Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
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Welcome to The Repair Shop, | 0:00:02 | 0:00:03 | |
where cherished family heirlooms are brought back to life... | 0:00:03 | 0:00:06 | |
Anything can happen. This is the workshop of dreams. | 0:00:06 | 0:00:09 | |
..home to furniture restorer Jay Blades. | 0:00:09 | 0:00:12 | |
Nowadays, things are not built to last, | 0:00:12 | 0:00:14 | |
so we've become part of this throwaway culture. | 0:00:14 | 0:00:17 | |
It's all about preserving and restoring. | 0:00:17 | 0:00:20 | |
We bring the old back to new. | 0:00:20 | 0:00:22 | |
Working alongside Jay | 0:00:22 | 0:00:24 | |
will be some of the country's leading craftspeople... | 0:00:24 | 0:00:26 | |
I like making things with my hands. | 0:00:26 | 0:00:28 | |
I love to see how things work and I want to know how things work. | 0:00:28 | 0:00:32 | |
Whether it's a Rembrandt or somebody's family piece, | 0:00:32 | 0:00:35 | |
every painting deserves the same. | 0:00:35 | 0:00:38 | |
..each bringing their own unique set of skills. | 0:00:38 | 0:00:41 | |
You're about to witness some magic. | 0:00:41 | 0:00:43 | |
They will resurrect, revive... | 0:00:43 | 0:00:46 | |
Oh, yes! | 0:00:46 | 0:00:48 | |
..and rejuvenate treasured possessions | 0:00:48 | 0:00:51 | |
and irreplaceable pieces of family history... | 0:00:51 | 0:00:55 | |
Oh, my goodness me! It looks like it's new! | 0:00:55 | 0:00:58 | |
..bringing both the objects... | 0:00:58 | 0:01:00 | |
-SHE GASPS -Oh, wow! | 0:01:00 | 0:01:02 | |
..and the memories that they hold back to life. | 0:01:02 | 0:01:06 | |
Oh, thank you. Oh! | 0:01:06 | 0:01:08 | |
In the Repair Shop today, | 0:01:14 | 0:01:16 | |
clockmaker Steve Fletcher feels the pressure, | 0:01:16 | 0:01:20 | |
as he gets to grips with a broken barometer. | 0:01:20 | 0:01:23 | |
This is the bit that I haven't been looking forward to. | 0:01:23 | 0:01:26 | |
When the glass breaks - if it does - it's a complete and utter disaster. | 0:01:26 | 0:01:30 | |
While furniture restorer Will Kirk | 0:01:30 | 0:01:32 | |
is entrusted with a pair of oars that could have a hidden past. | 0:01:32 | 0:01:37 | |
Is it going away or is it staying? To me, it looks like it's... | 0:01:37 | 0:01:40 | |
Hold on. You want to not rub too hard. | 0:01:40 | 0:01:43 | |
First in today is Rachael Dickens, | 0:01:47 | 0:01:49 | |
whose item has already been received | 0:01:49 | 0:01:51 | |
by Jay and electronics expert Geoff Harvey. | 0:01:51 | 0:01:54 | |
-Hello, how are we doing? You all right? -I'm Geoff. | 0:01:54 | 0:01:57 | |
-Very nice to meet you. -Hi, Geoff. -Hi, there. -This must be yours then. | 0:01:57 | 0:02:00 | |
-Yes, it is. -It's a pinball machine. OK. It's in bits then. | 0:02:00 | 0:02:04 | |
Yes, so this bit's come off, but it's all there. | 0:02:04 | 0:02:09 | |
I don't know if it can be repaired, but it would be great if it could. | 0:02:09 | 0:02:12 | |
-OK. -I got it in a junk shop in Margate. -OK. | 0:02:12 | 0:02:15 | |
And I got it from a guy who said he'd bought loads from Dreamland. | 0:02:15 | 0:02:20 | |
-So, Dreamland, remind me. -It's a big sort of arcade in Margate. -OK. | 0:02:20 | 0:02:23 | |
So, I spent a lot of time in Margate on the arcades, | 0:02:23 | 0:02:26 | |
-when I should have been doing my A levels! -OK. | 0:02:26 | 0:02:29 | |
So, it does have a big nostalgic quality for me. | 0:02:29 | 0:02:33 | |
-Did you pass the A levels? -I did. Only just! | 0:02:33 | 0:02:35 | |
-So, that's all right, isn't it? -Yeah. | 0:02:35 | 0:02:37 | |
Until now, Rachael from Herne Bay had managed to find an unusual use | 0:02:41 | 0:02:46 | |
for her poorly pinball machine. | 0:02:46 | 0:02:48 | |
So, here's my lovely pinball machine, now part of my kitchen. | 0:02:48 | 0:02:52 | |
It's really good as part of the kitchen, with this glass on top. | 0:02:52 | 0:02:55 | |
It's a nice cool surface, good for making pastry on, actually. | 0:02:55 | 0:02:59 | |
It works really well and I love having it here, | 0:02:59 | 0:03:01 | |
but the opportunity to get it fixed | 0:03:01 | 0:03:04 | |
is one I'd happily take the kitchen apart. | 0:03:04 | 0:03:07 | |
It's such a beautiful thing, it really should be restored. | 0:03:07 | 0:03:11 | |
I feel bad that it's sitting here, not working. | 0:03:11 | 0:03:14 | |
-How much did you pay for it? -I paid £150 for it, yeah. -Yeah. | 0:03:16 | 0:03:21 | |
-So, it wasn't very much. -No. | 0:03:21 | 0:03:23 | |
But it just so happened my mum, who died last June, | 0:03:23 | 0:03:26 | |
had given me some money before she died in March, | 0:03:26 | 0:03:29 | |
and I was out shopping for stuff and I was meant to be buying, | 0:03:29 | 0:03:32 | |
-you know, sensible things. -Yeah. -So, I saw the pinball machine | 0:03:32 | 0:03:35 | |
