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These three brothers have a passion for ballet. | 0:00:19 | 0:00:22 | |
They come from Liverpool and unlike most of their friends, | 0:00:24 | 0:00:27 | |
they love to dance. | 0:00:27 | 0:00:29 | |
And now they're facing the most important summer of their lives. | 0:00:33 | 0:00:38 | |
Jamie, the eldest at 13, lives away from home | 0:00:40 | 0:00:43 | |
at one of the country's top ballet schools. | 0:00:43 | 0:00:45 | |
Can he cope with homesickness | 0:00:45 | 0:00:47 | |
and keeping up with the rigorous training? | 0:00:47 | 0:00:50 | |
Everyone here has been homesick really bad. | 0:00:50 | 0:00:53 | |
It's hard sometimes. I say I want to come home | 0:00:53 | 0:00:55 | |
and my mum goes, "But you've worked so hard to get there." | 0:00:55 | 0:00:58 | |
Michael has to make a big decision. Should he follow Jamie's example | 0:01:02 | 0:01:06 | |
and try and win a place in ballet school, | 0:01:06 | 0:01:08 | |
-despite the taunts of bullies? -They think boys wear tutus | 0:01:08 | 0:01:12 | |
and they do exactly the same as the girls. | 0:01:12 | 0:01:15 | |
They don't actually have a clue. | 0:01:15 | 0:01:17 | |
And the youngest, Adam, is trying to win a part | 0:01:19 | 0:01:22 | |
in professional theatre productions, | 0:01:22 | 0:01:24 | |
but it would mean leaving his family at just nine years old. | 0:01:24 | 0:01:28 | |
I want to use my life. I want to be something. | 0:01:28 | 0:01:31 | |
Dancing is a big, big, big part of my life. | 0:01:31 | 0:01:35 | |
The huge dilemmas the brothers face this summer | 0:01:35 | 0:01:39 | |
could change their lives forever. | 0:01:39 | 0:01:41 | |
I've got to dance. Not that I want to - I've got to dance. | 0:01:41 | 0:01:43 | |
It's make or break time for the ballet boys. | 0:01:43 | 0:01:47 | |
The boys' dance story began here at Elliot Clarke Theatre School | 0:01:53 | 0:01:57 | |
when Jamie was causing his mum concern. | 0:01:57 | 0:01:59 | |
Jamie literally did not fit in. Jamie was in trouble. | 0:01:59 | 0:02:04 | |
I did kickboxing and complained that my feet were sore. | 0:02:04 | 0:02:06 | |
I did boxing and complained that my hands were sore. | 0:02:06 | 0:02:09 | |
I did karate and complained, did football. | 0:02:09 | 0:02:11 | |
I tried everything with him and he just didn't fit in. | 0:02:11 | 0:02:15 | |
But when Jamie started dancing, something clicked. | 0:02:15 | 0:02:19 | |
I stood there, I walked around in a circle, walked side to side, | 0:02:19 | 0:02:22 | |
marched on the spot, got paper, scrunched it up, | 0:02:22 | 0:02:25 | |
like it was a snowball, and threw it. And I loved it. | 0:02:25 | 0:02:28 | |
He says, "I want to start dancing." I said, "Oh, do you?" He said, | 0:02:28 | 0:02:32 | |
"I want to start dancing but I want to go somewhere where there's boys." | 0:02:32 | 0:02:35 | |
Jamie's brothers went to classes with him | 0:02:35 | 0:02:38 | |
and they tried all sorts of dance. | 0:02:38 | 0:02:41 | |
But they fell in love with ballet. | 0:02:41 | 0:02:44 | |
And all three seem to have a natural talent for it. | 0:02:44 | 0:02:47 | |
If I didn't start dancing, I would just be sitting on couches, | 0:02:47 | 0:02:50 | |
just watching football and I don't want to be like that. | 0:02:50 | 0:02:53 | |
Adam, who's nine, and Michael, who's 11, started coming to classes | 0:02:53 | 0:02:57 | |
here three times a week. | 0:02:57 | 0:02:59 | |
Will you remember it for next time? Good. | 0:02:59 | 0:03:01 | |
We're going to carry it on, guys. | 0:03:01 | 0:03:03 | |
They look up to their older brother, but he no longer trains with them. | 0:03:03 | 0:03:06 | |
Jamie has moved on to bigger things. | 0:03:06 | 0:03:09 | |
He's won a place at Elmhurst School for Dance. | 0:03:09 | 0:03:12 | |
It's one of the top dance schools in the country | 0:03:12 | 0:03:15 | |
and it will set Jamie on course for a professional dance career. | 0:03:15 | 0:03:18 | |
But the training, which lasts eight years, | 0:03:18 | 0:03:21 | |
is really tough, right from the start. | 0:03:21 | 0:03:24 | |
Some exercises you'll have are slow and it will ache the muscles, | 0:03:24 | 0:03:28 | |
and then some exercises you'll have fast, get you out of breath. | 0:03:28 | 0:03:31 | |
By the end of the class, your legs are just shaking | 0:03:31 | 0:03:34 | |
and you have to keep trying and trying and trying. | 0:03:34 | 0:03:37 | |
Once more! Bit quicker. | 0:03:37 | 0:03:39 | |
Jamie's now 13, but most people started here when they were 11. | 0:03:39 | 0:03:43 | |
So there's a lot of catching up to do. | 0:03:43 | 0:03:46 | |
