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Are you ready? | 0:00:02 | 0:00:03 | |
-Where's the red button? -It's on the... Yeah. -Cool. | 0:00:17 | 0:00:21 | |
# Can decisions shape your life... # | 0:00:21 | 0:00:24 | |
This is what you did last... | 0:00:24 | 0:00:26 | |
-SHE GIGGLES -Hi. I'm Isaac. -And I'm Alice. | 0:00:26 | 0:00:29 | |
-Hello. -Hi. | 0:00:31 | 0:00:32 | |
We're best friends and hang out together all the time. | 0:00:32 | 0:00:36 | |
It's too close! | 0:00:38 | 0:00:40 | |
Oh, and this is my mum and dad. | 0:00:43 | 0:00:45 | |
You will find out about them later. | 0:00:45 | 0:00:47 | |
Not only is Isaac great fun, | 0:00:50 | 0:00:52 | |
but he has been designing and making clothes since he was 12 years old. | 0:00:52 | 0:00:55 | |
Cool stuff like this. | 0:00:55 | 0:00:57 | |
MUSIC: Desire by U2 | 0:01:01 | 0:01:04 | |
Isaac wants to take on his toughest catwalk challenge yet. | 0:01:39 | 0:01:42 | |
He wants to get accepted as a designer | 0:01:42 | 0:01:44 | |
onto the catwalk at Brighton Fashion Week | 0:01:44 | 0:01:46 | |
This runway show will be huge. | 0:01:46 | 0:01:48 | |
It's just like London and Paris fashion weeks, | 0:01:48 | 0:01:51 | |
but nearby where we live, near Brighton. | 0:01:51 | 0:01:53 | |
Hope I can do it, but I'm only 17 and still at college. | 0:01:53 | 0:01:56 | |
I will be up against older and more experienced designers than me. | 0:01:56 | 0:01:59 | |
But, hey, I'm going to go for it. | 0:01:59 | 0:02:01 | |
What are you drawing? | 0:02:17 | 0:02:19 | |
I'm just kind of experimenting, | 0:02:19 | 0:02:21 | |
playing around with some new designs. | 0:02:21 | 0:02:23 | |
Oh, do you remember the time when we painted our eyebrows blue? | 0:02:23 | 0:02:26 | |
-Yeah! -THEY LAUGH | 0:02:26 | 0:02:28 | |
But then we do have our sensible times. | 0:02:28 | 0:02:32 | |
Yes, we do have sensible conversations. | 0:02:32 | 0:02:34 | |
We've got the right balance of craziness and... | 0:02:34 | 0:02:38 | |
-I think crazy kind of is like this... -Crazy overtakes. | 0:02:38 | 0:02:41 | |
..and then sensible is like here. | 0:02:41 | 0:02:43 | |
I was always different from everyone else. | 0:02:43 | 0:02:47 | |
I think, with Asperger's, how it affected me mainly | 0:02:47 | 0:02:51 | |
was in social, like, situations. | 0:02:51 | 0:02:54 | |
I would often, like when I would get stressed, | 0:02:54 | 0:02:56 | |
I would often play up and be a bit...a bit stupid. | 0:02:56 | 0:03:01 | |
I think you're one of the only other people that I kind of feel | 0:03:01 | 0:03:05 | |
-I can be myself around. -Aw! | 0:03:05 | 0:03:07 | |
Yeah. I feel the fashion has definitely helped me | 0:03:07 | 0:03:11 | |
overcome a lot of the problems that I've had. | 0:03:11 | 0:03:14 | |
Because it's something that I'm good at and I never really knew | 0:03:14 | 0:03:17 | |
if I was good at anything, before. | 0:03:17 | 0:03:19 | |
When we first met, like, I didn't even know you had it. | 0:03:19 | 0:03:22 | |
I didn't even think. | 0:03:22 | 0:03:24 | |
-You are like you are. -Yeah. | 0:03:24 | 0:03:27 | |
And that's what I know you for. | 0:03:27 | 0:03:30 | |
-I don't really know you for your autism. -Yeah. -I know you as you. | 0:03:30 | 0:03:34 | |
-Are you nervous about getting in? -Yeah, a bit. | 0:03:40 | 0:03:43 | |
Cos I want to make sure that it looks its best, | 0:03:43 | 0:03:46 | |
because it's such a big, like, next step up for me and my work | 0:03:46 | 0:03:49 | |
