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Many people dream of fame, success and life in the spotlight. | 0:33:02 | 0:33:05 | |
But few realise it takes years of hard work. | 0:33:05 | 0:33:08 | |
We've been behind the scenes | 0:33:11 | 0:33:13 | |
of one of the most famous stage schools in Britain. | 0:33:13 | 0:33:15 | |
Motivation, commitment - let's do it. | 0:33:15 | 0:33:18 | |
It's got to be sharp, guys. | 0:33:18 | 0:33:20 | |
We've seen the highs and the lows. | 0:33:20 | 0:33:22 | |
The good times and the bad. | 0:33:24 | 0:33:27 | |
I thought you were going to get it. | 0:33:27 | 0:33:29 | |
As the talent of tomorrow juggle school and work. | 0:33:29 | 0:33:34 | |
We're preparing for the performance of a lifetime. | 0:33:34 | 0:33:38 | |
And now, finally, it's gala time at the School For Stars. | 0:33:38 | 0:33:45 | |
Coming up on School For Stars, it's gala night. | 0:33:47 | 0:33:51 | |
Ella, Ed and Jordan take the stage by storm. | 0:33:51 | 0:33:54 | |
But things don't go quite so smoothly for Will and Eloise. | 0:33:55 | 0:33:59 | |
It just is like a huge, huge train wreck. | 0:33:59 | 0:34:02 | |
And Mark's unhappy with his dancers too. | 0:34:02 | 0:34:05 | |
Anybody doing Broken Dreams with me, I need them down here now. | 0:34:05 | 0:34:09 | |
Can the cast get it together for the performance of a lifetime? | 0:34:09 | 0:34:13 | |
Break a leg. | 0:34:14 | 0:34:15 | |
For the past five nights, the Italia Conti Academy Of Theatre Arts | 0:34:17 | 0:34:22 | |
has been celebrating its 100th-year anniversary. | 0:34:22 | 0:34:25 | |
After a spectacular week of shows featuring the whole school, | 0:34:27 | 0:34:32 | |
it's time for the closing night, the centenary gala itself - | 0:34:32 | 0:34:36 | |
a production everyone has wanted to be a part of. | 0:34:36 | 0:34:39 | |
Auditions have taken place across the school | 0:34:42 | 0:34:44 | |
to decide who will play the lead roles. | 0:34:44 | 0:34:47 | |
# Ye-e-eah! # | 0:34:47 | 0:34:50 | |
Top choreographers have been brought in to teach complicated routines. | 0:34:50 | 0:34:54 | |
We need to deliver, basically. | 0:34:54 | 0:34:55 | |
The show director has been flown in from Los Angeles | 0:34:55 | 0:34:58 | |
to make sure only the best will do. | 0:34:58 | 0:35:00 | |
And go, two, three, four, five. | 0:35:00 | 0:35:03 | |
And hundreds of hours have been spent perfecting routines. | 0:35:03 | 0:35:08 | |
This is the A-list - the very best performers in the school. | 0:35:10 | 0:35:14 | |
Tonight, they'll be on stage with ex-pupils who are now professionals | 0:35:14 | 0:35:17 | |
in front of an audience of casting agents | 0:35:17 | 0:35:20 | |
who'll be watching their every move. | 0:35:20 | 0:35:22 | |
THEY CHEER | 0:35:22 | 0:35:24 | |
Over at the New Wimbledon Theatre, the gala cast is starting to arrive. | 0:35:27 | 0:35:32 | |
This has been home to all 305 students for the past week. | 0:35:35 | 0:35:39 | |
With 1,500 seats, it's one of the biggest theatres in London | 0:35:39 | 0:35:42 | |
and the show has sold out every night this week. | 0:35:42 | 0:35:45 | |
It was a dream come true for Ella and Jordan | 0:35:48 | 0:35:50 | |
when they found out they were some of only a few juniors | 0:35:50 | 0:35:53 | |
performing on the closing night. | 0:35:53 | 0:35:56 | |
Yay! | 0:35:56 | 0:35:58 | |
They'll be in two numbers tonight | 0:35:58 | 0:36:00 | |
and they're spending every spare second perfecting their moves | 0:36:00 | 0:36:04 | |
for the Sinatra love song Let's Fall In Love. | 0:36:04 | 0:36:07 | |
We've been practising round these areas, | 0:36:07 | 0:36:10 | |
just going through it. | 0:36:10 | 0:36:11 | |
It's good dancing with Ella, she's a really good dancer. | 0:36:11 | 0:36:14 | |
And it's quite funny with the choreography. | 0:36:14 | 0:36:18 | |
We're just making sure it's all going to go swell. | 0:36:18 | 0:36:20 | |
