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Many people dream of fame, success and life in the spotlight. | 0:00:02 | 0:00:07 | |
But few realise it takes years of hard work. | 0:00:07 | 0:00:11 | |
We're going behind the scenes | 0:00:11 | 0:00:13 | |
of one of the most famous stage schools in Britain... | 0:00:13 | 0:00:16 | |
-Motivation, commitment, let's do it. -It's got to be sharp, guys. | 0:00:16 | 0:00:19 | |
..where pupils learn to cope with rivalry, | 0:00:19 | 0:00:22 | |
sacrifice and rejection every day. | 0:00:22 | 0:00:25 | |
Russell Brand, Pixie Lott and Leona Lewis all studied here | 0:00:25 | 0:00:29 | |
but this series is about the talent of tomorrow. | 0:00:29 | 0:00:32 | |
This is the School For Stars. | 0:00:32 | 0:00:35 | |
Coming up on School For Stars, one of the school's best dancers, | 0:00:40 | 0:00:44 | |
Layton, gets pushed to the limit. | 0:00:44 | 0:00:46 | |
You shouldn't really be asking this. You should just be doing it. | 0:00:46 | 0:00:50 | |
And there's blood, sweat and tears for Marni | 0:00:50 | 0:00:52 | |
as she faces her biggest challenge yet. | 0:00:52 | 0:00:56 | |
And if you give up, girls, you can't be in it. | 0:00:56 | 0:00:59 | |
At the Italia Conti Academy of Theatre Arts in central London, | 0:01:04 | 0:01:07 | |
the summer term is well under way. | 0:01:07 | 0:01:10 | |
People studying at stage schools learn to sing, dance | 0:01:10 | 0:01:14 | |
and act to a professional standard | 0:01:14 | 0:01:16 | |
and one of this school's brightest stars is year 11's Layton. | 0:01:16 | 0:01:20 | |
Layton's an amazing dancer, like, in everything. He's just, like, wow! | 0:01:23 | 0:01:27 | |
He's really good at dancing | 0:01:27 | 0:01:30 | |
but he's still got, like, an amazing singing voice. | 0:01:30 | 0:01:33 | |
He's just really talented. | 0:01:33 | 0:01:35 | |
There's really good and then there's Layton. | 0:01:35 | 0:01:38 | |
I'm from Manchester but I live in London at the moment. | 0:01:38 | 0:01:42 | |
Just so I can come to this school. I've been here for two years. | 0:01:42 | 0:01:45 | |
I played Billy Elliot in the West End. | 0:01:45 | 0:01:47 | |
I like it when it's live, you know. | 0:01:47 | 0:01:50 | |
You don't get a second chance so what you do there, that's it. | 0:01:50 | 0:01:54 | |
The audience is watching. If you go wrong, you've got to cover it up. | 0:01:54 | 0:01:58 | |
Layton lives with guardians in London and although he misses his family | 0:01:58 | 0:02:02 | |
back in Manchester, this term, he's got plenty of exams to keep him busy. | 0:02:02 | 0:02:07 | |
We have to do maths, English, science, history, art, | 0:02:07 | 0:02:10 | |
GCSE dance, GCSE drama, French. | 0:02:10 | 0:02:13 | |
And as if that wasn't enough, he's got a full-on rehearsal schedule. | 0:02:13 | 0:02:18 | |
Right then, Layton, can we run it this way | 0:02:18 | 0:02:22 | |
and just pull out a little few bits that maybe need tightening up, then? | 0:02:22 | 0:02:26 | |
Today, he's working with choreographer Pat Dennison | 0:02:26 | 0:02:30 | |
on a complex solo routine for the school's end of term gala. | 0:02:30 | 0:02:33 | |
One, block it. Down and up and in, step. | 0:02:37 | 0:02:41 | |
The other dancer is Phillip, who will be performing the same routine | 0:02:41 | 0:02:45 | |
on a different night. | 0:02:45 | 0:02:48 | |
Seven and eight and one. | 0:02:48 | 0:02:51 | |
Layton's got a reputation for being the best but today, | 0:02:51 | 0:02:54 | |
Pat is not impressed. | 0:02:54 | 0:02:56 | |
Eight and one. Stop. | 0:02:56 | 0:02:58 | |
Again, you're doing that. You've got a habit which needs to go. | 0:02:58 | 0:03:02 | |
Come on, get your mind on it. Your mind's not completely on it. | 0:03:02 | 0:03:07 | |
To become a top dancer, you need more than just talent. | 0:03:07 | 0:03:10 | |
You have to be 100% physically fit. | 0:03:10 | 0:03:14 | |
