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Sex sells, and celebrity couples are big business. | 0:00:02 | 0:00:05 | |
Global brands who just have to name their price. | 0:00:05 | 0:00:08 | |
Look at Posh and Becks, Brad and Angelina - | 0:00:08 | 0:00:10 | |
they're real people with real relationships. | 0:00:10 | 0:00:13 | |
They're not bad to look at, either. | 0:00:13 | 0:00:14 | |
For the first time, the search is on to find a real couple who can | 0:00:14 | 0:00:18 | |
-make it as top models. -If we can find a real couple who are gorgeous | 0:00:18 | 0:00:22 | |
and in love, they'll make a killing. | 0:00:22 | 0:00:24 | |
But for every Posh and Becks, there's a Katy and Peter. | 0:00:24 | 0:00:28 | |
So just looking the part won't be enough. | 0:00:28 | 0:00:31 | |
There's no point investing in a couple who don't have a strong relationship, | 0:00:31 | 0:00:35 | |
cos they're going to break up and leave us high and dry. | 0:00:35 | 0:00:38 | |
I love you! | 0:00:38 | 0:00:39 | |
Over six weeks, eight hot couples will live together in this | 0:00:39 | 0:00:42 | |
state-of-the-art Manchester mansion. | 0:00:42 | 0:00:44 | |
This is how the other half live, isn't it? | 0:00:45 | 0:00:47 | |
As well as facing a series of modelling challenges... | 0:00:47 | 0:00:50 | |
I can't see your face. | 0:00:50 | 0:00:51 | |
-God, they're see through... -..their relationships will be put | 0:00:51 | 0:00:54 | |
under the microscope. | 0:00:54 | 0:00:56 | |
If the house is on fire, what would your partner grab to rescue? | 0:00:56 | 0:00:59 | |
-Clothes. -My straighteners. | 0:00:59 | 0:01:01 | |
They might have modelled before, but never as a couple. | 0:01:01 | 0:01:04 | |
-And that means there'll be slip-ups. -Wow. | 0:01:04 | 0:01:07 | |
-Have we done both of them? -Tantrums. | 0:01:07 | 0:01:09 | |
I'll stare at you and I'll tell you to shut up. | 0:01:09 | 0:01:12 | |
And embarrassing challenges ahead. | 0:01:12 | 0:01:14 | |
I'm putting a sock down there. | 0:01:14 | 0:01:16 | |
Some might need more than others! | 0:01:16 | 0:01:18 | |
As they battle it out to impress the judges | 0:01:18 | 0:01:20 | |
and avoid being eliminated from the competition. | 0:01:20 | 0:01:24 | |
I'm not looking for two separate models, I'm looking for a couple. | 0:01:24 | 0:01:27 | |
It's all about making sure that the couple we choose have | 0:01:27 | 0:01:30 | |
a relationship that will stand the test of time. | 0:01:30 | 0:01:33 | |
The prize for the winning pair is a contract with a top modelling agency. | 0:01:33 | 0:01:37 | |
-We've got it in the bag. -They all think they're drop-dead gorgeous. | 0:01:37 | 0:01:41 | |
-I think I'm genetically blessed. -We are 100% awesome. | 0:01:41 | 0:01:46 | |
I was voted the top ten best looking South Asian male. | 0:01:46 | 0:01:50 | |
But how will their relationships cope under pressure? | 0:01:50 | 0:01:54 | |
-This show is 50% about relationships. -And 50% about models. | 0:01:54 | 0:01:58 | |
-This is Hot Like Us. -When you whisper, somebody will be listening. | 0:01:58 | 0:02:02 | |
Last time on Hot Like Us, | 0:02:15 | 0:02:17 | |
the couples were whisked away to an enchanted castle... | 0:02:17 | 0:02:20 | |
Today's shoot is inspired by fairy tales. | 0:02:20 | 0:02:22 | |
..where the judges wanted to see how the couples coped | 0:02:22 | 0:02:26 | |
in the real world of sample-sized outfits. | 0:02:26 | 0:02:29 | |
And while some were the perfect fit... | 0:02:29 | 0:02:31 | |
My face and my hair look pretty. | 0:02:31 | 0:02:33 | |
..for most, it wasn't a fairy tale ending. | 0:02:33 | 0:02:36 | |
-Why are your trousers undone? -Because they don't fit round the legs. | 0:02:36 | 0:02:40 | |
-Leroy just isn't the shape of a model. -We are halfway through | 0:02:40 | 0:02:44 | |
the competition. How hard is it? | 0:02:44 | 0:02:46 | |
THEY SCREAM | 0:02:46 | 0:02:48 | |
At the casting decision, the couples pleaded to stay. | 0:02:48 | 0:02:52 | |
It's not just a long shot. This is what we want to do long term. | 0:02:52 | 0:02:55 | |
We really want this. | 0:02:55 | 0:02:57 | |
But in the end, it was Leroy's bulky build that saw him | 0:02:57 | 0:03:01 | |
and Chloe leave. | 0:03:01 | 0:03:02 | |
Regardless of this, I go home with my prize anyway. | 0:03:02 | 0:03:06 | |
Just four couples remain in the contest for a 12-month | 0:03:06 | 0:03:09 | |
modelling contract. | 0:03:09 | 0:03:12 | |
-Aussie ballroom dancers Alison and Vaughan. -I have a hot body. | 0:03:12 | 0:03:16 | |
I work hard for it and I'm proud of it. | 0:03:16 | 0:03:20 | |
-I absolutely agree. -Fiery Chanel and Damien. | 0:03:20 | 0:03:22 | |
Whether he likes it or not, he's stuck with me now. | 0:03:22 | 0:03:26 | |
-Whether I like it or now. -Super vain Stuart and Helen. | 0:03:26 | 0:03:30 | |
With my genetics and Helen's genetics, | 0:03:30 | 0:03:32 | |
our kid's going to take over the world. | 0:03:32 | 0:03:35 | |
And glamour-girl Beki and boyfriend Jay. | 0:03:35 | 0:03:37 | |
In ten years time, I'd like big boobs, a small little waist and a little family. | 0:03:37 | 0:03:41 | |
As the fight for the contract hots up, this week, | 0:03:43 | 0:03:46 | |
it's all about compatibility. | 0:03:46 | 0:03:48 | |
I want to be in the final. I will be in the final. | 0:03:48 | 0:03:52 | |
In the modelling challenge, they'll have to prove that they're | 0:03:52 | 0:03:55 | |
the best physical fit for each other. | 0:03:55 | 0:03:57 | |
That's if their props don't get in the way. | 0:03:59 | 0:04:01 | |
I thought working with Vaughan will be easy, | 0:04:01 | 0:04:04 | |
then they chuck in a tarantula. | 0:04:04 | 0:04:06 | |
And when it comes to their relationships, | 0:04:06 | 0:04:08 | |
they'll have to pass a compatibility test. | 0:04:08 | 0:04:11 | |
Where is the strangest place you and your partner have ever had sex? | 0:04:11 | 0:04:14 | |
This week, there'll be no hiding from the truth. | 0:04:14 | 0:04:17 | |
Just like, oh, shut up, mate. | 0:04:19 | 0:04:21 | |
And just when it couldn't get tougher, the public will be | 0:04:22 | 0:04:26 | |
-called in to say who they think look best together. -I like their style. | 0:04:26 | 0:04:30 | |
-I like his hair. -She wanted a threesome with you. | 0:04:30 | 0:04:34 | |
Four couples have made it this far. | 0:04:34 | 0:04:36 | |
Only three will make it to the final. | 0:04:36 | 0:04:39 | |
We're going to send you home. | 0:04:41 | 0:04:43 | |
Come on, now, what to do with this hair? | 0:04:56 | 0:04:59 | |
Do you not think I should just throw it up in a quiff, then? Back? | 0:04:59 | 0:05:03 | |
No. | 0:05:04 | 0:05:05 | |
It's week five of the competition | 0:05:05 | 0:05:09 | |
and the hot couples are preparing for their next modelling challenge. | 0:05:09 | 0:05:13 | |
-I think it's going to be somewhere in a forest. -Why? | 0:05:13 | 0:05:17 | |
-Don't wear green. Didn't think about that, did you? -Sorted. | 0:05:17 | 0:05:22 | |
The pairs are on their way to Media City UK, | 0:05:27 | 0:05:30 | |
the studios where today's photo shoot will take place. | 0:05:30 | 0:05:34 | |
There waiting for them is their mentor, | 0:05:34 | 0:05:37 | |
top model agent Jonathan Phang. | 0:05:37 | 0:05:40 | |
-Good morning. -ALL: Good morning. -This week, we're exploring compatibility. | 0:05:48 | 0:05:53 | |
Compatibility is what bonds you as couples | 0:05:53 | 0:05:56 | |
and what makes you believable. | 0:05:56 | 0:05:58 | |
For you to become worldwide brands, | 0:05:58 | 0:06:00 | |
the public needs to believe in you or else advertisers just won't book you. | 0:06:00 | 0:06:05 | |
Now, you make think you look like the perfect couples, | 0:06:05 | 0:06:08 | |
but as models, you just may not look right together. | 0:06:08 | 0:06:10 | |
And we're going to challenge you to prove to us | 0:06:10 | 0:06:14 | |
that you're the best-matched couples physically and emotionally. | 0:06:14 | 0:06:19 | |
Follow me. | 0:06:19 | 0:06:20 | |
This challenge will test the wannabes modelling ability | 0:06:24 | 0:06:27 | |
more than ever before. | 0:06:27 | 0:06:28 | |
Wow, check this out! | 0:06:29 | 0:06:30 | |
Especially because they'll be posing in front of nothing | 0:06:30 | 0:06:33 | |
but an enormous green screen. | 0:06:33 | 0:06:36 | |
This will allow the photographer to superimpose the couples onto | 0:06:37 | 0:06:41 | |
any background she chooses. | 0:06:41 | 0:06:43 | |
You've got your work cut out for you today, | 0:06:43 | 0:06:46 | |
