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'Five weeks ago, eight hot couples entered this Manchester mansion.' | 0:00:02 | 0:00:05 | |
I think I'm genetically blessed. | 0:00:05 | 0:00:07 | |
BOTH: We are 100% awesome. | 0:00:07 | 0:00:10 | |
I was voted the top 10 best looking South Asian male. | 0:00:10 | 0:00:13 | |
Competing for a life-changing joint modelling contract. | 0:00:13 | 0:00:17 | |
I'm not looking for two separate models, I'm looking for a couple. | 0:00:17 | 0:00:21 | |
But looking the part was never going to be enough. | 0:00:21 | 0:00:24 | |
There's no point investing in a couple that don't have a strong relationship | 0:00:24 | 0:00:27 | |
because they'll break up and leave us high and dry. | 0:00:27 | 0:00:29 | |
This show is 50% about relationships. | 0:00:29 | 0:00:32 | |
Yeah, and 50% about models. | 0:00:32 | 0:00:34 | |
-I love you! -'So, as well as a series of modelling challenges...' | 0:00:34 | 0:00:38 | |
PHOTOGRAPHER: I can't see your face. | 0:00:38 | 0:00:39 | |
-God, they're see-through! -Shove that whole thing up your backside! | 0:00:39 | 0:00:43 | |
Their relationships were put under the microscope. | 0:00:43 | 0:00:47 | |
We just belong together. | 0:00:47 | 0:00:50 | |
EMMA: The couple that we chose have got to have | 0:00:50 | 0:00:52 | |
a relationship that will stand the test of time. | 0:00:52 | 0:00:54 | |
One by one, the weakest couples fell by the wayside. | 0:00:54 | 0:00:58 | |
The couple who are going home is... Ben and Sam. | 0:00:59 | 0:01:02 | |
Mun and Rachna. | 0:01:03 | 0:01:05 | |
Leroy and Chloe. | 0:01:05 | 0:01:07 | |
Alison and Vaughan. We're going to send you home. | 0:01:07 | 0:01:10 | |
OK. | 0:01:10 | 0:01:11 | |
Now three pairs are battling it out | 0:01:15 | 0:01:17 | |
for the contract with a top model agency. | 0:01:17 | 0:01:20 | |
-Made it to the final! -Going to try and win it. | 0:01:20 | 0:01:23 | |
We're in the final! I'm so excited. | 0:01:23 | 0:01:25 | |
-Yes! -It's now about winning. | 0:01:25 | 0:01:27 | |
Friendships count for nothing. | 0:01:28 | 0:01:30 | |
You know you don't really want to do, it because if you did, you'd do it. | 0:01:30 | 0:01:34 | |
As they compete to be crowned... | 0:01:34 | 0:01:36 | |
Where are they! Come on! | 0:01:36 | 0:01:38 | |
..Britain's hottest couple. | 0:01:38 | 0:01:40 | |
The couple that are going to win this competition are... | 0:01:40 | 0:01:44 | |
Last time, Australian ballroom dancers Alison and Vaughan | 0:01:57 | 0:02:02 | |
fought hard to stay in the contest. | 0:02:02 | 0:02:04 | |
Check out my guns! Literally. | 0:02:04 | 0:02:07 | |
But while they passed the compatibility test with flying colours... | 0:02:07 | 0:02:12 | |
-What are you most scared of? -She is most scared of me dying before her. -Vaughan dying first. | 0:02:12 | 0:02:17 | |
The public didn't think much of their look. | 0:02:17 | 0:02:21 | |
They look quite frigid and a bit tense. | 0:02:21 | 0:02:23 | |
-And after another poor photo shoot... -I am confused. | 0:02:23 | 0:02:27 | |
Is it comedy, isn't it comedy? You are little bit over the top. | 0:02:27 | 0:02:30 | |
The judges said g'day to the born-again Christians. | 0:02:30 | 0:02:34 | |
That leaves three couples to fight it out for the modelling contract. | 0:02:38 | 0:02:42 | |
Super-vain Stuart and Helen. | 0:02:43 | 0:02:46 | |
Jay and glamour model Beki. | 0:02:47 | 0:02:50 | |
And feisty Damien and Chanel. | 0:02:51 | 0:02:54 | |
And this week, it's their commitment that will be tested to the max. | 0:02:55 | 0:02:59 | |
Commitments to yourselves, | 0:02:59 | 0:03:01 | |
commitment to each other as couples, and commitment to modelling. | 0:03:01 | 0:03:05 | |
When it comes to modelling, they'll have to show the judges | 0:03:05 | 0:03:08 | |
they've got what it takes to be the next big thing. | 0:03:08 | 0:03:11 | |
To me, it's got cheese written all over it. | 0:03:12 | 0:03:14 | |
And in the relationship test, Emma will find out | 0:03:14 | 0:03:18 | |
if they are truly committed to each other. | 0:03:18 | 0:03:20 | |
The art of having good relationships is all about being natural. | 0:03:21 | 0:03:25 | |
And just when it couldn't be tougher, | 0:03:25 | 0:03:28 | |
they'll have to take part in the most terrifying challenge yet - | 0:03:28 | 0:03:32 | |
a bride and groom catwalk show. | 0:03:32 | 0:03:34 | |
They haven't done anything in front of a live audience yet. | 0:03:37 | 0:03:40 | |
It could be pretty chaotic. | 0:03:40 | 0:03:42 | |
Just going to whip up a little bacon sarnie, I think. | 0:03:55 | 0:03:59 | |
That high? | 0:03:59 | 0:04:00 | |
After five weeks of gruelling challenges, | 0:04:00 | 0:04:02 | |
the pressure is on. | 0:04:02 | 0:04:04 | |
But the time for talk is over. | 0:04:04 | 0:04:08 | |
The competition is just so intense now. | 0:04:08 | 0:04:11 | |
-Everybody has retired to their rooms. -Want to be on their own. | 0:04:11 | 0:04:14 | |
The conversation is not as much, you know. | 0:04:14 | 0:04:17 | |
You just want to win. Because you have got here now. | 0:04:19 | 0:04:22 | |
And you don't want to come third, you don't want to come second. | 0:04:22 | 0:04:25 | |
You just want to be first. | 0:04:25 | 0:04:26 | |
Living this life, is obviously amazing. | 0:04:27 | 0:04:30 | |
The big house, getting everything you kind of want, so the thought | 0:04:30 | 0:04:36 | |
of going back to like, a one-bedroom flat in the East End is like... | 0:04:36 | 0:04:39 | |
It makes you feel sick. | 0:04:39 | 0:04:40 | |
Any little mistake or slip-up can cost us from winning that prize. | 0:04:41 | 0:04:47 | |
So I think it's good to be confident, | 0:04:47 | 0:04:49 | |
but also we're aware | 0:04:49 | 0:04:51 | |
that we still need to work our arses off if we want to win. | 0:04:51 | 0:04:54 | |
But the time for talk is over. | 0:04:58 | 0:05:01 | |
Because their mentor, model agent Jonathan Phang, | 0:05:01 | 0:05:03 | |
has arrived to reveal their next photo shoot. | 0:05:03 | 0:05:06 | |
A modelling challenge | 0:05:06 | 0:05:07 | |
that will call on all the skills they have learned so far. | 0:05:07 | 0:05:10 | |
Your task tomorrow is to deliver that one image that embodies you. | 0:05:10 | 0:05:18 | |
One image. | 0:05:18 | 0:05:20 | |
It is your signature statement. | 0:05:20 | 0:05:23 | |
You've got your work cut out and I will see you tomorrow. See ya! | 0:05:24 | 0:05:28 | |
COUPLES: Bye! | 0:05:28 | 0:05:30 | |
This is the hardest challenge I think, guys. | 0:05:30 | 0:05:33 | |
Over the last five weeks, | 0:05:38 | 0:05:40 | |
the couples have had to express emotions, | 0:05:40 | 0:05:42 | |
get down to their underwear, and even dance. | 0:05:42 | 0:05:46 | |
Come on, then. Shoes. | 0:05:47 | 0:05:49 | |
But what will they do for the image that is supposed to encapsulate | 0:05:49 | 0:05:51 | |
who they are and what their relationship stands for? | 0:05:51 | 0:05:55 | |
Get your stripy jacket. | 0:05:55 | 0:05:57 | |
-Try these. -I haven't got a stripy jacket. -You have! I bought you one. | 0:05:57 | 0:06:01 | |
Yeah, like that, that's it. There you go. | 0:06:01 | 0:06:04 | |
Unlike, Helen and Stuart, who are thinking about what to wear, | 0:06:04 | 0:06:07 | |
Damien and Chanel are trying to come up with a pose | 0:06:07 | 0:06:10 | |
that sums them up as a couple. | 0:06:10 | 0:06:12 | |
# There's nothing wrong with loving who you are | 0:06:15 | 0:06:18 | |
# She said, cos he made you perfect, babe... # | 0:06:18 | 0:06:21 | |
I would definitely say our relationship is edgy, | 0:06:22 | 0:06:25 | |
always on the edge, but to me, it keeps it interesting. | 0:06:25 | 0:06:28 | |
What happened to ladies first? | 0:06:28 | 0:06:30 | |
The youngest duo have had their fair share of fall-outs. | 0:06:30 | 0:06:34 | |
The main thing I do to know what size it is, is this. | 0:06:34 | 0:06:38 | |
Starting when Damien bought the underwear for their lingerie shoot. | 0:06:38 | 0:06:42 | |
Oh, my God, they're see-through! | 0:06:42 | 0:06:44 | |
Is purple not your favourite colour, then? | 0:06:44 | 0:06:46 | |
Realistically, you are the only couple who argued, | 0:06:46 | 0:06:50 | |
who showed us any reason to remove you from this competition. | 0:06:50 | 0:06:54 | |
But determined to win the modelling contract, the pair fought back. | 0:06:54 | 0:06:58 | |
Yes, that's good! | 0:07:00 | 0:07:02 | |
OTHERS GASP | 0:07:02 | 0:07:05 | |
With every week that has passed, they've grown stronger as models. | 0:07:05 | 0:07:09 | |
THEY SHRIEK. | 0:07:09 | 0:07:10 | |
You nailed it. I mean, it was perfect for you. | 0:07:10 | 0:07:13 | |