Ella and Jordan are dancing comedy roles | 0:36:20 | 0:36:23 | |
in the same routine that Rhianna and Max sang on the opening night. | 0:36:23 | 0:36:27 | |
# Let's fall in love. # | 0:36:27 | 0:36:30 | |
Only tonight, it's being sung by two seniors, | 0:36:30 | 0:36:33 | |
including Katie, who we saw get her first big movie role. | 0:36:33 | 0:36:37 | |
Tonight, it would be quite good to show what I actually can do. | 0:36:37 | 0:36:41 | |
I want to perform when I'm older and that's what I'll hopefully do. | 0:36:41 | 0:36:45 | |
# To be or not to be. # | 0:36:45 | 0:36:47 | |
I feel really good about this Sinatra piece cos it's one of my favourites. | 0:36:47 | 0:36:51 | |
You can act childish and really get into the character. | 0:36:51 | 0:36:54 | |
Ella has made some huge sacrifices | 0:36:56 | 0:36:59 | |
to follow her dream of becoming a dancer. | 0:36:59 | 0:37:01 | |
When she decided she wanted to go to this stage school, | 0:37:01 | 0:37:04 | |
her parents came with her, | 0:37:04 | 0:37:06 | |
swapping a home in Cornwall for a hotel in London. | 0:37:06 | 0:37:09 | |
Here's Mum and Dad making some coffee. | 0:37:09 | 0:37:11 | |
Mum and Dad's bed, my bed, my teddy. | 0:37:11 | 0:37:15 | |
Tonight's a chance for Ella to show her mum and dad | 0:37:16 | 0:37:19 | |
that everything they've given up for her has been worth it. | 0:37:19 | 0:37:23 | |
It's so important my parents are here | 0:37:23 | 0:37:25 | |
because I wouldn't be here if they weren't here | 0:37:25 | 0:37:27 | |
so it means so much to me. I just have to give it everything. | 0:37:27 | 0:37:31 | |
With just hours to go before the curtain rises, | 0:37:34 | 0:37:38 | |
everybody backstage is busy getting ready | 0:37:38 | 0:37:40 | |
for their final dress rehearsals. | 0:37:40 | 0:37:42 | |
Oh, it stinks of fake tan in here. | 0:37:42 | 0:37:44 | |
Eloise has one of the main parts in the show. | 0:37:53 | 0:37:56 | |
She's singing a huge gospel number called Memphis. | 0:37:56 | 0:38:00 | |
It's our centenary year gala performance. | 0:38:00 | 0:38:02 | |
I've got to up my game now. I can't be the student. | 0:38:02 | 0:38:05 | |
Eloise started singing at one of the associate schools | 0:38:05 | 0:38:08 | |
when she was just seven. | 0:38:08 | 0:38:10 | |
# Maybe, baby... # | 0:38:10 | 0:38:13 | |
'My ambition is to be a pop singer and do arena tours' | 0:38:13 | 0:38:16 | |
and conquer the world. | 0:38:16 | 0:38:18 | |
With tonight's audience full of agents, | 0:38:18 | 0:38:20 | |
that dream could become a reality for Eloise | 0:38:20 | 0:38:24 | |
and for her singing partner Will. | 0:38:24 | 0:38:27 | |
Will had to audition against two of his classmates to win the role. | 0:38:27 | 0:38:31 | |
When you're in there, do or die. | 0:38:31 | 0:38:33 | |
# The music of my own. # | 0:38:33 | 0:38:40 | |
Now he's here, he can't wait to get on stage with Eloise. | 0:38:40 | 0:38:44 | |
-Excited? -Yeah, I'm ready. | 0:38:44 | 0:38:48 | |
I'm literally buzzing. | 0:38:48 | 0:38:49 | |
Absolutely buzzing. I'll tire myself out before we get onstage. | 0:38:49 | 0:38:53 | |
The audience will have more professionals than parents so they'll expect a professional show. | 0:38:53 | 0:38:57 | |
Yeah, definitely. | 0:38:57 | 0:38:58 | |
# Tonight's the kind of night Everything could change... # | 0:38:58 | 0:39:04 | |
Out in the theatre's auditorium, | 0:39:04 | 0:39:06 | |
the stage staff are gearing up for the final dress rehearsal. | 0:39:06 | 0:39:10 | |
And senior dancer Paul, who only recently | 0:39:10 | 0:39:12 | |
recovered from a fractured thumb, | 0:39:12 | 0:39:15 | |
has been given some exciting news. | 0:39:15 | 0:39:17 | |
I've just found out I'm in the gala performance of the Sinatra section, | 0:39:17 | 0:39:21 | |
which I wasn't meant to be in. It's really exciting suddenly getting in, | 0:39:21 | 0:39:24 | |
like, "You're in the gala." "Yes!" | 0:39:24 | 0:39:26 | |