and thought, "Well, I'm allowed to have it | 0:03:35 | 0:03:37 | |
"because Mum's given me this extra money," | 0:03:37 | 0:03:39 | |
so, yeah, that's how I got to get it. | 0:03:39 | 0:03:41 | |
So, it's precious for me, from that point of view. | 0:03:41 | 0:03:44 | |
So, what do you reckon? Can you fix this? | 0:03:44 | 0:03:46 | |
I'll have to have a little look at its innards. | 0:03:46 | 0:03:48 | |
-Put my glasses on, makes me look more intelligent. -Why not? | 0:03:48 | 0:03:51 | |
-Do you mind if I do a little operation? -No. | 0:03:51 | 0:03:53 | |
-A little surgery, just to have a quick look. -Yes. -And inside... -Ooh. | 0:03:53 | 0:03:56 | |
-It all lifts up, you see. -Oh, wow! | 0:03:56 | 0:03:59 | |
Dusty and dirty. It looks all there to my professional eye. | 0:04:00 | 0:04:05 | |
-So, it's a good one? -I like all this, in the shape of a... | 0:04:05 | 0:04:08 | |
-Do they light up? -They light up | 0:04:08 | 0:04:10 | |
and go out as you hit them, your strikes. | 0:04:10 | 0:04:13 | |
So, the main thing is, can it be fixed? | 0:04:13 | 0:04:15 | |
A bit like Frankenstein's monster, once I've plugged in the electrics, | 0:04:15 | 0:04:18 | |
-we can see. -Oh, I can't wait. I hope you can do it. | 0:04:18 | 0:04:20 | |
I hope so as well, actually. | 0:04:20 | 0:04:22 | |
-I tell you what, if you leave it with us... -OK, brilliant. | 0:04:22 | 0:04:25 | |
-We'll get back to you. -Cheers, thank you. -Thank you. | 0:04:25 | 0:04:28 | |
-Very lovely to meet you and hope to see you soon. Bye-bye. -Bye. | 0:04:28 | 0:04:32 | |
Pinball machines, in general, are just a beautiful, classic, | 0:04:32 | 0:04:35 | |
iconic piece of our seaside history | 0:04:35 | 0:04:38 | |
and I don't want it to be made brand-new, | 0:04:38 | 0:04:40 | |
like I don't want new repro bits and pieces. | 0:04:40 | 0:04:43 | |
I'd rather keep it as original as possible. | 0:04:43 | 0:04:45 | |
But, yeah, I'm feeling a little bit nervous, but mostly excited. | 0:04:45 | 0:04:49 | |
Geoff, what's the key thing you've got to do to get this running? | 0:04:49 | 0:04:53 | |
Initially, basically, plug it in, get the back box all plugged in, | 0:04:53 | 0:04:57 | |
-put it in the mains and see what goes. -Yeah. | 0:04:57 | 0:04:59 | |
-Then we can see how ill the patient is. -OK. -All right. | 0:04:59 | 0:05:03 | |
First step, sort the legs out as well, but, yeah... | 0:05:03 | 0:05:06 | |
-What, the legs from wobbling like that? -Well, it's got the wrong... | 0:05:06 | 0:05:09 | |
So, they've cut them down a bit to make it flat, | 0:05:09 | 0:05:11 | |
cos it was being used as a table, | 0:05:11 | 0:05:13 | |
-so I need to put new legs and reseat all these, where they fit. -Ah, yeah. | 0:05:13 | 0:05:17 | |
That will make it look more like a pinball machine, so... | 0:05:17 | 0:05:20 | |
-OK, so we've got to get this over to your bench then. -Yes, please. | 0:05:20 | 0:05:23 | |
-Come on then. -Are you feeling strong? -It's not that heavy, is it? | 0:05:23 | 0:05:26 | |
-It's not too bad. -It's not too bad! -It's character-building. | 0:05:26 | 0:05:29 | |
Let's have a... Oh, that's not too bad. | 0:05:29 | 0:05:30 | |
All looks there. Reasonably clean and tidy, a bit dusty. | 0:05:34 | 0:05:38 | |
But the thing I am worried about is this motor here, | 0:05:38 | 0:05:40 | |
which look a little bit burnt-out. | 0:05:40 | 0:05:42 | |
That's the only thing that would be difficult | 0:05:42 | 0:05:44 | |
cos that's the heart of the machine. It does all the controlling. | 0:05:44 | 0:05:47 | |
Geoff's first task is to install new legs, | 0:05:48 | 0:05:51 | |
which need to be longer at one end of the machine. | 0:05:51 | 0:05:54 | |
This will create a tilt, | 0:05:54 | 0:05:56 | |
which is needed for the ball to naturally roll towards the player. | 0:05:56 | 0:06:00 | |
Rachael had it flat, as a piece of furniture. | 0:06:00 | 0:06:02 | |
This is how God intended it, if God was going to make a pinball machine. | 0:06:02 | 0:06:06 | |
Hopefully, this darling will live to play again. I very much hope so. | 0:06:06 | 0:06:10 | |
From treasured toys in need of emergency surgery | 0:06:13 | 0:06:17 | |
to ceramics that have seen better days, | 0:06:17 | 0:06:20 | |
our experts in the Repair Shop are determined | 0:06:20 | 0:06:23 | |
to put the pieces back together. | 0:06:23 | 0:06:25 | |
Next to arrive is Ash Phelps from East Sussex, | 0:06:33 | 0:06:36 | |
with a much-loved family heirloom. | 0:06:36 | 0:06:38 | |
-Hello. -Hello. -Hello. -How are you? -Very good, how are you? | 0:06:38 | 0:06:42 | |
-I'm good, thank you. -What have we got here then? | 0:06:42 | 0:06:44 | |
We've got a barometer in here. | 0:06:44 | 0:06:45 | |
He's hoping horologist Steve Fletcher will be able | 0:06:45 | 0:06:49 | |
to turn his hand to this antique weather instrument. | 0:06:49 | 0:06:53 | |
So, I inherited this from my grandparents. | 0:06:53 | 0:06:55 | |