Guys, these look great. | 0:07:13 | 0:07:15 | |
It has been a really good progression of you as models but also, working together. | 0:07:15 | 0:07:19 | |
But when it comes to their relationship, | 0:07:19 | 0:07:21 | |
there's one thing that keeps rearing its ugly head. | 0:07:21 | 0:07:24 | |
Jealousy. | 0:07:24 | 0:07:25 | |
Hooo-aargh! | 0:07:25 | 0:07:27 | |
There's more fire in your relationship you are letting out. | 0:07:27 | 0:07:30 | |
And that is going to cause a problem. | 0:07:30 | 0:07:33 | |
Not too sure if Damien is telling the truth | 0:07:33 | 0:07:36 | |
when he says that he was fine with Chanel getting all up with everyone when she was modelling. | 0:07:36 | 0:07:42 | |
-You worry me around jealousy. Chanel worries me. -Oh, right. | 0:07:44 | 0:07:47 | |
And the compatibility test confirmed Emma's reservations. | 0:07:47 | 0:07:52 | |
If you had to select an individual that you most fancied...? | 0:07:52 | 0:07:55 | |
-As in, in this house? -Yeah. | 0:07:55 | 0:07:58 | |
-I said no-one. -I said Beki. | 0:07:58 | 0:08:01 | |
Are you going to kill me? | 0:08:02 | 0:08:04 | |
Can you talk to me, please? | 0:08:04 | 0:08:06 | |
-Is she much better? -Who? | 0:08:06 | 0:08:07 | |
But Damien's plan is to use their fiery nature to their advantage. | 0:08:12 | 0:08:16 | |
I think in the photos you should look quite fierce. | 0:08:16 | 0:08:19 | |
Try and look quite fierce. Sexy, but fierce. That's what you are. | 0:08:19 | 0:08:24 | |
In Jay and Beki's room, things are a lot quieter. | 0:08:34 | 0:08:38 | |
So what are we going to go for? | 0:08:41 | 0:08:43 | |
I think the thing that we need to show is versatility. | 0:08:43 | 0:08:47 | |
Jay and Beki have proved that opposites attract. | 0:08:50 | 0:08:54 | |
We think we're two peas in a pod. | 0:08:55 | 0:08:57 | |
OTHERS: Aw-w-w! | 0:08:57 | 0:08:58 | |
You look great, but you don't look like a couple in modelling terms. | 0:08:58 | 0:09:02 | |
From the start, they haven't looked right together. | 0:09:02 | 0:09:05 | |
Stay still, please! | 0:09:05 | 0:09:06 | |
While Jay has proved he can model, Beki has had her shortcomings. | 0:09:06 | 0:09:10 | |
It's a full-length gown on a five-foot-three girl. | 0:09:10 | 0:09:14 | |
It is absolutely drowning her. | 0:09:14 | 0:09:16 | |
-How tall are you, Beki? -Five foot three. | 0:09:16 | 0:09:20 | |
-How tall are you, Beki? -I am five foot three. -I think you're smaller. | 0:09:20 | 0:09:23 | |
But Beki was out to prove that good things come in small packages. | 0:09:23 | 0:09:29 | |
I was dominating him, biting him. | 0:09:29 | 0:09:32 | |
And she showed the judges that when she turns it on for the cameras, | 0:09:33 | 0:09:36 | |
they look great together. | 0:09:36 | 0:09:38 | |
I want to prove that I am versatile and I can do everything. | 0:09:40 | 0:09:45 | |
Beki, you look amazing. What I like is, like, you have saved her. | 0:09:45 | 0:09:48 | |
Your body language is really good with each other. You can see you are a couple as far as I'm concerned. | 0:09:48 | 0:09:53 | |
I don't know what it is with that. | 0:09:53 | 0:09:54 | |
This is Jay and Beki's opportunity to prove | 0:09:54 | 0:09:57 | |
they can complement each other as models. | 0:09:57 | 0:10:00 | |
Don't tell me you don't like it. | 0:10:00 | 0:10:02 | |
No! I'm just thinking, do we need to be more creative? | 0:10:02 | 0:10:06 | |
But they can't even agree on what they should wear. | 0:10:06 | 0:10:08 | |
What if it is in lingerie? | 0:10:08 | 0:10:11 | |
-Got to look hot, nice body. -Yeah, but we've done lingerie. | 0:10:11 | 0:10:15 | |
Picture's got to sum us up. | 0:10:17 | 0:10:19 | |
-Do you know what I mean? -Exactly. So how would you...? | 0:10:20 | 0:10:23 | |
Stuart and Helen are taking their preparation seriously. | 0:10:23 | 0:10:27 | |
-And we'll practise. Just start doing stuff. -I am doing stuff. | 0:10:27 | 0:10:31 | |
-You're not doing stuff. -I am. I'm going to be looking... | 0:10:31 | 0:10:34 | |
-I've got to look to camera. -Ow. | 0:10:34 | 0:10:37 | |
With my genetics, and Helen's genetics, | 0:10:41 | 0:10:44 | |
our kids are going to take over the world. | 0:10:44 | 0:10:47 | |
Stuart and Helen were the most experienced models in the competition. | 0:10:47 | 0:10:51 | |
For us, we have both come into it thinking, "It's a job." It's a job for us. | 0:10:51 | 0:10:55 | |
When it comes to looks, it was as if they were made for each other. | 0:10:55 | 0:10:59 | |
But their relationship showed signs of weakness. | 0:10:59 | 0:11:02 | |
We never say, "I love you," to each other, ever. Cos we hate it. | 0:11:02 | 0:11:06 | |
Everyone says it, so we hate it, so we never say it. | 0:11:06 | 0:11:09 | |
If you love each other, you love each other. | 0:11:09 | 0:11:11 | |
I think you're so affected. | 0:11:11 | 0:11:12 | |
And it wasn't just their relationship | 0:11:12 | 0:11:14 | |
that left the judges baffled. | 0:11:14 | 0:11:16 | |
They're expecting everything to go perfect | 0:11:16 | 0:11:19 | |
and it hasn't gone perfect, has it? | 0:11:19 | 0:11:21 | |
In front of camera, Stuart's confidence has slowly slipped away. | 0:11:21 | 0:11:26 | |
-I'm putting a sock down there. Too right. -There you go. | 0:11:26 | 0:11:29 | |
That will do me. | 0:11:29 | 0:11:31 | |
Look at Helen, she looks amazing. And I... Is it me who's being awkward? | 0:11:31 | 0:11:35 | |
-You're not giving me much variation here. -Can't see any expression. | 0:11:35 | 0:11:39 | |
I know I can do better than that. I know I can do it. | 0:11:39 | 0:11:41 | |
-I hate it. -Well, you're in the wrong job, then. -I know. | 0:11:41 | 0:11:44 | |
At the end of the competition, | 0:11:44 | 0:11:46 | |
-and you're still not confident in front of the camera. -Stop thinking. | 0:11:46 | 0:11:49 | |
Confidence is probably the biggest key, | 0:11:49 | 0:11:52 | |
-and we do need the brand to be hugely confident. -Yeah. | 0:11:52 | 0:11:55 | |
But despite their problems, they've made it to the final, | 0:11:55 | 0:11:59 | |
because, quite simply, they look great together. | 0:11:59 | 0:12:02 | |
Look at them, they look so happy together. | 0:12:02 | 0:12:04 | |
I like their style, I like his hair. | 0:12:04 | 0:12:06 | |
You looked like you were a couple, like you could be on holiday. | 0:12:06 | 0:12:10 | |
Good photo. You look great together. I'm happy. | 0:12:10 | 0:12:12 | |
Stuart and Helen clearly have lots of potential. | 0:12:12 | 0:12:16 | |
But will they realise it in time to win the contract? | 0:12:16 | 0:12:20 | |
It's the day of the photo shoot... | 0:12:34 | 0:12:37 | |
Maybe you're, like, gagging me somehow, | 0:12:37 | 0:12:40 | |
like stopping me speak with your hand or...something. | 0:12:40 | 0:12:44 | |
I don't want to cover your face. | 0:12:44 | 0:12:45 | |
..and Stuart and Helen have woken up with an idea. | 0:12:45 | 0:12:48 | |
We come up with something now that we think is quite good. | 0:12:48 | 0:12:53 | |
It is reflective of our personalities, to be honest. | 0:12:53 | 0:12:57 | |
It's now or never. There's no better time to peak than the final. | 0:12:57 | 0:13:00 | |
And they aren't the only ones who seem confident with their plan. | 0:13:01 | 0:13:05 | |
We are really set on just really smashing it today. | 0:13:05 | 0:13:08 | |
It's kind of the thing... | 0:13:08 | 0:13:10 | |
We're kind of taking a risk in what we're doing. | 0:13:10 | 0:13:12 | |
If we get it right, it will be amazing. | 0:13:12 | 0:13:14 | |
We're definitely over-thinking this. | 0:13:14 | 0:13:16 | |
I know. It's because it's so much pressure. | 0:13:16 | 0:13:18 | |
That just leaves Beki and Jay, | 0:13:18 | 0:13:20 | |
who still haven't come up with something | 0:13:20 | 0:13:22 | |
they are totally happy with. | 0:13:22 | 0:13:24 | |
Oh, it's so hard. | 0:13:24 | 0:13:27 | |
'If we fail at this one, it can ruin everything' | 0:13:27 | 0:13:29 | |
and all our hard work, so it has got a lot of pressure riding on it. | 0:13:29 | 0:13:33 | |
That's why we've really gone... | 0:13:33 | 0:13:35 | |
We've probably over-thought things a little bit. | 0:13:35 | 0:13:38 | |
But thinking time is up, | 0:13:38 | 0:13:41 | |
because across Manchester, | 0:13:41 | 0:13:42 | |
their photographer has arrived at the studio. | 0:13:42 | 0:13:45 | |
This man will try to turn the couples' ideas into reality. | 0:13:45 | 0:13:50 | |
Right, bring it on. | 0:13:50 | 0:13:52 | |
Let's see what they've got. | 0:13:52 | 0:13:54 | |
And it's the infamous Nicky Johnston. | 0:13:54 | 0:13:56 | |
Don't you two smile? It's totally unprofessional. Smiling! Good. | 0:13:56 | 0:14:02 | |