When you're in a ballet class, | 0:03:46 | 0:03:47 | |
the teacher will go round doing corrections, | 0:03:47 | 0:03:50 | |
and you'll see what corrections they're giving to people | 0:03:50 | 0:03:53 | |
and you think, "Am I doing that? | 0:03:53 | 0:03:54 | |
"Where am I going wrong if I'm doing that? Why can't I feel that?" | 0:03:54 | 0:03:57 | |
You're bouncing off and that's why you're landing there. | 0:03:57 | 0:04:00 | |
That's better. | 0:04:00 | 0:04:02 | |
On top of all this, Jamie has to live at the school, away from home, | 0:04:02 | 0:04:05 | |
and still has to do his normal school work. | 0:04:05 | 0:04:08 | |
Desmond Kelly helps run the school. | 0:04:08 | 0:04:10 | |
He knows this is the start of a life of dedication. | 0:04:10 | 0:04:13 | |
Breakfast from 7.30am. | 0:04:13 | 0:04:15 | |
They have to be in their first class after registration just after 8.30am | 0:04:15 | 0:04:20 | |
and they work all day, with three quarters of an hour for lunch, | 0:04:20 | 0:04:23 | |
until 6.05pm and then they go and do their prep, and that's hard. | 0:04:23 | 0:04:29 | |
If you look at these boys here, they're probably sweating already | 0:04:29 | 0:04:33 | |
and look, they're enjoying it. | 0:04:33 | 0:04:34 | |
Look at that! Wow! Yes! Good boy! | 0:04:34 | 0:04:36 | |
Look at that double. That's called a double tour! | 0:04:36 | 0:04:40 | |
Jamie's brothers, Michael and Adam, | 0:04:40 | 0:04:43 | |
are hoping to follow in his footsteps | 0:04:43 | 0:04:45 | |
and today is a big day for them. | 0:04:45 | 0:04:47 | |
They need to pass an important audition. | 0:04:47 | 0:04:50 | |
It's for a special scheme called the Cecchetti Programme. | 0:04:50 | 0:04:53 | |
Jamie did it and if his brothers also win a place, | 0:04:53 | 0:04:56 | |
they'll get extra lessons from expert teachers. | 0:04:56 | 0:05:00 | |
To succeed, they'll need to be at their very best. | 0:05:00 | 0:05:04 | |
The students have to show they can perform dance moves in patterns | 0:05:04 | 0:05:08 | |
set out by their teacher. | 0:05:08 | 0:05:10 | |
Demi-plie, to the back. | 0:05:10 | 0:05:13 | |
Two counts and bring it back to first. | 0:05:13 | 0:05:16 | |
The moves have French names and it can all get very complicated. | 0:05:16 | 0:05:21 | |
Parallel feet facing the bar, | 0:05:21 | 0:05:24 | |
and then turn on the other side, | 0:05:24 | 0:05:26 | |
and there we have it. | 0:05:26 | 0:05:28 | |
Some of the exercises were all muddled up and some of the exercises | 0:05:28 | 0:05:32 | |
I could do. It was difficult, | 0:05:32 | 0:05:35 | |
but I just thought, give it a go, because the world won't stop. | 0:05:35 | 0:05:39 | |
I had to concentrate, like, much more than I would in a normal class, | 0:05:43 | 0:05:47 | |
obviously, because it's an audition and you want to get in. | 0:05:47 | 0:05:51 | |
Arms above your head and side. | 0:05:51 | 0:05:55 | |
Overall, I don't actually know whether I'm going to get in or not. | 0:05:55 | 0:06:01 | |
I'll have to wait and see. | 0:06:01 | 0:06:03 | |
They'll get their results in a couple of days. | 0:06:09 | 0:06:12 | |
If they fail, it will be a big setback | 0:06:12 | 0:06:14 | |
because they're desperate to be as good as Jamie. | 0:06:14 | 0:06:17 | |
All three boys know they have to try harder | 0:06:17 | 0:06:20 | |
because their family doesn't have much money. | 0:06:20 | 0:06:23 | |
For a boy from Jamie's background, studying at Elmhurst would normally | 0:06:23 | 0:06:27 | |
be impossible because it's a private school and can be very expensive, | 0:06:27 | 0:06:32 | |
but talented dancers like Jamie can win a scholarship, | 0:06:32 | 0:06:35 | |
which means his family don't have to pay any fees. | 0:06:35 | 0:06:39 | |
Jamie immediately struck me as being somebody special | 0:06:39 | 0:06:44 | |
because, and this is really important, because of his passion. | 0:06:44 | 0:06:49 | |
His passion for dance. | 0:06:49 | 0:06:51 | |
He's absolutely determined to become a dancer. | 0:06:51 | 0:06:54 | |
I like all the fire in the belly. | 0:06:54 | 0:06:56 | |
If you've got fire in your belly, you're going to make it as a dancer. | 0:06:56 | 0:07:01 | |
Use that hamstring, | 0:07:01 | 0:07:03 | |
so the hips can stay square. | 0:07:03 | 0:07:05 | |
Boys learning ballet have to be very strong. | 0:07:05 | 0:07:08 | |
When they're older, they'll have to lift ballerinas above their heads, | 0:07:08 | 0:07:11 | |
which is incredibly difficult. | 0:07:11 | 0:07:13 | |
Jamie has never danced with a partner | 0:07:13 | 0:07:16 | |