to be able to show there. | 0:03:49 | 0:03:51 | |
So I want to make sure that it's | 0:03:51 | 0:03:52 | |
the best work that I've done so far. | 0:03:52 | 0:03:54 | |
Yeah, your work is amazing. | 0:03:54 | 0:03:56 | |
These are some of the dresses I'm thinking of taking down to show. | 0:03:56 | 0:04:01 | |
-What do you think of some of these ones? -Oh, I love these ones. | 0:04:01 | 0:04:06 | |
I've kind of picked them down as the top four to take | 0:04:06 | 0:04:09 | |
-to show her at the meeting today. -Yeah. | 0:04:09 | 0:04:12 | |
So, what ones do you think? That one? | 0:04:12 | 0:04:14 | |
-Yeah. -Shall I take that one? Yeah. | 0:04:14 | 0:04:16 | |
I like this one because I like | 0:04:16 | 0:04:17 | |
how the butterflies look like they're moving. | 0:04:17 | 0:04:20 | |
-Yeah, and also this looks like so hard to work with. -Yeah. | 0:04:20 | 0:04:23 | |
-And you've done it so well. -It was a really fun one to make as well. | 0:04:23 | 0:04:28 | |
-And, oh, this one. -Yeah. I love this one. | 0:04:28 | 0:04:32 | |
The lace and the amount of it, as well, which is | 0:04:32 | 0:04:35 | |
my favourite thing about it. | 0:04:35 | 0:04:37 | |
Now it's just up to Isaac's dad to get him to the interview on time. | 0:04:37 | 0:04:40 | |
ENGINE STARTS | 0:04:48 | 0:04:50 | |
-Are you feeling nervous? -Um...no, not really. | 0:04:51 | 0:04:55 | |
Yeah, maybe a little bit. | 0:04:56 | 0:04:59 | |
CLOCK TICKS | 0:05:07 | 0:05:09 | |
If Isaac's nerves start to show, he could lose his chance at this. | 0:05:13 | 0:05:16 | |
-How are you? Nice to meet you, I'm Lizzie. -I'm Isaac. -Lovely. | 0:05:16 | 0:05:20 | |
Nice to meet you, thank you. | 0:05:20 | 0:05:22 | |
It's all down to what Liz and Alex think. | 0:05:24 | 0:05:27 | |
They decide who can apply to get into Brighton Fashion Week. | 0:05:27 | 0:05:30 | |
So, we have got three shows at Brighton Fashion Week. | 0:05:30 | 0:05:33 | |
And Brighton Fashion Week has seen the success of many past designers. | 0:05:33 | 0:05:36 | |
The show you are interested in is the zeitgeist, the spirit | 0:05:36 | 0:05:39 | |
of the time, what is happening now, what we think is happening now. | 0:05:39 | 0:05:43 | |
It would be great to see the work. | 0:05:43 | 0:05:44 | |
-So, have you got some things you would like to show me? -Yeah. | 0:05:44 | 0:05:47 | |
I've got some... | 0:05:47 | 0:05:48 | |
..pictures, from a shoot from one of my older collections. | 0:05:50 | 0:05:54 | |
When I design a collection, I design the feel I want for it | 0:05:54 | 0:05:58 | |
and the emotions I want the models to be conveying on the catwalk. | 0:05:58 | 0:06:01 | |
And I want the emotions I want the audience to feel. | 0:06:01 | 0:06:05 | |
It is a very competitive show, | 0:06:05 | 0:06:07 | |
we have designers from Russia, Poland, America. So... | 0:06:07 | 0:06:12 | |
And I often do headhunt designers | 0:06:12 | 0:06:14 | |
so I'm very particular that the collections coming forward | 0:06:14 | 0:06:19 | |
are on a level and on a par with what we expect. | 0:06:19 | 0:06:23 | |
Because, as somebody said to me once, | 0:06:23 | 0:06:25 | |
you're only as good as the worst thing in the show. | 0:06:25 | 0:06:28 | |
Hi, it's really not going to be as easy as I thought it would be. | 0:06:32 | 0:06:36 | |
There's only one person that can help me now. | 0:06:38 | 0:06:41 | |
And that's Alexander McQueen. | 0:06:41 | 0:06:43 | |
-Oh, it's at the top. -Do you need a hand? -Thanks. | 0:06:43 | 0:06:48 | |
ZIP OPENS | 0:06:48 | 0:06:49 | |
