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Millions dream of fame, success and life in the spotlight. | 0:00:02 | 0:00:06 | |
But few realise what it takes to make it to the very top. | 0:00:10 | 0:00:12 | |
We're inside one of the most famous stage schools in Britain... | 0:00:14 | 0:00:18 | |
Can we take it from the top, please? And give it everything. | 0:00:18 | 0:00:21 | |
..taking you behind the scenes as we follow all the highs | 0:00:24 | 0:00:27 | |
and lows of the summer term... | 0:00:27 | 0:00:29 | |
It's got to go off big-time. | 0:00:29 | 0:00:31 | |
..showing you what life's like for those heading for the big time. | 0:00:31 | 0:00:35 | |
It's got to keep going. | 0:00:36 | 0:00:38 | |
Even when he's sitting down on a chair, it never stops. | 0:00:38 | 0:00:41 | |
This is the School For Stars. Coming up... | 0:00:41 | 0:00:46 | |
after months of practice, | 0:00:46 | 0:00:47 | |
it's the final week of rehearsals for the end-of-year show. | 0:00:47 | 0:00:51 | |
I ain't doing it again. | 0:00:51 | 0:00:52 | |
If the beginning is not right, I will have a heart attack. | 0:00:52 | 0:00:54 | |
-But with the pressure building... -Get out the way! | 0:00:54 | 0:00:57 | |
-What's the point of you doing that? -Am I...? -You're wasting your time. | 0:00:57 | 0:01:00 | |
..everyone's feeling the strain. | 0:01:00 | 0:01:02 | |
I've lost my voice. | 0:01:02 | 0:01:04 | |
I'm really nervous. | 0:01:04 | 0:01:05 | |
I'm actually quite scared. | 0:01:05 | 0:01:07 | |
..but the show must go on. | 0:01:07 | 0:01:09 | |
Getting a bit nervous cos there's VIPs in the audience. | 0:01:09 | 0:01:11 | |
It's time, literally, and aagh! | 0:01:11 | 0:01:15 | |
Every student at the Italia Conti school of theatre art | 0:01:16 | 0:01:20 | |
is passionate about making a career in the entertainment industry. | 0:01:20 | 0:01:24 | |
Some love to act, some love to sing, | 0:01:24 | 0:01:27 | |
and others love to dance. | 0:01:27 | 0:01:30 | |
But if you can do all three, be a triple threat, | 0:01:30 | 0:01:33 | |
you stand the best possible chance | 0:01:33 | 0:01:35 | |
of turning that dream into a reality. | 0:01:35 | 0:01:37 | |
# So the show is on tonight | 0:01:37 | 0:01:41 | |
# I'm looking for a co-star | 0:01:41 | 0:01:43 | |
# Can you make me ooh-la-la? # | 0:01:43 | 0:01:45 | |
15-year-old Reece dreams of making it big on the West End stage. | 0:01:45 | 0:01:49 | |
He's already had a taste of fame | 0:01:49 | 0:01:51 | |
playing Simba in the West End smash The Lion King. | 0:01:51 | 0:01:55 | |
Today he's got a big audition for a brand-new musical. | 0:01:55 | 0:01:58 | |
I'm feeling quite nervous cos I really want this part | 0:01:58 | 0:02:01 | |
and I haven't worked in ages | 0:02:01 | 0:02:03 | |
so I think it would be really good if I get this. | 0:02:03 | 0:02:05 | |
I'm going to work my hardest. | 0:02:05 | 0:02:06 | |
Landing a part would be a huge deal for Reece. | 0:02:06 | 0:02:09 | |
All the students need as much professional experience | 0:02:09 | 0:02:11 | |
as they can get | 0:02:11 | 0:02:13 | |
and, as ever, his mum is there to support him. | 0:02:13 | 0:02:15 | |
I'm hoping that he'll get somewhere with this. | 0:02:15 | 0:02:18 | |
I think it'll just boost his confidence. | 0:02:18 | 0:02:19 | |
Today the director, Ray Shell, is looking to cast a whole family. | 0:02:19 | 0:02:24 | |
But with 60 people competing for just 12 parts, competition is tough. | 0:02:24 | 0:02:29 | |
This is wartime. If you want it, show it, give it to me, yeah? | 0:02:29 | 0:02:32 | |
You've got to make the decision for me cos I can't decide. | 0:02:32 | 0:02:35 | |
First, all the candidates have just minutes to learn new routines | 0:02:37 | 0:02:40 | |
and show them to Ray. | 0:02:40 | 0:02:42 | |
How people treat it and how they deal with it | 0:02:42 | 0:02:44 | |
will tell us what their stamina level is. | 0:02:44 | 0:02:47 | |
Stamina is something you got to have, | 0:02:47 | 0:02:49 | |
not only to take you through a show, | 0:02:49 | 0:02:51 | |
but take you through the years of shows you do. | 0:02:51 | 0:02:53 | |
Let me see your eyes! | 0:02:53 | 0:02:54 | |
Ray is a West End legend | 0:02:54 | 0:02:56 | |
so impressing him isn't going to be easy. | 0:02:56 | 0:03:00 | |
I've done shows like Starlight Express, Miss Saigon, | 0:03:00 | 0:03:03 | |
Five Guys Named Moe, Jesus Christ Superstar... | 0:03:03 | 0:03:05 | |
Let me stop you just one second. I just want to hear thoughts from you. | 0:03:05 | 0:03:08 | |