but in class today, he'll be asked to try it for the first time | 0:07:16 | 0:07:20 | |
and the pressure's on because one of the school's directors | 0:07:20 | 0:07:23 | |
will be watching. | 0:07:23 | 0:07:24 | |
Back in Liverpool, it's time for Michael and Adam | 0:07:24 | 0:07:27 | |
to pick up the results of their audition. | 0:07:27 | 0:07:29 | |
I believe Hayley might have your Cecchetti results. | 0:07:29 | 0:07:32 | |
There you go. | 0:07:33 | 0:07:36 | |
Let's go over there. Go over there. | 0:07:36 | 0:07:38 | |
Both in the same envelope. | 0:07:38 | 0:07:41 | |
-What if it's a no? -We'll still read it. | 0:07:41 | 0:07:43 | |
-What will you do? -I'll cry. | 0:07:43 | 0:07:46 | |
Will you? Will you audition again next year? | 0:07:46 | 0:07:49 | |
-Yeah. -Or not? -Give me the results! | 0:07:49 | 0:07:53 | |
Ooh, it's on one piece of paper. | 0:07:53 | 0:07:55 | |
Can I read it? | 0:07:55 | 0:07:57 | |
Let him read it. | 0:07:57 | 0:07:59 | |
"Following the recent auditions, | 0:08:02 | 0:08:04 | |
"the boys are awarded a scholarship for the coming year." | 0:08:04 | 0:08:09 | |
-Sick! -You got a scholarship as well. -Sick! Oh, sick! -Yeah, that's cool. | 0:08:09 | 0:08:16 | |
This is great news for the boys. | 0:08:16 | 0:08:18 | |
They have won extra free tuition. That means even more dancing. | 0:08:18 | 0:08:22 | |
Although they seem to dance everywhere and anywhere | 0:08:22 | 0:08:25 | |
they go especially when they are together. | 0:08:25 | 0:08:28 | |
Adam in particular is always performing. | 0:08:28 | 0:08:31 | |
Woo! Woo! | 0:08:31 | 0:08:33 | |
He really does think life is a stage. | 0:08:33 | 0:08:35 | |
-Boys. -Ah! | 0:08:35 | 0:08:38 | |
He goes, "I want that one," and does a pirouette and goes, "That one." | 0:08:38 | 0:08:44 | |
And this is a daily shop. | 0:08:44 | 0:08:47 | |
He starts using the bar at the pizza place as a ballet bar. | 0:08:47 | 0:08:50 | |
I've been trying to choose what fish he wants to eat for tea. | 0:08:50 | 0:08:53 | |
It is funny. It is funny. | 0:08:53 | 0:08:55 | |
-Shall we stop early? -Woo! | 0:08:55 | 0:08:58 | |
To me, that says it is in him. To me it says... | 0:08:58 | 0:09:02 | |
that's what he wants to do because you can't force a child to do that. | 0:09:02 | 0:09:05 | |
And even at school, dancing is never far from his mind. | 0:09:05 | 0:09:09 | |
I'm always like, "I can't wait till dancing," | 0:09:09 | 0:09:11 | |
and we're always pestering me mum, "Can we go an extra night?" | 0:09:11 | 0:09:16 | |
Ballet is a big, big, big part of my life | 0:09:16 | 0:09:21 | |
and I really love it. | 0:09:21 | 0:09:22 | |
Bend, and again. | 0:09:22 | 0:09:24 | |
And stretch those knees. | 0:09:24 | 0:09:27 | |
Two. And three. | 0:09:27 | 0:09:29 | |
The extra tuition he has won will help Adam develop as a dancer, | 0:09:29 | 0:09:33 | |
but for a nine-year-old, he already knows a lot about | 0:09:33 | 0:09:36 | |
the technical side of ballet. | 0:09:36 | 0:09:37 | |
Oh, yes, this arabesque, | 0:09:37 | 0:09:40 | |
you've got to get your hips square, back up straight and your leg up, | 0:09:40 | 0:09:46 | |
and arms out gentle, | 0:09:46 | 0:09:48 | |
and that's good. | 0:09:48 | 0:09:50 | |
That's called an arabesque. | 0:09:50 | 0:09:52 | |
Of course, Jamie learned all this years ago, but there are some things | 0:09:52 | 0:09:56 | |
even he hasn't done, such as dancing with girls. | 0:09:56 | 0:10:00 | |
He loves watching the older students who are already dancing in pairs. | 0:10:00 | 0:10:05 | |
The difference between what I do and what they do is that theirs | 0:10:05 | 0:10:08 | |
is a billion times harder. I've only got to focus on what I'm doing. | 0:10:08 | 0:10:12 | |
I've got to focus on whether my arms are right, my body, | 0:10:12 | 0:10:16 | |
but they have got to do all that with a girl as well. | 0:10:16 | 0:10:19 | |
If they have one foot out of position, they could drop them. | 0:10:19 | 0:10:22 | |
My ambition is to be anywhere near that standard. | 0:10:22 | 0:10:25 | |
APPLAUSE | 0:10:27 | 0:10:29 | |
Today, though, his teachers surprise him and give him the chance to see | 0:10:29 | 0:10:33 | |
what it is like dancing with one of the school's top ballerinas. | 0:10:33 | 0:10:36 | |
Can you feel her weight? | 0:10:38 | 0:10:40 | |
It was just really scary because you could feel where her weight was, | 0:10:40 | 0:10:44 | |
and you could feel she's more secure in certain parts than in other. | 0:10:44 | 0:10:48 | |
The girl is balanced on her toes and Jamie has to hold her | 0:10:48 | 0:10:51 | |
to ensure she is safe. | 0:10:51 | 0:10:53 | |
