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Millions dream of fame, success and a life in the spotlight. | 0:00:02 | 0:00:05 | |
But few realise what it takes to make it to the top. | 0:00:06 | 0:00:09 | |
That is not going to get you a job. | 0:00:09 | 0:00:11 | |
We're back inside one of the most famous stage schools in Britain. | 0:00:14 | 0:00:19 | |
London's Italia Conti Academy of Theatre Arts, | 0:00:19 | 0:00:22 | |
where for some pupils, dreams of a career on screen and stage | 0:00:22 | 0:00:26 | |
really can come true. | 0:00:26 | 0:00:27 | |
This is what life is like for those seeking the big-time. | 0:00:29 | 0:00:33 | |
This is the School For Stars | 0:00:33 | 0:00:36 | |
Previously on School For Stars, | 0:00:41 | 0:00:43 | |
Niki struggled in her ballet classes. | 0:00:43 | 0:00:45 | |
Go and get a note from Mr Vote, | 0:00:45 | 0:00:47 | |
because that is not acceptable for ballet. | 0:00:47 | 0:00:50 | |
But now things are about to get even worse. | 0:00:50 | 0:00:52 | |
I love this school to pieces. It is so good. | 0:00:52 | 0:00:55 | |
Competition is tough as the juniors battle it out | 0:00:56 | 0:00:58 | |
to perform at a top football ground. | 0:00:58 | 0:01:01 | |
But for one young dancer, things don't go quite as she planned. | 0:01:01 | 0:01:05 | |
I'm going to have to find someone else to replace you for Saturday. | 0:01:05 | 0:01:10 | |
And Year 7's Tommy says goodbye to his West End role, | 0:01:10 | 0:01:13 | |
and sets his sights on his next lead. | 0:01:13 | 0:01:15 | |
HE SINGS | 0:01:15 | 0:01:18 | |
It's a big day of auditions for the junior pupils | 0:01:22 | 0:01:25 | |
at the School For Stars | 0:01:25 | 0:01:26 | |
and there's an extra buzz in the air | 0:01:26 | 0:01:28 | |
as a prestigious choreographer and ex-star pupil | 0:01:28 | 0:01:31 | |
returns to do the auditioning. | 0:01:31 | 0:01:34 | |
We are here today auditioning for a performance | 0:01:34 | 0:01:37 | |
that we're going to do at a half-time of a football match. | 0:01:37 | 0:01:40 | |
So there's going to be loads of people there watching us | 0:01:40 | 0:01:42 | |
so if we get one little thing wrong everyone will be like, | 0:01:42 | 0:01:45 | |
"Oh, she did that wrong", so we have to get it amazingly right. | 0:01:45 | 0:01:48 | |
Professional choreographer and dancer Hayley | 0:01:48 | 0:01:50 | |
has had worldwide success choreographing stadium tours | 0:01:50 | 0:01:53 | |
for Take That and appearing in a variety of West End shows. | 0:01:53 | 0:01:58 | |
I'm coming back to school | 0:01:58 | 0:02:00 | |
because I am choreographing an event in Reading called The Big Match. | 0:02:00 | 0:02:05 | |
I don't really know what to expect. I'm quite scared. | 0:02:05 | 0:02:08 | |
As they should be. | 0:02:08 | 0:02:10 | |
She's really intimidating because you want her to really like you | 0:02:10 | 0:02:13 | |
because she's a massive inspiration of mine. | 0:02:13 | 0:02:16 | |
She's an amazing dancer | 0:02:16 | 0:02:17 | |
and she performs in so many West End shows and commercials. | 0:02:17 | 0:02:21 | |
Today in the audition, I'm going to be looking for a lot of energy | 0:02:21 | 0:02:24 | |
and it's not important to have the choreography exactly today | 0:02:24 | 0:02:27 | |
cos we're going to practise it some more, | 0:02:27 | 0:02:29 | |
but, you know, I'm looking for people who can pick up choreography. | 0:02:29 | 0:02:32 | |
Hayley has to pick 25 of us and there's 18 in Year 9 | 0:02:32 | 0:02:36 | |
and 24 in Year 10 so she's got a hard choice. | 0:02:36 | 0:02:40 | |
Right, listen, listen, listen, scoot back, spread out. | 0:02:40 | 0:02:43 | |
We're going to practise for 20 minutes | 0:02:43 | 0:02:44 | |
and then Hayley's going to come in and watch you all | 0:02:44 | 0:02:47 | |
and pick who she wants. | 0:02:47 | 0:02:48 | |
For The Big Match dance event, Hayley's right-hand woman Lucy | 0:02:48 | 0:02:52 | |
has been putting the juniors through their paces, | 0:02:52 | 0:02:55 | |
readying them for the audition and the star choreographer's arrival. | 0:02:55 | 0:02:58 | |
Let's rewind. There's loads of little bits that you're missing. | 0:03:03 | 0:03:06 | |
This is feet apart. It's slow time. One, two, three, four. | 0:03:06 | 0:03:11 | |