Get your breath back, Layton. | 0:03:17 | 0:03:19 | |
I want you to run it again in a minute, please. For stamina. | 0:03:19 | 0:03:23 | |
But Layton's been so busy studying for his GCSEs, | 0:03:23 | 0:03:26 | |
he's let his training slip and it shows. | 0:03:26 | 0:03:30 | |
It's hard. | 0:03:30 | 0:03:32 | |
Tired. I think I've lost a bit of fitness. | 0:03:32 | 0:03:37 | |
Phillip, on the other hand, seems to be keeping up just fine. | 0:03:41 | 0:03:44 | |
Seven, eight, one. See what Phil's doing. | 0:03:44 | 0:03:49 | |
He's getting his leg higher. | 0:03:49 | 0:03:51 | |
Right, have a little think a minute and a breather. | 0:03:51 | 0:03:54 | |
Phillip, let's run you from the top, please. | 0:03:54 | 0:03:57 | |
I never thought that this rehearsal would be so hard. | 0:03:57 | 0:04:00 | |
Not sure whether she wants me back in now but I feel a bit unhealthy, | 0:04:00 | 0:04:05 | |
cos I've not danced in so long so this is a bit of a wake-up call. | 0:04:05 | 0:04:09 | |
Hopefully, I'll be fine and I'll survive this last... | 0:04:09 | 0:04:12 | |
however long she's got me for. | 0:04:12 | 0:04:14 | |
I'll see you later. | 0:04:14 | 0:04:17 | |
So can Layton turn this rehearsal around? | 0:04:17 | 0:04:21 | |
Layton, come on, push it on a bit. | 0:04:22 | 0:04:24 | |
Finish it off! Come on. Kick in. | 0:04:28 | 0:04:30 | |
You're letting it swing. Come on. | 0:04:30 | 0:04:33 | |
Despite his best efforts, Layton isn't as fit as he needs to be. | 0:04:33 | 0:04:39 | |
You didn't move back, back, back. Back. Back. | 0:04:39 | 0:04:43 | |
Remember, you've got to lock that. That's a finish. | 0:04:43 | 0:04:45 | |
You shouldn't really be asking this. You should just be doing it. | 0:04:45 | 0:04:48 | |
'I can honestly say that's probably one of the hardest rehearsals | 0:04:48 | 0:04:51 | |
'that I've ever done here. When you dance, it should look effortless | 0:04:51 | 0:04:56 | |
'and that did not look effortless. | 0:04:56 | 0:04:58 | |
'It's really hard because, obviously, | 0:04:58 | 0:05:00 | |
I've got three GCSEs next week | 0:05:00 | 0:05:02 | |
so when I'm going to find the time to go to the gym, as well as revise | 0:05:02 | 0:05:06 | |
and have my beauty sleep, I'm not sure how I'm going to do that | 0:05:06 | 0:05:09 | |
but I'm going to have to do it. | 0:05:09 | 0:05:12 | |
With mountains of revision stacking up and another rehearsal | 0:05:12 | 0:05:15 | |
with Pat later in the week, how is Layton going to manage it all? | 0:05:15 | 0:05:20 | |
Lyndsey is another year 11 student trying to juggle exams | 0:05:30 | 0:05:34 | |
with life as a performer. | 0:05:34 | 0:05:36 | |
One, two three. Up. Heads. | 0:05:36 | 0:05:39 | |
She dreams of one day opening her own dance school and knows | 0:05:39 | 0:05:43 | |
that good grades in her GCSEs will help her in the world of business. | 0:05:43 | 0:05:47 | |
If I want to go for a job, I need my GCSEs on my CV. | 0:05:47 | 0:05:50 | |
I can't be like, "Oh, well, I went to a performing arts school | 0:05:50 | 0:05:53 | |
"so I haven't got any GCSEs, I just danced!" You know? | 0:05:53 | 0:05:56 | |
In the run-up to the exams, the teachers are putting on | 0:05:56 | 0:05:59 | |
last minute revision sessions after school and Lyndsey | 0:05:59 | 0:06:02 | |
is determined to go to every single one. | 0:06:02 | 0:06:06 | |
I just don't want to look back and think, "Could I have worked harder?" | 0:06:06 | 0:06:10 | |
Or, "I didn't get my A in that or my B in that | 0:06:10 | 0:06:13 | |
"because I didn't really try as hard as I could have." | 0:06:13 | 0:06:16 | |
But this afternoon, Lyndsey's got a problem. | 0:06:16 | 0:06:20 | |
French and English revision are on at the same time. | 0:06:20 | 0:06:23 | |
Lyndsey and the rest of year 11 will have to choose which one to go to. | 0:06:23 | 0:06:27 | |
