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-For six weeks eight couples lived together in this Manchester mansion. -I think I'm genetically blessed. | 0:00:02 | 0:00:07 | |
-BOTH: -We are 100% awesome! | 0:00:07 | 0:00:10 | |
I was voted the Top 10 Best Looking South Asian Male. | 0:00:10 | 0:00:14 | |
Competing for a life changing joint modelling contract. | 0:00:14 | 0:00:18 | |
I'm not looking for separate models, I'm looking for a couple. | 0:00:18 | 0:00:21 | |
But in this contest it wasn't enough to simply look the part. | 0:00:21 | 0:00:24 | |
There's no point investing in a couple who don't have a relationship | 0:00:24 | 0:00:27 | |
because they're going to break up and leave us high and dry. | 0:00:27 | 0:00:29 | |
This show is 50 percent about relationships. | 0:00:29 | 0:00:32 | |
Yeah, and 50 percent about modelling! | 0:00:32 | 0:00:34 | |
This is the story of the groundbreaking competition | 0:00:35 | 0:00:38 | |
told by the experts... | 0:00:38 | 0:00:40 | |
-Come on, you can't be that nice! -I thought it was a joke to be honest. | 0:00:40 | 0:00:44 | |
What you think? | 0:00:44 | 0:00:45 | |
If they think they have a look that the public relate to, buy into | 0:00:45 | 0:00:47 | |
or actually find particularly appealing. | 0:00:47 | 0:00:50 | |
..and the couples themselves. | 0:00:50 | 0:00:52 | |
For whatever reason it was my fault. | 0:00:52 | 0:00:55 | |
I did have a game plan, obviously. | 0:00:55 | 0:00:56 | |
Half of me wanted to, just to punch him in the face. | 0:00:56 | 0:01:00 | |
I was ready to bite. | 0:01:00 | 0:01:01 | |
It wasn't a case of we're a threat to everybody else, | 0:01:01 | 0:01:03 | |
-it was we're a threat to the judges. -Yeah. | 0:01:03 | 0:01:05 | |
Tonight we reveal previously unseen footage | 0:01:05 | 0:01:10 | |
and take a look at how life has changed for the winners. | 0:01:10 | 0:01:14 | |
-We won this through reason. -This is our future! | 0:01:14 | 0:01:17 | |
As we chart the highs... | 0:01:17 | 0:01:19 | |
..and the lows. | 0:01:21 | 0:01:22 | |
Shove that whole thing up your backside! | 0:01:22 | 0:01:25 | |
HE SOBS | 0:01:25 | 0:01:26 | |
On the search for Britain's hottest couple. | 0:01:26 | 0:01:28 | |
The couple that are going to win this competition are... | 0:01:28 | 0:01:31 | |
Tonight we look back at Hot Like Us, | 0:01:43 | 0:01:47 | |
the contest for Britain's hottest modelling couple. | 0:01:47 | 0:01:50 | |
Can you grab that skirt, is that all right? | 0:01:50 | 0:01:52 | |
He's just a bench, use him, stretch out. | 0:01:52 | 0:01:54 | |
To get onto the show the eight hot pairs had already survived | 0:01:54 | 0:01:58 | |
a tough audition process, | 0:01:58 | 0:02:00 | |
so what was it that made them stand out from the crowd? | 0:02:00 | 0:02:04 | |
-She's got me for life, you know? -We spend every single day together. | 0:02:05 | 0:02:09 | |
After a nationwide search the shortlisted couples | 0:02:09 | 0:02:11 | |
were pretty fond of themselves. | 0:02:11 | 0:02:14 | |
I fancy myself, I think I'm a nine! | 0:02:14 | 0:02:16 | |
I probably say a nine. | 0:02:16 | 0:02:18 | |
-11? -10 and a half? | 0:02:18 | 0:02:19 | |
I think I'm about an eight, maybe, or seven. | 0:02:19 | 0:02:24 | |
-I think your a 10. -I'd say... no! -Yeah. Well, to me he's a 10. | 0:02:24 | 0:02:28 | |
And then sometimes you just can't get enough of, so, what can you do? | 0:02:28 | 0:02:32 | |
Only couples with the strongest looks and best relationships | 0:02:32 | 0:02:36 | |
would make it to the final eight, but not everyone made the grade. | 0:02:36 | 0:02:40 | |
Maybe six or seven? | 0:02:40 | 0:02:42 | |
He, oh, he's a nightmare. | 0:02:42 | 0:02:45 | |
He is...always late! | 0:02:45 | 0:02:48 | |
Bedroom! | 0:02:48 | 0:02:49 | |
And so, after much deliberation, | 0:02:52 | 0:02:53 | |
eight couples were given the keys to this multi-million pound mansion | 0:02:53 | 0:02:58 | |
where they'd compete for a lucrative modelling contract. | 0:02:58 | 0:03:02 | |
-Wow! -This is beautiful! | 0:03:02 | 0:03:04 | |
That first impression, when you're walking through the gate | 0:03:06 | 0:03:08 | |
-and you see that massive house. -Just, wow! | 0:03:08 | 0:03:13 | |
But who were the chosen ones who would be battling it out? | 0:03:13 | 0:03:18 | |
Aussie ballroom dancers Alison and Vaughan. | 0:03:18 | 0:03:21 | |
-I have a hot body, I work hard for it and am proud of it. -I absolutely agree! | 0:03:21 | 0:03:27 | |
Childhood sweethearts Chanel and Damien. | 0:03:27 | 0:03:29 | |
-Whether he likes it or not, he's stuck with me now! -Whether I like it or not. | 0:03:29 | 0:03:33 | |
Jay and page three model Beki. | 0:03:33 | 0:03:36 | |
In 10 years time I'd like big boobs, a small little waste and a little family. | 0:03:36 | 0:03:40 | |
Chloe and pro wrestler Leroy. | 0:03:40 | 0:03:43 | |
When it comes to my body, I'll be honest, enough is never enough. | 0:03:43 | 0:03:46 | |
Ultracompetitive Tyrone and Salina. | 0:03:46 | 0:03:48 | |
Asking us if we're going to win the show | 0:03:48 | 0:03:51 | |
is like asking a cow does he serve milk. | 0:03:51 | 0:03:54 | |
Married couple Rachna and Mun. | 0:03:54 | 0:03:57 | |
I've trained religiously to get my body to the shape I wanted to get. | 0:03:57 | 0:04:03 | |
Katie Price lookalike Sam and businessmen Ben. | 0:04:03 | 0:04:07 | |
I like to hang around with people with brains, entrepreneurs, that kind of people. | 0:04:07 | 0:04:11 | |
And with the most modelling experience in the contest, | 0:04:11 | 0:04:15 | |
Stuart and Helen. | 0:04:15 | 0:04:17 | |
With my genetics and Helen's genetics, | 0:04:17 | 0:04:19 | |
our kids are going to take over the world. | 0:04:19 | 0:04:21 | |
From sex and romance to compatibility and commitment, | 0:04:21 | 0:04:25 | |
both their looks and relationships would now be put to the test | 0:04:25 | 0:04:29 | |
and each week one pair would be sent packing | 0:04:29 | 0:04:32 | |
at the judges casting decision. | 0:04:32 | 0:04:34 | |
ALL: Hello! | 0:04:37 | 0:04:38 | |
The hot couples, hello! | 0:04:38 | 0:04:41 | |
When we met everybody, I thought, "Fantastic, what great people." | 0:04:41 | 0:04:44 | |
Whoa, hello, beautiful people! | 0:04:44 | 0:04:46 | |
Almost immediately the good-looking couples began sizing each other up | 0:04:46 | 0:04:50 | |
and one pair made an instant impression. | 0:04:50 | 0:04:53 | |
I looked at Helen and thought, "She really looks like an Essex girl," | 0:04:53 | 0:04:57 | |
I don't know why they, I thought she really looks like an Essex girl. | 0:04:57 | 0:05:00 | |
Stuart I kind of thought... | 0:05:00 | 0:05:03 | |
"Bit cocky." | 0:05:03 | 0:05:04 | |
Right, guys, I just want to go through what everyone's here for. | 0:05:04 | 0:05:08 | |
I want to suss up my competition now. | 0:05:08 | 0:05:12 | |
For me, this is work, I'm coming here to work, like. | 0:05:12 | 0:05:15 | |
I'll be honest, I didn't like Stuart at first | 0:05:15 | 0:05:17 | |
cos I thought he was going to be, like, a stirrer | 0:05:17 | 0:05:19 | |
or a nasty person in the house. | 0:05:19 | 0:05:21 | |
I was ready to bite at that point and I was like, | 0:05:21 | 0:05:25 | |
"Hold up, I can't let loose on the first day." | 0:05:25 | 0:05:28 | |
Who's up for winning it? Everyone seems a bit stunned by that! | 0:05:28 | 0:05:33 | |
At the very least I'll be remembered for being the guy who came and said, | 0:05:33 | 0:05:36 | |
"Listen, I'm going to win this, | 0:05:36 | 0:05:37 | |
"so you may as well put your cards on the table and admit to win it," | 0:05:37 | 0:05:40 | |
which everybody took it really well, I think. | 0:05:40 | 0:05:42 | |
Luckily for Stewart and his new mates they weren't on their own. | 0:05:45 | 0:05:48 | |
There to guide them with former model agent Jonathan Phang, | 0:05:48 | 0:05:52 | |
a man responsible for launching hundreds of modelling careers. | 0:05:52 | 0:05:57 | |
Although I've worked in the modelling industry for three decades, | 0:05:57 | 0:06:00 | |
I've either represented men or women, | 0:06:00 | 0:06:03 | |
but never both at the same time. | 0:06:03 | 0:06:06 | |
It wasn't just a straightforward modelling competition, | 0:06:06 | 0:06:08 | |
there was a whole another dimension to this. | 0:06:08 | 0:06:11 | |
It was Jonathan's job to help the aspiring models | 0:06:12 | 0:06:15 | |
tackle the many challenges that lay before for them. | 0:06:15 | 0:06:18 | |
Hello. THEY LAUGH | 0:06:18 | 0:06:20 | |
And the first week was all about chemistry. | 0:06:20 | 0:06:24 | |
Tomorrow you're going to have your first challenge... | 0:06:24 | 0:06:28 | |
and it's going to be a lingerie shoot...OK? | 0:06:28 | 0:06:31 | |
THEY LAUGH AND CHATTER | 0:06:31 | 0:06:34 | |
It was a good, a good start to the competition. | 0:06:34 | 0:06:37 | |
-I thought, "Oh, were getting naked straight away!", didn't I? -Yep. | 0:06:37 | 0:06:42 | |
