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Millions dream of fame, success and life in the spotlight, | 0:00:02 | 0:00:06 | |
but few realise what it takes to make it to the top. | 0:00:06 | 0:00:10 | |
Lift! | 0:00:10 | 0:00:11 | |
We're back for series three... | 0:00:11 | 0:00:12 | |
Good morning, everybody. | 0:00:12 | 0:00:14 | |
..inside one of the most famous stage schools in Britain. | 0:00:14 | 0:00:17 | |
ALL SIGH LOUDLY | 0:00:18 | 0:00:20 | |
This is London's Italia Conti Academy of Theatre Arts, | 0:00:22 | 0:00:25 | |
where, as well as having normal lessons, like maths and English, | 0:00:25 | 0:00:29 | |
pupils learn to sing, dance | 0:00:29 | 0:00:33 | |
and act like professionals. | 0:00:33 | 0:00:36 | |
And it's here that, for some of them, dreams of a career on screen | 0:00:36 | 0:00:40 | |
and stage really can come true. | 0:00:40 | 0:00:42 | |
# One way or another | 0:00:45 | 0:00:47 | |
# I'm going to find you | 0:00:47 | 0:00:49 | |
# I'm going to get you Get you, get you, get you... # | 0:00:49 | 0:00:51 | |
It's going to be a term of tough, testing exams... | 0:00:51 | 0:00:54 | |
I can't believe how quick the GCSEs have actually come round. | 0:00:54 | 0:00:57 | |
..life-changing auditions... | 0:00:58 | 0:01:00 | |
Remember the audition for EastEnders? | 0:01:00 | 0:01:02 | |
-You've been offered the role. -Oh, my God! | 0:01:02 | 0:01:05 | |
..spectacular performances... | 0:01:05 | 0:01:07 | |
..and every pupil will be competing for a role | 0:01:10 | 0:01:13 | |
-in the huge end-of-year show. -Fight for it! | 0:01:13 | 0:01:17 | |
This is what life is like for those really seeking the big time. | 0:01:18 | 0:01:21 | |
This is the School For Stars. | 0:01:25 | 0:01:28 | |
Previously on School For Stars... Kedar proved | 0:01:30 | 0:01:33 | |
a big acting hit on the set | 0:01:33 | 0:01:35 | |
of CBBC show, Wolfblood. | 0:01:35 | 0:01:37 | |
But will Mark be as impressed with his dancing | 0:01:37 | 0:01:40 | |
now he's fighting for a place in the end-of-year show? | 0:01:40 | 0:01:43 | |
I've been in Newcastle for three months. | 0:01:43 | 0:01:45 | |
Going to Mark Webb's isn't the best. | 0:01:45 | 0:01:46 | |
After struggling to keep up when she first started at the school... | 0:01:46 | 0:01:49 | |
I did. It's just that I got confused on which way to go. | 0:01:49 | 0:01:52 | |
One step at a time. | 0:01:52 | 0:01:53 | |
..has Paris finally got her first big break? | 0:01:53 | 0:01:56 | |
There's your script. It's for a part, Zakia. | 0:01:56 | 0:02:00 | |
I'm going to be really nervous, | 0:02:00 | 0:02:01 | |
because I've never done an audition before. | 0:02:01 | 0:02:04 | |
And having won a scholarship | 0:02:04 | 0:02:05 | |
at the school, will a full-time place be more | 0:02:05 | 0:02:09 | |
than Sadie bargained for? | 0:02:09 | 0:02:10 | |
I've done something wrong. I feel really stupid. | 0:02:10 | 0:02:12 | |
It's the summer term at the School for Stars | 0:02:17 | 0:02:20 | |
and the first day back can often make people nervous, | 0:02:20 | 0:02:23 | |
especially if you're one of the newest pupils, | 0:02:23 | 0:02:25 | |
like 12-year-old Sadie. | 0:02:25 | 0:02:27 | |
Sort of, really worried. | 0:02:27 | 0:02:29 | |
Because, obviously, I haven't got that much training. | 0:02:29 | 0:02:33 | |
I started when I was ten and there's people who start dancing | 0:02:33 | 0:02:37 | |
when they were three and they know what the deal is, | 0:02:37 | 0:02:40 | |
they know how high the standards are. | 0:02:40 | 0:02:42 | |
So, I don't know. It's a bit... | 0:02:42 | 0:02:45 | |
..mixed feelings, I have today. | 0:02:48 | 0:02:50 | |
But Sadie's mum is the one person who can reassure her. | 0:02:50 | 0:02:53 | |
You'll be fine. You've been doing this on Saturdays for how long? | 0:02:53 | 0:02:57 | |
-Two years? -No, a year and a half. | 0:02:57 | 0:03:00 | |
-No, it is two... -Right. You'll be fine. | 0:03:00 | 0:03:03 | |
What if there are people there better than me and I'm not as good as them? | 0:03:03 | 0:03:07 | |
You've just got to be Sadie, do what Sadie does. | 0:03:07 | 0:03:10 | |
You've got nothing to worry about. | 0:03:10 | 0:03:12 | |
The headmaster of the school is Mr Vote | 0:03:22 | 0:03:25 | |
and the welcome-back assembly | 0:03:25 | 0:03:26 | |
