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Many people dream of fame, success and life in the spotlight. | 0:00:02 | 0:00:06 | |
But few realise it takes years of hard work. | 0:00:06 | 0:00:09 | |
We've been behind the scenes | 0:00:12 | 0:00:14 | |
of one of the most famous stage schools in Britain. | 0:00:14 | 0:00:17 | |
-Motivation, commitment. Let's do it. -It's got to be sharp, guys! | 0:00:17 | 0:00:21 | |
We've seen the highs and the lows. | 0:00:21 | 0:00:24 | |
The good times... | 0:00:26 | 0:00:28 | |
You have got the role of a munchkin in the Wizard of Oz. | 0:00:28 | 0:00:32 | |
..and the bad. | 0:00:32 | 0:00:34 | |
As the talent of tomorrow juggle school and work... | 0:00:34 | 0:00:39 | |
I'm at the Horrid Henry premiere. | 0:00:39 | 0:00:42 | |
..with preparing for the performance of a lifetime. | 0:00:42 | 0:00:45 | |
And now it's showtime... | 0:00:45 | 0:00:47 | |
..at the School For Stars. | 0:00:49 | 0:00:52 | |
Coming up on School For Stars... | 0:00:54 | 0:00:57 | |
..the opening night of the centenary shows finally arrives. | 0:00:58 | 0:01:01 | |
I want you to perform like you've never performed before. | 0:01:01 | 0:01:04 | |
-But Jade's dress run doesn't go to plan. -I was like, | 0:01:04 | 0:01:07 | |
"Why is everything blue?" | 0:01:07 | 0:01:08 | |
After months of practicing, is it all over for Max? | 0:01:08 | 0:01:11 | |
My voice is really hurting. | 0:01:11 | 0:01:13 | |
And Mary's nerves threaten to ruin her big moment. | 0:01:13 | 0:01:17 | |
I don't know what's going to happen now, whereas... | 0:01:17 | 0:01:20 | |
Oh, I don't know, I'm just scared. | 0:01:20 | 0:01:22 | |
At the Italia Conti Academy of Theatre Arts in central London, | 0:01:27 | 0:01:31 | |
where students are taught to sing, dance and act | 0:01:31 | 0:01:34 | |
to a professional standard, the summer term is almost over. | 0:01:34 | 0:01:37 | |
For months and months, auditions have taken place across the school | 0:01:42 | 0:01:47 | |
to decide the leading roles for the end of year centenary shows. | 0:01:47 | 0:01:51 | |
The shows will run for six nights and culminate in a huge gala. | 0:01:51 | 0:01:54 | |
Top choreographers have been brought in to teach complicated routines. | 0:01:54 | 0:01:58 | |
The show director has been flown in from Los Angeles | 0:02:00 | 0:02:03 | |
to make sure that only the best will do. | 0:02:03 | 0:02:06 | |
We've done the most awful rehearsal we ever could have done. | 0:02:06 | 0:02:09 | |
And hundreds of hours have been spent perfecting routines. | 0:02:09 | 0:02:13 | |
And now, at last, it's the week of the gala | 0:02:13 | 0:02:16 | |
and the opening night is almost here. | 0:02:16 | 0:02:19 | |
Classes are finally over, | 0:02:19 | 0:02:22 | |
and all 305 pupils are about to head to Wimbledon in south London | 0:02:22 | 0:02:26 | |
to the theatre that will become home during gala week. | 0:02:26 | 0:02:29 | |
But before that, Bev, the student welfare officer, | 0:02:29 | 0:02:32 | |
has a mountain of lost property that she needs to deal with. | 0:02:32 | 0:02:35 | |
This is fresh from the floor! | 0:02:38 | 0:02:40 | |
Once they leave and go into rehearsals in Wimbledon | 0:02:43 | 0:02:46 | |
we won't see them again. | 0:02:46 | 0:02:47 | |
This'll all come back | 0:02:47 | 0:02:49 | |
because they'll leave it all at Wimbledon Theatre. | 0:02:49 | 0:02:52 | |
I'll be seeing it again in September, I expect. | 0:02:52 | 0:02:54 | |
You haven't disappeared, my helper, have you? | 0:02:57 | 0:02:59 | |
Bev's emptied her cupboards out | 0:02:59 | 0:03:01 | |
and called down Ella and any other cast members she can find | 0:03:01 | 0:03:05 | |
before they go to rehearsals. | 0:03:05 | 0:03:07 | |
I just don't see how they can walk out of a tap class | 0:03:07 | 0:03:10 | |
without their tap shoes. | 0:03:10 | 0:03:11 | |