It's not this. We're not doing the Highland Fling, yeah? | 0:03:11 | 0:03:14 | |
March. This is big arms. Don't get lazy. | 0:03:14 | 0:03:16 | |
Look, look, drop, roll and hit, throw. | 0:03:16 | 0:03:19 | |
This is where we go a little bit wrong. | 0:03:19 | 0:03:21 | |
Hands, yeah, watch your hands. | 0:03:21 | 0:03:23 | |
Five, six, seven, jump, eight. | 0:03:23 | 0:03:26 | |
-What do you jump on Alice? -Eight. | 0:03:26 | 0:03:27 | |
OK, let's do it again for Alice. Ready, from here. | 0:03:27 | 0:03:30 | |
First one goes "satisfy me", head, head, ball change. | 0:03:30 | 0:03:35 | |
Eight, one, "satisfy me". Do we understand the difference? | 0:03:35 | 0:03:38 | |
Are you sure? | 0:03:38 | 0:03:40 | |
Step, step, what leg to we walk on? | 0:03:40 | 0:03:41 | |
-ALL: -Left. | 0:03:41 | 0:03:43 | |
Yeah, so, if you used your right it's the other left leg, yeah? | 0:03:43 | 0:03:46 | |
The moment has come as the much-feared | 0:03:46 | 0:03:48 | |
but much-loved Hayley arrives to pick the best dancers. | 0:03:48 | 0:03:52 | |
Hello, how are you? | 0:03:52 | 0:03:55 | |
-ALL: -Good. | 0:03:55 | 0:03:56 | |
Good, I'm very excited to see you all do this. | 0:03:56 | 0:03:58 | |
Lucy, do you want to put them in groups and kind of mix everyone up? | 0:03:58 | 0:04:01 | |
Yep, sure. | 0:04:01 | 0:04:02 | |
As well as 25 dancers chosen from the main school, | 0:04:02 | 0:04:06 | |
around 30 will be chosen from associate schools, | 0:04:06 | 0:04:08 | |
where pupils outside London study performing arts part-time. | 0:04:08 | 0:04:12 | |
OK, so come forward. Are we ready? | 0:04:14 | 0:04:17 | |
Let's go. | 0:04:17 | 0:04:20 | |
The 40 juniors have one chance to prove their worth. | 0:04:20 | 0:04:24 | |
It's now or never. | 0:04:24 | 0:04:25 | |
MUSIC: "Shut Up" by Amelia Lily | 0:04:25 | 0:04:27 | |
OK, thank you very much. | 0:04:46 | 0:04:47 | |
The list will be going up very soon. OK, bye. | 0:04:47 | 0:04:50 | |
-ALL: -Thank you. | 0:04:50 | 0:04:51 | |
It went all right but the couple of bits that I messed up on | 0:04:52 | 0:04:56 | |
I wasn't very happy with because I knew I could do better. | 0:04:56 | 0:04:59 | |
The sad thing about it is, you know, there was... | 0:04:59 | 0:05:02 | |
SHE COUNTS UP | 0:05:02 | 0:05:04 | |
..about 35 to 40 people auditioned and we need 25. | 0:05:04 | 0:05:07 | |
So that's not cutting that many. That's quite sad. | 0:05:07 | 0:05:10 | |
Georgia, Amy. | 0:05:10 | 0:05:12 | |
Amber. | 0:05:12 | 0:05:13 | |
Hayley is now in there writing a list of who she wants, | 0:05:13 | 0:05:18 | |
and that's really scary. | 0:05:18 | 0:05:20 | |
Really scary. | 0:05:20 | 0:05:22 | |
I'm really excited cos I want to see who got in. | 0:05:22 | 0:05:24 | |
Done. | 0:05:24 | 0:05:26 | |
Armed with the list of names and the headmaster's seal of approval, | 0:05:31 | 0:05:34 | |
it's time for Lucy to reveal | 0:05:34 | 0:05:36 | |
who's made the cast for The Big Match dance. | 0:05:36 | 0:05:38 | |
Yay, that's mine! | 0:05:44 | 0:05:45 | |
Oh, I'm in it. | 0:05:45 | 0:05:46 | |
Both there. | 0:05:48 | 0:05:49 | |
Yes, you go girl! | 0:05:49 | 0:05:50 | |
The best part about this is everyone on the list is my friends, | 0:05:52 | 0:05:57 | |
so I'm doing it with everyone and all my friends. | 0:05:57 | 0:05:59 | |
It'll be so fun because a lot of the people live near me, | 0:05:59 | 0:06:01 | |
so I can travel up with them and then go home with them | 0:06:01 | 0:06:04 | |
and we can just talk about how great it was | 0:06:04 | 0:06:05 | |
to perform at a football pitch. | 0:06:05 | 0:06:07 | |
With only 25 dancers needed out of 40 hopefuls, | 0:06:07 | 0:06:10 | |
the reality of auditions means not everyone gets good news. | 0:06:10 | 0:06:15 | |
-Excited? -You all right? | 0:06:15 | 0:06:16 | |
Yeah, I'm totally fine about it. | 0:06:16 | 0:06:18 | |
Singing's more my thing. | 0:06:19 | 0:06:21 | |
The school only takes the very best. | 0:06:25 | 0:06:28 | |
Those who are selected to attend have shown their potential | 0:06:28 | 0:06:31 | |
for success, but their families also have to pay fees. | 0:06:31 | 0:06:34 | |
A few scholarships are available meaning some pupils' fees get paid, | 0:06:36 | 0:06:39 | |