Tonight, there's a French revision class | 0:06:27 | 0:06:30 | |
and an English revision class and they're at exactly the same times | 0:06:30 | 0:06:33 | |
so we kind of have to choose which one to go to. | 0:06:33 | 0:06:37 | |
It's like English v French. | 0:06:37 | 0:06:39 | |
But in the English room, it's kind of all free food, pizza, drinks. | 0:06:39 | 0:06:42 | |
You know why I'm here! | 0:06:42 | 0:06:44 | |
So it's English versus French. In the English corner, | 0:06:47 | 0:06:51 | |
Miss Makin is showing a revision DVD accompanied with free food and drink. | 0:06:51 | 0:06:55 | |
Oh, Miss, thank you so much, we love you! | 0:06:55 | 0:06:58 | |
And in the French corner, it's a little more serious. | 0:06:58 | 0:07:03 | |
FRENCH AUDIO TAPE | 0:07:03 | 0:07:09 | |
Lyndsey is the only year 11 who's chosen French. | 0:07:09 | 0:07:12 | |
What does 'mince' mean, because I thought it was Japanese. | 0:07:12 | 0:07:14 | |
OK, what could it mean? | 0:07:14 | 0:07:17 | |
'I chose the French revision session over the English | 0:07:17 | 0:07:20 | |
'because...just needed to catch up with the French.' | 0:07:20 | 0:07:24 | |
So, while Lyndsey works on her French vocab... | 0:07:24 | 0:07:28 | |
Ecoutes. Je n'aime pas la plage. | 0:07:28 | 0:07:31 | |
..the English class don't seem to be getting quite as much done. | 0:07:31 | 0:07:35 | |
CLAMOUR OF NOISE | 0:07:35 | 0:07:39 | |
Right, can we turn the lights off, please? | 0:07:41 | 0:07:44 | |
Thank you very much. | 0:07:44 | 0:07:47 | |
Maintenant, ca commence, oui? | 0:07:54 | 0:07:56 | |
D'accord. | 0:07:56 | 0:07:58 | |
Lyndsey may be missing out on pizza and a movie | 0:07:58 | 0:08:01 | |
but with her French test just around the corner, | 0:08:01 | 0:08:03 | |
will she have made the right decision? | 0:08:03 | 0:08:06 | |
# Live your life Live your life | 0:08:06 | 0:08:10 | |
# Beauty's deep inside... # | 0:08:10 | 0:08:13 | |
With the end of term gala approaching, senior student, Marni, | 0:08:13 | 0:08:17 | |
has been rehearsing hard for a jaw-dropping aerial routine, | 0:08:17 | 0:08:22 | |
where dance moves are performed on metal hoops suspended from the roof. | 0:08:22 | 0:08:27 | |
# Beautiful people. # | 0:08:27 | 0:08:30 | |
And today, training is going to a whole new level. | 0:08:30 | 0:08:33 | |
This is the hangar, a huge specially-designed studio space | 0:08:39 | 0:08:42 | |
in London used to train professional circus performers. | 0:08:42 | 0:08:47 | |
Aerial can be dangerous and it isn't something you can try | 0:08:47 | 0:08:51 | |
unless you have professional training like Marni and her fellow dancers. | 0:08:51 | 0:08:56 | |
I'm just trying to keep calm so that I go onto the hoop | 0:08:58 | 0:09:00 | |
and do the routine and just stay calm, that's all you can do. | 0:09:00 | 0:09:03 | |
Aerial can only be performed under strict supervision, | 0:09:03 | 0:09:07 | |
so today's rehearsal is being directed by a professional aerialist, | 0:09:07 | 0:09:11 | |
Hayley Newton. | 0:09:11 | 0:09:13 | |
Hayley starred in Chicago in the West End. | 0:09:13 | 0:09:16 | |
She's choreographed Take That's live shows | 0:09:16 | 0:09:18 | |
and she knows how hard today will be. | 0:09:18 | 0:09:20 | |
I think everyone's going to be very scared | 0:09:20 | 0:09:23 | |
and there's going to be a lot of tears. | 0:09:23 | 0:09:25 | |
OK, guys, come over here. | 0:09:25 | 0:09:28 | |
It's going to be the toughest lesson some of these pupils have ever faced. | 0:09:28 | 0:09:32 | |
Really scary! | 0:09:34 | 0:09:36 | |
So, there will be tears today, cos the girls are going to be up there | 0:09:37 | 0:09:41 | |
all day, so you can imagine how in agony they're going to be. | 0:09:41 | 0:09:45 | |
But if I listen to you crying all day long, we'd get nothing done, | 0:09:45 | 0:09:48 | |
so you're going to have to fight through that. | 0:09:48 | 0:09:51 | |