because there is nothing more difficult that shooting | 0:06:46 | 0:06:49 | |
in front of a green screen, because as you can see, you're on your own. | 0:06:49 | 0:06:52 | |
You've got to use your imagination and maintain your focus. | 0:06:52 | 0:06:55 | |
So, meet today's photographer, Shirlaine Forest. | 0:06:55 | 0:06:58 | |
So, we all know there's a lot riding on you today. Let's get ready. | 0:06:58 | 0:07:02 | |
-Let's head into costume. -Excellent. | 0:07:02 | 0:07:05 | |
Top on. | 0:07:08 | 0:07:09 | |
I'm really looking forward to it. I just want it to start. | 0:07:09 | 0:07:12 | |
I really want to know what she's going to want us to do. | 0:07:12 | 0:07:16 | |
For this shoot, Shirlaine wants the couples to create | 0:07:16 | 0:07:20 | |
a series of action shots that feature the boys as real life heroes. | 0:07:20 | 0:07:23 | |
Right, so you're ready to go! Mr fire fighter. | 0:07:23 | 0:07:27 | |
-How are you going to get them close to you? -I really don't know. | 0:07:27 | 0:07:30 | |
You look like a real doctor now! | 0:07:30 | 0:07:32 | |
Saving loads of people, coming out to a load of applause. | 0:07:34 | 0:07:37 | |
Going, "Oh, my God! He's so amazing." | 0:07:37 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:40 | |
Seeing their men in uniform must be an exciting prospect | 0:07:40 | 0:07:44 | |
for the girls, who'll play their damsels in distress. | 0:07:44 | 0:07:48 | |
Damo will look well nice in a...fireman uniform, I think. | 0:07:48 | 0:07:51 | |
First, Stuart hopes to get pulses racing as he poses as a doctor, | 0:07:51 | 0:07:57 | |
whilst girlfriend Helen will be his sexy patient. | 0:07:57 | 0:08:00 | |
-Twit-twoo! You look fab, hun, you look great. -Hiya. -How are you? -Good. | 0:08:00 | 0:08:06 | |
So if you could just lie on the bed for me, hun, | 0:08:07 | 0:08:10 | |
and just move your legs over to the other side. | 0:08:10 | 0:08:12 | |
Do I need to get strapped in? | 0:08:12 | 0:08:14 | |
LAUGHTER | 0:08:14 | 0:08:15 | |
I think I'm genetically blessed. | 0:08:17 | 0:08:21 | |
These two have been favourites to win the contract since day one. | 0:08:21 | 0:08:24 | |
-The feedback I got was that you were the best of the day. -I can't see your face. | 0:08:24 | 0:08:28 | |
But recently, Stuart has lost his mojo. | 0:08:28 | 0:08:31 | |
-I can't see any eyes in any picture. -Sorry. | 0:08:31 | 0:08:34 | |
And the more criticism he's received... | 0:08:34 | 0:08:36 | |
-I kind of think you're losing confidence. -I've let us both down. | 0:08:36 | 0:08:41 | |
..the more self-conscious he's become. | 0:08:41 | 0:08:43 | |
Your comment to me was, "I don't like looking at the camera cos I'm shy." | 0:08:43 | 0:08:48 | |
-I am quite nervous. -Then you're in the wrong business. | 0:08:48 | 0:08:50 | |
With the judges running out of patience, | 0:08:50 | 0:08:53 | |
this is Stuart's opportunity to prove he can cut it as a model. | 0:08:53 | 0:08:57 | |
Stuart, we can't really see your face. | 0:08:57 | 0:08:59 | |
-If you just lean it back a bit. -I do worry that he starts panicking. | 0:08:59 | 0:09:03 | |
Just get on with it. | 0:09:03 | 0:09:04 | |
It's almost like he's thinking it too much, he just needs to feel it. | 0:09:04 | 0:09:08 | |
Fixing you up. | 0:09:08 | 0:09:09 | |
We'll use the pen as well. | 0:09:12 | 0:09:14 | |
Just take the pen out of the clipboard so it doesn't look as... | 0:09:14 | 0:09:17 | |
-I'm thinking now. -I wish you wouldn't bother. I really do. | 0:09:17 | 0:09:21 | |
-You can stop thinking. -Stop thinking. Just do. | 0:09:21 | 0:09:23 | |
With Stuart dying on his feet, Helen attempts to | 0:09:25 | 0:09:28 | |
revive their chances with some raunchy mouth to mouth. | 0:09:28 | 0:09:32 | |
Beautiful. That's good. | 0:09:32 | 0:09:33 | |
Stuart and Helen had a lot of natural chemistry. | 0:09:36 | 0:09:38 | |
During the kiss, especially. | 0:09:38 | 0:09:41 | |
-It was pretty intense. -My missus was amazing. | 0:09:41 | 0:09:43 | |
Let's get that one in before she kicks my head in. | 0:09:43 | 0:09:46 | |
I'm still a bit nervous, | 0:09:46 | 0:09:48 | |
but I'm sort of getting a bit more into it now. | 0:09:48 | 0:09:51 | |
That's it. | 0:09:51 | 0:09:53 | |
Thank you very much. You did really well. | 0:09:53 | 0:09:56 | |
-It was getting quite steamy towards the end, wasn't it? -A little bit. | 0:09:57 | 0:10:01 | |
The studio fell a little bit quiet for a moment, didn't it? | 0:10:01 | 0:10:05 | |
I think everyone was quite enraptured. | 0:10:05 | 0:10:08 | |
Next, fireman Damien is getting his hose out for girlfriend Chanel. | 0:10:08 | 0:10:13 | |
Can we get you all tangled up? | 0:10:13 | 0:10:15 | |
-Yeah, of course. Do it. -Fabulous. -You all right? -I'm good. | 0:10:15 | 0:10:19 | |
That's good. Love that. | 0:10:19 | 0:10:21 | |
I'd definitely say our relationship is edgy. | 0:10:24 | 0:10:27 | |
-Always on the edge, but to me, it keeps it interesting. -Damo! | 0:10:27 | 0:10:31 | |
From the start, Chanel has dominated the pair's photo shoots. | 0:10:31 | 0:10:35 | |
-You just work around me. -Yeah. -You need to work as part of a team. | 0:10:35 | 0:10:38 | |
I'm not looking for two separate models, I'm looking for a couple. | 0:10:38 | 0:10:42 | |
And when it came to the music video, | 0:10:42 | 0:10:44 | |
she didn't look happy sharing her boyfriend with Beki. | 0:10:44 | 0:10:46 | |
HE SCREAMS | 0:10:46 | 0:10:48 | |
There's more fire in your relationship | 0:10:48 | 0:10:51 | |
than you're actually letting out, and that is going to cause a problem. | 0:10:51 | 0:10:55 | |
As lead lap dancer in the video, Chanel got her own back on Damien. | 0:10:55 | 0:10:58 | |
Put your (BLEEP) in his face a little bit. | 0:10:58 | 0:11:01 | |
And although they've looked great on camera... | 0:11:01 | 0:11:04 | |
THEY SCREAM | 0:11:04 | 0:11:06 | |
..will their jealous streak | 0:11:06 | 0:11:07 | |
lead to their downfall? | 0:11:07 | 0:11:10 | |
I think you look amazing, | 0:11:10 | 0:11:11 | |
but I really have problems with your behaviour. | 0:11:11 | 0:11:14 | |
-In that hand, Chanel, just really grab him. -It's looking good, guys. | 0:11:14 | 0:11:19 | |
OK, two, three. | 0:11:19 | 0:11:20 | |
Damien, you look amazing. Really good. | 0:11:22 | 0:11:25 | |
Damien and Chanel not only had compatibility, | 0:11:25 | 0:11:27 | |
they had a lot of chemistry on set. | 0:11:27 | 0:11:29 | |
Sometimes you can't put a finger on it - it just happens. | 0:11:29 | 0:11:33 | |
'There were definite sparks flying.' Gorgeous. | 0:11:33 | 0:11:37 | |
That is amazing. Love that. Perfect, guys. Well done. | 0:11:37 | 0:11:41 | |
I could have shot them all afternoon together. They were amazing. | 0:11:41 | 0:11:45 | |
I just hope that we really did do enough to stay until the final. | 0:11:46 | 0:11:51 | |
-Ladies, just dial 999 for officer Vaughan. -Check out my guns. | 0:11:53 | 0:11:59 | |
Literally. | 0:11:59 | 0:12:01 | |
The ballroom-dancing Christian Aussie is up next with girlfriend Alison. | 0:12:01 | 0:12:06 | |
-I'm looking forward to exerting my authority. -Over me, darling? | 0:12:06 | 0:12:10 | |
Over you. Over the girls. | 0:12:10 | 0:12:13 | |
But the others are showing blatant disregard for the law. | 0:12:13 | 0:12:17 | |
It's a bit more like a gay traffic warden. | 0:12:17 | 0:12:19 | |
Let's not have you looking like a friendly milkman. | 0:12:19 | 0:12:23 | |
You are a protective, sexy policeman. | 0:12:23 | 0:12:27 | |
To help the real life heroes get into their roles, | 0:12:27 | 0:12:30 | |
they're posing with props that help their photos tell a story. | 0:12:30 | 0:12:34 | |
And for this shot, the photographer has something special up her sleeve. | 0:12:36 | 0:12:40 | |
Evening, officer! | 0:12:42 | 0:12:43 | |
THEY LAUGH | 0:12:43 | 0:12:45 | |
-Now, before we get settled in, just look over there. -Wonderful. | 0:12:45 | 0:12:51 | |
And there's Rosy. | 0:12:51 | 0:12:52 | |
Oh, Jesus! | 0:12:52 | 0:12:54 | |
But don't... Don't scare her. | 0:12:54 | 0:12:56 | |
She's fine. | 0:12:56 | 0:12:58 | |
Working with Vaughan was easy, | 0:12:58 | 0:12:59 | |
and then they chuck in a tarantula. | 0:12:59 | 0:13:02 | |
Just relax your forehead, Alison, darling. | 0:13:02 | 0:13:04 | |
I'm trying not to have a really fearful... | 0:13:04 | 0:13:06 | |
We want to think we make being Christian cool. | 0:13:11 | 0:13:14 | |
I drink beer and I dance. | 0:13:14 | 0:13:16 | |
Woo! | 0:13:16 | 0:13:18 | |
THEY LAUGH | 0:13:18 | 0:13:21 | |