-So, are you excited about going? -Yeah, it's going to be really good | 0:06:55 | 0:06:58 | |
to see all the dresses in the same place. | 0:06:58 | 0:07:00 | |
It is the biggest collection of McQueen dresses ever. | 0:07:00 | 0:07:02 | |
Do you think you'll be overdressed at all? | 0:07:02 | 0:07:04 | |
No, I always like to dress my best. | 0:07:04 | 0:07:06 | |
When I was younger, I didn't like myself, | 0:07:14 | 0:07:16 | |
so I used to dress up as different characters every day. | 0:07:16 | 0:07:19 | |
Now that I'm older and more confident, I love dressing up. | 0:07:19 | 0:07:23 | |
It makes me feel good. I like being different. | 0:07:23 | 0:07:26 | |
# Today is the greatest... # | 0:07:38 | 0:07:41 | |
Being here, seeing my hero's work is amazing and inspiring. | 0:07:41 | 0:07:46 | |
Alexander McQueen pushed the boundaries between fashion and art. | 0:07:47 | 0:07:51 | |
I want to do that too, if I get into fashion week. | 0:07:51 | 0:07:55 | |
Something that I relate to a lot | 0:07:55 | 0:07:57 | |
within my own inspiration for my designs | 0:07:57 | 0:08:01 | |
is in-between darkness and lightness. | 0:08:01 | 0:08:04 | |
And going in and looking at things that are maybe darker | 0:08:04 | 0:08:08 | |
and then turning it into maybe something beautiful. | 0:08:08 | 0:08:11 | |
# For once in my life, let me | 0:08:27 | 0:08:31 | |
# Get what I want... # | 0:08:31 | 0:08:33 | |
You might have noticed by now, I'm a bit different from other people. | 0:08:33 | 0:08:37 | |
My Asperger's, which is a form of autism, | 0:08:37 | 0:08:39 | |
can make me feel awkward in social situations. | 0:08:39 | 0:08:42 | |
But I don't see it as something that holds me back. | 0:08:42 | 0:08:44 | |
It helps me focus on what I love the most. Fashion. | 0:08:44 | 0:08:47 | |
So, it's all based on mental health, right? | 0:08:58 | 0:09:01 | |
Yeah. So it's called The Revolution Of Bravery. | 0:09:01 | 0:09:05 | |
And it's the idea of being in a dark place | 0:09:05 | 0:09:08 | |
and overcoming the mental health and learning to cope with it. | 0:09:08 | 0:09:12 | |
Why did you choose mental health? Is there like a reason, or...? | 0:09:12 | 0:09:17 | |
It's definitely something I think I can relate to really well... | 0:09:17 | 0:09:23 | |
with the autism and also, like, the way of different emotions | 0:09:23 | 0:09:29 | |
that autism does make you feel. | 0:09:29 | 0:09:32 | |
Even though they are more intense with other | 0:09:32 | 0:09:34 | |
-mental health issues. -So they are linked to mental health? -Yes. | 0:09:34 | 0:09:37 | |
So, like, anxiety... And is depression one? | 0:09:37 | 0:09:39 | |
-Yes. -Yeah. | 0:09:41 | 0:09:43 | |
-So have you ever felt really, like, sad and anxious? -Yeah. | 0:09:43 | 0:09:48 | |
I'd say there's been times when... | 0:09:48 | 0:09:51 | |
like...especially when I was around 12, 13, | 0:09:51 | 0:09:56 | |
-I didn't really have any friends that I could relate to. -Yeah. | 0:09:56 | 0:10:00 | |
Because it was like, before I knew you. | 0:10:00 | 0:10:02 | |
I think everyone goes through that, as well. | 0:10:02 | 0:10:05 | |
And also, the word like, "I'm so depressed" has been manipulated... | 0:10:05 | 0:10:09 | |
-Overused! -Yeah. | 0:10:09 | 0:10:10 | |
People now just see it as an everyday emotion, | 0:10:10 | 0:10:13 | |
-but actually, depression is... -Real depression is, like... | 0:10:13 | 0:10:17 | |
-Clinical depression is bigger than that. -Yeah. | 0:10:17 | 0:10:19 | |
