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you get permission and leave your
number so we can call. Now we have | 0:00:00 | 0:00:00 | |
The Worst | 0:00:00 | 0:00:01 | |
My name is Kimran and this
is my twin sister, Simran. | 0:00:03 | 0:00:06 | |
We are identical, but there is one
difference. | 0:00:06 | 0:00:09 | |
I have a condition which means
I've lost the pigment in my skin, | 0:00:09 | 0:00:13 | |
giving me white patches. | 0:00:13 | 0:00:15 | |
It's called vitiligo. | 0:00:15 | 0:00:17 | |
I have vitiligo all over my body
and on my head, | 0:00:17 | 0:00:20 | |
which means my hair grows back grey. | 0:00:20 | 0:00:22 | |
I have it on my eyes, I have it on
my arm, | 0:00:22 | 0:00:26 | |
I have it on my back and I have it
all on my legs. | 0:00:26 | 0:00:30 | |
My favourite white patch is the one
on my foot | 0:00:30 | 0:00:32 | |
because it looks like a heart. | 0:00:32 | 0:00:34 | |
When I look at fashion magazines and
adverts, the models are all perfect. | 0:00:34 | 0:00:39 | |
I don't see anyone who looks like
me, | 0:00:39 | 0:00:41 | |
which can make me unhappy
with the way I look. | 0:00:41 | 0:00:44 | |
I don't think we know about people,
like, | 0:00:44 | 0:00:47 | |
think if you're beautiful
or if you're not beautiful. | 0:00:47 | 0:00:50 | |
You're in a bit of a shock to just
hear someone say, | 0:00:50 | 0:00:53 | |
"Oh, you're pretty," or anything,
because you never really hear it. | 0:00:53 | 0:00:58 | |
Rafi, one of the few disabled
models, | 0:00:58 | 0:01:00 | |
is hoping to break the mould. | 0:01:00 | 0:01:02 | |
In a few years, I hope to see more
of this. | 0:01:02 | 0:01:07 | |
Lots more. | 0:01:07 | 0:01:08 | |
And this is Lois. | 0:01:08 | 0:01:10 | |
I am a model and I'm beautiful. | 0:01:10 | 0:01:14 | |
They are beautiful, | 0:01:15 | 0:01:17 | |
and the sooner big brands take that
on board, the better. | 0:01:17 | 0:01:20 | |
Imagine that. | 0:01:20 | 0:01:22 | |
Rafi, in big lights. | 0:01:22 | 0:01:25 | |
That would be amazing. | 0:01:25 | 0:01:27 | |
Simran and I were identical until
the age of four, | 0:01:49 | 0:01:52 | |
when my vitiligo patches started to
appear. | 0:01:52 | 0:01:55 | |
It might spread to other parts of my
body | 0:01:55 | 0:01:58 | |
and the patches may get bigger. | 0:01:58 | 0:02:00 | |
When it was at its worst it was,
like, covering most of my back, | 0:02:00 | 0:02:04 | |
most of my legs and most of my face. | 0:02:04 | 0:02:07 | |
Everyone used to be like,
"What's that on your face? | 0:02:07 | 0:02:11 | |
"Can you wash it off?" | 0:02:11 | 0:02:12 | |
They just called you, like, | 0:02:12 | 0:02:15 | |
animal-related things
like panda or a cow or a dog. | 0:02:15 | 0:02:21 | |
It was just nasty. | 0:02:21 | 0:02:23 | |
It just felt like it made you feel
insecure. | 0:02:23 | 0:02:26 | |
I didn't really take it as a joke | 0:02:26 | 0:02:29 | |
because I took it to heart and I
didn't really... | 0:02:29 | 0:02:31 | |
I wasn't really the person
to laugh off the mean things. | 0:02:31 | 0:02:34 | |
People recognise, like, me and you
differently for what you have | 0:02:35 | 0:02:40 | |
and sometimes I wish I could have
it to see what you go through | 0:02:40 | 0:02:44 | |
and what everyone says to you all
the time. | 0:02:44 | 0:02:47 | |
When Kimran was little, her
confidence was quite low. | 0:02:47 | 0:02:51 | |
A parent in the school had said, | 0:02:51 | 0:02:53 | |
"You're a bit too young to have
white hair." | 0:02:53 | 0:02:56 | |
Kimran kind of shied away from me
then. | 0:02:56 | 0:02:58 | |
It is not nice as a parent to hear
that and it's not nice to see that | 0:02:58 | 0:03:02 | |
your child is going through
something like that. | 0:03:02 | 0:03:04 | |
I think Kimran started to think, | 0:03:04 | 0:03:06 | |
"I must be different from everybody
else." | 0:03:06 | 0:03:08 | |
Me and my best friend, Grace, have
known each other all our lives. | 0:03:11 | 0:03:15 | |
I think all the magazines are
aiming, "You should be like this. | 0:03:17 | 0:03:21 | |
"Be more like this person.
