:14:24 | |
OK, super. | 0:14:24 | 0:14:25 | |
Now he's alone, Simon needs to see if Greg and Nicola's roof | 0:14:25 | 0:14:28 | |
extension will have an unacceptable impact on their neighbours. | 0:14:28 | 0:14:33 | |
The impact probably isn't going to be much | 0:14:33 | 0:14:34 | |
greater than the first floor windows that are there, | 0:14:34 | 0:14:37 | |
regards to the neighbours on either side. | 0:14:37 | 0:14:39 | |
It's obviously a very long garden that we've got here so... | 0:14:39 | 0:14:43 | |
Well, it shouldn't be that significant really. | 0:14:43 | 0:14:46 | |
So it's looking good from this angle. | 0:14:46 | 0:14:49 | |
-OK, I've done all I need to do around the back... -OK. | 0:14:49 | 0:14:52 | |
If we get the application approved, Simon, is it three years | 0:14:52 | 0:14:56 | |
-from the approval date that we've got to start the build? -Exactly, yes. | 0:14:56 | 0:15:00 | |
Right, OK. | 0:15:00 | 0:15:01 | |
And how's the visit gone this morning? | 0:15:01 | 0:15:03 | |
-Has it all been quite straightforward? -Well, yeah. | 0:15:03 | 0:15:05 | |
The main things I've got to look at are, for the rear extension, | 0:15:05 | 0:15:08 | |
it's the impacts on the neighbours on either side | 0:15:08 | 0:15:11 | |
and for the front of it, it's mainly the impact of the roof extensions. | 0:15:11 | 0:15:15 | |
-And how that fits in with the general street scene and what have you. -Yep. | 0:15:15 | 0:15:19 | |
Thanks for your time, Simon. | 0:15:19 | 0:15:22 | |
Before Simon goes back to the office, he needs to double check | 0:15:22 | 0:15:26 | |
the all-important front elevation. | 0:15:26 | 0:15:28 | |
I'm a bit concerned at the proposed scale of the roof extension, | 0:15:29 | 0:15:33 | |
I'm a bit concerned that it might be out of proportion with the general | 0:15:33 | 0:15:36 | |
street scene and also the proportions of the house as well. | 0:15:36 | 0:15:39 | |
This is a common problem for planners. | 0:15:39 | 0:15:42 | |
A large roof extension changes the proportions of the house, | 0:15:42 | 0:15:45 | |
making it taller than it is wide. | 0:15:45 | 0:15:47 | |
Furthermore, where neighbouring houses have pitched roofs, | 0:15:47 | 0:15:51 | |
a box shape can look out of place. | 0:15:51 | 0:15:53 | |
At the present state, it possibly isn't quite acceptable | 0:15:55 | 0:15:58 | |
so it's really looking at that and also looking at the impact | 0:15:58 | 0:16:02 | |
of the dormers as well, which do accentuate the height of that a bit. | 0:16:02 | 0:16:06 | |
Simon might have concerns, but at least Greg's upbeat. | 0:16:07 | 0:16:11 | |
Well, I think, generally, it just went as expected, | 0:16:11 | 0:16:14 | |
it was quite straightforward. | 0:16:14 | 0:16:16 | |
Whether we get something on paper or an objection from a neighbour, | 0:16:16 | 0:16:19 | |
that's the only thing I really foresee delaying the process, really. | 0:16:19 | 0:16:24 | |
-But, yeah, I think just as expected. -Yeah. | 0:16:24 | 0:16:27 | |
Well, we'll soon see, Greg. | 0:16:27 | 0:16:28 | |
Over in Old Hastings, where Peter is hoping to create his dream home, | 0:16:31 | 0:16:35 | |
head planner Raymond Crawford is walking the job. | 0:16:35 | 0:16:39 | |
He tries to spends a couple of days a month out | 0:16:39 | 0:16:41 | |
and about in his patch, keeping an eye on what's going on. | 0:16:41 | 0:16:45 | |
He always loves spending time in the Old Town. | 0:16:45 | 0:16:49 | |
A really high proportion of the buildings in the Old Town are listed | 0:16:49 | 0:16:52 | |
and that's actually what attracts a lot of people to move here. | 0:16:52 | 0:16:55 | |
I think, quite naively, people think they can keep all the nice bits | 0:16:55 | 0:16:59 | |
and make all sorts of changes to modernise them. | 0:16:59 | 0:17:04 | |
With a listed building, it's not just the outside that's listed, | 0:17:04 | 0:17:06 | |