It's the one item I've got that really symbolises them | 0:06:55 | 0:06:59 | |
and the relationship I had with them. | 0:06:59 | 0:07:01 | |
But for as long as myself and my mum remember, | 0:07:01 | 0:07:04 | |
-it's not been working. See, it always points to "Changeable". -Yeah. | 0:07:04 | 0:07:09 | |
Which I guess isn't far from the truth in the UK. | 0:07:09 | 0:07:11 | |
-Maybe it IS working, I don't know, but... -Yeah! | 0:07:11 | 0:07:14 | |
-Steve, this is one for you. -Yeah. -What do you reckon? | 0:07:14 | 0:07:17 | |
I think it's sort of 1920s, '30s. | 0:07:17 | 0:07:20 | |
More often than not, the mechanism is just seized up, | 0:07:20 | 0:07:24 | |
so that's completely seized up, | 0:07:24 | 0:07:26 | |
so if that's anything like the mechanism, | 0:07:26 | 0:07:29 | |
maybe that is the reason why it's stopped. | 0:07:29 | 0:07:31 | |
Leave it with me and I will do my best to get it working. | 0:07:31 | 0:07:36 | |
-Thank you very much. -Thank you. -Take care. | 0:07:36 | 0:07:38 | |
'Even though it hasn't been working all these years,' | 0:07:38 | 0:07:41 | |
it's still a really important piece for me. | 0:07:41 | 0:07:43 | |
I was very close to my grandparents | 0:07:43 | 0:07:44 | |
and it's nice to have that to remember them by. | 0:07:44 | 0:07:47 | |
-Have you worked on one before? -Yeah, loads of times. | 0:07:47 | 0:07:49 | |
-There you go. I trust you. It's all you then. -OK. -See you in a bit. | 0:07:49 | 0:07:52 | |
Early barometers from the 18th century | 0:07:55 | 0:07:58 | |
were symbols of affluence | 0:07:58 | 0:08:00 | |
and must-have items for the aristocracy. | 0:08:00 | 0:08:03 | |
Aneroid barometers, like Ash's, were invented in 1840. | 0:08:03 | 0:08:07 | |
They used a series of springs, chains and dials | 0:08:07 | 0:08:11 | |
attached to a vacuum and were a cheaper and safer alternative | 0:08:11 | 0:08:14 | |
to their predecessors that had used expensive and highly toxic mercury. | 0:08:14 | 0:08:20 | |
Everything looks as if it's working. It's not seized up. | 0:08:20 | 0:08:24 | |
I've got to check and see whether the movement is working | 0:08:24 | 0:08:27 | |
under pressure or not. | 0:08:27 | 0:08:28 | |
And Steve has a low-tech trick | 0:08:28 | 0:08:30 | |
to test whether it's the barometer's actual mechanism that's faulty. | 0:08:30 | 0:08:34 | |
I've put it into this bag so that I can force some pressure | 0:08:34 | 0:08:38 | |
onto the mechanism and see whether there's any movement in the hand. | 0:08:38 | 0:08:41 | |
What I'm actually doing is replicating | 0:08:42 | 0:08:44 | |
an increase in atmospheric pressure. | 0:08:44 | 0:08:46 | |
You can see there is some movement there if I put some pressure on. | 0:08:46 | 0:08:50 | |
It still doesn't explain | 0:08:50 | 0:08:51 | |
exactly why the hand has stayed still for decades. | 0:08:51 | 0:08:55 | |
Even though the mechanism seems to be working, | 0:08:56 | 0:08:59 | |
fastidious Steve is going to strip it down | 0:08:59 | 0:09:01 | |
and clean it thoroughly, just to make sure. | 0:09:01 | 0:09:04 | |
More difficult is going to be getting the setting nut moving. | 0:09:04 | 0:09:08 | |
This is really, really seized up and that worries me to death, | 0:09:08 | 0:09:12 | |
moving that, because they just break, | 0:09:12 | 0:09:14 | |
and that happens all the time. | 0:09:14 | 0:09:16 | |
At the Repair Shop, | 0:09:21 | 0:09:23 | |
the team has the tools and the talent | 0:09:23 | 0:09:25 | |
to deal with any restoration challenge, | 0:09:25 | 0:09:27 | |
no matter how big, how small, how old or how new. | 0:09:27 | 0:09:32 | |
Geoff's task today is to revive a retro gaming machine, | 0:09:32 | 0:09:37 | |
but sometimes, even a pinball wizard needs a helping hand. | 0:09:37 | 0:09:41 | |
-Will, just the man I want to see. -How can I help? | 0:09:41 | 0:09:44 | |
-It's your woodworking skills I'd appreciate, actually. -Ah, my skills. | 0:09:44 | 0:09:47 | |
-Your skills, which I know you have and I definitely haven't. -Right. | 0:09:47 | 0:09:50 | |
Basically, the back box sits on top of here, | 0:09:50 | 0:09:52 | |
but when they turned it into a piece of furniture, | 0:09:52 | 0:09:54 | |
they removed a little wooden plinth which it sits on. | 0:09:54 | 0:09:57 | |
So, basically, I'm after a simple wooden construction around here. | 0:09:57 | 0:10:02 | |
-I'll make a deal with you. -Yeah. -Deal is, if I make that for you... | 0:10:02 | 0:10:06 | |
-Yeah. -..I am the first person to play on this when it's fixed. | 0:10:06 | 0:10:09 | |
I'll have to have some test games on it to see if it works, | 0:10:09 | 0:10:12 | |
-but you can have the first proper game. -I mean in the workshop, | 0:10:12 | 0:10:15 | |
cos I know Jay loves getting in there. | 0:10:15 | 0:10:17 | |
I'm going to avoid him. He's not allowed to go near it. | 0:10:17 | 0:10:19 | |