She's really pretty, really good." | 0:03:21 | 0:03:26 | |
It's like you have to be kind of
tall... | 0:03:26 | 0:03:30 | |
Tall and skinny and... | 0:03:30 | 0:03:31 | |
All perfect. | 0:03:32 | 0:03:34 | |
I do think it influences everybody
to be nasty if all these... | 0:03:34 | 0:03:38 | |
Because they see all these people
who are perfect and they are | 0:03:38 | 0:03:41 | |
like, "Everybody should be the same
way." | 0:03:41 | 0:03:42 | |
Every single photo you see have all
got filters on. | 0:03:42 | 0:03:46 | |
And if you don't, you have to
literally put in the caption, | 0:03:46 | 0:03:48 | |
"Natural, no filter." | 0:03:48 | 0:03:50 | |
I'm not going to say I don't use
filters because, literally, | 0:03:50 | 0:03:53 | |
I don't take a photo without it. | 0:03:53 | 0:03:54 | |
I think it'd, like, be really
great if everyone could, like, | 0:03:54 | 0:03:57 | |
feel really good about themselves | 0:03:57 | 0:03:59 | |
and don't have any insecurities
about themselves. | 0:03:59 | 0:04:03 | |
There is so much pressure from
the media to look a certain way, | 0:04:03 | 0:04:07 | |
but some people are challenging
that. | 0:04:07 | 0:04:09 | |
Rafi has been modelling
for over a year now. | 0:04:10 | 0:04:13 | |
I like that. | 0:04:13 | 0:04:15 | |
So, what's this picture here, Mum? | 0:04:20 | 0:04:22 | |
That was before you fell ill. | 0:04:22 | 0:04:25 | |
You look like a little model there,
don't you? | 0:04:25 | 0:04:27 | |
Very colour coordinated. | 0:04:27 | 0:04:29 | |
Five years ago, Rafi's life was
turned upside down | 0:04:29 | 0:04:32 | |
when he suffered
a brain haemorrhage | 0:04:32 | 0:04:35 | |
and was rushed to intensive care. | 0:04:35 | 0:04:37 | |
Can you remember anything about that
day? | 0:04:37 | 0:04:38 | |
No, I don't remember anything. | 0:04:38 | 0:04:41 | |
You came and said that you'd got
a headache and you felt sick. | 0:04:41 | 0:04:44 | |
Yeah. Within minutes, you were on
this settee, unconscious. | 0:04:44 | 0:04:48 | |
Yeah, collapsed. | 0:04:48 | 0:04:50 | |
I bet you were scared? Horrible.
Do you remember any of this? | 0:04:50 | 0:04:54 | |
No, not at all, but to be honest,
I'm so glad I can't remember. | 0:04:54 | 0:05:01 | |
It's a bit shocking to look at some
of these pictures. | 0:05:01 | 0:05:04 | |
It is, yeah. I just want to remember
positive things. | 0:05:04 | 0:05:08 | |
For a long time, you couldn't talk. | 0:05:08 | 0:05:10 | |
We didn't know what you were
thinking. | 0:05:10 | 0:05:12 | |
I've come a long way, five years. | 0:05:12 | 0:05:15 | |
Three, two, one. | 0:05:15 | 0:05:19 | |
Rafi was in hospital for months
but slowly, he was recovering. | 0:05:22 | 0:05:26 | |
Come on, Rafi. | 0:05:29 | 0:05:31 | |
Videoing. | 0:05:32 | 0:05:33 | |
Yeah, ready. | 0:05:39 | 0:05:40 | |
There were a few stumbles
along the way... | 0:05:47 | 0:05:49 | |
Woohoo! | 0:05:56 | 0:05:57 | |
It's amazing, really, Rafi, | 0:05:57 | 0:05:59 | |
to think for such a long time you
couldn't move at all | 0:05:59 | 0:06:02 | |
and now you're walking around,
you can go bowling. | 0:06:02 | 0:06:05 | |
Yeah. Do your race running... | 0:06:05 | 0:06:08 | |
Go, Raf! Raf! | 0:06:09 | 0:06:11 | |
..and the modelling as well. | 0:06:11 | 0:06:13 | |
Perfect, yeah. | 0:06:13 | 0:06:14 | |
To see me now, it's just absolutely
amazing. | 0:06:14 | 0:06:19 | |
The parts of Rafi's brain
that control speech, | 0:06:20 | 0:06:23 | |
movement and memory were damaged. | 0:06:23 | 0:06:26 | |
This means he struggles to remember
what has happened during the day, | 0:06:26 | 0:06:31 | |
so he posts a blog to keep track. | 0:06:31 | 0:06:33 | |
A really nice way of looking at
things. | 0:06:33 | 0:06:38 | |
These are life moments
that I don't want to forget | 0:06:38 | 0:06:43 | |
and without them,
they'd just be gone. | 0:06:43 | 0:06:47 | |
It's just when I go to sleep, I just
forget everything from the day. | 0:06:47 | 0:06:54 | |
I am just so thankful that they are
here. | 0:06:56 | 0:07:00 | |
This picture is a picture of me | 0:07:00 | 0:07:03 | |
when I first started doing
modelling. | 0:07:03 | 0:07:08 | |
I'm so pleased with how it's turned
out. | 0:07:08 | 0:07:12 | |