is an ideal time to talk about what the summer term holds. | 0:03:26 | 0:03:30 | |
Good morning, everybody! ALL: Good morning, Mr Vote! | 0:03:30 | 0:03:33 | |
Ah, it's so good to see you all back again. | 0:03:33 | 0:03:36 | |
Right, OK. | 0:03:36 | 0:03:37 | |
To say that this term is dominated by examinations | 0:03:37 | 0:03:39 | |
is a bit of an understatement, really, | 0:03:39 | 0:03:41 | |
because we have just got them from everybody, from every quarter. | 0:03:41 | 0:03:44 | |
You've got ballet, you've got tap, you've got modern examinations, | 0:03:44 | 0:03:47 | |
you've got singing, LAMDA exam | 0:03:47 | 0:03:49 | |
and, of course, GCSEs for poor Year 11s. | 0:03:49 | 0:03:54 | |
And, of course, at the end of term we have got | 0:03:54 | 0:03:57 | |
our whole, entire academy show. | 0:03:57 | 0:04:01 | |
Right, OK. Up you get. | 0:04:01 | 0:04:03 | |
Sadie's nerves aren't being helped by the fact | 0:04:03 | 0:04:06 | |
that she's running late and has already missed assembly. | 0:04:06 | 0:04:08 | |
See you later. Love you. | 0:04:08 | 0:04:10 | |
But with just enough time to say a quick goodbye to mum, | 0:04:10 | 0:04:13 | |
she rushes to find out her timetable. | 0:04:13 | 0:04:16 | |
-Hello. -Hello! | 0:04:16 | 0:04:17 | |
FRIEND SHRIEKS | 0:04:17 | 0:04:19 | |
What have you got on Thursday? | 0:04:19 | 0:04:22 | |
-What's that? -Singing audition prep? | 0:04:22 | 0:04:24 | |
-That's new! -What?! | 0:04:24 | 0:04:26 | |
I missed assembly because the trains were late, but I've got my timetable | 0:04:26 | 0:04:30 | |
and I've got acting, jazz and ballet | 0:04:30 | 0:04:33 | |
and I'm really happy about that, so quite excited now! | 0:04:33 | 0:04:36 | |
As Year 10 student Max settles back into school, | 0:04:40 | 0:04:43 | |
he has a solo dance exam coming up. | 0:04:43 | 0:04:45 | |
And although he's had heaps of time over the holidays to practise, | 0:04:48 | 0:04:51 | |
he hasn't prepared anything for his teacher to see. | 0:04:51 | 0:04:55 | |
You know I've got this modern exam in two weeks, yeah? | 0:04:55 | 0:04:58 | |
I haven't got a dance. | 0:04:58 | 0:05:00 | |
-And you know how bad I am at dancing. -I'll help you out. | 0:05:00 | 0:05:02 | |
I'm not bad, but I struggle with it. | 0:05:02 | 0:05:04 | |
When I make up some choreography, I just look absolutely stupid doing it, | 0:05:05 | 0:05:10 | |
so I need to... | 0:05:10 | 0:05:12 | |
Cos when you've taught me dances before, they've been good. | 0:05:13 | 0:05:16 | |
You obviously know what you're doing. | 0:05:16 | 0:05:18 | |
We'll see if Ms Hill can... | 0:05:18 | 0:05:20 | |
Or, so she has something to work with. | 0:05:20 | 0:05:22 | |
We'll get in at eight o'clock and start. Gives us 45 minutes | 0:05:22 | 0:05:26 | |
to just rehearse, really. | 0:05:26 | 0:05:28 | |
So with good friend and band-mate Luca on board to help, | 0:05:28 | 0:05:31 | |
Max is hoping to create a last-minute dance from scratch. | 0:05:31 | 0:05:35 | |
MUSIC: "Lights On" by Katy B | 0:05:35 | 0:05:38 | |
As Sadie settles in, | 0:05:45 | 0:05:46 | |
she shares classes with pupils who have a range of abilities. | 0:05:46 | 0:05:50 | |
And keeping up with them is proving just as tough as she imagined. | 0:05:51 | 0:05:56 | |
My splits aren't my strong point. | 0:05:56 | 0:05:58 | |
I can do them if I really, really, really, really, really warm up. | 0:05:59 | 0:06:03 | |
But... | 0:06:03 | 0:06:04 | |
..just got to keep trying, keep stretching. | 0:06:05 | 0:06:08 | |
Hopefully, I'll be able to do the splits by next week. | 0:06:08 | 0:06:10 | |
Someone who knows better than anyone | 0:06:12 | 0:06:14 | |
about what it's like to be a pupil here is old-timer Reece. | 0:06:14 | 0:06:17 | |
How are you guys getting on with your GCSEs? | 0:06:20 | 0:06:22 | |
Going good? | 0:06:23 | 0:06:25 | |
BOTH: No. | 0:06:25 | 0:06:26 | |
OK. | 0:06:26 | 0:06:27 | |
I feel it's going OK, | 0:06:27 | 0:06:29 | |
but there's definitely a few areas where I need to, sort of, get better. | 0:06:29 | 0:06:35 | |
I definitely need to do some more revising. | 0:06:35 | 0:06:37 | |
You haven't done any revising? | 0:06:37 | 0:06:39 | |
Do you think that you're on top of all the exams? | 0:06:41 | 0:06:44 | |
I think I'm, like, | 0:06:44 | 0:06:45 | |
-midway. -Yeah. -I need to revise a bit more. | 0:06:45 | 0:06:50 | |