In line with their faith, | 0:13:22 | 0:13:24 | |
the Christians don't believe in sex before marriage. | 0:13:24 | 0:13:28 | |
You can't base the relationship on sex. It won't last. | 0:13:28 | 0:13:31 | |
And as virgins to the modelling world, | 0:13:31 | 0:13:33 | |
they've struggled to turn it on for the cameras. | 0:13:33 | 0:13:36 | |
It was asexual. I didn't think you had any chemistry whatsoever. | 0:13:36 | 0:13:40 | |
-You're the weakest models here. -I've got no excuses. | 0:13:40 | 0:13:43 | |
You're dressed appropriately to go to a wedding in the '80s. | 0:13:43 | 0:13:47 | |
Nevertheless, the competitive ballroom dancers are eager to please. | 0:13:47 | 0:13:52 | |
This is the rebirth of Vaughan. | 0:13:52 | 0:13:54 | |
-What do you think? -Top, mate. -Very different. Do you like that? | 0:13:54 | 0:13:58 | |
Nice and tight. | 0:13:58 | 0:13:59 | |
SHE LAUGHS | 0:13:59 | 0:14:01 | |
Give you a round of applause. It's much, much better than last week. | 0:14:01 | 0:14:05 | |
In this one, I can see you look kind of modelly. | 0:14:05 | 0:14:07 | |
But at the last casting decision, | 0:14:07 | 0:14:10 | |
they stayed in the competition by the skin of their teeth. | 0:14:10 | 0:14:13 | |
I don't think you've got one usable picture there. I really don't. | 0:14:13 | 0:14:16 | |
This picture is a joke. | 0:14:16 | 0:14:19 | |
You just stood there like a plank. | 0:14:19 | 0:14:20 | |
Every single pose was a dance move. | 0:14:20 | 0:14:23 | |
It was abominable. | 0:14:23 | 0:14:24 | |
Now they must work with Rosie the Tarantula | 0:14:26 | 0:14:29 | |
-to make an image that'll blow the judges away. -I'm shaking. | 0:14:29 | 0:14:32 | |
That's if Alison can get over her fear of spiders. | 0:14:32 | 0:14:37 | |
I'm here to protect you. | 0:14:37 | 0:14:39 | |
I've got you. | 0:14:39 | 0:14:40 | |
She hates furry things, | 0:14:40 | 0:14:41 | |
and that spider looks very menacing. | 0:14:41 | 0:14:44 | |
I was trying not to be feeble, because you know how they smell fear! | 0:14:44 | 0:14:49 | |
Just lift your chin a tiny bit so we can see it. | 0:14:49 | 0:14:53 | |
Come on, you guys have got faith. You'll be fine. | 0:14:53 | 0:14:55 | |
They were so focused. They were like, "Just going to do it." | 0:14:57 | 0:15:01 | |
-Very calm. -Absolutely. And that helped, the stoic expression on his face. Very protective. | 0:15:01 | 0:15:06 | |
Vaughan has shown he can be a protective police officer. | 0:15:06 | 0:15:10 | |
Thank you! | 0:15:11 | 0:15:14 | |
But was Alison's damsel in too much distress? | 0:15:14 | 0:15:18 | |
-How do you think Alison got on? -She needs to show herself off as well. | 0:15:18 | 0:15:21 | |
OK, so you wouldn't book her? | 0:15:21 | 0:15:23 | |
-No. Sorry. -Fair enough. | 0:15:23 | 0:15:26 | |
Thank you. I'm sorry if I scared the spider. | 0:15:26 | 0:15:29 | |
I really couldn't tell you the comments from Vaughan and me, | 0:15:29 | 0:15:33 | |
because I was just excited to get the spider off! | 0:15:33 | 0:15:37 | |
Next, glamour-girl Beki will be getting wet and wild | 0:15:39 | 0:15:43 | |
with her boyfriend Jay in his role as a coastguard. | 0:15:43 | 0:15:47 | |
-Hello. How are you doing? -I'm well. | 0:15:47 | 0:15:50 | |
Right, drop the towel. | 0:15:50 | 0:15:52 | |
-So I just want to look intense? -Really intense and sexy. | 0:15:52 | 0:15:55 | |
We work in completely different areas. | 0:15:59 | 0:16:02 | |
I work in commercial/glamour, and you do editorials. | 0:16:02 | 0:16:05 | |
When it comes to modelling, these two are chalk and cheese. | 0:16:05 | 0:16:08 | |
Would you book them both with that height difference? I'm not sure. | 0:16:08 | 0:16:12 | |
Whilst Jay has been a big hit with the judges, | 0:16:12 | 0:16:14 | |
pint-sized Beki has yet to shine. | 0:16:14 | 0:16:17 | |
It's a full length gown on a 5 ft 3 girl. It's absolutely drowning her. | 0:16:17 | 0:16:23 | |
Beki, it was just a struggle, the whole thing. | 0:16:23 | 0:16:26 | |
Really intense, really sexy. | 0:16:26 | 0:16:28 | |
Give it all you've got, guys. | 0:16:28 | 0:16:30 | |
To keep their dream of winning afloat, | 0:16:30 | 0:16:32 | |
they'll need to prove once and for all that they are physically compatible. | 0:16:32 | 0:16:37 | |
Great expression, Jay, I like that. | 0:16:39 | 0:16:41 | |
I can really work with Jay. I can do everything with him. | 0:16:43 | 0:16:47 | |
You can't fault Beki at all. Absolutely flawless. | 0:16:47 | 0:16:51 | |
-That's it, yes. -Yay! | 0:16:51 | 0:16:53 | |
We're so competitive, aren't we, so we really, really want to win. | 0:16:53 | 0:16:57 | |
We're going to do our best. | 0:16:57 | 0:17:00 | |
All the couples have posed, but the shoot is not over yet. | 0:17:02 | 0:17:08 | |
Because this week is all about compatibility, | 0:17:10 | 0:17:12 | |
there's an added twist. | 0:17:12 | 0:17:14 | |
The couples will now swap partners | 0:17:14 | 0:17:17 | |
so the judges can see | 0:17:17 | 0:17:18 | |
if they really are the best physical match. | 0:17:18 | 0:17:21 | |
Are you going to save me? | 0:17:21 | 0:17:23 | |
The worst case scenario is if your best picture is with another girl, | 0:17:23 | 0:17:27 | |
that would be a bit, er...you know, a bit sort of thingy. | 0:17:27 | 0:17:32 | |
How do you feel about being intimate with another guy? | 0:17:32 | 0:17:35 | |
I suppose it's a professional thing. You just have to go for it. | 0:17:35 | 0:17:38 | |
It's a dangerous game. | 0:17:38 | 0:17:40 | |
The couples must prove they're versatile, but if their best picture | 0:17:40 | 0:17:44 | |
isn't with their other half, there will be trouble. | 0:17:44 | 0:17:49 | |
You two have to stand out. | 0:17:49 | 0:17:50 | |
Yeah, I suppose you have, but it's got to be natural. | 0:17:50 | 0:17:54 | |
You can't force it, can you? | 0:17:54 | 0:17:56 | |
-Hi! -Chanel will already feel comfortable posing with Jay. | 0:17:56 | 0:18:01 | |
After all, she's already lap-danced for him. | 0:18:01 | 0:18:04 | |
Catch of the day. | 0:18:04 | 0:18:06 | |
I've worked with her before, doing a more intimate scene. | 0:18:06 | 0:18:09 | |
I've had to give him a lap dance, so...! | 0:18:14 | 0:18:17 | |
I think being rescued by him will be quite simple after that. | 0:18:18 | 0:18:23 | |
Do that expression again, that was perfect. | 0:18:23 | 0:18:26 | |
That's good. Nice expression, Jay. | 0:18:26 | 0:18:29 | |
As his girlfriend takes to the floor, | 0:18:29 | 0:18:31 | |
Damien is out to prove that their jealous days are behind them. | 0:18:31 | 0:18:35 | |
For some reason, | 0:18:35 | 0:18:36 | |
Jay and Chanel work well together. | 0:18:36 | 0:18:38 | |
-In the video, they worked so well together. -Yeah. -They just did. | 0:18:38 | 0:18:43 | |
Not too sure if Damien is telling the truth when he says he was fine | 0:18:43 | 0:18:48 | |
with Chanel getting into everyone when she was modelling. | 0:18:48 | 0:18:52 | |
So I've yet to find out if he'll voice that concern. | 0:18:52 | 0:18:55 | |
Alison, watch that head again. You need to tilt towards me. | 0:18:58 | 0:19:01 | |
As the shoot continues, it's clear | 0:19:01 | 0:19:03 | |
that the girls are having no problems swapping fellas. | 0:19:03 | 0:19:07 | |
That's beautiful. | 0:19:08 | 0:19:09 | |
Chanel is one sexy chick. | 0:19:10 | 0:19:13 | |
And boy, is she beginning to be a model. | 0:19:13 | 0:19:16 | |
That was cute, actually, that look down. | 0:19:16 | 0:19:19 | |
-Very impressed with Helen. -She's getting stronger and stronger. | 0:19:19 | 0:19:23 | |
Woo! | 0:19:23 | 0:19:24 | |
And if there's one girl | 0:19:24 | 0:19:25 | |
who's in her element, it's Page Three model Beki. | 0:19:25 | 0:19:29 | |
I'm interrupting a moment here! | 0:19:29 | 0:19:32 | |
Sexual, like seduction, that's probably more what I'm used to. | 0:19:32 | 0:19:36 | |
Grab his head. Yeah. | 0:19:36 | 0:19:38 | |
When she grabbed my head and pulled it back, I was like "Yeah, it's working". I did feel it. | 0:19:38 | 0:19:42 | |
-Beki was phenomenal. -I was dominating him and biting him! | 0:19:42 | 0:19:47 | |
-Love that, Beki, yeah. Keep going. -Dirty BLEEP. | 0:19:47 | 0:19:51 | |
Tell you what, he's having more action than I've had in five weeks! | 0:19:51 | 0:19:55 | |
That's good. | 0:19:55 | 0:19:57 | |
-Hi, your hair looks nice. -How was it? | 0:19:57 | 0:20:01 | |
We didn't kiss, but we had lips rubbing off each other. | 0:20:01 | 0:20:05 | |
And then she was behind us, pulling my T-shirt, biting us. It might be a better picture than ours. | 0:20:05 | 0:20:10 | |