'I was looking at his CV.' | 0:03:08 | 0:03:10 | |
The list goes on and on and on. | 0:03:10 | 0:03:11 | |
'It's a privilege to be in an audition with him.' | 0:03:11 | 0:03:13 | |
For Reece, today's audition is particularly tough | 0:03:17 | 0:03:19 | |
because it's the first time he's been up against much older | 0:03:19 | 0:03:23 | |
and more experienced performers. | 0:03:23 | 0:03:24 | |
It's obviously scary going up against the adults | 0:03:24 | 0:03:26 | |
because they've had more experience and training than you, | 0:03:26 | 0:03:30 | |
but you've got to try and stand out however you can. | 0:03:30 | 0:03:33 | |
One person who knows just what he's going through | 0:03:33 | 0:03:36 | |
is school friend Layton. | 0:03:36 | 0:03:37 | |
He's got a part playing one of the brothers | 0:03:37 | 0:03:39 | |
and is here to go through the dance routines. | 0:03:39 | 0:03:42 | |
Auditions can be really scary but Reece is doing really well. | 0:03:42 | 0:03:45 | |
He's like the youngest here as well | 0:03:45 | 0:03:47 | |
so it must be quite nerve-wracking for him. | 0:03:47 | 0:03:49 | |
He's going full out | 0:03:49 | 0:03:50 | |
-and he's on the choreography with a bang. -It's going well so far | 0:03:50 | 0:03:53 | |
but Reece is about to be thrown a surprise. | 0:03:53 | 0:03:55 | |
Guys, listen up. The next thing is going to be a tap combination. | 0:03:55 | 0:03:59 | |
So take five and we'll let you know when we're ready. | 0:03:59 | 0:04:01 | |
Ray wants to see his tap dancing skills | 0:04:01 | 0:04:03 | |
but it seems Reece isn't prepared. | 0:04:03 | 0:04:06 | |
I wasn't told there was going to be a tap section | 0:04:06 | 0:04:08 | |
so I don't have any of my shoes so I'm quite gutted about that. | 0:04:08 | 0:04:12 | |
-Were you told to bring your tap shoes? -No. -No. See... | 0:04:12 | 0:04:15 | |
I brought my heels, my... I brought everything. | 0:04:15 | 0:04:18 | |
All Reece can do is try and draw | 0:04:18 | 0:04:20 | |
Ray's attention away from his footwear | 0:04:20 | 0:04:22 | |
and onto his dancing skills | 0:04:22 | 0:04:24 | |
by throwing in some moves before the others have even started. | 0:04:24 | 0:04:26 | |
Five, six, seven, and...! | 0:04:28 | 0:04:29 | |
Reece is hoping that his little trick has worked. | 0:04:30 | 0:04:34 | |
'I think I definitely got noticed by the panel, because, obviously,' | 0:04:34 | 0:04:37 | |
if everyone's standing still and only one person's moving, | 0:04:37 | 0:04:40 | |
it draws attention to yourself, | 0:04:40 | 0:04:42 | |
which is what I kind of wanted so I think he saw me. | 0:04:42 | 0:04:45 | |
Reece seems confident now | 0:04:45 | 0:04:46 | |
but if he's to make it through to the next stage of auditions, | 0:04:46 | 0:04:49 | |
he'll need to show that he can sing too. | 0:04:49 | 0:04:51 | |
The day is far from over. | 0:04:51 | 0:04:53 | |
Throughout the summer term, Reece and the other students | 0:04:56 | 0:04:59 | |
have been auditioning and rehearsing for the end-of-year show. | 0:04:59 | 0:05:02 | |
These shows run for a week | 0:05:02 | 0:05:03 | |
and each performance features a different cast | 0:05:03 | 0:05:06 | |
so that everyone gets a chance to perform | 0:05:06 | 0:05:08 | |
and be spotted by the casting agent in the audience. | 0:05:08 | 0:05:11 | |
Five, six, seven and a turn. Straight. | 0:05:11 | 0:05:13 | |
For one of the routines, year nine Mia is playing a wicked witch. | 0:05:13 | 0:05:17 | |
OK, here we go. | 0:05:17 | 0:05:18 | |
In the future, I'd love to perform in musicals, West End, | 0:05:18 | 0:05:22 | |
or to be a performer like Rihanna. | 0:05:22 | 0:05:24 | |
Mia has to lead the cast in a complex hip-hop routine. | 0:05:26 | 0:05:30 | |
I love hip-hop dancing cos it's different | 0:05:31 | 0:05:33 | |
and it's got so much characteristic in it. It's brilliant. | 0:05:33 | 0:05:37 | |
I think it's quite boom. | 0:05:37 | 0:05:39 | |
# Mama told me not to waste my life | 0:05:39 | 0:05:42 | |
# She said spread your wings, my little butterfly... # | 0:05:42 | 0:05:46 | |
But playing the lead will be very demanding. | 0:05:46 | 0:05:49 | |
I love dancing and to get a lead role is such an honour | 0:05:49 | 0:05:52 | |
but there's a lot of pressure on it, just in case you do something wrong. | 0:05:52 | 0:05:56 | |
Mia's not the only one feeling the pressure. | 0:05:56 | 0:05:59 | |
OK, there's a lot of work to be done. | 0:05:59 | 0:06:01 | |
Teacher Charlene wants the routine to be perfect | 0:06:01 | 0:06:03 | |
and right now it's looking anything but. | 0:06:03 | 0:06:06 | |