I've got all the basic facts, | 0:06:50 | 0:06:52 | |
but I need to put those facts into questions, I think. | 0:06:52 | 0:06:55 | |
Hopefully, we will do well. | 0:06:55 | 0:06:57 | |
I think it's just a thing of just wanting to do well, | 0:06:57 | 0:07:00 | |
so you can make your mum and everyone proud of you. | 0:07:00 | 0:07:02 | |
Like, they've sent you to a school | 0:07:02 | 0:07:04 | |
and you've come away with something, you know? | 0:07:04 | 0:07:06 | |
LAUGHTER | 0:07:10 | 0:07:11 | |
It's only halfway through the first day back, | 0:07:13 | 0:07:16 | |
but has Sadie already made her first big mistake? | 0:07:16 | 0:07:19 | |
I've done something wrong. | 0:07:19 | 0:07:21 | |
I'm supposed to do jazz now, | 0:07:21 | 0:07:24 | |
but I've just done jazz, instead of acting, and I didn't know. | 0:07:24 | 0:07:27 | |
Now, I'm really, really confused. | 0:07:27 | 0:07:29 | |
Oh, I've mixed them up. | 0:07:30 | 0:07:32 | |
Just tell Ms Ellison that you muddled it up. | 0:07:32 | 0:07:35 | |
She's here. | 0:07:37 | 0:07:38 | |
-Are you going to get changed? -I don't know. | 0:07:39 | 0:07:42 | |
Ms Ellison? | 0:07:42 | 0:07:43 | |
I've done something really wrong and I feel really stupid. | 0:07:43 | 0:07:46 | |
What have you done? | 0:07:46 | 0:07:47 | |
Cos we usually have jazz first, I read the timetable... | 0:07:47 | 0:07:50 | |
Oh! | 0:07:50 | 0:07:51 | |
-Yep? It's OK. -I've switched them. I'm sorry. -OK. | 0:07:51 | 0:07:55 | |
-So you know now that you've got acting with me first. -Yeah. | 0:07:55 | 0:07:59 | |
-It's all right. Don't worry. -Could I possibly do your class now? | 0:07:59 | 0:08:02 | |
-Would you like to? -Yes, please. -OK. -Thank you so much. | 0:08:02 | 0:08:05 | |
Sadie may have avoided a telling off this time, | 0:08:05 | 0:08:07 | |
but she's learning fast that there's little room for error | 0:08:07 | 0:08:10 | |
if she's going to be successful here. | 0:08:10 | 0:08:12 | |
Today was OK. | 0:08:19 | 0:08:22 | |
A few minor hiccups, | 0:08:22 | 0:08:25 | |
but it was OK. It was good. | 0:08:25 | 0:08:27 | |
MUSIC: "Blurred Lines" by Robin Thicke | 0:08:29 | 0:08:31 | |
Max has arrived at school early, | 0:08:46 | 0:08:48 | |
to try and work out a routine, in time for this morning's class. | 0:08:48 | 0:08:52 | |
I'm just practising my modern dance for my exam and I'm just waiting | 0:08:52 | 0:08:56 | |
for Luca to come, cos he was meant to be here at eight, but he's late. | 0:08:56 | 0:08:59 | |
And from the looks of things, Luca's help couldn't arrive too soon. | 0:09:01 | 0:09:06 | |
FUNKY MUSIC | 0:09:08 | 0:09:10 | |
Oh, crap. What was it there? | 0:09:14 | 0:09:16 | |
All Max needs to pass his exam is a 60-second dance routine. | 0:09:17 | 0:09:21 | |
While Max loves to sing and perform, dancing just isn't his thing. | 0:09:21 | 0:09:25 | |
Is that all on that "Oh" bit? | 0:09:25 | 0:09:27 | |
-That's all it is. -Mmm-hmm, yep. | 0:09:29 | 0:09:31 | |
And kick off. | 0:09:31 | 0:09:32 | |
Just jump onto that foot. | 0:09:33 | 0:09:34 | |
-Onto what, this one? -Yes. | 0:09:34 | 0:09:36 | |
Yeah, like that, but take this one off. So turn it round like that. | 0:09:37 | 0:09:41 | |
Just like that. Just jump. Jump on it. | 0:09:41 | 0:09:43 | |
I just look like an old man doing it. | 0:09:45 | 0:09:48 | |
-Yeah. Do it by yourself, so I can see it. -Do it by myself? -Yeah. | 0:09:48 | 0:09:52 | |
-What if I muck up? -Doesn't matter. Just go again. | 0:09:52 | 0:09:55 | |
And we'll get them to delete it. | 0:09:55 | 0:09:56 | |
HE LAUGHS | 0:09:56 | 0:09:58 | |
I think that might be the way forward. | 0:09:58 | 0:10:01 | |
Right, is it... | 0:10:01 | 0:10:02 | |
FUNKY MUSIC | 0:10:02 | 0:10:04 | |
Uh... | 0:10:12 | 0:10:13 | |
Is it that fast? | 0:10:20 | 0:10:21 | |
OK. Hang on. What time is that? | 0:10:23 | 0:10:25 | |
Cheers, Luca. I can make the other 30 up at home or something... | 0:10:28 | 0:10:31 | |
..I guess. | 0:10:33 | 0:10:34 | |
Powder puff! | 0:10:37 | 0:10:39 | |
The school is home to 275 pupils, aged 11 and up, | 0:10:39 | 0:10:43 | |
and it's helped megastars like Leona Lewis and Pixie Lott | 0:10:43 | 0:10:46 | |
on their road to success. | 0:10:46 | 0:10:48 | |
-Hi, guys. -PUPILS: Hi! | 0:10:49 | 0:10:51 | |
In order to get professional work, | 0:10:52 | 0:10:54 | |