Like people can't even get out of bed. | 0:10:19 | 0:10:22 | |
I think, like, what's so good about it, is that the whole collection, | 0:10:22 | 0:10:26 | |
it's going to...really put a word out about mental health | 0:10:26 | 0:10:29 | |
because it's so common in people now. | 0:10:29 | 0:10:31 | |
And it can happen to anyone. | 0:10:31 | 0:10:33 | |
PHONE BUZZES | 0:10:42 | 0:10:44 | |
Yeah, I have looked at your application. | 0:10:51 | 0:10:53 | |
You have done a lot of research | 0:10:53 | 0:10:54 | |
and it has got quite fierce competition going on there. | 0:10:54 | 0:10:57 | |
But... | 0:10:57 | 0:10:58 | |
I've got some good news. | 0:11:08 | 0:11:09 | |
I've been accepted into Brighton Fashion Week to the... | 0:11:09 | 0:11:13 | |
-Oh, Isaac, well done! That's amazing! -That's marvellous! | 0:11:13 | 0:11:15 | |
So, I know it's going to be, like, a lot of work, but it'll be good. | 0:11:15 | 0:11:18 | |
And if you could ever help with little bits of sewing | 0:11:18 | 0:11:21 | |
-embellishments...? -Yes, of course we will. -Crystals and that. | 0:11:21 | 0:11:25 | |
-Yes, I love doing the hand-sewing stuff. -I can also help, too. | 0:11:25 | 0:11:29 | |
-That would be brilliant, too. Thank you. -Thank you, Alice. | 0:11:29 | 0:11:32 | |
I'm just a bit worried that you're taking on a lot | 0:11:32 | 0:11:34 | |
and will you will be able to cope with it all. | 0:11:34 | 0:11:37 | |
You'll have to pace yourself about the workload as well | 0:11:37 | 0:11:39 | |
so that you don't end up working | 0:11:39 | 0:11:41 | |
until four in the morning, as sometimes you have done. | 0:11:41 | 0:11:44 | |
# My heart is starting Continues to beat... # | 0:11:47 | 0:11:50 | |
Right. It's nearly two in the morning | 0:11:53 | 0:11:55 | |
so I'm going to quickly finish off | 0:11:55 | 0:11:58 | |
and do a little bit of college work and then go to bed. | 0:11:58 | 0:12:01 | |
It's a lot of hand-sewing, isn't it? | 0:12:20 | 0:12:22 | |
Isaac has been working so hard | 0:12:23 | 0:12:25 | |
and even though the catwalk deadline is just four weeks away, | 0:12:25 | 0:12:28 | |
he still finds time to help out | 0:12:28 | 0:12:29 | |
and mentor local kids who want to learn about fashion designing. | 0:12:29 | 0:12:33 | |
# This is how it works | 0:12:33 | 0:12:34 | |
# You're young until you're not | 0:12:34 | 0:12:37 | |
# You love until you don't | 0:12:37 | 0:12:39 | |
# You try until you can't | 0:12:39 | 0:12:42 | |
# You laugh until you cry... # | 0:12:42 | 0:12:43 | |
It's great that you're here today. | 0:12:43 | 0:12:46 | |
And it's great that you're part of fashion school. | 0:12:46 | 0:12:48 | |
What you are doing is really great. | 0:12:48 | 0:12:50 | |
There's, like, so many of you that are starting from so young, | 0:12:50 | 0:12:53 | |
it's amazing the level of stuff that you're doing already. | 0:12:53 | 0:12:57 | |
So, has anyone got any questions? | 0:12:57 | 0:12:59 | |
So, what exactly are you doing for Brighton Fashion Week? | 0:12:59 | 0:13:02 | |
For Brighton Fashion Week, as well as all my shows, I like to not | 0:13:02 | 0:13:06 | |
just do a catwalk where models just walk down the catwalk. | 0:13:06 | 0:13:10 | |
I like to liven it up a bit. | 0:13:10 | 0:13:14 | |
So I like each model to almost have an emotion of their own, | 0:13:14 | 0:13:17 | |
to tell a story. | 0:13:17 | 0:13:18 | |
-Were you ever picked on at school for being different? -Yeah. | 0:13:18 | 0:13:22 | |
More when I was younger. | 0:13:22 | 0:13:23 | |