You're making mistakes that should not be there. | 0:06:06 | 0:06:09 | |
Can you have your brains on? I don't want mistakes up to where we've done. | 0:06:09 | 0:06:13 | |
What's the point of you doing that? | 0:06:13 | 0:06:14 | |
-Am I...? -You're wasting your own time. And mine. | 0:06:14 | 0:06:17 | |
You're seeing nothing. You're not interacting with each other. | 0:06:20 | 0:06:23 | |
Does that make sense? Those are the bits that make it look professional. | 0:06:23 | 0:06:26 | |
With time running out, Mia knows they've got to improve. | 0:06:26 | 0:06:30 | |
Yeah, we need positions. Where's our positions? | 0:06:30 | 0:06:32 | |
'Charlene wasn't too pleased but we're going to make it up to her' | 0:06:32 | 0:06:35 | |
on Friday and we're going to make it...show her we can do this. | 0:06:35 | 0:06:39 | |
Pushing themselves towards perfection | 0:06:39 | 0:06:41 | |
is all part of daily life for these pupils. | 0:06:41 | 0:06:44 | |
At his audition in south London, Reece is desperate to prove | 0:06:50 | 0:06:53 | |
that he is the right choice for a part | 0:06:53 | 0:06:55 | |
in a major new theatre production. | 0:06:55 | 0:06:58 | |
The dancing went well this morning | 0:06:58 | 0:07:00 | |
but this afternoon it's all about singing, | 0:07:00 | 0:07:02 | |
and his mum is helping Reece to stop worrying about his voice. | 0:07:02 | 0:07:05 | |
Feel the music but just sing how you would normally at home or at school. | 0:07:07 | 0:07:13 | |
I know your voice is changing. | 0:07:13 | 0:07:14 | |
Reece, I'd like to hear you sing. | 0:07:14 | 0:07:16 | |
Reece's voice is starting to break | 0:07:16 | 0:07:19 | |
so it could be the thing that lets him down, | 0:07:19 | 0:07:21 | |
especially as Ray is looking to cast him in a much younger role. | 0:07:21 | 0:07:25 | |
# I believe that children are our future... # | 0:07:25 | 0:07:29 | |
OK, stop for a second. Do it for me as young as you can make him, yeah? | 0:07:29 | 0:07:33 | |
As young as you can make him, | 0:07:33 | 0:07:35 | |
as close to ten years old as you can make him. | 0:07:35 | 0:07:38 | |
# I believe that children are our future | 0:07:38 | 0:07:43 | |
# Teach them well and let them lead the way... # | 0:07:43 | 0:07:47 | |
OK, stop again. Can we take it down a little bit? | 0:07:47 | 0:07:49 | |
Your voice is changing now, isn't it? | 0:07:49 | 0:07:51 | |
KEYBOARD PLAYS SOFTLY | 0:07:51 | 0:07:53 | |
OK. Take it easy. | 0:07:53 | 0:07:55 | |
# I believe... # | 0:07:55 | 0:07:56 | |
Ray has spotted that Reece's voice is breaking | 0:07:56 | 0:07:59 | |
and that it's affecting his ability to sing. | 0:07:59 | 0:08:01 | |
# Let them lead the way | 0:08:01 | 0:08:04 | |
# Show them all the beauty they possess | 0:08:04 | 0:08:07 | |
# Inside. # | 0:08:07 | 0:08:09 | |
OK, good. | 0:08:09 | 0:08:10 | |
Reece has given it everything. | 0:08:10 | 0:08:12 | |
OK, thank you. | 0:08:12 | 0:08:14 | |
But he's worried his age is going to work against him. | 0:08:14 | 0:08:17 | |
I'm too old. | 0:08:17 | 0:08:19 | |
Reece just hopes he's done enough to bag the part. | 0:08:19 | 0:08:21 | |
They said they're going to tell us soon. | 0:08:21 | 0:08:23 | |
I'm really nervous | 0:08:23 | 0:08:25 | |
and I can't wait to find out if I get it or not. | 0:08:25 | 0:08:28 | |
Whatever the outcome, Reece has certainly made an impression on Ray. | 0:08:28 | 0:08:33 | |
He's an amazing dancer. Already he shows signs of being a star. | 0:08:33 | 0:08:37 | |
And I tend to think that he has a very, very, very bright future. | 0:08:37 | 0:08:41 | |
It's a great result for Reece to have made such an impact on Ray. | 0:08:42 | 0:08:46 | |
But actually nailing the parts they desperately want | 0:08:46 | 0:08:49 | |
can be tough for all the students. | 0:08:49 | 0:08:51 | |
Year nine Syd battled with her confidence | 0:08:52 | 0:08:54 | |
when Ella got the lead in the evening performance | 0:08:54 | 0:08:57 | |
of their end-of-year show. | 0:08:57 | 0:08:59 | |
She thought the matinee she was given instead | 0:08:59 | 0:09:02 | |
would be less prestigious. With the show now just days away, | 0:09:02 | 0:09:05 | |
there's another problem which could stop Syd taking part. | 0:09:05 | 0:09:09 | |
Today we've got rehearsals, | 0:09:09 | 0:09:11 | |
and I've lost my voice | 0:09:11 | 0:09:14 | |
so I'm very scared. | 0:09:14 | 0:09:17 | |
The show means a lot to me so it's a big thing | 0:09:17 | 0:09:21 | |
if I'm not well for it, | 0:09:21 | 0:09:24 | |