every pupil here is offered representation | 0:10:54 | 0:10:57 | |
by the school's agency, | 0:10:57 | 0:10:59 | |
which is on the top floor and run by Anna. | 0:10:59 | 0:11:01 | |
Basically, my job is to find the students on the books | 0:11:01 | 0:11:05 | |
work in the industry. | 0:11:05 | 0:11:07 | |
I'm about to go down to find Paris and Bessy | 0:11:07 | 0:11:11 | |
for a casting that they have for a television role. | 0:11:11 | 0:11:17 | |
There's their scripts and now I'm going to go and find them. | 0:11:17 | 0:11:20 | |
Today, it's the turn | 0:11:20 | 0:11:22 | |
of friends Paris...and Bessy | 0:11:22 | 0:11:26 | |
to get a visit from Anna. | 0:11:26 | 0:11:29 | |
TEACHER TALKING | 0:11:29 | 0:11:31 | |
-Sorry to interrupt. -You need..? | 0:11:31 | 0:11:33 | |
Can I talk to Bessy and Paris, please? | 0:11:33 | 0:11:36 | |
Can you come up to the agency after you finish your class? | 0:11:36 | 0:11:39 | |
OK, you two? | 0:11:39 | 0:11:40 | |
Thank you. | 0:11:40 | 0:11:42 | |
I'm really excited. I hope it's an audition for something good | 0:11:42 | 0:11:46 | |
that you get paid for. | 0:11:46 | 0:11:48 | |
I think it's probably an audition, but I'm not sure. | 0:11:48 | 0:11:51 | |
I hope it's an audition, cos they're good. | 0:11:51 | 0:11:54 | |
I'm really excited. | 0:11:54 | 0:11:55 | |
BESSY HUMS TUNE | 0:11:55 | 0:11:57 | |
I hope it's not something like, "Oh, you forgot to pay your agency fees!" | 0:11:59 | 0:12:05 | |
If this is an audition, I'm going to be really, really nervous, | 0:12:05 | 0:12:08 | |
because I've never done an audition before | 0:12:08 | 0:12:11 | |
and, even worse, it would be against one of my friends, Bessy, | 0:12:11 | 0:12:15 | |
so it could be really awkward if one of us gets it | 0:12:15 | 0:12:17 | |
and then the other one doesn't. | 0:12:17 | 0:12:19 | |
Hi, girls. Come in. | 0:12:20 | 0:12:21 | |
Anna and the school's agency have already bagged a professional role | 0:12:25 | 0:12:29 | |
for Year 7's Tommy. | 0:12:29 | 0:12:30 | |
But juggling school with a role in London's West End isn't always easy | 0:12:32 | 0:12:37 | |
and performing a matinee on a weekday means he's often in a hurry. | 0:12:37 | 0:12:41 | |
In the first three weeks of coming here, the agency asked me | 0:12:41 | 0:12:45 | |
to do an audition for Singin' In The Rain in the West End | 0:12:45 | 0:12:48 | |
and I'm currently doing it now and it's amazing to be on the West End, | 0:12:48 | 0:12:53 | |
cos that's what my dream was, ever since I was about six. | 0:12:53 | 0:12:56 | |
I've been coming to this school for about three quarters of a year now, | 0:12:56 | 0:13:00 | |
and it's really fun. | 0:13:00 | 0:13:02 | |
It's just amazing to be here. | 0:13:03 | 0:13:05 | |
Sorry I'm late. Train delayed, because... Yeah. | 0:13:12 | 0:13:16 | |
Quickly put your tap shoes on, then. | 0:13:16 | 0:13:18 | |
No, I'm not actually late much, | 0:13:18 | 0:13:21 | |
but it has to be today when they're practising my exam I have to be late. | 0:13:21 | 0:13:25 | |
Back, six, seven, eight... | 0:13:25 | 0:13:27 | |
HE COUNTS OUT BEAT | 0:13:30 | 0:13:32 | |
Erm, exam people, on the pickup ball change, | 0:13:39 | 0:13:43 | |
can you try and have a flat foot? | 0:13:43 | 0:13:45 | |
Back, six, seven, eight. | 0:13:45 | 0:13:47 | |
A one and a two and a three and a flat! | 0:13:47 | 0:13:50 | |
Better. | 0:13:50 | 0:13:51 | |
OK, Georgia swap places with Tommy, cos he's got his exam. | 0:13:52 | 0:13:56 | |
So, last week we did drop-pickup, drop-pickup, drop-pickup, | 0:13:56 | 0:14:00 | |
-toe, ball change, didn't we? -Yeah. | 0:14:00 | 0:14:02 | |
Tommy's going to demonstrate for us. Ready? | 0:14:02 | 0:14:04 | |
Yeah, nice. Good, well done. | 0:14:10 | 0:14:12 | |
Dance is my favourite, then, it goes singing and acting, | 0:14:26 | 0:14:29 | |
because I'm not too keen on acting. | 0:14:29 | 0:14:31 | |
I'm not very good at picking up the words, learning words and everything. | 0:14:31 | 0:14:34 | |
Tommy's enthusiastic. He'll take away what you've said to him. | 0:14:37 | 0:14:40 | |
He'll process it and he'll come back the next week | 0:14:40 | 0:14:42 | |
and he will have practised it. | 0:14:42 | 0:14:43 | |
He went away in the Easter holidays | 0:14:43 | 0:14:45 | |