Check it for names. | 0:03:15 | 0:03:16 | |
-Alice who? -Um, I don't know. | 0:03:16 | 0:03:18 | |
Jade Hayden? We have Jane Hayden, but she'd be about 47 now. | 0:03:20 | 0:03:26 | |
This is Mia's. | 0:03:30 | 0:03:31 | |
THEY ALL LAUGH | 0:03:31 | 0:03:34 | |
Dressing up over, the job here is done, | 0:03:37 | 0:03:39 | |
but for those already down at the theatre, | 0:03:39 | 0:03:42 | |
costumes are the least of their worries. | 0:03:42 | 0:03:44 | |
Come on, quick, quick, quick, quick! | 0:03:44 | 0:03:46 | |
This is the New Wimbledon Theatre, | 0:03:49 | 0:03:52 | |
one of the biggest theatres in London, | 0:03:52 | 0:03:54 | |
where finally, in just a few hours' time, | 0:03:54 | 0:03:57 | |
the curtain will rise on the opening night. | 0:03:57 | 0:03:59 | |
At the stage door, a steady stream of excited people | 0:04:03 | 0:04:06 | |
have been arriving all day. | 0:04:06 | 0:04:08 | |
The cast are all here, but before the final run-through, | 0:04:15 | 0:04:19 | |
Hailey, the show director, | 0:04:19 | 0:04:21 | |
and Karen, head of musical production, | 0:04:21 | 0:04:23 | |
have gathered everyone together for a final pep talk. | 0:04:23 | 0:04:27 | |
It's a tense moment for Layton, Mary, Ella | 0:04:27 | 0:04:30 | |
and the rest of the cast as they all try to settle their nerves. | 0:04:30 | 0:04:34 | |
I want you to really, really, really | 0:04:34 | 0:04:36 | |
perform like you've never performed before, | 0:04:36 | 0:04:39 | |
and I want your mum and dads to be like, | 0:04:39 | 0:04:41 | |
"I never knew my child could do that." | 0:04:41 | 0:04:44 | |
You have worked so hard. | 0:04:44 | 0:04:46 | |
You just need to energise, energise, | 0:04:46 | 0:04:49 | |
support each other and get out there and do what you're good at. | 0:04:49 | 0:04:52 | |
OK, deal? | 0:04:52 | 0:04:54 | |
-ALL: Deal. -Gorgeous! | 0:04:54 | 0:04:55 | |
CHEERING AND APPLAUSE | 0:04:55 | 0:04:58 | |
The atmosphere, everyone's kind of like got a buzz going around. | 0:04:59 | 0:05:02 | |
And everyone's really excited. | 0:05:02 | 0:05:04 | |
As their big moment draws closer, | 0:05:06 | 0:05:08 | |
Jade and Reece are about to rehearse their routine | 0:05:08 | 0:05:11 | |
for the very first time in the theatre. | 0:05:11 | 0:05:14 | |
I'm quite nervous today, cos we're running on the actual stage, | 0:05:14 | 0:05:18 | |
so hopefully it goes smoothly. | 0:05:18 | 0:05:20 | |
Everyone's feeling a little bit sick and nervous. | 0:05:20 | 0:05:23 | |
It's like a coke can, when you shake it up, it'll explode. | 0:05:23 | 0:05:26 | |
That's what everyone's all like. | 0:05:26 | 0:05:28 | |
Reece started out rehearsing this number | 0:05:28 | 0:05:31 | |
with Jade's friend Rhianna months ago. | 0:05:31 | 0:05:33 | |
But Jade was asked to replace Rhianna in the lead role, | 0:05:33 | 0:05:36 | |
which means she's had to learn a lot of new moves at the last minute. | 0:05:36 | 0:05:42 | |
That went absolutely awful. I've never danced so bad in my life. | 0:05:42 | 0:05:45 | |
Jade's feeling the pressure now. | 0:05:45 | 0:05:48 | |
Has she really had enough time to master the new routine? | 0:05:48 | 0:05:51 | |
The last rehearsal I didn't think went that great, | 0:05:51 | 0:05:53 | |
but hopefully this one will go much better. | 0:05:53 | 0:05:56 | |
Reece and Jade are called down to the front of the stage. | 0:05:56 | 0:05:59 | |
But before they go on, Hailey asks them to watch the seniors, | 0:06:01 | 0:06:04 | |
who are performing the same routine on the closing night. | 0:06:04 | 0:06:07 | |
It's getting a bit scary. | 0:06:11 | 0:06:13 | |
If it's this scary at rehearsals, what's it going to be like tonight? | 0:06:13 | 0:06:17 | |
Watching someone else perform their routine is pretty nerve-racking, | 0:06:32 | 0:06:36 | |
and Jade and Reece are beginning to dread going up next. | 0:06:36 | 0:06:39 | |