At the last minute, Paul's been given a new role. | 0:39:26 | 0:39:30 | |
One of the other dancers fell ill so he's been chosen to replace him. | 0:39:30 | 0:39:34 | |
He'll be on just after Ella and Jordan | 0:39:34 | 0:39:37 | |
but right now he has to learn all the moves with his partner Jess. | 0:39:37 | 0:39:41 | |
We've only got a few minutes to learn the choreography | 0:39:41 | 0:39:44 | |
so it's really intense. | 0:39:44 | 0:39:45 | |
While Paul and Jess work on their routine, a storm is brewing. | 0:39:45 | 0:39:50 | |
That's a snap. | 0:39:50 | 0:39:51 | |
Top choreographer Mark Webb is on the warpath | 0:39:51 | 0:39:54 | |
and looking for the dancers for his routine, Boulevard Of Broken Dreams. | 0:39:54 | 0:39:58 | |
Guys up in the stalls, | 0:39:58 | 0:39:59 | |
if there's anybody doing Broken Dreams with me, | 0:39:59 | 0:40:01 | |
I need them down here now. | 0:40:01 | 0:40:03 | |
Mark feels rehearsals haven't been going well enough | 0:40:03 | 0:40:06 | |
and is determined to get some more time with his dancers | 0:40:06 | 0:40:09 | |
-before today's dress rehearsal. -It's hard at the top. | 0:40:09 | 0:40:12 | |
Trouble is, the only free space is outside in the rain. | 0:40:12 | 0:40:18 | |
Let's go through it slowly. The first bit you're going | 0:40:18 | 0:40:20 | |
one, bob, tat, tat, hand, bob, bob, drop. | 0:40:20 | 0:40:26 | |
Let's see that again. | 0:40:26 | 0:40:27 | |
Six and seven and eight and... | 0:40:27 | 0:40:31 | |
One and two and three and four. | 0:40:32 | 0:40:38 | |
And two and three and four! And one and two and three and four! | 0:40:40 | 0:40:45 | |
Mark seems happier but in any case time's run out | 0:40:53 | 0:40:56 | |
and the cast are being called in by Hallie Newton, the show director. | 0:40:56 | 0:41:02 | |
She wants to see a practice run of the whole show - | 0:41:02 | 0:41:04 | |
and wants it looking good. | 0:41:04 | 0:41:06 | |
You are on this stage with professionals, tonight. | 0:41:06 | 0:41:09 | |
We've got to bring it up a notch, OK? | 0:41:09 | 0:41:11 | |
This is not a student show, this is a pro show, OK? | 0:41:11 | 0:41:15 | |
You're working with the best of the best here. Got it? | 0:41:15 | 0:41:18 | |
Really excited. This is what we've been waiting for | 0:41:18 | 0:41:21 | |
and working towards for months so I can't wait. | 0:41:21 | 0:41:23 | |
The practice run gets under way. | 0:41:25 | 0:41:28 | |
Tonight's show will be crammed with jaw-dropping routines | 0:41:30 | 0:41:35 | |
but none are more ambitious than the opening aerial number, | 0:41:35 | 0:41:39 | |
where dancers will perform complex acrobatic moves | 0:41:39 | 0:41:43 | |
in hoops suspended from the theatre's rafters. | 0:41:43 | 0:41:46 | |
Marni was one of the seven girls competing to be in the routine. | 0:41:46 | 0:41:50 | |
She pushed herself to the limit to get the part. | 0:41:50 | 0:41:53 | |
You will really kick yourselves if you give up. | 0:41:53 | 0:41:56 | |
You are either a fighter or you are not. | 0:41:56 | 0:41:59 | |
I just want this role so bad. | 0:41:59 | 0:42:01 | |
I'd really love to go out there and show everyone what I can do. | 0:42:01 | 0:42:04 | |
Marni's hard work paid off. She's not only in the routine, | 0:42:04 | 0:42:09 | |
she's been given the central hoop - where all eyes will be on her. | 0:42:09 | 0:42:13 | |
The cast has been chosen and I did get in, so I'm really happy. | 0:42:13 | 0:42:16 | |
It's the biggest audience I've ever performed to before | 0:42:18 | 0:42:21 | |
and there's going to be a lot of celebrities there. | 0:42:21 | 0:42:24 | |
As well as my family. | 0:42:24 | 0:42:25 | |
We're the opening to the whole show and, when the curtain goes up, | 0:42:25 | 0:42:28 | |
my stomach's probably going to be in knots and I'll be going he-he-he! | 0:42:28 | 0:42:32 | |
Eloise and Will are the last to practise on stage. | 0:42:35 | 0:42:39 | |