Then he is meant to try and lift his own leg and stay balanced. | 0:10:53 | 0:10:56 | |
If the ballerina fell or lost her balance, | 0:10:56 | 0:10:59 | |
it would be really embarrassing for Jamie. | 0:10:59 | 0:11:01 | |
He can hold her in position, but Jamie doesn't feel safe enough | 0:11:01 | 0:11:05 | |
to lift his leg. | 0:11:05 | 0:11:07 | |
No, no. No. | 0:11:07 | 0:11:09 | |
When I had to put my foot back, it was like, no way, no, | 0:11:09 | 0:11:13 | |
because I was too scared, in case she fell. | 0:11:13 | 0:11:18 | |
I don't know, it's really scary. | 0:11:18 | 0:11:21 | |
But his teachers are very pleased with his efforts. | 0:11:21 | 0:11:23 | |
Very, very good. Very good. | 0:11:23 | 0:11:25 | |
APPLAUSE | 0:11:25 | 0:11:28 | |
I will get to dance with a partner in two years | 0:11:28 | 0:11:32 | |
and then I will be doing things not as advanced as that, | 0:11:32 | 0:11:34 | |
but starting to go do it and then hopefully progress to that. | 0:11:34 | 0:11:39 | |
Jamie goes home during school holidays. | 0:11:39 | 0:11:42 | |
ALL: # Say it's just a dream. # | 0:11:42 | 0:11:45 | |
As well as being brothers, the boys are great friends too | 0:11:45 | 0:11:49 | |
and enjoy spending time together. | 0:11:49 | 0:11:51 | |
# I am a crisp man | 0:11:51 | 0:11:53 | |
# I am the crisp man | 0:11:53 | 0:11:54 | |
# I give you free crisps today Hey, hey, hey. # | 0:11:54 | 0:11:58 | |
When together, they make the most of the time they've got together. | 0:11:58 | 0:12:02 | |
-What's wrong with you, man? -I say that. | 0:12:02 | 0:12:04 | |
(You're really naughty.) | 0:12:04 | 0:12:06 | |
They make the most of the time they've got together. | 0:12:06 | 0:12:08 | |
They are quite touchy, feely, they are quite huggy. | 0:12:08 | 0:12:12 | |
Jamie is also very supportive of his brothers' dancing. | 0:12:12 | 0:12:15 | |
Today, he is going with him to the Elliot Clarke School annual show | 0:12:15 | 0:12:19 | |
in which Michael and Adam are both performing. | 0:12:19 | 0:12:22 | |
# Da dee da dee da Dee da da dee da. # | 0:12:22 | 0:12:26 | |
Afterwards, there is an awards ceremony for the best students | 0:12:26 | 0:12:29 | |
this year and both boys have a chance of winning. | 0:12:29 | 0:12:32 | |
Well, I only ever thought | 0:12:32 | 0:12:34 | |
it's just good to be nervous. | 0:12:34 | 0:12:36 | |
A famous dancer said, "The day you are not nervous | 0:12:36 | 0:12:39 | |
"before a big performance is the day you should stop." | 0:12:39 | 0:12:42 | |
You should always be nervous and excited. | 0:12:42 | 0:12:46 | |
Darling, I'm just dead excited, darling. | 0:12:46 | 0:12:50 | |
Professional dancers have to learn to cope with an audience | 0:12:50 | 0:12:53 | |
and for the two younger boys this is a taste of the real thing. | 0:12:53 | 0:12:57 | |
There's a lot of pressure on Adam. | 0:12:57 | 0:12:59 | |
He has a starring role in the show. | 0:12:59 | 0:13:02 | |
He will be showing his ballet skills off in a dance version | 0:13:02 | 0:13:05 | |
of Mary Poppins. | 0:13:05 | 0:13:06 | |
But Adam is not just a dancer, he can also sing. | 0:13:09 | 0:13:13 | |
Any day now he expects to hear about an audition he went to for a part | 0:13:13 | 0:13:17 | |
in a big musical. | 0:13:17 | 0:13:18 | |
But for now, he is performing a solo of an Elvis Presley song. | 0:13:18 | 0:13:22 | |
# Everybody in the hotel rock | 0:13:22 | 0:13:25 | |
# Just dance to the jailhouse rock | 0:13:25 | 0:13:27 | |
# Just dance to the jailhouse rock! # | 0:13:27 | 0:13:31 | |
CHEERING AND APPLAUSE | 0:13:31 | 0:13:33 | |
Adam's Elvis a triumph. | 0:13:33 | 0:13:35 | |
Now, it is Michael's turn and he too doesn't put a foot wrong. | 0:13:35 | 0:13:39 | |
The boys get a real buzz from performing | 0:13:39 | 0:13:42 | |
in front of a live audience. | 0:13:42 | 0:13:44 | |
When everyone claps for you and you are standing there, | 0:13:44 | 0:13:47 | |
and they paid to see you, it is a good feeling. | 0:13:47 | 0:13:50 | |
But have either of the boys done enough over the year | 0:13:52 | 0:13:56 | |
to win an award? | 0:13:56 | 0:13:58 | |
The most prestigious award for Michael, Adam and their friends | 0:13:58 | 0:14:02 | |
is the one for Best Boy. | 0:14:02 | 0:14:03 | |
Both brothers have a chance of winning it | 0:14:03 | 0:14:05 | |
and it would be a reward for all the hours of hard work they have put in. | 0:14:05 | 0:14:09 | |
Michael is feeling nervous. | 0:14:09 | 0:14:10 | |
The fact that we are having an awards ceremony | 0:14:10 | 0:14:13 | |
does bother me because if I got one, it would be good | 0:14:13 | 0:14:17 | |