-I have first go. -You'll have the first proper game. | 0:10:19 | 0:10:22 | |
Really helpful he's doing that. | 0:10:25 | 0:10:27 | |
Nice sense of comradeship here, which is good. | 0:10:27 | 0:10:30 | |
That's nice. There we go, like that. Oh, that's gorgeous! | 0:10:37 | 0:10:40 | |
-Oh, that's absolutely mwah! -Yeah? -Beautiful! | 0:10:40 | 0:10:43 | |
That's the most beautiful thing I've seen | 0:10:43 | 0:10:44 | |
-since I looked in the mirror this morning. -Ah! | 0:10:44 | 0:10:47 | |
-Done. -You are a genius, officially, thank you. Brilliant. | 0:10:49 | 0:10:53 | |
-Right, I'll see you for that first round. -Yeah, absolutely. Before Jay. | 0:10:53 | 0:10:57 | |
-Beautiful. -Jay's not allowed on. | 0:10:57 | 0:10:59 | |
I suppose my fascination with all things pinball since I was 13, | 0:11:03 | 0:11:07 | |
and it's become something's that part of my life | 0:11:07 | 0:11:09 | |
and something that is both something practical and real | 0:11:09 | 0:11:12 | |
and there's nothing like a first game | 0:11:12 | 0:11:15 | |
on a machine that hasn't worked for years. | 0:11:15 | 0:11:17 | |
It's actually incredibly exciting. | 0:11:17 | 0:11:19 | |
Even after 50 years, I still love it. | 0:11:19 | 0:11:21 | |
So, I'm going to plug this in. It might go bang, it might not. | 0:11:22 | 0:11:25 | |
Who knows what will happen? | 0:11:25 | 0:11:27 | |
Right, power and a plug. | 0:11:29 | 0:11:31 | |
Ooh, that's good. Motor works. Ah, beautiful. That is very good news. | 0:11:32 | 0:11:38 | |
I'm a happy little bunny. | 0:11:38 | 0:11:40 | |
MOTOR WHIRRS | 0:11:40 | 0:11:41 | |
That sounds cool. So, it's good, it's working then? | 0:11:41 | 0:11:44 | |
-It's on its way to working. It's... -On its way? Look, it's got lights! | 0:11:44 | 0:11:47 | |
What does it need to happen now? | 0:11:47 | 0:11:49 | |
Lots of making things work properly, | 0:11:49 | 0:11:51 | |
-cos all we've got is that there's power, the motor works. -Yeah. | 0:11:51 | 0:11:55 | |
Then start stripping it all down to make it look beautiful | 0:11:55 | 0:11:57 | |
-and play well. -I'll leave you alone. -Thank you very much. | 0:11:57 | 0:11:59 | |
-All right, no problem. -Let's see what happens. | 0:11:59 | 0:12:02 | |
MACHINE WHIRRS AND CLICKS | 0:12:02 | 0:12:05 | |
Oh, there are some problems which will take a bit of sorting out. | 0:12:07 | 0:12:11 | |
Somewhere something's wrong. | 0:12:11 | 0:12:13 | |
Unfortunately, the discovery of a power failure has no quick fix, | 0:12:14 | 0:12:18 | |
and with the machine teeming with wires and connections, | 0:12:18 | 0:12:21 | |
it could leave Geoff | 0:12:21 | 0:12:23 | |
-with up to a mile's worth of cabling to check. -Hmm... | 0:12:23 | 0:12:26 | |
The Repair Shop experts are accustomed to receiving objects | 0:12:29 | 0:12:33 | |
in all sorts of wonderful shapes and sizes. | 0:12:33 | 0:12:36 | |
The next is no exception, | 0:12:36 | 0:12:38 | |
and it's accompanied by Caroline Frances and her daughter Jo. | 0:12:38 | 0:12:42 | |
Wow, now, that is nice! So, what's the history behind all of this? | 0:12:44 | 0:12:48 | |
-My dad, Mum's husband, was a rower. -Yes. -That's him - J Nicholl. | 0:12:48 | 0:12:53 | |
He rowed for Queens' College, Cambridge, | 0:12:53 | 0:12:56 | |
and he was in the college first boat. It was the first time ever | 0:12:56 | 0:13:00 | |
-that Queens' College had won the Marlow Regatta. -OK. | 0:13:00 | 0:13:03 | |
Afterwards, they're presented with these oars | 0:13:03 | 0:13:06 | |
-and we've had them ever since, haven't we? -Yes. | 0:13:06 | 0:13:09 | |
So, where's your husband now? Where's Dad now? | 0:13:09 | 0:13:11 | |
-Well, unfortunately, he was ill and he died when he was 48. -48? | 0:13:11 | 0:13:16 | |
So, how old was he when he was in these races then? | 0:13:16 | 0:13:19 | |
Well, university age. | 0:13:19 | 0:13:21 | |
But the really interesting thing about the fact he was a rower | 0:13:21 | 0:13:25 | |
-is that he was disabled. -He was disabled? -Yeah. | 0:13:25 | 0:13:28 | |
They found that he'd got a kind of muscular atrophy, | 0:13:28 | 0:13:31 | |
-so his hands were slightly clenched, like that. -Closed. | 0:13:31 | 0:13:36 | |
-Yeah. -Couldn't straighten his fingers out himself. -OK. | 0:13:36 | 0:13:39 | |
-But he could do the rowing. -So, he was in an able-bodied boat? -Yes. | 0:13:39 | 0:13:43 | |
-Yeah, he was a normal rower. -That's an achievement, isn't it? -Yeah. | 0:13:43 | 0:13:47 | |
-It was wonderful for him that he could do the rowing. -Yeah. | 0:13:47 | 0:13:50 | |
What can we do for you with regards to restoring them? | 0:13:50 | 0:13:53 | |
-Cos, obviously, that's the part of history that you do not want... -No. | 0:13:53 | 0:13:56 | |
-No, not that. -You don't want that touched at all. | 0:13:56 | 0:13:58 | |
-We're about to take some sandpaper. -You can see from the shafts... | 0:13:58 | 0:14:04 | |