Their Memphis routine will be the gala finale | 0:42:39 | 0:42:41 | |
so it's crucial that everyone gets it right. | 0:42:41 | 0:42:45 | |
But it's not just a tough routine for the two leads. | 0:42:45 | 0:42:49 | |
Backing dancer Billie, who will take centre stage for part of the number, | 0:42:49 | 0:42:52 | |
is feeling the pressure. | 0:42:52 | 0:42:54 | |
It's good to be nervous cos it shows you care. | 0:42:54 | 0:42:57 | |
The routine has complicated dance moves | 0:42:57 | 0:43:00 | |
performed with difficult vocals. When the rehearsal's finished, | 0:43:00 | 0:43:03 | |
it seems director Hallie isn't happy. | 0:43:03 | 0:43:05 | |
Can we have Memphis over there? | 0:43:05 | 0:43:08 | |
The cast is handed over to top choreographers | 0:43:08 | 0:43:10 | |
Richard and Rachel for a pep talk. | 0:43:10 | 0:43:13 | |
It just is like a huge, huge train wreck. | 0:43:13 | 0:43:17 | |
When you hit that bit of choreography, | 0:43:17 | 0:43:19 | |
I just want to get up and walk out. | 0:43:19 | 0:43:22 | |
Guys, you're noticed up in the dress circle | 0:43:23 | 0:43:25 | |
for absolutely the minute-est thing. | 0:43:25 | 0:43:28 | |
You think you're not but you are. You'll be scrutinised. | 0:43:28 | 0:43:32 | |
Will, eye-lines, Do You Rock And Roll. | 0:43:32 | 0:43:33 | |
It's very moody when you walk forward. | 0:43:33 | 0:43:35 | |
We've had our little chat, now lift it up and tell the story to the back. | 0:43:35 | 0:43:39 | |
Will and Eloise coming in. | 0:43:39 | 0:43:41 | |
Make sure you play to each other - she was dying up there. | 0:43:41 | 0:43:44 | |
I've seen it done loads of times before. I know you can do it. | 0:43:44 | 0:43:48 | |
Chins up, chests out, smile and just mean it. | 0:43:48 | 0:43:53 | |
For your own sakes - not for ours, for yours. | 0:43:53 | 0:43:57 | |
It's tough criticism and lead dancer Billie is taking it very personally. | 0:43:57 | 0:44:02 | |
I missed the turn on that bit. One, two, three, four, five, six... | 0:44:02 | 0:44:08 | |
I really care about this and I really want this work | 0:44:08 | 0:44:11 | |
so of course I'm nervous cos I want to do well. | 0:44:11 | 0:44:13 | |
I can tell you're worrying. | 0:44:13 | 0:44:15 | |
I just like to get things right all the time. | 0:44:15 | 0:44:18 | |
It has to be perfect all the time. I get really stressed. | 0:44:18 | 0:44:22 | |
-You're human, it was a dress run. It's fine. -Yeah. | 0:44:22 | 0:44:25 | |
When else do you make mistakes, Billie? Never. | 0:44:25 | 0:44:27 | |
-No, I never make mistakes. -Yeah, exactly, so, one little thing. | 0:44:27 | 0:44:31 | |
Don't worry. You're only human. | 0:44:31 | 0:44:33 | |
Right now for the whole Memphis cast, things are looking bleak. | 0:44:37 | 0:44:42 | |
But their time has run out. | 0:44:42 | 0:44:44 | |
It's not just the cast who are nervous. | 0:44:44 | 0:44:47 | |
For Head Of Musical Theatre Karen it's a big night too. | 0:44:47 | 0:44:51 | |
We really want this to be a show to remember. It's a celebration. | 0:44:51 | 0:44:55 | |
We're celebrating 100 years. | 0:44:55 | 0:44:57 | |
This is months and months of hard work. It all comes down to tonight. | 0:44:57 | 0:45:01 | |
Everyone's here tonight. Casting agents, directors... | 0:45:01 | 0:45:05 | |
You name it, they're here. | 0:45:05 | 0:45:07 | |
After all the pain and hard work of rehearsals, | 0:45:11 | 0:45:14 | |
finally it's show time. | 0:45:14 | 0:45:16 | |
1,500 people are busy taking their seats, | 0:45:20 | 0:45:23 | |
including ex-pupils like Pixie Lott. | 0:45:23 | 0:45:26 | |
It's time to raise the roof. | 0:45:26 | 0:45:28 | |
Ready? | 0:45:29 | 0:45:30 | |
Opening the show... | 0:45:30 | 0:45:32 | |
Break a leg. | 0:45:32 | 0:45:34 | |
..it's Marni and her aerial cast. | 0:45:34 | 0:45:37 | |
CHEERING AND APPLAUSE | 0:45:37 | 0:45:39 | |
DRAMATIC MUSIC | 0:45:39 | 0:45:41 | |
CHEERING AND APPLAUSE | 0:46:22 | 0:46:25 | |
'It was so amazing.' | 0:46:29 | 0:46:31 | |
