Browse content similar to Leading Men. Check below for episodes and series from the same categories and more!
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Now, it's all beginning to make sense. | 0:00:02 | 0:00:03 | |
You realise what this means, don't you? | 0:00:06 | 0:00:09 | |
No, what does it mean? | 0:00:09 | 0:00:10 | |
Well, they'll never get away with it. | 0:00:13 | 0:00:15 | |
Of course, it's a long shot, but it might just work. | 0:00:19 | 0:00:22 | |
Anyway... | 0:00:24 | 0:00:27 | |
forensic will tell us. | 0:00:27 | 0:00:30 | |
Morecambe and Wise, Britain's leading men of comedy... | 0:01:08 | 0:01:12 | |
In my opinion, Ern, you could be another George Bernard Priestley. | 0:01:12 | 0:01:18 | |
Shaw. | 0:01:18 | 0:01:19 | |
Positive. | 0:01:19 | 0:01:20 | |
..Heroes... | 0:01:22 | 0:01:23 | |
..Villains... | 0:01:27 | 0:01:28 | |
One of you two is the notorious outlaw, Dick Turpin. | 0:01:28 | 0:01:31 | |
It's him. | 0:01:36 | 0:01:37 | |
..Lovers... | 0:01:37 | 0:01:38 | |
You are so handsome... | 0:01:38 | 0:01:41 | |
so virile... | 0:01:41 | 0:01:44 | |
so young. | 0:01:44 | 0:01:46 | |
-Ern? -What? | 0:01:46 | 0:01:48 | |
Am I in the right play? | 0:01:48 | 0:01:50 | |
Yes! | 0:01:50 | 0:01:51 | |
..Idiots... | 0:01:51 | 0:01:53 | |
-How are you, sir? -How nice to see you. | 0:01:53 | 0:01:55 | |
Good evening and welcome to Morecambe and Wise and their leading men. | 0:01:58 | 0:02:03 | |
The stars, screen legends and matinee idols | 0:02:03 | 0:02:06 | |
who were brave enough or perhaps foolish enough | 0:02:06 | 0:02:09 | |
to play alongside them. | 0:02:09 | 0:02:11 | |
Do my eyes deceive me... | 0:02:11 | 0:02:13 | |
Oh, yes. | 0:02:13 | 0:02:14 | |
Yes, this is almost an honour. | 0:02:16 | 0:02:18 | |
This is a man who is having trouble with his eyes. | 0:02:18 | 0:02:21 | |
Charmed. | 0:02:21 | 0:02:23 | |
-Be honest, what do you think? -Even more beautiful than I had imagined. | 0:02:24 | 0:02:28 | |
Keep your hand on your holiday money tonight. | 0:02:28 | 0:02:31 | |
-It is my duty to serve you, sir. -Thank you very much. You married? | 0:02:32 | 0:02:35 | |
Do you think if I was married my wife would let me | 0:02:35 | 0:02:37 | |
appear in a rotten play like this? | 0:02:37 | 0:02:40 | |
-No. -Well, I am, and she does. | 0:02:40 | 0:02:43 | |
What a magnificent suit of armour. | 0:02:43 | 0:02:47 | |
-What is he talking about?! -You are supposed to be wearing armour! | 0:02:50 | 0:02:53 | |
I haven't got any flaming armour, have I?! | 0:02:53 | 0:02:56 | |
I wouldn't be able to wear it anyway, it's too dangerous, you can't cough. | 0:02:56 | 0:02:59 | |
Salute! | 0:03:00 | 0:03:03 | |
Gentlemen, you must realise... | 0:03:11 | 0:03:15 | |
..that India is growing. | 0:03:18 | 0:03:20 | |
19,000 babies are born here every day. | 0:03:22 | 0:03:26 | |
We do our best, sir. | 0:03:26 | 0:03:27 | |
In a few moments, I shall leave this wretched place | 0:03:30 | 0:03:33 | |
but you have to stay here for another 13 programmes. | 0:03:33 | 0:03:38 | |
What attracted such talent was the work of one of Britain's | 0:03:40 | 0:03:44 | |
greatest playwrights. Not Shakespeare, not Shaw, not Coward. | 0:03:44 | 0:03:50 | |
Wise. | 0:03:50 | 0:03:52 | |
-Hello, Oscar. -Oscar? | 0:03:52 | 0:03:54 | |
Oscar Wilde. | 0:03:54 | 0:03:56 | |
I'm not interested in pop singers. | 0:03:56 | 0:03:58 | |
I'm an author. | 0:04:00 | 0:04:02 | |
-What have you been doing in the other room? -Perusing my synopsis. | 0:04:02 | 0:04:04 | |
Well, every man needs a hobby. | 0:04:04 | 0:04:07 | |
This is the story of a man. | 0:04:07 | 0:04:09 | |
A man respected by his fellow men | 0:04:10 | 0:04:13 | |
and adored by the ladies for his charm and wit | 0:04:13 | 0:04:16 | |
and elegant good looks. | 0:04:16 | 0:04:18 | |
A man of dignity, | 0:04:18 | 0:04:20 | |
a man of great education like what no other men had got. | 0:04:20 | 0:04:24 | |
Rocky felt a tingle of excitement as his executive jet | 0:04:28 | 0:04:32 | |
touched down in Amsterdam. | 0:04:32 | 0:04:33 | |
It was his first visit to Italy. | 0:04:34 | 0:04:36 | |
The plays what Ernie wrote became the talk of the town, generating the | 0:04:40 | 0:04:45 | |
kind of critical acclaim that had the biggest names | 0:04:45 | 0:04:48 | |
clamouring for a role. | 0:04:48 | 0:04:50 | |
I, sir, am Superintendent... | 0:04:50 | 0:04:55 | |
Board and Lodgings, | 0:04:55 | 0:04:57 | |
master of disguise. | 0:04:57 | 0:04:59 | |
-Who is it? -You didn't recognise me there for a moment, did you, sir? | 0:05:01 | 0:05:04 | |
-No, I did not. -HE SHOUTS | 0:05:04 | 0:05:05 | |
Painful, those things. | 0:05:05 | 0:05:07 | |
And who, may I ask, sir, are you? | 0:05:07 | 0:05:08 | |
I, sir, am the right honourable Sir Hardly Touched. | 0:05:08 | 0:05:12 | |
-I am very sorry I am late but it is my own stupid fault. -Oh, is it? | 0:05:14 | 0:05:17 | |
-Oh, really? -I was enjoying a roundelay at the Blue Boar Inn | 0:05:17 | 0:05:20 | |
when I slipped and twisted a madrigal. | 0:05:20 | 0:05:23 | |
He's doing all my lines! I should be saying all that! | 0:05:23 | 0:05:25 | |
Not only that, he's masking me as well. | 0:05:25 | 0:05:28 | |
-What could be worse than a little verse? -This is it. -Yes. | 0:05:28 | 0:05:31 | |
The King stood on the burning deck, the men all shouted monarchs... | 0:05:31 | 0:05:34 | |
-Just a minute! -Now, wait. | 0:05:34 | 0:05:36 | |
Your name, your rank and your number. | 0:05:37 | 0:05:40 | |
-BARELY INTELLIGIBLE VENTRILOQUISM: -242084. | 0:05:40 | 0:05:42 | |
UNINTELLIGIBLE VENTRILOQUISM | 0:05:43 | 0:05:46 | |
Very interesting. | 0:05:49 | 0:05:51 | |
Commander, you seem to doubt whether this is Captain Hammond. | 0:05:52 | 0:05:56 | |
-There is one sure way of finding out, sir. -Ah, yes. | 0:05:56 | 0:05:59 | |
Ah! | 0:05:59 | 0:06:01 | |
It is Captain Hammond. I beg your pardon, Captain. | 0:06:01 | 0:06:04 | |
Mr Holmes, I shall do everything in my power to help solve this | 0:06:06 | 0:06:10 | |
appalling crime. | 0:06:10 | 0:06:12 | |
Is it true that 12 months ago you were arrested | 0:06:12 | 0:06:16 | |
and convicted of being... | 0:06:16 | 0:06:18 | |
the Bermondsey Flasher? | 0:06:18 | 0:06:20 | |
HE WHISTLES | 0:06:20 | 0:06:22 | |
How dare you, Mr Holmes, for the accusation is totally untrue | 0:06:22 | 0:06:26 | |
and a dreadful indictment as to my integrity. | 0:06:26 | 0:06:29 | |
Holmes, what does a flasher get when he's caught? | 0:06:29 | 0:06:31 | |
I would say, in your case, Watson, a fine | 0:06:31 | 0:06:33 | |
under the Trades Description Act. | 0:06:33 | 0:06:35 | |
It was writer Eddie Braben who created this persona for Ernie - | 0:06:36 | 0:06:40 | |
the pompous, deluded, semi-literate playwright. | 0:06:40 | 0:06:43 | |
Well, Master Peter? | 0:06:43 | 0:06:45 | |
-Most likely. -Good lad. | 0:06:45 | 0:06:47 | |
I'm not kidding you, this is the most difficult play | 0:06:47 | 0:06:49 | |
-I've ever had to write. -Really? | 0:06:49 | 0:06:50 | |
It's taken me nearly 20 minutes. | 0:06:50 | 0:06:52 | |
Braben's stroke of genius altered the dynamic between Morecambe | 0:06:54 | 0:06:58 | |
and Wise and took the comedy to new heights. | 0:06:58 | 0:07:01 | |
Ernie wrote terrible plays and Eric wouldn't hear a word against them. | 0:07:01 | 0:07:06 | |
-Brilliant, that. -You like it? -As always. | 0:07:06 | 0:07:09 | |
-And you know what you are to me? -No. | 0:07:09 | 0:07:11 | |
You are the Leonardo da Vinci of the felt tip. | 0:07:11 | 0:07:14 | |
Think so? | 0:07:14 | 0:07:15 | |
Ordinary folk like myself can only sit and stare in astonishment. | 0:07:15 | 0:07:21 | |
Well, I don't go in for self analysis, | 0:07:21 | 0:07:24 | |
but I'm just grateful and very humble that I'm a genius. | 0:07:24 | 0:07:29 | |
True. | 0:07:30 | 0:07:31 | |
I must admit it, the Brothers Grimm were good, | 0:07:31 | 0:07:34 | |
but by golly, Ernie, you are grimmer. | 0:07:34 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
He would, however, try everything in his power to ruin them. | 0:07:38 | 0:07:42 | |
APPLAUSE | 0:07:42 | 0:07:44 | |
Hello! | 0:07:50 | 0:07:53 | |
-Mr Greene! Mr Greene! Are you there? -What happened? -I don't know! | 0:07:56 | 0:07:59 | |
Something seems to have gone wrong. | 0:07:59 | 0:08:01 | |
I said one word and the curtains closed on me. | 0:08:01 | 0:08:03 | |
You were very good. Outstanding. | 0:08:03 | 0:08:04 | |