so hopefully my voice will come back. | 0:09:24 | 0:09:26 | |
If it doesn't come back and I miss the show, I would be, like, | 0:09:26 | 0:09:29 | |
so gutted cos I've got a main part. | 0:09:29 | 0:09:32 | |
Syd shares her concerns with good friend Ella. | 0:09:35 | 0:09:39 | |
I talk, thinking I'm fine, and halfway through a sentence, | 0:09:39 | 0:09:42 | |
it croaks. It goes really high | 0:09:42 | 0:09:44 | |
-and it goes really low. -Oh, I hate when that happens. | 0:09:44 | 0:09:47 | |
You just need to drink loads of water and honey and lemon. | 0:09:47 | 0:09:49 | |
But I'm just a bit worried it will go and I won't be able to do the show. | 0:09:49 | 0:09:53 | |
You'll be able to do it. I'll make sure you'll be able to do it. | 0:09:53 | 0:09:57 | |
So will I. | 0:09:57 | 0:09:59 | |
If Syd missed the show, | 0:09:59 | 0:10:01 | |
I think she'd feel really upset because it's the worst thing. | 0:10:01 | 0:10:04 | |
This is an amazing opportunity for her. | 0:10:04 | 0:10:07 | |
So she just has to get better and do it. | 0:10:07 | 0:10:09 | |
It's really nice to have Ella there supporting me | 0:10:09 | 0:10:12 | |
cos she is one of my best friends | 0:10:12 | 0:10:13 | |
and I know through this she's always there for me. | 0:10:13 | 0:10:17 | |
In the final rehearsal, Syd's forced to mime her lines, | 0:10:17 | 0:10:21 | |
missing out on the practice she desperately needs. | 0:10:21 | 0:10:24 | |
ALL: # Seuss | 0:10:24 | 0:10:27 | |
# When you think about Seuss, Seuss, Seuss | 0:10:28 | 0:10:31 | |
# Seuss, Seuss! # | 0:10:31 | 0:10:34 | |
It is really frustrating | 0:10:36 | 0:10:38 | |
that I can't give 100% hard work into my performance. | 0:10:38 | 0:10:44 | |
But hopefully I'll be able to give 1,000% in the show. | 0:10:44 | 0:10:48 | |
It's less than a week until the matinee | 0:10:48 | 0:10:51 | |
and if Syd's voice doesn't get better, | 0:10:51 | 0:10:53 | |
she could be in danger of losing the part. | 0:10:53 | 0:10:55 | |
The end of the summer term is not just about the end-of-year shows. | 0:10:58 | 0:11:02 | |
It's also about celebrating the end of exams with a spectacular prom. | 0:11:02 | 0:11:06 | |
Head girl Georgia has had the tough task of organising it. | 0:11:06 | 0:11:09 | |
We need a date. We've got literally nothing for prom. | 0:11:09 | 0:11:14 | |
Prom is a shambles. People don't know what they're doing. | 0:11:14 | 0:11:17 | |
It's getting a bit too much. | 0:11:17 | 0:11:18 | |
It hasn't been easy but she got everything booked | 0:11:18 | 0:11:21 | |
and now it's prom time. | 0:11:21 | 0:11:22 | |
Today has definitely got to be perfect. | 0:11:22 | 0:11:24 | |
Like, it's just our last chance that we're all going to be together. | 0:11:24 | 0:11:27 | |
Everyone is going to be dressed up and everyone wants it to be pretty | 0:11:27 | 0:11:32 | |
and everyone wants it to be perfect so it's got to be perfect. | 0:11:32 | 0:11:35 | |
With just hours to go, | 0:11:35 | 0:11:37 | |
Georgia and her parents are getting the place ready. | 0:11:37 | 0:11:39 | |
She's been worrying for the past three nights | 0:11:39 | 0:11:42 | |
and having really bad dreams | 0:11:42 | 0:11:44 | |
that something is actually going to go wrong. | 0:11:44 | 0:11:46 | |
I think they should really enjoy it | 0:11:46 | 0:11:50 | |
and cherish every moment, really, now. | 0:11:50 | 0:11:52 | |
Hopefully everything will go well for them | 0:11:52 | 0:11:55 | |
and they'll have a great memory. | 0:11:55 | 0:11:57 | |
GEORGIA LAUGHS | 0:11:59 | 0:12:01 | |
It ain't going to get no bigger than that. | 0:12:04 | 0:12:07 | |
We have bubbles for the tables. | 0:12:08 | 0:12:11 | |
I'm very excited. | 0:12:11 | 0:12:12 | |
Georgia's desperate to provide a night to remember | 0:12:15 | 0:12:17 | |
but after all this hard work, will the party go off with a bang? | 0:12:17 | 0:12:21 | |
I'm very happy with how it's looking. It looks so pretty. | 0:12:21 | 0:12:24 | |
I'm just hoping everyone else feels exactly the same, really. | 0:12:24 | 0:12:27 | |
I don't really know what you can complain about - we've got bubbles! | 0:12:27 | 0:12:31 | |
Partying couldn't be further from Mia's mind. | 0:12:34 | 0:12:36 | |
The last rehearsal of her wicked witch routine | 0:12:36 | 0:12:40 | |
for the end-of-year show was a disaster. | 0:12:40 | 0:12:42 | |
You're wasting your own time. And mine. | 0:12:42 | 0:12:45 | |
Charlene wasn't happy with us | 0:12:47 | 0:12:49 | |
but this week we'll show her that we really can do this. | 0:12:49 | 0:12:51 | |