I'm really worried. Wow! | 0:06:42 | 0:06:45 | |
-All right, guys. Erm... -Are we doing...? | 0:06:47 | 0:06:50 | |
Juniors, up you come, please. | 0:06:50 | 0:06:52 | |
I'm quite nervous now, obviously, | 0:06:54 | 0:06:56 | |
cos we're doing it now on the actual stage. | 0:06:56 | 0:07:00 | |
Yeah, waiting's definitely the worst bit. | 0:07:00 | 0:07:03 | |
It's time for Reece and Jade | 0:07:03 | 0:07:05 | |
to run the routine on stage for the very first time | 0:07:05 | 0:07:07 | |
and show the seniors what they can do. | 0:07:07 | 0:07:10 | |
MUSIC STARTS | 0:07:12 | 0:07:15 | |
Classmates Fifi and Callum are just as keen to prove to everyone | 0:07:27 | 0:07:31 | |
what Year Nine are capable of. | 0:07:31 | 0:07:33 | |
APPLAUSE | 0:07:33 | 0:07:36 | |
It's a good reaction from everyone, except the choreographer, | 0:07:36 | 0:07:40 | |
who isn't happy with Reece's ending. | 0:07:40 | 0:07:43 | |
-Reece, you need to give Jade a kiss on the cheek. -OK. | 0:07:43 | 0:07:46 | |
At the end of it, I've got to give her a peck on the cheek | 0:07:46 | 0:07:49 | |
and a hug cos we're just holding hands, | 0:07:49 | 0:07:51 | |
so they said just to do something better. | 0:07:51 | 0:07:54 | |
So that's our last rehearsal done now, | 0:07:54 | 0:07:56 | |
so all we have to do now is wait. | 0:07:56 | 0:07:58 | |
I think the nerves made me perform better, | 0:07:58 | 0:08:00 | |
cos I wanted to give it more. | 0:08:00 | 0:08:03 | |
-Well done, Reece. -Thank you. | 0:08:03 | 0:08:04 | |
It's really scary, but I'm really excited. | 0:08:04 | 0:08:07 | |
Reece and Jade may have a kiss to worry about, | 0:08:08 | 0:08:11 | |
but Fifi's concerns for now are about her make-up. | 0:08:11 | 0:08:15 | |
Fifi has been in trouble for wearing too much make-up at school. | 0:08:17 | 0:08:21 | |
Too much make-up. What did I say to you? | 0:08:21 | 0:08:23 | |
So now she's finally allowed to wear it for the show. | 0:08:23 | 0:08:26 | |
How's she feeling? | 0:08:26 | 0:08:28 | |
I don't feel good about myself right now, | 0:08:28 | 0:08:30 | |
because everyone is more tanned than me, | 0:08:30 | 0:08:32 | |
cos there's an 8 and a 10 and a 12, | 0:08:32 | 0:08:34 | |
I got the 12 which is the darkest, | 0:08:34 | 0:08:36 | |
but cos I put Dove on before that it didn't come out that well, | 0:08:36 | 0:08:39 | |
so everyone is more tanned than me, and that's never happened before. | 0:08:39 | 0:08:42 | |
I'm not exactly pale, but just... | 0:08:42 | 0:08:45 | |
Fifi, you're hardly pale compared to me. | 0:08:45 | 0:08:47 | |
Yeah, but compared to other people except from you | 0:08:47 | 0:08:51 | |
I look really pale. | 0:08:51 | 0:08:53 | |
Backstage in make-up, each student is stressing about their own thing. | 0:08:53 | 0:08:58 | |
For Mary, she's desperate to show her friends and family | 0:08:58 | 0:09:01 | |
what she can do. | 0:09:01 | 0:09:02 | |
Tonight my mum, dad, sister, auntie, nan, grandad, | 0:09:02 | 0:09:06 | |
a few friends and then my boyfriend's mum and dad and his sister | 0:09:06 | 0:09:11 | |
and my boyfriend, quite a few. | 0:09:11 | 0:09:14 | |
I want to show them what I can do and just be amazing. | 0:09:14 | 0:09:18 | |
Mary is one of the best singers in the school | 0:09:18 | 0:09:21 | |
but she hasn't had an easy time during rehearsals. | 0:09:21 | 0:09:24 | |
She has to open a Christina Aguilera routine all by herself, | 0:09:24 | 0:09:29 | |
and end it with one long powerful note. | 0:09:29 | 0:09:32 | |
# Yee-ee-aa-aah! # | 0:09:32 | 0:09:37 | |
The problem is the rehearsals at school haven't gone to plan. | 0:09:37 | 0:09:40 | |
Just dire. The most awful rehearsal we possibly ever could have done. | 0:09:40 | 0:09:45 | |
Mary is hoping that, once she is on stage, | 0:09:45 | 0:09:48 | |
she'll be able to overcome her confidence problems. | 0:09:48 | 0:09:50 | |