Congratulations. The finest bit of acting I've seen in years. | 0:08:07 | 0:08:11 | |
Short, and straight to the point. | 0:08:11 | 0:08:14 | |
Another one for the archives, Ern. Who is the guest on next week? | 0:08:14 | 0:08:19 | |
It's you, isn't it? | 0:08:19 | 0:08:21 | |
You! You closed those curtains, didn't you? | 0:08:21 | 0:08:25 | |
You are deliberately trying to ruin my play! | 0:08:25 | 0:08:27 | |
Ern, of course I am! | 0:08:27 | 0:08:29 | |
Well, get off! | 0:08:29 | 0:08:31 | |
LAUGHTER | 0:08:32 | 0:08:34 | |
-BOTH: -How come we sighted the French fleet? | 0:08:41 | 0:08:44 | |
Good heavens! | 0:08:44 | 0:08:46 | |
THEY BOTH COUGH | 0:08:46 | 0:08:47 | |
-BOTH: -Excuse me. | 0:08:47 | 0:08:49 | |
By all that's holy, 'tis the beautiful Lady Hamilton. | 0:08:49 | 0:08:53 | |
Hamilton. | 0:08:53 | 0:08:55 | |
LAUGHTER | 0:08:55 | 0:08:57 | |
Hold it, hold it. | 0:08:57 | 0:08:59 | |
That's very difficult when you've only got one arm. | 0:08:59 | 0:09:02 | |
-First line of the play, and it's gone wrong. -Already? -Already. | 0:09:04 | 0:09:08 | |
Who's done it? Who's gone wrong? Is it you, son? | 0:09:08 | 0:09:11 | |
I wouldn't dream of doing anything, darling. | 0:09:12 | 0:09:14 | |
-I haven't even spoken a word. -It's not him. | 0:09:14 | 0:09:16 | |
-Why are you dressed as Lord Nelson? -Exactly. | 0:09:16 | 0:09:19 | |
Don't stand there looking demure. | 0:09:19 | 0:09:20 | |
Tell him - why are you dressed as Lord Nelson? | 0:09:20 | 0:09:23 | |
-Well... -Not her! You! | 0:09:23 | 0:09:25 | |
Ah! Yes! There is a reason. | 0:09:27 | 0:09:30 | |
And what's that reason? | 0:09:30 | 0:09:31 | |
-You remember this afternoon in the flat? -Yes. | 0:09:31 | 0:09:33 | |
-This lady is too much for you, Ern. -Damn! | 0:09:33 | 0:09:35 | |
I'm here to help you. | 0:09:35 | 0:09:36 | |
Oh, come on. Hurry up, hurry up. | 0:09:36 | 0:09:38 | |
-I'm waiting to get to the passionate bit. -See what I mean? | 0:09:38 | 0:09:41 | |
This one's on brewer's yeast. You've got no chance, I'm telling you. | 0:09:41 | 0:09:44 | |
-You are making me look a right nit! -There you are! You see? | 0:09:44 | 0:09:48 | |
-You're making him look a right nit! -Well? -He's deeply hurt. | 0:09:48 | 0:09:50 | |
Well, it's his truncheon. What do you mean his... | 0:09:50 | 0:09:53 | |
-What do you mean his truncheon? -He put it down the wrong trouser leg! | 0:09:53 | 0:09:57 | |
-Get away. -I noticed that when he got off that bike and placated himself. | 0:09:57 | 0:10:02 | |
-In jeopardy. -Have you finished? -Hey? -Have you finished? | 0:10:02 | 0:10:05 | |
Yes. I've ruined it all for you, haven't I? | 0:10:05 | 0:10:07 | |
You've spoilt the whole thing, and you've ruined it completely. | 0:10:07 | 0:10:10 | |
HE LAUGHS | 0:10:10 | 0:10:11 | |
-Lovely, isn't it? Well, he works well. He's lovely. -I'm sorry about this, Edward. | 0:10:11 | 0:10:14 | |
In some ways, the most important leading man | 0:10:14 | 0:10:17 | |
in Eric and Ernie's life was Eddie Braben himself. | 0:10:17 | 0:10:20 | |
He was brought on to the show in 1969 by Bill Cotton, | 0:10:20 | 0:10:24 | |
head of variety at the BBC. | 0:10:24 | 0:10:27 | |
Eddie had until then been writing for Ken Dodd, | 0:10:27 | 0:10:31 | |
but he was used to writing gags - one-liners - rather than sketches. | 0:10:31 | 0:10:36 | |
-Are you all enjoying yourselves? -AUDIENCE: Yes! | 0:10:36 | 0:10:39 | |
Why? What are you doing? | 0:10:39 | 0:10:41 | |
Tonight, ladies and gentlemen, we have a fabulous show for you. | 0:10:41 | 0:10:44 | |
We've got artists from all the four corners of the Labour Exchange. | 0:10:44 | 0:10:47 | |
We've got the famous Welsh tenor, Chewed Abutty. | 0:10:47 | 0:10:50 | |
And we have a wonderful Indian sword-swallower, Ram Disdown. | 0:10:50 | 0:10:54 | |
Um, we also have a remarkable novelty act, the Three Lumps. | 0:10:54 | 0:10:59 | |
You'll love her. | 0:10:59 | 0:11:00 | |
And we also have a man, a man who balances - balances on a 40ft pole. | 0:11:00 | 0:11:05 | |
One slip and you'll say, "How's that for a lolly ice?" So... | 0:11:05 | 0:11:09 | |
The Morecambe & Wise Show was a different beast, | 0:11:09 | 0:11:12 | |
and no-one was sure it would work. | 0:11:12 | 0:11:15 | |
Eddie Braben had much in common with Morecambe and Wise. | 0:11:15 | 0:11:18 | |
Born and raised in Liverpool, Eddie ran a fruit and veg store | 0:11:18 | 0:11:22 | |
and wrote jokes in his spare time, | 0:11:22 | 0:11:24 | |
sending them to the acts he saw at the Liverpool Empire. | 0:11:24 | 0:11:27 | |
The first person to pay him for one was Charlie Chester. | 0:11:27 | 0:11:31 | |
After that, cabbages began to lose some of their allure. | 0:11:31 | 0:11:36 | |
Eric and Ernie's previous writers, Sid Green and Dick Hills, | 0:11:36 | 0:11:40 | |
were privately educated schoolmasters, | 0:11:40 | 0:11:42 | |
and Bill Cotton had a hunch that despite being a gag man, | 0:11:42 | 0:11:47 | |
Eddie Braben would fit the bill. | 0:11:47 | 0:11:50 | |
Eddie himself, however, wasn't convinced, | 0:11:50 | 0:11:53 | |
telling the boys he didn't think he was the writer for them. | 0:11:53 | 0:11:56 | |
It could have ended there, | 0:11:56 | 0:11:58 | |
but they persuaded him to do three shows, just to give it a chance. | 0:11:58 | 0:12:03 | |
Eddie agreed, and the rest is history. | 0:12:03 | 0:12:06 | |
Some have sorrows to hide from. | 0:12:06 | 0:12:08 | |
Some are fugitives from justice. | 0:12:08 | 0:12:11 | |
They're all trying to forget their troubles, like what I am. | 0:12:11 | 0:12:13 | |
LAUGHTER | 0:12:13 | 0:12:15 | |
My dear father murdered. Whomest killest thouest, and whyest? | 0:12:15 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:23 | |
I've been searching for my fiancee, Lydia. | 0:12:25 | 0:12:28 | |
I've searched the four corners of the world, and many, many other places too. | 0:12:28 | 0:12:33 | |
But she seems to have disappeared without trace. | 0:12:33 | 0:12:36 | |
I've been searching for her everywhere. | 0:12:36 | 0:12:39 | |
In my aeroplane, what has just crashed. | 0:12:39 | 0:12:42 | |
LAUGHTER | 0:12:42 | 0:12:44 | |
It was Eddie's idea to include the plays what Ernie wrote, | 0:12:44 | 0:12:49 | |
and producer John Ammonds to invite big-name guests to take part. | 0:12:49 | 0:12:53 | |
Their first show as a team, and Ernie's first play, | 0:12:53 | 0:12:57 | |
was King Arthur And The Knights Of The Round Table, | 0:12:57 | 0:13:00 | |
starring Mr Peter Cushing. | 0:13:00 | 0:13:03 | |
Sit down, Peter! Enjoy yourself. | 0:13:03 | 0:13:06 | |
The old entree in a few minutes. | 0:13:06 | 0:13:08 | |
Sir Eric, what would you like to eat? | 0:13:08 | 0:13:11 | |
-Suckling pig and chips. -Suckling pig and chips? -Yes. | 0:13:11 | 0:13:14 | |
-A goblet! -A goblet? -A goblet. | 0:13:14 | 0:13:16 | |
-Just a reminder. -Sir Eric. | 0:13:16 | 0:13:18 | |
-What a fine actor this boy is. -It's a girl. | 0:13:18 | 0:13:20 | |
-Is it? -Yes. -Could have fooled me from here. | 0:13:20 | 0:13:23 | |
-You must be glad to be back from your travels. -Could have called. | 0:13:23 | 0:13:27 | |
I must ask you, Sir Eric, tell me about your doings. | 0:13:27 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
Well, do I tell him, or do I just get up and go? | 0:13:37 | 0:13:42 | |
-CROAKY VOICE: -What did His Majesty ask you? | 0:13:42 | 0:13:45 | |
IMITATES WISE'S VOICE: He wants to know about me doings! | 0:13:45 | 0:13:49 | |
-What news of Carlisle? -They won 3-1! | 0:13:49 | 0:13:52 | |
The second goal was a beauty, I'm told. | 0:13:54 | 0:13:57 | |
One of the finest ever scored on that ground! | 0:13:57 | 0:13:59 | |
Mr Wise, I am sorry, but I just cannot continue. | 0:13:59 | 0:14:01 | |
-I have my reputation as an actor to consider. -Stay, stay, King Arthur. | 0:14:01 | 0:14:04 | |
-What's all this temperament business? -Stay in character, please. | 0:14:04 | 0:14:07 | |
Do me a favour - tell him we go all the way through a sketch. | 0:14:07 | 0:14:10 | |
We don't cut it up, you know, like you do in films, | 0:14:10 | 0:14:12 | |
with those little guitar picks and everything. I've seen it. | 0:14:12 | 0:14:15 | |
-Don't walk too close. He'll bite your neck. -OK. | 0:14:15 | 0:14:18 | |
It was a shambles, but a success. A success because it was a shambles. | 0:14:18 | 0:14:23 | |
And crucially, Cushing understood that. | 0:14:23 | 0:14:26 | |
