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Line | From | To | |
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The council - the organisation
we love to complain about. | 0:00:02 | 0:00:05 | |
All they want to do is tell you
how much of a knob-end you are. | 0:00:05 | 0:00:09 | |
You're right. As quick as you can. | 0:00:09 | 0:00:11 | |
I'll give you five minutes. You get
quite a bit of abuse now and again. | 0:00:11 | 0:00:15 | |
People shouting at you as they drive
past, as if it's our fault. | 0:00:15 | 0:00:18 | |
Councils across Scotland have
endured challenging budget cuts | 0:00:18 | 0:00:23 | |
while demands for public services
have increased. | 0:00:23 | 0:00:27 | |
The pressure has never been greater. | 0:00:27 | 0:00:29 | |
I'm not really one normally
for doing house clearances, | 0:00:29 | 0:00:32 | |
but this is by far
one of the worst ones I've seen. | 0:00:32 | 0:00:35 | |
The resources out there have
just not been there for them. | 0:00:35 | 0:00:39 | |
There's nobody to help me,
nobody, you don't understand at all. | 0:00:39 | 0:00:44 | |
Argyll and Bute's council
on Scotland's West Coast | 0:00:46 | 0:00:49 | |
delivers those crucial services to
some of the UK's most remote areas. | 0:00:49 | 0:00:54 | |
A wee bit of West Coast liquid
sunshine. | 0:00:54 | 0:00:58 | |
He's not coming. | 0:00:58 | 0:00:59 | |
You're joking me.
Because of the weather. What?! | 0:00:59 | 0:01:02 | |
Get the clothes on now. | 0:01:02 | 0:01:04 | |
From island staff working up to six
jobs to keep those services going... | 0:01:06 | 0:01:11 | |
Started off, I was just doing
the roads and then | 0:01:11 | 0:01:14 | |
they added the grave-digging, and
the grass-cutting at the school. | 0:01:14 | 0:01:18 | |
..to those dedicated
to reaching clients | 0:01:18 | 0:01:21 | |
hundreds of miles
from the nearest cities, | 0:01:21 | 0:01:24 | |
these are the staff
on the front line. | 0:01:24 | 0:01:27 | |
Argyll and Bute on the West Coast
of Scotland | 0:01:42 | 0:01:46 | |
is home to a rugged
and coastal landscape, | 0:01:46 | 0:01:49 | |
made up of over 2,300 miles
of coastline, | 0:01:49 | 0:01:52 | |
23 inhabited islands | 0:01:52 | 0:01:55 | |
and the terrain is divided | 0:01:55 | 0:01:57 | |
by several beautiful,
but long sea lochs. | 0:01:57 | 0:02:01 | |
Almost 80% of the population
live within a mile of the coast, | 0:02:01 | 0:02:05 | |
in or near
the main waterfront towns. | 0:02:05 | 0:02:09 | |
And with the area attracting
millions of tourists every year, | 0:02:09 | 0:02:13 | |
the council face a challenge | 0:02:13 | 0:02:15 | |
to preserve and improve
the seafront areas. | 0:02:15 | 0:02:19 | |
Across Argyll and Bute, | 0:02:25 | 0:02:27 | |
there are 12 amenity wardens
who deal with everything | 0:02:27 | 0:02:31 | |
from ticketing abandoned cars,
dog fouling | 0:02:31 | 0:02:34 | |
and fly-tipping to pest control. | 0:02:34 | 0:02:37 | |
Covering the areas of Cowal and Bute | 0:02:37 | 0:02:39 | |
is one of the council's
most experienced wardens, Jim. | 0:02:39 | 0:02:43 | |
I really enjoy working with people. | 0:02:43 | 0:02:46 | |
And I'm also sympathetic
towards people's situations. | 0:02:46 | 0:02:49 | |
And if I can find a way
to help them, I'll help them. | 0:02:49 | 0:02:52 | |
So this is us driving
along the promenade. | 0:02:54 | 0:02:56 | |
Lovely...and nice weather. | 0:02:57 | 0:03:00 | |
It's unfortunate it's raining today. | 0:03:00 | 0:03:02 | |
Today, Jim is responding
to a complaint from residents | 0:03:02 | 0:03:06 | |
in a block of flats in Rothesay | 0:03:06 | 0:03:08 | |
that an empty property has
a trapped pigeon inside. | 0:03:08 | 0:03:12 | |
We're going to go and have a look
and see what the flat's like. | 0:03:12 | 0:03:15 | |