This isn't the first time the couples have encountered Nicky. | 0:14:02 | 0:14:05 | |
Can I see teeth? | 0:14:05 | 0:14:07 | |
And they know not to get on the wrong side of him. | 0:14:07 | 0:14:10 | |
I hated every single minute of it. | 0:14:10 | 0:14:13 | |
But will he like their ideas? | 0:14:13 | 0:14:16 | |
Have you given up already? Look at you. | 0:14:19 | 0:14:21 | |
Oh, Jonathan, I'm trying to get my head into the zone. | 0:14:21 | 0:14:26 | |
-Are they going to turn up with some hideous prop? -I hope not. -Oh! | 0:14:26 | 0:14:30 | |
THEY BOTH LAUGH | 0:14:30 | 0:14:32 | |
When the judges look at their picture, you know, | 0:14:32 | 0:14:35 | |
it has to be made clear | 0:14:35 | 0:14:37 | |
that if it's absolutely crap, | 0:14:37 | 0:14:39 | |
it's nothing to do with me. | 0:14:39 | 0:14:42 | |
First, the finalists must explain their concepts to hair and make-up. | 0:14:42 | 0:14:46 | |
We literally listed everything. | 0:14:46 | 0:14:49 | |
Good. So you've made the list? | 0:14:49 | 0:14:51 | |
All the angles that we need to hit. Hopefully, we've got it right. | 0:14:51 | 0:14:54 | |
Nobody else has done this. | 0:14:54 | 0:14:56 | |
While Stuart and Helen are all about attention to detail, | 0:14:56 | 0:15:00 | |
Damien and Chanel have an ambitious master plan. | 0:15:00 | 0:15:03 | |
It's kind of like | 0:15:03 | 0:15:04 | |
you have to go through the rain to get to the rainbow. | 0:15:04 | 0:15:06 | |
-So on Chanel's eye, one eye... -That colour. -Just like a rainbow. | 0:15:06 | 0:15:09 | |
Three different colours to represent a rainbow. | 0:15:09 | 0:15:12 | |
And, on mine, teardrops, but they also represent raindrops. | 0:15:12 | 0:15:17 | |
'I think Damien and Chanel, their story is so complicated' | 0:15:17 | 0:15:21 | |
I can't see how anybody is going to understand it | 0:15:21 | 0:15:24 | |
from looking at a picture of a tear and a rainbow. I really can't. | 0:15:24 | 0:15:27 | |
So what you're giving us are very practical references | 0:15:27 | 0:15:31 | |
that we can try to adhere to. | 0:15:31 | 0:15:33 | |
Helen and Stuart have got all these sheets, which were great, | 0:15:33 | 0:15:36 | |
because they came with a bit of inspiration for the photographer and hair and make-up. | 0:15:36 | 0:15:41 | |
But there's like 20 of them. | 0:15:41 | 0:15:43 | |
It should be, really, maybe one or two. | 0:15:43 | 0:15:47 | |
I'm not convinced that the styling is going to do them any favours. | 0:15:47 | 0:15:52 | |
And Beki and Jay, who have struggled to come up with an idea, | 0:15:52 | 0:15:57 | |
have opted for something simple. | 0:15:57 | 0:15:59 | |
-It's still me, so bigger volume hair, quite simple make-up, plain. -Really? | 0:15:59 | 0:16:04 | |
-Simple make-up? -Yeah. Maybe lashes, but, like, natural ones. | 0:16:04 | 0:16:08 | |
-So if I go simple make-up, it goes with his look as well. -Great. | 0:16:08 | 0:16:12 | |
I'm a bit concerned with Beki and Jay, actually. | 0:16:12 | 0:16:14 | |
My gut is telling me they're not going to be compatible. | 0:16:14 | 0:16:17 | |
She needs to look modern. | 0:16:17 | 0:16:18 | |
And they just seem to be coming from two different places. | 0:16:18 | 0:16:22 | |
-Hello. -First, it's Damien and Chanel. | 0:16:22 | 0:16:25 | |
It's going to be a lot of us connected together, though, touching. | 0:16:25 | 0:16:30 | |
-Very close. Yeah. -I've got quite the angry face | 0:16:30 | 0:16:33 | |
-and we both are quite fiery people. -Yeah. Are you rowing all the time? | 0:16:33 | 0:16:38 | |
-We just... -We have a few tiffs. | 0:16:38 | 0:16:41 | |
Lovely. | 0:16:42 | 0:16:44 | |
Nice. | 0:16:44 | 0:16:46 | |
They want to capture their intense connection on camera. | 0:16:46 | 0:16:50 | |
But will the simple background and subtle make-up designs | 0:16:50 | 0:16:53 | |
create the image they're looking for? | 0:16:53 | 0:16:56 | |
We've got to look at that and believe that you're desperate for her. | 0:16:56 | 0:17:00 | |
Even though you've just had an enormous row, probably, downstairs. | 0:17:00 | 0:17:04 | |
That'll be after. That'll be after. | 0:17:04 | 0:17:06 | |
# I see you looking, yeah, you looking over my way... # | 0:17:06 | 0:17:10 | |
Imagine you're at home. | 0:17:10 | 0:17:12 | |
That's what we want. | 0:17:12 | 0:17:14 | |
Yes. | 0:17:15 | 0:17:16 | |
-Fabulous. Let's have a look at that. -Yeah. -That's the kind of arm I want. | 0:17:19 | 0:17:24 | |
In this challenge, the couples have complete control | 0:17:24 | 0:17:27 | |
and that means selecting which photo will go before the judges. | 0:17:27 | 0:17:31 | |
And there's over 100 to choose from. | 0:17:31 | 0:17:34 | |
As soon as you click on the image and it's on screen, you go, "That's the shot." | 0:17:34 | 0:17:38 | |
But I have got a fear...that they're going to choose the wrong picture. | 0:17:38 | 0:17:42 | |
Big time. | 0:17:42 | 0:17:43 | |
It's like every good face you have, I... | 0:17:43 | 0:17:46 | |
-Oh, God, don't have a row. -No. | 0:17:46 | 0:17:49 | |
This challenge was the hardest challenge we've had set to us. | 0:17:49 | 0:17:52 | |
It's because you didn't know whether you had the right position, if your posture was right, | 0:17:52 | 0:17:57 | |
you just couldn't get that feedback, so you just didn't know what way to go, what to do. | 0:17:57 | 0:18:02 | |
-Hold onto it. -This is going to get rid of bags? -Yes. Hold it on. | 0:18:02 | 0:18:09 | |
I wonder how Damien and Chanel got on. | 0:18:09 | 0:18:12 | |
Next it's Jay and Beki. | 0:18:12 | 0:18:14 | |
I don't think you should worry about that. | 0:18:14 | 0:18:16 | |
Just worry about our own performance. | 0:18:16 | 0:18:18 | |
In three words, could you sum up what you think you want the picture to say? | 0:18:18 | 0:18:23 | |
-Romance. -Fun-loving. That's what we are. -And happiness. | 0:18:23 | 0:18:27 | |
-All happiness. -All happy? OK. | 0:18:27 | 0:18:29 | |
Well, you go and iron that top, which is rank, | 0:18:29 | 0:18:32 | |
-and I'll get the light sorted. -Amazing. -We'll see you soon. -Perfect, thank you. | 0:18:32 | 0:18:36 | |
-All right, bye. -I'm going to get changed. | 0:18:36 | 0:18:39 | |
Beki and Jay's brief is fun-loving... | 0:18:39 | 0:18:41 | |
which, to me, has got "cheese" written all over it. | 0:18:41 | 0:18:45 | |
I mean, she can look like a cheerleader. | 0:18:45 | 0:18:48 | |
The thing that's also not helping, she's got a mustard top. | 0:18:48 | 0:18:51 | |
If this shoot was a burger, it would be a triple cheese. | 0:18:53 | 0:18:57 | |
You look at the camera. And I'll look at you. | 0:18:58 | 0:19:01 | |
With this photo, Beki and Jay must prove they're not chalk and cheese. | 0:19:01 | 0:19:05 | |
But with their preppy look, will it be more like cheese and cheese? | 0:19:05 | 0:19:10 | |
They actually, as a wholesome, loving couple... | 0:19:18 | 0:19:22 | |
Actually, it works. | 0:19:22 | 0:19:24 | |
-Fabulous. Shall we have a look at those? -Amazing. Yeah. | 0:19:24 | 0:19:28 | |
-Let's see what we've got. Use the arrows. -OK. | 0:19:28 | 0:19:32 | |
As much as my reservations were there when they walked in, | 0:19:32 | 0:19:35 | |
closer in, I think you do believe it. | 0:19:35 | 0:19:39 | |
There was a lot of teeth going on. | 0:19:39 | 0:19:41 | |
-I think sometimes if you over-smile, it looks a bit cheesy. -Yeah. | 0:19:41 | 0:19:45 | |
So it's just having that right capture. | 0:19:45 | 0:19:47 | |
-The connection with the eyes is important. -Keep going. | 0:19:47 | 0:19:51 | |
The bubbly couple have pleasantly surprised Nicky, | 0:19:51 | 0:19:54 | |
and now they've chosen their photo, they've finally decided what their image is. | 0:19:54 | 0:19:59 | |
I think our brief was very clean, very simple. | 0:19:59 | 0:20:02 | |
It captures our personalities. We wanted to look very loving and in love, and believable as well, | 0:20:02 | 0:20:07 | |
cos that's what the main thing is, I think, for the brand to be believable and look happy together. | 0:20:07 | 0:20:12 | |
Will you just get on with it and go and get the shot? | 0:20:12 | 0:20:14 | |
Even though Stuart and Helen are last, they're still not ready. | 0:20:14 | 0:20:18 | |
She hasn't got her outfit on yet. Now come on. | 0:20:18 | 0:20:22 | |
Hello? | 0:20:22 | 0:20:24 | |
They are waiting upstairs. Now come on! | 0:20:24 | 0:20:27 | |
Bring them on. Where are they? Come on! | 0:20:27 | 0:20:30 | |
Bye. | 0:20:30 | 0:20:32 | |
You know, does he understand the word "rush"? | 0:20:33 | 0:20:37 | |
Through the competition, I have been told by all the judges | 0:20:37 | 0:20:40 | |