We've got to make sure everything is perfect. | 0:12:51 | 0:12:54 | |
Today is the final chance to get it right before showing it to Karen, | 0:12:54 | 0:12:57 | |
the show's director. | 0:12:57 | 0:12:59 | |
If the beginning is not right, I will have a heart attack | 0:12:59 | 0:13:01 | |
and I shall take it out on you | 0:13:01 | 0:13:03 | |
because you should have practised it. All right? | 0:13:03 | 0:13:05 | |
And Charlene's expecting to see a big improvement. | 0:13:05 | 0:13:09 | |
Yeah, you are working hard but you're not working smart. | 0:13:09 | 0:13:11 | |
You can conserve your energy because if it's right the first time | 0:13:11 | 0:13:14 | |
we're not doing it again. We're only doing it till you do it right. | 0:13:14 | 0:13:17 | |
Understand? Let's get it right. | 0:13:17 | 0:13:19 | |
If the routine doesn't work, | 0:13:19 | 0:13:21 | |
Karen could decide to lose it from the final show. | 0:13:21 | 0:13:23 | |
It's crucial Mia improves. | 0:13:23 | 0:13:25 | |
Can we do it once from the top, please? | 0:13:26 | 0:13:28 | |
Today is the day we are going to do this. | 0:13:28 | 0:13:31 | |
Carry on, let's go. | 0:13:31 | 0:13:32 | |
Five, six, seven, eight. | 0:13:34 | 0:13:36 | |
Head up! | 0:13:36 | 0:13:38 | |
Feet together. Together, together, together. | 0:13:46 | 0:13:48 | |
Spot on. Well done. | 0:13:50 | 0:13:53 | |
I have to say, guys, I'm very impressed so far. You're so close. | 0:13:56 | 0:14:01 | |
But we need to work at that level all the time. | 0:14:01 | 0:14:05 | |
You have to give your best every single time. | 0:14:05 | 0:14:07 | |
That's the only way you improve. | 0:14:07 | 0:14:09 | |
Charlene may be impressed but Karen still needs to see it | 0:14:09 | 0:14:11 | |
and whether it makes the final show or not will be down to her. | 0:14:11 | 0:14:15 | |
All over the school, time is running out to get things right. | 0:14:21 | 0:14:25 | |
For Layton and the school's elite dancers, | 0:14:25 | 0:14:27 | |
this is their last rehearsal | 0:14:27 | 0:14:28 | |
before they'll perform at the end-of-year shows. | 0:14:28 | 0:14:31 | |
Listen! You're in your costumes. | 0:14:31 | 0:14:33 | |
I want to see how it is, I want to see the atmosphere. | 0:14:33 | 0:14:37 | |
The routine is the work of choreographer to the stars Mark Webb | 0:14:37 | 0:14:40 | |
and he expects nothing but perfection. | 0:14:40 | 0:14:42 | |
I ain't doing it again with you. | 0:14:42 | 0:14:45 | |
It features Layton and starts and ends | 0:14:45 | 0:14:47 | |
with him performing a series of tricky backflips. | 0:14:47 | 0:14:51 | |
-Will you make it? -I will. | 0:14:51 | 0:14:53 | |
If he gets it wrong, it could throw the dance out from the start | 0:14:53 | 0:14:56 | |
so the pressure is really on. | 0:14:56 | 0:14:57 | |
Get out the way for Layton, yeah? | 0:14:57 | 0:15:00 | |
Guys, let's put all that hard work over the last two months, yeah? | 0:15:00 | 0:15:05 | |
Right, rock and roll! | 0:15:05 | 0:15:06 | |
Go! | 0:15:08 | 0:15:09 | |
That's it, go! | 0:15:09 | 0:15:12 | |
The start's gone well but Layton still has to weave his final flips | 0:15:12 | 0:15:15 | |
through the rest of the cast. | 0:15:15 | 0:15:17 | |
Oh! | 0:15:17 | 0:15:18 | |
It's a dangerous sequence | 0:15:22 | 0:15:24 | |
and it's as nerve-wracking for Mark as it is for Layton. | 0:15:24 | 0:15:27 | |
Get out the way! | 0:15:27 | 0:15:29 | |
Beautiful. Yeah! | 0:15:32 | 0:15:34 | |
Yeah! | 0:15:34 | 0:15:37 | |
Thank you very much for your hard work. | 0:15:40 | 0:15:41 | |
It has been an absolute pleasure doing this. | 0:15:41 | 0:15:44 | |
The group of people that I've got in this room want to dance | 0:15:44 | 0:15:48 | |
and they're passionate about what they do and I love that. | 0:15:48 | 0:15:51 | |
And that will show in this number. Yeah? | 0:15:51 | 0:15:53 | |
Just bring it to the table, and let's bring that house down. | 0:15:53 | 0:15:56 | |
-You know what I'm saying? -ALL: Yeah. | 0:15:56 | 0:15:57 | |
Thank you very much for your hard work. | 0:15:57 | 0:15:59 | |
-I really appreciate it. Well done. -CHEERING | 0:15:59 | 0:16:04 | |
'It went really well. Obviously,' | 0:16:04 | 0:16:05 | |
it's very, very demanding but I feel great. | 0:16:05 | 0:16:07 | |
I always feel happy after I've danced. | 0:16:07 | 0:16:10 | |
We just need to put it on stage with lights, camera, action, really. | 0:16:10 | 0:16:14 | |
Obviously, we've got to get on the stage. | 0:16:14 | 0:16:17 | |
Lighting is going to be a big part of it as well | 0:16:17 | 0:16:19 | |