-My career is in ruins anyway. -Yes, I know. -This new business... | 0:14:26 | 0:14:30 | |
-Now, leave it to me, sire. -Hurry up! Get to the plot! | 0:14:30 | 0:14:33 | |
Now, listen, I have some very deadly poison placed in this ring. | 0:14:33 | 0:14:36 | |
I will put it in this goblet, which is his drink - Sir Eric's drink. | 0:14:36 | 0:14:40 | |
Yes. He'll be unconscious for two weeks. | 0:14:40 | 0:14:42 | |
Anything, so long as we can get rid of him. | 0:14:42 | 0:14:44 | |
-Please divert his attention, Your Majesty. -Sir Eric! -Yes! | 0:14:44 | 0:14:48 | |
What? | 0:14:48 | 0:14:50 | |
What thinkest thou of my gown? | 0:14:50 | 0:14:52 | |
Can you get it off while I'm in shot? | 0:14:52 | 0:14:54 | |
-Sir Eric, you come and sit down. -Thank you. | 0:15:02 | 0:15:05 | |
-Am I forgiven for that outburst? -Yes. -I'm sorry about that. | 0:15:05 | 0:15:07 | |
Don't worry about it. You're doing quite well for an amateur. | 0:15:07 | 0:15:10 | |
-Carry on. -May I suggest a toast? -Certainly. | 0:15:10 | 0:15:12 | |
I would like to propose a toast to His Majesty, King Arthur. | 0:15:12 | 0:15:15 | |
Hallelujah! ALL: Hallelujah! | 0:15:15 | 0:15:18 | |
-Right. His Majesty. -His Majesty. | 0:15:18 | 0:15:21 | |
-King Arthur! -King Arthur. -But... -Hey? -Hey? | 0:15:21 | 0:15:24 | |
I would like to make the first toast to my lady, Queen Guinevere. | 0:15:24 | 0:15:27 | |
-BOTH: Queen Guinevere. -That's a lovely name. | 0:15:27 | 0:15:30 | |
A nicer woman never drew blood. | 0:15:30 | 0:15:32 | |
-BOTH: Queen Guinevere. -Queen Guinevere. -But! But! | 0:15:35 | 0:15:38 | |
I'D like to make some toast. | 0:15:40 | 0:15:42 | |
-Propose a toast? -Yes. | 0:15:42 | 0:15:44 | |
To, uh...to that naked lady over there! | 0:15:44 | 0:15:48 | |
-Naked lady? Where? -Over there. -I can't see a naked lady. | 0:15:48 | 0:15:50 | |
-Can you see her? -No. -You've got to be quick. | 0:15:50 | 0:15:52 | |
Just a quick flash every now and again. | 0:15:52 | 0:15:54 | |
-Her Majesty! -I think I'm the only one who sees it. | 0:15:54 | 0:15:57 | |
-Her Majesty, the Queen. -The Queen. -The Queen. | 0:15:57 | 0:16:00 | |
SHE SCREAMS | 0:16:03 | 0:16:05 | |
-Got a deep voice, hasn't he? -Excuse me, sire. -Certainly. | 0:16:05 | 0:16:09 | |
Your Majesty, may I propose a toast to your bravest knights? | 0:16:09 | 0:16:13 | |
-To my bravest knights? -Yes. | 0:16:13 | 0:16:15 | |
-What are we drinking to? -We're drinking to his bravest knights. | 0:16:18 | 0:16:22 | |
-Oh, good idea. -Yes. Here we go. -To the bravest knights. | 0:16:22 | 0:16:26 | |
To the bravest knights. | 0:16:26 | 0:16:27 | |
-Must take me for a right mug. -Yes, it's true. | 0:16:33 | 0:16:35 | |
To my bravest knights! | 0:16:35 | 0:16:37 | |
Chablis, isn't it? Chablis? | 0:16:42 | 0:16:45 | |
HE YELLS | 0:16:45 | 0:16:47 | |
Well, that's two down, and two to go. | 0:16:51 | 0:16:53 | |
You thought that I was going to be poisoned, didn't you, lad? | 0:16:53 | 0:16:56 | |
HE YELPS | 0:16:56 | 0:16:59 | |
HE GROANS | 0:16:59 | 0:17:01 | |
Come, Watson. | 0:17:01 | 0:17:02 | |
HE YELPS | 0:17:02 | 0:17:04 | |
-Come, Watson. -HE YELPS | 0:17:05 | 0:17:07 | |
Now! Come, Watson. | 0:17:07 | 0:17:10 | |
That is the finest disguise you ever wore. Let's go. | 0:17:10 | 0:17:13 | |
That famous sketch also spawned this long-running gag. | 0:17:15 | 0:17:19 | |
I am Peter Cushing, and I was in your show a few weeks ago. | 0:17:19 | 0:17:22 | |
I'm sorry, no. | 0:17:22 | 0:17:24 | |
-No, because we've never worked Carnarvon, have we? -No, we haven't. | 0:17:24 | 0:17:26 | |
-I was in your show. -Yes. -And I have not yet been paid. | 0:17:26 | 0:17:30 | |
-Sounds like one of our shows. -Yes, it does. | 0:17:30 | 0:17:33 | |
Very sorry to have to take this attitude, | 0:17:33 | 0:17:35 | |
-but I've come for my money. -Yes. | 0:17:35 | 0:17:37 | |
You keep fobbing me off with excuses every time | 0:17:37 | 0:17:39 | |
I ask for payment. I demand to be reimbursed. | 0:17:39 | 0:17:42 | |
-Well, I'm not a medical man, but I do know a fellow in Scotland. -No. | 0:17:42 | 0:17:45 | |
See, we've never worked together before. We've never seen you before. | 0:17:45 | 0:17:48 | |
If only I could find Mr Wilkins, the chief accountant, | 0:17:48 | 0:17:51 | |
-because he's got my money. -Mr Wilkins, the chief accountant? Oh, he's just along there. | 0:17:51 | 0:17:55 | |
-Just along there, yes. -Thanks very much. Goodbye. | 0:17:55 | 0:17:57 | |
Hello. I don't know if you remember me. I'm Peter Cushing. | 0:17:58 | 0:18:02 | |
-Have you come for your money? -Yes. -No, we don't remember you at all. | 0:18:02 | 0:18:06 | |
You see, I appeared on one of your shows four years ago, | 0:18:06 | 0:18:11 | |
and I still haven't been paid. | 0:18:11 | 0:18:14 | |
Ah, yes. Well, I don't seem to remember you at all, Mr Cushing. | 0:18:14 | 0:18:20 | |
-Edward, so they roped you in too. -Peter, why didn't you warn me? | 0:18:21 | 0:18:25 | |
-I haven't been paid yet. -Nor have I been paid! | 0:18:25 | 0:18:27 | |
-And I haven't been paid yet either. -And I haven't been paid! | 0:18:27 | 0:18:30 | |
So I suggest we all go look for Mr Wilkins. | 0:18:30 | 0:18:33 | |
-Have you any idea where he might be? -Through that door! | 0:18:33 | 0:18:35 | |
-Through that door. -Come on, come on. | 0:18:35 | 0:18:37 | |
-Mr Wilkins! -Mr Wilkins! -Mr Wilkins. | 0:18:37 | 0:18:40 | |
ALL SHOUT | 0:18:40 | 0:18:41 | |
Mr Wilkins! | 0:18:41 | 0:18:42 | |
-Do I know you, young sir? -I am Cushing. | 0:18:42 | 0:18:45 | |
Well, that's a nasty habit for a start. | 0:18:45 | 0:18:47 | |
LAUGHTER AND APPLAUSE | 0:18:47 | 0:18:50 | |
-The one that worked in London? -Yes! | 0:18:52 | 0:18:54 | |
-Your face looks familiar. -Yes. -Vaguely familiar, yes. | 0:18:54 | 0:18:56 | |
-I've come for my money. -WAILS | 0:18:56 | 0:18:59 | |
You mustn't say things like that. | 0:18:59 | 0:19:01 | |
-He's got to last me another three months yet. -Just a minute! | 0:19:01 | 0:19:04 | |
-That's the best bit of news I've heard yet. -That man is ours. | 0:19:04 | 0:19:07 | |
-What are you talking about? -You owe us at least 50 guineas each. | 0:19:07 | 0:19:10 | |
-Get off, get off. -We've all done shows for these people, and we haven't been paid. | 0:19:10 | 0:19:13 | |
-What do you mean, you haven't been paid? -Take no notice. | 0:19:13 | 0:19:15 | |
If you work for these two, you are ruined for life. | 0:19:15 | 0:19:18 | |
-They never pay you. -We'll soon see to that. Come on, lads. We'll go and have a clear out. | 0:19:18 | 0:19:22 | |
-They never learn, do they? -No, they never learn. | 0:19:25 | 0:19:27 | |
Eddie Braben's trial period quickly became permanent, | 0:19:27 | 0:19:31 | |
and Ernie's plays a regular fixture. | 0:19:31 | 0:19:33 | |
BOTH: Heave! Heave! Heave! Heave! Heave. | 0:19:33 | 0:19:37 | |
-Good Lord! The tomb of Tutankhamen. -I don't like this place. | 0:19:37 | 0:19:43 | |
-It's horrible! -It is, isn't it? -Yes. | 0:19:43 | 0:19:46 | |
We played a place like this not so long ago, didn't we? | 0:19:46 | 0:19:48 | |
-The Egyptian empire. -No, it was the Liverpool Empire, to be exact. | 0:19:48 | 0:19:53 | |
The greatest testament yet discovered | 0:19:53 | 0:19:55 | |
to the majesty that was Egypt. | 0:19:55 | 0:19:58 | |
Sir Robert, over here. | 0:19:58 | 0:20:00 | |
Hieroglyphics. I wonder what those symbols mean. | 0:20:01 | 0:20:05 | |
May I? | 0:20:05 | 0:20:07 | |
You can translate them for us? | 0:20:09 | 0:20:11 | |
What? | 0:20:11 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
What! | 0:20:14 | 0:20:16 | |
-You know what the writing means? -Oh! | 0:20:16 | 0:20:18 | |
That's a bird. | 0:20:21 | 0:20:23 | |
Percy Edwards. | 0:20:23 | 0:20:26 | |
-Percy Edwards. -Percy Edwards? | 0:20:26 | 0:20:28 | |
-Beer? -No, no. Bass. Bass with a Y. -Bassey. -Bassey. -What's it all mean? | 0:20:28 | 0:20:34 | |
Shirley Bassey, you see. | 0:20:34 | 0:20:36 | |
-I thought that's what it means. -Yes. | 0:20:36 | 0:20:38 | |
Percy Edwards. Shirley Bassey. | 0:20:38 | 0:20:42 | |
Percy Thrower. | 0:20:42 | 0:20:44 | |
Show Of The Week. | 0:20:44 | 0:20:46 | |
Weather forecast. | 0:20:46 | 0:20:48 | |
Clothes down. | 0:20:48 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:50 | |
You've been looking at the 14th-century BC edition | 0:20:52 | 0:20:55 | |
of the Radio Times. | 0:20:55 | 0:20:56 | |