and if I didn't it would still be good, | 0:14:17 | 0:14:19 | |
because I'm doing another show anyway. | 0:14:19 | 0:14:24 | |
Should I wait? | 0:14:24 | 0:14:25 | |
What was I saying? | 0:14:38 | 0:14:40 | |
But Michael needn't have worried. | 0:14:40 | 0:14:42 | |
He is the winner. | 0:14:42 | 0:14:45 | |
Thank you! | 0:14:45 | 0:14:48 | |
-Did you enjoy it or not? Yeah? Yeah? -Stop it, you're ruining me hair! | 0:14:51 | 0:14:57 | |
Got certificates, but never had a trophy. | 0:14:57 | 0:14:59 | |
Not like in dance, anyway, so it feels cool. | 0:14:59 | 0:15:04 | |
The award will boost Michael's confidence. He's struggled the most | 0:15:04 | 0:15:08 | |
with people who think that ballet is something that's not very manly. | 0:15:08 | 0:15:11 | |
It's been hard for him and he needs to decide | 0:15:11 | 0:15:14 | |
whether he can ignore the bullies, carry on dancing and try and win | 0:15:14 | 0:15:18 | |
a place at Elmhurst with Jamie. | 0:15:18 | 0:15:21 | |
Boys what do football call us gay, but then they say it is not gay | 0:15:21 | 0:15:26 | |
for girls to do football, which it isn't, but then it is gay for boys | 0:15:26 | 0:15:29 | |
to do a more girlish type sport. | 0:15:29 | 0:15:32 | |
I mean, more girls do it than boys, but | 0:15:32 | 0:15:34 | |
it's not more girlish because you have got to be dead strong. | 0:15:34 | 0:15:37 | |
In Michael's school, dance largely means street dance, not ballet. | 0:15:37 | 0:15:42 | |
I feel like saying, well, dance is dance. | 0:15:42 | 0:15:44 | |
It doesn't matter what shape or form. | 0:15:44 | 0:15:46 | |
It is like plastic and calling it tuna or tomato, it's still plastic. | 0:15:46 | 0:15:51 | |
Toast, butter or no butter. | 0:15:51 | 0:15:54 | |
Dark, not dark, it's still toast. | 0:15:54 | 0:15:56 | |
A boy whether he is gay or not gay, he is still a boy. | 0:15:58 | 0:16:02 | |
Most dance students are girls. | 0:16:02 | 0:16:05 | |
Being different and standing out from the crowd can cause people | 0:16:05 | 0:16:08 | |
to be picked on and that's what's happened to all the brothers. | 0:16:08 | 0:16:11 | |
If they can't stand up to the bullies, | 0:16:11 | 0:16:14 | |
they will fail as dancers and so far, they have been very strong. | 0:16:14 | 0:16:18 | |
I said to my mate, "If you can give me one good reason, | 0:16:18 | 0:16:21 | |
"what's wrong with doing ballet?" He goes, "Because it's gay," | 0:16:21 | 0:16:24 | |
and that's all he could say and I was like, | 0:16:24 | 0:16:26 | |
"Personally, obviously, I don't think it is gay. | 0:16:26 | 0:16:29 | |
"Apart from that, one good reason." And he couldn't think of one thing. | 0:16:29 | 0:16:34 | |
If the worst thing someone could say about it is "Ah, you do ballet," | 0:16:34 | 0:16:37 | |
then that's saying quite a lot about us in a way. | 0:16:37 | 0:16:39 | |
One incredibly successful dancer is Danny Dolan. | 0:16:39 | 0:16:43 | |
These are so important when you're training. | 0:16:43 | 0:16:45 | |
He overcame any worries about bullying, worked hard | 0:16:45 | 0:16:48 | |
at his dancing and is now training with the most famous | 0:16:48 | 0:16:51 | |
ballet company in the world, the Bolshoi in Russia. | 0:16:51 | 0:16:54 | |
To Michael and Adam, he's a hero | 0:16:54 | 0:16:56 | |
and today he is giving them a private lesson. | 0:16:56 | 0:16:59 | |
Because when you're doing this tour, | 0:16:59 | 0:17:01 | |
all you have got to imagine is like a pencil. You are going up, | 0:17:01 | 0:17:04 | |
you're turning round and you are coming down. | 0:17:04 | 0:17:06 | |
Your body doesn't change at all. | 0:17:06 | 0:17:07 | |
I did my exams like two years ago, and he lent me these. | 0:17:07 | 0:17:13 | |
If he is that good, he can go to Russia, he must have magic | 0:17:13 | 0:17:16 | |
in the shoes, so I wore them and I got the dance right when | 0:17:16 | 0:17:20 | |
I wore them so there must have been magic in it and I got an extension, | 0:17:20 | 0:17:25 | |
so if I hadn't of wore these, I wouldn't have got an extension. | 0:17:25 | 0:17:29 | |
A distinction, not an extension. | 0:17:29 | 0:17:32 | |
In a city like Liverpool, it is very hard at high school for the boys | 0:17:32 | 0:17:35 | |
to openly say they do ballet because a lot of people see it over here | 0:17:35 | 0:17:40 | |
as a girlie thing. | 0:17:40 | 0:17:42 | |
So it's nice that they can stick up for each other, but the truth is | 0:17:42 | 0:17:46 | |
you don't have to believe what those people say. If you enjoy it, do it. | 0:17:46 | 0:17:50 | |
Everyone thinks, "Oh yeah, ballet, it is girls in tutus," | 0:17:50 | 0:17:54 | |