Now, guys, you want to be turning them anticlockwise. | 0:09:51 | 0:09:56 | |
Don't get that wrong, because one girl will be spinning the wrong way. | 0:09:56 | 0:10:00 | |
You all right, Lucy? | 0:10:00 | 0:10:01 | |
# Oh, written in the stars A million miles away | 0:10:01 | 0:10:06 | |
# A message to the main. # | 0:10:06 | 0:10:12 | |
They're doing well, but they whinge a lot. | 0:10:12 | 0:10:16 | |
I'm trying to balance it out by being tough | 0:10:16 | 0:10:18 | |
and sympathetic at the same time, cos it does hurt. | 0:10:18 | 0:10:21 | |
It hurts a lot more than it looks. | 0:10:21 | 0:10:23 | |
You'll see them look at their hands a lot and go... | 0:10:23 | 0:10:25 | |
That's pain. | 0:10:25 | 0:10:28 | |
Does anyone want tape now, before it gets bad? | 0:10:28 | 0:10:31 | |
Also on hand to help today is another professional aerialist, Amy. | 0:10:31 | 0:10:36 | |
It'll also be a little bit sore when you're doing that much, | 0:10:36 | 0:10:39 | |
but they should start getting a bit tougher. | 0:10:39 | 0:10:42 | |
Today's rehearsal will last a gruelling eight hours and Hayley | 0:10:42 | 0:10:46 | |
will be watching the pupils closely, as she's yet to pick her final cast. | 0:10:46 | 0:10:52 | |
At the moment, we have seven aerialist girls | 0:10:52 | 0:10:54 | |
and we only need six for the number, so one has to be cut. | 0:10:54 | 0:10:58 | |
Seven girls but only six hoops means someone's going to end up | 0:10:58 | 0:11:03 | |
as the understudy. | 0:11:03 | 0:11:05 | |
I just want this role so bad, cos I've worked for it so hard | 0:11:05 | 0:11:09 | |
and I'd really love to go out there and show everyone what I can do. | 0:11:09 | 0:11:14 | |
It's a couple of hours into the rehearsal | 0:11:14 | 0:11:17 | |
and Marni is struggling with one of the moves. | 0:11:17 | 0:11:21 | |
Come on! Bend your elbows. | 0:11:21 | 0:11:24 | |
You need to be... Chin above the bar. And that'll be so much easier. | 0:11:24 | 0:11:28 | |
-It's too wide. Her arms are too low. -You're holding too wide. | 0:11:31 | 0:11:37 | |
Cos if she holds there, she won't be able to do the next section. | 0:11:37 | 0:11:41 | |
-Let's go again, I think I can get you high enough. -Yeah. | 0:11:41 | 0:11:44 | |
One, two, three. | 0:11:44 | 0:11:46 | |
I will get it. | 0:11:46 | 0:11:48 | |
'Frustration, it's so bad,' | 0:11:50 | 0:11:51 | |
cos you know you can do it at the end of the day | 0:11:51 | 0:11:54 | |
and when you don't do it, it just upsets you | 0:11:54 | 0:11:56 | |
cos you won't want to be put on the list to be an understudy. | 0:11:56 | 0:11:59 | |
Every time we do it, you just want to do it the best that you can | 0:11:59 | 0:12:04 | |
and when you mess up, it's upsetting. | 0:12:04 | 0:12:06 | |
Marni's determined to get a place in the opening number. | 0:12:06 | 0:12:10 | |
So can she overcome her frustration | 0:12:10 | 0:12:13 | |
and show Hayley she's got what it takes? | 0:12:13 | 0:12:16 | |
Training for the performing arts | 0:12:25 | 0:12:27 | |
doesn't always mean taking centre stage. | 0:12:27 | 0:12:29 | |
Some young people here dream of becoming superstars | 0:12:29 | 0:12:33 | |
behind the scenes. | 0:12:33 | 0:12:35 | |
Um, let's do the chorus. | 0:12:35 | 0:12:37 | |
Year eight Amber is a talented dancer | 0:12:37 | 0:12:39 | |
whose ambition is to become a choreographer. | 0:12:39 | 0:12:43 | |
I love making up dances | 0:12:44 | 0:12:46 | |
because I have quite a lot of ideas | 0:12:46 | 0:12:48 | |
and I have a certain way I would like to teach my dancing. | 0:12:48 | 0:12:51 | |
Mum! | 0:12:51 | 0:12:53 | |
-Mum! -Mum! -Wings, mum. | 0:12:55 | 0:12:58 | |
-One, two, three... -Mum! | 0:12:58 | 0:13:01 | |
'It is quite fun being in charge' | 0:13:01 | 0:13:03 | |
because you can tell people what to do and they listen! | 0:13:03 | 0:13:07 | |