Mary's friend Alex has no issues at all with confidence | 0:09:52 | 0:09:56 | |
but he does have a challenge to overcome. | 0:09:56 | 0:09:58 | |
And he only has hours left to do it. | 0:09:58 | 0:10:00 | |
Alex is playing the lead role in the Green Day routine, American Idiot. | 0:10:00 | 0:10:06 | |
But to get the part as well as singing and dancing, | 0:10:06 | 0:10:09 | |
he had to play the guitar. | 0:10:09 | 0:10:11 | |
The only problem was he didn't know how to play it. | 0:10:11 | 0:10:15 | |
Ow! | 0:10:15 | 0:10:16 | |
If I slip up, I look silly and I'll be public enemy number one. | 0:10:16 | 0:10:19 | |
Once we get on stage the thing to focus on is the click. | 0:10:19 | 0:10:22 | |
This is an opportunity to show that I am not just a dancer. | 0:10:22 | 0:10:25 | |
Even now during final rehearsals, Alex could be replaced | 0:10:28 | 0:10:32 | |
if Nathan the musical director doesn't think he's good enough. | 0:10:32 | 0:10:35 | |
Despite his efforts, the timing still isn't right | 0:10:39 | 0:10:43 | |
but Nathan is prepared to take a risk on him, | 0:10:43 | 0:10:45 | |
trusting him to deliver when it counts. | 0:10:45 | 0:10:48 | |
Is that wrong? Sounds horrible. | 0:10:50 | 0:10:52 | |
-It'll be one up, won't it? -I finished running through my song. | 0:10:52 | 0:10:55 | |
It could have gone a lot better. | 0:10:55 | 0:10:57 | |
I wasn't expecting it to be the best. | 0:10:57 | 0:10:58 | |
I'm tired, been singing all day. | 0:10:58 | 0:11:00 | |
Alex is running out of time to practice. | 0:11:00 | 0:11:03 | |
Could his guitar playing ruin the whole routine | 0:11:03 | 0:11:05 | |
in front of a packed theatre? | 0:11:05 | 0:11:07 | |
Alex isn't the only one feeling nervous about his performance. | 0:11:10 | 0:11:14 | |
Max needs to find Rhianna. | 0:11:14 | 0:11:15 | |
With only moments before they're due on stage to perform the Sinatra song | 0:11:15 | 0:11:19 | |
Let's Fall In Love, Max has problems. | 0:11:19 | 0:11:22 | |
Max has been rehearsing the number for months with his girlfriend Jade. | 0:11:22 | 0:11:28 | |
But at the last minute, | 0:11:31 | 0:11:32 | |
the show director replaced Jade with her best friend Rhianna, | 0:11:32 | 0:11:36 | |
who only knew the part as an understudy. | 0:11:36 | 0:11:38 | |
# Why shouldn't we? | 0:11:38 | 0:11:41 | |
# Let's fall in love | 0:11:41 | 0:11:42 | |
# Let's fall in love. # | 0:11:42 | 0:11:45 | |
Rhianna's relieved and happy | 0:11:45 | 0:11:48 | |
that she's getting to perform on the big night. | 0:11:48 | 0:11:51 | |
I'm feeling all the changes these past couple of months. | 0:11:51 | 0:11:54 | |
It's really good cos I have all my family | 0:11:54 | 0:11:56 | |
and I've got a lead and everything, so it's good. | 0:11:56 | 0:11:59 | |
This is probably the biggest audience ever, | 0:11:59 | 0:12:02 | |
but I've just got to take all the nerves and just put it behind me. | 0:12:02 | 0:12:06 | |
Rhianna sounds more than ready but Max isn't so sure. | 0:12:06 | 0:12:10 | |
My voice is really hurting. | 0:12:10 | 0:12:12 | |
I'm really worried what's going to happen. | 0:12:12 | 0:12:15 | |
So sorry if I mess up but... | 0:12:15 | 0:12:16 | |
That's all right. Don't worry about it. | 0:12:16 | 0:12:20 | |
Backstage, the heat is rising as the cast have just minutes | 0:12:28 | 0:12:32 | |
to settle their nerves before it's showtime. | 0:12:32 | 0:12:35 | |
MUSIC: "We Found Love" by Rihanna feat Calvin Harris | 0:12:35 | 0:12:38 | |
Layton is calming down before he changes for his first performance. | 0:12:38 | 0:12:44 | |
My mum and nan have come down from Manchester so that's really nice. | 0:12:44 | 0:12:47 | |
I'm going to give them a lovely performance so it was worthwhile. | 0:12:47 | 0:12:51 | |
This night is absolutely massive because I've taken over from Rhianna. | 0:12:59 | 0:13:06 | |
I haven't had that much time and then it's the 100 years centenary week | 0:13:06 | 0:13:09 | |