I didn't expect to be so nervous but I was a bit shaky. | 0:46:31 | 0:46:34 | |
But it went really well and I didn't fall off, so it was great. | 0:46:34 | 0:46:37 | |
Marni can't wait to celebrate with her sister, | 0:46:37 | 0:46:39 | |
who was a floor dancer in the routine. | 0:46:39 | 0:46:43 | |
I'm really pleased for her and just really proud, a really proud sister. | 0:46:43 | 0:46:47 | |
It's a stunning opening to the show | 0:46:47 | 0:46:49 | |
but things are about to get even more thrilling. | 0:46:49 | 0:46:53 | |
MUSIC: "Thriller" by Michael Jackson | 0:46:53 | 0:46:55 | |
It's the Michael Jackson routine. | 0:46:57 | 0:47:00 | |
# Cos this is thriller | 0:47:00 | 0:47:03 | |
# Thriller night | 0:47:03 | 0:47:05 | |
# And no-one's gonna save you from the beast about to strike... # | 0:47:05 | 0:47:09 | |
And backstage, Ella, Jordan and their classmate, Ed, | 0:47:09 | 0:47:12 | |
are waiting to take the stage. | 0:47:12 | 0:47:14 | |
-It's good to have nerves. -I know. | 0:47:15 | 0:47:19 | |
Ella and Jordan have their comedy Frank Sinatra dance, | 0:47:19 | 0:47:22 | |
later on in the show. | 0:47:22 | 0:47:23 | |
First, they get to dance with the seniors | 0:47:23 | 0:47:25 | |
in the Michael Jackson routine. | 0:47:25 | 0:47:27 | |
Ella, Ed and Jordan were selected after a really tough audition | 0:47:29 | 0:47:33 | |
where they impressed some of the school's most experienced dancers, | 0:47:33 | 0:47:37 | |
as well as Sean, the Michael Jackson choreographer. | 0:47:37 | 0:47:40 | |
That went really well! | 0:47:40 | 0:47:41 | |
They are the only juniors to be appearing in not one | 0:47:41 | 0:47:45 | |
but two routines in the gala tonight. | 0:47:45 | 0:47:47 | |
The first is a section in the Michael Jackson routine. | 0:47:47 | 0:47:50 | |
The three friends will be dancing to Smooth Criminal | 0:47:50 | 0:47:53 | |
but on the way to the stage, after all these weeks of practice, | 0:47:53 | 0:47:57 | |
Ed starts to get worried about some of the choreography. | 0:47:57 | 0:48:00 | |
-Try it on the outside, put that leg there. -No, cos I trip. | 0:48:00 | 0:48:03 | |
I trip. | 0:48:05 | 0:48:06 | |
-What was it before? -I always step there. Do you? | 0:48:06 | 0:48:09 | |
Can we do that again so I don't drop you on stage? | 0:48:09 | 0:48:12 | |
I can't do the move without you sticking out your bum. | 0:48:14 | 0:48:17 | |
We need to go out now. | 0:48:17 | 0:48:19 | |
-Stick out your bum. -Let's go. | 0:48:19 | 0:48:21 | |
# Thriller, thriller night... # | 0:48:21 | 0:48:24 | |
It's time to see if Ella, Ed and Jordan | 0:48:24 | 0:48:28 | |
can cut it with the older performers. | 0:48:28 | 0:48:30 | |
CHEERING AND APPLAUSE | 0:48:30 | 0:48:33 | |
# Ow | 0:48:37 | 0:48:38 | |
# Ow | 0:48:53 | 0:48:54 | |
# Oooh | 0:48:54 | 0:48:56 | |
# Oooh | 0:48:57 | 0:48:58 | |
# Oooh | 0:49:01 | 0:49:02 | |
# Ow | 0:49:09 | 0:49:10 | |
# Annie, are you OK? Will you tell us? | 0:49:10 | 0:49:12 | |
# Are you OK, Annie? | 0:49:12 | 0:49:14 | |
# There's a sign in the window | 0:49:14 | 0:49:15 | |
# That he struck you A crescendo, Annie | 0:49:15 | 0:49:18 | |
# He came into your apartment | 0:49:18 | 0:49:19 | |
# He left bloodstains on the carpet | 0:49:19 | 0:49:22 | |
# Then you ran into the bedroom | 0:49:22 | 0:49:24 | |
# You were struck down It was your doom, Annie | 0:49:24 | 0:49:26 | |
# Ow! # | 0:49:26 | 0:49:27 | |
CHEERING AND APPLAUSE | 0:49:27 | 0:49:30 | |
That went so good! Oh, my God! THEY LAUGH | 0:49:33 | 0:49:37 | |
Oh, my God! | 0:49:37 | 0:49:38 | |
-Yey! I'm really sweaty, actually. -I know. | 0:49:39 | 0:49:42 | |
-My hat's caught. -High-five. Ow! | 0:49:42 | 0:49:45 | |
You guys do good on the Sinatra. | 0:49:45 | 0:49:48 | |
It's a knockout performance | 0:49:48 | 0:49:49 | |
but Jordan and Ella now have just minutes | 0:49:49 | 0:49:52 | |
to get changed for their Sinatra routine. | 0:49:52 | 0:49:54 | |