-but in Russia, what's it like? -Honestly, it's the most manly thing. | 0:17:54 | 0:17:58 | |
I have never met such manly men | 0:17:58 | 0:17:59 | |
except for the people that I met at Bolshoi. | 0:17:59 | 0:18:02 | |
Danny is an inspiration and he's given the boys | 0:18:02 | 0:18:05 | |
plenty to think about. | 0:18:05 | 0:18:07 | |
Adam, though, soon has a huge change to deal with. He has finally got | 0:18:07 | 0:18:11 | |
the news he has been waiting for and it's incredibly exciting. | 0:18:11 | 0:18:15 | |
He's got the part he wanted in a Royal Shakespeare Company | 0:18:15 | 0:18:18 | |
production called Matilda. | 0:18:18 | 0:18:21 | |
Rehearsals start tomorrow and he'll be living away from home | 0:18:21 | 0:18:24 | |
for most of the next six months. | 0:18:24 | 0:18:26 | |
What are you going to need? You'll need your dance shoes, won't you? | 0:18:26 | 0:18:30 | |
-You are not going to need dance shoes? -No. | 0:18:30 | 0:18:33 | |
-You are not going to do a dance rehearsal? -No. | 0:18:33 | 0:18:35 | |
-What are you going to do, then? -Just put them in. | 0:18:35 | 0:18:37 | |
I can't believe I'm letting my nine-year-old baby go, | 0:18:37 | 0:18:40 | |
but when you watch him on stage and you watch him do it, you just think, | 0:18:40 | 0:18:43 | |
you just want to. You are all gutted now about him going, aren't you? | 0:18:43 | 0:18:47 | |
Do you think you will cry tomorrow? | 0:18:47 | 0:18:49 | |
-Probably. -I won't. I'm used to it. | 0:18:49 | 0:18:51 | |
'When we say goodbye, | 0:18:51 | 0:18:54 | |
'Michael will find it hard, probably go into one of his little strops. | 0:18:54 | 0:18:57 | |
'My mum will be at the train station crying her eyes out,' | 0:18:57 | 0:19:00 | |
and I'll either be like, "Ta-ra," and try | 0:19:00 | 0:19:02 | |
and get it over and done really quick or I'll be really upset. | 0:19:02 | 0:19:05 | |
I'm not going to cry, | 0:19:05 | 0:19:07 | |
but we'll all be upset, but also happy for him at the same time | 0:19:07 | 0:19:10 | |
because it is what he wants to do. | 0:19:10 | 0:19:12 | |
Make sure you brush your teeth. No, listen. | 0:19:12 | 0:19:15 | |
If I pick you up and I find maggots coming out of your teeth, | 0:19:15 | 0:19:19 | |
you are not going back, OK? | 0:19:19 | 0:19:21 | |
Adam will be staying in a house with other children in the production. | 0:19:21 | 0:19:24 | |
He's nervous about leaving home | 0:19:24 | 0:19:26 | |
to live with people he has never met before. | 0:19:26 | 0:19:29 | |
I do not want to come home, but I will miss my mum and I will miss | 0:19:29 | 0:19:32 | |
my brothers. I will be like this, "What if everyone hates me? | 0:19:32 | 0:19:35 | |
"What if everyone this and that?" And my mum is like, "Calm down." | 0:19:35 | 0:19:39 | |
And I'm like, "But what if this...?" | 0:19:39 | 0:19:43 | |
But I'm dead excited, yeah. | 0:19:43 | 0:19:46 | |
He will love the rehearsals. | 0:19:46 | 0:19:48 | |
All the attention he is going to get. | 0:19:48 | 0:19:50 | |
He will be absolutely amazing. | 0:19:50 | 0:19:52 | |
Stop it, darling, you're making me blush. | 0:19:52 | 0:19:54 | |
Stop it! | 0:19:54 | 0:19:56 | |
I'll miss Michael walking into lamp posts, | 0:19:56 | 0:20:00 | |
and I'll miss Jamie going like this. "Ah yes, I can do this." | 0:20:00 | 0:20:05 | |
I'll miss me mum burning food. | 0:20:05 | 0:20:09 | |
I will need a hug, so I will bring a photo of her and hug her at night, | 0:20:09 | 0:20:13 | |
so I've always got her near me. | 0:20:13 | 0:20:16 | |
I'm letting you go because I think this is going to be | 0:20:16 | 0:20:18 | |
something fantastic for you. | 0:20:18 | 0:20:20 | |
Yeah, because they don't do burnt food. | 0:20:20 | 0:20:22 | |
They don't do burnt food, no. But, you know, if any point | 0:20:22 | 0:20:25 | |
you don't like it, no one is forcing you to stay there, OK? | 0:20:25 | 0:20:28 | |
I won't want to come back, I'll miss you, but I won't want to come back. | 0:20:28 | 0:20:32 | |
Oi, mister! What do you mean, you won't want to come back? | 0:20:32 | 0:20:35 | |
Jamie knows what Adam will be facing. | 0:20:35 | 0:20:38 | |
He's been living away from home for months. | 0:20:38 | 0:20:41 | |
There is my room and... | 0:20:41 | 0:20:44 | |
this is my room. | 0:20:44 | 0:20:45 | |
This is my bed, my really comfy pillows. | 0:20:45 | 0:20:50 | |
I've got two spaces for my suitcases and stuff. | 0:20:50 | 0:20:55 | |
I've got three drawers - | 0:20:55 | 0:20:57 | |
bedding, pyjamas and dance stuff. | 0:20:57 | 0:21:00 | |
Jamie shares his room with Archie. | 0:21:00 | 0:21:02 | |