so you're a bit like, "Oh, no!" | 0:13:09 | 0:13:11 | |
As if Jade didn't have enough to think about, | 0:13:11 | 0:13:14 | |
today's final rehearsal brought up some unexpected technical problems. | 0:13:14 | 0:13:18 | |
This blue curtain fell down on me and I was like "Why is everything blue?" | 0:13:18 | 0:13:23 | |
I was a bit confused and I was like, "Should I move?" | 0:13:23 | 0:13:27 | |
When we did the dress run today, it didn't go very well | 0:13:27 | 0:13:30 | |
and all of a sudden, a bad throat's come on and now I'm very nervous. | 0:13:30 | 0:13:35 | |
I don't know what's going to happen now, whereas... | 0:13:35 | 0:13:39 | |
Oh, I don't know. I'm just scared. | 0:13:39 | 0:13:41 | |
The cast may be feeling the fear but nothing more can be done. | 0:13:41 | 0:13:45 | |
No more rehearsals, no more practice. | 0:13:45 | 0:13:48 | |
Time has run out. | 0:13:48 | 0:13:51 | |
In the theatre, over 1,000 people have taken their places. | 0:13:55 | 0:14:00 | |
With seconds to go before the curtain rises, | 0:14:00 | 0:14:02 | |
backstage, the atmosphere is electric. | 0:14:02 | 0:14:05 | |
And now, after all these months of hard work, it's showtime! | 0:14:14 | 0:14:20 | |
MUSIC BEGINS | 0:14:21 | 0:14:24 | |
Come, every member of our clan. | 0:14:30 | 0:14:34 | |
Living, dead and undecided. | 0:14:34 | 0:14:38 | |
Let us celebrate what it is to be an Addams! | 0:14:38 | 0:14:41 | |
Line dance! | 0:14:41 | 0:14:43 | |
In this spectacular Addams Family routine, Layton is a triple threat | 0:14:43 | 0:14:49 | |
as he showcases his dancing, acting and singing skills. | 0:14:49 | 0:14:54 | |
# When you're an Addams the standard answers don't apply | 0:14:54 | 0:15:00 | |
# When you're an Addams you do what Addams do or... # | 0:15:00 | 0:15:05 | |
HE GROANS | 0:15:05 | 0:15:07 | |
# Die! # | 0:15:07 | 0:15:10 | |
CHEERING AND APPLAUSE | 0:15:13 | 0:15:15 | |
With the show in full flow, | 0:15:17 | 0:15:18 | |
backstage, Max and Rhianna have been called to the stage. | 0:15:18 | 0:15:21 | |
After all the weeks of last-minute changes, | 0:15:21 | 0:15:24 | |
the time's finally come for them to prove they're a winning combination. | 0:15:24 | 0:15:29 | |
It should be good, I guess, if we nail it. | 0:15:29 | 0:15:32 | |
Which we will. | 0:15:33 | 0:15:35 | |
Here we go. | 0:15:38 | 0:15:41 | |
CHEERING AND APPLAUSE | 0:15:41 | 0:15:43 | |
Max and Rhianna will be singing | 0:15:43 | 0:15:45 | |
and classmates Ed and Sydney will be dancing. | 0:15:45 | 0:15:48 | |
# I'm have a feeling, it's a feeling | 0:15:48 | 0:15:50 | |
# I'm concealing | 0:15:50 | 0:15:51 | |
# I don't know why | 0:15:51 | 0:15:54 | |
# It's just a mental, incidental, sentimental alibi | 0:15:54 | 0:16:00 | |
# Now we might have been meant for each other | 0:16:00 | 0:16:07 | |
# To be or not to be | 0:16:07 | 0:16:10 | |
# Let our hearts discover | 0:16:10 | 0:16:13 | |
BOTH: # Let's fall in love | 0:16:13 | 0:16:16 | |
# Why shouldn't we fall in love? | 0:16:16 | 0:16:20 | |
# Now is the time for it while we are young | 0:16:20 | 0:16:23 | |
# Let's fall in love | 0:16:23 | 0:16:26 | |
# Let's fall in love | 0:16:26 | 0:16:29 | |
# Let's fall in love. # | 0:16:29 | 0:16:32 | |
You'd never guess Rhianna had so little time to prepare, | 0:16:34 | 0:16:38 | |
and it sounds like Max's voice has survived. | 0:16:38 | 0:16:41 | |
CHEERING AND APPLAUSE | 0:16:41 | 0:16:44 | |
-I think it was brilliant. -It was good. I -loved it. | 0:16:44 | 0:16:46 | |
I think my voice held out during it and I think it went really well. | 0:16:46 | 0:16:50 | |
For Max and Rhianna it's time to relax, | 0:16:50 | 0:16:53 | |
but for Alex it's nearly time to face the music. | 0:16:53 | 0:16:57 | |
Alex has had to learn the guitar from scratch for his role | 0:16:57 | 0:17:00 | |