On stage, Mark's dancers are doing him proud. | 0:49:57 | 0:50:00 | |
It seems the last-minute practice in the rain | 0:50:00 | 0:50:03 | |
was worth every soggy second. | 0:50:03 | 0:50:06 | |
-Whoo! -It's OK for those coming off the stage | 0:50:09 | 0:50:11 | |
but for those still waiting to go on, it's an anxious time. | 0:50:11 | 0:50:15 | |
Especially for Eloise and the cast of Memphis, | 0:50:17 | 0:50:20 | |
whose routine will close the show. | 0:50:20 | 0:50:23 | |
It feels real now. Now the costume's gone on. | 0:50:23 | 0:50:26 | |
Tonight I've got nine people from my family all coming from up north. | 0:50:30 | 0:50:34 | |
All my grandparents and family, so...that's added pressure. | 0:50:34 | 0:50:38 | |
I'm more nervous about that than the celebrities in the audience. | 0:50:38 | 0:50:41 | |
It's that point before where you feel the butterflies going, | 0:50:41 | 0:50:45 | |
you're like, "Right, it's time!" | 0:50:45 | 0:50:46 | |
That split second before I step on, | 0:50:46 | 0:50:49 | |
all the nerves come rushing to me and then... | 0:50:49 | 0:50:51 | |
It's all right, I like that feeling. | 0:50:51 | 0:50:53 | |
It always makes the performance better if I get that. | 0:50:53 | 0:50:57 | |
The Sinatra routine starts on stage, which means for Ella and Jordan, | 0:50:57 | 0:51:01 | |
their final performance of the night is just moments away. | 0:51:01 | 0:51:06 | |
We're just about to go on in a minute and...ish, it's all right. | 0:51:06 | 0:51:11 | |
CHEERING AND APPLAUSE | 0:51:14 | 0:51:17 | |
BRASS BAND PLAYS | 0:51:19 | 0:51:22 | |
LAUGHTER | 0:51:22 | 0:51:24 | |
# We might have been meant for each other | 0:51:26 | 0:51:31 | |
# To be or not to be | 0:51:32 | 0:51:35 | |
# Let our hearts discover | 0:51:35 | 0:51:39 | |
# Let's fall in love | 0:51:39 | 0:51:41 | |
# Why shouldn't we Fall in love...? # | 0:51:41 | 0:51:45 | |
Ella and Jordan look like they're having fun | 0:51:45 | 0:51:47 | |
and what a difference this performance is | 0:51:47 | 0:51:50 | |
from the one Katy had in her street film. | 0:51:50 | 0:51:52 | |
# In love | 0:51:52 | 0:51:54 | |
# Let's fall in love. # | 0:51:54 | 0:52:00 | |
CHEERING AND APPLAUSE | 0:52:04 | 0:52:07 | |
Ella and Jordan's comedy performance has brought the house down. | 0:52:07 | 0:52:11 | |
Let's get this party started! | 0:52:12 | 0:52:16 | |
We didn't know it was going to be that good. | 0:52:16 | 0:52:18 | |
Ella's really good, she's a genuinely amazing dancer | 0:52:18 | 0:52:21 | |
and one of the best at school, so... | 0:52:21 | 0:52:23 | |
-it's good to dance with her. -We're a good couple. | 0:52:23 | 0:52:26 | |
Classmate Amber is also a fan, as is Jade, | 0:52:26 | 0:52:28 | |
but for Ella, tonight's performance was all about pleasing her parents. | 0:52:28 | 0:52:33 | |
I love my parents and my mum always says to me, | 0:52:33 | 0:52:37 | |
"Just give it all you've got cos you're only doing it once." | 0:52:37 | 0:52:41 | |
ELLA LAUGHS | 0:52:43 | 0:52:44 | |
Sinatra's over for the juniors but for senior student Paul, | 0:52:46 | 0:52:50 | |
the challenge is just beginning. | 0:52:50 | 0:52:52 | |
When Paul fractured his thumb, | 0:52:53 | 0:52:55 | |
his dream of starring in the gala started to fade away. | 0:52:55 | 0:52:58 | |
But all that seems forgotten now as he dances with Jess. | 0:52:59 | 0:53:03 | |
They may have only learned the choreography today | 0:53:04 | 0:53:07 | |
but the crowd love it. | 0:53:07 | 0:53:09 | |
You'd never think just a few weeks ago, | 0:53:09 | 0:53:11 | |
Paul couldn't even lift a coffee cup. | 0:53:11 | 0:53:14 | |
Tonight's just a night to remember. | 0:53:14 | 0:53:16 | |
I can't really say much more than that. I'm still buzzing from it. | 0:53:16 | 0:53:20 | |
With Sinatra done, it's all down to Eloise, Will and the cast of Memphis | 0:53:20 | 0:53:25 | |
to put their nightmare dress rehearsal behind them. | 0:53:25 | 0:53:29 | |