but for the rest of the students, being able to cover the costs | 0:06:39 | 0:06:43 | |
each year can be tough and as a result, some of them have to leave. | 0:06:43 | 0:06:47 | |
Year 9 pupil Niki lives 65 miles from London | 0:06:59 | 0:07:02 | |
and every day she travels four hours to and from school. | 0:07:02 | 0:07:06 | |
But soon that long journey will be a thing of the past | 0:07:06 | 0:07:08 | |
with the recent news that she'll be leaving the school | 0:07:08 | 0:07:11 | |
in just a few weeks. | 0:07:11 | 0:07:13 | |
And it's something her and her family | 0:07:13 | 0:07:15 | |
are slowly coming to terms with. | 0:07:15 | 0:07:17 | |
We did sit down and we did talk about it | 0:07:17 | 0:07:19 | |
and I said to Niki that we've really reached the end now. | 0:07:19 | 0:07:23 | |
I was going to consider taking a bank loan out | 0:07:23 | 0:07:26 | |
to pay the next year's school fees, but she didn't want me to do that, | 0:07:26 | 0:07:29 | |
so we came to that conclusion and we agreed to that. | 0:07:29 | 0:07:34 | |
But it's a worry because we're moving her at a difficult time | 0:07:34 | 0:07:38 | |
and a difficult year, I think. | 0:07:38 | 0:07:40 | |
I feel that I don't want to you struggle with the school fees | 0:07:40 | 0:07:43 | |
cos you've made me do all this for 14... 13-14 years | 0:07:43 | 0:07:50 | |
and you need to have a break for yourself. | 0:07:50 | 0:07:54 | |
Cos everything about your life has always been about me | 0:07:54 | 0:07:57 | |
and you need to just think about you for a change. | 0:07:57 | 0:07:59 | |
Glad you appreciate it. | 0:07:59 | 0:08:01 | |
It is always about you, | 0:08:03 | 0:08:04 | |
but it will always be about you no matter where you go. | 0:08:04 | 0:08:06 | |
It's still going to be about you and what you want to do. | 0:08:06 | 0:08:09 | |
Just because you're not going to be at that school, | 0:08:09 | 0:08:11 | |
which is unfortunate, but we'll still aim to try and get you | 0:08:11 | 0:08:15 | |
-to do whatever you want to do. -Yeah. | 0:08:15 | 0:08:17 | |
It's the travelling as well. It's everything on top of it. | 0:08:24 | 0:08:27 | |
And it's too much for her. | 0:08:27 | 0:08:29 | |
Some nights she gets back at seven, | 0:08:29 | 0:08:31 | |
then she goes to another theatre group in Brighton, | 0:08:31 | 0:08:34 | |
so she doesn't get home till ten o'clock | 0:08:34 | 0:08:35 | |
and her day's begun at five-thirty in the morning. | 0:08:35 | 0:08:38 | |
For Niki, leaving the school, it was a very hard decision. | 0:08:38 | 0:08:41 | |
Something that wasn't taken lightly. And it was very sad. | 0:08:41 | 0:08:44 | |
Very disappointed and very disheartened. | 0:08:44 | 0:08:48 | |
You feel that you've failed her. | 0:08:48 | 0:08:49 | |
In school the hot topic of conversation | 0:08:55 | 0:08:57 | |
is about every performing art student's worst nightmare. | 0:08:57 | 0:09:00 | |
-Have you seen Jade's leg? -Yeah. | 0:09:07 | 0:09:08 | |
She was on the trampoline at Natalia's party. | 0:09:08 | 0:09:12 | |
She told me it hurt at the time. It didn't seem too bad | 0:09:12 | 0:09:15 | |
but then she came in to school and she had this cast on her leg | 0:09:15 | 0:09:18 | |
and it's obviously a lot more serious | 0:09:18 | 0:09:19 | |
than what she made it out to be. | 0:09:19 | 0:09:21 | |
You know, there's quite a few things that she might miss, actually. | 0:09:21 | 0:09:24 | |
She's going to miss that thing, the football thing as well isn't she? | 0:09:24 | 0:09:27 | |
-Oh, did she get picked for that? -Yeah. | 0:09:27 | 0:09:29 | |
But hopefully it's bruised or something. I don't know. | 0:09:29 | 0:09:33 | |
-Jade, where are you, dear? Can you come over here, please? -Yeah. | 0:09:33 | 0:09:36 | |
-Hello, hop-along. -Hello. | 0:09:36 | 0:09:38 | |
-In a nutshell.. -Yep. -..what have you done to yourself? | 0:09:38 | 0:09:41 | |
They don't know, | 0:09:41 | 0:09:42 | |
because when I had an X-ray it was too inflamed for them to see. | 0:09:42 | 0:09:46 | |
But I don't think it's anything really serious | 0:09:46 | 0:09:48 | |
because my foot feels better and my ankle feels much better. | 0:09:48 | 0:09:52 | |
They think out of anything it might be like a hairline fracture | 0:09:52 | 0:09:56 | |
or a fracture at most, but I don't even think it's that. | 0:09:56 | 0:09:59 | |