Throughout primary school, really. | 0:13:25 | 0:13:28 | |
And then, when I moved school, in secondary, | 0:13:28 | 0:13:32 | |
I was quite quiet, so nobody really kind of paid any attention. | 0:13:32 | 0:13:37 | |
So I kind of, like, just... I liked being separate from anyone else | 0:13:37 | 0:13:42 | |
because I can kind of watch how everyone else was. | 0:13:42 | 0:13:47 | |
And, yeah. It's good to be different. | 0:13:47 | 0:13:51 | |
The world would be really boring without everyone being unique. | 0:13:51 | 0:13:55 | |
Being unique and dealing with bullying is something | 0:14:00 | 0:14:02 | |
that Alice and I talk about a lot. | 0:14:02 | 0:14:04 | |
Like, another thing is talking about bullying, I like to... | 0:14:04 | 0:14:08 | |
Because I like to look at the other side of it, | 0:14:09 | 0:14:12 | |
the person that is bullying as well. | 0:14:12 | 0:14:15 | |
-Because there's obviously something behind... -Why they do it. | 0:14:15 | 0:14:18 | |
..why they're bullying, and a lot of people just blame the bully. | 0:14:18 | 0:14:21 | |
Yeah, it's wrong to bully and no-one should bully, | 0:14:21 | 0:14:24 | |
-but I like to think, why are they bullying? -Yeah. | 0:14:24 | 0:14:28 | |
I think quite a lot of people bully maybe | 0:14:28 | 0:14:30 | |
-because either they have been in that situation... -Mm, definitely. | 0:14:30 | 0:14:33 | |
..and they are not comfortable with how they are. Yeah. | 0:14:33 | 0:14:36 | |
Maybe something is going on and it's making them angry | 0:14:36 | 0:14:41 | |
and that's the way of them... | 0:14:41 | 0:14:43 | |
-channelling their emotions. -Channelling their anger. | 0:14:43 | 0:14:46 | |
They might be bullying because they personally don't have anyone | 0:14:46 | 0:14:50 | |
to relate to or they've been through it, or something like that. | 0:14:50 | 0:14:54 | |
Mum, I've got some sewing, do you mind please helping me with it? | 0:15:08 | 0:15:11 | |
Yeah, how much sewing? | 0:15:11 | 0:15:13 | |
# It's edit, edit, edit... # | 0:15:17 | 0:15:19 | |
-Let's turn this... -It's shredding... | 0:15:19 | 0:15:22 | |
Yeah, so just an overstitch, just along the very edge of it. | 0:15:22 | 0:15:26 | |
So I'm now just working on the trousers. | 0:15:29 | 0:15:34 | |
No, I'm not! | 0:15:34 | 0:15:35 | |
So, I'm now just working on the skirt. | 0:15:35 | 0:15:39 | |
What?! Oh, hello... | 0:15:39 | 0:15:43 | |
That's not right. | 0:15:43 | 0:15:45 | |
Um... Doing all this work has... is really starting to hit me. | 0:15:45 | 0:15:50 | |
And, yeah, I'm starting to get really tired. Um... | 0:15:51 | 0:15:56 | |
I just hope that I get it all done in time. | 0:15:58 | 0:16:00 | |
I really need Caroline, now. | 0:16:01 | 0:16:03 | |
Caroline is Isaac's mentor and a master seamstress. | 0:16:09 | 0:16:12 | |
So, with your shoulder there, | 0:16:12 | 0:16:16 | |
obviously we will have to fit this to the sleeve head, | 0:16:16 | 0:16:18 | |
but just in terms of just looking at your sketch | 0:16:18 | 0:16:21 | |
and how you've interpreted that... | 0:16:21 | 0:16:23 | |
-Do you want to just pin... -Yeah. -..on there? | 0:16:23 | 0:16:26 | |
-That needs building up there. -Yeah. -To create a really nice silhouette. | 0:16:26 | 0:16:30 | |
But just pin it where you feel... | 0:16:30 | 0:16:33 | |
So, you're happy with the way it's sitting? And you've got this... | 0:16:33 | 0:16:36 | |
beautiful detail at the bottom and it gives you potential, | 0:16:36 | 0:16:39 | |