With the same pictures. | 0:20:58 | 0:21:00 | |
-Amazing! -Sir Robert, over here. -Yes. | 0:21:00 | 0:21:02 | |
This may be the clue for which we are searching. | 0:21:02 | 0:21:05 | |
That is true. | 0:21:05 | 0:21:06 | |
CREAKING | 0:21:06 | 0:21:08 | |
-It can't be. -What are they? | 0:21:08 | 0:21:11 | |
They're his mementos. | 0:21:11 | 0:21:13 | |
They've kept well, haven't they? | 0:21:16 | 0:21:17 | |
Well, he can't have got very far. He must be here somewhere. | 0:21:19 | 0:21:21 | |
He can't have got far without his mementos. | 0:21:21 | 0:21:24 | |
-This is very unusual. -It is. There's three of them. | 0:21:24 | 0:21:27 | |
Famous guests were delighted to be cast against type. | 0:21:27 | 0:21:32 | |
Here's Edward Woodward, | 0:21:32 | 0:21:34 | |
at the time famous for his betrayal of the cold-blooded hit man Callan. | 0:21:34 | 0:21:39 | |
No, I think I'll start with this gentleman over here. | 0:21:39 | 0:21:42 | |
That's a woman. | 0:21:42 | 0:21:44 | |
Oh, I'm sorry. I've been on nights. | 0:21:44 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:49 | |
That's the ticket! | 0:21:51 | 0:21:53 | |
-I thought I'd just put that in there. -Yes, good stunt. | 0:21:55 | 0:21:58 | |
I'll get me own back. Don't worry. All right! | 0:21:58 | 0:22:02 | |
-I'll bring you back to life. -Now, sir. Now, sir, if I may make so bold... | 0:22:02 | 0:22:07 | |
Third door on the left. You can't miss it. | 0:22:07 | 0:22:09 | |
You haven't got a lot this week. We haven't got a lot to do this week? | 0:22:12 | 0:22:15 | |
Have you? We'll get you a book in a minute. | 0:22:15 | 0:22:17 | |
Could I have your name, sir? | 0:22:17 | 0:22:19 | |
Don't you like your own? Aren't you happy with yours? | 0:22:19 | 0:22:22 | |
Edward Woodward. Very difficult to say. Edward Woodward... | 0:22:22 | 0:22:26 | |
-Sir, perhaps I ought to have your fingerprints. -Certainly! | 0:22:26 | 0:22:28 | |
HE LAUGHS | 0:22:28 | 0:22:30 | |
He can't move now. He's paralysed all down one side! | 0:22:30 | 0:22:33 | |
-May I just have a word with you privately? -Yes, sir. | 0:22:33 | 0:22:36 | |
I know I've only got a little bit. | 0:22:36 | 0:22:37 | |
Yes, well, I mean, we will only take your word for that. | 0:22:37 | 0:22:41 | |
-But Mr Morecambe keeps making me lose my flow. -Yes. | 0:22:41 | 0:22:44 | |
Well, we can still only take your word for that. | 0:22:44 | 0:22:47 | |
You dropped your thing. | 0:22:47 | 0:22:48 | |
-I do apologise for all this, really, I do. -Oh, stop. | 0:22:48 | 0:22:51 | |
-What's the matter with you? Send him home! -I can't do that. | 0:22:51 | 0:22:54 | |
We don't need him! Don't forget I can do my impressions, you know. | 0:22:54 | 0:22:56 | |
-We don't really want big actors. -What impressions? | 0:22:56 | 0:22:59 | |
-Well, that, for a start. Look at that! -What impression is that? | 0:22:59 | 0:23:01 | |
Sooty with no clothes on. | 0:23:01 | 0:23:03 | |
-How's our position, Christian? -I'd rather not. I'm just on my tea. | 0:23:05 | 0:23:08 | |
-The entire crew is looking very ugly. -We have a very ugly crew. | 0:23:08 | 0:23:11 | |
-ALL: Boom, boom, boom. -You are trying my patience. | 0:23:11 | 0:23:14 | |
Let me put it this way, sunshine. | 0:23:14 | 0:23:16 | |
-There's going to be trouble. -Trouble? | 0:23:16 | 0:23:19 | |
-Trouble? -Trouble! Right here in River City. City. City. | 0:23:19 | 0:23:23 | |
# That rhymes with 'fool' Let's start with 'fool'! # | 0:23:23 | 0:23:25 | |
Oh, I get it. | 0:23:25 | 0:23:27 | |
Now, look here, Christine. | 0:23:27 | 0:23:29 | |
No, no, Christian. | 0:23:29 | 0:23:30 | |
The ship's doctor did a marvellous job. | 0:23:32 | 0:23:34 | |
Except when the boat goes to leeward. | 0:23:34 | 0:23:38 | |
Hence the limp. | 0:23:38 | 0:23:39 | |
Your whole attitude is an insult to our very kind captain. | 0:23:41 | 0:23:44 | |
-I think it's the hat. -Yes. | 0:23:44 | 0:23:45 | |
And I think you are trying to turn the men against me, | 0:23:45 | 0:23:48 | |
whereas it should be your duty to keep them happy. | 0:23:48 | 0:23:50 | |
I try and keep them happy, sir! Didn't I have them on deck all last night singing sea shanties? | 0:23:50 | 0:23:54 | |
-Yes, I heard them. -What more do you want? | 0:23:54 | 0:23:57 | |
Christian, "E, I, adio, the captain is a berk" | 0:23:57 | 0:24:03 | |
never was a sea shanty. | 0:24:03 | 0:24:06 | |
It was a brave soul who took on Morecambe & Wise comedy, | 0:24:06 | 0:24:10 | |
and Arthur Lowe was a very brave soul. | 0:24:10 | 0:24:13 | |
Rehearsing his part as Captain Bligh, | 0:24:13 | 0:24:16 | |
he ignored a written line and threw in a Humphrey Bogart impression. | 0:24:16 | 0:24:21 | |
Eric loved it, and it stayed in. | 0:24:21 | 0:24:23 | |
There was no place for egos on this show. | 0:24:23 | 0:24:26 | |
I know my crew, and they are behind me to a man. | 0:24:26 | 0:24:29 | |
Only one thing to do, see. | 0:24:32 | 0:24:35 | |
Just one thing. | 0:24:35 | 0:24:37 | |
We've got to put it to the test. | 0:24:38 | 0:24:40 | |
-IMITATES BOGART: -That's how it's going to be, sweetheart. | 0:24:44 | 0:24:47 | |
APPLAUSE | 0:24:47 | 0:24:49 | |
Very well, sir. Fair enough, that. | 0:24:52 | 0:24:55 | |
Audiences grew and grew as the shows got more confident. | 0:24:55 | 0:24:59 | |
And even the most distinguished actors | 0:24:59 | 0:25:01 | |
would cheerfully line up to be ridiculed. | 0:25:01 | 0:25:04 | |
I made a film once... | 0:25:04 | 0:25:06 | |
About prisoners of war. | 0:25:06 | 0:25:08 | |
-I don't know whether you remember it. -Rubbish. | 0:25:08 | 0:25:11 | |
It was called The Colditz Story. | 0:25:11 | 0:25:12 | |
-No, I don't remember it. No. -Rubbish. -No? | 0:25:12 | 0:25:14 | |
-No, I don't. -It was quite a big success. -Oh, was it really? | 0:25:14 | 0:25:18 | |
-Yes. -It was the biggest load of rubbish I've ever seen in my life. | 0:25:18 | 0:25:21 | |
-I played the senior escape artist. -Did you? | 0:25:21 | 0:25:23 | |
-Well, mine is a completely original story. -Did you get killed in the end? -What? | 0:25:23 | 0:25:27 | |
Did you get killed in the end? | 0:25:27 | 0:25:29 | |
-No. -Well, you will in Ernie's. | 0:25:29 | 0:25:31 | |
Because if the Germans can't get you, the audience do. | 0:25:31 | 0:25:34 | |
Well, Bill, you know the words, so... | 0:25:36 | 0:25:37 | |
You don't mind if I call you Bill? | 0:25:37 | 0:25:39 | |
-No, not at all. -You can call me Mr Wise. | 0:25:39 | 0:25:41 | |
-Edward, this is Eric Morecambe. This is Mr Edward Woodward. -How are you? | 0:25:41 | 0:25:44 | |
Very nice to meet you. Very nice. | 0:25:44 | 0:25:46 | |
You want to get it out and give us a tune? | 0:25:46 | 0:25:49 | |
LAUGHTER | 0:25:49 | 0:25:50 | |
-Get what out? -Well, that's up to you. | 0:25:50 | 0:25:52 | |
Very pleased to know you. Of course, I've got all your records. | 0:25:53 | 0:25:56 | |
Oh, really? My LP is out, you know? | 0:25:56 | 0:25:58 | |
You can get two years for that, you know? | 0:25:58 | 0:26:00 | |
LAUGHTER | 0:26:00 | 0:26:03 | |
Peter, Peter, I'm very, very sorry about this. | 0:26:04 | 0:26:07 | |
This must be very embarrassing for you. | 0:26:07 | 0:26:09 | |
We shouldn't ridicule you like this. I do apologise. | 0:26:09 | 0:26:12 | |
-As a matter of fact, you are my favourite star. -You crawler! | 0:26:12 | 0:26:17 | |
When that telegram came from him this morning begging for work, | 0:26:19 | 0:26:22 | |
you said to me, "Peter Cushing? | 0:26:22 | 0:26:25 | |
"Who's Peter Cushing?" you said. | 0:26:25 | 0:26:27 | |
-Hello, Francis. -Hello, Ernie. -It's nice to see you again. | 0:26:27 | 0:26:30 | |
-It's nice to be here. -I'm one of your favourites. -Oh. | 0:26:30 | 0:26:34 | |
Francis Matthews was a regular guest. | 0:26:35 | 0:26:38 | |
They'd met in the mid-1950s, | 0:26:38 | 0:26:40 | |
when Francis told Eric he'd seen them on the telly and loved it. | 0:26:40 | 0:26:44 | |
"It's rubbish," replied Eric. | 0:26:44 | 0:26:46 | |
"We'll never do television again." | 0:26:46 | 0:26:48 | |
They were talking about Running Wild, | 0:26:48 | 0:26:51 | |
the boys' disastrous first stab at television. | 0:26:51 | 0:26:55 | |
But they did come back, and they remained great friends with Francis. | 0:26:55 | 0:26:59 | |
Which really shines through in this sketch. | 0:26:59 | 0:27:01 | |
-You know...? -YELPS | 0:27:05 | 0:27:07 | |
-This is a very strange house. -Really? How do you mean? | 0:27:07 | 0:27:13 | |