It's what you're used to, isn't it? | 0:06:42 | 0:06:44 | |
As the couples scoured the house for props to pose with, | 0:06:44 | 0:06:47 | |
Jonathan wasn't sure what to make of the wannabe models. | 0:06:47 | 0:06:52 | |
'My first impressions were very mixed.' | 0:06:52 | 0:06:53 | |
When I walked in to the room and I was faced with eight couples. | 0:06:53 | 0:06:57 | |
Clearly some had more modelling potential than others. | 0:06:57 | 0:07:00 | |
And one pair in particular caught his eye. | 0:07:00 | 0:07:04 | |
Roll you out. | 0:07:04 | 0:07:05 | |
My first impression of Vaughan and Alison was one of bewilderment, actually, | 0:07:05 | 0:07:09 | |
cos they really stood out and not in the way that I expected. | 0:07:09 | 0:07:13 | |
I thought they were hosts of the show. | 0:07:16 | 0:07:19 | |
I mean, they were kind of integrating with the crowd, | 0:07:19 | 0:07:22 | |
so I was like, "Oh, right. Contestants. Cool." | 0:07:22 | 0:07:25 | |
'We knew we were different.' | 0:07:27 | 0:07:29 | |
Because we are practising Christians, | 0:07:29 | 0:07:32 | |
'we wouldn't want to lie or cheat, but obviously,' | 0:07:32 | 0:07:35 | |
we do come from a place of wanting to kick some ass. | 0:07:35 | 0:07:38 | |
It was fortunate that the born-again Christians were familiar | 0:07:38 | 0:07:42 | |
with having a greater power watch over them. | 0:07:42 | 0:07:44 | |
Because every move they made would now be studied by our two experts. | 0:07:46 | 0:07:50 | |
Judging the modelling, Jody Furlong. | 0:07:50 | 0:07:53 | |
I'm Jody Furlong. I'm a casting director and I own a model agency. | 0:07:53 | 0:07:56 | |
As one of the industry's top casting directors, | 0:07:56 | 0:07:59 | |
Jody has been scouting top models for years... | 0:07:59 | 0:08:02 | |
It's all about the looks. | 0:08:02 | 0:08:04 | |
..and he wasn't afraid to tell the couples | 0:08:04 | 0:08:06 | |
when they didn't live up to his expectations. | 0:08:06 | 0:08:09 | |
This picture... It's a joke. I think it looks awkward. | 0:08:09 | 0:08:12 | |
You just stood there like a plank. | 0:08:12 | 0:08:14 | |
I'm not loving it. | 0:08:14 | 0:08:15 | |
If they thought they'd get off lightly in the relationship department, | 0:08:15 | 0:08:19 | |
they had another thing coming. | 0:08:19 | 0:08:22 | |
I want to find a couple with real chemistry | 0:08:22 | 0:08:24 | |
who are there for each other. | 0:08:24 | 0:08:26 | |
I want to find a real partnership. | 0:08:26 | 0:08:29 | |
As a trained psychologist, | 0:08:29 | 0:08:31 | |
Emma Kenny knew exactly how to probe into their private lives. | 0:08:31 | 0:08:35 | |
I guess one of the things that's really important to me | 0:08:35 | 0:08:38 | |
is whether you want children in the future? | 0:08:38 | 0:08:41 | |
I want to know who you are. | 0:08:41 | 0:08:44 | |
Do they actually know their partner? Physical attraction doesn't last for ever. | 0:08:44 | 0:08:48 | |
It's all about communication. | 0:08:48 | 0:08:50 | |
So to win this competition, | 0:08:50 | 0:08:53 | |
the couples would have to make both judges happy. | 0:08:53 | 0:08:56 | |
That's if they ever saw eye to eye. | 0:08:56 | 0:08:58 | |
-This is all about relationships. -It's not all about relationships. | 0:08:58 | 0:09:02 | |
Absolutely! They wouldn't be here unless they were in relationships. | 0:09:02 | 0:09:05 | |
They wouldn't be here if they weren't good-looking. | 0:09:05 | 0:09:08 | |
The couples first ever relationship challenge was to buy | 0:09:08 | 0:09:11 | |
the underwear they needed for their lingerie shoot. | 0:09:11 | 0:09:14 | |
Easy. Except they had to buy it for their other halves. | 0:09:14 | 0:09:18 | |
The reason why I want these guys to buy each other's underwear | 0:09:18 | 0:09:22 | |
is because I want to know how well they know each other. | 0:09:22 | 0:09:25 | |
Do they know each other's size, style? | 0:09:25 | 0:09:27 | |
More importantly, when they come back, | 0:09:27 | 0:09:29 | |
it's how they react to each other if they've got it wrong. | 0:09:29 | 0:09:33 | |
And one of the guys who totally got it wrong was 19-year-old Damien. | 0:09:33 | 0:09:38 | |
The main thing I do, to know what size it is, is this... | 0:09:38 | 0:09:41 | |
Normally, it covers the whole forehead. | 0:09:41 | 0:09:44 | |
But this, it's not doing it. | 0:09:44 | 0:09:45 | |
It was kind of like, I know what to get, but at the same time I was like, | 0:09:45 | 0:09:49 | |
this really can go wrong. | 0:09:49 | 0:09:51 | |
Damien should have known that out of all of the girls on the shoot, | 0:09:51 | 0:09:56 | |
Chanel was not the one to buy the wrong underwear for. | 0:09:56 | 0:10:01 | |
Chanel is a bit of a diva. | 0:10:01 | 0:10:03 | |
I like that. | 0:10:04 | 0:10:06 | |
-Oh my God! They're see through. -They're not that bad, are they? | 0:10:06 | 0:10:11 | |
Is purple not your favourite colour then? | 0:10:11 | 0:10:13 | |
I'm not that much of a diva, to be fair, am I? | 0:10:13 | 0:10:17 | |
Oh my God! I'd rather go naked. | 0:10:17 | 0:10:19 | |
As far as Chanel was concerned, it was a complete disaster. | 0:10:19 | 0:10:23 | |
Come here. Just give me a hug. Give me a hug. Give me a hug. | 0:10:23 | 0:10:27 | |
But as soon as they got on set, all she cared about was winning. | 0:10:27 | 0:10:31 | |
She's bossy! | 0:10:33 | 0:10:35 | |
You could already tell straight away, | 0:10:35 | 0:10:38 | |
she was at the forefront of their relationship. | 0:10:38 | 0:10:40 | |
-If I do it, you just work around me. -I'll work around you, OK. | 0:10:40 | 0:10:44 | |
So, was the underwear really that bad? | 0:10:44 | 0:10:47 | |
Or was it just a storm in a GG cup? | 0:10:47 | 0:10:51 | |
-She's actually wearing the underwear that I bought her. -Yeah. | 0:10:51 | 0:10:54 | |
So...And it fits. She even said, it doesn't actually fit me. | 0:10:54 | 0:10:58 | |
I must have lost some boob fat. | 0:10:58 | 0:11:00 | |
Another couple who started out on the wrong foot were the ballroom dancing Aussies. | 0:11:03 | 0:11:08 | |
Their no sex before marriage rule | 0:11:08 | 0:11:10 | |
seemed to put them at a disadvantage. | 0:11:10 | 0:11:13 | |
Wearing underwear, having to be sensual, | 0:11:13 | 0:11:16 | |
and being on TV. It's just... | 0:11:16 | 0:11:18 | |
It couldn't have been more challenging, I don't think. | 0:11:18 | 0:11:23 | |
-WHISPERS: -I think that their way of being sexy... | 0:11:23 | 0:11:27 | |
is to rub their hands all over each other. | 0:11:27 | 0:11:29 | |
But while Vaughan and Alison struggle to be sexy, | 0:11:29 | 0:11:32 | |
bronzed beauties Sam and Ben were in their element. | 0:11:32 | 0:11:36 | |
'Based on modelling' | 0:11:36 | 0:11:37 | |
and experience | 0:11:37 | 0:11:40 | |
'and chemistry,' | 0:11:40 | 0:11:41 | |
we were the strongest there. | 0:11:41 | 0:11:42 | |
But their spray tans were also the strongest there. | 0:11:42 | 0:11:46 | |
The really big issue for me throughout the whole competition was just how orange everyone was. | 0:11:46 | 0:11:51 | |
You can just imagine what their bed sheets are like. | 0:11:51 | 0:11:54 | |
'The task was chemistry...' | 0:11:54 | 0:11:57 | |
I think we nailed it. | 0:11:57 | 0:11:58 | |
Thank you very much. | 0:11:58 | 0:12:00 | |
With the challenges complete, the hot couples were ready for the casting decision. | 0:12:03 | 0:12:08 | |
But which pair would be sent home first? | 0:12:08 | 0:12:12 | |
You feel sick, you're sweating, you're just like, Oh my God. | 0:12:22 | 0:12:26 | |
I think everyone was in the same boat. Actually, no, apart from | 0:12:26 | 0:12:29 | |
Ben and Sam who were confident they were staying... | 0:12:29 | 0:12:31 | |
-They were winning. -They thought they had it in the bag. | 0:12:31 | 0:12:34 | |
But they didn't have it in the bag. | 0:12:34 | 0:12:36 | |
I've never seen so much fake tan in my life. It was just wrong. | 0:12:36 | 0:12:40 | |
And after Jody dismissed their look, Ben fought back. | 0:12:40 | 0:12:45 | |
It's my natural colour, I don't wear fake tan. I've got Italian blood. | 0:12:45 | 0:12:48 | |
Obviously didn't do your homework very well. | 0:12:48 | 0:12:51 | |
I was praying, keep talking, keep arguing, | 0:12:51 | 0:12:53 | |
please keep arguing, this is so good. | 0:12:53 | 0:12:55 | |
I was doing a David Beckham look and Sam was...It wasn't about us... | 0:12:55 | 0:12:59 | |
I didn't get that at all. At all. | 0:12:59 | 0:13:01 | |
If he hadn't consistently mouthed off at us, | 0:13:01 | 0:13:05 | |
we would have kept them in the competition. | 0:13:05 | 0:13:08 | |
I'm afraid you're going home. | 0:13:10 | 0:13:12 | |
Firstly, I felt sick, like I'd been punched in the stomach. | 0:13:16 | 0:13:20 | |
You know, Sam and Ben are a bit cheesy, | 0:13:22 | 0:13:25 | |
their look is a bit out of date, | 0:13:25 | 0:13:27 | |
but they are a great looking couple, so I was incredibly surprised. | 0:13:27 | 0:13:32 | |
'I think for the viewing public, it's a huge loss, | 0:13:32 | 0:13:34 | |