So how did you do it? What were you doing? | 0:09:59 | 0:10:01 | |
I was on a trampoline, I went over on my ankle. | 0:10:01 | 0:10:04 | |
Oh, dear me, I thought dancing was dangerous. | 0:10:04 | 0:10:07 | |
What do you think it's going to do for Saturday? | 0:10:07 | 0:10:09 | |
I want to do it. | 0:10:09 | 0:10:11 | |
So I'm going to try and make sure that it's OK | 0:10:11 | 0:10:14 | |
and then get this off. | 0:10:14 | 0:10:16 | |
-Well, if you haven't fractured it it might be possible. -Yep. | 0:10:16 | 0:10:18 | |
OK, we'll keep our fingers firmly crossed for you. | 0:10:18 | 0:10:21 | |
-Yeah, we will. Thank you. -Thank you, darling. | 0:10:21 | 0:10:23 | |
With The Big Match dance only one day away, | 0:10:26 | 0:10:29 | |
as a key member of the performance, | 0:10:29 | 0:10:31 | |
Jade's first task is to break the bad news to teacher Lucy. | 0:10:31 | 0:10:34 | |
Jade... | 0:10:35 | 0:10:37 | |
What have you done? | 0:10:38 | 0:10:40 | |
Ben double-bounced me and I did a Fame jump, | 0:10:40 | 0:10:41 | |
hit my head with my leg, came over and went over on it. | 0:10:41 | 0:10:45 | |
So what are you going to do about Saturday? | 0:10:45 | 0:10:47 | |
Obviously, you can't do it. | 0:10:47 | 0:10:49 | |
I really want to do it, you don't understand. | 0:10:49 | 0:10:51 | |
You can't, though. | 0:10:51 | 0:10:53 | |
I know I can't, I actually can't. | 0:10:53 | 0:10:55 | |
I'm going to have to find someone else | 0:10:55 | 0:10:57 | |
to replace you for Saturday, I think. | 0:10:57 | 0:11:00 | |
I'll have to go back to the list that we had originally. | 0:11:00 | 0:11:04 | |
-Oh, you've ruined everything, Jade. -I'm sorry, I'm sorry. | 0:11:04 | 0:11:06 | |
No, it's fine. | 0:11:06 | 0:11:07 | |
It is a little bit annoying, because they're old enough to think | 0:11:07 | 0:11:12 | |
"I need to be sensible, I've got a job coming up." | 0:11:12 | 0:11:15 | |
Jade is one of the, you know, strong ones. | 0:11:15 | 0:11:17 | |
You went through the whole audition process, she got picked. | 0:11:17 | 0:11:20 | |
So now it's sort of... | 0:11:20 | 0:11:22 | |
Now she's out I've got to find someone else | 0:11:22 | 0:11:24 | |
and it's, sort of... She could have done it next week, not now. | 0:11:24 | 0:11:28 | |
But I guess there's nothing you can do about it. | 0:11:28 | 0:11:31 | |
PHONE RINGS | 0:11:33 | 0:11:35 | |
Hello? | 0:11:38 | 0:11:39 | |
Hi, Hayley. It's Lucy. | 0:11:39 | 0:11:41 | |
-Hi, Lucy, how are you? -I'm good, thank you. | 0:11:41 | 0:11:43 | |
I have a little bit of bad news about tomorrow. | 0:11:43 | 0:11:46 | |
OK. That's not what I want to hear but all right. | 0:11:46 | 0:11:49 | |
Hayley and Lucy come up with a plan and Lucy heads to find | 0:11:49 | 0:11:52 | |
the lucky replacement with the good news, proving that sometimes | 0:11:52 | 0:11:56 | |
one person's misfortune can be another's opportunity. | 0:11:56 | 0:12:00 | |
Can I just borrow Alice for two minutes? | 0:12:00 | 0:12:02 | |
-Hello. -How are you? | 0:12:06 | 0:12:07 | |
-I'm good, how are you? -Good, thanks. | 0:12:07 | 0:12:09 | |
So, have you heard about Jade? | 0:12:11 | 0:12:13 | |
Yeah, she's hurt her leg. | 0:12:13 | 0:12:14 | |
Well, she thinks it's broken, she's not sure. | 0:12:14 | 0:12:16 | |
So I've spoken to Hayley this morning | 0:12:16 | 0:12:19 | |
-and me and her have decided, if you're free tomorrow... -Yeah. | 0:12:19 | 0:12:23 | |
..would you like to do The Big Match? | 0:12:23 | 0:12:24 | |
-Yes, please. -Yeah? | 0:12:24 | 0:12:25 | |
So you need to come to rehearsals with me this afternoon, | 0:12:25 | 0:12:28 | |
-and you won't be as nervous, will you? -No. | 0:12:28 | 0:12:31 | |
So one o'clock for rehearsals. | 0:12:31 | 0:12:33 | |
Thank you so much. | 0:12:33 | 0:12:34 | |
-No worries. -Thank you. | 0:12:34 | 0:12:36 | |
See you later. Bye. | 0:12:37 | 0:12:38 | |
-Did you get in? -Yeah, I'm in it! | 0:12:40 | 0:12:42 | |
Alice has a lot of hard work ahead of her, | 0:12:42 | 0:12:44 | |
but just have to crack on this afternoon. | 0:12:44 | 0:12:46 | |
Over in another corner of the school, | 0:12:48 | 0:12:50 | |
Niki's day isn't going so well as everything | 0:12:50 | 0:12:53 | |