-Last year... -Yes? -Somebody was poisoned here. -What? | 0:27:13 | 0:27:18 | |
-What happened? -What happened? -Well, the main suspect... -Yes. -Yes. | 0:27:20 | 0:27:25 | |
-..was the butler. -Ah. | 0:27:25 | 0:27:27 | |
They suspected the butler? What had he done? What's it all about? | 0:27:32 | 0:27:36 | |
The butler came in carrying three glasses of whisky and a glass of milk. | 0:27:36 | 0:27:42 | |
Really? | 0:27:42 | 0:27:43 | |
And which particular drink was the poison in? | 0:27:43 | 0:27:47 | |
It was the milk. | 0:27:47 | 0:27:49 | |
Or was it the whisky? | 0:27:52 | 0:27:54 | |
-No, no! It was definitely the milk. -Definitely. | 0:27:59 | 0:28:03 | |
-Cheers. -Cheers. | 0:28:03 | 0:28:05 | |
-The hot milk was for the wee lassie. -Hold on, sir. -Hold it. -You drink it. | 0:28:07 | 0:28:14 | |
-So, you think the milk is poisoned? -I hope so. -So do I. | 0:28:14 | 0:28:17 | |
Could take a week. | 0:28:21 | 0:28:23 | |
HE LAUGHS | 0:28:25 | 0:28:27 | |
HE LAUGHS MANIACALLY | 0:28:30 | 0:28:32 | |
HE GROANS | 0:28:36 | 0:28:38 | |
11 years later, Nigel Hawthorne was a guest on the show. | 0:28:41 | 0:28:46 | |
But you can't keep a good leg joke down, | 0:28:46 | 0:28:48 | |
and if it was funny the first time, well... | 0:28:48 | 0:28:50 | |
Why don't you let Hawthorne tell you his side of the story? | 0:28:50 | 0:28:53 | |
-What a good idea. Sit down, Hawthorne. -Sit down. | 0:28:53 | 0:28:55 | |
-Thank you, gentlemen. -Tell me exactly... -Yes. | 0:28:55 | 0:28:57 | |
-And in your own words... -Yes. -Exactly what happened this morning. | 0:28:57 | 0:29:01 | |
Well, I brought my master his breakfast at eight o'clock. | 0:29:03 | 0:29:06 | |
Or was it nine? | 0:29:09 | 0:29:11 | |
No, it was eight. | 0:29:12 | 0:29:13 | |
Well, it might have been, um... | 0:29:15 | 0:29:16 | |
Um.. | 0:29:16 | 0:29:18 | |
Um... | 0:29:18 | 0:29:19 | |
No, it was nine. | 0:29:25 | 0:29:27 | |
And what time exactly did your master die? | 0:29:29 | 0:29:32 | |
Well, I think he died at 10 o'clock. | 0:29:32 | 0:29:37 | |
Or...it might have been... | 0:29:42 | 0:29:46 | |
No, it was 10. | 0:29:49 | 0:29:51 | |
Yes, gentlemen, I think that's it. | 0:29:51 | 0:29:54 | |
APPLAUSE | 0:30:03 | 0:30:07 | |
As you know, this is a land of strange customs. | 0:30:09 | 0:30:16 | |
-And it is my painful duty... -Yes, sir. | 0:30:17 | 0:30:20 | |
..to inform you that this great country, its customs... | 0:30:20 | 0:30:27 | |
..and its traditions... | 0:30:27 | 0:30:30 | |
..are facing a grave danger. | 0:30:30 | 0:30:34 | |
-You don't mean...? -Oh, yes, I do. Mohamed Khan. | 0:30:34 | 0:30:38 | |
Eric Porter was one of the best-known actors | 0:30:43 | 0:30:46 | |
in the country following the huge success of The Forsyte Saga. | 0:30:46 | 0:30:50 | |
He won a BAFTA award for best actor, | 0:30:50 | 0:30:53 | |
but being asked onto the 1970 Morecambe & Wise Christmas show | 0:30:53 | 0:30:58 | |
was, for him, the real prize. | 0:30:58 | 0:31:01 | |
Oh, it's good to be back home again. | 0:31:01 | 0:31:03 | |
Welcome home, Father. | 0:31:03 | 0:31:06 | |
My dear, you grow prettier every day. | 0:31:06 | 0:31:09 | |
Thank you, Father. | 0:31:09 | 0:31:11 | |
Did you bring a present back from Liverpool, Father? | 0:31:11 | 0:31:14 | |
As a matter of fact, I brought something most unusual back from Liverpool. | 0:31:14 | 0:31:17 | |
Whilst there, I chanced upon this wild gypsy youth | 0:31:17 | 0:31:20 | |
-without folk of his own nor roof over his head. -A gypsy? | 0:31:20 | 0:31:24 | |
Father, you don't mean...? | 0:31:24 | 0:31:25 | |
Yes, I brought him back here to Wuthering Heights to live with us as one of the family. | 0:31:25 | 0:31:29 | |
-Father, are you out of your mind? -I think I must be. | 0:31:29 | 0:31:32 | |
-I want to see the gypsy, Father. -And so you shall, Catherine. | 0:31:32 | 0:31:37 | |
Heathcliff! | 0:31:37 | 0:31:38 | |
Heathcliff! Come on in, you wild gypsy, you. | 0:31:38 | 0:31:41 | |
LAUGHTER AND APPLAUSE | 0:31:44 | 0:31:46 | |
Evening, all. | 0:31:52 | 0:31:54 | |
I'm sorry I'm a bit late. | 0:31:56 | 0:31:58 | |
But my caravan was towed away four times by the council this morning. | 0:31:58 | 0:32:01 | |
And if you want your fortune told, buy some of me pegs. | 0:32:03 | 0:32:06 | |
-Heathcliff, welcome to Wuthering Heights. -Very kind. | 0:32:06 | 0:32:09 | |
I'd like you to meet my beautiful daughter, Catherine. | 0:32:09 | 0:32:12 | |
Hello, Catherine. How are you? | 0:32:12 | 0:32:14 | |
I've heard a lot about you from two sailors in Portsmouth. | 0:32:14 | 0:32:17 | |
They sent a message. "Keep up the good work". | 0:32:17 | 0:32:20 | |
-Oh, oh, please, tell my fortune. -Certainly. | 0:32:20 | 0:32:24 | |
You get it in the end, but we haven't figured out which end yet. | 0:32:24 | 0:32:28 | |
-What is all this about? -Good Lord! | 0:32:28 | 0:32:30 | |
Cross my palm with a £5 note. | 0:32:30 | 0:32:33 | |
You know what it says here, young man? | 0:32:33 | 0:32:35 | |
I'll tell you. | 0:32:35 | 0:32:37 | |
It says you're going to be offered to do a television show | 0:32:37 | 0:32:40 | |
with two of the finest comedians that have ever lived. Don't take it. | 0:32:40 | 0:32:43 | |
They will ruin your career. | 0:32:43 | 0:32:44 | |
Father, throw this interloper out of this house! | 0:32:44 | 0:32:47 | |
-Now, well, I'll have none of that talk. -Hello, Heathcliff. | 0:32:47 | 0:32:50 | |
You said that without moving your lips. | 0:32:50 | 0:32:52 | |
-That was my daughter, Catherine. -And you can do it as well. | 0:32:53 | 0:32:57 | |
Hello, Heathcliff! | 0:32:57 | 0:32:58 | |
Don't stand out in the yard. Come into the workshop. | 0:32:58 | 0:33:01 | |
-Oh, Heathcliff! You are all man. -I can't help it. | 0:33:01 | 0:33:07 | |
-Let me run my fingers through your black gypsy locks. -Certainly! | 0:33:07 | 0:33:11 | |
Help yourself! | 0:33:11 | 0:33:13 | |
Keep it as a tea cosy. | 0:33:15 | 0:33:17 | |
Every time you pour one, think of me - Heathcliff. | 0:33:17 | 0:33:20 | |
-I want you to be happy here. -I'm sure I will. | 0:33:20 | 0:33:23 | |
-I shall treat you as my own son. -Of course. | 0:33:23 | 0:33:25 | |
-Put those spoons back. -Sorry, Dad. -Father, I am your only son. | 0:33:25 | 0:33:30 | |
And I will not be thwarted of my rightful inheritance | 0:33:30 | 0:33:33 | |
by that gypsy vagabond there. | 0:33:33 | 0:33:35 | |
Hold on. I nearly forgot. Hold on. | 0:33:35 | 0:33:37 | |
-Heathcliff cares nothing for worldly goods. -That's true. | 0:33:37 | 0:33:41 | |
-Who wants worldly goods? -He's just a simple gypsy youth. | 0:33:41 | 0:33:44 | |
Nobody more simple than I am. I can tell you that. | 0:33:44 | 0:33:47 | |
All he wants to do is bring some gypsy sunshine into our lives. | 0:33:47 | 0:33:50 | |
Gypsy sunshine into our lives. That is all I want to do. Gypsy sunshine. | 0:33:50 | 0:33:53 | |
Carry that for me, will you? | 0:33:53 | 0:33:55 | |
LAUGHTER | 0:33:57 | 0:34:00 | |
Between 1965 and 1967, Morecambe and Wise made three feature films. | 0:34:03 | 0:34:09 | |
None are now regarded as classics, but they were very popular. | 0:34:09 | 0:34:14 | |
The first of them, The Intelligence Men, co-starred their next guest, William Franklyn. | 0:34:14 | 0:34:20 | |
I don't know about you, but I'm off. | 0:34:20 | 0:34:22 | |
Oh, no you're not. You're both going to keep your eyes on Petrovna. | 0:34:22 | 0:34:25 | |
On the other side of the stage. | 0:34:25 | 0:34:27 | |
-Right. -No, not across the stage, go behind the scenery. | 0:34:27 | 0:34:30 | |
Behind the scenery, not across the stage! Idiot! Idiot! | 0:34:30 | 0:34:34 | |
The killer is definitely still here. | 0:34:35 | 0:34:37 | |
-You cover the auditorium, I'll watch in the wings. -Righto. | 0:34:37 | 0:34:42 | |
At the time of this sketch, | 0:34:42 | 0:34:43 | |
he was better known as the voice of a tonic water commercial. | 0:34:43 | 0:34:47 | |
-SHE WHISPERS: -"Sh! You know who." | 0:34:47 | 0:34:49 | |
You... You got my message? | 0:34:49 | 0:34:52 | |
No. | 0:34:54 | 0:34:56 | |
I understand somebody needs the help of the three brave musketeers. | 0:34:56 | 0:35:00 | |
I think it's acting. | 0:35:09 | 0:35:11 | |
-You're not sure though, are you? -No. | 0:35:11 | 0:35:14 | |
We think it's acting, but we're not sure. | 0:35:14 | 0:35:16 | |
The Queen has had an indiscretion. | 0:35:16 | 0:35:19 | |