It's a big day for Amber and her friend Jade, | 0:13:10 | 0:13:14 | |
as top choreographer Sean Parkins has come in to audition dancers | 0:13:14 | 0:13:18 | |
for a Michael Jackson routine for the end of term gala. | 0:13:18 | 0:13:22 | |
Then you're going to jump up and over. | 0:13:28 | 0:13:31 | |
Sean works on West End musical, Wicked. | 0:13:31 | 0:13:33 | |
He's choreographed Pixie Lott's videos | 0:13:33 | 0:13:36 | |
and now he's adapted four of Michael Jackson's most famous routines. | 0:13:36 | 0:13:41 | |
Three and four. | 0:13:41 | 0:13:42 | |
Working with him would be a dream come true for Amber. | 0:13:42 | 0:13:46 | |
He's inspiring, that's the type of choreographer I'd like to be. | 0:13:46 | 0:13:50 | |
He doesn't shout, and everyone looks up to him. | 0:13:50 | 0:13:52 | |
-What's your name, Jade? -Jade. | 0:13:52 | 0:13:55 | |
And for Jade, who's already got a singing role in the gala, | 0:13:55 | 0:13:58 | |
a dancing part would be the icing on the cake. | 0:13:58 | 0:14:01 | |
MUSIC: "Thriller" by Michael Jackson | 0:14:01 | 0:14:06 | |
The first Michael Jackson song Sean's working on is Thriller. | 0:14:06 | 0:14:10 | |
But something is bothering him. | 0:14:14 | 0:14:17 | |
-From there, how many is in this group now? -24. -Right now? | 0:14:20 | 0:14:25 | |
I might have to get rid of a few of you. | 0:14:25 | 0:14:27 | |
Who's in Bad? | 0:14:27 | 0:14:30 | |
He's got too many dancers for the routine and someone has to go. | 0:14:30 | 0:14:34 | |
Can you come out of the section? Is that all right? | 0:14:34 | 0:14:38 | |
He's dropped wannabe choreographer, Amber. | 0:14:40 | 0:14:44 | |
But he's not done yet. | 0:14:45 | 0:14:47 | |
I'm really sorry, but I'm going to have to get rid of you | 0:14:53 | 0:14:56 | |
cos you're going to be reserve. So sorry. | 0:14:56 | 0:14:58 | |
Jade's gone, too. | 0:14:58 | 0:15:01 | |
Although it seems tough on the girls, the hard truth of show business | 0:15:01 | 0:15:05 | |
is that sometimes there are no explanations. | 0:15:05 | 0:15:07 | |
They simply didn't fit into Sean's vision for the performance. | 0:15:07 | 0:15:12 | |
It is really harsh, unfortunately, for the students, | 0:15:12 | 0:15:15 | |
but we're preparing them now | 0:15:15 | 0:15:17 | |
for the professional world, where they will get through | 0:15:17 | 0:15:21 | |
to the final round and then get cut. | 0:15:21 | 0:15:23 | |
It is really disappointing, but you just have to get on with it. | 0:15:23 | 0:15:27 | |
It's like, "Oh, I could be doing that, if I could just show him." | 0:15:27 | 0:15:31 | |
-That is exactly it. -He'll change his mind, but he can't. | 0:15:31 | 0:15:36 | |
One, two, three, four. Even more with the head. | 0:15:36 | 0:15:39 | |
Now all Amber and Jade can do is watch from the sidelines | 0:15:39 | 0:15:43 | |
and hope Sean can find a place for them | 0:15:43 | 0:15:45 | |
in one of the other Michael Jackson routines. | 0:15:45 | 0:15:49 | |
It's a major day for year 11's Lyndsey, | 0:15:54 | 0:15:56 | |
as she is sitting her all-important GCSE French exam. | 0:15:56 | 0:16:01 | |
Earlier in the week, Lyndsey missed out on pizza | 0:16:03 | 0:16:06 | |
and a DVD with all her friends to spend time studying French. | 0:16:06 | 0:16:11 | |
So with the exam over, has the extra work paid off? | 0:16:15 | 0:16:19 | |
Well, I think I did my best with my French GCSE. That's all I can do. | 0:16:19 | 0:16:24 | |
I didn't understand it at first, so I had to get my brain in gear. | 0:16:24 | 0:16:28 | |
My French revision sessions, | 0:16:28 | 0:16:30 | |
I think they definitely did help with the listening tapes, | 0:16:30 | 0:16:33 | |
because you can get a feel for the French when they speak and stuff. | 0:16:33 | 0:16:38 | |
French is out of the way, but if Lyndsey is going to achieve her dream | 0:16:38 | 0:16:42 | |
of running her own dance school, she wants all her exams to go well. | 0:16:42 | 0:16:47 | |