but even in final rehearsals he couldn't get the timing right. | 0:17:00 | 0:17:03 | |
I'm feeling focused, man. | 0:17:03 | 0:17:05 | |
I just want to go out and smash it. | 0:17:05 | 0:17:08 | |
I think they're hungry. | 0:17:08 | 0:17:10 | |
I think they want a good show, so it's my job to give it to them. | 0:17:10 | 0:17:14 | |
All right, this is me, man. Wish me luck. See you in a bit. | 0:17:14 | 0:17:18 | |
MUSIC: "Boulevard Of Broken Dreams" by Green Day | 0:17:18 | 0:17:21 | |
# I walk a lonely road The only one that I have ever known | 0:17:29 | 0:17:35 | |
# Don't know where it goes | 0:17:35 | 0:17:38 | |
# But it's home to me and I walk alone... # | 0:17:38 | 0:17:41 | |
As the backing track kicks in, Alex looks like a natural. | 0:17:43 | 0:17:47 | |
# My shallow heart's the only thing... # | 0:17:47 | 0:17:50 | |
And because he's in time, so are the dancers on stage with him. | 0:17:50 | 0:17:54 | |
# Sometimes I wish someone out there will find me | 0:17:54 | 0:17:58 | |
# Till then I walk alone... # | 0:17:58 | 0:18:02 | |
With the guitar solo over, | 0:18:05 | 0:18:07 | |
Alex can put everything into the rest of the routine. | 0:18:07 | 0:18:11 | |
# Welcome to a new kind of tension | 0:18:11 | 0:18:13 | |
# All across the idiot nation | 0:18:13 | 0:18:16 | |
# Where everything isn't meant to be OK | 0:18:16 | 0:18:19 | |
# Television dreams of tomorrow | 0:18:20 | 0:18:24 | |
# We're not the ones who are meant to follow | 0:18:24 | 0:18:26 | |
# Or that's enough to argue. # | 0:18:26 | 0:18:28 | |
CHEERING AND APPLAUSE | 0:18:34 | 0:18:36 | |
We're buzzing. That was lovely. After every number they were like... | 0:18:36 | 0:18:40 | |
Alex has gone down a storm. Layton is hoping for the same reaction. | 0:18:40 | 0:18:45 | |
He's already performed the Addams Family routine, but now he has | 0:18:45 | 0:18:48 | |
the most gruelling solo performance of the night to showcase. | 0:18:48 | 0:18:52 | |
In the build-up to the end-of-year show, | 0:18:52 | 0:18:54 | |
this was the number that Layton found the most challenging. | 0:18:54 | 0:18:58 | |
That's probably one of the hardest rehearsals | 0:18:58 | 0:19:00 | |
that I've ever done here. | 0:19:00 | 0:19:02 | |
But looking at this performance, | 0:19:02 | 0:19:05 | |
Layton's frustrations seems a very long time ago. | 0:19:05 | 0:19:08 | |
Layton's solo routine has wowed the audience, | 0:19:31 | 0:19:34 | |
and there's just time for a quick change before he joins | 0:19:34 | 0:19:37 | |
some of the other juniors in the Michael Jackson medley. | 0:19:37 | 0:19:41 | |
Jade and Amber were gutted when choreographer Sean cut them | 0:19:41 | 0:19:44 | |
from the Thriller routine for the gala. | 0:19:44 | 0:19:46 | |
But later on, he chose them | 0:19:46 | 0:19:48 | |
for the opening night performance of Bad instead. | 0:19:48 | 0:19:50 | |
So as well as her In The Heights solo later on, Jade now has | 0:19:53 | 0:19:57 | |
a smaller role dancing alongside Reece, | 0:19:57 | 0:19:59 | |
and Amber has her very own move. | 0:19:59 | 0:20:02 | |
In the Michael Jackson medley, I do a backflip in Bad. | 0:20:02 | 0:20:06 | |
It's almost time for her big moment, | 0:20:07 | 0:20:09 | |
and Jade and Reece help raise the atmosphere to fever pitch. | 0:20:09 | 0:20:13 | |
And here comes Amber. | 0:20:16 | 0:20:17 | |
It's a move the king of pop would have been proud of himself. | 0:20:24 | 0:20:28 | |
The medley moves on to another MJ number, | 0:20:28 | 0:20:30 | |
and Layton puts the smooth into Smooth Criminal. | 0:20:30 | 0:20:35 | |
# You've been hit by a smooth criminal. # | 0:20:35 | 0:20:37 | |
After a knock-out performance from Layton and Amber, | 0:20:37 | 0:20:40 | |
it's time for Mary to be called to the stage. | 0:20:40 | 0:20:43 | |
The number starts with Mary singing a Christina Aguilera song | 0:20:45 | 0:20:48 | |
all by herself. | 0:20:48 | 0:20:51 | |