and he must have done quite a lot of practice, | 0:14:45 | 0:14:47 | |
because he came back and he really did know what he was doing. | 0:14:47 | 0:14:50 | |
Right. You both have castings for... | 0:14:57 | 0:15:02 | |
Do you watch a programme called The Dumping Ground? | 0:15:02 | 0:15:04 | |
-Yeah, I love that! -No. | 0:15:04 | 0:15:06 | |
Well, that's what the casting's for. You need to watch it. | 0:15:06 | 0:15:09 | |
-You're covered. -I love it so much. | 0:15:09 | 0:15:11 | |
It's for CBBC, so it's a very nice part. | 0:15:11 | 0:15:13 | |
There's your script. | 0:15:13 | 0:15:15 | |
It's for a part and the part is Zakia. | 0:15:15 | 0:15:17 | |
-So that's yours, Bessy. There's your script. -Mmm-hmm! | 0:15:19 | 0:15:23 | |
-And that's your time and where you're going to. -OK. | 0:15:23 | 0:15:27 | |
So if you can, cos it's on Saturday, try and learn as much as you can. | 0:15:27 | 0:15:31 | |
-OK. -Cos it just looks nicer, if you can do some of it off book. | 0:15:31 | 0:15:36 | |
-OK, thank you! -Paris, there's yours. Same part, so you're in competition. | 0:15:36 | 0:15:40 | |
When you've read the character brief, if you can, | 0:15:41 | 0:15:44 | |
dress like you'd think they might dress and that sort of thing. | 0:15:44 | 0:15:48 | |
You can practise together. | 0:15:48 | 0:15:50 | |
Yeah, she said that, already. | 0:15:50 | 0:15:51 | |
So, best of luck and then let me know how it goes. | 0:15:52 | 0:15:55 | |
-I'll keep my fingers crossed for you on Saturday. -Thank you! -Thank you! | 0:15:55 | 0:15:58 | |
-Thank you, bye! -Bye. -Bye. -Have a good time. | 0:15:58 | 0:16:01 | |
-I'm really excited, cos it's my first audition. -Woo! -Yay! | 0:16:01 | 0:16:05 | |
I always say to the students, "You can only do the best you can do, | 0:16:05 | 0:16:09 | |
"but I do expect you to do the best you can do." | 0:16:09 | 0:16:11 | |
I think we have to roughen up. Be like, "What up, fam?" | 0:16:11 | 0:16:15 | |
"Yeah, I went to da shops, yeah? And I bought some McDonald's." | 0:16:15 | 0:16:19 | |
THEY LAUGH | 0:16:19 | 0:16:21 | |
Max's dance teacher, Ms Wilkins, isn't impressed | 0:16:26 | 0:16:29 | |
with his lack of preparation, and she's on the war path. | 0:16:29 | 0:16:32 | |
I'm looking for Max. | 0:16:32 | 0:16:34 | |
Max has a modern dance exam soon | 0:16:34 | 0:16:37 | |
and he should have prepared one little piece for me. One solo. | 0:16:37 | 0:16:42 | |
That's all. I've done all the rest of the work | 0:16:42 | 0:16:44 | |
and he's just got to do that one solo himself. | 0:16:44 | 0:16:46 | |
If Max hasn't been practising, I will be very angry. | 0:16:46 | 0:16:50 | |
He should have been practising. I really hope he has been practising. | 0:16:50 | 0:16:54 | |
I'm now going to go and see if I can find him in the canteen | 0:16:54 | 0:16:57 | |
and find out. | 0:16:57 | 0:16:58 | |
Max. | 0:17:04 | 0:17:05 | |
What? Erm... | 0:17:05 | 0:17:06 | |
-Where's Max? -In English. | 0:17:07 | 0:17:09 | |
Max. I'm looking for Max. | 0:17:12 | 0:17:14 | |
Come on, Max. | 0:17:15 | 0:17:16 | |
-Please tell me you've been working. -I have. -Lots? -Yeah, with Luca. | 0:17:23 | 0:17:27 | |
We're getting in at eight o'clock, so it's fine. | 0:17:27 | 0:17:29 | |
-Excellent. -Seems to work. | 0:17:29 | 0:17:31 | |
So when am I going to see it? | 0:17:31 | 0:17:33 | |
-It's up to you. -4:30pm? | 0:17:33 | 0:17:34 | |
-4:30pm, yeah, OK. -You come and find me? | 0:17:34 | 0:17:37 | |
-I will, yeah. -With your iPod that's working? | 0:17:37 | 0:17:39 | |
-With my iPhone that's working, of course. -We look forward to it. | 0:17:39 | 0:17:44 | |
OK. | 0:17:44 | 0:17:45 | |
Fingers crossed. | 0:17:45 | 0:17:46 | |
For Paris and Bessy, their audition is big news, | 0:17:50 | 0:17:53 | |
and friends are there to give them some advice. | 0:17:53 | 0:17:55 | |
-Do you have to learn a script for the audition? -Yeah. | 0:17:55 | 0:17:58 | |
How long is it? | 0:17:58 | 0:17:59 | |
It's five pages long, but it's not all Zakia speaking, so it's fine. | 0:17:59 | 0:18:03 | |
I think it's three scenes. | 0:18:03 | 0:18:05 | |
I don't know what to wear, though. | 0:18:05 | 0:18:07 | |
I think you should wear your own clothes, | 0:18:07 | 0:18:08 | |
to try and show your personality more. Whatever the character is, | 0:18:08 | 0:18:12 | |