-Being away from home can be very tough. -I think it's fair to say | 0:21:02 | 0:21:06 | |
at least everyone here has been homesick because I know that | 0:21:06 | 0:21:10 | |
when I first came, I got quite homesick. | 0:21:10 | 0:21:12 | |
I used to call my mum like, every night, | 0:21:12 | 0:21:15 | |
and it kind of... I thought there is no point in me calling my mum | 0:21:15 | 0:21:18 | |
every night now, so I just call her every week now. | 0:21:18 | 0:21:21 | |
It's just easier. | 0:21:21 | 0:21:23 | |
With Adam away in London, and Jamie at Elmhurst, | 0:21:23 | 0:21:26 | |
Michael will be on his own with his mum in Liverpool. | 0:21:26 | 0:21:29 | |
When Jamie went, he went to pieces. | 0:21:29 | 0:21:31 | |
Adam cried. Michael mumbled. | 0:21:31 | 0:21:33 | |
So what I need to do with Michael is just make sure | 0:21:33 | 0:21:36 | |
that time that I've got with him, I find something that he can focus on. | 0:21:36 | 0:21:40 | |
And Michael's focus is now the big decision. | 0:21:40 | 0:21:44 | |
Will he audition to get into Elmhurst? | 0:21:44 | 0:21:47 | |
To help make his mind up, he's been having some private lessons. | 0:21:47 | 0:21:49 | |
Full rise, and into fourth. | 0:21:49 | 0:21:52 | |
Sometimes I look happy because whatever I'm learning, it's clicked. | 0:21:52 | 0:21:56 | |
I'm confident with it. I know it and then I can just do it, | 0:21:56 | 0:22:00 | |
but I'm concentrating, I'm figuring it out. | 0:22:00 | 0:22:02 | |
I'm not bothered about this at that moment in time. | 0:22:02 | 0:22:06 | |
I'm thinking, "What is it? Is it this?" | 0:22:06 | 0:22:08 | |
And then, when it clicks, I'm fine then. | 0:22:08 | 0:22:13 | |
We could just do with getting these a little bit straighter. | 0:22:13 | 0:22:16 | |
As Michael wrestles with his decision, Adam is settling into | 0:22:16 | 0:22:19 | |
the house he shares with the other young performers. | 0:22:19 | 0:22:22 | |
They are in Stratford, | 0:22:22 | 0:22:24 | |
where Matilda is being staged by the Royal Shakespeare Company. | 0:22:24 | 0:22:28 | |
I put a pile of snow from the car to the wall and then get behind it, | 0:22:28 | 0:22:33 | |
but then he moved the car out just before I got into it. | 0:22:33 | 0:22:37 | |
Adam shares a room with three other boys. | 0:22:37 | 0:22:40 | |
I thought it would be like... | 0:22:40 | 0:22:42 | |
happy and everything would be OK and I wouldn't miss home | 0:22:42 | 0:22:47 | |
because it is only Mum, but when you actually do it, you miss your mum. | 0:22:47 | 0:22:53 | |
You don't realise you actually do miss them. | 0:22:53 | 0:22:56 | |
But despite missing his family, Adam is enjoying his time away. | 0:22:56 | 0:23:00 | |
The children all work and play together and have plenty of time | 0:23:00 | 0:23:04 | |
in between performances and rehearsals | 0:23:04 | 0:23:06 | |
to be just like other children. | 0:23:06 | 0:23:08 | |
We all get on. There's never arguments. | 0:23:08 | 0:23:13 | |
We all get treated very well. We are all like kings and princesses here. | 0:23:13 | 0:23:16 | |
But the children are here to work and the production team | 0:23:16 | 0:23:20 | |
are always keen to help them be as good as they possibly can. | 0:23:20 | 0:23:24 | |
Someone told the Trunchbull I did it. | 0:23:24 | 0:23:26 | |
-I never and now she's after me. -Good. Really nice. | 0:23:26 | 0:23:30 | |
Shall we do it once more, Adam? Let's really play that fear factor | 0:23:30 | 0:23:33 | |
because Trunchbull is scary, isn't she? | 0:23:33 | 0:23:35 | |
On the first night, I was like, | 0:23:35 | 0:23:37 | |
"What if I trip on the stage or what if I get my lines wrong?" | 0:23:37 | 0:23:41 | |
But as soon as I went on there, all that went out of my mind | 0:23:41 | 0:23:44 | |
and the dance came back to me and I just did it. | 0:23:44 | 0:23:50 | |
Hello. This isn't my room at all. | 0:23:51 | 0:23:54 | |
Hello, Trunchbull. | 0:23:54 | 0:23:56 | |
Good, really nice. | 0:23:56 | 0:23:57 | |
Just think about making those sounds really clear. | 0:23:57 | 0:24:00 | |
-"Hello, MISS Trunchbull." -"Hello, Miss Trunchbull." -Great. | 0:24:00 | 0:24:03 | |
I just love being on stage. | 0:24:03 | 0:24:04 | |
I don't know what it is. It is just that feeling about it. | 0:24:04 | 0:24:08 | |
It is like Christmas, if you get what I mean, | 0:24:08 | 0:24:12 | |
but every night that you do it. | 0:24:12 | 0:24:14 | |
I cannot believe how much my life has changed because at first | 0:24:14 | 0:24:18 | |
I was at a normal dance school | 0:24:18 | 0:24:20 | |