That nine months went very quickly. | 0:35:22 | 0:35:24 | |
The Queen is here?! | 0:35:26 | 0:35:27 | |
-What's that? -I think it's tension. | 0:35:31 | 0:35:33 | |
Do it to me, will you? | 0:35:35 | 0:35:36 | |
I'm sure you're both anxious to meet Her Majesty. | 0:35:36 | 0:35:41 | |
No. | 0:35:41 | 0:35:42 | |
-Good, then follow me. -Certainly! | 0:35:42 | 0:35:45 | |
Over here! | 0:35:45 | 0:35:47 | |
Your Majesty, the Three Musketeers at your service. | 0:35:47 | 0:35:51 | |
-Your Majesty! -Mrs King. | 0:35:51 | 0:35:52 | |
Please be seated. | 0:35:54 | 0:35:56 | |
I understand that Your Majesty has a problem what only us Musketeers can solve. | 0:36:00 | 0:36:05 | |
-I am in love with the Duke of Buckingham. -Sacre bleu! -The Duke of Buckingham?! | 0:36:05 | 0:36:09 | |
He's a married man with 15 children and a walking stick! | 0:36:09 | 0:36:12 | |
Does your husband, the King, know about this? | 0:36:14 | 0:36:17 | |
If the evil Cardinal Richelieu has his way, | 0:36:17 | 0:36:19 | |
the King will know soon enough, and who's got his hand on my knee? | 0:36:19 | 0:36:23 | |
Sorry about that. | 0:36:26 | 0:36:28 | |
-That scoundrel Riche-o-lo! -The problem is this. | 0:36:28 | 0:36:31 | |
Some time ago the King gave Her Majesty 12 diamonds as a present. | 0:36:31 | 0:36:34 | |
-Before the Duke of Buckingham left for England... -Yes? | 0:36:34 | 0:36:37 | |
..I gave him a token of my love. | 0:36:37 | 0:36:39 | |
I bet he slept well on the boat. | 0:36:39 | 0:36:41 | |
With the ladies, Eric and Ernie couldn't help but flirt, | 0:36:44 | 0:36:47 | |
but when it came to their male guests, they went in for a sort of verbal duelling. | 0:36:47 | 0:36:52 | |
It was all jousting one-upmanship and thrusting double entendres. | 0:36:52 | 0:36:57 | |
-And there's a bit of a storm brewing up. -I've got a dinghy. | 0:36:57 | 0:37:00 | |
Haven't we all? | 0:37:00 | 0:37:01 | |
-Mine will hold three. -Amazing! | 0:37:05 | 0:37:08 | |
-Your Majesty, how did you get into the castle? -Ah. I entered by the goose gate. | 0:37:09 | 0:37:13 | |
You took a chance. | 0:37:13 | 0:37:15 | |
Ah, but I am sorely grieved. | 0:37:15 | 0:37:17 | |
I'm not surprised. | 0:37:17 | 0:37:19 | |
Has your equipment arrived? | 0:37:19 | 0:37:20 | |
My equipment arrived when I was 18. | 0:37:20 | 0:37:22 | |
Igor, tonight I'm about to fill one of my lifelong ambitions. | 0:37:25 | 0:37:27 | |
You dirty devil! | 0:37:27 | 0:37:29 | |
Now, I think you know the position. | 0:37:29 | 0:37:33 | |
I know them all. I've read the book. | 0:37:33 | 0:37:35 | |
That wasn't what the Colonel meant! | 0:37:36 | 0:37:39 | |
Oh. | 0:37:39 | 0:37:40 | |
It's happened. An uprising. | 0:37:40 | 0:37:43 | |
Congratulations. | 0:37:43 | 0:37:45 | |
15 men on a dead man's chest. Yo ho ho and a... | 0:37:45 | 0:37:49 | |
-See? I knew. His bottle's gone. -Yes. -I knew it. You can tell. | 0:37:49 | 0:37:53 | |
-I've done all manner of dreadful things. -Oh, I don't know. | 0:37:53 | 0:37:56 | |
I saw you last series, it was OK. | 0:37:56 | 0:37:57 | |
-Wha...Wha? -Do you know what I did once? -Only once? | 0:37:59 | 0:38:02 | |
I'm at that age now. | 0:38:02 | 0:38:03 | |
-Excuse me Your Majesty. -That's all right. -I didn't mean to interrupt... | 0:38:05 | 0:38:09 | |
-Not all. -But there's a wee man downstairs with a funny face. | 0:38:09 | 0:38:11 | |
Well, go and tell him you got one. | 0:38:11 | 0:38:14 | |
I'm sorry I'm late, I've just been going round the Trossachs. | 0:38:14 | 0:38:17 | |
In that hat? | 0:38:20 | 0:38:21 | |
No, no. In these plus fours. | 0:38:21 | 0:38:24 | |
I didn't come alone. | 0:38:24 | 0:38:25 | |
I brought my driver with me. | 0:38:25 | 0:38:26 | |
I see. What's that brass knocker doing in your hand? | 0:38:29 | 0:38:33 | |
-It's freezing outside. -I asked for that, didn't I? -Yes. | 0:38:33 | 0:38:36 | |
APPLAUSE | 0:38:36 | 0:38:39 | |
-Mr Wise. -I don't know that one, but I know "Mr Woo." | 0:38:39 | 0:38:42 | |
# Oh, Mr Woo What shall...? # | 0:38:42 | 0:38:44 | |
-Mr Wise, I'm going. -Please, please Mr... -Let him go. | 0:38:44 | 0:38:48 | |
-Well... -Let him go do another one of those say-goes. | 0:38:48 | 0:38:51 | |
-Sagas. -Sagas, then. | 0:38:51 | 0:38:53 | |
I saw the lot. 26 episodes, and not a laugh in it. | 0:38:53 | 0:38:57 | |
-Who wrote that rubbish! -Galsworthy. | 0:38:57 | 0:38:59 | |
Just watch it, that's all! | 0:38:59 | 0:39:01 | |
Getting nominated for a major acting award | 0:39:01 | 0:39:03 | |
meant you were now worthy of a role in one of Ern's plays. | 0:39:03 | 0:39:07 | |
And possibly you needed bringing down a peg or two. | 0:39:07 | 0:39:11 | |
Following his 1973 BAFTA nomination for Dennis Potter's Casanova, | 0:39:11 | 0:39:16 | |
Frank Finlay took the lead in Ernie's clearly superior version. | 0:39:16 | 0:39:21 | |
-Order something, will you? -Yes, I will. That's a good idea. | 0:39:21 | 0:39:24 | |
Serving wench! | 0:39:24 | 0:39:25 | |
-I would like three tankards of mead. Are you hungry? -Yes. | 0:39:26 | 0:39:30 | |
Three tankards of mead and a poached swan on toast. | 0:39:30 | 0:39:33 | |
And be... CHUCKLING: Be careful where you put the feathers. | 0:39:35 | 0:39:39 | |
-And don't be too long, you exciting woman. -Men! | 0:39:39 | 0:39:43 | |
ERNIE CHUCKLES | 0:39:43 | 0:39:44 | |
She didn't appear to be smitten with your technique, Mr Casanova. | 0:39:44 | 0:39:48 | |
Oh, believe me, underneath that cold exterior, | 0:39:48 | 0:39:51 | |
her womanliness was boiling and bubbling with a fervour | 0:39:51 | 0:39:55 | |
that most men would not be able to keep up with. | 0:39:55 | 0:39:58 | |
-ERIC LAUGHS You mean she's a raver? -Oh, mustard. | 0:39:58 | 0:40:01 | |
-Mustard, you say? -Yes, mustard. | 0:40:01 | 0:40:04 | |
-Tell me... Tell me, Mr Casanova... -Call me Giacomo. | 0:40:04 | 0:40:07 | |
I'd rather call you Casanova, I can't say Giacomo. | 0:40:07 | 0:40:10 | |
Tell me, Mr Jackanory... | 0:40:10 | 0:40:12 | |
-Is this your first visit to London? -Oh, it is indeed. | 0:40:15 | 0:40:18 | |
-What do you think of the British climate? -I found it very close last night. | 0:40:18 | 0:40:21 | |
You're lucky. I was out - nothing. | 0:40:21 | 0:40:24 | |
-Mr Jackanory... -Yes? -What brings you to London? | 0:40:24 | 0:40:28 | |
-I'll be perfectly frank with you. -Yes? | 0:40:30 | 0:40:32 | |
I have a long felt want. | 0:40:32 | 0:40:35 | |
There's no answer to that, is there? | 0:40:45 | 0:40:48 | |
-Sir! -Ah! Has Frankie Vaughan come back for his stick? | 0:40:49 | 0:40:53 | |
-Yes? -Tell me, when do you intend to perpetrate this lascivious deed | 0:40:53 | 0:40:56 | |
-upon the sweet and innocent honour? -This very night. | 0:40:56 | 0:40:59 | |
I would like to draw attention to the fact that she's had a vicarage upbringing. | 0:40:59 | 0:41:02 | |
-That is true, a vicarage upbringing. -Her father was the vicar of St Bernard's. | 0:41:02 | 0:41:06 | |
That's true, you can't miss him. | 0:41:06 | 0:41:07 | |
Always had the collection box hanging around his neck. | 0:41:07 | 0:41:10 | |
-Are you finished? -Go away, please. | 0:41:10 | 0:41:12 | |
That woman, get her out. | 0:41:12 | 0:41:14 | |
Hello. | 0:41:16 | 0:41:17 | |
-HIGH-PITCHED SOUND EFFECT -Kiss me! | 0:41:17 | 0:41:20 | |
-Of course, my dear. -Now, wait a minute... | 0:41:20 | 0:41:23 | |
THEY GIGGLE | 0:41:27 | 0:41:30 | |
Hey, hey - what do you think of it up to now? "Rubbish!" | 0:41:32 | 0:41:35 | |
That question would be asked of any inanimate object with a mouth. | 0:41:37 | 0:41:41 | |
What do you think of it so far? "Rubbish!" | 0:41:41 | 0:41:44 | |
"Rubbish!" | 0:41:44 | 0:41:46 | |
"Rubbish!" "Rubbish!" | 0:41:46 | 0:41:47 | |
"Rubbish!" | 0:41:47 | 0:41:49 | |
What do you think of it so far? "Rubbish!" | 0:41:49 | 0:41:51 | |
Dumb insolence is a military term for showing disrespect for authority. | 0:41:53 | 0:41:59 | |
Eric and Ern were great at it. | 0:41:59 | 0:42:01 | |
Am I to understand, Sir, that you're calling for two volunteers | 0:42:01 | 0:42:04 | |
-to go on this very dangerous mission? -That's about the size of it. | 0:42:04 | 0:42:07 | |
We won't go into that now, sir. | 0:42:07 | 0:42:09 | |
We'll need plenty of supplies. | 0:42:10 | 0:42:12 | |
Any minute now I'm expecting a 25-pounder. | 0:42:12 | 0:42:15 | |
I thought you'd gone a funny colour. | 0:42:15 | 0:42:17 | |
PHONE RINGS | 0:42:18 | 0:42:20 | |