I don't know if you call them that on oars. I don't know what this is | 0:14:04 | 0:14:07 | |
that's on here, but that's obviously aged quite a lot. | 0:14:07 | 0:14:09 | |
-WILL: -It's almost as if something's dripped on there | 0:14:09 | 0:14:11 | |
and something's reacted at some point. | 0:14:11 | 0:14:13 | |
-Then, as you turn the oars over, on the back of the blades. -OK, yeah. | 0:14:13 | 0:14:17 | |
We can definitely get rid of the peeling | 0:14:17 | 0:14:19 | |
and looks like contaminated polish, | 0:14:19 | 0:14:22 | |
-but definitely not touch anything on here. -No. | 0:14:22 | 0:14:24 | |
But what I will do is do something with the other side of the blade. | 0:14:24 | 0:14:28 | |
-The back of it. -Definitely, yeah. | 0:14:28 | 0:14:30 | |
-CAROLINE: -It will be lovely to be able to pass them on | 0:14:30 | 0:14:32 | |
in good condition to the grandchildren. | 0:14:32 | 0:14:34 | |
And they'll be like they were when they were presented to my dad | 0:14:34 | 0:14:37 | |
-in the first place. -Right. So, if you leave these with us, OK? -Yep. | 0:14:37 | 0:14:41 | |
-Yes. -OK. -Brilliant. Thank you very much. Thank you. | 0:14:41 | 0:14:43 | |
We've always been really proud of my dad, | 0:14:45 | 0:14:47 | |
knowing that he did this great thing when he was younger. | 0:14:47 | 0:14:50 | |
They are him, really, for us. | 0:14:50 | 0:14:51 | |
That's our main thing we've got of him that's carried on with us | 0:14:51 | 0:14:54 | |
through the years and it'll carry on for grandchildren as well. | 0:14:54 | 0:14:58 | |
So, out of all the things that have come in, | 0:14:58 | 0:15:00 | |
this one's got strict instructions not to touch that end. | 0:15:00 | 0:15:05 | |
-Not to touch that end. -Simply because that's part of history. | 0:15:05 | 0:15:07 | |
-Yeah, exactly. -Apart from the backside of it. | 0:15:07 | 0:15:10 | |
-You can touch the back, but not the front. -Not even look at the front. | 0:15:10 | 0:15:13 | |
-Let's not even look at the front. -No, you can't look at the front. | 0:15:13 | 0:15:16 | |
It's just this bit and then you've got to turn it over and that's it. | 0:15:16 | 0:15:19 | |
-I'll take this one. -You leave me to take everything. | 0:15:19 | 0:15:21 | |
That's correct, but this is a bit of history, | 0:15:21 | 0:15:24 | |
so I'm going to help you out here. | 0:15:24 | 0:15:25 | |
-All right, you take that, I'll take this one. -OK. | 0:15:25 | 0:15:28 | |
Look at that! It's longer than the bench. | 0:15:28 | 0:15:31 | |
Before Will embarks on the oars' refurbishment, | 0:15:31 | 0:15:35 | |
he makes a closer inspection. | 0:15:35 | 0:15:37 | |
I'm just having an overall look at the oars. | 0:15:37 | 0:15:42 | |
I can see how the varnish and the polish on the surface | 0:15:42 | 0:15:45 | |
has reacted with something at some point. | 0:15:45 | 0:15:48 | |
If you don't clean the surface off before you polish it, | 0:15:48 | 0:15:51 | |
you can have all sorts of problems with reactions and everything else, | 0:15:51 | 0:15:54 | |
so I think that is what's happened here. | 0:15:54 | 0:15:57 | |
There are areas like here, where... | 0:15:57 | 0:15:58 | |
You can't really see it too well right now, | 0:15:58 | 0:16:01 | |
but I presume that's maybe a maker's mark, | 0:16:01 | 0:16:04 | |
so I wouldn't want to lose any of that detail. | 0:16:04 | 0:16:06 | |
Across the Repair Shop, Pinball Geoff has almost finished. | 0:16:11 | 0:16:16 | |
So, what you going to do now? | 0:16:16 | 0:16:18 | |
-You going to change all of this or is it...? -No, just give it a clean. | 0:16:18 | 0:16:21 | |
Everything comes off, a nice big polish, | 0:16:21 | 0:16:23 | |
and just the deluxe edition will be I've put flashing lights | 0:16:23 | 0:16:26 | |
in the title strip as well, like they used to do in the '70s. | 0:16:26 | 0:16:29 | |
The owner, Rachael, had purchased the rundown machine | 0:16:29 | 0:16:32 | |
with money gifted from her mother, who died last year. | 0:16:32 | 0:16:36 | |
Having been relegated to a surface for rolling pastry, | 0:16:36 | 0:16:39 | |
it's now close to springing back to life. | 0:16:39 | 0:16:42 | |
-So, once you've got it all up and running... -Mm. | 0:16:42 | 0:16:45 | |
-I know I've got to get a go on this, haven't I? -At some point. | 0:16:45 | 0:16:48 | |
-At some point? -Well... -Who's on first then? You? | 0:16:48 | 0:16:51 | |
-Oh, that is a secret. -It's you, isn't it? | 0:16:51 | 0:16:53 | |
I'll be doing some test games, | 0:16:53 | 0:16:54 | |
-but the first public performance has already been promised. -To who? | 0:16:54 | 0:16:58 | |
-Ooh, I'll have to kill you if I told you. -Oh, is it? All right. | 0:16:58 | 0:17:02 | |
-Have you finally finished? -Yeah. -Right. | 0:17:16 | 0:17:18 | |
There we go. There was a bit of a ding, wasn't it? | 0:17:21 | 0:17:24 | |