There are some successful models
with vitiligo. | 0:07:15 | 0:07:19 | |
This is my hero, Niall. | 0:07:19 | 0:07:21 | |
He starred in London, New York and
Milan Fashion Weeks and has | 0:07:21 | 0:07:25 | |
thousands of Instagram followers. | 0:07:25 | 0:07:27 | |
He's arranged to meet me. | 0:07:27 | 0:07:29 | |
I'm so nervous. | 0:07:31 | 0:07:32 | |
Look how cool he is! | 0:07:32 | 0:07:35 | |
Hi! Thanks for coming. | 0:07:35 | 0:07:36 | |
I wonder if he's always been so
confident. | 0:07:38 | 0:07:41 | |
Is it a bad or a good thing to have
vitiligo in the modelling industry? | 0:07:41 | 0:07:45 | |
I think it's something different so
with everything different, you know, | 0:07:45 | 0:07:50 | |
it's going to hold me back in some
aspects but in others, | 0:07:50 | 0:07:53 | |
it's like my look, do you know what
I mean? | 0:07:53 | 0:07:55 | |
So it sets me apart from every
other model in the casting, | 0:07:55 | 0:07:58 | |
so it's helped me a lot,
definitely. | 0:07:58 | 0:08:01 | |
You've got it in your hair, haven't
you? | 0:08:01 | 0:08:03 | |
Yeah. I've not got none in my hair,
like, I've never had it. | 0:08:03 | 0:08:07 | |
I think it looks really cool. | 0:08:07 | 0:08:09 | |
Yours started when you were four? | 0:08:09 | 0:08:12 | |
Did anybody ever say anything to you
when you were...? | 0:08:12 | 0:08:15 | |
Well, when I was four, obviously, | 0:08:15 | 0:08:16 | |
no-one really cared because you was
little and kids didn't understand. | 0:08:16 | 0:08:20 | |
They used to say, like, "Can you
catch it?" | 0:08:20 | 0:08:22 | |
Or, "Have you been burnt?" | 0:08:22 | 0:08:23 | |
Stuff like that. | 0:08:23 | 0:08:25 | |
There was a rumour at school that
I'd fell in a bonfire and people | 0:08:25 | 0:08:28 | |
actually believed that and then,
"Does it hurt?" | 0:08:28 | 0:08:31 | |
That's what everybody always says to
me. | 0:08:31 | 0:08:33 | |
Or, "Can you feel it?" | 0:08:33 | 0:08:35 | |
Obviously, I can't, it's just a bit
of pigment. | 0:08:35 | 0:08:38 | |
People ask, "Does it feel normal?" | 0:08:38 | 0:08:40 | |
Yeah. "Can I touch it?" I'm like,
"Yeah." | 0:08:40 | 0:08:42 | |
"Does it feel normal to your skin?" | 0:08:43 | 0:08:45 | |
I had mine like yours. I had it
on my eyelids and then I started to | 0:08:45 | 0:08:49 | |
get little bits on my knuckles. | 0:08:49 | 0:08:51 | |
When I first started dancing I was
wearing, like, | 0:08:51 | 0:08:53 | |
tank tops and shorts and three
quarter length leggings. | 0:08:53 | 0:08:56 | |
I didn't want to wear them. | 0:08:56 | 0:08:58 | |
So I started to stop dancing and not
go because I was self-conscious | 0:08:58 | 0:09:02 | |
and I didn't want to show anyone. | 0:09:02 | 0:09:04 | |
I went to the doctor's
and I got this foundation | 0:09:04 | 0:09:06 | |
which is really thick and then you
put it on your skin to cover it. | 0:09:06 | 0:09:10 | |
I remember when I was at
school, I hated PE. | 0:09:10 | 0:09:12 | |
I would be late to school or not go
to school on PE days | 0:09:12 | 0:09:14 | |
if I couldn't find my trackies | 0:09:14 | 0:09:16 | |
because I wouldn't be wearing
shorts, | 0:09:16 | 0:09:18 | |
but I don't notice it any more,
you know. | 0:09:18 | 0:09:21 | |
And then with modelling, | 0:09:21 | 0:09:22 | |
it has definitely helped with my
confidence. | 0:09:22 | 0:09:24 | |
When you do a portfolio, | 0:09:24 | 0:09:25 | |
you have to do some just basic
pictures | 0:09:25 | 0:09:27 | |
of what you look like normally,
not posing or anything. | 0:09:27 | 0:09:29 | |
Don't get disappointed when you
don't get booked for stuff first off | 0:09:29 | 0:09:33 | |
because there will always be
something else, | 0:09:33 | 0:09:35 | |
so don't be disheartened by anything
you don't get chosen for. | 0:09:35 | 0:09:39 | |
We definitely need more diversity in
the media and in the world, | 0:09:39 | 0:09:44 | |
basically, because not a lot of
diversity is represented, | 0:09:44 | 0:09:49 | |
especially with people with skin
conditions like ours. | 0:09:49 | 0:09:52 | |
And obviously, you are bringing
awareness to vitiligo. | 0:09:52 | 0:09:55 | |
Should be proud of yourself. | 0:09:55 | 0:09:57 | |
It was so great meeting Niall.