if it says the character is quite quiet, | 0:18:12 | 0:18:13 | |
then I'd go in something a bit more settled, | 0:18:13 | 0:18:15 | |
but if its says the character is quirky, | 0:18:15 | 0:18:17 | |
then I'd go in something a bit more outgoing. | 0:18:17 | 0:18:19 | |
Oh, yeah, and we can't be posh. | 0:18:19 | 0:18:21 | |
-You can't be posh? -No. | 0:18:21 | 0:18:23 | |
"Can't be posh!" | 0:18:23 | 0:18:24 | |
I think you just need to be yourselves. | 0:18:25 | 0:18:27 | |
Smile a lot. | 0:18:27 | 0:18:29 | |
It's Saturday morning | 0:18:39 | 0:18:40 | |
and the day of Paris and Bessy's audition | 0:18:40 | 0:18:42 | |
for a part in the Tracy Beaker spin-off, The Dumping Ground. | 0:18:42 | 0:18:46 | |
Don't be nervous. | 0:18:46 | 0:18:47 | |
You've practised enough. | 0:18:47 | 0:18:48 | |
-Just rest your voice till the main... -Audition. -Yeah. | 0:18:49 | 0:18:53 | |
I think I'm more nervous than you. | 0:18:53 | 0:18:55 | |
-I don't think you are. -I am, trust me. -No, you're not! | 0:18:55 | 0:18:57 | |
I am very nervous. | 0:18:57 | 0:18:59 | |
With their parents just as anxious as they are, | 0:18:59 | 0:19:02 | |
the girls have planned to meet up beforehand, to calm their nerves. | 0:19:02 | 0:19:06 | |
But Paris has had extra cause for concern. | 0:19:06 | 0:19:09 | |
-My voice is getting better. -Yeah, it is. | 0:19:09 | 0:19:10 | |
It was really bad yesterday morning. It was like... | 0:19:10 | 0:19:13 | |
HOARSE: "Hello." | 0:19:13 | 0:19:15 | |
"Come to the dark side" | 0:19:15 | 0:19:17 | |
How unfair is that, though, | 0:19:17 | 0:19:18 | |
that my first audition, I've got a sore throat? | 0:19:18 | 0:19:21 | |
Yeah, it is, kind of, unfair. | 0:19:21 | 0:19:22 | |
My voice has gotten a lot better since yesterday, | 0:19:22 | 0:19:25 | |
but it's still really rough. | 0:19:25 | 0:19:27 | |
The worst thing that could happen is that my voice, kind of, goes | 0:19:27 | 0:19:31 | |
and then I can't speak. | 0:19:31 | 0:19:33 | |
I don't really know how to say the first line. | 0:19:33 | 0:19:37 | |
-The first scene? -Yeah. | 0:19:37 | 0:19:39 | |
Yeah, I'm nervous about that one, too. | 0:19:39 | 0:19:40 | |
It's like, "I'm sorry, I tripped", but are you supposed to trip? | 0:19:40 | 0:19:43 | |
Oh, I'm going to trip. | 0:19:43 | 0:19:45 | |
-"Oops!" -You fall over and break something. | 0:19:45 | 0:19:48 | |
I have done quite a few auditions before, | 0:19:48 | 0:19:50 | |
but I don't think I'm a pro yet, so I am obviously nervous. | 0:19:50 | 0:19:53 | |
But I am also really excited, cos it's The Dumping Ground | 0:19:53 | 0:19:56 | |
and everyone wants to be in that. | 0:19:56 | 0:19:58 | |
Paris and Bessy's audition is held in a private house, | 0:19:58 | 0:20:01 | |
where access is highly restricted, meaning our cameras are banned. | 0:20:01 | 0:20:04 | |
As they make their way to their audition, | 0:20:05 | 0:20:07 | |
all they can do now is give it their best shot. | 0:20:07 | 0:20:10 | |
Karen is head of musical theatre at the school | 0:20:17 | 0:20:19 | |
and the end-of-year summer show she organises | 0:20:19 | 0:20:22 | |
is something every pupil wants to be involved in. | 0:20:22 | 0:20:25 | |
Guys, as quickly as you can, can you come and sit down for me, please? | 0:20:25 | 0:20:28 | |
We are, obviously, straight now into your show rehearsals. | 0:20:30 | 0:20:35 | |
So everything you are doing in your lessons, | 0:20:35 | 0:20:38 | |
even if it's not a show number that you are rehearsing, | 0:20:38 | 0:20:43 | |
you have to understand that you are working on your stamina, | 0:20:43 | 0:20:46 | |
on your technique, everything else. | 0:20:46 | 0:20:48 | |
So I do not want to hear, "Do we have to go to ballet? | 0:20:48 | 0:20:52 | |
"Do we have to go to tap? But I'm not in that number." | 0:20:52 | 0:20:55 | |
I don't want to hear that, at all. | 0:20:55 | 0:20:58 | |
You need to be responsible for looking and being the best | 0:20:58 | 0:21:02 | |
that you can possibly be and you can only do that | 0:21:02 | 0:21:05 | |
if you get to your lessons. | 0:21:05 | 0:21:07 | |
So, please, everything you do, from this minute, | 0:21:07 | 0:21:11 | |
you need to really focus towards your summer show. | 0:21:11 | 0:21:13 | |
So, audition-wise, in your classes, in your musical theatre classes, | 0:21:13 | 0:21:17 | |