is a painful reminder of what she'll be missing when she has to leave. | 0:12:53 | 0:12:56 | |
Why are you leaving, though? | 0:12:56 | 0:12:58 | |
I can't afford it any more. | 0:12:58 | 0:13:00 | |
It's really upsetting because, my mum said | 0:13:00 | 0:13:02 | |
"We can't afford it any more." | 0:13:02 | 0:13:04 | |
I was, like, shocked. | 0:13:04 | 0:13:07 | |
I love this school to pieces. It's so good and academic and everything | 0:13:07 | 0:13:12 | |
and the dancing here is so good | 0:13:12 | 0:13:14 | |
and, like, the people are lovely. | 0:13:14 | 0:13:17 | |
Well, I'll miss it loads. | 0:13:17 | 0:13:19 | |
It's going to be really different, going to a normal school. | 0:13:19 | 0:13:22 | |
Come here. And I'm here for you all the time, all right? | 0:13:22 | 0:13:25 | |
If you want to talk about anything, you're there for me | 0:13:25 | 0:13:27 | |
so I'll be there for you, OK? | 0:13:27 | 0:13:29 | |
I'll just miss the school especially, because it's helped me achieve | 0:13:29 | 0:13:33 | |
the best that I can be and, like, friends are always there | 0:13:33 | 0:13:36 | |
to get your back when you're upset | 0:13:36 | 0:13:38 | |
and they've just been there for me all the time, | 0:13:38 | 0:13:41 | |
and I will miss it, a lot. | 0:13:41 | 0:13:44 | |
-Thank you. -That's all right. Come on, let's go get some chips. | 0:13:44 | 0:13:46 | |
OK. Pick me up! | 0:13:49 | 0:13:50 | |
As Jade's replacement dancer at The Big Match, | 0:13:53 | 0:13:56 | |
Alice has a matter of hours to try and learn the full routine. | 0:13:56 | 0:14:00 | |
Alice. | 0:14:00 | 0:14:02 | |
-Because, obviously, everyone already knows it... -Yeah. | 0:14:02 | 0:14:05 | |
..we're going to have to work really hard today. | 0:14:05 | 0:14:07 | |
Concentrate and make sure that you pick everything up | 0:14:07 | 0:14:09 | |
that they already know. | 0:14:09 | 0:14:10 | |
-I went through it with Hannah and... -Amazing. | 0:14:10 | 0:14:13 | |
Anything that I say, "Alice, this is wrong", | 0:14:13 | 0:14:15 | |
-you've really got to switch on and just do it, yeah? -Yep. | 0:14:15 | 0:14:17 | |
-Cool. -Thank you. | 0:14:17 | 0:14:19 | |
The pressure is well and truly on. | 0:14:19 | 0:14:21 | |
So when we turn around are our hands, like, always there | 0:14:23 | 0:14:26 | |
-when we turn around? -Here. | 0:14:26 | 0:14:28 | |
So everything's got a name, so the first reach up is the fast one, | 0:14:28 | 0:14:32 | |
-because you drop down and then you reach straight up. -Yep. | 0:14:32 | 0:14:35 | |
Then you go hit, hit, then you turn, five, six, seven, drop, eight. | 0:14:35 | 0:14:38 | |
Oh, OK. | 0:14:38 | 0:14:39 | |
One, two, three, four. Yeah, make sense? | 0:14:39 | 0:14:42 | |
-The second one's the faster one. -OK. | 0:14:42 | 0:14:43 | |
I'm not 100 percent sure Alice will nail it tomorrow, yet. | 0:14:47 | 0:14:52 | |
It's just the La Bamba section. | 0:14:52 | 0:14:54 | |
She just forgets her arms or she'll be a count behind everyone | 0:14:54 | 0:14:57 | |
because it's not quite in there yet of what comes next. | 0:14:57 | 0:15:00 | |
And that's all really that she needs to keep practising tonight | 0:15:00 | 0:15:03 | |
until tomorrow to be able to make sure she's right. | 0:15:03 | 0:15:05 | |
-Alice, it's not bad, it's just La Bamba that's not very good. -OK. | 0:15:05 | 0:15:08 | |
Yeah, again like that up to there? | 0:15:08 | 0:15:10 | |
Yeah? | 0:15:10 | 0:15:11 | |
Alice has to get it right because it's in front of 2,000 people, | 0:15:11 | 0:15:16 | |
it's on a massive pitch, open so everyone can see everyone. | 0:15:16 | 0:15:18 | |
She's got to step up and live up to that | 0:15:18 | 0:15:20 | |
"OK, we picked you because you can do it. Now do it". | 0:15:20 | 0:15:24 | |
I'm going to work so hard. I'm going to be the best. | 0:15:24 | 0:15:27 | |
Alice has to put in a lot of work to nail that routine by morning, | 0:15:29 | 0:15:32 | |
but for Tommy, his hours of practice will soon be a thing of the past. | 0:15:32 | 0:15:36 | |
I'm heading off to the last night of Singin' In The Rain | 0:15:36 | 0:15:38 | |
and I'm really excited because it's going to be my last night, | 0:15:38 | 0:15:42 | |
and I'm also really scared because I'm going to miss all | 0:15:42 | 0:15:44 | |