not that you have to, and you can work on that. | 0:16:39 | 0:16:42 | |
It's brilliant, well done. | 0:16:44 | 0:16:46 | |
So, today, it's four days until the show | 0:16:48 | 0:16:52 | |
and I'm just about to have a look at my list of things to do. | 0:16:52 | 0:16:56 | |
To see if I'm on track. | 0:16:56 | 0:16:59 | |
I'm just about to hammer some rivets in! | 0:16:59 | 0:17:02 | |
It's about 11 in the evening, now. | 0:17:04 | 0:17:07 | |
And Mum has been working all day and so have I. | 0:17:07 | 0:17:11 | |
But Mum has been doing lots of hard work. | 0:17:11 | 0:17:14 | |
# You seem so out of context | 0:17:15 | 0:17:17 | |
# In this gaudy apartment complex... # | 0:17:17 | 0:17:20 | |
This is just one of the things she's been working on. | 0:17:20 | 0:17:23 | |
And her fingers are raw. Where the needle has pushed up into them. | 0:17:23 | 0:17:27 | |
Holes in them all over. | 0:17:27 | 0:17:30 | |
But she's been amazing and I am so blessed to have her. | 0:17:30 | 0:17:33 | |
ALARM | 0:17:48 | 0:17:51 | |
Morning, everyone. It's the day of the show. | 0:17:51 | 0:17:54 | |
It is...6.30. | 0:17:54 | 0:17:57 | |
And I'm going to get up | 0:17:57 | 0:17:59 | |
and get everything ready now for the catwalk. | 0:17:59 | 0:18:02 | |
Wish me luck. | 0:18:02 | 0:18:04 | |
Do want to put this here? | 0:18:04 | 0:18:06 | |
-Oh, Isaac, is this blue one to go? -No, it's only the sequinned bag. | 0:18:06 | 0:18:10 | |
-Does this box need to go? -No, no. | 0:18:12 | 0:18:15 | |
I'm doing the car. | 0:18:15 | 0:18:17 | |
Do you feel like it's a big relief, Isaac, | 0:18:23 | 0:18:25 | |
that you've done everything now for Brighton Fashion Week? | 0:18:25 | 0:18:28 | |
Yeah, I'm not worrying about it. | 0:18:28 | 0:18:31 | |
Now it's the really fun bit. | 0:18:33 | 0:18:34 | |
# Just as they play our favourite song... # | 0:18:37 | 0:18:41 | |
-Hi. -Hi. Isaac? -Yeah. Isaac. | 0:18:55 | 0:19:00 | |
-That's great. Thank you. -Brilliant, thank you. | 0:19:00 | 0:19:02 | |
# The beat goes round and round | 0:19:03 | 0:19:06 | |
# The beat goes round and round... # | 0:19:06 | 0:19:09 | |
-Hello, darling, how are you? -How are you? Good, thank you. | 0:19:09 | 0:19:11 | |
-How are you feeling? -Yeah, good. A bit nervous. -A bit nervous. | 0:19:11 | 0:19:14 | |
Just that the clothes might not fit. | 0:19:14 | 0:19:16 | |
The clothes are going to fit beautifully. | 0:19:16 | 0:19:18 | |
-Is the collection finished? -Yeah. | 0:19:18 | 0:19:20 | |
There is one adjustment I need to do. | 0:19:20 | 0:19:22 | |
I don't like the sound of that. | 0:19:22 | 0:19:23 | |
All right, so, the first thing we need to do is probably | 0:19:23 | 0:19:28 | |
-get your girls into fittings before the styling team. -Brilliant. | 0:19:28 | 0:19:32 | |
And then, straight after that, we'll probably have about 20 minutes | 0:19:32 | 0:19:35 | |
till three and then we'll get you rehearsing probably about 3.30. | 0:19:35 | 0:19:41 | |
-All right? Best of luck. -Lovely to see you. -Bye-bye. -See you. | 0:19:41 | 0:19:45 | |
-Right, what was I doing? -What one is this? -That is... Yeah, that's it. | 0:19:45 | 0:19:49 | |
Yeah? | 0:19:49 | 0:19:50 | |
Right, so... | 0:19:53 | 0:19:54 | |
Wait a second. What one are we on? | 0:19:57 | 0:20:00 | |
Do you want to take the plastic sheeting off now? | 0:20:00 | 0:20:03 | |
-Or do you want to leave them on? -We'll do it when... Yeah, closer, | 0:20:03 | 0:20:06 | |
just in case there's a disaster with a drink. | 0:20:06 | 0:20:08 | |