it's the inside and there's a house on the East Hill | 0:17:06 | 0:17:09 | |
that's got original William Morris wallpaper and so in there, | 0:17:09 | 0:17:13 | |
the wallpaper is an important character. | 0:17:13 | 0:17:16 | |
You can't even go down to B&Q and replace the wallpaper. | 0:17:16 | 0:17:19 | |
And Raymond has seen plenty of planning mistakes in the past. | 0:17:19 | 0:17:22 | |
Behind me, you've got a pair of semi-detached houses which is, | 0:17:22 | 0:17:25 | |
kind of, quite out of the ordinary | 0:17:25 | 0:17:27 | |
and not really something we should expect to see in the Old Town. | 0:17:27 | 0:17:30 | |
I think now, if we had an application for something like this, | 0:17:30 | 0:17:33 | |
we'd have refused it. We'd have expected the building to come up | 0:17:33 | 0:17:36 | |
to the road front just like the old properties. | 0:17:36 | 0:17:38 | |
But, clearly, and over time, when it came in, people were less sensitive | 0:17:38 | 0:17:43 | |
about the old character and it was all about new, modern. | 0:17:43 | 0:17:47 | |
Yeah, we want front gardens. | 0:17:47 | 0:17:49 | |
Will it fit in with the grain of the Old Town? | 0:17:49 | 0:17:52 | |
Here's something Raymond's team can do something about. | 0:17:52 | 0:17:56 | |
We've got a bit of an issue with the colour of this particular one, | 0:17:56 | 0:17:59 | |
which we're pursuing. | 0:17:59 | 0:18:01 | |
The others are all quite subtly painted. | 0:18:01 | 0:18:04 | |
The interesting thing here though is the building just behind me | 0:18:04 | 0:18:07 | |
was built in the 1970s. | 0:18:07 | 0:18:09 | |
It's not pretending to be old at all, | 0:18:09 | 0:18:12 | |
it's very much of its time, but I think it's really quite | 0:18:12 | 0:18:14 | |
successful because the scale of it is in-keeping with the area. | 0:18:14 | 0:18:18 | |
It's got the right kind of feel | 0:18:18 | 0:18:19 | |
and grain of the Old Town whilst still not pretending to be old. | 0:18:19 | 0:18:23 | |
With such a rich mish-mash of architectural history, | 0:18:23 | 0:18:27 | |
it's no surprise people are flocking to live | 0:18:27 | 0:18:29 | |
and extend in Old Hastings, but Raymond has a word of caution. | 0:18:29 | 0:18:34 | |
In somewhere like the Old Town, | 0:18:34 | 0:18:36 | |
in particular where the gardens are very small | 0:18:36 | 0:18:38 | |
and the houses very close together, if you're thinking about extending, | 0:18:38 | 0:18:41 | |
you're eating into that very little bit of amenity space you've got. | 0:18:41 | 0:18:44 | |
So you do need to think very carefully about the compromises | 0:18:44 | 0:18:46 | |
you're making and whether what you end up with is what you actually need. | 0:18:46 | 0:18:50 | |
Right, over to Sheffield | 0:18:51 | 0:18:53 | |
and things aren't as straightforward as the Thompsons had hoped. | 0:18:53 | 0:18:57 | |
Simon has had time to think over their proposals | 0:18:57 | 0:18:59 | |
and now has major reservations. | 0:18:59 | 0:19:02 | |
What they're seeking at the moment is a roof extension. | 0:19:02 | 0:19:07 | |
It is quite a tall extension, it would be taller | 0:19:07 | 0:19:09 | |
than the two neighbours on either side. | 0:19:09 | 0:19:13 | |
The other element that I'm probably going to query the most | 0:19:13 | 0:19:16 | |
with my team leader is the issue to do with | 0:19:16 | 0:19:18 | |
the two front dormer windows. | 0:19:18 | 0:19:20 | |
I'm not sure they really fit in with the style of house. | 0:19:20 | 0:19:23 | |
With these difficult issues hanging over the Thompson's plans, | 0:19:23 | 0:19:26 | |
their dream extension is in jeopardy. | 0:19:26 | 0:19:29 | |
Simon needs to refer the application to one of Sheffield's senior | 0:19:29 | 0:19:32 | |
planners, Chris Heeley. | 0:19:32 | 0:19:34 | |
The issue of I've got really | 0:19:34 | 0:19:35 | |
is to do with the scale of the roof extension. | 0:19:35 | 0:19:38 | |