Captain here. What?! | 0:42:20 | 0:42:21 | |
Captain Here-what? That's a strange name. | 0:42:21 | 0:42:25 | |
Knee trembler. | 0:42:25 | 0:42:27 | |
That's very kind of you, sir, but can I get my goggles off first? | 0:42:27 | 0:42:30 | |
Gentleman, I've got some wonderful news for you. | 0:42:35 | 0:42:38 | |
Des O'Connor has got a sore throat?! | 0:42:38 | 0:42:39 | |
No. | 0:42:39 | 0:42:42 | |
The Red Baron has been sighted and is about to attack the airfield. | 0:42:43 | 0:42:47 | |
Don't panic! | 0:42:47 | 0:42:48 | |
Right, right! Listen to me! | 0:42:54 | 0:42:56 | |
-Right. -You check the aircraft ammunition | 0:42:56 | 0:42:59 | |
and I'll check your figures. | 0:42:59 | 0:43:02 | |
Sauce-box! | 0:43:03 | 0:43:06 | |
I'll go and service the camel. | 0:43:06 | 0:43:08 | |
There's no answer to that. | 0:43:08 | 0:43:10 | |
Darcy? You're a fool. | 0:43:10 | 0:43:12 | |
Will you still call me a fool when I tell you about my plan of escape? | 0:43:14 | 0:43:18 | |
What is your plan of escape? | 0:43:26 | 0:43:28 | |
Read that. | 0:43:37 | 0:43:39 | |
Bermont's. | 0:43:41 | 0:43:43 | |
"To the guard at the gate." | 0:43:43 | 0:43:46 | |
"The three men what have got this note..." | 0:43:51 | 0:43:56 | |
It's good, isn't it? | 0:43:56 | 0:43:58 | |
"..are very good friends of mine | 0:43:58 | 0:44:00 | |
"and are to be allowed out through the main gate. | 0:44:00 | 0:44:04 | |
"Signed, Adolf Hitler, boss of Germany." | 0:44:04 | 0:44:07 | |
Be honest - what do you think? Be honest. | 0:44:13 | 0:44:15 | |
-You wrote this note? -Who else? | 0:44:15 | 0:44:19 | |
-Darcy... -Sir? -This note would never fool the Germans. | 0:44:19 | 0:44:22 | |
Of course not. Hitler would never write a note in pencil. | 0:44:22 | 0:44:25 | |
And secondly, Darcy, Hitler would never use notepaper headed | 0:44:27 | 0:44:32 | |
"J Bolshore and Sons, plumbers and decorators, Stockport." | 0:44:32 | 0:44:35 | |
-He's trying to say something. -ERNIE MUTTERS | 0:44:37 | 0:44:40 | |
What's he saying? | 0:44:40 | 0:44:42 | |
He says you're stood on his hand. | 0:44:42 | 0:44:43 | |
Cut it out! This is my scene! | 0:44:48 | 0:44:50 | |
ERNIE GROANS | 0:44:52 | 0:44:55 | |
-He's badly hurt. -Yes. The bullet will have to come out. -Yes. | 0:44:55 | 0:44:58 | |
-He's seriously wounded. -I'll have to take his trousers off. | 0:44:58 | 0:45:01 | |
-He's been hit in the shoulder. -We need the laughs. | 0:45:01 | 0:45:04 | |
ERNIE WHIMPERS | 0:45:08 | 0:45:10 | |
Aaaaa-ee! | 0:45:12 | 0:45:14 | |
He's gone! | 0:45:14 | 0:45:16 | |
Somebody clapped! | 0:45:16 | 0:45:17 | |
Ignore it. It's your wife. | 0:45:17 | 0:45:20 | |
Colonel, we are about to be attacked at any moment! | 0:45:20 | 0:45:23 | |
And 15 of my men are up at the front. | 0:45:23 | 0:45:25 | |
It's a curry. It affects me the same way, I must be honest. | 0:45:25 | 0:45:28 | |
God, the heat! | 0:45:28 | 0:45:30 | |
But surely some Indian soldiers have remained loyal to the Crown? | 0:45:30 | 0:45:34 | |
-They've got no option. It's the only pub around here, isn't it? -Yes. | 0:45:34 | 0:45:37 | |
Fourpence ha'penny a pint... Hey! | 0:45:37 | 0:45:40 | |
We'll be up against it this night. | 0:45:40 | 0:45:42 | |
I'm all for that! PLAYS GLISSANDO ON UKELELE | 0:45:42 | 0:45:44 | |
-The situation is fraught. -Dashed tricky. | 0:45:44 | 0:45:47 | |
How do you fellows see it? | 0:45:50 | 0:45:53 | |
Very rarely, these days. | 0:45:53 | 0:45:56 | |
-How about you? -I've never seen it. -He's only little. | 0:45:56 | 0:45:59 | |
-Now, Darson. Darcy. -You were close. | 0:46:00 | 0:46:04 | |
-Darcy... -Yes, sir. | 0:46:04 | 0:46:07 | |
Listen, Darcy, listen to me very carefully. | 0:46:08 | 0:46:11 | |
I am, I am. Believe me, I am. | 0:46:11 | 0:46:13 | |
-Captain Hammond. -Sir! | 0:46:13 | 0:46:16 | |
VC, DSO, MM, DMC and bar. | 0:46:16 | 0:46:18 | |
-Captain Hammond and I have a plan of escape. -Escape! | 0:46:20 | 0:46:23 | |
For the past... For the past two weeks | 0:46:31 | 0:46:34 | |
-we have been... We have been doing... -Yes? | 0:46:34 | 0:46:37 | |
-..this. -What? | 0:46:37 | 0:46:40 | |
Oh, I like it! I like it! I knew a fellow once. He had a nasty habit. | 0:46:48 | 0:46:53 | |
All day long he'd do that. | 0:46:53 | 0:46:55 | |
-All day long. Eventually broke his neck. -What... | 0:46:55 | 0:46:58 | |
What the Major's trying to say is that we have been digging a tunnel. | 0:46:58 | 0:47:01 | |
-A tunnel! -Shut up, you fool! -Sh! | 0:47:01 | 0:47:03 | |
Oscar winner Sir John Mills was a coup. | 0:47:03 | 0:47:07 | |
As was booking these two stars. | 0:47:07 | 0:47:09 | |
APPLAUSE | 0:47:15 | 0:47:18 | |
KNOCKING AT DOOR | 0:47:21 | 0:47:24 | |
Who is it? | 0:47:24 | 0:47:25 | |
It's me, Guv'nor. | 0:47:25 | 0:47:27 | |
APPLAUSE | 0:47:27 | 0:47:30 | |
-Having breakfast? -Nah, I'm not having my breakfast, Sergeant. I'm having my lunch. | 0:47:34 | 0:47:39 | |
That was my breakfast. | 0:47:39 | 0:47:41 | |
-You fancy a bite to eat? -Yeah. | 0:47:41 | 0:47:44 | |
-Help yourself. -Thank you very much, I thought you'd never ask. | 0:47:44 | 0:47:47 | |
-I'd like to tell you, I've got those two volunteers outside. -Good. | 0:47:49 | 0:47:52 | |
The success of the whole war depends on this false information getting into enemy hands. | 0:47:52 | 0:47:56 | |
Do they fit the bill? | 0:47:56 | 0:47:58 | |
-They're expendable, if that's what you mean. -That's exactly what I mean. | 0:47:58 | 0:48:02 | |
Do they know they're going behind enemy lines? | 0:48:02 | 0:48:05 | |
-Well, I haven't actually... -Do they know they won't come back alive? | 0:48:05 | 0:48:08 | |
Look, Guv'nor , I've got these two volunteers, haven't I? | 0:48:08 | 0:48:10 | |
Oh, well. They say there's one in every regiment. | 0:48:10 | 0:48:13 | |
There is two in ours. | 0:48:13 | 0:48:15 | |
-Let's have them in. -All right, you two. At the double. | 0:48:15 | 0:48:18 | |
Come on! Left-right, left-right, left-right, left-right, left-right, left! | 0:48:18 | 0:48:23 | |
APPLAUSE | 0:48:25 | 0:48:28 | |
-Sir! -Yes, well... | 0:48:32 | 0:48:35 | |
-You both know why you're here. -Oh, yes. | 0:48:37 | 0:48:40 | |
There's a job to be done and it isn't much fun. | 0:48:40 | 0:48:42 | |
DELIVERED AS LIMERICK: As Lord Kitchener said to the sentry | 0:48:42 | 0:48:45 | |
For tattooed on his chest Through a hole in his vest | 0:48:45 | 0:48:47 | |
Was a sign saying "Caution, no entry." | 0:48:47 | 0:48:50 | |
I apologise, Sir. We took the King's shilling and we're ready and willing. | 0:48:50 | 0:48:53 | |
DELIVERED AS LIMERICK: As Jericho said to the Kaiser | 0:48:53 | 0:48:55 | |
-It's a dangerous job... -You'll be paid 30 bob... -Some crisps and a bottle of Tizer. | 0:48:55 | 0:48:59 | |
Sir! I must say it's a great pleasure to be serving under an officer | 0:49:00 | 0:49:04 | |
who is as brave as what you are, sir. | 0:49:04 | 0:49:06 | |
And I like you best in The Sweeney, as well. | 0:49:06 | 0:49:09 | |
-All right, that's enough. -You're OK with me, chum. -All right! | 0:49:09 | 0:49:12 | |
Now, you know what you got to do. | 0:49:12 | 0:49:13 | |
Oh, yes. Now, if you tell us where the piano is, we'll move it. | 0:49:13 | 0:49:16 | |
-Piano? -Piano, sir. -Piano, sir. -We volunteered to move the piano. | 0:49:17 | 0:49:21 | |
We volunteered to move the piano. | 0:49:21 | 0:49:23 | |
The piano that these gentlemen have kindly volunteered to move. | 0:49:23 | 0:49:25 | |
Oh, the piano! Yes. | 0:49:25 | 0:49:28 | |
-Yes, the piano. -The piano. And what else, as well? | 0:49:28 | 0:49:30 | |
Well, first they've got to take the communique, haven't they? | 0:49:30 | 0:49:33 | |
First, you got to take the communique in order to get permission to move the piano. | 0:49:33 | 0:49:37 | |
-Ah! Take the communique. -Then the piano. -First take the communique. -This is a map. -Are you sure? | 0:49:37 | 0:49:42 | |
-You will make your way along here. -Doing that on your own? -Yes. | 0:49:45 | 0:49:48 | |
-Now, listen. -I am. -To this hill here. | 0:49:48 | 0:49:51 | |
-Circumnavigating it, as the enemy have occupied the summit. -The summit there. | 0:49:51 | 0:49:55 | |
Then you'll go down through this gully, up here, | 0:49:55 | 0:49:58 | |
-over this small knoll. -Yeah. | 0:49:58 | 0:50:00 | |
And your destination is this hillock, here. | 0:50:00 | 0:50:03 | |
-Ah! -I'm sure, Sir, there must be another way of looking at this. | 0:50:03 | 0:50:06 | |