that I waffle too much and go on. | 0:20:40 | 0:20:42 | |
We're going to try and play a little bit on that, | 0:20:42 | 0:20:45 | |
her sort of telling me to be quiet. | 0:20:45 | 0:20:47 | |
-Yeah. -She's sort of saying "sshh", but in quite a... -Funny way. | 0:20:47 | 0:20:51 | |
-..teasing, engaging way. -OK. | 0:20:51 | 0:20:53 | |
With this shot, the couple are hoping to convince the judges | 0:20:53 | 0:20:57 | |
that they finally realise their potential. | 0:20:57 | 0:21:00 | |
But has Stuart been over-thinking it again? | 0:21:01 | 0:21:05 | |
So, you're up against that wall. | 0:21:05 | 0:21:09 | |
# This is where I'll be, so heavenly | 0:21:09 | 0:21:13 | |
-# So come and dance with me... # -You're always angry. Ssh. | 0:21:13 | 0:21:16 | |
# So sexy, I'm sexy | 0:21:16 | 0:21:18 | |
# So come and dance with me Michael... # | 0:21:18 | 0:21:21 | |
Well done, guys, we'll put those in. | 0:21:21 | 0:21:24 | |
Give us a couple of mins. | 0:21:24 | 0:21:27 | |
I think I need to completely change because I look lopsided. | 0:21:27 | 0:21:31 | |
Even if we don't win, I'm happy. | 0:21:31 | 0:21:33 | |
-I'm happy. -I am happy with how it's gone. | 0:21:33 | 0:21:35 | |
-Good. -Thank you. -We're happy. -Well done, guys. | 0:21:35 | 0:21:38 | |
Well done for putting so much work into it. | 0:21:38 | 0:21:40 | |
My favourite couple is Stuart and Helen because | 0:21:40 | 0:21:43 | |
I think out of all of them, they think about | 0:21:43 | 0:21:46 | |
what they've got to do more. And they work together. | 0:21:46 | 0:21:50 | |
Bang on, perfect. | 0:21:50 | 0:21:51 | |
And now they have chosen a photo, | 0:21:51 | 0:21:53 | |
they're confident they've carved out a strong brand for themselves. | 0:21:53 | 0:21:58 | |
I think we got the picture that we wanted. | 0:21:58 | 0:22:01 | |
We're flipping happy. The whole thing went... | 0:22:01 | 0:22:03 | |
Because we have been so prepared, it was our game, really. | 0:22:03 | 0:22:06 | |
But just like the others, Stuart and Helen won't know | 0:22:06 | 0:22:10 | |
how they've done until the casting decision at the end of the week. | 0:22:10 | 0:22:15 | |
It's early morning at the Manchester mansions. | 0:22:22 | 0:22:25 | |
Although the couples would like to spend a day working on their bodies, | 0:22:25 | 0:22:29 | |
relationship judge Emma Kenny has arrived | 0:22:29 | 0:22:32 | |
with their next big challenge. | 0:22:32 | 0:22:35 | |
I'm a therapist who specialises in relationships. | 0:22:35 | 0:22:38 | |
I'm not here to judge the couples on how they look. | 0:22:40 | 0:22:42 | |
I'm here to assess the bond that they have between them. | 0:22:42 | 0:22:45 | |
Morning! | 0:22:46 | 0:22:48 | |
It's looking a bit empty in a house. | 0:22:48 | 0:22:52 | |
So far I have tested the couples on chemistry, | 0:22:53 | 0:22:56 | |
romance, passion and compatibility. | 0:22:56 | 0:22:58 | |
Obviously, this is all about looking at the way | 0:22:58 | 0:23:01 | |
they are committed to each other. | 0:23:01 | 0:23:03 | |
Before they find out what the challenge is, | 0:23:03 | 0:23:06 | |
there's something I need to find out about them. | 0:23:06 | 0:23:10 | |
One of the things that's important to me is whether you want children in the future. | 0:23:10 | 0:23:14 | |
-I do. -He wants four. | 0:23:14 | 0:23:16 | |
Straight from the beginning we both said we want a massive family. | 0:23:16 | 0:23:19 | |
Before this I was much more of a baby person, | 0:23:19 | 0:23:22 | |
-as in I've always wanted kids. -We both have a massive families. | 0:23:22 | 0:23:27 | |
I definitely want kids, we want two children. | 0:23:27 | 0:23:31 | |
I'm from a big family, so I love kids. | 0:23:31 | 0:23:34 | |
-Hi, everyone. -Well, if they want kids... | 0:23:35 | 0:23:37 | |
Stuart, Helen, Beki, Jay. | 0:23:37 | 0:23:40 | |
..they've got them. | 0:23:40 | 0:23:41 | |
Can I have everyone in the make-up room please? | 0:23:41 | 0:23:45 | |
All of our couples have clearly expressed | 0:23:45 | 0:23:47 | |
that they want to have a family in the future. | 0:23:47 | 0:23:49 | |
Today, Jonathon is going to set them up with a task | 0:23:49 | 0:23:52 | |
that shows how adaptable they are around kids. | 0:23:52 | 0:23:55 | |
And whether they actually like them. | 0:23:55 | 0:23:57 | |
Guess what? Today you will be working with children! | 0:23:57 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:02 | |
And we want you to dress down and be like a casual family at home | 0:24:02 | 0:24:07 | |
with your little one, enjoying your home. | 0:24:07 | 0:24:10 | |
-How little? -LAUGHTER | 0:24:10 | 0:24:13 | |
You will just have to wait and see, won't you? | 0:24:13 | 0:24:15 | |
I work with kids all the time, and I love kids, | 0:24:18 | 0:24:21 | |
so that's cool for me. | 0:24:21 | 0:24:23 | |
Don't have to imagine anything. I'm a natural, a natural. | 0:24:23 | 0:24:26 | |
# It is a hard-knock life for us... # | 0:24:26 | 0:24:28 | |
I've got a massive family, you've got a big family. | 0:24:28 | 0:24:31 | |
Before we came here, we did a little family shoot, didn't we? So... | 0:24:31 | 0:24:34 | |
I hope we get a good picture, | 0:24:34 | 0:24:36 | |
-but as far as being with kids, pretty confident. -Yes. | 0:24:36 | 0:24:41 | |
-Hello. -Hello, how were you? High-fives! | 0:24:41 | 0:24:43 | |
The great thing about this challenge is that our couples | 0:24:43 | 0:24:46 | |
absolutely believe this is about a photo-shoot. | 0:24:46 | 0:24:49 | |
Actually this is a guise for me getting to see | 0:24:49 | 0:24:51 | |
just how authentic their hopes and aspirations are for the future. | 0:24:51 | 0:24:56 | |
One, two, three! Let's do it! | 0:24:56 | 0:25:01 | |
First to play happy families are Damien and Chanel. | 0:25:02 | 0:25:05 | |
Chanel, it might be better if you turn your head that way, tilt it like that. That's it. | 0:25:05 | 0:25:10 | |
What I'm going to be looking for is first and foremost, | 0:25:10 | 0:25:13 | |
how comfortable are they around children? | 0:25:13 | 0:25:16 | |
How do they work with each other around children. | 0:25:16 | 0:25:18 | |
And don't lean out of the shot too much. Keep it tight in, that's nice. | 0:25:18 | 0:25:22 | |
Are they looking after the kids | 0:25:22 | 0:25:24 | |
or are they looking after the way that they look. | 0:25:24 | 0:25:27 | |
Try cracking the eggs in. | 0:25:27 | 0:25:28 | |
'Bless them, they're doing their best,' | 0:25:28 | 0:25:30 | |
but they ignored Jayden. | 0:25:30 | 0:25:33 | |
He was just sat there trying his best. | 0:25:33 | 0:25:36 | |
The girl became the centre of attention. | 0:25:36 | 0:25:38 | |
That's good. Great stuff. | 0:25:38 | 0:25:40 | |
It seems the youngest couple are more focused | 0:25:41 | 0:25:45 | |
on getting the best photo than relating to the kids. | 0:25:45 | 0:25:48 | |
Remember you laugh. I know you're excellent at laughing, I've seen it. | 0:25:48 | 0:25:52 | |
Were you smiling? Were you smiling? OK. | 0:25:52 | 0:25:57 | |
She was going, "Smile, laugh really loud," | 0:25:57 | 0:26:00 | |
but the children are getting a bit confused by that direction | 0:26:00 | 0:26:03 | |
and it's feeling a bit pressured. | 0:26:03 | 0:26:05 | |
Look how wet you are, Jayden. Jayden! | 0:26:05 | 0:26:08 | |
The first shoot is over. | 0:26:08 | 0:26:10 | |
And it doesn't look like it's convinced Chanel | 0:26:10 | 0:26:13 | |
to speed up her plans for a family. | 0:26:13 | 0:26:16 | |
-It is quite a way off for us still. -We said late twenties. | 0:26:16 | 0:26:19 | |
About ten years away. | 0:26:19 | 0:26:21 | |
Damien seems quite comfortable with the children, | 0:26:21 | 0:26:24 | |
but Chanel seemed a bit like an annoyed older sister. | 0:26:24 | 0:26:27 | |
Are you smiling? Yes, were you smiling? Yes, OK. | 0:26:27 | 0:26:31 | |
It was fun, but it's harder with kids. | 0:26:31 | 0:26:34 | |
It could be at a holiday shoot. | 0:26:34 | 0:26:35 | |
-Holiday! -We need that element of fun. | 0:26:35 | 0:26:38 | |
Is this what you do on holiday? | 0:26:38 | 0:26:40 | |
Rather than focusing on the image, | 0:26:40 | 0:26:42 | |
Jay and Beki are more concerned that the kids are enjoying themselves, | 0:26:42 | 0:26:46 | |
and it seems to be working. | 0:26:46 | 0:26:48 | |
Look at the size of that duck, now that is big. | 0:26:48 | 0:26:52 | |
They seem really content with the props, the fact they are in the pool, | 0:26:52 | 0:26:57 | |
everything's working out and they look really happy. | 0:26:57 | 0:27:00 | |
Big smile, big smile! | 0:27:00 | 0:27:02 | |
Just seeing kids like that makes me think, | 0:27:02 | 0:27:04 | |