I think the concern here is the ridge height here is going to | 0:19:38 | 0:19:40 | |
be higher than the ridge height of the neighbours. | 0:19:40 | 0:19:43 | |
I just think it would look a bit discordant | 0:19:43 | 0:19:46 | |
in terms of the general street scene. | 0:19:46 | 0:19:48 | |
I think the main issue I would like your advice on, Chris, | 0:19:48 | 0:19:51 | |
is to do with the dormer windows. | 0:19:51 | 0:19:52 | |
I'm unconvinced they fit in with the proportions of the house. | 0:19:52 | 0:19:56 | |
As it stands at the moment, I'd be quite confident to recommend | 0:19:56 | 0:20:00 | |
-that for refusal. -Yeah, I would agree with that. | 0:20:00 | 0:20:03 | |
Can they put them on the rear to achieve the same accommodation? | 0:20:03 | 0:20:07 | |
Well, I certainly think it is feasible. | 0:20:07 | 0:20:09 | |
-Yeah, I'm happy with that. -Yeah. | 0:20:09 | 0:20:11 | |
This news is a big blow to the Thompsons. | 0:20:11 | 0:20:14 | |
A restricted roof height and dormer windows on the rear | 0:20:14 | 0:20:16 | |
will force them to scale back their plans, | 0:20:16 | 0:20:19 | |
restricting the amount of space for the bedrooms and cinema room. | 0:20:19 | 0:20:23 | |
Greg is reporting the bad news back to Nicola. | 0:20:23 | 0:20:26 | |
So I've had a call back from the architect this afternoon, | 0:20:26 | 0:20:28 | |
he's had some reservations back from the council | 0:20:28 | 0:20:33 | |
with regards to the plans. | 0:20:33 | 0:20:35 | |
Two key areas that they want to try and make some amendments on. | 0:20:35 | 0:20:39 | |
One's the dormer windows on the front of the property. | 0:20:39 | 0:20:43 | |
They're suggesting that they'd be more comfortable | 0:20:43 | 0:20:46 | |
if we could place them on the rear. | 0:20:46 | 0:20:47 | |
So, the architect's aware that the house next door has already got | 0:20:47 | 0:20:51 | |
-dormer windows on the front? -Well, I've told him, yeah. | 0:20:51 | 0:20:53 | |
And they're also talking about trying to enforce some | 0:20:53 | 0:20:58 | |
kind of height restriction on the roof as well. | 0:20:58 | 0:21:01 | |
Restrictions on the height will cut down the internal space, | 0:21:01 | 0:21:05 | |
and Greg is loathe to change the location of the dormer windows. | 0:21:05 | 0:21:08 | |
I'd really like to try and keep the dormers on the front. | 0:21:08 | 0:21:11 | |
I don't see a reason why we can't do that, I think it's going to | 0:21:11 | 0:21:15 | |
add to the attractiveness of the house. | 0:21:15 | 0:21:17 | |
I'm struggling a little bit to see some logic as to why | 0:21:17 | 0:21:20 | |
they're not prepared to accept the dormer windows on the front. | 0:21:20 | 0:21:25 | |
I'll be instructing my architect that I'm not comfortable | 0:21:25 | 0:21:28 | |
at all with that this evening. | 0:21:28 | 0:21:30 | |
In Hastings, Carol has had time to think about Peter's plans | 0:21:33 | 0:21:37 | |
for his Old Town home. | 0:21:37 | 0:21:39 | |
The 21-day neighbourhood consultation period has now | 0:21:39 | 0:21:42 | |
passed so he's anxious to find out | 0:21:42 | 0:21:44 | |
if he's got the planning permission he vitally needs. | 0:21:44 | 0:21:49 | |
I'm hopeful because I think... I get the impression they want to support | 0:21:49 | 0:21:53 | |
people bringing these old houses back to... | 0:21:53 | 0:21:57 | |
as close to original condition externally as possible | 0:21:57 | 0:22:01 | |
and that's what I'm trying to do. | 0:22:01 | 0:22:03 | |
Carol has written her report, | 0:22:03 | 0:22:05 | |
but wants to run a couple of points by senior planner, Karen Phillips. | 0:22:05 | 0:22:09 | |
-So, he's putting a new roof on, is he? -Yes. -OK. | 0:22:09 | 0:22:12 | |
So what roof tiles is he proposing? | 0:22:12 | 0:22:14 | |
-Slate of sort. -OK. -Yeah, yeah. | 0:22:14 | 0:22:17 | |
This cornice was brought up. | 0:22:17 | 0:22:20 | |