I'm so grateful that Ioanna is here to help me today. | 0:20:10 | 0:20:13 | |
It's going to be tough sorting out the fittings. | 0:20:13 | 0:20:15 | |
-So, are you feeling nervous? -Yes. A little bit. | 0:20:15 | 0:20:17 | |
More nervous that the garments won't fit the models properly. | 0:20:17 | 0:20:21 | |
I'll see what the hair and make-up's like. | 0:20:21 | 0:20:23 | |
Cos I don't actually know what the hair and make-up is like. | 0:20:23 | 0:20:26 | |
That's a good point. You haven't been sent any of that? | 0:20:26 | 0:20:28 | |
Yeah, cos I need to talk to the hair and make-up team | 0:20:28 | 0:20:31 | |
because I've got headpieces that cover the whole head. So, yeah. | 0:20:31 | 0:20:36 | |
-Yeah... -See how that's going to work. | 0:20:36 | 0:20:40 | |
We'll go and find the lady who's organising | 0:20:40 | 0:20:43 | |
and see where the model is. | 0:20:43 | 0:20:44 | |
Do you know when the fitting will be? | 0:20:46 | 0:20:48 | |
Do you know when Isaac's fitting is? | 0:20:48 | 0:20:51 | |
I don't know what's going on. I thought they said you were next. | 0:20:55 | 0:20:58 | |
-I'm going to go and hunt them down. -I think, go and ask them. | 0:20:58 | 0:21:00 | |
-Get my armour on! -Yeah, yeah. | 0:21:00 | 0:21:03 | |
Who should I ask? My name is Isaac. | 0:21:03 | 0:21:05 | |
What you need to find out, when your fitting is? | 0:21:05 | 0:21:08 | |
-They said about 15 minutes' time. -It will happen, don't worry. | 0:21:08 | 0:21:11 | |
Excuse me, sorry. | 0:21:11 | 0:21:12 | |
You know, like, we're waiting, still waiting for our fitting? | 0:21:17 | 0:21:20 | |
We were told about an hour and a half ago | 0:21:20 | 0:21:23 | |
that it would be... | 0:21:23 | 0:21:24 | |
So we're just checking that they haven't forgotten us. | 0:21:24 | 0:21:27 | |
We haven't had a rehearsal or fitting or... | 0:21:27 | 0:21:29 | |
-I will go and speak to Jacks. -Brilliant. Thank you. | 0:21:29 | 0:21:32 | |
Finally, the models are here, | 0:21:32 | 0:21:33 | |
but I've only got five minutes to make the garments fit. | 0:21:33 | 0:21:36 | |
I've got a butterfly dress for you. | 0:21:36 | 0:21:38 | |
-Um... -How many models have you got? -Nine. -How many do you need? | 0:21:41 | 0:21:44 | |
-Do you want to get onto the next one? And I'll do the... -Yeah. | 0:21:44 | 0:21:47 | |
-Yeah. There you go. What's your name? -Estelle. -Brilliant. | 0:21:47 | 0:21:50 | |
Yeah, you're opening. | 0:21:50 | 0:21:52 | |
All the garments have been inspired by different mental illnesses. | 0:21:52 | 0:21:55 | |
And in these, I would like you to show | 0:21:55 | 0:21:57 | |
that you are trapped in your mind. | 0:21:57 | 0:21:59 | |
This top just zips up at the back. | 0:21:59 | 0:22:00 | |
And this one has a headpiece. | 0:22:08 | 0:22:10 | |
It has to have like the hair somehow just behind, is that all right? | 0:22:10 | 0:22:13 | |
-Yeah, that's fine. -Mum? Shall we just, yeah, take it in. | 0:22:13 | 0:22:17 | |
-This is my favourite one. -Aw... | 0:22:17 | 0:22:20 | |
It would be good if you had your hair up. | 0:22:25 | 0:22:27 | |
I'll just check that we can see the collar. | 0:22:27 | 0:22:30 | |
That sits on your shoulders. | 0:22:30 | 0:22:32 | |
I have to ask you to speed up a bit. | 0:22:33 | 0:22:35 | |
You've got 15 minutes left until your rehearsal. | 0:22:35 | 0:22:37 | |
So does it work that we get them in the clothes, do the rehearsal | 0:22:37 | 0:22:41 | |
-and then they go? -No, it's not a dress rehearsal. -Oh, OK. | 0:22:41 | 0:22:45 | |