-I cant wait to be a parent. -Can't wait to have them. | 0:27:04 | 0:27:08 | |
And the bubbly couple's relaxed approach | 0:27:08 | 0:27:10 | |
has impressed on the modelling front. | 0:27:10 | 0:27:12 | |
Sausages! | 0:27:12 | 0:27:14 | |
I think we were all a bit concerned about them | 0:27:15 | 0:27:18 | |
for the first half of this competition, | 0:27:18 | 0:27:21 | |
but the more I work with them, the more versatile they are becoming. | 0:27:21 | 0:27:24 | |
Are you ready, guys, one like that. Gorgeous. That's nice. | 0:27:24 | 0:27:28 | |
A lot more confident about winning it | 0:27:28 | 0:27:30 | |
because we had a really good day today. | 0:27:30 | 0:27:33 | |
-I think we worked well. -Aw! Thank you. -Well done. | 0:27:33 | 0:27:38 | |
Jay and Beki, oh my God! | 0:27:38 | 0:27:40 | |
-Picture of the future. -Sausages! | 0:27:40 | 0:27:44 | |
They were relaxed, having lots of fun, | 0:27:44 | 0:27:46 | |
the kids were enjoying it and I would be really surprised | 0:27:46 | 0:27:49 | |
if their picture isn't the best of the day because they nailed it. | 0:27:49 | 0:27:53 | |
-That is a proper dad hairdo. -Isn't it. Proper dad, I am. | 0:27:56 | 0:28:00 | |
As a dad himself, Stuart is confident | 0:28:00 | 0:28:02 | |
he can win over the kids to capture the most convincing photo. | 0:28:02 | 0:28:08 | |
It's better than normal cos me normal mum and dad always shout at me. | 0:28:09 | 0:28:14 | |
THEY ALL LAUGH | 0:28:14 | 0:28:16 | |
Crazy! Crazy frog. | 0:28:16 | 0:28:20 | |
But unfortunately for Stuart, | 0:28:20 | 0:28:22 | |
he won't win this challenge by behaving like a child. | 0:28:22 | 0:28:25 | |
Why is everybody laughing? | 0:28:25 | 0:28:28 | |
Keep going, go wild! | 0:28:28 | 0:28:30 | |
Big smiles, big smile. | 0:28:30 | 0:28:33 | |
Just move them that way a bit. | 0:28:34 | 0:28:36 | |
Stuart and Helen are really interested in the kids being happy. | 0:28:36 | 0:28:40 | |
Maybe they're getting a bit lost sometimes | 0:28:40 | 0:28:43 | |
with their positions and not hearing the camera girl having to operate | 0:28:43 | 0:28:46 | |
their direction quite a lot. | 0:28:46 | 0:28:48 | |
Go wild. Wild! | 0:28:48 | 0:28:50 | |
Great splashing off the kids, | 0:28:50 | 0:28:52 | |
but you two need to keep that eye contact with me a little bit. | 0:28:52 | 0:28:55 | |
And Stuart seems to have forgotten | 0:28:55 | 0:28:58 | |
he's meant to be posing for a photo. | 0:28:58 | 0:29:02 | |
-Lots of smiles, straight to me. Lots of fun. -Don't hunch that shoulder. | 0:29:02 | 0:29:06 | |
-One more. That's it. -Drop that shoulder, Stuart before I slap you. | 0:29:06 | 0:29:10 | |
-That's it. -Keep them straight. Posture. | 0:29:10 | 0:29:13 | |
'Jonathan is clearly not happy with Stuart.' | 0:29:16 | 0:29:21 | |
It is kind of like, "I'm a dad, no balance, | 0:29:21 | 0:29:23 | |
"let's just have fun with the kids." | 0:29:23 | 0:29:25 | |
I don't understand. If you look at the pictures there's a shoulder issue. | 0:29:26 | 0:29:30 | |
He was managing children as opposed to maybe managing the photograph. | 0:29:30 | 0:29:34 | |
But it's now about winning. | 0:29:34 | 0:29:38 | |
Have you had a nice time? | 0:29:38 | 0:29:40 | |
'This is the final relationship task, | 0:29:40 | 0:29:42 | |
'but realistically there have been many before. | 0:29:42 | 0:29:44 | |
'So my job is going to be to reflect on all of those' | 0:29:44 | 0:29:47 | |
and to draw from the knowledge that I need | 0:29:47 | 0:29:49 | |
to make my decision and final judgement. | 0:29:49 | 0:29:51 | |
Which is not going to be easy. | 0:29:51 | 0:29:54 | |
Now there's one last test before one of the couples | 0:29:54 | 0:29:57 | |
lands the lucrative modelling contract. | 0:29:57 | 0:30:00 | |
Your task is to deliver that one image that embodies you. | 0:30:04 | 0:30:09 | |
When it came to creating a brand, | 0:30:11 | 0:30:14 | |
the sky's was the limit for Damien and Chanel. | 0:30:14 | 0:30:16 | |
Imagine you're at home. That's what we want. | 0:30:16 | 0:30:19 | |
Jay and Beki struggled to decide on their look. | 0:30:19 | 0:30:23 | |
The thing that we need to show is versatility. | 0:30:23 | 0:30:25 | |
But it was Stuart and Helen who did their homework. | 0:30:25 | 0:30:29 | |
My favourite couple is Stuart and Helen | 0:30:29 | 0:30:33 | |
because they think about what they've got to do. | 0:30:33 | 0:30:36 | |
You still smiling? | 0:30:36 | 0:30:38 | |
In the relationship challenge, Damien and Chanel weren't at home with their family. | 0:30:38 | 0:30:42 | |
They ignored Jayden. | 0:30:42 | 0:30:44 | |
Stuart tried a little too hard. | 0:30:44 | 0:30:47 | |
Go wild! | 0:30:47 | 0:30:49 | |
Whilst Jay and Becki's relaxed approach impressed on all fronts. | 0:30:49 | 0:30:53 | |
ALL: Sausages! | 0:30:53 | 0:30:54 | |
So who will win the modelling contract? | 0:30:54 | 0:30:58 | |
Damien and Chanel, | 0:30:58 | 0:31:00 | |
Jay and Beki, | 0:31:00 | 0:31:02 | |
or Stuart and Helen? | 0:31:02 | 0:31:05 | |
There will be one last modelling challenge. | 0:31:07 | 0:31:10 | |
And it doesn't get any tougher than this. | 0:31:10 | 0:31:13 | |
The theme today is weddings. | 0:31:17 | 0:31:20 | |
THEY CHEER | 0:31:20 | 0:31:22 | |
Today you're going to take part, | 0:31:22 | 0:31:25 | |
not in a photo shoot but in a catwalk wedding show. | 0:31:25 | 0:31:28 | |
Just to let you know, Jody is going to be waiting upstairs | 0:31:31 | 0:31:34 | |
so he'll be watching your every move. You're on your own | 0:31:34 | 0:31:37 | |
and I want you to show me your commitment | 0:31:37 | 0:31:39 | |
and just work it, work it, work it, and be the best you can be. | 0:31:39 | 0:31:43 | |
Come on then, let's go. | 0:31:45 | 0:31:47 | |
For the final challenge, the judges want to see | 0:31:50 | 0:31:53 | |
how they cope under the pressure of modelling for a live audience. | 0:31:53 | 0:31:57 | |
All these wedding dresses are getting me in the mood for marriage. | 0:32:00 | 0:32:04 | |
Stuart, I think I'm ready. | 0:32:04 | 0:32:06 | |
I love it! No! | 0:32:06 | 0:32:11 | |
-I don't want to! -I don't want to take it off! | 0:32:11 | 0:32:13 | |
As the most experienced models in the group, | 0:32:15 | 0:32:18 | |
Stuart and Helen are confident this challenge is theirs for the taking. | 0:32:18 | 0:32:22 | |
I'm definitely up for this. Get on that catwalk, strut your stuff a bit. | 0:32:22 | 0:32:26 | |
-This is the one we're going to get right, aren't we? -Yeah. | 0:32:26 | 0:32:29 | |
The important one. We'll peak in the final. That's the plan. | 0:32:29 | 0:32:32 | |
You're in. | 0:32:32 | 0:32:33 | |
But while Stuart and Helen are ultra-confident, | 0:32:33 | 0:32:37 | |
Damien and Chanel, the youngest couple, have no idea what to expect. | 0:32:37 | 0:32:42 | |
I don't really know what to feel about this, really. | 0:32:42 | 0:32:45 | |
I'm excited more than anything. | 0:32:45 | 0:32:47 | |
We're new to it so we just want to learn the basics. | 0:32:47 | 0:32:50 | |
First pair of shoes I think I've had in about four years. | 0:32:50 | 0:32:53 | |
-Beki, are you ready to see your Prince Charming in his outfit? -I am. | 0:32:53 | 0:32:57 | |
-Come and show your wife. -Aw! | 0:32:57 | 0:32:58 | |
-Would you say "I do" to this? -I do. | 0:32:58 | 0:33:01 | |
But at least Damien and Chanel are the right height for the job. | 0:33:01 | 0:33:06 | |
Cos I'm only 5'3", I never thought I'd get the opportunity to do it. | 0:33:06 | 0:33:08 | |
So, for me, this is like a dream come true. | 0:33:08 | 0:33:10 | |
To actually do the catwalk and show people I can do it. | 0:33:10 | 0:33:13 | |
-And obviously be bridal with Jay as well. -Get that in there. | 0:33:13 | 0:33:16 | |
With the hot couples dressed and ready, | 0:33:21 | 0:33:23 | |
modelling judge Jody Furlong has arrived | 0:33:23 | 0:33:26 | |
and he's brought company. | 0:33:26 | 0:33:28 | |
Oh, here we go. | 0:33:28 | 0:33:30 | |
Come in, guys. | 0:33:30 | 0:33:31 | |
-We've got Lydia and Jody to tell you what you're doing. -Hello. | 0:33:31 | 0:33:35 | |
Jody Furlong is one of the fashion industry's most respected casting directors. | 0:33:35 | 0:33:40 | |
It's his job to decide which pair has the looks to win the contract. | 0:33:40 | 0:33:44 | |
I'm looking for a couple whose looks compliment each other. | 0:33:44 | 0:33:47 | |
They could have the best relationship in the world | 0:33:47 | 0:33:50 | |
but if they don't look good together, it doesn't work for me. | 0:33:50 | 0:33:53 | |
And to help him judge this challenge, | 0:33:53 | 0:33:55 | |
international catwalk model Lydia Kowalska. | 0:33:55 | 0:33:59 | |