He mentioned a fibreglass moulding and whether that would be acceptable, | 0:22:20 | 0:22:24 | |
but I'd said I'd need to discuss that back in the office | 0:22:24 | 0:22:27 | |
because I haven't come across that before. | 0:22:27 | 0:22:29 | |
So I think the best thing to do, maybe, | 0:22:29 | 0:22:31 | |
is if I can just put it as a condition? | 0:22:31 | 0:22:33 | |
-Yes, details of that, yes. -Or a sample, yeah? -Yeah. | 0:22:33 | 0:22:36 | |
The other thing he brought up was painting the front. | 0:22:36 | 0:22:38 | |
He's asking for either an off-white or a cream | 0:22:38 | 0:22:42 | |
and that's pretty much what's in the area. | 0:22:42 | 0:22:44 | |
So nothing drastic? | 0:22:44 | 0:22:45 | |
No, so I thought maybe just ask for a sample. | 0:22:45 | 0:22:48 | |
Yeah. Yeah, it sounds like it's pretty subtle, | 0:22:48 | 0:22:52 | |
he doesn't want bright pink or anything. | 0:22:52 | 0:22:55 | |
It's now time for Peter to discover | 0:22:55 | 0:22:57 | |
if he can have planning to build a home he always wanted. | 0:22:57 | 0:23:01 | |
MOBILE PHONE RINGS | 0:23:01 | 0:23:04 | |
CAROL: Hello. | 0:23:04 | 0:23:05 | |
I just wondered if there's been any movements? | 0:23:05 | 0:23:09 | |
-OK, yes, a decision has just been made actually... -OK. | 0:23:09 | 0:23:12 | |
..and it has been granted. | 0:23:12 | 0:23:16 | |
That's a yes for Peter! | 0:23:16 | 0:23:18 | |
Carol felt that Peter's plans were complementary to the Old Town. | 0:23:18 | 0:23:21 | |
I'm really pleased, yeah. | 0:23:21 | 0:23:23 | |
So I'll have a few beers tonight. | 0:23:23 | 0:23:26 | |
Take two for the Thompsons. | 0:23:29 | 0:23:31 | |
In Sheffield, Simon has received their new and updated plans. | 0:23:31 | 0:23:35 | |
He sat down with Chris to work out if the new drawings are acceptable. | 0:23:35 | 0:23:40 | |
What they've done, which is never ideal, essentially they've | 0:23:40 | 0:23:43 | |
-just made the top of the roof a flat roof structure. -Right. | 0:23:43 | 0:23:46 | |
And the other thing I'm concerned about | 0:23:46 | 0:23:48 | |
is the dormer windows themselves. | 0:23:48 | 0:23:50 | |
They don't really relate very well | 0:23:50 | 0:23:52 | |
with the style of house, quite simply. | 0:23:52 | 0:23:55 | |
It draws your eye to the fact that the side extension on that house | 0:23:56 | 0:24:00 | |
doesn't really align that well and also doesn't really | 0:24:00 | 0:24:03 | |
complement the large bay windows beneath very well either. | 0:24:03 | 0:24:07 | |
Mmm, this isn't sounding good. | 0:24:07 | 0:24:09 | |
And I think my final issue with them is that they do draw your attention | 0:24:09 | 0:24:12 | |
to the roof and probably do draw your attention to the flat roof bit. | 0:24:12 | 0:24:16 | |
-It's a combination. -I think it does lead to an overly fussy roof. | 0:24:16 | 0:24:21 | |
You've got two elements there that aren't necessarily | 0:24:21 | 0:24:23 | |
part of the street scene. | 0:24:23 | 0:24:25 | |
So your feeling is a refusal? | 0:24:25 | 0:24:27 | |
I think as it currently stands, it's a justifiable refusal | 0:24:27 | 0:24:31 | |
as it is against our design policies. | 0:24:31 | 0:24:34 | |
I've given them a deadline to get the amended plans | 0:24:34 | 0:24:37 | |
which is the 8th of April, | 0:24:37 | 0:24:38 | |
so if we don't get them by then, | 0:24:38 | 0:24:40 | |
then I think it will be delegated a refusal. | 0:24:40 | 0:24:43 | |
Things might not be going well in Sheffield, | 0:24:45 | 0:24:48 | |
but in Hastings, Peter has started construction on his dream home. | 0:24:48 | 0:24:52 | |
It might have all taken longer than he hoped, | 0:24:52 | 0:24:54 | |
but the project is now well under way. | 0:24:54 | 0:24:57 | |
As you can see, the scaffolding's up. | 0:24:57 | 0:24:59 | |
It's really good to finally start after such a long stage of planning. | 0:24:59 | 0:25:04 | |