'because we've got so much to offer. Anybody could do' | 0:13:34 | 0:13:37 | |
a vote phone in poll now, You're going to tell me now, | 0:13:37 | 0:13:40 | |
this is top three photo, 100%. | 0:13:40 | 0:13:42 | |
Anyone with two brain cells will tell you that now. | 0:13:42 | 0:13:45 | |
'It very much got personal cos we were a threat to the judges.' | 0:13:45 | 0:13:48 | |
Ben left adamant the judges had got it wrong. | 0:13:48 | 0:13:52 | |
On the matter of bronzing himself up, we may never know the answer. | 0:13:52 | 0:13:57 | |
Week two was all about romance. | 0:14:00 | 0:14:04 | |
Imagine it's the Caribbean. | 0:14:04 | 0:14:06 | |
In the modelling challenge, the couples had to create | 0:14:06 | 0:14:09 | |
a romantic holiday scene on a freezing cold Blackpool beach. | 0:14:09 | 0:14:12 | |
Smiling, Rachna. You're in love. Or you're supposed to be. | 0:14:12 | 0:14:16 | |
And for the relationship challenge, | 0:14:16 | 0:14:18 | |
Emma wanted to see just how romantic our couples could be. | 0:14:18 | 0:14:22 | |
She wants you to create something | 0:14:22 | 0:14:24 | |
that expresses what romance means to you. | 0:14:24 | 0:14:28 | |
It doesn't matter what it is, as long as it comes from your heart, OK? | 0:14:28 | 0:14:31 | |
As the pairs came up with gestures that demonstrated their love for each other, | 0:14:31 | 0:14:37 | |
they revealed a lot about their relationships. | 0:14:37 | 0:14:40 | |
-RAPS: -We are two best friends You've got my back | 0:14:43 | 0:14:46 | |
Stick with me Through thick and thin | 0:14:46 | 0:14:48 | |
No matter what the weather We stay together | 0:14:48 | 0:14:50 | |
And you're my baby I'm going to be with you for ever. | 0:14:50 | 0:14:53 | |
CHEERING AND APPLAUSE | 0:14:53 | 0:14:56 | |
But it was Tyrone and Salina's romantic moment | 0:14:59 | 0:15:02 | |
that truly touched the rest of the group. | 0:15:02 | 0:15:05 | |
Never let go because people want us to, | 0:15:06 | 0:15:10 | |
never let go because all we have done, | 0:15:11 | 0:15:14 | |
never let go because I do love you, | 0:15:14 | 0:15:17 | |
never let go because the things we have been through... | 0:15:17 | 0:15:21 | |
Their poem was about the difficulties they faced | 0:15:21 | 0:15:24 | |
after Salina's family disapproved of the relationship. | 0:15:24 | 0:15:28 | |
'Like the Romeo and Juliet story, you know what I mean?' | 0:15:28 | 0:15:31 | |
But if you're generally in love, you stick at it. | 0:15:31 | 0:15:34 | |
Everyone turned against me, my friends, my family. | 0:15:34 | 0:15:39 | |
The only person that was actually there, financially, | 0:15:39 | 0:15:42 | |
you know, personally, was Tyrone. | 0:15:42 | 0:15:45 | |
On the lingerie shoot, | 0:15:49 | 0:15:51 | |
Emma was impressed by the pair's intense connection. | 0:15:51 | 0:15:54 | |
The way that they're posing is almost protective. | 0:15:54 | 0:15:59 | |
It feels like they're looking after each other. | 0:15:59 | 0:16:03 | |
And, once again, the couple showed that relationships | 0:16:03 | 0:16:07 | |
don't get much stronger than theirs. | 0:16:07 | 0:16:10 | |
It's a shame to say I will never be accepted, but... | 0:16:10 | 0:16:15 | |
-Everyone had a little lump in their throat. -Yeah, I was welling up then. | 0:16:17 | 0:16:20 | |
I think Jonathan Phang was in tears, bless him. | 0:16:20 | 0:16:25 | |
The thing for me about Tyrone and Salina | 0:16:25 | 0:16:27 | |
was this whole opportunity wasn't about them becoming models, | 0:16:27 | 0:16:31 | |
it was about them confronting some of their big relationship issues | 0:16:31 | 0:16:34 | |
with the world, coming out and saying, "We are a couple, | 0:16:34 | 0:16:37 | |
"we are really bonded, and we really want to make it in the long-term," | 0:16:37 | 0:16:41 | |
so their story was, for me, one of the ultimate stories. | 0:16:41 | 0:16:45 | |
And whilst Tyrone and Salina had no problems revealing their emotions, | 0:16:45 | 0:16:49 | |
supercool Stuart and Helen's "collage" didn't have the same effect. | 0:16:49 | 0:16:55 | |
We never say "I love you" to each other, ever, cos we hate it. | 0:16:55 | 0:16:58 | |
Cos everyone says it, so we hate it, so we never say it. | 0:16:58 | 0:17:02 | |
Our love's a bit weird, everything has to be a bit different. | 0:17:02 | 0:17:06 | |
I didn't get it when Stuart and Helen said they don't say "I love you." | 0:17:06 | 0:17:09 | |
"You belong to me and I belong to you..." | 0:17:09 | 0:17:12 | |
Well, you don't, do you? cos you don't own each other. | 0:17:12 | 0:17:15 | |
Ownership's completely different, love's free, isn't it? | 0:17:15 | 0:17:18 | |
Ownership's like having a dog - it doesn't make any sense to me. | 0:17:18 | 0:17:21 | |
-I belong with you. -You belong with me. | 0:17:21 | 0:17:24 | |
CHEERS AND APPLAUSE | 0:17:24 | 0:17:25 | |
Stuart and Helen's failure to make them understood | 0:17:25 | 0:17:29 | |
didn't stand him in good stead in the relationship challenge. | 0:17:29 | 0:17:32 | |
But, luckily for them, someone was about to make | 0:17:34 | 0:17:37 | |
an even bigger faux pas on the morning of the romantic shoot. | 0:17:37 | 0:17:42 | |
-How long have we got? -Half an hour. -Oh BLEEP! | 0:17:43 | 0:17:46 | |
Normally when they say, "Guys, 15 minutes," | 0:17:48 | 0:17:51 | |
normally it takes an hour and a half. | 0:17:51 | 0:17:53 | |
In my mind I thought 15 minutes means and hour and 10 minutes. | 0:17:53 | 0:17:58 | |
Mun was confident he had time for his morning players, | 0:17:58 | 0:18:01 | |
but in fact everyone was waiting for him. | 0:18:01 | 0:18:05 | |
I was just gutted cos I could have had another 20 min in bed. I was fuming! | 0:18:05 | 0:18:09 | |
In Blackpool, top photographer Nicky Johnstone blew a gasket. | 0:18:09 | 0:18:14 | |
I understand he's got to pray, | 0:18:14 | 0:18:17 | |
but just to make everyone 45 minutes late is a joke! | 0:18:17 | 0:18:22 | |
For BLEEP sake! Finally! | 0:18:22 | 0:18:24 | |
-You could tell he wasn't in a good mood. -Before he even started, so... | 0:18:24 | 0:18:28 | |
He was not a happy bunny, bless him. | 0:18:28 | 0:18:30 | |
You can't see, "I'm sorry, I'm going to be late for this shoot." | 0:18:30 | 0:18:33 | |
No, I apologise. | 0:18:33 | 0:18:35 | |
Now it's raining - it wasn't an hour ago. | 0:18:35 | 0:18:37 | |
You could at the start it's one guy you don't want to make angry. | 0:18:37 | 0:18:40 | |
Because they were late, Mun and Rachna were given less time to get their shot, | 0:18:40 | 0:18:45 | |
but, nevertheless, Mun seemed happy with how it went. | 0:18:45 | 0:18:49 | |
You're in love, or you're supposed to be... | 0:18:49 | 0:18:51 | |
I felt it was OK in that one, | 0:18:51 | 0:18:53 | |
and I had good feedback from the photographer. | 0:18:53 | 0:18:55 | |
-I think we've got it. -MUN AND RACHNA: Yay! | 0:18:55 | 0:18:58 | |
Even though you were late and totally unprofessional and I hate you... | 0:18:58 | 0:19:02 | |
-We've done it! -..you did it. | 0:19:02 | 0:19:03 | |
This is crazy! | 0:19:03 | 0:19:05 | |
Even the couples who didn't have to claw their way | 0:19:05 | 0:19:08 | |
into Nicky's good books struggled in the extreme conditions. | 0:19:08 | 0:19:11 | |
So windy, oh, it was just a nightmare. | 0:19:11 | 0:19:15 | |
And fearing the impact the cold might have on his picture, | 0:19:15 | 0:19:19 | |
Stuart needed to support from the wardrobe department. | 0:19:19 | 0:19:23 | |
-I'm putting a sock down, too right. -Can I give you cotton wool instead? | 0:19:23 | 0:19:27 | |
Anything you want. | 0:19:27 | 0:19:28 | |
It's just a little bit smoother and flatter. | 0:19:28 | 0:19:30 | |
Stuart entered the contest full of bravado. | 0:19:30 | 0:19:34 | |
Some might need a little bit more than others. | 0:19:34 | 0:19:37 | |
But he was beginning to doubt if he really was the complete package. | 0:19:37 | 0:19:41 | |
-JONATHAN: -Stop playing with your nuts, worry about your arm. | 0:19:41 | 0:19:45 | |
'Cos it was cold I wanted to make sure I didn't look shy. | 0:19:45 | 0:19:48 | |
A bit more confidence for you, there. | 0:19:48 | 0:19:50 | |
When it came to the casting decision, | 0:19:54 | 0:19:56 | |
the judges didn't hold back. | 0:19:56 | 0:19:58 | |
Stuart and Helen's refusal to say "I love you" baffled Emma. | 0:19:59 | 0:20:04 | |
I just think you're so affected. | 0:20:04 | 0:20:07 | |
If you love each other, you love each other, it's simple. | 0:20:07 | 0:20:10 | |
It's a word that's designed to be a cliche | 0:20:10 | 0:20:12 | |
and a stereotype cos it has meaning. | 0:20:12 | 0:20:14 | |
I do believe that you've misinterpreted us. | 0:20:14 | 0:20:16 | |
I don't think I've misinterpreted you, | 0:20:16 | 0:20:19 | |
I think I've interpreted what you've presented. | 0:20:19 | 0:20:22 | |
Maybe trying too hard to not be us, maybe we should just relax and be us. | 0:20:22 | 0:20:26 | |
I think what they were trying to get across was they have never felt | 0:20:26 | 0:20:30 | |