you are going to be auditioned right the way through today. | 0:21:17 | 0:21:21 | |
So, please, please, please, no-one coming in, "Can I do it again? | 0:21:21 | 0:21:25 | |
"Can I just... I know I can do it better." | 0:21:25 | 0:21:27 | |
Do it fabulous the first time. | 0:21:27 | 0:21:29 | |
OK? | 0:21:29 | 0:21:31 | |
And one person keen to shine in the end-of-year show is Kedar. | 0:21:31 | 0:21:35 | |
He's been hard at work on the hit CBBC series, Wolfblood. | 0:21:37 | 0:21:41 | |
But he's back to school now and hoping to win | 0:21:41 | 0:21:43 | |
a role in Mark Webb's routine for the end-of-year show. | 0:21:43 | 0:21:47 | |
Featuring the school's top dancers, | 0:21:47 | 0:21:49 | |
it's the routine all the seniors want to be seen in. | 0:21:49 | 0:21:52 | |
About to go into Mark Webb's audition for the summer show. | 0:21:52 | 0:21:55 | |
I've been in Newcastle for three months. | 0:21:55 | 0:21:58 | |
Just came back on Thursday last week, so back here now. | 0:21:58 | 0:22:00 | |
Getting back into college and stuff. | 0:22:00 | 0:22:02 | |
Just getting back into the swing of things. It's good. It's hard. | 0:22:02 | 0:22:05 | |
The most exercise I've done in three months | 0:22:05 | 0:22:07 | |
is walking up and down stairs, so going to Mark Webb's isn't the best | 0:22:07 | 0:22:10 | |
but getting back into it is fine, I guess. | 0:22:10 | 0:22:12 | |
I'm looking for seven girls, seven boys. | 0:22:12 | 0:22:15 | |
I'm looking for team players and I want to give people, | 0:22:15 | 0:22:18 | |
for me, personally, someone that's going to be here every week | 0:22:18 | 0:22:21 | |
and someone that I can depend on | 0:22:21 | 0:22:23 | |
and someone that wants to be here and do it | 0:22:23 | 0:22:25 | |
and give me heart and soul. | 0:22:25 | 0:22:27 | |
Yeah? | 0:22:27 | 0:22:29 | |
Thank you. Boys... | 0:22:29 | 0:22:31 | |
During the audition, | 0:22:31 | 0:22:32 | |
Mark will be looking for dancers who can learn the routine quickly. | 0:22:32 | 0:22:35 | |
But more importantly, who can deliver it the best. | 0:22:35 | 0:22:39 | |
...in the club. | 0:22:39 | 0:22:40 | |
Ah-ha. | 0:22:40 | 0:22:42 | |
Dropping like | 0:22:42 | 0:22:44 | |
dom-i-noes. | 0:22:44 | 0:22:46 | |
Dropping like | 0:22:46 | 0:22:47 | |
dom-i-noes. | 0:22:47 | 0:22:49 | |
Good. | 0:22:49 | 0:22:51 | |
MUSIC: "Dropping Like Dominoes", by Wildboyz | 0:22:51 | 0:22:53 | |
HE SHOUTS | 0:22:53 | 0:22:55 | |
After months away from dance classes, | 0:23:07 | 0:23:09 | |
it's not easy to keep up with Mark's instructions. | 0:23:09 | 0:23:12 | |
-DICTATING LYRICS: -..all the boys, ah-ah. | 0:23:13 | 0:23:16 | |
Again. Let's go. Pull out. | 0:23:26 | 0:23:28 | |
Whoa! Again. Again. | 0:23:32 | 0:23:35 | |
Mark's only looking for seven boys for this dance number, | 0:23:36 | 0:23:39 | |
so Kedar has to up his game. | 0:23:39 | 0:23:41 | |
Come on! Come on! Come on! | 0:23:43 | 0:23:46 | |
MARK SHOUTS INSTRUCTIONS | 0:23:46 | 0:23:48 | |
Get me? | 0:23:52 | 0:23:54 | |
Right, if you want to be in the business, let's go. | 0:23:54 | 0:23:56 | |
One more. | 0:23:56 | 0:23:57 | |
Kedar is trying his hardest, | 0:23:57 | 0:23:59 | |
but will it be enough for the school's toughest teacher? | 0:23:59 | 0:24:02 | |
Fight for it. Always remember, fight, mate. | 0:24:02 | 0:24:05 | |
Don't leave the door thinking, "I could have given more." | 0:24:05 | 0:24:08 | |
Heart and soul, do you understand? | 0:24:08 | 0:24:10 | |
Fight for it. Yes? | 0:24:11 | 0:24:14 | |
Fight for it. Want it. | 0:24:14 | 0:24:16 | |
And Kedar isn't the only person fighting for a role. | 0:24:16 | 0:24:19 | |
Paris and Bessy haven't seen each other | 0:24:19 | 0:24:22 | |
since their Dumping Ground audition at the weekend. | 0:24:22 | 0:24:24 | |
-How did it go? -Um... | 0:24:28 | 0:24:31 | |
It went really well, I think. | 0:24:31 | 0:24:33 | |
-How was yours? -It went really good. | 0:24:33 | 0:24:34 | |
She got me to do the whole of it, so I guess that's good. | 0:24:34 | 0:24:37 | |
Yeah. She made me do the first scene twice, though. | 0:24:37 | 0:24:40 | |
Yeah, she made me do that. I think she made me do it three times. | 0:24:40 | 0:24:42 | |
She went back on it again. I was like, "OK!" | 0:24:42 | 0:24:44 | |
How many people were there? | 0:24:44 | 0:24:46 | |