And following Beki's lead, | 0:20:10 | 0:20:12 | |
Alison has also put in an impressive performance with the other guys. | 0:20:12 | 0:20:17 | |
I was most impressed by Alison. I thought she looked really good. | 0:20:17 | 0:20:20 | |
She used her body well. Probably most impressed by her out of the three. | 0:20:20 | 0:20:24 | |
I thought she did 100% better. | 0:20:24 | 0:20:26 | |
I don't know if she's starting to relax more, | 0:20:26 | 0:20:29 | |
but she looks a knockout. | 0:20:29 | 0:20:31 | |
Unfortunately, boyfriend Vaughan is struggling to have the same effect. | 0:20:31 | 0:20:37 | |
Yeah. | 0:20:37 | 0:20:38 | |
# Let me lick you up and down Till you say stop... # | 0:20:39 | 0:20:44 | |
That truncheon just keeps rising, doesn't it? | 0:20:47 | 0:20:49 | |
Lower that truncheon. It looks like you're going to strangle her. | 0:20:51 | 0:20:54 | |
-The role is quite authoritative. -That's it. | 0:20:54 | 0:20:57 | |
I don't think I connected well, because he was quite rigid. | 0:20:57 | 0:21:01 | |
# ..Cos tonight, baby I want to get freaky with you... # | 0:21:01 | 0:21:07 | |
At one point, he lifted my dress and I was like, "Oh!" | 0:21:07 | 0:21:10 | |
And if it's not Vaughan scaring the women, it's his eight-legged friend. | 0:21:10 | 0:21:16 | |
She's lovely, don't worry. | 0:21:16 | 0:21:19 | |
Somebody told me that spiders can make spikes out of their bum, | 0:21:19 | 0:21:24 | |
if it gets scared. | 0:21:24 | 0:21:25 | |
That's really good, guys. It looks really good. Well done. | 0:21:25 | 0:21:28 | |
But not even a crippling fear of spiders | 0:21:28 | 0:21:30 | |
will stop Beki getting to the final. | 0:21:30 | 0:21:34 | |
I was scared out of my life. | 0:21:34 | 0:21:35 | |
Just told myself that I love it. | 0:21:35 | 0:21:37 | |
You look stunning. | 0:21:37 | 0:21:40 | |
That's perfect. | 0:21:40 | 0:21:41 | |
Just a bit more sexual for me, darling. | 0:21:41 | 0:21:43 | |
Beki's done extraordinarily well. | 0:21:43 | 0:21:45 | |
She's been professional and flawless. | 0:21:45 | 0:21:48 | |
-Perfect. -Amazing. Thank you so much. | 0:21:48 | 0:21:51 | |
Vaughan and Beki were like a brother-sister relationship. | 0:21:51 | 0:21:54 | |
I don't think he sparked any sexual tension with any of the girls. | 0:21:54 | 0:21:57 | |
The shoot is over. | 0:21:57 | 0:22:00 | |
Thank you for your hard work today. You did well. | 0:22:00 | 0:22:02 | |
For those of you that needed to show improvement, you certainly did. | 0:22:02 | 0:22:06 | |
It's been enlightening for me to see how you work with each other. | 0:22:06 | 0:22:10 | |
It'll be interesting to see which are the best pictures. | 0:22:10 | 0:22:14 | |
They won't necessarily be the ones with your partners. | 0:22:14 | 0:22:17 | |
Just because you're compatible in real life, | 0:22:17 | 0:22:19 | |
it doesn't mean that's going to come across in the photographs. | 0:22:19 | 0:22:23 | |
The couples won't know if their best shot was with their other half | 0:22:23 | 0:22:28 | |
until the casting decision. | 0:22:28 | 0:22:30 | |
-Back at the house, it's straight into the hot tub. -Cheers! | 0:22:41 | 0:22:46 | |
The winners of the modelling contract | 0:22:46 | 0:22:48 | |
must have a rock-solid relationship, | 0:22:48 | 0:22:50 | |
and Vaughan seizes the opportunity | 0:22:50 | 0:22:52 | |
to look for weaknesses in his rivals. | 0:22:52 | 0:22:55 | |
-So is anyone actually annoyed or -BLEEP | 0:22:57 | 0:23:01 | |
or any feelings of animosity at today's photo shoot? | 0:23:01 | 0:23:04 | |
-How comfortable did you feel watching it? -You didn't look -BLEEP. | 0:23:08 | 0:23:12 | |
I told you this earlier. I was fine. | 0:23:12 | 0:23:15 | |
-You told me you were -BLEEP. | 0:23:15 | 0:23:17 | |
No. Not at the time, but... At the time, I was like, | 0:23:17 | 0:23:22 | |
"I'm not sure if I like this." | 0:23:22 | 0:23:24 | |
It was the first time I'd ever had Chanel dance with someone like that. | 0:23:24 | 0:23:28 | |
-Are we talking about the photo shoot? -The lap dance. | 0:23:28 | 0:23:30 | |
Oh, the lap dance. Well, that's been and gone anyway. | 0:23:30 | 0:23:33 | |
Damien is starting to absolutely irritate me. | 0:23:33 | 0:23:38 | |
-I've asked him several times if he's been -BLEEP | 0:23:38 | 0:23:41 | |
-or -BLEEP -or -BLEEP -about Chanel doing the lap dance for Jay. | 0:23:41 | 0:23:45 | |
And he said, "No, no, I was cool." | 0:23:45 | 0:23:49 | |
Obviously, I found it hard when Chanel | 0:23:49 | 0:23:51 | |
had to do a lap dance for Jay. | 0:23:51 | 0:23:53 | |
It's natural. You're looking at your girl giving someone else a lap dance. It's like, "Just shut up." | 0:23:53 | 0:23:58 | |
They're trying to make you say things | 0:23:58 | 0:24:00 | |
that you know they're going to try and twist. | 0:24:00 | 0:24:04 | |
Well, if that's how they want to play it, you know what I mean? | 0:24:04 | 0:24:07 | |
At the end of the day, they're not here to make friends. | 0:24:07 | 0:24:10 | |
As the gloves come off, one thing's for sure - | 0:24:11 | 0:24:14 | |
if any of the couples aren't compatible, | 0:24:14 | 0:24:17 | |
it will be revealed in tomorrow's relationship challenge. | 0:24:17 | 0:24:21 | |
That's good. | 0:24:24 | 0:24:25 | |
As the hot couples edge closer to the 12 month contract, | 0:24:25 | 0:24:29 | |
they're being tested on their compatibility. | 0:24:29 | 0:24:32 | |
You may think you look like perfect couples, | 0:24:32 | 0:24:36 | |
but as models, you may not look right together. | 0:24:36 | 0:24:39 | |
Having posed with each other's partners, | 0:24:39 | 0:24:41 | |
the judges will now be able | 0:24:41 | 0:24:43 | |
to weigh up how physically well matched they are. | 0:24:43 | 0:24:46 | |
-I was dominating him and biting him. -Dirty -BLEEP. | 0:24:46 | 0:24:49 | |
He's having more action than I've had in five weeks! | 0:24:49 | 0:24:53 | |
-And while some are a natural fit... -That is amazing! Love that. | 0:24:53 | 0:24:57 | |
Stuart and Helen had a lot of natural chemistry. | 0:24:57 | 0:25:00 | |
-..Others have struggled to impress. -So you wouldn't book her? -No. | 0:25:00 | 0:25:05 | |
Later, the public will decide who they think looks best together. | 0:25:05 | 0:25:09 | |
-Do you have boyfriends? -Yeah. -Does he look like that? -No! | 0:25:09 | 0:25:13 | |
But looking good together is only half the task. | 0:25:13 | 0:25:16 | |
They must also prove they're emotionally compatible, | 0:25:16 | 0:25:20 | |
and that's where relationship judge Emma Kenny comes in. | 0:25:20 | 0:25:24 | |
I'm a therapist who specialises in relationships. | 0:25:27 | 0:25:30 | |
I'm not here to judge the couples on how they look. | 0:25:30 | 0:25:33 | |
I'm here to assess the strength of the bond they have between them. | 0:25:33 | 0:25:36 | |
Today, I'm going to be thinking about compatibility. | 0:25:41 | 0:25:44 | |
Whilst you might think you want the same things, in reality, people have different hopes and dreams. | 0:25:44 | 0:25:49 | |
We're creating a brand, and within that brand we need to know | 0:25:49 | 0:25:54 | |
you're going to be together. So today it's my job... | 0:25:54 | 0:25:56 | |
to find out just how compatible you guys are with each other. | 0:25:56 | 0:26:01 | |
I've devised a really simple compatibility questionnaire. | 0:26:01 | 0:26:07 | |
And that is going to test how well each of our couples actually know | 0:26:07 | 0:26:11 | |
the person they're sharing their lives with at the moment. | 0:26:11 | 0:26:14 | |
Stuart and Helen, you're my first couple. Come with me. | 0:26:14 | 0:26:19 | |
To work out if they are compatible, | 0:26:19 | 0:26:21 | |
Emma will interrogate the couples individually. | 0:26:21 | 0:26:24 | |
I want you to not think too much about this. | 0:26:24 | 0:26:26 | |
-It's a quick-fire quiz. -Yeah. | 0:26:26 | 0:26:29 | |
Hi, Beki. Come and sit down. | 0:26:29 | 0:26:31 | |
If their answers are the same, they will score highly in this challenge. | 0:26:31 | 0:26:34 | |
How well do they know their partner? Physical attraction doesn't last for ever. | 0:26:34 | 0:26:39 | |
In fact, that's probably | 0:26:39 | 0:26:41 | |
the first thing to diminish in long-term relationships. | 0:26:41 | 0:26:44 | |
What are you and your partner most likely to argue about? | 0:26:44 | 0:26:48 | |
-Oh, er... -Probably money. -Money. | 0:26:48 | 0:26:52 | |
-What is your partner most proud of? -University degree. | 0:26:52 | 0:26:55 | |