as connected with another human being as they do with each other. | 0:20:30 | 0:20:34 | |
And because of that, they wanted something unique to describe that experience. | 0:20:34 | 0:20:38 | |
Unfortunately, by suggesting love is a cliche, immediately, | 0:20:38 | 0:20:41 | |
you had my back up. | 0:20:41 | 0:20:43 | |
And Mun and Rashna angered Jody with their lack of professionalism. | 0:20:43 | 0:20:47 | |
I heard that you were all late on set. | 0:20:49 | 0:20:51 | |
I did get everyone late, and I take that criticism on board | 0:20:51 | 0:20:54 | |
and I promise you, it won't happen again. | 0:20:54 | 0:20:57 | |
'I trained three months solid for this.' | 0:20:59 | 0:21:02 | |
I focused and for me it was my make it or break it. | 0:21:02 | 0:21:05 | |
But it was too late for the married couple. | 0:21:07 | 0:21:10 | |
The couple who are going home is... | 0:21:10 | 0:21:13 | |
..Mun and Rashna. | 0:21:15 | 0:21:17 | |
Come here. | 0:21:20 | 0:21:21 | |
Get away from me. | 0:21:24 | 0:21:26 | |
None of us wanted to see anyone be that upset | 0:21:26 | 0:21:28 | |
when they got kicked out, but I think it just showed how important this competition was to him. | 0:21:28 | 0:21:32 | |
What a day. | 0:21:32 | 0:21:33 | |
I want to get in my car and just go home to my kids. | 0:21:33 | 0:21:37 | |
'I didn't handle it as well as I should have.' | 0:21:37 | 0:21:40 | |
It meant a lot for me and I felt it was a chance to prove to myself | 0:21:40 | 0:21:46 | |
and to everybody else, yes, I can do it. | 0:21:46 | 0:21:48 | |
"And I'll be honest, I couldn't see anything other than defeat. | 0:21:48 | 0:21:53 | |
"I was just defeated. | 0:21:53 | 0:21:54 | |
I might be the Rocky Balboa of the modelling world, | 0:21:57 | 0:21:59 | |
I keep getting put on the bum and I keep getting up, looking | 0:21:59 | 0:22:02 | |
for that one lucky punch, and I'm still looking for that lucky punch. | 0:22:02 | 0:22:07 | |
To get into the competition, our wannabe models proved they could walk the walk. | 0:22:15 | 0:22:20 | |
But they also showed they could talk the talk. | 0:22:20 | 0:22:24 | |
We are Mr and Mrs Marbella. | 0:22:24 | 0:22:26 | |
Go hard or go home. And I don't want to go home. | 0:22:28 | 0:22:30 | |
I was voted the top ten best looking South Asian male. | 0:22:30 | 0:22:34 | |
Aussie born-again Christians Alison and Vaughan came with their own collection of catch phrases. | 0:22:36 | 0:22:42 | |
We are 100% awesome! | 0:22:42 | 0:22:44 | |
-They say jump, we'll say... -How high? | 0:22:44 | 0:22:47 | |
-Wow! -We have a relationship motto which is... -You wish you had this. | 0:22:47 | 0:22:51 | |
And when it came to describing his looks, | 0:22:51 | 0:22:54 | |
Stuart wasn't backwards in coming forwards. | 0:22:54 | 0:22:58 | |
I think I'm genetically blessed. | 0:22:58 | 0:23:00 | |
But one member of the group was truly blessed with the gift of the gab. | 0:23:00 | 0:23:05 | |
I think we've got a 99.9% chance of winning. | 0:23:08 | 0:23:11 | |
We're the black version of Posh and Becks. | 0:23:11 | 0:23:13 | |
Tyrone's secret weapon was his mouth. | 0:23:15 | 0:23:19 | |
Put it this way, the horns have come out of me and as you can see, they're still on my head. | 0:23:19 | 0:23:25 | |
If you overcome a fear, there's nothing else what can actually become the fear, you know what I mean? | 0:23:25 | 0:23:30 | |
If you need a pencil to do an essay, go to the shop and buy the pencil. | 0:23:30 | 0:23:35 | |
The tortoise always wins the race, do you know what I mean? | 0:23:35 | 0:23:38 | |
When you whisper, somebody will be listening. | 0:23:38 | 0:23:41 | |
And when it came to describing himself, | 0:23:41 | 0:23:44 | |
Tyrone was never lost for words. | 0:23:44 | 0:23:47 | |
I'm so charming, I think I could sell Armani his own briefcase. | 0:23:47 | 0:23:50 | |
And I'm so cocky I think I could sell Armani his own moustache. | 0:23:50 | 0:23:53 | |
Asking us if we're going to win the show, is like asking a cow does he serve milk. | 0:23:53 | 0:23:57 | |
Do you know what I mean? Nobody's a threat to me. | 0:23:57 | 0:24:02 | |
We're so hot, you'll burn your mouth. A bully can't bully a bully. We're like sharks in a fishpond. | 0:24:02 | 0:24:07 | |
If you put a shark in a goldfish pond, the shark shouldn't be afraid. | 0:24:07 | 0:24:11 | |
And the shark doesn't get scared of any of the fish. | 0:24:11 | 0:24:14 | |
You can put me in the jungle naked, | 0:24:14 | 0:24:16 | |
and I'll come out with a chinchilla outfit and a lion hat. | 0:24:16 | 0:24:21 | |
Got the looks, got the suave and got that as well. | 0:24:21 | 0:24:23 | |
You might be thinking, | 0:24:23 | 0:24:25 | |
"Has he got a book at home where he reads all these metaphors?" | 0:24:25 | 0:24:28 | |
I don't at all, seriously. | 0:24:28 | 0:24:30 | |
By week three, the competition was well and truly | 0:24:35 | 0:24:39 | |
hotting up as the couples were tested on seduction. | 0:24:39 | 0:24:42 | |
Oh, look. Oh, you've done this before! | 0:24:42 | 0:24:45 | |
In the relationship challenge, Emma asked them | 0:24:47 | 0:24:50 | |
to relive the time they first fell for each other. | 0:24:50 | 0:24:53 | |
I want you to think about the moment that you looked at your partner, | 0:24:54 | 0:24:59 | |
where you suddenly go from, "Oh, this is all right." | 0:24:59 | 0:25:02 | |
To, "I really want that person." | 0:25:02 | 0:25:04 | |
When it happened, I got that feeling of, "I really want that boy." | 0:25:04 | 0:25:09 | |
-I did as well. -It was really weird. | 0:25:09 | 0:25:10 | |
So we got out the bread, we got out the salad, | 0:25:10 | 0:25:13 | |
to make our chicken sandwiches and he bloody forgot the chicken! | 0:25:13 | 0:25:17 | |
And in the modelling challenge, the couples competed for roles in a sexy vampire music video | 0:25:17 | 0:25:23 | |
alongside grime star Lethal Bizzle. | 0:25:23 | 0:25:25 | |
I was just over the moon. | 0:25:26 | 0:25:28 | |
It was the most exciting and best challenge for me. | 0:25:28 | 0:25:31 | |
Well, guys, let's just absolutely smash it. | 0:25:31 | 0:25:34 | |
They gave us the edge cos some of them didn't even know who he was. | 0:25:34 | 0:25:37 | |
I never in a million years | 0:25:39 | 0:25:40 | |
thought that I was going to be in an R'n'B music video. | 0:25:40 | 0:25:43 | |
I mean, looking at me, I'm not exactly hip-hop material. | 0:25:43 | 0:25:46 | |
As usual, the competitive Tyrone and Salina | 0:25:46 | 0:25:50 | |
wanted to ace this challenge. | 0:25:50 | 0:25:53 | |
If they want me to go butt naked and do the worm, | 0:25:53 | 0:25:55 | |
I'm going to it, you know what I mean? | 0:25:55 | 0:25:57 | |
But when it came to impressing the director, | 0:25:57 | 0:25:59 | |
Tyrone tried his best to land the lead part... | 0:25:59 | 0:26:03 | |
This is gnarly, scary... | 0:26:03 | 0:26:06 | |
It's not a pantomime, know what I mean? | 0:26:09 | 0:26:11 | |
..but lost out to pro-wrestler Leroy. | 0:26:11 | 0:26:14 | |
As soon as I heard there was an acting role, I was like, | 0:26:14 | 0:26:17 | |
"That has to be mine." And what do I do? Smashed it, got the role. | 0:26:17 | 0:26:21 | |
Kill him! There you go, that's what I'm talking about. | 0:26:21 | 0:26:24 | |
And Salina was outclassed by Chanel | 0:26:24 | 0:26:26 | |
who won the starring role as a vampire lap dancer. | 0:26:26 | 0:26:30 | |
I was really happy to get the lead role that I did, | 0:26:30 | 0:26:33 | |
cos that's the one all the girls were aiming for. | 0:26:33 | 0:26:35 | |
You're definitely ticking the hot box right now. | 0:26:36 | 0:26:39 | |
On the shoot, Chanel and Leroy enjoyed the limelight... | 0:26:40 | 0:26:44 | |
..whilst background artists Tyrone and Salina had to wait their turn. | 0:26:45 | 0:26:50 | |
Tell you the truth, I do feel like sometimes we get, like, picked on. | 0:26:50 | 0:26:54 | |
'Tyrone was very confident and confidence can take you so far,' | 0:26:57 | 0:27:01 | |
but then, you get hit by a wall where reality kicks in. | 0:27:01 | 0:27:05 | |
Then, just when the director needed the most... | 0:27:06 | 0:27:08 | |
Mate, we don't have time, you don't seem to understand, | 0:27:08 | 0:27:12 | |
we lose the artist in two minutes. | 0:27:12 | 0:27:14 | |
..the pair weren't ready. | 0:27:14 | 0:27:15 | |
We need you on set. Quickly, quickly. | 0:27:15 | 0:27:18 | |
-Put your coats back on and get back on set, please. -Damn. | 0:27:18 | 0:27:24 | |
Um, Salina got changed, she thought we'd finished with her | 0:27:24 | 0:27:27 | |
because we'd finished shooting her close-up, | 0:27:27 | 0:27:29 | |
but I need her for the wide, so we're sat here waiting | 0:27:29 | 0:27:32 | |
for her to get changed back into her costume, | 0:27:32 | 0:27:35 | |
so it's just costing money. | 0:27:35 | 0:27:36 | |
She doesn't look ready yet? | 0:27:38 | 0:27:40 | |
After messing up the shoot, | 0:27:43 | 0:27:45 | |