That means the hard work has only just begun. | 0:16:47 | 0:16:51 | |
One, two, three, four, five. | 0:16:52 | 0:16:55 | |
Seven and go, one and two. | 0:16:55 | 0:16:58 | |
Students here are always busy. | 0:16:58 | 0:17:00 | |
As well as school, some have jobs, working evenings and weekends | 0:17:00 | 0:17:04 | |
in theatre productions. | 0:17:04 | 0:17:05 | |
Year nine pupil, Lecia, has dreamt of being on stage | 0:17:09 | 0:17:12 | |
ever since she watched her first big musical show. | 0:17:12 | 0:17:15 | |
About four years ago, I went to see Grease in the West End | 0:17:15 | 0:17:18 | |
and I remember watching it and thinking, "wow"! | 0:17:18 | 0:17:21 | |
I remember just wanting to do it, | 0:17:21 | 0:17:23 | |
and that's kind of how it all started, really. | 0:17:23 | 0:17:26 | |
And now, after years of waiting, | 0:17:26 | 0:17:29 | |
she's finally landed a role up on stage. | 0:17:29 | 0:17:31 | |
She's performing three nights a week | 0:17:31 | 0:17:34 | |
in one of the West End's biggest shows, Billy Elliot. | 0:17:34 | 0:17:38 | |
And with her first night just a week away, Lecia's been rehearsing | 0:17:39 | 0:17:43 | |
and getting used to life in the theatre. | 0:17:43 | 0:17:46 | |
This is probably the biggest show I've been on. | 0:17:48 | 0:17:52 | |
You look at all the seats and think, "This will be full of people!" | 0:17:52 | 0:17:56 | |
It's quite scary but exciting as well. This is the stage. | 0:17:56 | 0:18:01 | |
These are all, like, the trap doors | 0:18:01 | 0:18:03 | |
where Billy's bed comes up and down in the show. | 0:18:03 | 0:18:06 | |
And that's the orchestra pit. | 0:18:06 | 0:18:08 | |
So underneath the stage is where all the orchestra plays. | 0:18:08 | 0:18:11 | |
Lecia plays one of the comedy roles | 0:18:11 | 0:18:13 | |
and she's loving getting into character. | 0:18:13 | 0:18:16 | |
I play Susan Parks. She's the tallest and oldest ballet girl. | 0:18:16 | 0:18:21 | |
She's always smiling and that's kind of what I am normally, | 0:18:21 | 0:18:24 | |
so I really like... I love my character. I love playing her. | 0:18:24 | 0:18:28 | |
Just like any star in the West End, Lecia's got her own dressing room, | 0:18:28 | 0:18:32 | |
although on show nights, it's not always the most relaxing place to be. | 0:18:32 | 0:18:36 | |
We have a 27-second quick change, so we literally run in here, | 0:18:36 | 0:18:42 | |
pull off our white tutus and we put on... | 0:18:42 | 0:18:47 | |
I like, my personal one, the pink one, | 0:18:47 | 0:18:49 | |
so quickly shove on the pink one | 0:18:49 | 0:18:51 | |
and then we quickly shove on our headdress. | 0:18:51 | 0:18:53 | |
And it's really hard and complicated, | 0:18:53 | 0:18:57 | |
because you have the wire that keeps it on. | 0:18:57 | 0:19:00 | |
And then pull in your hair... | 0:19:00 | 0:19:01 | |
You're literally running off, pulling your hair through! | 0:19:01 | 0:19:05 | |
It's taken a lot of work for Lecia to get to this stage | 0:19:05 | 0:19:09 | |
and now she's here, she's loving every minute. | 0:19:09 | 0:19:12 | |
It's quite weird from sitting in the seats to being on stage. | 0:19:12 | 0:19:16 | |
I've seen the show three times. | 0:19:16 | 0:19:18 | |
I remember thinking, "I want to be in that." | 0:19:18 | 0:19:21 | |
When I got the part, I was just so happy. | 0:19:21 | 0:19:23 | |
It was all my dreams come true, | 0:19:23 | 0:19:26 | |
and what I'm going to school for is finally happening. | 0:19:26 | 0:19:29 | |
It was an amazing feeling. | 0:19:29 | 0:19:31 | |
So after years of waiting in the wings, | 0:19:31 | 0:19:33 | |
it's finally time for Lecia to take centre stage. | 0:19:33 | 0:19:37 | |
Another pupil with a lot on his plate is Manchester-born Layton. | 0:19:45 | 0:19:49 | |
He's been so busy revising for his exams that in a recent rehearsal, | 0:19:49 | 0:19:54 | |