-His body. -What animal would your partner compare you to? -A monkey. | 0:26:55 | 0:27:00 | |
Monkey. | 0:27:00 | 0:27:01 | |
If the house was on fire, what would your partner grab to rescue? | 0:27:02 | 0:27:06 | |
-Photos. -Photos. | 0:27:06 | 0:27:08 | |
-Straighteners. -His clothes. | 0:27:08 | 0:27:10 | |
-When would you like to get married? -Um... | 0:27:10 | 0:27:13 | |
-I know she wants to get married before she's 30. -Before I'm 30. | 0:27:13 | 0:27:19 | |
I bought a ring in January, and my plan is to get engaged in summer. | 0:27:19 | 0:27:23 | |
-Does she even know? -No! The ring's hidden in my cupboard. | 0:27:23 | 0:27:26 | |
-How many children do you want? -Four. -Four. | 0:27:26 | 0:27:29 | |
Does he know? What are you most scared of? | 0:27:29 | 0:27:32 | |
She's most scared of me dying before her. | 0:27:32 | 0:27:35 | |
Of Vaughan dying first, definitely. | 0:27:35 | 0:27:37 | |
Where was the strangest place you and your partner have ever had sex? | 0:27:37 | 0:27:41 | |
Oh, um... | 0:27:41 | 0:27:43 | |
There's a few places. | 0:27:43 | 0:27:44 | |
-Side of the motorway! -Side of the motorway. | 0:27:44 | 0:27:47 | |
Classy! | 0:27:47 | 0:27:49 | |
What's your favourite part of your body? | 0:27:49 | 0:27:52 | |
-Her legs to her bum. -I'd say my teeth. | 0:27:52 | 0:27:54 | |
If your partner was a superhero, who would they be? | 0:27:54 | 0:27:57 | |
-Superman. -Batman. | 0:27:57 | 0:27:59 | |
Are you all right? | 0:27:59 | 0:28:01 | |
They asked me, "Who would you most fancy if you had to choose someone?" | 0:28:01 | 0:28:05 | |
-Who did you say? -Stuart. | 0:28:05 | 0:28:07 | |
-Yeah, I said that. -Woohoo! | 0:28:07 | 0:28:10 | |
-Woo! Oh, yeah. -I said Batman, he said Superman. | 0:28:10 | 0:28:14 | |
For her favourite feature on Helen, | 0:28:14 | 0:28:16 | |
Helen said something she hates on herself. She said teeth. | 0:28:16 | 0:28:21 | |
-You -BLEEP -hate your teeth! | 0:28:21 | 0:28:23 | |
I'm just stoked that we got the same answers on some, | 0:28:23 | 0:28:27 | |
literally word for word. Before you're 30. | 0:28:27 | 0:28:31 | |
While Vaughan and Alison are convinced they have aced the challenge, | 0:28:32 | 0:28:36 | |
most are worried about how they have fared. | 0:28:36 | 0:28:40 | |
The test may seem straightforward, but one simple slip-up | 0:28:40 | 0:28:44 | |
could reveal much deeper problems in their relationships. | 0:28:44 | 0:28:48 | |
If you didn't have Chanel here | 0:28:49 | 0:28:52 | |
-and you had to select an individual that you most fancied... -As in, in this house? -Yes. | 0:28:52 | 0:28:56 | |
-There is no one who is my type! -OK. | 0:28:59 | 0:29:01 | |
Beki. | 0:29:06 | 0:29:07 | |
You should know these facts about your partner. | 0:29:12 | 0:29:14 | |
So it is interesting to see who has done unbelievably well | 0:29:14 | 0:29:19 | |
and, to be honest, who has done just average. | 0:29:19 | 0:29:22 | |
Hey, babe. How was it? | 0:29:24 | 0:29:27 | |
And although Damien clearly knows a lot about his girlfriend, | 0:29:32 | 0:29:35 | |
there is one question that fiery Chanel needs to know the answer to. | 0:29:35 | 0:29:39 | |
Oh, they asked about fancying, that's it. Who would you fancy? | 0:29:39 | 0:29:43 | |
-I said no one. -I said Beki. | 0:29:43 | 0:29:45 | |
-Did you not say a name? -I said no one. | 0:29:48 | 0:29:51 | |
-I said, "Damo is even going to say no one." -All right. -Why did you say it? | 0:29:51 | 0:29:57 | |
Because she is funny. Well, I didn't really say anything, | 0:29:57 | 0:30:00 | |
I just thought because she is kind of, like, the closest person to you, really. | 0:30:00 | 0:30:04 | |
It is not that I am attracted to her, | 0:30:04 | 0:30:06 | |
it's just that I thought, "This is the only girl I really know". | 0:30:06 | 0:30:09 | |
So I just said her. It doesn't mean anything, does it? | 0:30:09 | 0:30:15 | |
It didn't really bother me. I don't know how bothered Chanel is about it. Are you going to kill me? | 0:30:15 | 0:30:21 | |
That hole just keeps getting bigger, Damien. | 0:30:21 | 0:30:24 | |
-Give me a kiss. -No. -What's the matter? -Nothing. | 0:30:25 | 0:30:30 | |
-Can you talk to me please? Please? -No, Damien. | 0:30:32 | 0:30:37 | |
-Why? -Is she much better? -Who? -Who do you think? | 0:30:38 | 0:30:41 | |
Oh, I see what this is all about. | 0:30:41 | 0:30:44 | |
-Watch my hair, please. -I'm not on your hair. | 0:30:44 | 0:30:47 | |
-Look at how much together we are. -Yeah, exactly. | 0:30:54 | 0:30:57 | |
The casting decision is not until tomorrow morning, | 0:30:57 | 0:31:00 | |
so the judges want to put the couples through one more compatibility test. | 0:31:00 | 0:31:05 | |
As long as we wear the same sort of colours, | 0:31:05 | 0:31:07 | |
you have got to look your best. | 0:31:07 | 0:31:08 | |
I reckon grey. | 0:31:08 | 0:31:11 | |
That will do, won't it? | 0:31:11 | 0:31:14 | |
They have been asked to pick their favourite outfits | 0:31:17 | 0:31:20 | |
to meet with modelling judge Jody Furlong. | 0:31:20 | 0:31:23 | |
Experienced casting director Jody is looking for a couple | 0:31:23 | 0:31:27 | |
with the looks and the personality to become a popular brand. | 0:31:27 | 0:31:31 | |
But that can only be achieved if the public buy into them. | 0:31:33 | 0:31:36 | |
So he has asked the pairs to meet him | 0:31:36 | 0:31:39 | |
in central Manchester for the ultimate popularity contest. | 0:31:39 | 0:31:43 | |
So, your challenge today is to put yourself in this shop window | 0:31:50 | 0:31:53 | |
and sell yourselves as couples. | 0:31:53 | 0:31:56 | |
We need to find out what the public think of you, | 0:31:56 | 0:31:58 | |
whether or not they buy into you as a couple and whether or not they feel you look compatible. | 0:31:58 | 0:32:03 | |
So in you go. | 0:32:05 | 0:32:06 | |
The public will be asked to pick the couple | 0:32:13 | 0:32:15 | |
they think look best together and they will mark their choice | 0:32:15 | 0:32:19 | |
by drawing an X on the window in front of their favourites. | 0:32:19 | 0:32:22 | |
Having the public judge us is kind of scary, really, | 0:32:25 | 0:32:28 | |
because you want them to like you but you can't exactly make them. | 0:32:28 | 0:32:32 | |
Let's just strike a pose, babe. | 0:32:34 | 0:32:36 | |
What I want you to do is have a proper look at all the couples | 0:32:36 | 0:32:39 | |
and then put a mark on the bottom of the window of the couple that | 0:32:39 | 0:32:41 | |
you think are most compatible, that look best together. | 0:32:41 | 0:32:45 | |
-You have got the first one, you -(BLEEP). | 0:32:45 | 0:32:48 | |
Not many people would go and stand in a shop window | 0:32:52 | 0:32:55 | |
and have the public put an X, "I like you." | 0:32:55 | 0:32:59 | |
It's a good thing they didn't put who they didn't like! Imagine that! | 0:32:59 | 0:33:03 | |
-Cheeks are a bit sore now. -I can't even go like this. | 0:33:03 | 0:33:08 | |
The public's feedback will also be noted by Jody. | 0:33:08 | 0:33:12 | |
And the shoppers are not afraid to speak their minds. | 0:33:12 | 0:33:15 | |
There is something about this set that make that makes them | 0:33:15 | 0:33:18 | |
seem a little bit pretentious in some way. | 0:33:18 | 0:33:21 | |
But Stuart and Helen have devised a plan to rack up the votes... | 0:33:21 | 0:33:25 | |
flirt with the punters. | 0:33:25 | 0:33:27 | |
Thanks, guys. | 0:33:31 | 0:33:32 | |
We kind of took like a playful approach on it | 0:33:34 | 0:33:37 | |
because you could see like that the people on the other side | 0:33:37 | 0:33:40 | |
wanted to get engaged in you. It was really fun. | 0:33:40 | 0:33:42 | |
-Look at them, they look so happy together. -Yeah. | 0:33:45 | 0:33:46 | |
-Stuart and Helen were bang on it straight away. -I like their style. | 0:33:46 | 0:33:50 | |
-I like his hair. -They seem a bit natural, comfortable together. | 0:33:50 | 0:33:54 | |
Anyone who marked us got a lot of praise. Go and get your mate! | 0:33:56 | 0:34:00 | |
-There are three votes there. -One, two, three. | 0:34:00 | 0:34:03 | |
-Are you allowed to talk to them? -I don't know. | 0:34:07 | 0:34:10 | |
I feel like I should be dancing to the public, you know, entertaining them. | 0:34:12 | 0:34:17 | |
While Stuart and Helen will do anything to win over the public, | 0:34:18 | 0:34:21 | |
Christians Vaughan and Alison are taking a more conservative approach. | 0:34:21 | 0:34:27 | |
He looks a little like he doesn't want to be there. | 0:34:27 | 0:34:30 | |