# Sweet love, sweet love Trapped in your love | 0:20:51 | 0:20:58 | |
# I've opened up | 0:20:58 | 0:21:04 | |
# Unsure I can trust | 0:21:04 | 0:21:07 | |
# I've found a man I can trust | 0:21:09 | 0:21:13 | |
# And boy, I believe in us | 0:21:13 | 0:21:18 | |
# I am terrified to love... # | 0:21:18 | 0:21:20 | |
You'd never guess from the performance that Mary | 0:21:20 | 0:21:23 | |
used to freeze in the spotlight. | 0:21:23 | 0:21:24 | |
# I'm bound to you. # | 0:21:24 | 0:21:34 | |
APPLAUSE | 0:21:34 | 0:21:36 | |
Solo over, it's time for her second challenge. | 0:21:37 | 0:21:40 | |
Now she's joined by a chorus line of her classmates as they perform | 0:21:40 | 0:21:44 | |
a routine about being a showgirl. | 0:21:44 | 0:21:46 | |
-# Hey -Hey | 0:21:46 | 0:21:50 | |
-# Say yeah, yeah -Yeah, yeah... # | 0:21:50 | 0:21:55 | |
And here comes the big end note. | 0:21:55 | 0:21:57 | |
# Yeah | 0:21:57 | 0:21:59 | |
# Yeeeeaaah! # | 0:21:59 | 0:22:03 | |
And it's spot on. | 0:22:05 | 0:22:06 | |
It went amazing. I think it's the best I've ever done it. | 0:22:08 | 0:22:13 | |
I started really nervous, right? So I just, like, relaxed. | 0:22:13 | 0:22:18 | |
And then when I hit the note, all of my friends just started cheering | 0:22:18 | 0:22:23 | |
and I just felt this feeling in me and I just got all excited. | 0:22:23 | 0:22:28 | |
It was so good. | 0:22:28 | 0:22:29 | |
As the performances continue on stage, | 0:22:29 | 0:22:31 | |
backstage, the nerves are kicking in for Jade and Reece. | 0:22:31 | 0:22:35 | |
The Michael Jackson routine went well for Jade, but next it's time | 0:22:35 | 0:22:39 | |
for her lead role - dancing opposite Reece in the number, In The Heights. | 0:22:39 | 0:22:43 | |
With so little time to learn the moves, will Jade let herself down? | 0:22:43 | 0:22:47 | |
I'm really nervous for tonight, cos obviously you can't predict - | 0:22:47 | 0:22:52 | |
well, you can - but you can't know exactly what's going to happen | 0:22:52 | 0:22:55 | |
until the show. | 0:22:55 | 0:22:56 | |
The main thing Reece is worried about | 0:22:56 | 0:22:58 | |
is impressing his number one fan. | 0:22:58 | 0:23:00 | |
It's such a big deal tonight, cos obviously my mum's watching | 0:23:00 | 0:23:03 | |
and I just want to make her proud and everything | 0:23:03 | 0:23:06 | |
and I've got quite a good part, so I don't want to waste it. | 0:23:06 | 0:23:10 | |
Fifi will be on stage with Jade and Reece, too, | 0:23:10 | 0:23:12 | |
and she's counting down | 0:23:12 | 0:23:13 | |
to her moment in the spotlight in front of over 1,000 people. | 0:23:13 | 0:23:18 | |
The theatre's packed out tonight. | 0:23:18 | 0:23:20 | |
I think it'll be the biggest crowd I've ever performed to, | 0:23:20 | 0:23:23 | |
cos the theatre is actually massive. | 0:23:23 | 0:23:25 | |
So, the time has come. | 0:23:25 | 0:23:28 | |
Months and months of hard work come down to this moment. | 0:23:28 | 0:23:31 | |
I'm really nervous now. My hands are shaking and everything. | 0:23:31 | 0:23:35 | |
I've got butterflies in my belly and my head's just really...worried. | 0:23:35 | 0:23:40 | |
I just can't explain it. | 0:23:40 | 0:23:42 | |
With Callum, Fifi and Estelle already in full flow with | 0:23:45 | 0:23:50 | |
the In The Heights routine, Jade and Reece take the stage by storm. | 0:23:50 | 0:23:54 | |
Jade's hard work has paid off. | 0:23:57 | 0:24:00 | |
Who would think that just a month ago, | 0:24:00 | 0:24:02 | |
Jade said she delivered the worst performance of her life? | 0:24:02 | 0:24:05 | |
She's nailed it. Every move is perfect. | 0:24:05 | 0:24:09 | |
Reece's dancing is also on top form. | 0:24:09 | 0:24:13 | |
But he's still got his fight sequence. | 0:24:19 | 0:24:22 | |
And he's punching like a Hollywood stuntman. | 0:24:23 | 0:24:27 | |
And here comes Fifi. | 0:24:30 | 0:24:31 | |