This is one of the two bedrooms. | 0:25:06 | 0:25:09 | |
The big change is behind this tarpaulin | 0:25:09 | 0:25:11 | |
which is they've taken the old roof covering off. | 0:25:11 | 0:25:16 | |
So this bedroom at the back of the house is the one | 0:25:18 | 0:25:21 | |
that I'm probably going to have as my room. | 0:25:21 | 0:25:24 | |
I'm going to have a bed here | 0:25:24 | 0:25:25 | |
and I do realise that I've got line of sight | 0:25:25 | 0:25:28 | |
for when I'm sitting up in the bed in the morning, drinking my coffee. | 0:25:28 | 0:25:32 | |
I can see the sea and the pier through the window | 0:25:32 | 0:25:35 | |
so that's why I've decided to have this room. | 0:25:35 | 0:25:38 | |
I knew in my mind that the planning might be a challenge, | 0:25:38 | 0:25:41 | |
but it's been more of a challenge than I expected. | 0:25:41 | 0:25:43 | |
I hadn't anticipated quite so much attention to detail. | 0:25:43 | 0:25:46 | |
Now, we've started the execution of it, | 0:25:46 | 0:25:48 | |
it seems to be going really smoothly. | 0:25:48 | 0:25:50 | |
It's really exciting seeing it all come together. | 0:25:52 | 0:25:56 | |
I just can't wait cos I know it's going to be really nice inside. | 0:25:56 | 0:26:00 | |
Back in Sheffield, in an effort to salvage their dream home, | 0:26:05 | 0:26:09 | |
Greg and Nicola have decided to compromise. | 0:26:09 | 0:26:11 | |
Chris and Simon have received their new plans. | 0:26:11 | 0:26:14 | |
From a design point of view, | 0:26:16 | 0:26:17 | |
the extension isn't going to look out of place in the street scene. | 0:26:17 | 0:26:21 | |
The Thompsons architect has finally come up with a way of | 0:26:21 | 0:26:24 | |
lowering the height of the roof | 0:26:24 | 0:26:26 | |
and replacing the dormers with sky lights without losing space. | 0:26:26 | 0:26:31 | |
But are Greg and Nicola happy | 0:26:31 | 0:26:33 | |
they'll still get the home they always wanted? | 0:26:33 | 0:26:36 | |
Although we're disappointed that they didn't get approved, I think, | 0:26:36 | 0:26:40 | |
in hindsight, we can see the council's perspective | 0:26:40 | 0:26:43 | |
and point of view. | 0:26:43 | 0:26:44 | |
From our perspective, we've still got a nice design | 0:26:44 | 0:26:48 | |
that's going to give us what we need. | 0:26:48 | 0:26:51 | |
There are probably some design elements we were... | 0:26:51 | 0:26:54 | |
Mainly, the flat roof element that we are probably less keen on. | 0:26:54 | 0:26:59 | |
Although we disagreed with the original decision, | 0:26:59 | 0:27:02 | |
I think, in hindsight, they probably made the right choice | 0:27:02 | 0:27:04 | |
-and we're happy with that decision. -Yes, we are. | 0:27:04 | 0:27:08 | |
It was important to get the approval, wasn't it, | 0:27:08 | 0:27:11 | |
because this is our dream home, we don't intend on moving from here. | 0:27:11 | 0:27:15 | |
We just want to create a bigger family house, don't we? | 0:27:15 | 0:27:18 | |
And we just know that moving forward, we can do the extension | 0:27:18 | 0:27:23 | |
and make more room for us all upstairs. | 0:27:23 | 0:27:25 | |
-It seems to have worked out perfectly, hasn't it. -Yeah, it has. | 0:27:25 | 0:27:29 | |
The Thompsons have planned it and will soon build it. | 0:27:31 | 0:27:34 | |
They will get their extra bedrooms AND the cinema room. | 0:27:34 | 0:27:38 | |
Plus, it's estimated they will add around 150,000 | 0:27:38 | 0:27:42 | |
to the price of their home. | 0:27:42 | 0:27:43 | |
Peter will also get the house he always wanted. | 0:27:45 | 0:27:48 | |
The build and decoration should be completed within months | 0:27:48 | 0:27:51 | |
and he believes the house will be worth an extra 100,000 when finished. | 0:27:51 | 0:27:56 | |
Two dream homes with very impressive price tickets. | 0:27:56 | 0:28:00 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:27 |