They look quite frigid and a bit tense. | 0:34:30 | 0:34:34 | |
We did take a little bit more serious approach. | 0:34:34 | 0:34:36 | |
I obviously understand the concept of selling yourself, but there is a level, too. | 0:34:36 | 0:34:42 | |
It is hard keeping up a smile for about 20 minutes. | 0:34:46 | 0:34:49 | |
So hard. My feet are killing. | 0:34:49 | 0:34:50 | |
Damien and Chanel, on the other hand, have managed to put | 0:34:50 | 0:34:54 | |
their argument behind them to arouse some interest from the passers by. | 0:34:54 | 0:34:59 | |
-Do you have boyfriends? -Yeah. -Does he look like that? -No! | 0:34:59 | 0:35:04 | |
-Would you like to? -Yes. -Yeah, OK. | 0:35:04 | 0:35:09 | |
-They have got a lot of chemistry. They are both hot. Like, literally, I'd do both of them. -OK. | 0:35:09 | 0:35:13 | |
She wanted a threesome with you. Dirty girl. | 0:35:13 | 0:35:19 | |
That was really fun. We really enjoyed yourselves, didn't we, babe? | 0:35:22 | 0:35:25 | |
Yeah, it is abuzz when they do come up to you and tick you. | 0:35:25 | 0:35:28 | |
But when they don't, you're kind of grrrr. | 0:35:28 | 0:35:30 | |
When they don't, it motivates you. You think, "The next one I am getting." | 0:35:30 | 0:35:33 | |
It is like a game. We turned it into a game. | 0:35:33 | 0:35:35 | |
The results are in. | 0:35:35 | 0:35:38 | |
Helen and Stuart have come joint first.. | 0:35:38 | 0:35:41 | |
..with Damien and Chanel. | 0:35:44 | 0:35:46 | |
Both got 21 votes. | 0:35:46 | 0:35:49 | |
Joint first is wicked. We cannot really ask for much more. | 0:35:49 | 0:35:53 | |
To come top, that is quite reassuring. | 0:35:53 | 0:35:56 | |
In second place, Jay and Beki with 15. | 0:35:56 | 0:36:00 | |
-We weren't the best, we weren't the worst, so, you know. -And it wasn't that far away from them. | 0:36:00 | 0:36:05 | |
And left on the shelf, it is Vaughan and Alison, who only attracted seven of the 64 passers-by. | 0:36:05 | 0:36:12 | |
At the end of the day, if they want to judge | 0:36:14 | 0:36:16 | |
what 30 people from the same shopping centre think, that is OK. | 0:36:16 | 0:36:21 | |
-Had we have been in some other area, we might have done better. -Absolutely. | 0:36:21 | 0:36:25 | |
Well done, everybody. Interesting challenge. | 0:36:25 | 0:36:28 | |
Part of modelling is selling yourselves | 0:36:28 | 0:36:31 | |
and selling yourself as couples, so I've got to commend you two. | 0:36:31 | 0:36:33 | |
You were like, come on, come over here. | 0:36:33 | 0:36:36 | |
-The truth is, a lot of people voted on who they fancied, really. -Of course! | 0:36:36 | 0:36:41 | |
Well done, everybody. | 0:36:41 | 0:36:43 | |
At least winning has helped patch things up for Damien and Chanel. | 0:36:43 | 0:36:47 | |
It is not just that we came joint first, it is that there | 0:36:47 | 0:36:50 | |
was a big gap between first and fourth. | 0:36:50 | 0:36:53 | |
-So that was a massive boost for us, massive. -Yeah. | 0:36:53 | 0:36:57 | |
-Cheers. -Good luck, good luck. | 0:37:02 | 0:37:04 | |
So, this time tomorrow, this table will be down to six plates. | 0:37:06 | 0:37:09 | |
-Is anyone confident? -I don't think anyone is confident. | 0:37:09 | 0:37:13 | |
-I do not think so, no. -You are literally that close. -So close. -Yeah. | 0:37:13 | 0:37:18 | |
Back at the house, | 0:37:18 | 0:37:19 | |
the couples are discussing who might make it to the final. | 0:37:19 | 0:37:22 | |
And as they are thrash out the week's events, | 0:37:22 | 0:37:25 | |
there is one particular task that many of them can't stop thinking about. | 0:37:25 | 0:37:29 | |
Emma's compatibility test. | 0:37:29 | 0:37:31 | |
What did Helen say was her favourite feature on her body? | 0:37:32 | 0:37:36 | |
-Honestly, I just messed up. -She chose her teeth. Helen hates her teeth. | 0:37:36 | 0:37:41 | |
Hates them with a passion. | 0:37:41 | 0:37:42 | |
We got the question, who would you fancy in the house | 0:37:42 | 0:37:47 | |
if you had to fancy someone? | 0:37:47 | 0:37:48 | |
-And Chanel goes, "I do not fancy anyone". -I said, "No one is my type." | 0:37:48 | 0:37:55 | |
But me, I went, "Er, er, er...Beki". Like that. | 0:37:55 | 0:38:01 | |
And then...yeah. | 0:38:01 | 0:38:03 | |
I felt kind of awkward when I was kind of the girl who had caused the friction between Chanel and Damien | 0:38:05 | 0:38:10 | |
Because Damien said he fancied me. | 0:38:10 | 0:38:12 | |
But it's one of those things, isn't it? He had to answer the question. | 0:38:12 | 0:38:16 | |
You have got to have a strong relationship to know, "You know what? | 0:38:16 | 0:38:19 | |
"We know we are secure." | 0:38:19 | 0:38:20 | |
If you haven't got that base foundation, the cracks are going to come straight through. | 0:38:20 | 0:38:24 | |
But as the hot couples get down to karaoke... | 0:38:26 | 0:38:29 | |
# Come on, Barbie, let's go party Oh, oh, oh... # | 0:38:29 | 0:38:33 | |
..it is clear that Chanel won't be forgiving Damien any time soon. | 0:38:33 | 0:38:37 | |
In the modelling industry, you have to expect these kind of things, | 0:38:44 | 0:38:47 | |
and if you can't deal with them then it is going to be a barrier, | 0:38:47 | 0:38:50 | |
-more than anything, isn't it? -Not just for work, but for your relationship. -Yeah, exactly. | 0:38:50 | 0:38:56 | |
I love you, Ken! | 0:38:56 | 0:38:59 | |
Jay and Beki, they are our closest friends in the house but, | 0:39:14 | 0:39:17 | |
they are still competition. | 0:39:17 | 0:39:19 | |
It is the day of the casting decision. | 0:39:22 | 0:39:25 | |
Only three couples will make it to the final. | 0:39:25 | 0:39:27 | |
-We feel a bit sick. -Really nervous. Big pressure on this one. | 0:39:27 | 0:39:30 | |
We all want to get to the final more than anything. | 0:39:30 | 0:39:33 | |
We have come so far, and to lose it now would be... | 0:39:33 | 0:39:37 | |
-You just think, because you're so close... -To go would be flipping killing, wouldn't it? -Yeah. | 0:39:37 | 0:39:42 | |
We would like to be in the final. We have worked so hard to get here. | 0:39:42 | 0:39:46 | |
We will fight for it, absolutely. | 0:39:46 | 0:39:47 | |
Because we think we deserve to be in that place. Ready. Ready for battle. | 0:39:47 | 0:39:52 | |
As they head to the casting studio, | 0:40:02 | 0:40:04 | |
their fate is now in the hands of the judges - | 0:40:04 | 0:40:10 | |
model agent Jody Furlong and relationship expert Emma Kenny. | 0:40:10 | 0:40:14 | |
Between them, they will decide which couples are compatible enough | 0:40:21 | 0:40:24 | |
to deserve a shot at the modelling contract. | 0:40:24 | 0:40:28 | |
First, Jody will reveal how they did in the modelling challenge. | 0:40:35 | 0:40:39 | |
So this week was all about compatibility. | 0:40:39 | 0:40:41 | |
You had a photo shoot based on real life superheroes. | 0:40:41 | 0:40:44 | |
So, Vaughan, let's look at your picture with Alison. | 0:40:44 | 0:40:48 | |
-I think that is great. -It is cool. -I am confused, is a comedy? Isn't it comedy? | 0:40:50 | 0:40:56 | |
I think you're over the top. I don't know what your direction was. | 0:40:56 | 0:40:59 | |
But it just seems a little bit too much to me. | 0:40:59 | 0:41:01 | |
-She did tell me to hold my mouth like that. -She did. | 0:41:01 | 0:41:04 | |
Following direction, she had the look and style she was explaining and she has done fantastically well. | 0:41:04 | 0:41:08 | |
Damien, you posed as a firefighter. Let's see your picture with Chanel. | 0:41:13 | 0:41:17 | |
-Flipping heck. -I like it. Because I think it is different. | 0:41:21 | 0:41:26 | |
It is not the stereotypical, obvious, "I am a model who has escaped from a fire." | 0:41:26 | 0:41:31 | |
You're looking quite vulnerable. There is a story there. | 0:41:31 | 0:41:36 | |
-I think she looks vulnerable. -I think it works. | 0:41:36 | 0:41:39 | |
For me, it has been a really good progression of you, as models, but also working together. | 0:41:39 | 0:41:43 | |
-We want to see your face. -I think I let us both down. | 0:41:47 | 0:41:50 | |
Stuart has been struggling with his confidence of late. | 0:41:50 | 0:41:52 | |
This is his opportunity to prove he can make it as a model. | 0:41:52 | 0:41:58 | |
So Stuart, you posed as a doctor. Let's look at your picture with Helen. | 0:41:58 | 0:42:02 | |
I think it could've been better. Definitely. | 0:42:03 | 0:42:08 | |
We are losing Helen completely. | 0:42:08 | 0:42:11 | |
I can't see your body and you have got, like, the best legs going, | 0:42:11 | 0:42:14 | |