he performed way below his usual high standards. | 0:19:54 | 0:19:58 | |
My fitness has gone down a lot because of the fact that | 0:19:58 | 0:20:01 | |
I've not been doing dancing, I've not been exercising | 0:20:01 | 0:20:05 | |
because I've been concentrating so much on all the exams and revising. | 0:20:05 | 0:20:09 | |
Layton's got another rehearsal with choreographer Pat | 0:20:09 | 0:20:12 | |
and he's still thinking about what went wrong last time. | 0:20:12 | 0:20:16 | |
She was like, "Come on, Layton, you need to get better than this," | 0:20:16 | 0:20:20 | |
and I was like, "Sorry". I was getting well annoyed | 0:20:20 | 0:20:23 | |
and she could tell I was as well and I was like, | 0:20:23 | 0:20:25 | |
I didn't want to disappoint. | 0:20:25 | 0:20:27 | |
I'm going back into the rehearsal today. | 0:20:27 | 0:20:30 | |
Does it look good? | 0:20:30 | 0:20:32 | |
I hope so. | 0:20:32 | 0:20:34 | |
I am the last person in the number. | 0:20:34 | 0:20:37 | |
Last person people will see, you know? | 0:20:37 | 0:20:39 | |
Just me on the stage and if I don't do it justice, | 0:20:39 | 0:20:44 | |
it might pull the whole thing down, so a bit of a pressure! | 0:20:44 | 0:20:49 | |
It's rehearsal time and Layton is determined to do better. | 0:20:49 | 0:20:53 | |
Not just for himself but also for his family. | 0:20:53 | 0:20:56 | |
All these hours are worth it, because my mum's coming down | 0:20:56 | 0:20:59 | |
from Manchester to watch, my Nan's coming, my guardians and my friends. | 0:20:59 | 0:21:03 | |
I just want them to see, this is what I love to do | 0:21:03 | 0:21:06 | |
and this is why I'm down here, | 0:21:06 | 0:21:08 | |
this is why I'm not at home with my mum because I want to do this. | 0:21:08 | 0:21:12 | |
Layton's managed to find time to revise and go to the gym, | 0:21:12 | 0:21:16 | |
so will his dedication pay off? It's time to find out. | 0:21:16 | 0:21:20 | |
Right, we're just going to have a quick walk through | 0:21:22 | 0:21:25 | |
and then see what we've got. Here we go, then. | 0:21:25 | 0:21:28 | |
DANCE MUSIC PLAYS | 0:21:28 | 0:21:30 | |
Just as the rehearsal gets going... | 0:21:34 | 0:21:37 | |
..there's a problem. | 0:21:39 | 0:21:41 | |
He's caught his toe and ripped the skin. | 0:21:41 | 0:21:44 | |
Is it split? Have you got a plaster? | 0:21:44 | 0:21:47 | |
Layton might have to quit the rehearsal. | 0:21:48 | 0:21:52 | |
Skin off the toe. | 0:21:52 | 0:21:53 | |
I'm not going to be able to dance the last half. | 0:21:53 | 0:21:57 | |
It may hurt, but Layton didn't get to where he is today by just giving up. | 0:21:57 | 0:22:02 | |
Five, six and seven, eight! | 0:22:04 | 0:22:06 | |
Slowly, but surely, it's starting to come together for Layton | 0:22:06 | 0:22:11 | |
and choreographer Pat can see he's improved. | 0:22:11 | 0:22:14 | |
That's it. Good. | 0:22:18 | 0:22:21 | |
Right, better. It's better than it was last week, for certain. | 0:22:26 | 0:22:30 | |
All right, leave it there. Well done. | 0:22:30 | 0:22:32 | |
See you this time next week, then? Well done, thanks a lot. | 0:22:32 | 0:22:36 | |
'I just want to be good. I just want to do my best.' | 0:22:36 | 0:22:39 | |
So the pressure is that I just want to do as best as I can | 0:22:39 | 0:22:43 | |
and show what I can do. | 0:22:43 | 0:22:44 | |
Some of the school's strongest acrobatic performers | 0:22:51 | 0:22:54 | |
have been rehearsing for the gala's opening number - | 0:22:54 | 0:22:58 | |
a highly challenging and potentially dangerous aerial routine. | 0:22:58 | 0:23:03 | |
Seven girls but only six hoops | 0:23:04 | 0:23:07 | |
means one of the girls will have to be an understudy. | 0:23:07 | 0:23:10 | |
And that's the last thing Marni wants. | 0:23:10 | 0:23:13 | |
I just hope it's not me. It's not going to be me. | 0:23:13 | 0:23:16 | |