relations with the other couples hit an all-time low. | 0:27:45 | 0:27:48 | |
I'm sorry, you are NOT going to talk to me like that. | 0:27:48 | 0:27:51 | |
-You can shove that whole thing up your backside. -No, no, no, no, look. | 0:27:51 | 0:27:54 | |
And after deciding that everyone was against them, | 0:27:54 | 0:27:58 | |
Tyrone wanted to leave the competition. | 0:27:58 | 0:28:01 | |
I feel like I've completed... what I came in here for. | 0:28:01 | 0:28:06 | |
If I want to model, I want to just go straight into modelling. | 0:28:07 | 0:28:11 | |
I don't need to run crazy tasks. | 0:28:11 | 0:28:13 | |
Um, there's a gap in the middle, | 0:28:15 | 0:28:17 | |
there's someone missing, what's going on? | 0:28:17 | 0:28:19 | |
'From my point of view, they were contenders,' | 0:28:22 | 0:28:25 | |
their relationship was awesome, she was incredibly beautiful. | 0:28:25 | 0:28:30 | |
I can stay here and be happy | 0:28:30 | 0:28:31 | |
and enjoy everything that we're doing still, | 0:28:31 | 0:28:34 | |
but he won't be happy, so it's not going to work. | 0:28:34 | 0:28:36 | |
-You need to support... -Yeah, we need to be on the same wavelength. | 0:28:36 | 0:28:39 | |
But it made sense, because as far as they were concerned, | 0:28:39 | 0:28:43 | |
they'd done the journey they needed to, the distance had been travelled, | 0:28:43 | 0:28:46 | |
there was no point staying any longer. | 0:28:46 | 0:28:48 | |
-Give me a hug. -Thank you! | 0:28:48 | 0:28:51 | |
I believe that they felt that they may have been eliminated that week, | 0:28:51 | 0:28:54 | |
because they weren't as strong | 0:28:54 | 0:28:56 | |
as everybody else in that particular challenge. | 0:28:56 | 0:28:58 | |
For them to walk off was a shame | 0:29:00 | 0:29:01 | |
because I thought she really, really wanted to do the modelling thing. | 0:29:01 | 0:29:05 | |
They just left, didn't say goodbye to anyone, | 0:29:05 | 0:29:07 | |
which I just thought was quite rude, to be honest. | 0:29:07 | 0:29:10 | |
But they'd actually done everyone a massive favour. | 0:29:10 | 0:29:14 | |
Because they decided to quit, there's no elimination. | 0:29:14 | 0:29:18 | |
'For me, when they left, it was a massive sigh of relief,' | 0:29:19 | 0:29:22 | |
cos you think, "That's one person less that we've got to deal with," | 0:29:22 | 0:29:28 | |
cos they were competition, there's no two ways about it. | 0:29:28 | 0:29:31 | |
The eight couples that entered the house | 0:29:31 | 0:29:33 | |
were confident they had strong relationships | 0:29:33 | 0:29:36 | |
and certain that they looked great. | 0:29:36 | 0:29:38 | |
But those weren't their only talents. | 0:29:39 | 0:29:42 | |
# Oh-oh, oh-oh, oh! # | 0:29:45 | 0:29:47 | |
From singing... | 0:29:47 | 0:29:48 | |
# Come on, Barbie, let's go party Ah, ah, ah, yeah! # | 0:29:48 | 0:29:52 | |
..to dancing. | 0:29:52 | 0:29:53 | |
Stoke that... | 0:29:55 | 0:29:57 | |
-..to comedy... -What do you think? | 0:29:59 | 0:30:01 | |
..and drama. | 0:30:01 | 0:30:04 | |
Whoa! | 0:30:04 | 0:30:05 | |
HE GROWLS | 0:30:05 | 0:30:07 | |
The wannabe models were truly multi-talented. | 0:30:07 | 0:30:11 | |
But who was the most skilled of them all? | 0:30:13 | 0:30:15 | |
It's fair to say that nobody had more strings to their bow | 0:30:18 | 0:30:23 | |
than the man that is Leroy Kincaide. | 0:30:23 | 0:30:26 | |
-HE RAPS: -This is me This is just who I am | 0:30:26 | 0:30:28 | |
When I spit a deep rhyme every time I jam! | 0:30:28 | 0:30:30 | |
He can do, um, stuntman... | 0:30:30 | 0:30:33 | |
HE SHOUTS | 0:30:33 | 0:30:34 | |
..modelling, trampolining. | 0:30:34 | 0:30:36 | |
Wrestling. | 0:30:38 | 0:30:40 | |
Acting. | 0:30:42 | 0:30:44 | |
And I also do paranormal investigation as well. | 0:30:44 | 0:30:47 | |
Would you please make your presence known? | 0:30:47 | 0:30:49 | |
Oh, my God! I'm really, really scared! | 0:30:49 | 0:30:51 | |
-Many talents, that boy. -LAUGHTER | 0:30:51 | 0:30:54 | |
Leroy Kincaide, this is how it is. | 0:30:54 | 0:30:56 | |
Mwah! Yeah! | 0:30:56 | 0:30:58 | |
In week four, the couples were tested | 0:31:00 | 0:31:03 | |
on expressing emotions. | 0:31:03 | 0:31:05 | |
Modelling is all about communication, through your body language and eyes, | 0:31:05 | 0:31:09 | |
and the best models in the world are true chameleons. | 0:31:09 | 0:31:12 | |
And the modelling challenge | 0:31:12 | 0:31:14 | |
would involve a trip to an exotic location. | 0:31:14 | 0:31:17 | |
Models have to sort of pack a bag | 0:31:17 | 0:31:19 | |
and end up in all sorts of places at any time, all right? | 0:31:19 | 0:31:22 | |
They must be able to cope in whatever situation they're thrown into. | 0:31:22 | 0:31:26 | |
-Agh! -Agh! -SHE LAUGHS | 0:31:26 | 0:31:29 | |
Sometimes, it's going to be a five-star hotel | 0:31:29 | 0:31:31 | |
and, sometimes, it's going to be a shack on a beach. | 0:31:31 | 0:31:34 | |
And their glamorous destination was... | 0:31:34 | 0:31:37 | |
We're going to take you into the wilds of the Yorkshire Dales. | 0:31:37 | 0:31:41 | |
Where is Yorkshire anyway? | 0:31:41 | 0:31:42 | |
I've got no idea(!) LAUGHTER | 0:31:42 | 0:31:46 | |
-The Yorkshire Dales. -Yeah. Not really the place that I would go to. | 0:31:47 | 0:31:51 | |
Just a little bit too much countryside for me. | 0:31:51 | 0:31:54 | |
-When we were driving up there, I was just thinking, "We are we?" -Yeah. -"Where are they taking us?" | 0:31:54 | 0:32:00 | |
I hate the countryside, I didn't want to go to Yorkshire. | 0:32:03 | 0:32:06 | |
The shoot would see the couples recreate famous scenes from fairy tales. | 0:32:06 | 0:32:10 | |
You'll be expected to communicate the emotions of the well-loved stories. | 0:32:10 | 0:32:16 | |
And to find a perfect fit for the modelling contract, | 0:32:16 | 0:32:19 | |
Jody wanted to see how they coped | 0:32:19 | 0:32:21 | |
with the harsh realities of high fashion. | 0:32:21 | 0:32:24 | |
I've asked for all the clothes to be brought in in a sample size, basically a 6 to 8. | 0:32:24 | 0:32:28 | |
That's the reality of a shoot - designers don't change the sizes, models have to fit into the clothes. | 0:32:28 | 0:32:34 | |
Some of the wannabes had no trouble getting into their outfits. | 0:32:34 | 0:32:39 | |
Vaughan and Alison worked wonders. Vaughan - perfect sample size. | 0:32:39 | 0:32:43 | |
At six foot, Jay was also the perfect size. | 0:32:43 | 0:32:46 | |
-I didn't struggle too badly. -No, with nothing. | 0:32:46 | 0:32:48 | |
-My dress fitted quite well. -Your dress?! Ha-ha! | 0:32:48 | 0:32:51 | |
-What do you think? -But Beki fell short of the mark. | 0:32:51 | 0:32:55 | |
-It's very long! -Very long. | 0:32:55 | 0:32:58 | |
On a 5'7" girl, absolutely perfect. | 0:32:58 | 0:33:00 | |
On a 5'3" girl, it's absolutely drowning her. | 0:33:00 | 0:33:04 | |
And when it came to Leroy and Chloe, it was a case of Little and Large. | 0:33:04 | 0:33:08 | |
-So how tall are you? -Five foot. | 0:33:08 | 0:33:11 | |
-Five foot?! -Yeah! -NERVOUS LAUGHTER | 0:33:11 | 0:33:13 | |
My dress was massive! | 0:33:13 | 0:33:15 | |
Like, it said it was a size 10, but it was huge. | 0:33:15 | 0:33:18 | |
If I had to stand up, it would just fall down. | 0:33:18 | 0:33:21 | |
Can I have some pins, Rach? | 0:33:21 | 0:33:24 | |
It was made for a 5'8" and I'm 5'1", near enough. | 0:33:24 | 0:33:28 | |
But Chloe's problems were tiny in relation to bodybuilder Leroy's. | 0:33:28 | 0:33:33 | |
Leroy just isn't the shape of the model. | 0:33:33 | 0:33:36 | |
They're sitting on my butt. | 0:33:36 | 0:33:38 | |
-They're tight on the butt. -Yeah. LAUGHTER | 0:33:38 | 0:33:41 | |
I'm really scared. | 0:33:41 | 0:33:43 | |
-I think that's going to rip! -Oh, no! Hee-hee! | 0:33:43 | 0:33:45 | |
The poor boy was just bursting out all over. | 0:33:45 | 0:33:48 | |
Even the couples who did get into their clothes found it hard | 0:33:48 | 0:33:52 | |
giving the photographer the emotions he wanted. | 0:33:52 | 0:33:56 | |
A bit coy, Stuart, lose the expression. That's it. | 0:33:56 | 0:33:59 | |
They were terrible that day, do you remember? | 0:33:59 | 0:34:02 | |
Maybe closer together? Not too balletic. | 0:34:02 | 0:34:06 | |
It wasn't a fashion shoot, that was like a dance shoot? | 0:34:06 | 0:34:09 | |
But nobody's day in the country | 0:34:09 | 0:34:11 | |
could've turned out worse than Leroy and Chloe's. | 0:34:11 | 0:34:15 | |
When you see him rock up in those skinny trousers, I thought, "Oh, no!" | 0:34:15 | 0:34:19 | |
Why are your trousers undone? | 0:34:19 | 0:34:21 | |
Because they don't fit around the legs, | 0:34:21 | 0:34:24 | |
so I've got to try and style it out as best as possible. | 0:34:24 | 0:34:28 | |
Do you want to borrow mine(?) | 0:34:28 | 0:34:29 | |
-HE LAUGHS -Please, it'd help. | 0:34:29 | 0:34:32 | |
My trousers wouldn't do up, they were too tight, the jacket fit | 0:34:32 | 0:34:36 | |
and, to top it off, I was hanging from a tree. | 0:34:36 | 0:34:39 | |