and to hide your best assets is a shame. | 0:42:14 | 0:42:17 | |
I do feel like it is a wasted opportunity | 0:42:17 | 0:42:20 | |
cos I think you two together could be really hot. | 0:42:20 | 0:42:23 | |
Jay, you posed as a coastguard. Let's see your best picture with Beki. | 0:42:25 | 0:42:30 | |
Oh! | 0:42:35 | 0:42:36 | |
Beki, you look amazing. What I like is you have saved her | 0:42:38 | 0:42:42 | |
and now you're just going to get it on. | 0:42:42 | 0:42:44 | |
Your body language is really good with each other. | 0:42:44 | 0:42:47 | |
You can see that you're a couple in that, as far as I'm concerned. | 0:42:47 | 0:42:50 | |
Jody may have given his verdicts on the couples' photos, | 0:42:53 | 0:42:56 | |
but that wasn't the only part to the challenge. | 0:42:56 | 0:42:59 | |
The wannabe models were also asked to swap partners, | 0:42:59 | 0:43:01 | |
so the judges could see how physically matched the couples really are. | 0:43:01 | 0:43:05 | |
The photographer has picked the best picture from the guys' shoots. | 0:43:08 | 0:43:11 | |
If it's not with their real live partner, | 0:43:11 | 0:43:13 | |
it will be taken into account. | 0:43:13 | 0:43:16 | |
Vaughan, let's see your best picture of the day. | 0:43:19 | 0:43:22 | |
What makes this picture is Chanel, to be honest. | 0:43:32 | 0:43:35 | |
She looks really hot. | 0:43:35 | 0:43:37 | |
I would have liked to have seen a bit more passion from Vaughan | 0:43:37 | 0:43:40 | |
but as an image, it's a really good image, mainly because of Chanel. | 0:43:40 | 0:43:43 | |
Damien, let's see your best picture of the day. | 0:43:45 | 0:43:48 | |
Unfortunately for Damien, it's Beki, the girl at the centre | 0:43:52 | 0:43:56 | |
of his argument with Chanel. | 0:43:56 | 0:43:59 | |
-Beki absolutely rocks in this photo. -She looks amazing. | 0:43:59 | 0:44:03 | |
It's a really... The framing, everything about it. | 0:44:03 | 0:44:06 | |
There's drama, there's action. It's really strong. | 0:44:06 | 0:44:09 | |
For me, it's interesting that your stand-out photograph of the series | 0:44:09 | 0:44:14 | |
is with somebody else. | 0:44:14 | 0:44:17 | |
-I like our one as well. -Yeah, I like mine as well. | 0:44:17 | 0:44:20 | |
But in this competition, we are looking for a couple | 0:44:20 | 0:44:23 | |
who can work together as the best, | 0:44:23 | 0:44:25 | |
not ideally to be looking better with somebody else. | 0:44:25 | 0:44:28 | |
Stuart and Helen have struggled this week. | 0:44:31 | 0:44:34 | |
if the photographer favoured them as a couple, | 0:44:34 | 0:44:36 | |
it could give them a much-needed boost. | 0:44:36 | 0:44:38 | |
But once again, it's Beki who's the main attraction. | 0:44:41 | 0:44:45 | |
A really hot photo. Very connected. Beki's on fire. | 0:44:45 | 0:44:49 | |
There's a thing about you and the side of your face, Stuart... | 0:44:49 | 0:44:53 | |
-That was... -I understand that, but the last three shoots we've done, | 0:44:53 | 0:44:55 | |
all I've seen is the side of your face. | 0:44:55 | 0:44:58 | |
I knew as soon as I did it. I did suggest doing front angles on. | 0:44:58 | 0:45:02 | |
Beki, how does it feel? You've appeared in...two shots so far. | 0:45:02 | 0:45:06 | |
I feel really happy to prove to you I can do this. | 0:45:06 | 0:45:10 | |
You've shown that this week. It's a side to you we haven't seen before. | 0:45:10 | 0:45:13 | |
-No. -It's worked really well, so well done. -Thank you. | 0:45:13 | 0:45:15 | |
Beki has outshone two of the other girls. | 0:45:15 | 0:45:18 | |
But it's the photo with her boyfriend, Jay, that matters. | 0:45:18 | 0:45:22 | |
Who did the photographer pick as his best partner? | 0:45:22 | 0:45:26 | |
Let's look at your best picture of the day. | 0:45:26 | 0:45:28 | |
-Really?! -The only couple. | 0:45:35 | 0:45:37 | |
Beki, really good job from you this week. | 0:45:37 | 0:45:39 | |
-Last week, you were upstaged by Jay. -Definitely. | 0:45:39 | 0:45:43 | |
This week, you might be upstaging him a little bit. | 0:45:43 | 0:45:45 | |
I'm not going to disagree with that! | 0:45:45 | 0:45:49 | |
I've said all along that of all the couples, | 0:45:49 | 0:45:51 | |
you're the ones that look least compatible | 0:45:51 | 0:45:53 | |
but in this picture, completely compatible. | 0:45:53 | 0:45:56 | |
-Really, really well done. -Well done, babe. | 0:45:56 | 0:45:59 | |
This week, you guys took part in a compatibility test. | 0:46:03 | 0:46:05 | |
If the house is on fire, what would you plan to rescue? | 0:46:05 | 0:46:09 | |
-Photos. -Photos. | 0:46:09 | 0:46:11 | |
-My straighteners. -Clothes. | 0:46:11 | 0:46:13 | |
The couples will be given a percentage of compatibility. | 0:46:13 | 0:46:16 | |
Anything above 70 will impress judge Emma. | 0:46:16 | 0:46:21 | |
Stuart and Helen, you got 60%. | 0:46:21 | 0:46:25 | |
What do you think it says about your relationship | 0:46:30 | 0:46:32 | |
when you're thinking about that? | 0:46:32 | 0:46:34 | |
I don't feel fazed by it. I don't think we're gonna break up. | 0:46:34 | 0:46:36 | |
-It's not going to be anything like that, is it? -No! | 0:46:36 | 0:46:41 | |
It wasn't a brilliant result on the relationship challenge. | 0:46:41 | 0:46:45 | |
I get that you're probably quite closed, but sometimes | 0:46:45 | 0:46:48 | |
that filters through to our relationships. | 0:46:48 | 0:46:50 | |
Even if we think we're open with a partner, | 0:46:50 | 0:46:52 | |
we're just more open with them than we are to the rest of the world. | 0:46:52 | 0:46:56 | |
Stuart and Helen didn't excel in the test. | 0:46:56 | 0:46:59 | |
Can Beki and Jay do better? | 0:46:59 | 0:47:02 | |
-How do you think you did? -We were a bit unsure, weren't we? | 0:47:02 | 0:47:05 | |
You got 60%. | 0:47:05 | 0:47:08 | |
Just like Stuart and Helen. | 0:47:08 | 0:47:11 | |
It's interesting for me because I suppose that, as a couple, | 0:47:11 | 0:47:14 | |
-I would have expected you to do better. -Yeah. | 0:47:14 | 0:47:17 | |
Yeah, very close, so yeah. | 0:47:17 | 0:47:18 | |
Damien and Chanel. How do you think you did? | 0:47:21 | 0:47:24 | |
We discussed it afterwards, and we got about five questions wrong! | 0:47:24 | 0:47:30 | |
-You got 80%. -No! | 0:47:30 | 0:47:33 | |
-Yeah. You did really well. -How did we do that? -I have no idea! | 0:47:33 | 0:47:36 | |
Yeah! | 0:47:36 | 0:47:38 | |
One of the interesting things that I know caused some issue with you | 0:47:39 | 0:47:42 | |
was the fact that you chose Beki as your potential other match, | 0:47:42 | 0:47:46 | |
should Chanel not exist. | 0:47:46 | 0:47:48 | |
Chanel was not happy with that. | 0:47:48 | 0:47:49 | |
-No... -Why didn't you say no-one? You don't fancy anyone in here. | 0:47:49 | 0:47:52 | |
Basically, cos I'm an idiot. | 0:47:52 | 0:47:55 | |
I said Beki, just cos I talked to her the most, bar Chanel. | 0:47:55 | 0:47:58 | |
But 80%. I'm proud of that. I did not expect that. | 0:48:00 | 0:48:04 | |
You did well. | 0:48:04 | 0:48:06 | |
Vaughan and Alison, how do you think it went? | 0:48:06 | 0:48:09 | |
I think it went well. | 0:48:09 | 0:48:11 | |
I think it went well. | 0:48:11 | 0:48:13 | |
You got 95 impossible per cent! | 0:48:13 | 0:48:17 | |
-Seriously? -That's only cos she... That's only cos she... | 0:48:17 | 0:48:21 | |
SHE LAUGHS | 0:48:21 | 0:48:23 | |
But that is uncanny. | 0:48:23 | 0:48:25 | |
# 95%! | 0:48:25 | 0:48:28 | |
It shows that you two pay really close detail to each other's lives. | 0:48:32 | 0:48:35 | |
-Well done. -Thank you. -Thank you. | 0:48:35 | 0:48:37 | |
This week, you also had a challenge where you posed in a shop window. | 0:48:39 | 0:48:42 | |
The public vote is on how compatible they thought you looked. | 0:48:42 | 0:48:48 | |
The shop window challenge saw Damien and Chanel | 0:48:48 | 0:48:50 | |
come joint first with Stuart and Helen, | 0:48:50 | 0:48:52 | |
with Beki and Jay close behind, | 0:48:52 | 0:48:56 | |
and Alison and Vaughan failing to impress. | 0:48:56 | 0:48:58 | |
That was very interesting for me to see | 0:48:59 | 0:49:02 | |
who got the most votes. | 0:49:02 | 0:49:03 | |
It's all about what the public think of you. | 0:49:03 | 0:49:06 | |
You have to have a connection with them. | 0:49:06 | 0:49:08 | |
It's all very well me telling you who would be castable. | 0:49:08 | 0:49:11 | |
It's all very well you saying what your relationship's like. | 0:49:11 | 0:49:14 | |
It's people on the street who have to buy into | 0:49:14 | 0:49:16 | |