I just want to get on there now, I'm like, completely... | 0:53:31 | 0:53:34 | |
(Just want to get on!) | 0:53:34 | 0:53:35 | |
I'm really excited, I'm buzzing now, really buzzing. | 0:53:35 | 0:53:38 | |
(Here we go!) | 0:53:38 | 0:53:40 | |
It's down to Will to open the routine with his vocal solo. | 0:53:44 | 0:53:47 | |
# When I was a young boy | 0:53:47 | 0:53:49 | |
# My daddy sat me down | 0:53:51 | 0:53:53 | |
# He said, "Son | 0:53:53 | 0:53:56 | |
# "Don't you never go to the dark side of town"... # | 0:53:56 | 0:54:00 | |
This ain't helpin'! | 0:54:00 | 0:54:02 | |
# I'm talkin' downtown Memphis | 0:54:02 | 0:54:04 | |
# See that's where the poor folk play | 0:54:04 | 0:54:09 | |
# And I said, "Yes, sir, Daddy" | 0:54:09 | 0:54:11 | |
# Oh, then I snuck down anyway | 0:54:11 | 0:54:16 | |
# It broke down all my senses | 0:54:16 | 0:54:19 | |
# It made me feel so whole | 0:54:19 | 0:54:23 | |
# See, I was lost until I found | 0:54:23 | 0:54:26 | |
# I was deaf until I heard | 0:54:26 | 0:54:31 | |
# I'll make this world come around to | 0:54:31 | 0:54:34 | |
# The music of my soul | 0:54:34 | 0:54:37 | |
# The music of my... | 0:54:37 | 0:54:45 | |
# Soul. # | 0:54:46 | 0:54:54 | |
CHEERING AND APPLAUSE | 0:54:54 | 0:54:57 | |
With the crowd on their side, | 0:54:58 | 0:54:59 | |
it's time for Will and Eloise to bring the routine home. | 0:54:59 | 0:55:03 | |
# First comes a point in everybody's life | 0:55:03 | 0:55:06 | |
# When they gotta stand up and face the fight | 0:55:06 | 0:55:09 | |
# There comes a point in everybody's life | 0:55:09 | 0:55:12 | |
# When they've gotta wonder if they've done right | 0:55:12 | 0:55:15 | |
# I swallowed my fear | 0:55:15 | 0:55:18 | |
# Heart's right here | 0:55:18 | 0:55:22 | |
# And through it all | 0:55:22 | 0:55:23 | |
# One almighty thought stood clear... # | 0:55:23 | 0:55:26 | |
Their disastrous dress rehearsal has given them the push they needed. | 0:55:26 | 0:55:30 | |
The whole cast are now dancing in perfect unison, | 0:55:30 | 0:55:33 | |
with lead dancer Billie shining at the front. | 0:55:33 | 0:55:36 | |
# Listen to the beat Listen to the beats | 0:55:36 | 0:55:39 | |
-# Play it -Play it | 0:55:39 | 0:55:41 | |
-# Obey it -Obey it | 0:55:41 | 0:55:43 | |
# Play it, let it make you whole... # | 0:55:43 | 0:55:46 | |
And finally the whole cast, | 0:55:46 | 0:55:48 | |
including celebrity ex-pupils from the West End stage, | 0:55:48 | 0:55:51 | |
bring the centenary gala to an epic end. | 0:55:51 | 0:55:54 | |
# Na na na na na-na na-na na | 0:55:54 | 0:55:57 | |
# Na | 0:55:57 | 0:55:59 | |
# Oh, yeah | 0:55:59 | 0:56:00 | |
# Na na na na na-na na-na na | 0:56:00 | 0:56:03 | |
# Na na na na na-na na-na na | 0:56:03 | 0:56:06 | |
# Na na na na na-na na-na na | 0:56:06 | 0:56:09 | |
# Yeah | 0:56:09 | 0:56:11 | |
# And if you listen to the beat and hear what's in your soul | 0:56:11 | 0:56:14 | |
# You'll never let anyone | 0:56:14 | 0:56:16 | |
# Never let anyone | 0:56:16 | 0:56:18 | |
# Never let anyone steal | 0:56:18 | 0:56:21 | |
# Your rock and | 0:56:22 | 0:56:29 | |
# Roll. # | 0:56:30 | 0:56:35 | |
CHEERING AND APPLAUSE | 0:56:35 | 0:56:39 | |
Well done, that was amazing! ELOISE LAUGHS | 0:56:44 | 0:56:47 | |
-That was such good fun! -How big was the cheer?! | 0:56:47 | 0:56:49 | |
Yeah, it was pretty big! | 0:56:49 | 0:56:51 | |
Such a good one! They were cheering all the way through. | 0:56:51 | 0:56:54 | |
Aw, I'm literally shaking... That was incredible. | 0:56:54 | 0:56:59 | |
Everything was so together, just wicked, I loved it. | 0:56:59 | 0:57:03 | |
I've never had that kind of buzz and literally, I just let loose. | 0:57:03 | 0:57:07 | |
Brilliant, best feeling in the world. I've just done it. | 0:57:07 | 0:57:10 | |
Aw, the audience, was like, out of this world. | 0:57:10 | 0:57:13 | |