He's really inspired me. | 0:09:57 | 0:10:00 | |
This is ten-year-old Lois. | 0:10:04 | 0:10:06 | |
She is changing people's ideas of
who can be a model. | 0:10:06 | 0:10:10 | |
This is my bedroom. | 0:10:12 | 0:10:14 | |
This is my party light. | 0:10:16 | 0:10:19 | |
My pillow. | 0:10:19 | 0:10:21 | |
That's me and my dog. | 0:10:22 | 0:10:24 | |
My dog's name is Elmo. | 0:10:25 | 0:10:29 | |
These are my clothes. | 0:10:29 | 0:10:31 | |
She does love the camera and she
does love showing off, | 0:10:31 | 0:10:34 | |
don't you, Lois? Yeah. | 0:10:34 | 0:10:36 | |
Lois was born with hearing problems. | 0:10:37 | 0:10:39 | |
She's hypermobile, so she has
really flexible joints, | 0:10:39 | 0:10:43 | |
has weak muscles and gets tired
easily. | 0:10:43 | 0:10:46 | |
This one. | 0:10:46 | 0:10:48 | |
Yay! Good girl. | 0:10:48 | 0:10:50 | |
Big one. | 0:10:50 | 0:10:51 | |
Good girl. Do it! | 0:10:52 | 0:10:54 | |
I'm doing boxing because I need to
be strong. | 0:10:56 | 0:11:02 | |
I'm better at boxing than my dad. | 0:11:02 | 0:11:07 | |
Lois has already had a few modelling
jobs... | 0:11:11 | 0:11:13 | |
..and has just found out that she
has a photo shoot in London | 0:11:15 | 0:11:19 | |
for a top high-street brand. | 0:11:19 | 0:11:21 | |
I'm hoping this will lead to big
things for Lois. | 0:11:22 | 0:11:25 | |
I'd love to see her as the first
disabled, deaf supermodel. | 0:11:25 | 0:11:28 | |
Rafi is practising for the catwalk. | 0:11:33 | 0:11:36 | |
He has just found out he's starring
in an upcoming charity fashion show. | 0:11:37 | 0:11:41 | |
Are you OK? | 0:11:44 | 0:11:45 | |
To get catwalk-ready, he's come
to Leeds for some pampering. | 0:11:45 | 0:11:48 | |
Right? Are we good to start? | 0:11:51 | 0:11:52 | |
Yeah. | 0:11:52 | 0:11:54 | |
You'd think it might make
you cough, but it doesn't. | 0:11:56 | 0:12:02 | |
What's made you want to get into
modelling, then? | 0:12:02 | 0:12:04 | |
Well, I've always been interested in
modelling. | 0:12:04 | 0:12:08 | |
I just thought it would be great to
give it a go. | 0:12:10 | 0:12:14 | |
After his brain haemorrhage,
he thought his dream was over, | 0:12:14 | 0:12:17 | |
until his mum sent his photo to a
modelling agency. | 0:12:17 | 0:12:20 | |
Yeah, it's been amazing since I've
joined. | 0:12:20 | 0:12:24 | |
Which has just given me a lust
for life. | 0:12:24 | 0:12:32 | |
Is that a phrase? | 0:12:32 | 0:12:34 | |
Hello. Hello. | 0:12:36 | 0:12:37 | |
Are you relaxed? Yeah. | 0:12:37 | 0:12:39 | |
Ready for your haircut? | 0:12:39 | 0:12:40 | |
I am. I feel dizzy after that. | 0:12:40 | 0:12:44 | |
Very relaxing. | 0:12:44 | 0:12:46 | |
Thank you. | 0:12:46 | 0:12:47 | |
Hopefully, in years to
come, we'll see a rise | 0:12:48 | 0:12:53 | |
in disabled modelling | 0:12:53 | 0:12:56 | |
and a lot more disabled models
in the industry. | 0:12:56 | 0:13:01 | |
How does that feel for you, Raf?
Like it. | 0:13:05 | 0:13:08 | |
Definitely ready to model now. | 0:13:09 | 0:13:13 | |
My dream is to model for a huge
high-street brand. | 0:13:13 | 0:13:16 | |
Today, Lois is living that dream. | 0:13:16 | 0:13:18 | |
She's in London for a photo shoot
for River Island. | 0:13:18 | 0:13:22 | |
Sequin top. | 0:13:22 | 0:13:23 | |
With these trousers. | 0:13:23 | 0:13:25 | |
Yeah? Happy? Yeah. | 0:13:25 | 0:13:29 | |
Bye! | 0:13:29 | 0:13:31 | |
Hello! Have a seat. | 0:13:33 | 0:13:35 | |
OK. | 0:13:37 | 0:13:39 | |
I do like purple. | 0:13:39 | 0:13:41 | |
Is that your favourite? Yeah. | 0:13:41 | 0:13:42 | |
What do you like the most? | 0:13:43 | 0:13:45 | |
The jacket, because it's very, very
soft. | 0:13:45 | 0:13:49 | |
It is so soft. I really like
the hair and make-up. | 0:13:49 | 0:13:53 | |
Right, we're ready. Let's go. | 0:13:53 | 0:13:56 | |
Are you ready for the main girl? | 0:13:59 | 0:14:02 | |
Ready. Get ready! Get ready. | 0:14:02 | 0:14:05 | |
Lois, what music shall we put on
before we start? | 0:14:07 | 0:14:11 | |
Little Mix - Power. | 0:14:11 | 0:14:12 | |
No way! | 0:14:12 | 0:14:15 | |
MUSIC: Power by Little Mix | 0:14:15 | 0:14:20 | |
One, two, three. | 0:14:28 | 0:14:31 | |
Yeah, you should do it to me.