and then my dance teacher sent me to the audition and then here I am. | 0:24:20 | 0:24:26 | |
And when she got up, her knickers stayed stuck to the seat! | 0:24:26 | 0:24:30 | |
My life has changed a lot. | 0:24:30 | 0:24:31 | |
Back in Liverpool, Michael has decided | 0:24:31 | 0:24:34 | |
he wants his life to change too. He is going to apply for Elmhurst. | 0:24:34 | 0:24:40 | |
Dance is making me happy. | 0:24:40 | 0:24:43 | |
Two arms, Michael. Two arms all the time. | 0:24:43 | 0:24:45 | |
It has made me realise that | 0:24:45 | 0:24:48 | |
not everything comes easy, because if I would have grew up | 0:24:48 | 0:24:52 | |
thinking everything came easy, I would fall flat on my face. | 0:24:52 | 0:24:57 | |
And a three, and a four. We go around. | 0:24:57 | 0:25:02 | |
Two, the front and stop. | 0:25:02 | 0:25:04 | |
You have to train, really, really hard. You have got to work. | 0:25:04 | 0:25:08 | |
You have got to earn that fish and chips instead of a load of veg. | 0:25:08 | 0:25:12 | |
You have got to earn it. | 0:25:12 | 0:25:15 | |
Yeah, you have to, or a big pile of pie. | 0:25:15 | 0:25:19 | |
The first person to find out about Michael's decision | 0:25:20 | 0:25:22 | |
is Jamie who has come home for the weekend. | 0:25:22 | 0:25:24 | |
I've been waiting all night long. | 0:25:24 | 0:25:28 | |
Look what he has got. Forms for your school. | 0:25:28 | 0:25:30 | |
-Is that good or bad? -It's good. | 0:25:30 | 0:25:32 | |
But filling in the forms is the easy part. | 0:25:32 | 0:25:35 | |
You have to be one of the best, and that is just to get a place. | 0:25:35 | 0:25:39 | |
Then you need to boarding place and then I'll need a scholarship | 0:25:39 | 0:25:43 | |
because obviously I can't pay. So... | 0:25:43 | 0:25:47 | |
I need to stand out from everyone, | 0:25:47 | 0:25:49 | |
not once, not twice, but three times. | 0:25:49 | 0:25:52 | |
You know on the day, if you make a mistake, what are you going to do? | 0:25:52 | 0:25:55 | |
-Blag it. -How are you going to blag it? What are you going to do? | 0:25:55 | 0:25:59 | |
-With your face? -I'm going to use my face. | 0:25:59 | 0:26:03 | |
-How? -By smiling. | 0:26:03 | 0:26:06 | |
I will get in somewhere. | 0:26:06 | 0:26:10 | |
I will, but I don't know where. Hopefully, Elmhurst. | 0:26:10 | 0:26:13 | |
It is coming to the end of a big year for Jamie, Michael and Adam. | 0:26:13 | 0:26:17 | |
As a treat, their mum has brought the older brothers | 0:26:17 | 0:26:19 | |
to see Adam in Matilda. | 0:26:19 | 0:26:22 | |
Michael is now determined to do his best and work as hard | 0:26:22 | 0:26:25 | |
as he can to win an Elmhurst scholarship. | 0:26:25 | 0:26:28 | |
I've had to practise flexibility and splits and all that, | 0:26:28 | 0:26:33 | |
and things that they're looking to see if you can do, | 0:26:33 | 0:26:35 | |
because if you can't do it, they can't help you. | 0:26:35 | 0:26:38 | |
You have got to be able to have the stamina to do. | 0:26:38 | 0:26:41 | |
Jamie is happy to have settled in there. | 0:26:41 | 0:26:44 | |
It feels a bit like home knowing everyone and how everyone is, | 0:26:44 | 0:26:49 | |
and things like that and just knowing all the teachers. | 0:26:49 | 0:26:51 | |
I think I've settled in quite well, hopefully, anyway. | 0:26:51 | 0:26:55 | |
They are looking forward to seeing Adam's performance. | 0:26:55 | 0:26:58 | |
I think he is going to be brilliant. | 0:26:58 | 0:26:59 | |
I am so proud that he has got this far as well. I am so excited. | 0:26:59 | 0:27:03 | |
I can't wait to see him. | 0:27:03 | 0:27:04 | |
This is a huge test for Adam. | 0:27:07 | 0:27:09 | |
Some tickets cost more than £50. | 0:27:09 | 0:27:12 | |
Two hours later, they are celebrating watching | 0:27:12 | 0:27:14 | |
a brilliant performance from Adam and the rest of the cast. | 0:27:14 | 0:27:18 | |
And after the show, the family are reunited. | 0:27:22 | 0:27:27 | |
I'm really, really proud. | 0:27:27 | 0:27:29 | |
I think that each and every one of those rehearsals | 0:27:29 | 0:27:32 | |
has been absolutely worth it. | 0:27:32 | 0:27:33 | |
All three of them have got really, really individual personalities | 0:27:33 | 0:27:37 | |
and all three of them are going to go their different ways in life. | 0:27:37 | 0:27:41 | |
Whatever they decide, I will always be there to support them. | 0:27:41 | 0:27:45 | |
Do you know, it is just us four, isn't it? And that's all we need. | 0:27:45 | 0:27:48 | |
-Pretend you like me, Adam, for two minutes. -I'll try! | 0:27:48 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:04 | 0:28:06 | |
E-mail [email protected] | 0:28:06 | 0:28:08 |