the members of the class and I don't know if I might cry. | 0:15:44 | 0:15:48 | |
His run in a West End show is nearly over | 0:15:48 | 0:15:50 | |
and he's about to step onto that stage for one last tap dance. | 0:15:50 | 0:15:54 | |
Accompanied by his dad, Tommy heads to the stage door | 0:15:54 | 0:15:57 | |
but even before he's finished one star role, | 0:15:57 | 0:16:00 | |
he's already got his sights on another. | 0:16:00 | 0:16:02 | |
-Last night tonight. Ah! -So you're excited? -Yep. | 0:16:02 | 0:16:07 | |
It's going to be quite memorable | 0:16:07 | 0:16:09 | |
because it's like my first ever West End, | 0:16:09 | 0:16:12 | |
and I just don't really want it to finish. | 0:16:12 | 0:16:14 | |
Cos who knows? You might not get another West End job again. | 0:16:14 | 0:16:18 | |
What I want to do next, | 0:16:18 | 0:16:19 | |
I'm going to have quite a bit of rest, but if I had to go straight in | 0:16:19 | 0:16:23 | |
to another work I would like to go in to TV or Michael in Billy Elliot. | 0:16:23 | 0:16:28 | |
See you later. | 0:16:28 | 0:16:29 | |
You all right? | 0:16:29 | 0:16:31 | |
It's Saturday and the big day has arrived for Hayley | 0:16:36 | 0:16:38 | |
and her dance troupe. | 0:16:38 | 0:16:40 | |
The Big Match is just a few hours from kick-off | 0:16:41 | 0:16:43 | |
and it's all down to them to open the show with a knockout routine. | 0:16:43 | 0:16:47 | |
New recruit Alice only finished learning the choreography yesterday | 0:16:48 | 0:16:52 | |
so the bus journey gives her valuable time to ensure | 0:16:52 | 0:16:55 | |
she's memorised those moves. | 0:16:55 | 0:16:57 | |
Walk, walk, then I don't know... | 0:16:57 | 0:16:59 | |
Though she's happy to have made the cut as Jade's replacement, | 0:16:59 | 0:17:02 | |
Alice still spares a thought for her injured school mate. | 0:17:02 | 0:17:05 | |
I feel really sorry for Jade | 0:17:05 | 0:17:07 | |
because I knew that she really wanted to do it. | 0:17:07 | 0:17:10 | |
With the London, Guildford and Wokingham schools | 0:17:10 | 0:17:12 | |
combining for the performance, | 0:17:12 | 0:17:13 | |
Alice has concerns about their first ever rehearsal together. | 0:17:13 | 0:17:16 | |
The only thing that's putting me off a bit is the Guildford people, | 0:17:16 | 0:17:19 | |
just in case they... | 0:17:19 | 0:17:21 | |
Cos we've never practised with them before. | 0:17:21 | 0:17:23 | |
So we've just arrived at Academy Sport | 0:17:29 | 0:17:31 | |
where we're going to do a rehearsal for The Big Match. | 0:17:31 | 0:17:34 | |
So they're just coming in right now. I'm getting a bit nervous, | 0:17:34 | 0:17:37 | |
but it's going to be fine. They won't know that. | 0:17:37 | 0:17:40 | |
And yeah, we're actually going | 0:17:40 | 0:17:41 | |
to see what's going to happen now, but positive thoughts all the way. | 0:17:41 | 0:17:45 | |
We're going to carry on, | 0:17:45 | 0:17:46 | |
follow up in the lines we just did all the way around the circle, yeah? | 0:17:46 | 0:17:51 | |
So let's just have a little go. | 0:17:51 | 0:17:53 | |
Having rehearsed separately up until now, | 0:17:53 | 0:17:55 | |
the 55 pupils of all ages from three different schools | 0:17:55 | 0:17:59 | |
join forces as Hayley runs through their first full rehearsal. | 0:17:59 | 0:18:03 | |
OK, so that's too quick. | 0:18:03 | 0:18:05 | |
Right, from here we go in to our shapes. | 0:18:05 | 0:18:08 | |
We go five, six, seven and shape, two, three, four. | 0:18:08 | 0:18:11 | |
Away from the comfort of a studio, | 0:18:11 | 0:18:13 | |
Alice now has the new pressure of dancing on grass, | 0:18:13 | 0:18:16 | |
doing the right moves, at the right time, in the right place. | 0:18:16 | 0:18:19 | |
OK, so go. Food, water, hair, clothes and be ready for 1:45. | 0:18:32 | 0:18:39 | |
They just have one chance, but I'm going to put 100% | 0:18:39 | 0:18:44 | |
of my energy in to telling you that it's going to be great. | 0:18:44 | 0:18:48 | |
They won't do it wrong. I don't want to eat my words. | 0:18:48 | 0:18:51 | |
We're about to go on, I'm very excited, | 0:18:56 | 0:18:58 | |
although I have been told the circle in the middle of the pitch | 0:18:58 | 0:19:01 | |
is very faint... | 0:19:01 | 0:19:03 | |
But I'm not worried, cos our kids are pros. We're going to be fine. | 0:19:03 | 0:19:06 | |