Perfect. OK. | 0:22:48 | 0:22:50 | |
Number one, Estelle, number two, Kiera, number three, Marjorie... | 0:22:50 | 0:22:53 | |
-I need to talk about poses. Shall we just go and... -Have a look? | 0:22:53 | 0:22:58 | |
Yeah. Can I talk through quick poses with them, | 0:22:58 | 0:23:00 | |
-when they first come out, is that all right? Have we got time? -No. -No? | 0:23:00 | 0:23:03 | |
What do you want...? | 0:23:03 | 0:23:05 | |
Just certain ones, like, have certain poses with what | 0:23:05 | 0:23:08 | |
they're wearing, just to show it off in the best way. | 0:23:08 | 0:23:11 | |
So we go at the end and we can see, just so we can see... | 0:23:11 | 0:23:15 | |
The pose is one of the most important aspects. | 0:23:16 | 0:23:19 | |
It brings the show to life. | 0:23:19 | 0:23:20 | |
I just hope the models can do the right moves | 0:23:20 | 0:23:23 | |
to show off the clothes and my theme at its best. | 0:23:23 | 0:23:25 | |
Just kind of like, you've got the long cuffs | 0:23:28 | 0:23:30 | |
and just kind of move them. | 0:23:30 | 0:23:32 | |
-But don't hold on to them. -Just move them? | 0:23:32 | 0:23:34 | |
-Yeah, just like, gentle... -OK, gentle. | 0:23:34 | 0:23:37 | |
-But look quite, still quite fierce. -OK. -Yeah. | 0:23:37 | 0:23:41 | |
Just watch that, you're going to slip on my chainmail! | 0:24:15 | 0:24:18 | |
Hi! How are you? | 0:24:18 | 0:24:19 | |
-I'm good, how are you? -Good. | 0:24:19 | 0:24:22 | |
Stressed. Well, we've got everything in order, now. | 0:24:22 | 0:24:26 | |
But they're an hour behind. So it might start at 9.45 now. | 0:24:26 | 0:24:30 | |
Yeah, get someone to show you quickly. | 0:24:32 | 0:24:36 | |
-Right. -Shall we get some of these? | 0:24:36 | 0:24:39 | |
Yeah, yeah. Oh, no, wrong ones. | 0:24:41 | 0:24:43 | |
Sorry. Sorry, can we swap? That goes with that. | 0:24:43 | 0:24:47 | |
-We clip that on when we get back... -No, no. We have to do it now, | 0:24:47 | 0:24:50 | |
-there's no time. -Right, let's go. | 0:24:50 | 0:24:52 | |
MUSIC PLAYS | 0:25:17 | 0:25:20 | |
It was amazing. I am so proud of you. | 0:26:35 | 0:26:39 | |
Like, it's so different from when we were, like, | 0:26:39 | 0:26:42 | |
just mucking around in town and stuff. It's incredible. | 0:26:42 | 0:26:47 | |
-I'm really proud of you. -Thanks so much | 0:26:47 | 0:26:50 | |
for helping me along my journey. | 0:26:50 | 0:26:52 | |
That's OK. That's what friends are for, isn't it? | 0:26:52 | 0:26:55 | |
-Shall we do that again? -No, let's do something different. | 0:26:57 | 0:27:00 | |
It's good to be different. | 0:27:00 | 0:27:02 | |
# Suddenly I'm standing on a tree top, up so high | 0:27:07 | 0:27:12 | |
# And all the songs, and all the poems, suddenly they arrive | 0:27:12 | 0:27:18 | |
# And it's getting late now and we're long way from our homes | 0:27:18 | 0:27:24 | |
# Before you leave Before you grieve | 0:27:24 | 0:27:27 | |
# There's one thing you should know | 0:27:27 | 0:27:29 | |
# Hold me, hold me in your arms | 0:27:29 | 0:27:34 | |
# Oh, won't you hold me | 0:27:34 | 0:27:37 | |
# I can feel your heart when you hold me | 0:27:37 | 0:27:42 | |
# When you hold me in your arms Oh, when you hold me | 0:27:42 | 0:27:47 | |
# Yeah, I can feel your heart beating. # | 0:27:47 | 0:27:51 | |
# Oh, you crawled out of the sea | 0:27:53 | 0:27:58 | |
# Straight into my arms Straight into my arms | 0:27:58 | 0:28:02 | |
# Oh, you crawled out of the sea | 0:28:02 | 0:28:10 | |
# Straight into my arms... # | 0:28:10 | 0:28:12 |