not just the look, but the relationship. | 0:49:16 | 0:49:19 | |
The judges have given their verdicts on all three challenges. | 0:49:23 | 0:49:27 | |
Now, they will save one couple from going home | 0:49:29 | 0:49:31 | |
and give the remaining three a chance to say | 0:49:31 | 0:49:34 | |
why they should stay in the contest. | 0:49:34 | 0:49:36 | |
They're the least likely to succeed long term. | 0:49:39 | 0:49:41 | |
She's a specific type of model. | 0:49:41 | 0:49:43 | |
This week, she has shown some versatility. | 0:49:43 | 0:49:46 | |
They have shown the strongest relationship. | 0:49:46 | 0:49:50 | |
They don't really convince me as models. | 0:49:50 | 0:49:53 | |
The judges are about to reveal who is in this week's bottom three | 0:49:57 | 0:50:00 | |
and which couple are definitely through to the final. | 0:50:00 | 0:50:04 | |
Beki and Jay... | 0:50:07 | 0:50:09 | |
You nailed it this week. You're safe. | 0:50:14 | 0:50:16 | |
Oh, my God! | 0:50:16 | 0:50:17 | |
Thank you so much! | 0:50:17 | 0:50:18 | |
-Oh, my God! -Thank you! | 0:50:18 | 0:50:22 | |
Everyone else is in the bottom three. | 0:50:25 | 0:50:28 | |
Stuart and Helen, why do you think you are in the bottom three? | 0:50:33 | 0:50:37 | |
I think our picture wasn't as strong as it should have been. | 0:50:37 | 0:50:41 | |
My issue with you two is, looking at you, you are the most modelly. | 0:50:41 | 0:50:44 | |
You've got everything going for you. | 0:50:44 | 0:50:46 | |
but it's not translating onto a picture. | 0:50:46 | 0:50:48 | |
This confidence-in-front-of-the camera thing... | 0:50:48 | 0:50:51 | |
I was better this week. I was. Honest. | 0:50:51 | 0:50:54 | |
We're at the end of the competition and you're still not | 0:50:54 | 0:50:57 | |
in front of the camera. | 0:50:57 | 0:50:58 | |
That doesn't work for me in a modelling context. | 0:50:58 | 0:51:00 | |
Confidence is probably the biggest key success factor in life. | 0:51:00 | 0:51:03 | |
We do need the brand | 0:51:03 | 0:51:06 | |
to be hugely confident. | 0:51:06 | 0:51:09 | |
When we send you out, it's a direct message | 0:51:09 | 0:51:12 | |
that you have been considered the best. | 0:51:12 | 0:51:15 | |
Vaughan and Alison, I think you're nice people, | 0:51:17 | 0:51:20 | |
but I think there is something about you that the public might not get. | 0:51:20 | 0:51:26 | |
That was demonstrated when the public was involved, | 0:51:26 | 0:51:29 | |
when you did get by far the lowest points. | 0:51:29 | 0:51:32 | |
Once you're aware of it, you can adapt. | 0:51:32 | 0:51:34 | |
If you say be more endearing, | 0:51:34 | 0:51:38 | |
you can achieve that by approaching things from a different way. | 0:51:38 | 0:51:42 | |
This is not something you can tell someone to do. | 0:51:42 | 0:51:45 | |
It always has to come naturally. | 0:51:45 | 0:51:47 | |
It was interesting to know that the public didn't relate to you well. | 0:51:47 | 0:51:50 | |
That concerns me a little bit. | 0:51:50 | 0:51:53 | |
On a relationship front, I think you're 100% gonna make it, | 0:51:53 | 0:51:58 | |
-whatever Jodie thinks. -It's not just about relationships with each other. | 0:51:58 | 0:52:02 | |
-It's about relationships with other people. -I don't question that. | 0:52:02 | 0:52:06 | |
Damien and Chanel. You worry me around jealousy. Chanel worries me. | 0:52:08 | 0:52:14 | |
Oh, right. | 0:52:14 | 0:52:16 | |
We were annoyed about the quiz itself, | 0:52:16 | 0:52:18 | |
the questions we got wrong. | 0:52:18 | 0:52:19 | |
I understand what you're saying. | 0:52:19 | 0:52:21 | |
-I was kind of like... -You were in a mood. You were in a mood. | 0:52:21 | 0:52:25 | |
I can see an issue regarding jealousy. | 0:52:26 | 0:52:31 | |
So what if you get a bit jealous now and then? | 0:52:31 | 0:52:33 | |
For me, that doesn't matter. | 0:52:33 | 0:52:34 | |
-No. -It's a little bit jealous. | 0:52:34 | 0:52:36 | |
-It's about something ridiculous. -They're kids. | 0:52:36 | 0:52:39 | |
They're learning how to behave themselves and with each other. | 0:52:39 | 0:52:43 | |
We do not see jealousy as a major factor in our relationship. | 0:52:43 | 0:52:47 | |
We've got to go away and make a decision about | 0:52:53 | 0:52:56 | |
who goes through to the final... | 0:52:56 | 0:52:58 | |
And who's going home. | 0:53:00 | 0:53:01 | |
I'm looking at Vaughan and Alison and thinking, | 0:53:16 | 0:53:18 | |
"They're just not models." | 0:53:18 | 0:53:20 | |
Vaughan and Alison did incredibly well in the relationship challenge. | 0:53:20 | 0:53:23 | |
I was really unimpressed with Chanel this week. | 0:53:25 | 0:53:28 | |
Chanel's proving again that she's just being a diva. | 0:53:28 | 0:53:31 | |
I'm just really bored of Stuart's nervousness. | 0:53:32 | 0:53:34 | |
Helen's doing really well every week and he's just letting her down. | 0:53:34 | 0:53:38 | |
We've made our decision. | 0:53:48 | 0:53:50 | |
Damien and Chanel... | 0:53:56 | 0:53:58 | |
..we've seen you go from an amazing couple to look at | 0:54:00 | 0:54:04 | |
to a couple with a real cause for concern. | 0:54:04 | 0:54:06 | |
This has never been about just creating | 0:54:06 | 0:54:10 | |
the perfect couple in a picture. | 0:54:10 | 0:54:13 | |
Stuart and Helen. In person, | 0:54:15 | 0:54:18 | |
you look absolutely great. | 0:54:18 | 0:54:19 | |
But it's not translating onto a picture. | 0:54:19 | 0:54:22 | |
I have high expectations, and it's not translating. | 0:54:22 | 0:54:25 | |
That is an issue for me. | 0:54:25 | 0:54:26 | |
Alison and Vaughan, | 0:54:26 | 0:54:29 | |
you have a very strong relationship. | 0:54:29 | 0:54:33 | |
But in the task with the public, | 0:54:33 | 0:54:35 | |
that's really where the cookie crumbles. | 0:54:35 | 0:54:40 | |
How do other people perceive you? | 0:54:40 | 0:54:42 | |
We've made our decision about who's going home. | 0:54:44 | 0:54:46 | |
As a brand and as a couple, | 0:54:51 | 0:54:55 | |
we have to send you out there knowing that people will like you, | 0:54:55 | 0:55:00 | |
buy into you and believe in you. | 0:55:00 | 0:55:02 | |
And because of that, Alison and Vaughan... | 0:55:08 | 0:55:10 | |
-..we're going to send you home. -OK. | 0:55:12 | 0:55:16 | |
# I could get through those days... # | 0:55:16 | 0:55:18 | |
Thank you to this amazing girl. | 0:55:21 | 0:55:23 | |
She's been awesome for this experience. Thank you, darling. | 0:55:23 | 0:55:26 | |
I've got no fire. I understand what you're saying. | 0:55:26 | 0:55:30 | |
If you're expecting a fiery reaction, I can't give one. | 0:55:30 | 0:55:34 | |
Thank you again. Bye, guys. | 0:55:34 | 0:55:37 | |
APPLAUSE | 0:55:37 | 0:55:40 | |
# My friend | 0:55:40 | 0:55:42 | |
# I'll save my last dance for you | 0:55:42 | 0:55:49 | |
# My friend... # | 0:55:49 | 0:55:51 | |
Ah! Vaughan and Alison. How are you doing? | 0:55:54 | 0:55:57 | |
-All right. -All out of feeling. | 0:55:57 | 0:56:00 | |
I think it was the right people who went home. | 0:56:00 | 0:56:03 | |
-We've made it to the final. -Made it to the final. | 0:56:03 | 0:56:05 | |
We're in the final! I'm so excited! | 0:56:05 | 0:56:08 | |
-Being a good competitor is knowing... -..where you stand. | 0:56:08 | 0:56:11 | |
-How are you feeling about it? -Disappointed. | 0:56:14 | 0:56:17 | |
We wanted to get into modelling. That's why we did this. | 0:56:17 | 0:56:20 | |
Made it through to the final! | 0:56:20 | 0:56:23 | |
# ..last dance for you... # | 0:56:23 | 0:56:27 | |
We do have the right three couples in the finale. | 0:56:29 | 0:56:31 | |
You're in the finals. How do you feel? | 0:56:31 | 0:56:34 | |
ALL SHOUT | 0:56:34 | 0:56:36 | |
The hard work's really got to start. | 0:56:36 | 0:56:39 | |
Only one of them can walk away with that contract. | 0:56:39 | 0:56:42 | |
Next time... | 0:56:42 | 0:56:44 | |
It's now about winning. | 0:56:44 | 0:56:46 | |
The remaining three couples face one of the toughest photographers. | 0:56:46 | 0:56:50 | |
Where are they? Come on! | 0:56:50 | 0:56:52 | |
As they come within touching distance of the prize, | 0:56:52 | 0:56:55 | |
friendships are left by the wayside. | 0:56:55 | 0:56:58 | |
-This is what we want. -You don't want us to do it. | 0:56:58 | 0:57:00 | |
-If you did, you'd do it. -In the final of Hot Like Us... | 0:57:00 | 0:57:04 | |
The couple that are going to win this competition are... | 0:57:04 | 0:57:07 | |
# I saved my last dance for you | 0:57:12 | 0:57:19 | |
# My friend | 0:57:19 | 0:57:21 | |
# I saved my last dance for you... # | 0:57:21 | 0:57:27 |