Oh, hello. | 0:19:06 | 0:19:07 | |
The pitch, it doesn't look scary. | 0:19:08 | 0:19:10 | |
Just imagine the audience is, like, naked and it just helps you. | 0:19:10 | 0:19:15 | |
This is the bit when Reggie goes on School For Stars, | 0:19:15 | 0:19:17 | |
"Will she do it? I don't know". | 0:19:17 | 0:19:19 | |
Yeah, thanks, Alice, that's my line. | 0:19:19 | 0:19:21 | |
As this is a charity football match, only 2,000 people | 0:19:24 | 0:19:27 | |
are allowed in to the ground. | 0:19:27 | 0:19:28 | |
But those empty seats don't make it any less scary. | 0:19:28 | 0:19:31 | |
And it looks like Alice has no more worries. She's all over it. | 0:19:34 | 0:19:38 | |
MUSIC: "A Little Less Conversation" by Elvis Vs JXL | 0:19:41 | 0:19:44 | |
It's been a massive success for Hayley and the dancers. | 0:20:04 | 0:20:08 | |
It was amazing. It actually went so well. I'm so proud of myself. | 0:20:08 | 0:20:12 | |
It looked so good, look at my face, I'm like..! | 0:20:12 | 0:20:14 | |
THEY CHEER | 0:20:14 | 0:20:17 | |
Tommy's run in the Singin' In The Rain musical might have ended, | 0:20:22 | 0:20:26 | |
but as a born entertainer whose latest ambition | 0:20:26 | 0:20:28 | |
is to star in Billy Elliot, he can't resist giving his singing class | 0:20:28 | 0:20:32 | |
a little taster of what he'd be like. | 0:20:32 | 0:20:34 | |
GIRL: Tommy, you're wearing a dress! | 0:20:34 | 0:20:36 | |
-I know. -Funny, that. | 0:20:36 | 0:20:37 | |
OK, shh, shh, shh. | 0:20:37 | 0:20:39 | |
OK, Tommy, your exam is getting closer. | 0:20:40 | 0:20:45 | |
OK? So just perform it. | 0:20:45 | 0:20:47 | |
Imagine they're not there. | 0:20:47 | 0:20:48 | |
It does that and then it goes back to here and then it goes... | 0:20:50 | 0:20:55 | |
There was meant to be a dance break but we can put that in. | 0:20:55 | 0:20:59 | |
Yep, that's right. Go on. | 0:20:59 | 0:21:00 | |
That's it Tommy, go for it. | 0:21:02 | 0:21:05 | |
OK, here we go. | 0:21:06 | 0:21:08 | |
# Is it sinful if you're blue | 0:21:11 | 0:21:14 | |
# To cheer up the place | 0:21:14 | 0:21:16 | |
# What is wrong with dressing up in satin and lace? # | 0:21:16 | 0:21:22 | |
Ole, baby! | 0:21:22 | 0:21:24 | |
# What the hell's wrong with dressing yourself? | 0:21:24 | 0:21:26 | |
# Being who you want to be? | 0:21:26 | 0:21:28 | |
# Will anybody die if you put on a dress? | 0:21:30 | 0:21:32 | |
# If you wanna be a dancer, dance | 0:21:32 | 0:21:35 | |
# If you wanna be a miner, mine | 0:21:36 | 0:21:38 | |
# If you want to dress like somebody else | 0:21:39 | 0:21:42 | |
# Fine, fine, fine | 0:21:42 | 0:21:45 | |
# It's not a big statement It's not a weird act | 0:21:45 | 0:21:49 | |
# Just a good idea at the time | 0:21:49 | 0:21:51 | |
# What we need is in-di-vi-du-al-ity # | 0:21:51 | 0:21:58 | |
CHEERING AND APPLAUSE | 0:21:58 | 0:22:01 | |
MUSIC: "DNA" by Little Mix | 0:22:04 | 0:22:06 | |
Having missed out on dancing at The Big Match, | 0:22:11 | 0:22:14 | |
Jade wants nothing more than to be better | 0:22:14 | 0:22:16 | |
in time for the end-of-year show. | 0:22:16 | 0:22:18 | |
On top of that, she has a ballet exam coming up in just a few weeks. | 0:22:18 | 0:22:22 | |
Jade, what have you done? | 0:22:22 | 0:22:25 | |
It's just here. | 0:22:25 | 0:22:26 | |
But it's a whole proper hard cast. | 0:22:26 | 0:22:29 | |
-I actually fractured it. -And where does it hurt? | 0:22:29 | 0:22:31 | |
Here, like this bit. | 0:22:31 | 0:22:32 | |
Hmm, OK. Well, keep your brain alive, please, | 0:22:34 | 0:22:38 | |
-while we work, cos I want to do the dance today. -OK. -So... | 0:22:38 | 0:22:41 | |
Oh, well, move yourself in to a corner somewhere, sweetheart, please | 0:22:43 | 0:22:47 | |
and we'll get on with the class. | 0:22:47 | 0:22:49 | |
Someone help Jade as she's such a hop-along. | 0:22:49 | 0:22:53 | |
It's not common to see that sort of injury. | 0:22:56 | 0:23:00 | |
The worry is that it's in a plaster cast. | 0:23:00 | 0:23:03 | |
That does concern me a little bit. | 0:23:03 | 0:23:04 | |
The worry with Jade's injury is the rehabilitation. | 0:23:04 | 0:23:08 | |
Whether or not she can get back to full strength | 0:23:08 | 0:23:10 | |
and how quickly she can get back to full strength. | 0:23:10 | 0:23:13 | |