Finally, mums look away now, cos it's time for the kiss. | 0:24:35 | 0:24:38 | |
And with their routine over, it's time to take a bow. | 0:24:45 | 0:24:50 | |
When we walked on to do our kiss, you were like this. | 0:24:50 | 0:24:53 | |
I was like, "Should we come apart? I don't know what to do!" | 0:24:53 | 0:24:56 | |
INAUDIBLE | 0:24:56 | 0:24:58 | |
Like, for, like, ten seconds. I was like, "Can we go now?" | 0:24:58 | 0:25:02 | |
The kiss went absolutely terrible. | 0:25:02 | 0:25:05 | |
It was the most awkward kiss I've ever done in my entire life! | 0:25:05 | 0:25:08 | |
I was like, "Mmm," then I went away and the music kept going | 0:25:08 | 0:25:13 | |
so I went in again and the music was like... | 0:25:13 | 0:25:17 | |
Everyone was probably like, "What are they doing?!" | 0:25:17 | 0:25:19 | |
I must have gone bright red, cos my mum was watching, obviously. | 0:25:19 | 0:25:23 | |
And what does Fifi think of her big dance solo? | 0:25:23 | 0:25:26 | |
I think it went good, but I can't really remember it. | 0:25:26 | 0:25:30 | |
It was a bit like a dream. I can't really remember anything. | 0:25:30 | 0:25:33 | |
But from what I can remember, it went well, yeah. | 0:25:33 | 0:25:36 | |
It felt so amazing. It was like... I feel upset that it's over. | 0:25:36 | 0:25:41 | |
I feel happy that I've done a good job. | 0:25:41 | 0:25:44 | |
Right now, I'm feeling ecstatic. | 0:25:44 | 0:25:46 | |
The adrenaline's pumping everywhere. | 0:25:46 | 0:25:48 | |
I'm so happy and it's so exciting. | 0:25:48 | 0:25:50 | |
You don't know what to do with yourself. | 0:25:50 | 0:25:52 | |
The show ends with a huge finale, giving every single student | 0:25:54 | 0:25:58 | |
one final chance to enjoy their moment in the spotlight. | 0:25:58 | 0:26:02 | |
For Alex, Jade, Reece, Fifi, Callum, Estelle, Georgia, Ed | 0:26:02 | 0:26:06 | |
and the rest of the cast, it's smiles all round. | 0:26:06 | 0:26:09 | |
The opening night of the centenary shows is finally over. | 0:26:09 | 0:26:12 | |
Tomorrow, there'll be another cast and another show, | 0:26:14 | 0:26:17 | |
but as the curtain drops and the audience begin to leave, | 0:26:17 | 0:26:20 | |
tonight's students can at long last celebrate. | 0:26:20 | 0:26:23 | |
It's time to find out what friends and family thought of the show. | 0:26:38 | 0:26:42 | |
He just amazes me every time I go | 0:26:42 | 0:26:43 | |
and see him and he actually brought a tear to my eye this time. | 0:26:43 | 0:26:47 | |
He was really, really good. Really good. | 0:26:47 | 0:26:49 | |
I thought that my son was absolutely amazing. | 0:26:49 | 0:26:53 | |
-My nan wants to get in on it now. -No, I just wanted to cry. I did cry. | 0:26:53 | 0:26:58 | |
I just thought he's absolutely brilliant. | 0:26:58 | 0:27:02 | |
From being a little boy, | 0:27:02 | 0:27:04 | |
who'd have known he'd be growing up to be able to do this? | 0:27:04 | 0:27:06 | |
Thank you. | 0:27:06 | 0:27:08 | |
I love you. | 0:27:08 | 0:27:09 | |
Next time on School For Stars... | 0:27:11 | 0:27:13 | |
it's the biggest night in the school's history | 0:27:13 | 0:27:16 | |
as gala night finally arrives. | 0:27:16 | 0:27:18 | |
Ella, Ed and Jordan show the seniors at the gala | 0:27:18 | 0:27:21 | |
what the juniors can do. | 0:27:21 | 0:27:23 | |
Can Eloise and Will sort out their mistakes before the curtain rises? | 0:27:23 | 0:27:27 | |
It just is like a huge, huge train wreck. | 0:27:27 | 0:27:30 | |
And will Mark be able to turn his cast around to deliver | 0:27:30 | 0:27:33 | |
the show that Pixie Lott and an audience of agents are waiting for? | 0:27:33 | 0:27:37 | |
Boom, pah. Boom-boom, ah-ah. Oh. Yes! | 0:27:37 | 0:27:41 | |
It's all part of life at the School For Stars. | 0:27:41 | 0:27:45 | |
Subtitles by Red Bee Media Ltd | 0:27:50 | 0:27:54 | |
E-mail [email protected] | 0:27:54 | 0:27:59 |