-We're just buzzing, it's brilliant. -Best feeling ever, amazing. | 0:57:13 | 0:57:17 | |
Couldn't have gone better, could it? | 0:57:17 | 0:57:19 | |
That was so good, the energy was unreal! | 0:57:19 | 0:57:23 | |
Richard pulling us together before the show made us up our game. | 0:57:23 | 0:57:26 | |
We realised it wasn't as good as it could be and that was...bang on it. | 0:57:26 | 0:57:30 | |
Just amazing. | 0:57:30 | 0:57:32 | |
ALL: Yes! | 0:57:33 | 0:57:36 | |
# The stars come out | 0:57:36 | 0:57:38 | |
# And all that counts | 0:57:38 | 0:57:40 | |
# Is here and now... # | 0:57:40 | 0:57:42 | |
For everyone involved in this show, | 0:57:43 | 0:57:45 | |
the weeks of hard work have paid off. | 0:57:45 | 0:57:47 | |
# I'm glad you came... # | 0:57:47 | 0:57:49 | |
Guys, that's professional level. | 0:57:49 | 0:57:52 | |
It's without doubt one of the most exceptional shows we've done. | 0:57:54 | 0:57:58 | |
As the night draws to a close, the talk at the stage door | 0:57:58 | 0:58:01 | |
is about Ella, Ed and Jordan, | 0:58:01 | 0:58:02 | |
who stepped up to perform with the seniors. | 0:58:02 | 0:58:05 | |
I thought Jordan did really well. Him and Ed just completely blew it away. | 0:58:07 | 0:58:12 | |
Ella did amazing. She was so good, I was so proud of her. | 0:58:12 | 0:58:15 | |
CHEERING | 0:58:15 | 0:58:16 | |
Finally. | 0:58:16 | 0:58:18 | |
Go, Ella, and then you couldn't hear us. | 0:58:18 | 0:58:21 | |
Well done, you're amazing! | 0:58:22 | 0:58:25 | |
Very proud. She was just amazing. | 0:58:25 | 0:58:27 | |
She doesn't want to listen! | 0:58:27 | 0:58:29 | |
-It was wonderful. -Just astonishing. | 0:58:29 | 0:58:32 | |
With the end of the show comes an end to the summer term. | 0:58:32 | 0:58:36 | |
But things have not stood still for the cast of School For Stars. | 0:58:46 | 0:58:50 | |
Layton is now a senior and has been offered two panto roles. | 0:58:52 | 0:58:56 | |
Despite turning up late for her acting exam, Fifi got a distinction. | 0:58:59 | 0:59:03 | |
Alex is still at the school and still practising his guitar playing. | 0:59:04 | 0:59:07 | |
Lyndsey got a B in GCSE Maths, an A in English | 0:59:09 | 0:59:13 | |
and is on track for opening her own dance school. | 0:59:13 | 0:59:17 | |
Fiona got into the acting college she wanted with As in both | 0:59:17 | 0:59:20 | |
GCSE Dance and Drama. | 0:59:20 | 0:59:23 | |
Tyler and Morgy are still writing songs together. | 0:59:26 | 0:59:29 | |
Ella was booked for a job with Pineapple Studios. | 0:59:30 | 0:59:34 | |
Jordan's continuing his run as a Munchkin in London's West End. | 0:59:35 | 0:59:40 | |
Callum has left the school | 0:59:40 | 0:59:42 | |
but is gearing up to defend his European dance title. | 0:59:42 | 0:59:45 | |
Natasha's end-of-year award has encouraged her to work even harder | 0:59:48 | 0:59:52 | |
to get that lead role. | 0:59:52 | 0:59:53 | |
Jade and Max have just celebrated their one-year anniversary. | 0:59:55 | 0:59:59 | |
Lucia had a fantastic opening night at Billy Elliot | 1:00:01 | 1:00:04 | |
and was happy to give Fifi her autograph. | 1:00:04 | 1:00:07 | |
Reece is still dancing, acting and trying to make his mum happy. | 1:00:09 | 1:00:13 | |
And Paris, Molly and Georgia haven't given up on that dream move | 1:00:13 | 1:00:17 | |
to Los Angeles. | 1:00:17 | 1:00:19 | |
Oh, and Mimi? Well, she is still turning over a new leaf. | 1:00:20 | 1:00:24 | |
Life goes on... | 1:00:24 | 1:00:26 | |
at the School For Stars. | 1:00:26 | 1:00:28 | |
# The way you are | 1:00:28 | 1:00:32 | |
# The way you are | 1:00:32 | 1:00:37 | |
# Cos you're amazing | 1:00:37 | 1:00:41 | |
# Just the way you are | 1:00:41 | 1:00:45 | |
# And when you smile | 1:00:45 | 1:00:50 | |
# The whole world stops and stares for a while | 1:00:50 | 1:00:54 | |
# Cos, girl, you're amazing | 1:00:54 | 1:00:57 | |
# Just the way you are... # | 1:00:57 | 1:01:01 | |
E-mail [email protected] | 1:01:01 | 1:01:04 |