-That's true. -I mean, let's face it. What do you think? | 0:50:06 | 0:50:09 | |
Is it...? | 0:50:10 | 0:50:12 | |
APPLAUSE | 0:50:12 | 0:50:14 | |
Who's come on? Is it...? | 0:50:14 | 0:50:16 | |
Is it possible to volunteer for something dangerous around Harris? | 0:50:16 | 0:50:19 | |
Mother! | 0:50:24 | 0:50:26 | |
I can't believe it! May I say, Sir... | 0:50:26 | 0:50:31 | |
Big Bertha! | 0:50:31 | 0:50:33 | |
Have I seen you in the back of a car? | 0:50:33 | 0:50:36 | |
Inside this envelope... | 0:50:37 | 0:50:39 | |
..Is the nomination for the three best actresses of the year, | 0:50:39 | 0:50:43 | |
which I will read out in reverse order. | 0:50:43 | 0:50:45 | |
Porter, Dawn, Nyree! | 0:50:45 | 0:50:47 | |
-Synchronise your watches. -Right. -Quarter to six. -Quarter to six. -Quarter to six. | 0:50:49 | 0:50:53 | |
Ten past 11. | 0:50:53 | 0:50:56 | |
-Ten past 11? -Ten past 11. -Ten past 11. | 0:50:56 | 0:50:59 | |
Quarter to six. | 0:50:59 | 0:51:01 | |
-On yer bike! -Certainly, sir. | 0:51:01 | 0:51:03 | |
Come on! left-right, left-right, left-right, left-right! | 0:51:03 | 0:51:06 | |
Hold up! Don't be too hard on him. He likes me the best. | 0:51:06 | 0:51:09 | |
-Likes him the best. -I like him the best in the Sweeney. -Are you still there? | 0:51:09 | 0:51:12 | |
Well, I'll away then. It's been a great pleasure working with you, I don't care what the others say. | 0:51:12 | 0:51:17 | |
I've always admired you. Been a nice fella. | 0:51:17 | 0:51:20 | |
HE CLEARS THROAT | 0:51:20 | 0:51:22 | |
HE CHUCKLES | 0:51:25 | 0:51:26 | |
SNAP! | 0:51:26 | 0:51:28 | |
Got a great gag for you later on. "Rubbish!" You could have waited. | 0:51:29 | 0:51:33 | |
We shouldn't have done this show, Dennis. Never done it. | 0:51:35 | 0:51:38 | |
APPLAUSE | 0:51:40 | 0:51:43 | |
The Sweeney and Morecambe and Wise had a lot in common. | 0:51:43 | 0:51:46 | |
Rule breakers, mavericks, short, fat, hairy legs. | 0:51:46 | 0:51:51 | |
After John Thaw and Dennis Waterman got the inevitable call in 1976, | 0:51:51 | 0:51:56 | |
they asked Eric and Ernie to return the compliment and appear in their show. | 0:51:56 | 0:52:01 | |
Well, you would, wouldn't you? | 0:52:01 | 0:52:03 | |
KNOCK AT DOOR | 0:52:03 | 0:52:04 | |
-Who's there? -Police! -Police who? -"Please come in!" | 0:52:04 | 0:52:08 | |
THEY CHUCKLE | 0:52:08 | 0:52:09 | |
Hello, how are you? I'm Eric. Come in and lie down. This is Ernie. | 0:52:09 | 0:52:13 | |
-He's with Interpol. -Yes, how do you do? | 0:52:13 | 0:52:14 | |
-I'm Detective Inspector Regan. -Oh, yes. -This is my colleague... | 0:52:14 | 0:52:17 | |
Colombo, I've seen him. Gets a headache in the films, walks about like that. | 0:52:17 | 0:52:20 | |
-Detective Sergeant Col... Erm, Carter. -Ah. | 0:52:20 | 0:52:23 | |
-We're from Scotland Yard. -Oh, yes. -Yes. -I won't... | 0:52:23 | 0:52:27 | |
I won't take up any more time than is necessary. | 0:52:27 | 0:52:29 | |
You're leaving, are you? It's been a pleasure! | 0:52:29 | 0:52:31 | |
When they turned up on set, Eric and Ernie found they had huge Winnebagos, | 0:52:31 | 0:52:37 | |
which was more than John and Dennis ever did. | 0:52:37 | 0:52:40 | |
Eric was having none of that. | 0:52:40 | 0:52:42 | |
"You can't expect us to have a bloody big caravan each," he said, | 0:52:42 | 0:52:46 | |
"when the two stars are getting made up in a toilet round the back!" | 0:52:46 | 0:52:50 | |
John and Dennis got their Winnebagos, and we got this. | 0:52:50 | 0:52:55 | |
-Send zem in! -Trier be fier! | 0:53:36 | 0:53:39 | |
APPLAUSE | 0:53:47 | 0:53:50 | |
-Achtung! -Volkswagen! | 0:53:53 | 0:53:55 | |
Sorry about your arm. | 0:53:58 | 0:53:59 | |
-Zo... -Oh! | 0:54:01 | 0:54:03 | |
Zo! | 0:54:06 | 0:54:07 | |
Ze British pigs! | 0:54:09 | 0:54:11 | |
-That's not nice! -Quiet! | 0:54:11 | 0:54:13 | |
That's better. | 0:54:13 | 0:54:15 | |
Have you got a brother on our side? | 0:54:15 | 0:54:17 | |
-Oh! I tell you what, Ern. -What? -You'll enjoy this. -Will I? | 0:54:20 | 0:54:23 | |
It's fun, fun, fun! | 0:54:23 | 0:54:25 | |
-Quiet! -He is known as Hanz Everywhere. | 0:54:25 | 0:54:27 | |
Now, my little Englander... | 0:54:29 | 0:54:33 | |
-Mein Hair! -It's not slipped again, has it? | 0:54:33 | 0:54:35 | |
BOTH: QUIET! | 0:54:36 | 0:54:38 | |
-We have some plans for you, gentlemen. -Oh, lovely! | 0:54:38 | 0:54:42 | |
-We have two methods of extracting information... -Yes? | 0:54:42 | 0:54:46 | |
Which I shall call "one" und "two". | 0:54:46 | 0:54:49 | |
Ah, very good, Sir. "One" and "two". I'll try and remember that. | 0:54:49 | 0:54:53 | |
Have either of you got a coin? | 0:54:53 | 0:54:54 | |
-Coin? -Have we got a coin? -I'll have a look in my wallet, Sir. | 0:54:54 | 0:54:57 | |
-You're very privileged to see this. -Jawohl? | 0:54:57 | 0:55:00 | |
It's usually kept in ja vault, yes. | 0:55:00 | 0:55:02 | |
DIAL CLICKS | 0:55:05 | 0:55:08 | |
By the time he gets in, you know, the pound's gone down again. | 0:55:08 | 0:55:11 | |
CREAKING | 0:55:12 | 0:55:14 | |
That was just his thumb. | 0:55:14 | 0:55:16 | |
Just! HE CHUCKLES | 0:55:16 | 0:55:19 | |
No. No coins, sir. No coins. | 0:55:21 | 0:55:23 | |
-Zo... Zo... -It's the zo show! | 0:55:27 | 0:55:30 | |
-You... -Uh-huh, I've got one, two. | 0:55:30 | 0:55:34 | |
You vill be taken from here. | 0:55:34 | 0:55:37 | |
-Taken from here. -And have your pound notes pulled out vun by vun. | 0:55:37 | 0:55:41 | |
Fun! ERNIE WHIMPERS | 0:55:43 | 0:55:46 | |
Oh, please not that. Please, Mr German. Have mercy on me! | 0:55:46 | 0:55:50 | |
I'm only little. | 0:55:50 | 0:55:51 | |
I was always good to my mother. | 0:55:53 | 0:55:54 | |
I never went home. | 0:55:54 | 0:55:56 | |
And they were cruel to me at school. That beefy Miller. | 0:55:57 | 0:56:00 | |
She was vicious with me. | 0:56:00 | 0:56:02 | |
I'm only little, and I want me mam! | 0:56:02 | 0:56:04 | |
Hey, you're right, it's good! Oh, boy oh, boy! | 0:56:09 | 0:56:13 | |
Doesn't half help your loose change. | 0:56:13 | 0:56:15 | |
Well... | 0:56:17 | 0:56:19 | |
AS BENNIE THE BALL FROM TOP CAT: "Whatcha gonna do now, TC?" | 0:56:19 | 0:56:22 | |
-And now, for you. -For me. -Viz you, ve vill try method number two. -Oh! | 0:56:25 | 0:56:30 | |
You are going to experience ze beautiful Mata Hari. | 0:56:30 | 0:56:35 | |
-Any of this business? -No. | 0:56:35 | 0:56:37 | |
-Just the laughs. -Don't go there! -No, I won't. | 0:56:37 | 0:56:41 | |
I like you best in Ze Sveeney. | 0:56:41 | 0:56:44 | |
Ze Sveeney. | 0:56:44 | 0:56:45 | |
SNAP! | 0:56:51 | 0:56:53 | |
APPLAUSE | 0:56:53 | 0:56:55 | |
HE SHOUTS GARBLED ORDER | 0:56:55 | 0:56:56 | |
That's where we have to leave Eric and Ern and their extraordinary line-up of leading men, | 0:56:56 | 0:57:02 | |
including the most important one of all - | 0:57:02 | 0:57:05 | |
the third man, who rarely share the limelight. Eddie Braben. | 0:57:05 | 0:57:11 | |
Eddie knew that to work, Ern's plays had to make the guests look foolish, | 0:57:11 | 0:57:16 | |
but not as foolish as Eric and Ernie. | 0:57:16 | 0:57:20 | |
Whether it was their famous stinginess, | 0:57:20 | 0:57:22 | |
Eric's childish clowning or Ernie's pompous self-regard, | 0:57:22 | 0:57:28 | |
the joke was on them, and we, the audience, knew it. | 0:57:28 | 0:57:31 | |
It looked and felt like anarchy, but it was perfectly judged | 0:57:31 | 0:57:36 | |
and delivered with incredible skill. | 0:57:36 | 0:57:39 | |
That skill was Eric and Ernie's, honed over years, | 0:57:39 | 0:57:43 | |
but Eddie Braben was the man who understood how to make it sing. | 0:57:43 | 0:57:48 | |
Good night. | 0:57:48 | 0:57:49 | |
SONG: "You May Just Be The One" by The Monkees | 0:57:49 | 0:57:53 | |
# All men must have someone Have someone | 0:57:56 | 0:58:02 | |
# Who would never take advantage Of a love bright as the sun... # | 0:58:02 | 0:58:07 | |
ALL: AY! | 0:58:07 | 0:58:08 | |
ALL: Hmmmm? | 0:58:08 | 0:58:11 | |
# Someone to understand them And you just may be the one | 0:58:11 | 0:58:15 | |
# All men must have someone Have someone | 0:58:18 | 0:58:26 | |
# Who would never take for granted All the pleasures and the fun | 0:58:26 | 0:58:30 | |
# Someone to stand beside them And you just may be the one | 0:58:34 | 0:58:39 | |
# Someone to understand them | 0:58:42 | 0:58:44 | |
# And you just may be the one. # | 0:58:44 | 0:58:47 |