You've got quite a quick change | 0:34:02 | 0:34:05 | |
and that's just basically how it is. | 0:34:05 | 0:34:07 | |
If you're going to model, that's the time you've got. | 0:34:07 | 0:34:10 | |
So you've got to just work with it and be there on time. | 0:34:10 | 0:34:12 | |
You'll never feel relaxed getting into the dress, | 0:34:12 | 0:34:16 | |
it's just literally you could be sweating at times. You just have to get into that next outfit. | 0:34:16 | 0:34:21 | |
When you see the crowd, you have to go for it. | 0:34:25 | 0:34:27 | |
The minute you leave the stage, run back here and get changed into your second outfit. | 0:34:28 | 0:34:32 | |
In a catwalk, it's there and then. You've got one chance. | 0:34:33 | 0:34:37 | |
Girls, easiest thing is whip the shoes off and run. | 0:34:37 | 0:34:40 | |
The shoes will stop you from running. | 0:34:40 | 0:34:43 | |
It's more competitive because you're like, "I can walk better than you." | 0:34:43 | 0:34:47 | |
-The most important thing is don't fall over. -Yeah. | 0:34:48 | 0:34:51 | |
So, good luck, guys. | 0:34:51 | 0:34:54 | |
-We'll be keeping an eye on every single movement. -Yeah. | 0:34:54 | 0:34:57 | |
Each couple will model two outfits | 0:35:05 | 0:35:07 | |
and if they don't get changed quickly enough, the runway will be | 0:35:07 | 0:35:10 | |
left empty, which in modelling terms is a complete disaster. | 0:35:10 | 0:35:14 | |
OK, we're nearly ready. Stuart and Helen, you're the first couple up. | 0:35:14 | 0:35:19 | |
Let your adrenalin do the walking. | 0:35:19 | 0:35:21 | |
It'll be a challenge - they haven't done anything in front of a live audience yet. | 0:35:21 | 0:35:25 | |
They've got no idea how quickly they've got to change as well. | 0:35:25 | 0:35:29 | |
-Could be pretty chaotic. -First on stage, it's Stuart and Helen. | 0:35:29 | 0:35:33 | |
As you stand on that first step, | 0:35:35 | 0:35:37 | |
your heart's pounding and your stomach's like... | 0:35:37 | 0:35:40 | |
-Then as you step out... -You just go for it. -..you sort of absorb it | 0:35:45 | 0:35:48 | |
and you just enjoy the feeling of the nerves. | 0:35:48 | 0:35:52 | |
-He just comes across as quite cheesy to me. He's like, "Now smile." -Yeah. | 0:35:57 | 0:36:02 | |
Right, Stuart, get those clothes off. | 0:36:09 | 0:36:11 | |
-You've got 30 seconds before you've got to get back on. -Helen! | 0:36:11 | 0:36:15 | |
Next it's novices Damien and Chanel. | 0:36:17 | 0:36:20 | |
-Why does he walk in front of her? -I don't know. I have no idea. | 0:36:22 | 0:36:25 | |
-They should be walking together, or he should escort her. -Yeah. | 0:36:25 | 0:36:29 | |
Do you know what? | 0:36:29 | 0:36:30 | |
It's something so simple if you think about it, | 0:36:30 | 0:36:33 | |
but it just gets stressful. | 0:36:33 | 0:36:35 | |
But luckily, the ever-confident Chanel is lighting up the catwalk. | 0:36:35 | 0:36:40 | |
-How gorgeous does Chanel look? -She does look gorgeous. | 0:36:41 | 0:36:44 | |
-That's a tough dress to walk in. -It is. | 0:36:44 | 0:36:47 | |
A couple of times I got caught and I was a bit like... | 0:36:51 | 0:36:54 | |
I just had to keep trying to not show that I was tripping up! | 0:36:54 | 0:36:58 | |
-What happened? -Oh, the dress kept getting caught on my heel! | 0:37:00 | 0:37:04 | |
-Did you trip? -I almost did! | 0:37:04 | 0:37:07 | |
You didn't, so just get into your next look and make sure you don't screw it up this time. | 0:37:07 | 0:37:11 | |
Last on the catwalk are Beki and Jay. | 0:37:14 | 0:37:17 | |
You're just like pounding down the stage, aren't you, | 0:37:17 | 0:37:23 | |
and then everybody's looking at you. | 0:37:23 | 0:37:25 | |
But will the judges buy them as a couple? | 0:37:26 | 0:37:30 | |
She has very short legs and it's just accentuating it, that dress. It's true! | 0:37:30 | 0:37:34 | |
I had the veil on, so it was like real-life emotion. | 0:37:40 | 0:37:43 | |
Getting all emotional. It was almost like... | 0:37:43 | 0:37:46 | |
Had a little tear in my eye! SHE GIGGLES | 0:37:46 | 0:37:48 | |
She looks like it's her special day. | 0:37:50 | 0:37:52 | |
You'd want to buy something from her, she looks so pretty. | 0:37:52 | 0:37:55 | |
Yeah, she's selling it, basically. | 0:37:55 | 0:37:58 | |
Start undressing as you're running. Take the jacket off. | 0:37:58 | 0:38:01 | |
If she was nine inches taller.. | 0:38:05 | 0:38:07 | |
Come on, Jay and Beki! Helen and Stuart are just about to go back on. | 0:38:09 | 0:38:12 | |
-Boobs, bums, legs everywhere! -It's just flesh everywhere, it's great! -You just have to get on with it. | 0:38:12 | 0:38:18 | |
As the couples complete their final walk, this is their last chance | 0:38:19 | 0:38:23 | |
to show Jody why they deserve the life-changing modelling contract. | 0:38:23 | 0:38:29 | |
Shall we get in our first positions for the finale, Helen? | 0:38:33 | 0:38:36 | |
Enjoy this moment. | 0:38:37 | 0:38:39 | |
-God, that was stressful! -I'm zoning still. | 0:38:48 | 0:38:53 | |
I'm like in catwalk mode at the moment. It was wicked. | 0:38:53 | 0:38:57 | |
-The adrenalin is going boom, boom, boom, boom inside. -I wish we had got married, | 0:38:57 | 0:39:01 | |
it did feel like that down there. | 0:39:01 | 0:39:02 | |
And that's what I kept imagining, to bring that real sparkle to our eyes. | 0:39:02 | 0:39:06 | |
You hope you've got it right, | 0:39:06 | 0:39:07 | |
but you won't know until you speak to them, so fingers crossed. | 0:39:07 | 0:39:11 | |
THEY CHEER | 0:39:11 | 0:39:14 | |
With the show over, | 0:39:17 | 0:39:18 | |
Jody and Lydia will now pull apart their performances, | 0:39:18 | 0:39:21 | |
and in the world of catwalk, every little detail is taken into account. | 0:39:21 | 0:39:27 | |
Helen is the most editorial catwalk girl here. | 0:39:28 | 0:39:32 | |
Whereas Stuart lacks...! SHE LAUGHS | 0:39:32 | 0:39:35 | |
It's like, "Relax." | 0:39:35 | 0:39:36 | |
It was like he was having a wander to the shops! | 0:39:36 | 0:39:39 | |
Chanel is very poised all the time. | 0:39:39 | 0:39:41 | |
We need her to relax and not worry about it so much. | 0:39:41 | 0:39:45 | |
-Damien, I thought he was quite good. -Bit stern at first, but when he was smiling... | 0:39:45 | 0:39:48 | |
With Jay, he was doing something funny with his feet, | 0:39:51 | 0:39:54 | |
-putting his heels down first, very precisely. -I didn't see that. | 0:39:54 | 0:39:58 | |
-The girl who was the natural at walking was Beki! -Yeah. | 0:39:58 | 0:40:01 | |
She knows she's not catwalk, | 0:40:01 | 0:40:03 | |
so she just relaxes into it and that's what you need. | 0:40:03 | 0:40:05 | |
She would never in a million years get booked for a catwalk show. Ever. | 0:40:05 | 0:40:10 | |
ALARM BEEPS | 0:40:12 | 0:40:14 | |
Last meal. It's still quite surreal we've actually got to the final. | 0:40:18 | 0:40:22 | |
-Yeah. -That's a big achievement in itself. | 0:40:22 | 0:40:24 | |
-I'd still be devastated if I don't win it. -Mmm. | 0:40:24 | 0:40:27 | |
There's literally now nothing else we can do. | 0:40:27 | 0:40:30 | |
If I didn't win, I'd probably go home just as proud as if I did win. | 0:40:30 | 0:40:34 | |
I don't think there's a hot favourite now. It can be anyone's game. | 0:40:34 | 0:40:38 | |
The three couples are on their way to final casting decision of the competition. | 0:40:39 | 0:40:44 | |
In just a few hours, one pair will walk away victorious | 0:40:51 | 0:40:55 | |
and with a life-changing joint modelling contract. | 0:40:55 | 0:40:58 | |
-We've given up a lot to be here. -I think we have a lot of potential and we have a lot to offer. | 0:41:03 | 0:41:07 | |
Everyone to us is a competitor, everyone's an enemy, really, | 0:41:08 | 0:41:12 | |
I don't care what we have to say or do. | 0:41:12 | 0:41:15 | |
To win the contract would be on another planet. | 0:41:15 | 0:41:18 | |
Now we want to be models more than ever. | 0:41:18 | 0:41:20 | |
It's not just a shot in the dark for us, this is a career, this is a dream and a passion. | 0:41:20 | 0:41:24 | |
We don't want to take anything less than winning. | 0:41:24 | 0:41:27 | |
Second place gets absolutely nothing. | 0:41:29 | 0:41:31 | |
They get taken back home, that's it. It's literally win or bust. | 0:41:31 | 0:41:35 | |
We haven't come all this way to go out second, we want to be the winners. | 0:41:35 | 0:41:39 | |
This week's been about commitment - your commitment to each other, but also to this competition. | 0:42:13 | 0:42:18 | |
Your challenge was to create an image that sold yourselves as a brand | 0:42:18 | 0:42:22 | |
representing the essence of what you are as a couple. | 0:42:22 | 0:42:25 | |