so I need to do that with the lighting guy. | 0:16:19 | 0:16:22 | |
But at this point I'm over the moon. | 0:16:22 | 0:16:24 | |
Reece's big audition for A Dream Across The Ocean | 0:16:30 | 0:16:34 | |
was set by the casting agency based at the school. | 0:16:34 | 0:16:36 | |
Reece has been called up to see Anna, | 0:16:36 | 0:16:38 | |
one of the school's agents, who has some news for him. | 0:16:38 | 0:16:41 | |
'I'm really nervous and I can't wait to find out if I get it or not. | 0:16:41 | 0:16:46 | |
'But I'm actually quite scared.' | 0:16:46 | 0:16:49 | |
-Hi. How are you? -I'm good, thank you. | 0:16:49 | 0:16:51 | |
Come and take a seat. | 0:16:51 | 0:16:52 | |
So regarding Dreams Across The Ocean... So they've made a decision. | 0:16:52 | 0:16:57 | |
Unfortunately, it's not going to go your way this time. | 0:16:57 | 0:17:01 | |
Nothing to do with what you've done at the castings, | 0:17:04 | 0:17:06 | |
it's all been very positive, | 0:17:06 | 0:17:08 | |
but they're going to cast much younger, between five and 11. | 0:17:08 | 0:17:13 | |
It's a devastating blow for Reece | 0:17:13 | 0:17:15 | |
as he really had his heart set on getting the part. | 0:17:15 | 0:17:18 | |
The best thing you could do is have positive feedback, | 0:17:18 | 0:17:21 | |
which you've had, constantly, from Ray Shell. | 0:17:21 | 0:17:24 | |
-So you should be very proud of yourself. -OK. | 0:17:24 | 0:17:26 | |
I'm really gutted cos I felt like I put in so much effort and work. | 0:17:28 | 0:17:32 | |
I wanted to do it really badly so I'm so upset I haven't got it. | 0:17:35 | 0:17:39 | |
With his confidence knocked, | 0:17:39 | 0:17:40 | |
there's only one person Reece wants to see right now | 0:17:40 | 0:17:43 | |
so he heads home to talk it through with Mum. | 0:17:43 | 0:17:46 | |
All right, Reece? | 0:17:59 | 0:18:02 | |
'My mum's been really supportive. She's been helping me all she can. | 0:18:02 | 0:18:05 | |
'She's always great to have when things like this knock you down.' | 0:18:05 | 0:18:08 | |
When Reece tells his mum about his disappointment, | 0:18:08 | 0:18:11 | |
she sees nothing but the positive. | 0:18:11 | 0:18:13 | |
I'm really, really upset. Honestly, I'm really upset. | 0:18:13 | 0:18:18 | |
The thing is, they know who you are now. | 0:18:18 | 0:18:20 | |
They know what Reece is about. | 0:18:20 | 0:18:22 | |
They know what you're capable of doing so it's never a wrong thing | 0:18:22 | 0:18:25 | |
that you didn't get it, it's always a positive, | 0:18:25 | 0:18:27 | |
because there's always somebody in the industry | 0:18:27 | 0:18:30 | |
who may want somebody like you. | 0:18:30 | 0:18:32 | |
Don't get upset and don't take it to heart, that's all I can say. | 0:18:32 | 0:18:35 | |
'Reece knows what the industry's like. | 0:18:35 | 0:18:37 | |
'This role obviously wasn't for him at this particular time.' | 0:18:37 | 0:18:41 | |
There's plenty more roles out there that he can do | 0:18:41 | 0:18:44 | |
so we just have to wait and see what he gets. | 0:18:44 | 0:18:47 | |
My mum's been very positive towards me. | 0:18:47 | 0:18:49 | |
Obviously she knows how gutted I am. | 0:18:49 | 0:18:51 | |
It's good to have a mum like I do. | 0:18:51 | 0:18:54 | |
Parents can offer support in all sorts of ways. | 0:18:57 | 0:19:01 | |
And as Georgia heads out to prom with her date, | 0:19:01 | 0:19:04 | |
she knows hers have helped her make this a night to remember. | 0:19:04 | 0:19:06 | |
It's a nerve-wracking time. | 0:19:09 | 0:19:12 | |
I'm really nervous. | 0:19:12 | 0:19:14 | |
The pressure has been on Georgia to deliver the perfect prom. | 0:19:14 | 0:19:17 | |
We are here. | 0:19:17 | 0:19:20 | |
-Do you like it? I did it this morning. -It's really good. | 0:19:26 | 0:19:29 | |
The guests are arriving. Has all of Georgia's hard work paid off? | 0:19:30 | 0:19:36 | |
Look at the chandelier! | 0:19:36 | 0:19:38 | |
Tyler has been worried about the prom from the start. | 0:19:40 | 0:19:42 | |
So what's his verdict? | 0:19:42 | 0:19:43 | |
Georgia has done an amazing job | 0:19:43 | 0:19:44 | |
and I'm really, really proud of her for everything she's done. | 0:19:44 | 0:19:48 | |
I mean, the whole thing's beautiful. | 0:19:48 | 0:19:50 | |
Georgia doesn't need to worry any more. Everything's fine. | 0:19:50 | 0:19:53 | |
Everyone's happy | 0:19:53 | 0:19:54 | |
and we just want to have a good night now | 0:19:54 | 0:19:57 | |
and I hope Georgia does too. | 0:19:57 | 0:19:59 | |
Thank you. Ha! | 0:19:59 | 0:20:00 | |
And now it's time to party. | 0:20:00 | 0:20:04 | |