When it came to the casting decision, | 0:34:45 | 0:34:48 | |
Beki's height was the cause of much debate. | 0:34:48 | 0:34:51 | |
-How tall are you, Beki? -5'3". | 0:34:51 | 0:34:53 | |
-How tall are you, Beki? -I am 5'3"! | 0:34:55 | 0:34:58 | |
-I'm 5'2" and three quarters. -Three quarters is important! -It is! | 0:34:58 | 0:35:02 | |
Cos I could be 5'3", you know. | 0:35:02 | 0:35:05 | |
I think you're smaller than that. | 0:35:05 | 0:35:06 | |
The stylist thinks you're much smaller than that. | 0:35:06 | 0:35:09 | |
But Beki was off the hook, because bodybuilder Leroy | 0:35:09 | 0:35:14 | |
and 5'1" Chloe had even more trouble with the sample-sized clothes. | 0:35:14 | 0:35:18 | |
Chloe you were saved laying down, because, if you'd had to stand up, | 0:35:19 | 0:35:23 | |
that dress would've been all over the floor and, Leroy, there's pictures | 0:35:23 | 0:35:27 | |
with your flies completely open, cos you couldn't do your trousers up. | 0:35:27 | 0:35:31 | |
Oh, my gosh! If it was just Chloe, it would've been an amazing picture. | 0:35:31 | 0:35:34 | |
Leroy, you're hanging from a tree, you look like King Kong! | 0:35:34 | 0:35:38 | |
-He just reminded me of Tarzan -From the tree? | 0:35:38 | 0:35:40 | |
-He had one arm on the tree and then... -Oh, it was so funny. | 0:35:40 | 0:35:44 | |
In the end, it was Leroy's trousers that led to his undoing. | 0:35:44 | 0:35:49 | |
Going home is Leroy and Chloe. | 0:35:49 | 0:35:51 | |
Before we even came into the house, | 0:35:54 | 0:35:57 | |
I knew I was probably going to be at some disadvantage, | 0:35:57 | 0:35:59 | |
because there's not many guys 14 or so stone that are 5'9", you know, | 0:35:59 | 0:36:05 | |
so to get this far is still an amazing thing, you know. | 0:36:05 | 0:36:08 | |
-Guys, how are you feeling? -OK. -Oh! | 0:36:10 | 0:36:14 | |
I hope you don't feel bad about being eliminated, | 0:36:14 | 0:36:16 | |
because they got a lot further than I thought you were going to, | 0:36:16 | 0:36:19 | |
given neither of them looked like traditional models. | 0:36:19 | 0:36:22 | |
I think it's really nice to know that we, during the whole time, | 0:36:22 | 0:36:26 | |
hadn't been criticised on our relationship. | 0:36:26 | 0:36:29 | |
We knew how strong we were before we came in. | 0:36:29 | 0:36:31 | |
Regardless of this, you know, I go home with my prize anyway. | 0:36:31 | 0:36:34 | |
-LAUGHTER -So I'm happy. | 0:36:34 | 0:36:36 | |
By week five, | 0:36:45 | 0:36:46 | |
four couples were left in the running for the modelling contract. | 0:36:46 | 0:36:50 | |
Aussie ballroom dancers Vaughan and Alison. | 0:36:50 | 0:36:54 | |
Fiery Damien and Chanel. | 0:36:54 | 0:36:57 | |
Jay and glamour girl Beki. | 0:36:57 | 0:37:00 | |
And, the most experienced contenders, Stuart and Helen. | 0:37:00 | 0:37:04 | |
To make it to the final week, | 0:37:06 | 0:37:08 | |
the four couples were going to have to prove they were compatible, | 0:37:08 | 0:37:12 | |
both physically and emotionally. | 0:37:12 | 0:37:15 | |
Just being compatible in real life, as you clearly are, doesn't mean | 0:37:21 | 0:37:25 | |
that will come across in the photographs. | 0:37:25 | 0:37:27 | |
In the modelling challenge, the boys had to pose as real-life heroes... | 0:37:27 | 0:37:31 | |
# Mr firefighter! # | 0:37:31 | 0:37:33 | |
How are you going to get them close to you? | 0:37:33 | 0:37:35 | |
You look like a real doctor now! | 0:37:35 | 0:37:37 | |
..while the girls played their damsels in distress. | 0:37:37 | 0:37:39 | |
After the shoot in the Yorkshire Dales, | 0:37:41 | 0:37:43 | |
Beki was out to prove that, despite their height difference, | 0:37:43 | 0:37:46 | |
her and Jay could be compatible for the camera. | 0:37:46 | 0:37:49 | |
That's a great expression, Jay, I like that. | 0:37:49 | 0:37:52 | |
And the photographer was wowed by her performance. | 0:37:52 | 0:37:55 | |
You can't flaw Beki at all. Absolutely flawless. | 0:37:55 | 0:37:59 | |
The moment Beki got into the final, | 0:37:59 | 0:38:01 | |
for me, was how I saw her perform on the green screen challenge. | 0:38:01 | 0:38:05 | |
That's it, yes. | 0:38:05 | 0:38:07 | |
-Yey! -CREW APPLAUD | 0:38:07 | 0:38:09 | |
But then, it came to Vaughan and Alison. | 0:38:09 | 0:38:12 | |
Check out my guns, literally. | 0:38:12 | 0:38:14 | |
LAUGHTER | 0:38:14 | 0:38:16 | |
Whilst Vaughan struggled as a convincing policeman... | 0:38:16 | 0:38:19 | |
Looks a bit more like a gay traffic warden. | 0:38:19 | 0:38:21 | |
LAUGHTER | 0:38:21 | 0:38:22 | |
Let's not have you looking like a friendly milkmen. | 0:38:22 | 0:38:25 | |
..Alison couldn't get over that their photo featured a tarantula. | 0:38:25 | 0:38:30 | |
Oh...! | 0:38:30 | 0:38:31 | |
Come on, you guys have got faith, you'll be fine. | 0:38:31 | 0:38:34 | |
-She's not for you, you wouldn't book her? -No, sorry. -Fair enough. | 0:38:34 | 0:38:39 | |
Gorgeous. | 0:38:39 | 0:38:42 | |
Beautiful. | 0:38:42 | 0:38:44 | |
With the other couples on fire, Vaughan and Alison's only hope | 0:38:44 | 0:38:48 | |
was to ace Emma's Mr and Mrs relationship challenge. | 0:38:48 | 0:38:51 | |
We're creating a brand and, within that brand, | 0:38:51 | 0:38:54 | |
we need to know that you're going to be together. | 0:38:54 | 0:38:57 | |
Which is exactly what they did. | 0:38:58 | 0:39:01 | |
-We did do better in the relationship thing. -Yay! | 0:39:01 | 0:39:04 | |
-When would you like to get married? -Um... | 0:39:04 | 0:39:06 | |
I know she wants to get married before she's 30. | 0:39:06 | 0:39:10 | |
-Before I'm 30? -SHE LAUGHS | 0:39:10 | 0:39:12 | |
-What are you most scared of? -She's most scared of me dying before her. | 0:39:12 | 0:39:16 | |
Vaughan dying first, definitely. | 0:39:16 | 0:39:18 | |
I was just blown away by Vaughan and Alison. | 0:39:18 | 0:39:21 | |
-Yey-hey-ho! -Yey-hoo-hoo! | 0:39:21 | 0:39:24 | |
But, at the same time, they don't have sex. | 0:39:24 | 0:39:27 | |
There's a lot of time for talking. | 0:39:27 | 0:39:29 | |
-Hello! -Hi, Beki, come and sit down. | 0:39:29 | 0:39:32 | |
The compatibility test was based around | 0:39:32 | 0:39:35 | |
-some harmless questions. -Right... | 0:39:35 | 0:39:37 | |
-What was her most embarrassing moment? -Fighting in her sleep? | 0:39:37 | 0:39:41 | |
Can I just say that I don't fight in my sleep. | 0:39:41 | 0:39:44 | |
-SHE LAUGHS -She does. | 0:39:44 | 0:39:46 | |
But it uncovered a much more serious problem for Damien and Chanel. | 0:39:46 | 0:39:50 | |
-If you... -Mm-hm? -..didn't have Chanel here and you had to select | 0:39:51 | 0:39:54 | |
-an individual that you most fancied? -As in in this house? -Yes. | 0:39:54 | 0:39:59 | |
Chanel said no one and, when Emma asked me, I said... | 0:40:04 | 0:40:09 | |
Beki. | 0:40:09 | 0:40:11 | |
So, really, he just wanted to ditch me and go off with Beki. | 0:40:13 | 0:40:17 | |
SHE LAUGHS | 0:40:17 | 0:40:19 | |
Oh, they asked about fancying, that's it. Who would you fancy? | 0:40:21 | 0:40:24 | |
-I said no one. -I said Beki. | 0:40:24 | 0:40:28 | |
-Why did you say that? -Cos she's funny. I didn't really say anything, | 0:40:28 | 0:40:32 | |
I just thought, she's kind of like the closest person to you, really. | 0:40:32 | 0:40:36 | |
She wasn't just a little bit annoyed. | 0:40:37 | 0:40:40 | |
Her body language was really, really clear. She was saying, "Sod off!" | 0:40:40 | 0:40:46 | |
-Give me a kiss. -No. | 0:40:46 | 0:40:49 | |
What's the matter? | 0:40:49 | 0:40:51 | |
Nothing. | 0:40:51 | 0:40:53 | |
I felt like, "Oh, please don't let it cause friction between me and Chanel," | 0:40:53 | 0:40:57 | |
cos, instantly, if someone says that, it's a bit like, "Oh, God." | 0:40:57 | 0:41:01 | |
-Is she much better? -Who? -Who do you think?! -Oh, this is what this whole thing's about? | 0:41:01 | 0:41:05 | |
At the end of the day, Damien's not going to run off with Beki, | 0:41:05 | 0:41:08 | |
I mean, I know this, so it didn't at all. I still loved her. | 0:41:08 | 0:41:14 | |
Damien was firmly in Chanel's bad books, | 0:41:14 | 0:41:17 | |
much to the delight of ballroom dancer Vaughan. | 0:41:17 | 0:41:20 | |
From day one, he was convinced that Damien didn't like it | 0:41:20 | 0:41:24 | |
when Chanel worked with the other guys on photo shoots. | 0:41:24 | 0:41:28 | |
You're strong, but I feel there's more fire in your relationship | 0:41:28 | 0:41:31 | |
than you're letting out and that is going to cause a problem. | 0:41:31 | 0:41:34 | |
I did have a game plan, obviously, because going into competition, | 0:41:34 | 0:41:38 | |
you need to think out strategies and stuff, but that never involves | 0:41:38 | 0:41:41 | |
lying or putting people on the spot. | 0:41:41 | 0:41:43 | |
But in a contest where relationships mattered, | 0:41:43 | 0:41:47 | |
Vaughan was determined to expose what he thought was a jealous streak. | 0:41:47 | 0:41:51 | |