Jay and Beki, let's see your best picture. | 0:42:25 | 0:42:28 | |
-Awww! -SHE GIGGLES | 0:42:30 | 0:42:33 | |
-What was your concept as a couple? -We really hit home about personality. | 0:42:33 | 0:42:37 | |
Together we're a cute couple, we're always happy, | 0:42:37 | 0:42:40 | |
we've got good hair, skin and teeth, | 0:42:40 | 0:42:43 | |
things like that cos that's what will sell you and make money. | 0:42:43 | 0:42:45 | |
I'm disappointed with the picture you chose. | 0:42:45 | 0:42:48 | |
I'd like more eye contact from Beki, because I think, of this couple | 0:42:48 | 0:42:51 | |
- no disrespect to Jay - but Beki is the personality. | 0:42:51 | 0:42:54 | |
Stuart and Helen, let's see your picture. | 0:42:59 | 0:43:01 | |
First, can you tell us what your concept for your brand was? | 0:43:05 | 0:43:09 | |
We wanted to get what Helen really is personality-wise. | 0:43:09 | 0:43:12 | |
She seems like this nice, quiet, sweet girl - which she is - and I just waffle on all the time, | 0:43:12 | 0:43:17 | |
but actually, she's the strong one. | 0:43:17 | 0:43:19 | |
It's trying to show she's telling me to shut up. | 0:43:19 | 0:43:23 | |
I was SO impressed with your preparation. | 0:43:25 | 0:43:27 | |
Where you lost me was with your concept, which isn't a concept. | 0:43:27 | 0:43:31 | |
"Helen's strong and I talk too much", that's not a brand. | 0:43:31 | 0:43:36 | |
Damien and Chanel, let's see your picture. | 0:43:39 | 0:43:42 | |
So, tell me, what was your concept? | 0:43:46 | 0:43:49 | |
Basically, our concept was what is us and what is real to us? | 0:43:49 | 0:43:52 | |
The first thing that comes into my mind is that we are fiery, | 0:43:52 | 0:43:55 | |
but in that, we've got a lot of passion and love for each other | 0:43:55 | 0:43:59 | |
which keeps us connected and strong. | 0:43:59 | 0:44:01 | |
Can I just say, at last, | 0:44:01 | 0:44:03 | |
I've found someone who actually understood what this was all about | 0:44:03 | 0:44:07 | |
and did it properly. It's exactly what I would've done for you too. | 0:44:07 | 0:44:10 | |
I think there's sides to you that are a bit immature at times, | 0:44:11 | 0:44:15 | |
but you give off a much more grown-up and sophisticated look, | 0:44:15 | 0:44:18 | |
and here you don't look like teenagers. | 0:44:18 | 0:44:20 | |
-Thank you. -Thank you very much, that is great to hear. Thanks. | 0:44:20 | 0:44:24 | |
With commitment as this week's theme, | 0:44:26 | 0:44:28 | |
you took part in a photo shoot where you had to pose with children which | 0:44:28 | 0:44:32 | |
also gave us a glimpse into what you might look like if you had a family. | 0:44:32 | 0:44:35 | |
Jay and Becky, let's look at your picture. | 0:44:35 | 0:44:38 | |
ALL: Awww! | 0:44:40 | 0:44:42 | |
From my point of view, just watching you with the children, | 0:44:43 | 0:44:46 | |
you made the effort and you enjoyed yourself. You seemed natural, | 0:44:46 | 0:44:49 | |
but you didn't forget the fact that you were being photographed | 0:44:49 | 0:44:54 | |
so there was a balance there. | 0:44:54 | 0:44:56 | |
So, Stuart and Helen, what did you think of it? | 0:45:01 | 0:45:04 | |
I probably got a bit too carried away with Adam playing | 0:45:04 | 0:45:08 | |
a bit too much. | 0:45:08 | 0:45:09 | |
HE SINGS | 0:45:09 | 0:45:11 | |
You're scaring him away! | 0:45:11 | 0:45:12 | |
I felt, I'll be honest, "My God, bit too much effort", with respect. | 0:45:12 | 0:45:17 | |
The art of having of good relationships | 0:45:17 | 0:45:19 | |
is all about being natural. | 0:45:19 | 0:45:22 | |
Damien and Chanel, let's see your best picture. | 0:45:24 | 0:45:28 | |
I'd say it was probably one of our hardest shots to get, | 0:45:30 | 0:45:34 | |
cos we knew we had to get this shot, but we couldn't | 0:45:34 | 0:45:36 | |
concentrate on ourselves, and that was our main concern. | 0:45:36 | 0:45:39 | |
It was like the one time I've watched you looking like | 0:45:39 | 0:45:42 | |
you were being watched, | 0:45:42 | 0:45:44 | |
I felt like you felt you were just being massively tested | 0:45:44 | 0:45:47 | |
around how you engaged and held those young people and children. | 0:45:47 | 0:45:52 | |
It was kind of, it felt a little bit contrived because of that. | 0:45:52 | 0:45:55 | |
So your final challenge this week was appearing in a wedding-themed | 0:45:55 | 0:46:00 | |
catwalk show. | 0:46:00 | 0:46:02 | |
Damien and Chanel, I thought you improved a lot. | 0:46:02 | 0:46:05 | |
-Beki, I mean, as you know, not to be horrible... -No, no. | 0:46:05 | 0:46:09 | |
In a million years, you'd never get near a catwalk show | 0:46:09 | 0:46:12 | |
but you were really good and you had a really natural smile and way about you. | 0:46:12 | 0:46:17 | |
And I thought, Helen, you look absolutely stunning on the catwalk. | 0:46:17 | 0:46:20 | |
You really did. | 0:46:20 | 0:46:23 | |
And you two are the most physically catwalk couple of everybody here. | 0:46:23 | 0:46:26 | |
So one couple's about to go home now. | 0:46:33 | 0:46:36 | |
We're going to go and make the decision on who that is. | 0:46:36 | 0:46:39 | |
Now the judges will send home one of the couples, | 0:46:45 | 0:46:49 | |
based not only on this week's challenges, | 0:46:49 | 0:46:52 | |
but the last six weeks of tests. | 0:46:52 | 0:46:54 | |
Jay and Beki really did start off quietly in this group. | 0:46:54 | 0:46:57 | |
They didn't really stand out. | 0:46:57 | 0:46:58 | |
In the last few weeks, they've shown their true colours | 0:46:58 | 0:47:01 | |
and they've been a really great couple to contend with. | 0:47:01 | 0:47:04 | |
I've got absolutely no issues with Helen and Stuart modelling. | 0:47:04 | 0:47:08 | |
And the photographer loved them. | 0:47:08 | 0:47:10 | |
I think it'd be a real shame to see them two go. | 0:47:10 | 0:47:13 | |
Damien and Chanel are really, really young, | 0:47:13 | 0:47:16 | |
but I've been hugely impressed by the maturity that they've shown | 0:47:16 | 0:47:20 | |
in the last few weeks. | 0:47:20 | 0:47:21 | |
But this is a really tough decision. It's horrible. | 0:47:21 | 0:47:24 | |
Stuart and Helen, when you walked into the competition, | 0:47:35 | 0:47:39 | |
I said they're the best-looking couple here. | 0:47:39 | 0:47:41 | |
They looked the most like models. But I haven't seen | 0:47:41 | 0:47:44 | |
any progression, really. | 0:47:44 | 0:47:46 | |
We are talking about the same issues this week | 0:47:46 | 0:47:48 | |
that we were talking about the first week. | 0:47:48 | 0:47:50 | |
And I'm not sure that you'd be really able, as a brand, | 0:47:54 | 0:47:58 | |
to open yourselves up to the public. | 0:47:58 | 0:48:00 | |
For those reasons... | 0:48:02 | 0:48:04 | |
..you're going home. | 0:48:06 | 0:48:07 | |
See you later, guys. | 0:48:16 | 0:48:18 | |
-Thanks for everything, good luck, everyone. -See you. Thanks for everything. | 0:48:18 | 0:48:21 | |
# One night to be confused | 0:48:21 | 0:48:25 | |
# One night to speed up truth | 0:48:25 | 0:48:28 | |
# We had a promise made for... # | 0:48:28 | 0:48:32 | |
-I've got to say, I didn't think it'd be you so quickly. -Hello! | 0:48:32 | 0:48:37 | |
-How are you doing? -Yeah. -I -kind of expected it. I didn't want to have say to Helen. | 0:48:37 | 0:48:41 | |
We never hit our potential, sort of thing, so... | 0:48:41 | 0:48:45 | |
It's been quite tough on you, I think, | 0:48:45 | 0:48:47 | |
because everyone's had this really high expectation. | 0:48:47 | 0:48:50 | |
Bye, guys. See you. Take care. | 0:48:52 | 0:48:55 | |
-It is... -Disappointing. You're absolutely gutted. | 0:48:55 | 0:48:58 | |
Course you are, cos you wanted to win the contract and that sort of stuff. Erm... | 0:48:58 | 0:49:02 | |
But, yeah, it's sort of... We've only got ourselves to blame. | 0:49:02 | 0:49:06 | |
The next two minutes are probably the most important of the whole competition | 0:49:13 | 0:49:17 | |
cos I need to know now exactly why you should win this. | 0:49:17 | 0:49:20 | |
It's not just about taking some nice pictures for us. | 0:49:23 | 0:49:27 | |
It's about letting the world know who we are as people. | 0:49:27 | 0:49:29 | |
We've got the highest likeability factor | 0:49:29 | 0:49:32 | |
and we don't believe these two want it half as much as we do. | 0:49:32 | 0:49:35 | |
Cos we came into this competition wanting to win from the offset, | 0:49:35 | 0:49:38 | |
not wanting to say, "OK, I might try modelling." This is what we want to do as a dream and that's it. | 0:49:38 | 0:49:43 | |
Just because we haven't liked something for as long as you | 0:49:43 | 0:49:47 | |