I am so tired after that. | 0:14:32 | 0:14:35 | |
Look, that one's funny. | 0:14:35 | 0:14:37 | |
No, that looks so good. | 0:14:38 | 0:14:39 | |
To be able to see herself
on screen in photographs | 0:14:39 | 0:14:44 | |
really makes a difference. | 0:14:44 | 0:14:46 | |
I did my filming and photo shoot. | 0:14:46 | 0:14:50 | |
I loved it. | 0:14:51 | 0:14:52 | |
Very tiring day. | 0:14:55 | 0:14:57 | |
I'll go to sleep in the car
on the way home. | 0:14:57 | 0:15:01 | |
It's the dress rehearsal for
tonight's charity fashion show. | 0:15:04 | 0:15:08 | |
You two turn around, look as though
you're doing the business. | 0:15:08 | 0:15:12 | |
OK. Who is with who? | 0:15:12 | 0:15:14 | |
In a few hours, Rafi and the other
disabled models will be performing | 0:15:14 | 0:15:18 | |
to a packed theatre. | 0:15:18 | 0:15:20 | |
Don't walk too far ahead, so then
Rafi can put your hand out to Riley. | 0:15:20 | 0:15:24 | |
Yeah. So, get yourself steady,
take a deep breath, | 0:15:24 | 0:15:28 | |
focus and then set off. | 0:15:28 | 0:15:29 | |
You don't have to rush.
You hold back. | 0:15:29 | 0:15:32 | |
You make sure he is
steady before you set off anyway. | 0:15:32 | 0:15:35 | |
No rush on that one, you've got
all the time in the world. | 0:15:35 | 0:15:39 | |
When the music starts, it's nearly
time to go. | 0:15:41 | 0:15:45 | |
When all these seats have got
people... | 0:15:45 | 0:15:47 | |
Oh, God. That will make me so
nervous. | 0:15:47 | 0:15:50 | |
I suppose I'm worried about my
memory, really, | 0:15:50 | 0:15:55 | |
if I ever forget what I'm meant to
do. | 0:15:55 | 0:15:59 | |
The show is important for Rafi. | 0:15:59 | 0:16:01 | |
It's five years to the day since
his injury. | 0:16:01 | 0:16:04 | |
You'll be fine. | 0:16:04 | 0:16:05 | |
I will try and make it a mental
reminder. | 0:16:05 | 0:16:09 | |
Lucky for Rafi, | 0:16:09 | 0:16:11 | |
his sister is on hand to keep him
calm and to do his make-up. | 0:16:11 | 0:16:14 | |
You've come really far. | 0:16:14 | 0:16:16 | |
It's good to have something like
this on a five-year anniversary. | 0:16:16 | 0:16:21 | |
It just shows, doesn't it?
It really does, yeah. | 0:16:22 | 0:16:25 | |
It just shows how far I've come,
really. | 0:16:25 | 0:16:28 | |
Because five years ago, I would
never have even dreamed | 0:16:28 | 0:16:34 | |
of being able to do this. | 0:16:34 | 0:16:37 | |
Five years ago, I wasn't in the
state for doing anything then. | 0:16:37 | 0:16:42 | |
Are you nervous? As the night goes
on, I will be. | 0:16:43 | 0:16:48 | |
I will start to get nervous. | 0:16:48 | 0:16:50 | |
Side, side, go. | 0:16:53 | 0:16:55 | |
I would like to change back in the
interviews | 0:16:55 | 0:17:00 | |
because I think we've got
it into our heads | 0:17:00 | 0:17:04 | |
that everyone
should look the same kind of way. | 0:17:04 | 0:17:08 | |
There are different kinds of people | 0:17:08 | 0:17:11 | |
and we are all beautiful in our own
way, really. | 0:17:11 | 0:17:16 | |
At the moment, how many times
do you see a disabled person | 0:17:16 | 0:17:21 | |
in a catalogue or something? | 0:17:22 | 0:17:24 | |
Not that often. | 0:17:24 | 0:17:27 | |
You might not have thought about
that before you were disabled. | 0:17:27 | 0:17:31 | |
It never crossed your mind, did it? | 0:17:31 | 0:17:32 | |
No. It didn't. But now I'm disabled
I notice it quite a lot, actually. | 0:17:32 | 0:17:40 | |
It is quite important, isn't it?