# Straight to the top, never drop | 0:20:04 | 0:20:06 | |
# We're not going down tonight | 0:20:07 | 0:20:10 | |
# We are shooting stars... # | 0:20:10 | 0:20:13 | |
I'm feeling, like, a lot happier than I was earlier | 0:20:13 | 0:20:16 | |
and not so stressed out. | 0:20:16 | 0:20:17 | |
SHE CHEERS | 0:20:17 | 0:20:19 | |
Everyone's having a good time, which is the main thing. | 0:20:19 | 0:20:21 | |
Oh, thank you. | 0:20:21 | 0:20:22 | |
I'm very happy now. | 0:20:22 | 0:20:24 | |
Mia and her classmates are hoping to perform their wicked witch routine | 0:20:33 | 0:20:37 | |
in the evening performance of their end-of-year show. | 0:20:37 | 0:20:40 | |
But Karen, the show director, | 0:20:40 | 0:20:42 | |
hasn't yet seen it or decided if it should be included. | 0:20:42 | 0:20:45 | |
I'm really nervous cos Karen's never seen my performance | 0:20:45 | 0:20:48 | |
for Charlene's number and I'm hoping she's going to like it but... | 0:20:48 | 0:20:53 | |
Karen will be looking for perfection | 0:20:53 | 0:20:55 | |
so Charlene gives the cast one final pep talk. | 0:20:55 | 0:20:58 | |
Please concentrate on everything we have worked on, | 0:20:58 | 0:21:00 | |
otherwise it doesn't make a difference. You must concentrate. | 0:21:00 | 0:21:04 | |
Just to add to the pressure, | 0:21:04 | 0:21:06 | |
there is a last-minute addition to the staging | 0:21:06 | 0:21:09 | |
that Mia didn't know about - | 0:21:09 | 0:21:10 | |
a high platform that she has to start the dance routine on - | 0:21:10 | 0:21:13 | |
which throws her. | 0:21:13 | 0:21:14 | |
I'm so scared. I'm really scared. | 0:21:14 | 0:21:16 | |
I'm just worried I'm going to fall off. | 0:21:16 | 0:21:17 | |
Charlene. | 0:21:17 | 0:21:19 | |
Quick as you can, guys, come on. | 0:21:19 | 0:21:21 | |
Charlene, Charlene, Charlene. | 0:21:21 | 0:21:24 | |
-Do I go on the rostra and then come down? -Yeah. Why not? | 0:21:24 | 0:21:27 | |
And you can walk through. Perfect. | 0:21:27 | 0:21:29 | |
-OK. -Can we get ready? Let's go. | 0:21:29 | 0:21:33 | |
This is the one and only chance Mia and the others will get | 0:21:37 | 0:21:40 | |
to show that all their hard work has paid off. | 0:21:40 | 0:21:44 | |
Can they rise to the challenge? | 0:21:44 | 0:21:45 | |
MUSIC: "Poker Face" by Lady Gaga | 0:21:45 | 0:21:47 | |
The routine's looking good. | 0:22:05 | 0:22:07 | |
Seems like all the practise has been worth it. | 0:22:07 | 0:22:10 | |
OK, guys, hold that last position. | 0:22:12 | 0:22:15 | |
And Karen's decided she wants the routine in the show. | 0:22:15 | 0:22:19 | |
They did really well. | 0:22:19 | 0:22:20 | |
It's the first time we've actually run the whole section | 0:22:20 | 0:22:22 | |
all the way through, erm, and I was really pleased with them. | 0:22:22 | 0:22:25 | |
Really, really pleased with them. | 0:22:25 | 0:22:26 | |
My aim is, from when they start to when they finish, | 0:22:26 | 0:22:29 | |
if they can have a progression that's their own journey | 0:22:29 | 0:22:32 | |
my work is done. | 0:22:32 | 0:22:33 | |
I'm really happy, I'm really proud of them. | 0:22:33 | 0:22:35 | |
After months of planning, auditions and rehearsals, | 0:22:38 | 0:22:41 | |
the big day of the matinee performance has finally arrived. | 0:22:41 | 0:22:44 | |
Friends and family are flocking to The Shaw Theatre, in London, | 0:22:44 | 0:22:47 | |
to see the results of all the hard work. | 0:22:47 | 0:22:50 | |
RECORD SCRATCHING Woo! | 0:22:51 | 0:22:54 | |
Yeah. OK. | 0:22:54 | 0:22:56 | |
OK, what? | 0:22:56 | 0:22:57 | |
Today is a chance for Syd to show everyone just what a talent she is | 0:22:57 | 0:23:01 | |
but all week she's been struggling with a sore throat. | 0:23:01 | 0:23:04 | |
My voice is now better. | 0:23:04 | 0:23:06 | |
It's in full recovery and I'm feeling very excited | 0:23:06 | 0:23:09 | |
but I'm also quite scared as well. | 0:23:09 | 0:23:12 | |
-Just don't burn my hair! -Sorry, darling, sorry! | 0:23:12 | 0:23:14 | |
-THEY LAUGH -Sorry! | 0:23:14 | 0:23:16 | |
I just want to make everyone proud. | 0:23:18 | 0:23:20 | |
OK, here we go! | 0:23:20 | 0:23:21 | |
It's the ten minute call and I'm panicking! | 0:23:21 | 0:23:24 | |
We're nearly done now, we're nearly done. | 0:23:24 | 0:23:26 | |
I'm thinking about what I have to do and I have to go and get changed. | 0:23:26 | 0:23:30 | |
The audience take their seats | 0:23:33 | 0:23:34 | |
and as she heads to the stage the nerves kick in. | 0:23:34 | 0:23:38 | |
I'm shaking! | 0:23:38 | 0:23:40 | |