-Oh! -Oh, I forgot to use the other one. | 0:17:24 | 0:17:25 | |
I thought it was one button for both... OK, wait, OK. Hold on. | 0:17:25 | 0:17:29 | |
-All right? -Oh, always having to compare to me! | 0:17:29 | 0:17:33 | |
What? Oh, shocking! Shocking! | 0:17:33 | 0:17:38 | |
Shocking! Ooh, ooh. Way! | 0:17:38 | 0:17:41 | |
-Right through the machine. -ALL: Oh! | 0:17:41 | 0:17:44 | |
At least I got 200. Is it working then? That's the main thing. | 0:17:44 | 0:17:47 | |
Yeah, absolutely. A few little tweaks but, yeah, absolutely. | 0:17:47 | 0:17:50 | |
And given how it arrived, luck has been on my side. | 0:17:50 | 0:17:53 | |
And also, the machine sort of responded well to treatment. | 0:17:53 | 0:17:56 | |
Not all patients do, but I can't wait to see her set up | 0:17:56 | 0:17:59 | |
in the family home and not being used as a kitchen table. | 0:17:59 | 0:18:02 | |
-THEY LAUGH -Well done, Geoff. | 0:18:02 | 0:18:05 | |
Having successfully powered up the pinball machine, | 0:18:07 | 0:18:10 | |
it's time for Geoff to return it to Rachael's kitchen, | 0:18:10 | 0:18:13 | |
where it will no longer be limited to pastry duties. | 0:18:13 | 0:18:16 | |
-Hello, Rachael, how are you? -Hiya. How nice to see you again. | 0:18:18 | 0:18:21 | |
-Lovely to see you too. -Hi. -Take a look. | 0:18:21 | 0:18:24 | |
You pull that blanket and I'll pull this one. One, two, three. | 0:18:24 | 0:18:27 | |
Wow! The colour's come out so much better. | 0:18:30 | 0:18:33 | |
-It's never had lights on before. -It looks lovely. -It looks gorgeous. | 0:18:33 | 0:18:37 | |
And I've put proper flashing lights in it, | 0:18:37 | 0:18:39 | |
as it would have had in the '70s, which I had some left, luckily. | 0:18:39 | 0:18:42 | |
-It looks wonderful! -And if you press the magic button... | 0:18:42 | 0:18:45 | |
THE MACHINE'S SOUND EFFECTS BEGIN | 0:18:45 | 0:18:47 | |
Oh, wow! Oh, wow! | 0:18:47 | 0:18:50 | |
-SHE LAUGHS -Hey. | 0:18:50 | 0:18:52 | |
The sounds when I first played it, really nostalgic, | 0:18:52 | 0:18:56 | |
really reminded me of arcades when I was a kid and it was beautiful. | 0:18:56 | 0:18:59 | |
It's a beautiful, beautiful thing, and he's done such a good job. | 0:18:59 | 0:19:02 | |
It looks amazing. I love it! | 0:19:02 | 0:19:04 | |
I don't know what to say, Geoff. I'm so pleased. Thank you so much! | 0:19:04 | 0:19:07 | |
I really didn't know that it was going to come back | 0:19:07 | 0:19:10 | |
so beautiful, as it has. It's really, really nice. | 0:19:10 | 0:19:13 | |
It's really quite moving, actually. | 0:19:13 | 0:19:15 | |
I'm really pleased with the way it came out. | 0:19:15 | 0:19:17 | |
-It's lovely, yeah. It's a lovely machine. -Are you a bit emotional? | 0:19:17 | 0:19:19 | |
I know. I love pinball machines, I really do! | 0:19:19 | 0:19:23 | |
I'm surprised at how moved I am, really, | 0:19:23 | 0:19:26 | |
but it's the last thing that my mum gave me, this pinball machine. | 0:19:26 | 0:19:30 | |
It's lovely, and I'll always remember. And it's such a fun thing. | 0:19:30 | 0:19:34 | |
She would have loved it. It's beautiful. | 0:19:34 | 0:19:36 | |
Back in the Repair Shop, Will is starting to cautiously clean | 0:19:45 | 0:19:49 | |
a test area on the 70-year-old Cambridge oars. | 0:19:49 | 0:19:52 | |
Awfully quiet. That must mean you're concentrating quite a lot. | 0:19:52 | 0:19:55 | |
Yeah, I was just trying to clean out my ears, Jay. | 0:19:55 | 0:19:59 | |
-Well done. -Filthy ears, mate. -THEY LAUGH | 0:19:59 | 0:20:03 | |
-How are you getting on? -Not too bad. I have cleaned this patch here. | 0:20:03 | 0:20:08 | |
Come on! | 0:20:08 | 0:20:09 | |
That's the original surface, but not right back down to the wood. | 0:20:09 | 0:20:13 | |
-OK, right. -I don't know if you can see the writing here. | 0:20:13 | 0:20:16 | |
-I think that writing is on top of the wood. -But isn't this quite...? | 0:20:16 | 0:20:19 | |
It's quite dangerous, in a way, | 0:20:19 | 0:20:22 | |
if you go to clean it and it all comes off. | 0:20:22 | 0:20:24 | |
So, I've cleaned that with a cotton wool bud and some meths. | 0:20:24 | 0:20:28 | |
I'm going to do the same thing really lightly | 0:20:28 | 0:20:30 | |
-on maybe the letter "G"... -Yeah. -..and see if that cleans up well. | 0:20:30 | 0:20:35 | |
-Go on then, let's stop talking about it and see you do it. -What? | 0:20:35 | 0:20:37 | |
-With you watching me? -Yeah, course, man! | 0:20:37 | 0:20:40 | |
-I'm going to put the pressure on you. -So...letter "G". | 0:20:40 | 0:20:44 | |
-Yes, please. -OK. -Go on, go on! | 0:20:44 | 0:20:46 | |
Is it going away or is staying? To me, it looks like it's... | 0:20:52 | 0:20:55 | |
Hold on. You want to not rub too hard. | 0:20:55 | 0:20:58 | |
That's staying, that's staying. Phew! That's staying! | 0:20:58 | 0:21:03 | |
-Now we can breathe, eh? -Yeah. -We're all done. | 0:21:03 | 0:21:06 | |