Yeah. | 0:17:40 | 0:17:43 | |
Rafi has to do three poses
at the end of his walk | 0:17:45 | 0:17:48 | |
but he is worried about remembering
them. | 0:17:48 | 0:17:52 | |
I will keep a lookout for you
and you can remind me. | 0:17:52 | 0:17:56 | |
I've got to do those, have I? | 0:17:56 | 0:17:57 | |
Yeah. One? | 0:17:57 | 0:17:59 | |
Yeah. One? Oh. Not that! | 0:17:59 | 0:18:04 | |
One...two... | 0:18:04 | 0:18:06 | |
..three. | 0:18:08 | 0:18:09 | |
Oh, yeah. | 0:18:11 | 0:18:14 | |
One... Just do them sitting down. | 0:18:15 | 0:18:17 | |
Two...three. | 0:18:17 | 0:18:21 | |
Fingers crossed, he's got it. | 0:18:21 | 0:18:22 | |
This is it. Rehearsals are over
and all the models are ready to go. | 0:18:24 | 0:18:28 | |
# Yeah, you could be the greatest | 0:18:28 | 0:18:30 | |
# You can be the best | 0:18:30 | 0:18:32 | |
# You can be the King Kong banging
on your chest | 0:18:32 | 0:18:35 | |
# You could beat the world | 0:18:35 | 0:18:36 | |
# You could beat the war | 0:18:36 | 0:18:38 | |
# You could talk to God,
go banging on his door | 0:18:38 | 0:18:40 | |
# You can throw your hands up | 0:18:40 | 0:18:42 | |
# You can beat the clock... # | 0:18:42 | 0:18:43 | |
It's Rafi's big moment. | 0:18:43 | 0:18:46 | |
Do you know what you're doing? Yeah. | 0:18:46 | 0:18:47 | |
Go all the way to the end...
Yeah. ..turning. | 0:18:47 | 0:18:50 | |
Get rid of the frame. | 0:18:50 | 0:18:52 | |
You put your hand on my shoulder and
then we wait, like, | 0:18:52 | 0:18:57 | |
a couple of seconds
and we'll go off. | 0:18:57 | 0:19:00 | |
# Pain | 0:19:00 | 0:19:02 | |
# You made me a, you made me a
believer, believer... # | 0:19:02 | 0:19:06 | |
Go! | 0:19:08 | 0:19:09 | |
# Oh, let the bullets fly
oh, let them rain | 0:19:09 | 0:19:13 | |
# My life, my love,
my drive, it came from... | 0:19:13 | 0:19:16 | |
# Pain | 0:19:16 | 0:19:17 | |
# You made me a, you made me
a believer, believer | 0:19:17 | 0:19:22 | |
# Third things third | 0:19:22 | 0:19:24 | |
# Send a prayer to the ones up above | 0:19:24 | 0:19:27 | |
# All the hate that you've heard
has turned your spirit to a dove | 0:19:27 | 0:19:31 | |
# Oh ooh | 0:19:31 | 0:19:33 | |
# Your spirit up above, oh ooh | 0:19:33 | 0:19:38 | |
# Pain | 0:19:38 | 0:19:39 | |
# You made me a, you made me a
believer, believer... # | 0:19:39 | 0:19:43 | |
APPLAUSE AND CHEERING | 0:19:43 | 0:19:45 | |
Two out of three poses isn't bad,
Rafi. | 0:19:48 | 0:19:50 | |
Well done, guys. | 0:19:52 | 0:19:53 | |
He owned that catwalk. | 0:19:53 | 0:19:55 | |
But there is one extra special
surprise for Rafi. | 0:19:55 | 0:19:59 | |
I'd like to ask for Rafi to take a
step forward. | 0:20:01 | 0:20:06 | |
And Mum and Dad and sister. | 0:20:06 | 0:20:08 | |
So, five years ago today this
beautiful man, | 0:20:11 | 0:20:15 | |
this wonderful man, Rafi, he
had a brain haemorrhage. | 0:20:15 | 0:20:20 | |
So just to mark what an amazing sort
of recovery you have made | 0:20:21 | 0:20:25 | |
in those five years,
we've been joined by the team | 0:20:25 | 0:20:30 | |
that cared for you
when you were first in hospital. | 0:20:30 | 0:20:34 | |
And they've been hiding
somewhere, so they're still hiding. | 0:20:36 | 0:20:39 | |
Do you want to come up? | 0:20:39 | 0:20:41 | |
APPLAUSE | 0:20:41 | 0:20:43 | |
Today has been amazing. | 0:20:46 | 0:20:49 | |
To top it all off,
I saw all the old hospital doctors | 0:20:49 | 0:20:55 | |
and physios and all sorts. | 0:20:55 | 0:20:58 | |
You're amazing. | 0:20:58 | 0:21:01 | |
What a lovely surprise. | 0:21:01 | 0:21:04 | |
Loved it! I was not expecting that! | 0:21:04 | 0:21:08 | |
That was a massive surprise. | 0:21:08 | 0:21:11 | |
It was, yeah. | 0:21:11 | 0:21:12 | |
Rafi and Niall are so inspiring. | 0:21:12 | 0:21:15 | |
They're really changing the way