One, two! And go, two, three, four. | 0:23:16 | 0:23:20 | |
Hayley is directing the entire end of year gala. | 0:23:20 | 0:23:22 | |
Hold your tummy in! | 0:23:22 | 0:23:24 | |
And so far, she is not happy. | 0:23:24 | 0:23:27 | |
Right now, you're letting yourselves down | 0:23:27 | 0:23:30 | |
and we're going to have cut you doing aerial. | 0:23:30 | 0:23:33 | |
I have no idea what counts you're meant to be doing things on. | 0:23:33 | 0:23:36 | |
This is the only thing you do, and you can't get it together. | 0:23:36 | 0:23:40 | |
It's just a big mess, OK? | 0:23:40 | 0:23:42 | |
So can Marni convince her she should be one of the six girls chosen? | 0:23:42 | 0:23:48 | |
Up! Up! Get up! Get up! | 0:23:53 | 0:23:57 | |
One, two, three, four, drop. Not too early, Marni. | 0:23:57 | 0:24:01 | |
I feel really, like, drained now. On the last one I was like, | 0:24:03 | 0:24:07 | |
"Oh, God, I'm going to fall off!" | 0:24:07 | 0:24:09 | |
OK, aerialists up. | 0:24:09 | 0:24:10 | |
Aerial is incredibly demanding. | 0:24:15 | 0:24:18 | |
They have been lifting their own body weight | 0:24:18 | 0:24:20 | |
on the hoops for hours already. | 0:24:20 | 0:24:23 | |
And the physical nature of the routine | 0:24:23 | 0:24:25 | |
is starting to become a real challenge. | 0:24:25 | 0:24:28 | |
Go! One and two and three and four...five! | 0:24:28 | 0:24:33 | |
And relax. Sit down. | 0:24:34 | 0:24:37 | |
You will really kick yourselves if you give up. | 0:24:42 | 0:24:45 | |
You are either a fighter or you are not. | 0:24:45 | 0:24:49 | |
And if you give up, girls, on those hoops, you can't be in it. | 0:24:49 | 0:24:52 | |
We're going to run it again at 25 past. | 0:24:52 | 0:24:57 | |
Marni knows she's only got minutes to refocus. | 0:24:57 | 0:25:01 | |
It's just I want it so bad, I don't want to mess it up. | 0:25:01 | 0:25:05 | |
Hayley is running the routine one final time. | 0:25:09 | 0:25:13 | |
And it's Marni's last chance to show her how much she wants this. | 0:25:13 | 0:25:19 | |
Marni's come off the hoop again. | 0:25:29 | 0:25:32 | |
And she's taking her tape off. | 0:25:32 | 0:25:36 | |
But she's not giving up. | 0:25:45 | 0:25:48 | |
Marni's determined to complete the routine. | 0:25:49 | 0:25:53 | |
The toughest rehearsal these dancers may ever face is over. | 0:26:07 | 0:26:11 | |
It's an incredible achievement by everyone | 0:26:11 | 0:26:14 | |
and no-one's happier than Marni. | 0:26:14 | 0:26:16 | |
I had my tape on because I split my hand, | 0:26:16 | 0:26:19 | |
and I went to do my spinning section and the tape started to roll again. | 0:26:19 | 0:26:23 | |
I thought, "I'm not having this," | 0:26:23 | 0:26:25 | |
so I ran off to take it off but I put it on so tight | 0:26:25 | 0:26:28 | |
that it didn't come off, | 0:26:28 | 0:26:30 | |
but then I tried to get back on the hoop as quick as possible. | 0:26:30 | 0:26:34 | |
Hayley's due to choose her six final aerialists | 0:26:34 | 0:26:37 | |
in just a few weeks. But has Marni done enough to be one of them? | 0:26:37 | 0:26:41 | |
If you want to be a success in whatever you do, | 0:26:46 | 0:26:49 | |
then you need more than just talent. | 0:26:49 | 0:26:51 | |
You need to work hard, try your best and never ever give up. | 0:26:51 | 0:26:56 | |
With a little determination and self-belief, | 0:26:56 | 0:27:00 | |
you can achieve anything. | 0:27:00 | 0:27:02 | |
Next time on School For Stars, Tyler performs in front of the school | 0:27:16 | 0:27:19 | |
but his co-star has trouble with her lines. | 0:27:19 | 0:27:23 | |
I just realised that's not the same song. I'm singing, watch me. | 0:27:23 | 0:27:27 | |
And the juniors head to a Harry Potter film location | 0:27:27 | 0:27:30 | |
to perform in public. | 0:27:30 | 0:27:32 | |
This is life at the School For Stars. | 0:27:32 | 0:27:36 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:50 |