There was one girl when I got there, but then, another girl went out | 0:24:46 | 0:24:51 | |
and then, there was, like, another two when I got out, | 0:24:51 | 0:24:53 | |
so there were quite a lot of people. | 0:24:53 | 0:24:56 | |
There was like... | 0:24:56 | 0:24:57 | |
There was one girl when I was waiting | 0:24:57 | 0:24:59 | |
and then there was another girl | 0:24:59 | 0:25:00 | |
that was waiting, that was after me, and there was only two people. | 0:25:00 | 0:25:04 | |
So I guess there's loads of people auditioning, so it's a bit... | 0:25:04 | 0:25:07 | |
They said they liked my husky voice. | 0:25:09 | 0:25:12 | |
I was like, "Ha! All right!" | 0:25:12 | 0:25:14 | |
A husky voice? | 0:25:14 | 0:25:15 | |
I told them I have a cold, and they were like, | 0:25:17 | 0:25:19 | |
"So is your voice normally like that? | 0:25:19 | 0:25:20 | |
"Is it different? | 0:25:20 | 0:25:22 | |
"Is it basically the same?" And I was like, "Yeah! | 0:25:22 | 0:25:24 | |
"It's only a tiny bit different." | 0:25:24 | 0:25:26 | |
MARK SHOUTS ENCOURAGEMENT | 0:25:27 | 0:25:29 | |
Fantastic. | 0:25:34 | 0:25:36 | |
After an exhausting audition, it's time for Kedar to find out | 0:25:36 | 0:25:40 | |
if he's impressed Mark enough to get a lead in his prestigious routine. | 0:25:40 | 0:25:44 | |
Congratulations, everyone. You did fantastic today. | 0:25:44 | 0:25:47 | |
Stay for me. | 0:25:47 | 0:25:48 | |
Stay for me. | 0:25:48 | 0:25:49 | |
Stay for me. | 0:25:49 | 0:25:50 | |
Stay for me. | 0:25:50 | 0:25:52 | |
Stay for me. | 0:25:52 | 0:25:53 | |
Stay for me. | 0:25:53 | 0:25:54 | |
Stay for me. | 0:25:54 | 0:25:55 | |
Thank you, everybody else. | 0:25:55 | 0:25:57 | |
Sadly, it's a no for Kedar, this time. | 0:25:57 | 0:25:59 | |
Thank you. Well done, everybody else. | 0:26:01 | 0:26:03 | |
Kedar, you know, he's a great lad. | 0:26:03 | 0:26:06 | |
He's got a lovely energy about him, but obviously, he's been away | 0:26:06 | 0:26:10 | |
and he's been filming, so, of course, | 0:26:10 | 0:26:12 | |
he's going to be a bit rusty. | 0:26:12 | 0:26:14 | |
He's been doing this series and he coped with it all right. | 0:26:14 | 0:26:18 | |
But it's, like, if you don't go to the gym every day | 0:26:18 | 0:26:21 | |
and you decide to go after a year, you're not going to be able | 0:26:21 | 0:26:23 | |
to do it properly, so for me, he needs to get back in class | 0:26:23 | 0:26:27 | |
and he needs to pull up a little bit more, really. | 0:26:27 | 0:26:31 | |
Mark didn't choose me for this number. | 0:26:31 | 0:26:33 | |
I haven't been here for so long. | 0:26:33 | 0:26:35 | |
The boys who've been here for nearly three months doing it every week, | 0:26:35 | 0:26:38 | |
pushing and pushing and pushing | 0:26:38 | 0:26:39 | |
would obviously have more of a chance than me. | 0:26:39 | 0:26:41 | |
I salute every one of you, because... | 0:26:41 | 0:26:44 | |
Even yourself, you've been off. | 0:26:44 | 0:26:46 | |
You stayed with it. | 0:26:46 | 0:26:48 | |
So I salute that. Do you know what I'm saying? | 0:26:48 | 0:26:51 | |
It's not today. It's about tomorrow. | 0:26:51 | 0:26:52 | |
So if this one doesn't happen for you, chins up. | 0:26:52 | 0:26:55 | |
What do we do with the negative energy? We turn it to a positive. | 0:26:55 | 0:26:59 | |
This is learning curve, do you understand? | 0:26:59 | 0:27:01 | |
Yeah? | 0:27:01 | 0:27:02 | |
Since auditioning, Bessy and Paris | 0:27:04 | 0:27:06 | |
sadly never heard back from the casting producers, | 0:27:06 | 0:27:09 | |
but along with Kedar, they're learning all too quickly | 0:27:09 | 0:27:12 | |
that rejection is just part of the show business world. | 0:27:12 | 0:27:15 | |
With even more hard work, dedication and a positive attitude, | 0:27:17 | 0:27:21 | |
tomorrow could bring something bigger and better. | 0:27:21 | 0:27:24 | |
Next time, on School For Stars... | 0:27:26 | 0:27:28 | |
..it's show time for Max and Ms Wilkins... | 0:27:29 | 0:27:32 | |
Please, Max! Come on! | 0:27:32 | 0:27:35 | |
-..Tilly is feeling the pressure... -I never really cry. | 0:27:35 | 0:27:38 | |
I'm feeling so much pressure right now. | 0:27:38 | 0:27:41 | |
..and Tommy takes on some of the best | 0:27:41 | 0:27:42 | |
that the school can throw at him. | 0:27:42 | 0:27:44 | |
Subtitles by Red Bee Media Ltd | 0:28:00 | 0:28:03 |