people think. | 0:21:15 | 0:21:18 | |
I want to become a model
just to show you can look pretty, | 0:21:26 | 0:21:29 | |
you can do everything that the role
models do, | 0:21:29 | 0:21:31 | |
even though you've got vitiligo or
even though you've got a condition. | 0:21:31 | 0:21:34 | |
Just because I've got vitiligo
doesn't change who I am. | 0:21:34 | 0:21:38 | |
Today I am doing some test shots at
a modelling agency | 0:21:40 | 0:21:44 | |
to see if I can get on their books. | 0:21:44 | 0:21:47 | |
Hey. Hey. | 0:21:47 | 0:21:51 | |
I hope that people do get more
confident seeing me | 0:21:51 | 0:21:53 | |
because when I saw Niall, I felt
a massive shot of confidence. | 0:21:53 | 0:21:57 | |
Let this one rest, so your foot
comes and rests on here. | 0:21:59 | 0:22:03 | |
You have to look as natural as you
can. | 0:22:03 | 0:22:06 | |
On your back, you've got quite a lot
of vitiligo, haven't you? | 0:22:06 | 0:22:09 | |
Yeah, is that right? | 0:22:09 | 0:22:10 | |
Wow! What a star! | 0:22:13 | 0:22:16 | |
I want people to know I'm not just
comfortable in my skin, | 0:22:16 | 0:22:20 | |
I'm proud of it. | 0:22:20 | 0:22:21 | |
These ones. These are my favourites. | 0:22:21 | 0:22:24 | |
I think you look beautiful. | 0:22:24 | 0:22:25 | |
Don't you? Yeah? | 0:22:25 | 0:22:26 | |
I loved it and looking back at
the photos, I was surprised | 0:22:26 | 0:22:31 | |
how beautiful I looked. | 0:22:31 | 0:22:32 | |
Maybe one day, I will be on the
cover of a magazine. | 0:22:32 | 0:22:36 | |
Well done. Nice to meet you. | 0:22:36 | 0:22:38 | |
Bye! | 0:22:38 | 0:22:39 | |
Safe journey back. | 0:22:39 | 0:22:41 | |
See you. | 0:22:41 | 0:22:45 | |
Rafi's on his way to Manchester
to meet Johnny at boohooMAN. | 0:22:45 | 0:22:49 | |
Are you excited? I'm very excited. | 0:22:49 | 0:22:52 | |
Hi, Johnny. Nice to meet you. | 0:22:56 | 0:22:58 | |
Hi, Rafi. Nice to meet you. I've got
a few questions I'd like to ask you. | 0:22:58 | 0:23:02 | |
I've had to write them down because
my memory is not that great, but... | 0:23:04 | 0:23:09 | |
No problem. Fire away. | 0:23:09 | 0:23:11 | |
There are 13 million disabled people
in the UK. | 0:23:11 | 0:23:15 | |
I just don't think they are being
represented in the modelling world | 0:23:15 | 0:23:20 | |
at the moment. | 0:23:20 | 0:23:22 | |
I agree. I think the fashion
industry can do a lot more | 0:23:22 | 0:23:24 | |
to be inclusive. | 0:23:24 | 0:23:26 | |
We haven't used a disabled model yet
for boohooMAN. | 0:23:26 | 0:23:28 | |
Boohoo use a disabled model in one
of their adverts. | 0:23:28 | 0:23:31 | |
We've done a good job using models
of different ethnicities and colours | 0:23:31 | 0:23:34 | |
and body types but I think it is
something we can really look to do, | 0:23:34 | 0:23:38 | |
to integrate disabled people into
our campaigns more. | 0:23:38 | 0:23:41 | |
Would you ever consider booking me
for your campaigns? | 0:23:41 | 0:23:47 | |
We'll have to see how you do
in the studio first. | 0:23:47 | 0:23:50 | |
That is the real test, isn't it? | 0:23:50 | 0:23:51 | |
This is the studio. | 0:23:51 | 0:23:52 | |
This is Cathy, the stylist. | 0:23:54 | 0:23:57 | |
Hi. How do you feel about yellow,
Rafi? | 0:23:57 | 0:23:58 | |
You all right trying that on?
Yellow is my guilty pleasure. | 0:23:58 | 0:24:02 | |
I like yellow. | 0:24:02 | 0:24:03 | |
I think these shoes are a little too
small for me. | 0:24:03 | 0:24:07 | |
Your toes are hanging over. | 0:24:07 | 0:24:09 | |
Yeah. These are the joys of
modelling. It's fashion, Rafi. | 0:24:09 | 0:24:13 | |
Cool. Perfect. | 0:24:16 | 0:24:17 | |
If you bring your head back,
slightly. That's nice. | 0:24:17 | 0:24:21 | |
It's really hard work
being a model. | 0:24:21 | 0:24:23 | |
Just looking straight to me.