How comfortable did you feel? | 0:41:53 | 0:41:55 | |
-Fine. -You didn't look it. -No, what I said was... -You told me that... | 0:41:55 | 0:41:59 | |
I was not... No, no, no | 0:41:59 | 0:42:01 | |
Half of me just wanted to laugh so much and half of me | 0:42:01 | 0:42:04 | |
wanted to punch him in the face. | 0:42:04 | 0:42:06 | |
-Not at the time. -At the time, I was like, I am not sure if I like this. | 0:42:06 | 0:42:10 | |
That was just his game-plan, | 0:42:10 | 0:42:13 | |
just to twist things and make other people look bad. | 0:42:13 | 0:42:16 | |
Vaughan, I think is a deeply misunderstood character at times. | 0:42:16 | 0:42:21 | |
He's just honest and he kind of saw things and wanted to front things | 0:42:21 | 0:42:26 | |
that other people weren't willing to. | 0:42:26 | 0:42:29 | |
In a competition, all is fair in love and war. | 0:42:29 | 0:42:31 | |
# You can't stop looking at me Staring at me, be what I be | 0:42:31 | 0:42:35 | |
# You cannot stop looking at me so get up out of my face... # | 0:42:35 | 0:42:39 | |
So in the final challenge, it was left to the public to decide | 0:42:39 | 0:42:42 | |
who they thought were the most compatible. | 0:42:42 | 0:42:44 | |
What I need you to do is have a proper look at all the couples | 0:42:44 | 0:42:49 | |
and then put a mark on the bottom of the window of the couple that | 0:42:49 | 0:42:53 | |
you think are the most compatible. | 0:42:53 | 0:42:55 | |
The shop window challenge was the first time the public got to | 0:42:55 | 0:42:59 | |
see our couples, critique them and give us their feedback. | 0:42:59 | 0:43:02 | |
There is something about this set that makes them seem a little bit pretentious in some way. | 0:43:02 | 0:43:08 | |
He looks a bit awkward like he doesn't want to be here. | 0:43:08 | 0:43:12 | |
Thankfully for Damien and Chanel, the passers-by pick them | 0:43:12 | 0:43:16 | |
as joint favourites. | 0:43:16 | 0:43:17 | |
Vaughan and Alison were last. | 0:43:17 | 0:43:21 | |
I have to say I wasn't surprised by the public's reaction at all. | 0:43:21 | 0:43:25 | |
Unfortunately, I don't think they have a look that the public | 0:43:25 | 0:43:29 | |
relate to, buy into, or actually find particularly appealing. | 0:43:29 | 0:43:34 | |
At the casting decision, Emma wasn't happy with the youngest couple. | 0:43:34 | 0:43:37 | |
-I was kind of like, "Oh, Damo..." -You were in a mood. You were in a mood. | 0:43:37 | 0:43:42 | |
I can see an issue regarding jealousy. | 0:43:42 | 0:43:45 | |
But once their photo was revealed... | 0:43:45 | 0:43:48 | |
I am confused. Is it comedy, isn't it a comedy shot? You're a bit over the top, Alison. | 0:43:48 | 0:43:52 | |
It was clear that Vaughan and Alison just didn't have the looks | 0:43:52 | 0:43:56 | |
to make it to the final. | 0:43:56 | 0:43:58 | |
There was a point in the competition where they had to leave. | 0:43:58 | 0:44:01 | |
There was a point where Jody would have physically attacked me | 0:44:01 | 0:44:04 | |
had I not just accepted that were of maybe not the best models in the competition. | 0:44:04 | 0:44:10 | |
Alison and Vaughan... | 0:44:10 | 0:44:12 | |
we're going to send you home. | 0:44:12 | 0:44:16 | |
I, literally, just thought, "Oh my gosh. Thank you." It is about time they went. | 0:44:16 | 0:44:21 | |
When he left especially, he looked at me and he went to me, | 0:44:22 | 0:44:26 | |
"Well played, mate." | 0:44:26 | 0:44:28 | |
Well played. Good game. Enjoy. | 0:44:28 | 0:44:33 | |
And I went... I just went, "Whatever." | 0:44:33 | 0:44:35 | |
Absolutely want to be in the final and win this. | 0:44:39 | 0:44:41 | |
That is a definite, but at the same token | 0:44:41 | 0:44:43 | |
we could see from what was happening that we were gone. | 0:44:43 | 0:44:47 | |
Thank you again. Goodbye. | 0:44:47 | 0:44:49 | |
And so after five gruelling weeks... | 0:45:05 | 0:45:09 | |
Stuart and Helen, Beki and Jay, | 0:45:09 | 0:45:12 | |
and Damien and Chanel made it to the final. | 0:45:12 | 0:45:17 | |
I never ever thought I'd make it to week six, honestly. | 0:45:17 | 0:45:20 | |
I couldn't believe it. This competition was so tough | 0:45:20 | 0:45:23 | |
and the fact we were sitting there in the final like that - oh my God. | 0:45:23 | 0:45:26 | |
We went from the first week and I was convinced we were going, | 0:45:26 | 0:45:29 | |
and then we were in the finals and it was crazy. | 0:45:29 | 0:45:32 | |
You get to the final and think, "I want to win it now." | 0:45:32 | 0:45:36 | |
"I do not want to go home." | 0:45:36 | 0:45:38 | |
And now their commitment would be tested. | 0:45:38 | 0:45:41 | |
Commitment to yourselves, commitment to each other as couples | 0:45:41 | 0:45:45 | |
and commitment to modelling. | 0:45:45 | 0:45:47 | |
Emma's relationship challenge would see | 0:45:47 | 0:45:50 | |
if they could mix work with a family. | 0:45:50 | 0:45:53 | |
-Remember your laugh. -Go on, guys. After three, "Quack! Quack!" | 0:45:53 | 0:45:56 | |
Just relax. Whoa! Hey! | 0:45:56 | 0:45:59 | |
And for the final modelling test, | 0:45:59 | 0:46:02 | |
the pairs took part in a terrifying bride and groom catwalk show. | 0:46:02 | 0:46:08 | |
Beki just shone on the catwalk. She is the shortest of the lot, | 0:46:08 | 0:46:11 | |
but she stood really tall when she was out there. | 0:46:11 | 0:46:14 | |
But for the most important photo-shoot of the final, | 0:46:17 | 0:46:20 | |
the couples had to create an image that encapsulated their personalities. | 0:46:20 | 0:46:26 | |
Your task tomorrow is to deliver that one image that embodies you. | 0:46:26 | 0:46:33 | |
One image. It is your signature statement. | 0:46:33 | 0:46:38 | |
The final three couples had to show the judges what their brand | 0:46:41 | 0:46:45 | |
would look like if they won the joint modelling contract | 0:46:45 | 0:46:49 | |
and they had to decide on every aspect of their image. | 0:46:49 | 0:46:53 | |
Yeah, like that. That is it. There you go. | 0:46:53 | 0:46:56 | |
From going to not modelling at all to making up a complete set, | 0:46:56 | 0:47:02 | |
our own clothes, we tell them what make-up we want - | 0:47:02 | 0:47:06 | |
if you asked me to do that in the first week, | 0:47:06 | 0:47:08 | |
I'd have just cried, I'd have just sat on the floor and cried. | 0:47:08 | 0:47:11 | |
After all the criticism they'd received about their relationship, | 0:47:11 | 0:47:15 | |
Damien and Chanel's plan was to harness their edginess to create a fiery photo. | 0:47:15 | 0:47:21 | |
In the photos you should look quite fierce, because that is what you are. | 0:47:21 | 0:47:25 | |
And on the shoot, sparks flew. | 0:47:28 | 0:47:31 | |
We have got to look at that and believe you are desperate for her, | 0:47:33 | 0:47:37 | |
even though you've just had an enormous row, probably, downstairs. | 0:47:37 | 0:47:41 | |
Fabulous. Let's have a look at that. | 0:47:41 | 0:47:44 | |
After just making it to the final, | 0:47:45 | 0:47:47 | |
Stuart appeared to have regained his confidence | 0:47:47 | 0:47:50 | |
and he and Helen arrived at the shoot the most prepared. | 0:47:50 | 0:47:53 | |
Through the competition I've been told by all the judges that | 0:47:53 | 0:47:56 | |
I waffle too much and go on. We're going to play a bit on that, | 0:47:56 | 0:48:01 | |
with Helen telling me to be quiet. | 0:48:01 | 0:48:03 | |
-Yeah. -She is saying, "Shhh," but in a quite teasy, engaging way. | 0:48:03 | 0:48:09 | |
You could see exactly where they were going with the way they were dressed. It was completely them. | 0:48:09 | 0:48:14 | |
But what their idea was about... I don't really understand that. | 0:48:14 | 0:48:20 | |
Well done, guys. We will put those in. Give us a couple of mins. | 0:48:25 | 0:48:30 | |
Frickin' well happy. The whole thing went... | 0:48:30 | 0:48:33 | |
and because we had been so prepared, it was our game really. | 0:48:33 | 0:48:37 | |
But when it came to deciding on their picture, | 0:48:37 | 0:48:40 | |
Jay and Beki did not have a clue. | 0:48:40 | 0:48:44 | |
This is it now. | 0:48:44 | 0:48:45 | |
We have got a massive challenge on our hands and it was so tough, | 0:48:45 | 0:48:48 | |
because you literally had to think about everything. | 0:48:48 | 0:48:51 | |
-We definitely are over-thinking this. -It's so much pressure. | 0:48:51 | 0:48:55 | |
When someone says, "You'll have to do it all," you start panicking. | 0:48:55 | 0:49:00 | |
It was probably the most stressful week of our lives. | 0:49:00 | 0:49:05 | |
Fortunately they had some last-minute inspiration. | 0:49:05 | 0:49:10 | |
Beki and Jay's brief is fun-loving, | 0:49:10 | 0:49:13 | |
which to me has got cheese written all over it. | 0:49:13 | 0:49:16 | |
The thing that's also not helping is she has got a mustard top. | 0:49:16 | 0:49:21 | |
It might have looked a little bit cheesy but, overall, that's us, | 0:49:26 | 0:49:30 | |
we're just a cute couple. | 0:49:30 | 0:49:33 | |