So, this stuff here what's crackling up, it's not on top of that. | 0:21:06 | 0:21:10 | |
-This cracking stuff is right at the top. -Yeah. | 0:21:10 | 0:21:14 | |
So, I think I can take this off, like I just did there. | 0:21:14 | 0:21:16 | |
You're not going to do that with a cotton bud though, are you? | 0:21:16 | 0:21:19 | |
-No, no, no. -Come on, man. -I'd be there for months! | 0:21:19 | 0:21:21 | |
I'd probably use some soft wire wool, really soft steel wool. | 0:21:21 | 0:21:24 | |
-Take all that off. -Yeah. | 0:21:24 | 0:21:25 | |
They've got a lot of history, haven't they? | 0:21:25 | 0:21:27 | |
A lot of history and a lot of cleaning. | 0:21:27 | 0:21:29 | |
MUSIC: Intro to Rule Britannia | 0:21:29 | 0:21:33 | |
Caroline's husband was presented with these prized oars | 0:21:33 | 0:21:37 | |
for his exceptional record in the Eights Challenge Cup | 0:21:37 | 0:21:40 | |
at Marlow Regatta in 1948 and 1950. | 0:21:40 | 0:21:44 | |
The fact that he was diagnosed with a muscle-wasting illness, | 0:21:44 | 0:21:47 | |
affecting both his legs and arms, | 0:21:47 | 0:21:49 | |
makes his achievements even more remarkable. | 0:21:49 | 0:21:52 | |
Woo-hoo! That looks good, doesn't it? What's all this then? | 0:21:55 | 0:21:59 | |
So much more information. What have we got here? | 0:21:59 | 0:22:02 | |
-"1938". -Yeah, the 1938 Henley Regatta. | 0:22:02 | 0:22:06 | |
-Oh! -So, there's actually more history to these... -Yeah, there is. | 0:22:06 | 0:22:09 | |
..than just the races that... | 0:22:09 | 0:22:11 | |
-Well, you've unearthed more history just by cleaning it. -There you go. | 0:22:11 | 0:22:14 | |
What else have you got to do now? What's next? | 0:22:14 | 0:22:17 | |
I think the best thing to do would be remove any loose pieces of paint | 0:22:17 | 0:22:21 | |
-on the back of this blade. -Because that is still flaking off. | 0:22:21 | 0:22:24 | |
Cos you keep touching it. | 0:22:24 | 0:22:25 | |
Stop touching it and it won't carry on flaking off! | 0:22:25 | 0:22:28 | |
They're going to touch it! It's their oar, their blade! | 0:22:28 | 0:22:30 | |
-They're going to touch it. -OK. Stop touching it. | 0:22:30 | 0:22:33 | |
You're going to make sure it doesn't peel off. Cos look at it. | 0:22:33 | 0:22:35 | |
It's just been turned over, look at all these bits coming off. | 0:22:35 | 0:22:38 | |
-We've only been here two minutes. -Because you keep touching it. | 0:22:38 | 0:22:40 | |
How about you stop touching it and I'll start painting it? | 0:22:40 | 0:22:44 | |
-All right. I'll leave you to it. -Thanks, Jay. | 0:22:44 | 0:22:47 | |
I'm just trying to mix up the paint by eye. | 0:22:49 | 0:22:51 | |
So, I think the colour I'm going for is sort of a British racing green, | 0:22:51 | 0:22:57 | |
sort of like a frog green. | 0:22:57 | 0:22:59 | |
I think it's just a case of making it a tiny bit lighter. | 0:22:59 | 0:23:03 | |
Then I should have that frog, racing car green I need. | 0:23:05 | 0:23:08 | |
So far, so good. | 0:23:10 | 0:23:12 | |
In the fight against disposable culture, | 0:23:18 | 0:23:21 | |
the Repair Shop experts are using their skills | 0:23:21 | 0:23:23 | |
to breathe new life into the nation's neglected possessions... | 0:23:23 | 0:23:27 | |
..and for Steve, it's make and hopefully not break | 0:23:28 | 0:23:31 | |
for the barometer that was left to owner Ash | 0:23:31 | 0:23:34 | |
by his loving grandparents. | 0:23:34 | 0:23:36 | |
This hand has not worked for years. | 0:23:36 | 0:23:40 | |
This is the bit that I haven't been looking forward to, | 0:23:40 | 0:23:43 | |
just in case it goes terribly wrong and the glass breaks. | 0:23:43 | 0:23:47 | |
And if it does, it's a complete and utter disaster. | 0:23:47 | 0:23:50 | |
-How we doing, Steve? -I hope I can release this OK. | 0:23:50 | 0:23:54 | |
Ooh, I thought there would be a screw on the back. | 0:23:55 | 0:23:58 | |
No, no, it's just riveted over there. | 0:23:58 | 0:24:00 | |
So, basically, trying to get that out, you might break the glass. | 0:24:00 | 0:24:04 | |
You don't like to say it, but I know you might break the glass, isn't it? | 0:24:05 | 0:24:08 | |
There is an outside possibility. Keep my fingers crossed. | 0:24:08 | 0:24:11 | |
-I'm sure you will. -I will do, I will do. -Thank you. | 0:24:11 | 0:24:14 | |
Let's have a go. | 0:24:16 | 0:24:17 | |
Put a bit more force in. | 0:24:19 | 0:24:21 | |
It is really, really stuck, very, very fast. | 0:24:21 | 0:24:25 | |
I'm actually just going to put a little bit of oil on there. | 0:24:28 | 0:24:31 | |
Oh, it is moving. | 0:24:34 | 0:24:36 | |
Oh, thank goodness for that! That's easing up beautifully. | 0:24:38 | 0:24:41 | |
So, problem solved. | 0:24:45 | 0:24:47 | |
Good. Very, very happy. | 0:24:47 | 0:24:49 | |
With the hand loosened and the mechanism checked, | 0:24:50 | 0:24:53 | |