doesn't mean we've got any less passion for it. | 0:49:47 | 0:49:49 | |
I'm not sure people that will buy into them as a couple anyway. | 0:49:49 | 0:49:53 | |
We look better together. That's all I'm saying. | 0:49:53 | 0:49:56 | |
We've shown we're ready for this industry modelling-wise and relationship-wise. | 0:49:56 | 0:50:00 | |
If you don't turn up cos you've had an argument, | 0:50:00 | 0:50:03 | |
it doesn't matter what you look like - you're not at the job | 0:50:03 | 0:50:06 | |
and you're going to create a bad reputation, and that's a huge risk to take with Damien and Chanel. | 0:50:06 | 0:50:10 | |
For me, if you're an argumentative couple, it's a big no-no. | 0:50:10 | 0:50:14 | |
Jealousy is the nastiest trait you can possibly have, | 0:50:14 | 0:50:16 | |
and if you can't stick by your man, | 0:50:16 | 0:50:18 | |
it's no good having that face, cos it ain't going to last. | 0:50:18 | 0:50:21 | |
It's not a jealousy issue between me and Damien. | 0:50:21 | 0:50:24 | |
I don't expect you to know our relationship over six weeks, | 0:50:24 | 0:50:26 | |
but we've been six years. | 0:50:26 | 0:50:28 | |
We've been through a lot, never doubt our relationship. | 0:50:28 | 0:50:31 | |
With them, it's a happy image, lovely, but we are more edgy. | 0:50:31 | 0:50:34 | |
People like to see someone they're going to get more out of, | 0:50:34 | 0:50:37 | |
cos they see us in a magazine, they'll want to know more about us. | 0:50:37 | 0:50:41 | |
If people see them all happy and smiling, it might come across fake. | 0:50:41 | 0:50:44 | |
I'm not taking that! | 0:50:44 | 0:50:46 | |
This is all we've ever wanted the whole time. | 0:50:46 | 0:50:48 | |
I just don't believe you can create passion | 0:50:48 | 0:50:51 | |
for something you didn't really want to do before. | 0:50:51 | 0:50:53 | |
Oh, no, we definitely did. | 0:50:53 | 0:50:55 | |
Did you? | 0:50:55 | 0:50:56 | |
-Yeah. -No... | 0:50:56 | 0:50:57 | |
Cos you weren't there. | 0:50:57 | 0:50:59 | |
That's why we're here right now. | 0:50:59 | 0:51:01 | |
We have worked so hard. | 0:51:01 | 0:51:02 | |
We are sitting here because this is what we want. | 0:51:02 | 0:51:06 | |
If you wanted to do it, you'd do it. | 0:51:06 | 0:51:08 | |
Chanel and Damien, there have been a few times for me | 0:51:15 | 0:51:18 | |
where I've seen some real concerns, like the jealousy issue. | 0:51:18 | 0:51:23 | |
And a feeling that maybe, out of all the couples, | 0:51:23 | 0:51:26 | |
you were the least ready for a commitment to a long-term brand. | 0:51:26 | 0:51:31 | |
Jay, you've been consistently | 0:51:37 | 0:51:39 | |
the best model in this show, undoubtedly. | 0:51:39 | 0:51:41 | |
You actually understand about modelling, | 0:51:41 | 0:51:43 | |
which a lot of people haven't done. | 0:51:43 | 0:51:46 | |
And Beki, you've worked so hard to get your performance, | 0:51:47 | 0:51:51 | |
but also your style, to gel together. | 0:51:51 | 0:51:54 | |
You've really come on strong over the past few weeks. | 0:51:54 | 0:51:57 | |
You feel very secure, very solid as a unit, | 0:51:59 | 0:52:04 | |
and close with all your family ties and bonds, | 0:52:04 | 0:52:07 | |
and you have a very clear direction. | 0:52:07 | 0:52:10 | |
Yeah! | 0:52:11 | 0:52:13 | |
So, Jay and Beki, Damien and Chanel, you are the final two couples. | 0:52:13 | 0:52:17 | |
But only one of you can win, | 0:52:17 | 0:52:19 | |
and we're now going to make that decision. | 0:52:19 | 0:52:21 | |
We deserve to win this competition. | 0:52:29 | 0:52:31 | |
Nobody should take this away from us, | 0:52:31 | 0:52:33 | |
because of all the hard work, the effort we've put in. | 0:52:33 | 0:52:35 | |
Jay and Beki, never thought they'd be in the final. | 0:52:35 | 0:52:38 | |
I don't know if the public buy into this nicey-nicey thing all the time. | 0:52:38 | 0:52:41 | |
Yeah, I don't feel that there's sexual energy | 0:52:41 | 0:52:43 | |
and chemistry that much around them. I suppose that is the other thing that I would say. | 0:52:43 | 0:52:48 | |
But they are going in for the whole likeability level. | 0:52:48 | 0:52:50 | |
The difference in height is still an issue for me. | 0:52:50 | 0:52:53 | |
All I'm thinking of at the moment is winning. And that's how it's been. | 0:52:56 | 0:53:00 | |
Damien and Chanel have been quite inconsistent with their photos. | 0:53:00 | 0:53:04 | |
They've had some disappointing weeks. | 0:53:04 | 0:53:06 | |
And also, Chanel can be a little bit of a diva, | 0:53:06 | 0:53:09 | |
and I'm not sure that's a great thing to have on set. | 0:53:09 | 0:53:11 | |
Damien and Chanel to be in the final, for me, feels strange - | 0:53:11 | 0:53:14 | |
they're the people who've caused me most concern. | 0:53:14 | 0:53:16 | |
They have shown jealous streaks, they have been non-compliant at times, | 0:53:16 | 0:53:21 | |
and there has been a dominance issue. Those are key considerations | 0:53:21 | 0:53:24 | |
when making a decision about who's going to win. | 0:53:24 | 0:53:28 | |
-So, we've made a decision. -Absolutely made a decision. | 0:53:33 | 0:53:37 | |
Guys, we've decided who's going to win the competition | 0:53:48 | 0:53:51 | |
and who's going to receive the modelling contract. | 0:53:51 | 0:53:54 | |
Jay and Beki, you know that I've got issues with you | 0:53:59 | 0:54:02 | |
as a modelling couple, and how compatible you are. | 0:54:02 | 0:54:04 | |
But over the past few weeks, you've really shown me what good models | 0:54:06 | 0:54:09 | |
you can be, and your passion today was very, very impressive. | 0:54:09 | 0:54:13 | |
Damien and Chanel. | 0:54:14 | 0:54:15 | |
I've witnessed you come together | 0:54:17 | 0:54:19 | |
and show a great amount of determination and maturity | 0:54:19 | 0:54:22 | |
for what really is a very young age. | 0:54:22 | 0:54:25 | |
So, the couple that are going to win this competition are... | 0:54:26 | 0:54:29 | |
..Damien and Chanel. | 0:54:37 | 0:54:38 | |
Oh, my God! | 0:54:38 | 0:54:39 | |
I just want to say well done to both couples. | 0:54:57 | 0:55:00 | |
You've come a long way, and this is not the final two that we envisaged, | 0:55:00 | 0:55:03 | |
so it's your hard work that got you both here. | 0:55:03 | 0:55:06 | |
And commiserations, Jay and Beki. | 0:55:06 | 0:55:09 | |
Of all the couples, you've made the most progress for modelling terms. | 0:55:09 | 0:55:12 | |
You've listened and learned from this, and I hope you can take | 0:55:12 | 0:55:15 | |
what you've learned here and go on successfully in modelling. | 0:55:15 | 0:55:18 | |
Enjoyed every minute, embraced it all, and it's not going to stop us, | 0:55:18 | 0:55:22 | |
we're still going to make it as models, so thanks a lot. | 0:55:22 | 0:55:24 | |
Yeah, thank you. | 0:55:24 | 0:55:26 | |
Damien and Chanel, well done. It's amazing. | 0:55:26 | 0:55:29 | |
-Hey! Yeah! -Oh, my God! | 0:55:36 | 0:55:39 | |
-I can't believe it! -It was touch and go! | 0:55:43 | 0:55:47 | |
Well done, congratulations. | 0:55:47 | 0:55:50 | |
Are you ready for your new life? | 0:55:50 | 0:55:52 | |
You're Britain's hottest couple! | 0:55:52 | 0:55:54 | |
Come on! | 0:55:54 | 0:55:57 | |
Through the door! | 0:55:59 | 0:56:00 | |
Oh, wow! | 0:56:00 | 0:56:03 | |
-Thank you! -Amazing. There you go, baby. | 0:56:04 | 0:56:06 | |
-Cheers! -Congratulations. -We're Britain's hottest couple! | 0:56:06 | 0:56:10 | |
-Oh, I'm sorry. -It's OK. | 0:56:12 | 0:56:14 | |
-How are you doing? You all right? -Yeah. | 0:56:14 | 0:56:16 | |
So, where do we go from here? How are you feeling about the future? | 0:56:16 | 0:56:20 | |
Just makes you more ambitious, to be honest. | 0:56:20 | 0:56:22 | |
Just makes us want to do it even more | 0:56:22 | 0:56:24 | |
and achieve so much more from it. It's just the beginning, really. | 0:56:24 | 0:56:27 | |
-We are Britain's hottest couple. -After six weeks, like, I just... | 0:56:29 | 0:56:36 | |
I didn't know we'd be here. I just didn't... | 0:56:36 | 0:56:38 | |
-Drinking champagne... -Yeah! | 0:56:38 | 0:56:40 | |
Our life's completely changed. | 0:56:40 | 0:56:44 | |
Literally means so much, our whole journey literally starts here. | 0:56:44 | 0:56:48 | |
And we know it's going to be a lot of hard work | 0:56:48 | 0:56:50 | |
and we know we've got to put a lot of effort into it, | 0:56:50 | 0:56:52 | |
but this is something we're prepared to do. | 0:56:52 | 0:56:55 | |
We won this for a reason. | 0:56:55 | 0:56:56 | |
And this is our future. | 0:56:56 | 0:56:58 | |
Subtitles by Red Bee Media Ltd | 0:57:05 | 0:57:07 | |
E-mail [email protected] | 0:57:07 | 0:57:09 |