Particularly with classical ballet she needs to be equally strong | 0:23:13 | 0:23:16 | |
on both ankles and if there's an injury, there's a weakness | 0:23:16 | 0:23:19 | |
and that could cause problems in the future. | 0:23:19 | 0:23:21 | |
SHE LAUGHS HE BLOWS RASPBERRY | 0:23:24 | 0:23:26 | |
OK, guys. | 0:23:29 | 0:23:30 | |
Right, this is audition time. Year 9, please. | 0:23:32 | 0:23:37 | |
As the end-of-year show approaches, | 0:23:37 | 0:23:39 | |
Karen auditions the juniors for singing parts. | 0:23:39 | 0:23:42 | |
All number ones. | 0:23:43 | 0:23:44 | |
# It's a hard-knock life for us... # | 0:23:45 | 0:23:48 | |
All ones. | 0:23:48 | 0:23:49 | |
# It's a hard-knock life for us | 0:23:49 | 0:23:51 | |
# Instead of treated we get tricked | 0:23:51 | 0:23:54 | |
# Instead of kisses we get kicked | 0:23:54 | 0:23:57 | |
# It's a hard-knock life # | 0:23:57 | 0:24:00 | |
Think what you're singing. Make sure you deliver the notes | 0:24:00 | 0:24:03 | |
and acting through song, please. | 0:24:03 | 0:24:05 | |
# It's a hard-knock life for us | 0:24:05 | 0:24:08 | |
# It's a hard-knock life for us | 0:24:08 | 0:24:10 | |
# Instead of treated we get... # | 0:24:10 | 0:24:12 | |
Despite having to deal with the news that she'll be leaving, | 0:24:12 | 0:24:15 | |
Niki's determined to keep it together and make a good impression. | 0:24:15 | 0:24:18 | |
MUSIC: "Hard-Knock Life" by Jay-Z | 0:24:18 | 0:24:21 | |
But at this school everyone wants to stand out in auditions | 0:24:29 | 0:24:32 | |
and try and get that solo moment. | 0:24:32 | 0:24:34 | |
OK, guys, can you all come back in for me, please? | 0:24:39 | 0:24:42 | |
When you were playing Rainbow | 0:24:42 | 0:24:45 | |
all I could hear was Niki. | 0:24:45 | 0:24:47 | |
-You want to hear it again, then? -Yeah. | 0:24:47 | 0:24:50 | |
Can I ask Niki to come up, please? | 0:24:50 | 0:24:51 | |
Boys, you can come and sit down. | 0:24:53 | 0:24:55 | |
# Somewhere over the rainbow | 0:25:03 | 0:25:07 | |
# Way up high | 0:25:07 | 0:25:12 | |
# There's a land that I've heard of | 0:25:12 | 0:25:17 | |
# Once in a lullaby | 0:25:17 | 0:25:23 | |
# Somewhere over the rainbow | 0:25:23 | 0:25:30 | |
# Bluebirds fly | 0:25:30 | 0:25:33 | |
# Birds fly over the rainbow | 0:25:35 | 0:25:40 | |
# Why can't, oh, why can't I? | 0:25:40 | 0:25:46 | |
# If happy little bluebirds fly | 0:25:46 | 0:25:50 | |
# Beyond the rainbow, why | 0:25:50 | 0:25:55 | |
# Oh, why can't I? # | 0:25:55 | 0:26:04 | |
CHEERING AND APPLAUSE | 0:26:04 | 0:26:06 | |
Well done, Niki. | 0:26:12 | 0:26:14 | |
I told you, whenever we are hearing you sing we are auditioning you | 0:26:14 | 0:26:20 | |
and when we sang that at the beginning | 0:26:20 | 0:26:22 | |
and you were all in a group Niki committed 100% | 0:26:22 | 0:26:27 | |
to the vocal, even though we were doing it as a warm-up. | 0:26:27 | 0:26:30 | |
Well done Niki, there will be a section of that in this | 0:26:30 | 0:26:33 | |
and you will be singing it, so well done. | 0:26:33 | 0:26:35 | |
CHEERING | 0:26:35 | 0:26:36 | |
So having put her troubles to one side for a stand-out audition, | 0:26:41 | 0:26:45 | |
Niki's bagged herself a lead role in the end-of-year show, | 0:26:45 | 0:26:48 | |
proving that even when things get tough, | 0:26:48 | 0:26:50 | |
pushing yourself to go out on a high can be the perfect remedy. | 0:26:50 | 0:26:54 | |
Next time on School For Stars, Karen gets flexible for a record attempt | 0:26:58 | 0:27:02 | |
and shows the juniors how it's done. | 0:27:02 | 0:27:04 | |
I don't want a bent back leg, I need a full split all the way down. | 0:27:04 | 0:27:08 | |
CHEERING | 0:27:08 | 0:27:09 | |
Max and Luca want to rehearse before they hit the streets | 0:27:09 | 0:27:12 | |
with their music, but Max's mum has other ideas. | 0:27:12 | 0:27:16 | |
Max, make sure you've brushed your teeth and you're in bed by eight. | 0:27:16 | 0:27:18 | |
Mum, bye. | 0:27:18 | 0:27:20 | |
And Mimi gets an audition for one of the UK's biggest TV shows. | 0:27:20 | 0:27:24 | |
Can you go to Elstree Studios today? I've already spoken to Mum. | 0:27:24 | 0:27:28 | |
So excited. Oh, my gosh. | 0:27:28 | 0:27:30 | |
Subtitles by Red Bee Media Ltd | 0:27:36 | 0:27:39 |