Steve can now reassemble the barometer, | 0:24:53 | 0:24:55 | |
just in time for Ash's return. | 0:24:55 | 0:24:57 | |
-Nice to see you again, Steve. -You too. -How are you? -How are you? | 0:24:57 | 0:25:00 | |
-I'm good, thank you. -Looking forward to seeing the barometer? | 0:25:00 | 0:25:03 | |
-Very, very excited. It's all I've been thinking about. -Really? | 0:25:03 | 0:25:06 | |
Yeah, really excited to see what you've done to it. | 0:25:06 | 0:25:08 | |
-There we go. -Oh, wow, fantastic! | 0:25:08 | 0:25:11 | |
The mechanism, I took out, I cleaned it through, | 0:25:11 | 0:25:14 | |
gave it a good service, and that wasn't causing it to not work. | 0:25:14 | 0:25:19 | |
-Right. -What actually was causing the problem | 0:25:19 | 0:25:21 | |
-was that the dial was tight against the hand. -OK. | 0:25:21 | 0:25:27 | |
-So, I've released that and it's working fine. -Fantastic. | 0:25:27 | 0:25:31 | |
Knowing it's working again, | 0:25:33 | 0:25:35 | |
I'm overjoyed to have seen it working. Amazing! | 0:25:35 | 0:25:37 | |
My grandparents would be very proud of this, so I'm sure, | 0:25:37 | 0:25:40 | |
-if they were here today, they'd say thanks as well. -Ah, bless. | 0:25:40 | 0:25:44 | |
Thank you. You've done a fantastic job. | 0:25:44 | 0:25:47 | |
It is like having a piece of them there at all times. | 0:25:47 | 0:25:50 | |
Every time I see it, it reminds me of them and the good times I had, | 0:25:50 | 0:25:54 | |
so to have it now, on the wall and working, it's going to be great. | 0:25:54 | 0:25:58 | |
Having meticulously hand-painted the back of the oar blades | 0:26:02 | 0:26:06 | |
with his very own bespoke frog green, | 0:26:06 | 0:26:09 | |
Will has just enough time to add the finishing touches. | 0:26:09 | 0:26:13 | |
-I think you've surpassed yourself, actually, son. -Really? -Well done. | 0:26:15 | 0:26:18 | |
No, you have surpassed yourself on this one. | 0:26:18 | 0:26:21 | |
Shipshape and Repair Shop fashion, | 0:26:21 | 0:26:23 | |
the oars are ready to be returned to Jo and Caroline. | 0:26:23 | 0:26:27 | |
-Hello, how are we doing? -Fine, thank you. Very excited! -Hi. | 0:26:30 | 0:26:34 | |
-WILL: -You had a serious look on your face when you walked in, thinking, | 0:26:34 | 0:26:37 | |
-"My oars better be underneath there." -Hi. -Nice to see you again. | 0:26:37 | 0:26:40 | |
-Ah! -Oh! | 0:26:45 | 0:26:46 | |
-Oh, that's lovely. -Beautiful! | 0:26:48 | 0:26:49 | |
-That's how I remember them from when I was younger. -WILL: -Really? | 0:26:52 | 0:26:55 | |
-Yeah. -Beautiful. | 0:26:55 | 0:26:57 | |
-Yeah, spot the difference. -Really lovely. -Yeah. | 0:26:57 | 0:27:00 | |
-WILL: -As I was cleaning... -CAROLINE: -Oh, wording. | 0:27:00 | 0:27:03 | |
-WILL: -You can see everything that's been written here. -Oh, wow! | 0:27:03 | 0:27:07 | |
So, we've got the Henley Regatta, 1938, on there. | 0:27:07 | 0:27:11 | |
That's lovely and it's wonderful that it's come up clearly | 0:27:11 | 0:27:14 | |
-and you can actually read it now. -WILL: -Exactly. | 0:27:14 | 0:27:16 | |
-CAROLINE: -It's really good. -WILL: -I'm pleased that you're pleased. | 0:27:16 | 0:27:19 | |
So, what are you going to do with these now? | 0:27:19 | 0:27:22 | |
They'll be up on the wall for everybody to look at | 0:27:22 | 0:27:24 | |
-and actually really cherish. -So, we best get these wrapped up, | 0:27:24 | 0:27:28 | |
-cos you can't put them on your pushbike, can you? -Not really, no. | 0:27:28 | 0:27:30 | |
-No. -We'll get them shipped over to you. -Lovely, thank you. -Thank you. | 0:27:30 | 0:27:33 | |
Really nice to meet you. | 0:27:33 | 0:27:35 | |
Thank you for everything you've done. | 0:27:35 | 0:27:36 | |
When they were uncovered, it really brought back to me | 0:27:36 | 0:27:40 | |
how important they had been to my husband | 0:27:40 | 0:27:43 | |
and how important my husband had been to me. | 0:27:43 | 0:27:46 | |
And it's just wonderful to see these brought back to their former glory. | 0:27:46 | 0:27:51 | |
It just makes me feel really excited that we can take them back home, | 0:27:52 | 0:27:56 | |
put them up on display and they're like they were | 0:27:56 | 0:27:59 | |
when I was younger and when my dad was alive. | 0:27:59 | 0:28:01 | |
You was worried about this one really, weren't you? | 0:28:01 | 0:28:04 | |
I think, out of nearly all of the jobs that I've worked on here, | 0:28:04 | 0:28:08 | |
I was really worried about this. | 0:28:08 | 0:28:10 | |
Risk losing the writing underneath, | 0:28:10 | 0:28:12 | |
all of the races and everything else. | 0:28:12 | 0:28:14 | |
-Well done. -Cheers, mate. -All right. | 0:28:14 | 0:28:16 | |
There will be more incredible transformations | 0:28:18 | 0:28:21 | |
at the hands of our experts next time in The Repair Shop, | 0:28:21 | 0:28:24 | |
where treasured items are brought back to life. | 0:28:24 | 0:28:28 |