They actually, as a wholesome, loving couple, actually it works. | 0:49:33 | 0:49:39 | |
Fabulous. Shall we have a look at those on the computer? | 0:49:39 | 0:49:43 | |
It was time to reveal who would win the modelling contract? | 0:49:44 | 0:49:49 | |
At the final casting decision, | 0:49:58 | 0:50:02 | |
-the pairs' images were revealed. -Aww! | 0:50:02 | 0:50:06 | |
SHE CHUCKLES | 0:50:06 | 0:50:07 | |
I would like more eye contact from Becky because I think, | 0:50:07 | 0:50:11 | |
of this couple, no disrespect, Becky is the personality. | 0:50:11 | 0:50:14 | |
-I would change a lot. -I'd have gone a lot more sexier. | 0:50:14 | 0:50:17 | |
-I'd stick with close to home with personality. -Definitely. | 0:50:17 | 0:50:21 | |
I'd focus a lot more on the final image because that's what sells. | 0:50:21 | 0:50:24 | |
And let's not beat around the bush, sex sells. | 0:50:24 | 0:50:27 | |
So would Stuart and Helen's image impress the judges? | 0:50:30 | 0:50:34 | |
Where you lost me was with your concept, which isn't a concept. | 0:50:34 | 0:50:39 | |
"Helen's strong and I talk too much," that's not a brand. | 0:50:39 | 0:50:41 | |
It seemed only one of the couples had got it right. | 0:50:46 | 0:50:50 | |
At last, I've found someone who actually understood what this | 0:50:50 | 0:50:54 | |
was all about, and did it properly. | 0:50:54 | 0:50:57 | |
It's exactly what I would have done for you as well. | 0:50:57 | 0:50:59 | |
# ..pull up in your fast car | 0:50:59 | 0:51:01 | |
# Whistling my name... | 0:51:01 | 0:51:02 | |
When the time came to lose one of the couples, | 0:51:02 | 0:51:05 | |
the judges didn't hesitate in handing out third place. | 0:51:05 | 0:51:09 | |
Stuart and Helen, I haven't seen any progression really, | 0:51:09 | 0:51:13 | |
and we're talking about the same issues this week | 0:51:13 | 0:51:15 | |
that we were talking about the first week. | 0:51:15 | 0:51:17 | |
And I'm not sure that you'd be really able, as a brand, | 0:51:17 | 0:51:22 | |
to open yourselves up to the public. | 0:51:22 | 0:51:24 | |
And for those reasons, you're going home. | 0:51:24 | 0:51:27 | |
Having entered the contest with high hopes, | 0:51:33 | 0:51:36 | |
Stuart and Helen never lived up to their billing. | 0:51:36 | 0:51:40 | |
I was like, "Yes!" Cos I thought they were going to win. | 0:51:40 | 0:51:42 | |
I saw them as our biggest competition, | 0:51:42 | 0:51:45 | |
and when they went, I was like, maybe we do have a slight chance. | 0:51:45 | 0:51:49 | |
-I just thought... -We could actually do this, didn't we? | 0:51:52 | 0:51:58 | |
That we could actually do this. | 0:51:58 | 0:52:00 | |
If you'd asked me in Week One, who would be the final two couples, | 0:52:00 | 0:52:04 | |
I would not have said Damon and Chanel and Jay and Becky, at all. | 0:52:04 | 0:52:09 | |
However, for very different reasons, | 0:52:09 | 0:52:11 | |
they both deserve their places in the final. | 0:52:11 | 0:52:14 | |
So the next two minutes are the most important few minutes | 0:52:14 | 0:52:18 | |
of the whole competition, cos I need to know now | 0:52:18 | 0:52:21 | |
exactly why you should win this. | 0:52:21 | 0:52:23 | |
We've got the highest likeability factor | 0:52:23 | 0:52:26 | |
and we don't believe these two want it half as much as we do. | 0:52:26 | 0:52:30 | |
Oh, the final was horrible! | 0:52:30 | 0:52:32 | |
Because Becky and Jay | 0:52:32 | 0:52:34 | |
are like the sugar coating on the sweetest cereal, aren't they? | 0:52:34 | 0:52:39 | |
With them, it's a happy image which is lovely, but we are more edgy. | 0:52:39 | 0:52:44 | |
If people see us in a magazine, they'll want to know more about us. | 0:52:44 | 0:52:47 | |
If people see them all happy and smiling, | 0:52:47 | 0:52:49 | |
-it might come across as fake. -Oh! | 0:52:49 | 0:52:52 | |
I was pretty gobsmacked seeing the new Becky, | 0:52:52 | 0:52:56 | |
you fight for survival to win this competition, | 0:52:56 | 0:52:59 | |
cos, boy, did she let Chanel and Damien have it. | 0:52:59 | 0:53:02 | |
Jealousy is the nastiest trait you can have. | 0:53:02 | 0:53:06 | |
If you can't stick by your man, it's no good having that face cos it ain't gonna last. | 0:53:06 | 0:53:10 | |
I did get angry. Cos I know I'm not like that. | 0:53:10 | 0:53:14 | |
It's just I can't let it slip from my fingers now. | 0:53:14 | 0:53:17 | |
I'd be devastated if it happens. | 0:53:17 | 0:53:19 | |
We look better together. That's all I'm saying. | 0:53:19 | 0:53:22 | |
It's there, it's in front of you, dangling. | 0:53:23 | 0:53:25 | |
You've just got to grab it. | 0:53:25 | 0:53:27 | |
If you don't turn up to the shoot cos of an argument, then it doesn't matter what you look like, | 0:53:27 | 0:53:32 | |
you'll create a bad reputation. | 0:53:32 | 0:53:35 | |
And that's a huge risk to take with Damien and Chanel. | 0:53:35 | 0:53:38 | |
-You could be amazing models, but if you haven't got a strong relationship. -You go nowhere. | 0:53:38 | 0:53:42 | |
Before delivering their verdict, the judges deliberated one last time. | 0:53:44 | 0:53:49 | |
Jay and Becky - I don't know if the public buy into this nicey-nicey thing all the time. | 0:53:49 | 0:53:56 | |
I don't feel that there's sexual energy and chemistry around them. | 0:53:56 | 0:54:00 | |
Damien and Chanel in the final, feels strange | 0:54:00 | 0:54:03 | |
cos they've caused me most concern. | 0:54:03 | 0:54:05 | |
Jay and Becky, you know that I've got issues with you as a couple and how compatible you are. | 0:54:05 | 0:54:12 | |
Damien and Chanel, I've been able to witness you come together | 0:54:12 | 0:54:16 | |
and show a great amount of determination and maturity | 0:54:16 | 0:54:19 | |
for what really is a very young age. | 0:54:19 | 0:54:22 | |
So the couple that are going to win this competition are... | 0:54:23 | 0:54:26 | |
I was just in my head, | 0:54:29 | 0:54:31 | |
"Jay and Becky, Jay and Becky, Jay and Becky..." | 0:54:31 | 0:54:35 | |
He's going to say Jay and Becky. | 0:54:35 | 0:54:36 | |
I was preparing myself. I'm going to be a good loser. | 0:54:38 | 0:54:41 | |
I'm going to shake their hands, I'm going to tell them well done | 0:54:41 | 0:54:44 | |
and I'll be happy for them. | 0:54:44 | 0:54:46 | |
-So close to going either way. I don't think they could have picked between the relationships. -No. | 0:54:47 | 0:54:52 | |
And it was more down to who is going to sell more as a brand. | 0:54:52 | 0:54:55 | |
-..Damien and Chanel. -Oh, my God! | 0:54:58 | 0:55:00 | |
When he said it, I was like, "Did he say our names?" I didn't know how to react. | 0:55:06 | 0:55:11 | |
I was sitting there and was like, what should I do? Jump up and down, cry? | 0:55:11 | 0:55:15 | |
We were in so much shock. It was unbelievable. | 0:55:15 | 0:55:18 | |
-Hey! -It just felt like everything we wanted. -Oh, my God! Oh, my God! | 0:55:18 | 0:55:25 | |
We probably are, you know, | 0:55:28 | 0:55:31 | |
just slightly less compatible looking together. | 0:55:31 | 0:55:35 | |
I was really pleased that Damien and Chanel won the competition. | 0:55:35 | 0:55:39 | |
They look so gorgeous together and I know you had issues at the beginning, but I just thought | 0:55:39 | 0:55:43 | |
they've really listened to what we said and worked on it. | 0:55:43 | 0:55:46 | |
-At the end, I thought they were brilliant. -There you go, baby. -Cheers. -And congratulations. | 0:55:46 | 0:55:50 | |
To Britain's hottest couple! | 0:55:50 | 0:55:52 | |
There was so much we've overcome and really, | 0:55:52 | 0:55:55 | |
I think it's made us great since then. | 0:55:55 | 0:55:57 | |
-Hi! -Hi! Nice to meet you. What's your name? -Chanel. -Chanel, Paul. | 0:56:05 | 0:56:10 | |
Two weeks later, and Britain's hottest couple are in Chelsea | 0:56:10 | 0:56:14 | |
to sign their contract with international model agency Nevs. | 0:56:14 | 0:56:19 | |
The one thing is we do get lots of things where clients want couples. | 0:56:19 | 0:56:22 | |
You know, you can be intimate together, | 0:56:22 | 0:56:25 | |
you feel comfortable together. When you put two strangers together, it doesn't work. | 0:56:25 | 0:56:29 | |
It's changed our lives. It's given us a clear direction | 0:56:29 | 0:56:32 | |
for what career we want, what path we go down. | 0:56:32 | 0:56:34 | |
Best of all is we're doing it together. | 0:56:34 | 0:56:36 | |
These are your contracts. | 0:56:36 | 0:56:37 | |
Bodies look great, so we'll do really well with these two. | 0:56:39 | 0:56:42 | |
I'm really pleased. Very pleased. | 0:56:42 | 0:56:44 | |
When I walk in a shop and see my face, it's going to be amazing. | 0:56:44 | 0:56:48 | |
And I know that we can do it as well, so it's not even unrealistic. | 0:56:48 | 0:56:52 | |
-And I get to do it with the person I love. -Aww! | 0:56:52 | 0:56:55 | |
Subtitles by Red Bee Media Ltd | 0:57:15 | 0:57:18 | |
Email: [email protected]. | 0:57:18 | 0:57:21 |