I just want to go out there and do everyone proud. | 0:23:40 | 0:23:43 | |
Literally, had our one-minute call, like, two minutes ago, so... | 0:23:43 | 0:23:47 | |
it's time, literally, and, ah! | 0:23:47 | 0:23:50 | |
'Ladies and gentlemen, take your seats | 0:23:50 | 0:23:52 | |
'as this afternoon's performance is about to begin. Thank you.' | 0:23:52 | 0:23:56 | |
SYD SCREAMS | 0:23:56 | 0:23:57 | |
CHEERING AND APPLAUSE | 0:23:59 | 0:24:00 | |
# If you open your mind All the things you will find | 0:24:01 | 0:24:04 | |
# Flying out to get loose! | 0:24:04 | 0:24:06 | |
# All the things you can think When you think about Seuss! | 0:24:07 | 0:24:11 | |
CHEERING AND APPLAUSE | 0:24:11 | 0:24:14 | |
# Seuss! # | 0:24:14 | 0:24:16 | |
After a massive crisis of confidence and battling a lost voice | 0:24:16 | 0:24:20 | |
it looks like all of Syd's hard work has finally paid off. | 0:24:20 | 0:24:24 | |
# Seuss! # | 0:24:24 | 0:24:26 | |
CHEERING AND APPLAUSE | 0:24:26 | 0:24:28 | |
-Syd, you were so good! Well done! -You were amazing! Oh my, wow! | 0:24:31 | 0:24:36 | |
-I love you. -You were so good. Give me a hug, just give me a hug. | 0:24:36 | 0:24:39 | |
Syd's mum and sister are her number one fans. | 0:24:39 | 0:24:43 | |
Syd shone all the way through. | 0:24:43 | 0:24:45 | |
-Even when she wasn't being featured she was completely shining. -Argh! | 0:24:45 | 0:24:49 | |
# That's what makes you beautiful. # | 0:24:54 | 0:24:57 | |
Syd's time on stage is over | 0:24:57 | 0:24:58 | |
but for 17-year-old Layton his big moment is just minutes away. | 0:24:58 | 0:25:03 | |
It's been two tough months of rehearsals for Layton | 0:25:03 | 0:25:05 | |
and the seniors... | 0:25:05 | 0:25:07 | |
Layton, get up! UP! | 0:25:07 | 0:25:10 | |
..and now it's time to finally showcase their Mark Webb routine. | 0:25:10 | 0:25:14 | |
Thanks. | 0:25:14 | 0:25:16 | |
-Sorry, babe. -Sorry. | 0:25:16 | 0:25:18 | |
'It's just an adrenaline rush because I'm, like, the guy feature in it' | 0:25:18 | 0:25:21 | |
and I just want to make sure that I don't fall on my head | 0:25:21 | 0:25:24 | |
when I'm doing backflips | 0:25:24 | 0:25:25 | |
and I don't, you know, fall off the stage, or anything like that. | 0:25:25 | 0:25:28 | |
I just want to make sure that I'm doing Mark proud. | 0:25:29 | 0:25:32 | |
There's some VIPs in the audience and stuff. | 0:25:33 | 0:25:36 | |
So, yeah, it's quite nerve-wracking but exciting at the same time. | 0:25:36 | 0:25:40 | |
With ex-student Pixie Lott, casting director David Grindrod | 0:25:40 | 0:25:44 | |
and a packed house to perform to, it's show time. | 0:25:44 | 0:25:47 | |
CHEERING AND APPLAUSE | 0:25:51 | 0:25:54 | |
GUN FIRING | 0:25:55 | 0:25:58 | |
HIP-HOP MUSIC | 0:25:58 | 0:26:00 | |
SPANISH GUITAR MUSIC | 0:26:11 | 0:26:13 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:25 | |
The audience loved it but does Layton think they gave enough? | 0:26:32 | 0:26:34 | |
'Really, really good.' | 0:26:34 | 0:26:36 | |
I think the best we've ever done it so... | 0:26:36 | 0:26:39 | |
I'm definitely happy. | 0:26:39 | 0:26:40 | |
I was really nervous but I'm pleased with myself. I think I've done well. | 0:26:40 | 0:26:43 | |
Mark Webb is notoriously tough to please | 0:26:43 | 0:26:45 | |
and the whole cast want to make him happy. | 0:26:45 | 0:26:48 | |
'Layton, it's like, you know,' | 0:26:48 | 0:26:50 | |
he's come in every week, gave his heart and soul, | 0:26:50 | 0:26:52 | |
and I think the performance tonight has shown that. | 0:26:52 | 0:26:55 | |
I'm, like, over the moon. The guys killed it tonight. | 0:26:55 | 0:26:58 | |
Sometimes, however hard you try, things just don't go your way... | 0:27:02 | 0:27:06 | |
..so you have to dust yourself off, keep pushing forward | 0:27:07 | 0:27:11 | |
and wait for your time to come. | 0:27:11 | 0:27:13 | |
Next time... | 0:27:19 | 0:27:21 | |
The end of year show finally arrives. | 0:27:21 | 0:27:24 | |
CHEERING AND APPLAUSE | 0:27:24 | 0:27:25 | |
This is the one, let's do it! | 0:27:25 | 0:27:27 | |
Go, go, go, go, go, go! | 0:27:27 | 0:27:28 | |
But Karen is furious with the cast... | 0:27:28 | 0:27:31 | |
Absolutely appalling. | 0:27:31 | 0:27:33 | |
..and the pressure... | 0:27:33 | 0:27:34 | |
-Stop talking! -..becomes almost unbearable. | 0:27:34 | 0:27:38 | |
-I just hope I don't cry! -Here we go! | 0:27:38 | 0:27:40 | |
I'm feeling very scared. | 0:27:40 | 0:27:41 | |
This is life at the School for Stars! | 0:27:41 | 0:27:44 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:28:00 |