Straight to camera. Nice. Keep that. | 0:24:24 | 0:24:28 | |
I think the problem with a lot of
people is, | 0:24:28 | 0:24:32 | |
they don't accept that they are
beautiful. You love doing your hair. | 0:24:32 | 0:24:37 | |
That is your go-to pose. | 0:24:37 | 0:24:38 | |
That's a classic as well. | 0:24:38 | 0:24:40 | |
Absolutely nailed it! | 0:24:40 | 0:24:42 | |
It's just an instinct to see all
the negatives about yourself, | 0:24:42 | 0:24:47 | |
but if you look at yourself, there
are quite a lot of positives. | 0:24:48 | 0:24:52 | |
It takes people like yourself,
who can be seen as a role model, | 0:24:52 | 0:24:55 | |
who are willing to step outside
their comfort zone and do something | 0:24:55 | 0:24:58 | |
different, which is only really seen
for able-bodied people. | 0:24:58 | 0:25:02 | |
There is no reason why disabled
people can't do that | 0:25:02 | 0:25:05 | |
and if you work hard and you're
dedicated to it and learn and listen | 0:25:05 | 0:25:09 | |
to other people, it will come. | 0:25:09 | 0:25:11 | |
That's the money shot. | 0:25:11 | 0:25:13 | |
That is the money shot. | 0:25:13 | 0:25:14 | |
I think today went really well. | 0:25:14 | 0:25:17 | |
Who knows what the future holds? | 0:25:17 | 0:25:20 | |
But I'm excited. | 0:25:20 | 0:25:22 | |
I recently saw a viral video online
which has motivated me | 0:25:24 | 0:25:28 | |
to make my own version. | 0:25:28 | 0:25:30 | |
I've realised I am beautiful and I
want to show my friends that too, | 0:25:32 | 0:25:36 | |
and hopefully I can make a mini
film. | 0:25:36 | 0:25:38 | |
I want to try something. | 0:25:38 | 0:25:40 | |
It might be a little bit weird
but I need Grace first. | 0:25:40 | 0:25:42 | |
I just wanted to bring you upstairs
to tell you that you're beautiful. | 0:25:46 | 0:25:49 | |
Aw! So cute! | 0:25:49 | 0:25:51 | |
I just want to say I think you're
beautiful. | 0:25:53 | 0:25:55 | |
BOTH: Thank you! | 0:25:56 | 0:25:58 | |
I just want you to know that you are
beautiful. | 0:25:58 | 0:26:00 | |
I think you're beautiful. | 0:26:05 | 0:26:06 | |
Thank you. | 0:26:07 | 0:26:08 | |
I don't know what to say. | 0:26:09 | 0:26:11 | |
No-one really gives you
compliments, like, now, | 0:26:13 | 0:26:18 | |
to be honest, like, so it's a bit... | 0:26:18 | 0:26:20 | |
..funny to hear something like that. | 0:26:21 | 0:26:23 | |
I don't think I've ever had anyone
say anything that | 0:26:25 | 0:26:28 | |
nice to me before. | 0:26:28 | 0:26:29 | |
I've never heard that from friends
before. | 0:26:29 | 0:26:31 | |
No, friends never say it, so, thank
you. | 0:26:31 | 0:26:34 | |
But actually, that means a lot,
like, to me as a person. | 0:26:34 | 0:26:38 | |
I haven't really had the confidence
before, like, | 0:26:41 | 0:26:45 | |
from someone actually telling me
that, so thank you. | 0:26:45 | 0:26:49 | |
It's OK. | 0:26:49 | 0:26:51 | |
I did that because I thought that
you should all know that, like, | 0:26:52 | 0:26:57 | |
you're all beautiful and I love you,
like, loads and loads. | 0:26:57 | 0:27:00 | |
We love you too. Thank you. | 0:27:00 | 0:27:02 | |
There's so much pressure to look
like the models we see in the media | 0:27:04 | 0:27:08 | |
but the world would be a very boring
place if we all looked the same. | 0:27:08 | 0:27:12 | |
Models like Rafi, Lois and Niall are
beginning to change | 0:27:12 | 0:27:17 | |
the face of beauty, but telling your
friends they're beautiful | 0:27:17 | 0:27:22 | |
can make a big difference too. | 0:27:22 | 0:27:24 | |
# You could be the greatest | 0:27:24 | 0:27:25 | |
# You can be the best | 0:27:25 | 0:27:27 | |
# You can be the
King Kong banging on your chest | 0:27:27 | 0:27:29 | |
# You could beat the world | 0:27:29 | 0:27:31 | |
# You could beat the war | 0:27:31 | 0:27:32 | |
# You could talk to God, go banging
on his door | 0:27:32 | 0:27:35 | |
# You can throw your hands up | 0:27:35 | 0:27:37 | |
# You can beat the clock | 0:27:37 | 0:27:38 | |
# You can move a mountain | 0:27:38 | 0:27:39 | |
# You can break rocks | 0:27:39 | 0:27:41 | |
# Standing in the hall of fame. # | 0:27:41 | 0:27:42 |