This'll be a first visit,
I haven't seen it before. | 0:03:15 | 0:03:18 | |
So let's go up the stairs
and see what we see. | 0:03:18 | 0:03:20 | |
Pigeon droppings can cause
respiratory problems. | 0:03:22 | 0:03:25 | |
So we will go up with our mask on
and a white suit. | 0:03:25 | 0:03:29 | |
When I was younger,
I could do this no problem. | 0:03:34 | 0:03:36 | |
I think it's pretty obvious
we've got a problem in here. | 0:03:44 | 0:03:47 | |
Put my mask on here. | 0:03:48 | 0:03:50 | |
I don't know if you want to come
in here, but... | 0:03:53 | 0:03:56 | |
..it's something else. | 0:03:57 | 0:03:59 | |
The flat has been lying empty
for over ten years. | 0:04:00 | 0:04:03 | |
Well, if you've got
an abandonment situation | 0:04:03 | 0:04:06 | |
and you're next to a seaside,
you've got a lot of pigeons... | 0:04:06 | 0:04:10 | |
..and there's a big hole there
they're using as their front door... | 0:04:11 | 0:04:14 | |
..and it goes on
for a long, long time... | 0:04:16 | 0:04:19 | |
..to be honest,
it can't get much worse. | 0:04:19 | 0:04:21 | |
But we can't have the pigeons
coming in, just... | 0:04:21 | 0:04:23 | |
INTERVIEWER:
Is this a council house? | 0:04:25 | 0:04:27 | |
No, it's most likely to be a private
landlord or has been owned | 0:04:27 | 0:04:31 | |
by somebody who might have passed
away or who might have moved away. | 0:04:31 | 0:04:36 | |
Maybe had no next of kin.
A whole range of things. | 0:04:36 | 0:04:39 | |
There is an occupied flat next door. | 0:04:39 | 0:04:42 | |
You can understand why the other
residents would complain. | 0:04:42 | 0:04:45 | |
There is a department within
the council that looks at these, | 0:04:46 | 0:04:49 | |
trying to bring properties
back to occupancy | 0:04:49 | 0:04:52 | |
because...we need
properties for people. | 0:04:52 | 0:04:56 | |
There are almost 3,000 people
across Argyll and Bute | 0:04:56 | 0:05:00 | |
on the housing list awaiting a home. | 0:05:00 | 0:05:02 | |
And this flat is one of over 1,000
long-term empty properties. | 0:05:02 | 0:05:07 | |
Hopefully, one day,
this will be a nice flat. | 0:05:08 | 0:05:11 | |
I'm sure, as time goes on... | 0:05:11 | 0:05:13 | |
..it'll come back to life again. | 0:05:14 | 0:05:17 | |
A lot of the things that we do today
require follow-ups, | 0:05:22 | 0:05:25 | |
so that's just their nature. Some
you can close on the first visit. | 0:05:25 | 0:05:31 | |
But a lot of things... | 0:05:32 | 0:05:34 | |
Anything we go to see regarding
rodents requires a follow-up. | 0:05:34 | 0:05:38 | |
Although not a council property,
the pigeon infestation | 0:05:40 | 0:05:43 | |
is causing a risk to health
for the neighbouring flats, | 0:05:43 | 0:05:47 | |
so Jim calls in
an environmental officer. | 0:05:47 | 0:05:50 | |
Richard here is going to do
an assessment for works required. | 0:05:50 | 0:05:54 | |
So we'll head up now. OK. | 0:05:54 | 0:05:57 | |
I work a lot with Jim... | 0:05:59 | 0:06:01 | |
..looking at nuisance - | 0:06:02 | 0:06:04 | |
from smells, accumulations, rubbish,
smoke, that sort of stuff. | 0:06:04 | 0:06:10 | |
Oh, my goodness. What's actually
happened here? Pigeon carcasses. | 0:06:13 | 0:06:17 | |
Three or four down there.
And lots of droppings. | 0:06:17 | 0:06:22 | |
Yeah, the carpet's going to
have to come up. | 0:06:22 | 0:06:24 | |
We're in the position now where
we're going to need to serve notice. | 0:06:26 | 0:06:30 | |
At the moment,
we don't have an owner. | 0:06:30 | 0:06:32 | |
And we've got a name, but not anyone
that's willing to come forward | 0:06:32 | 0:06:35 | |
and do any of this work,
so I think it's, yeah, | 0:06:35 | 0:06:40 | |
the only option is for the council
the come in, serve notice. | 0:06:40 | 0:06:43 | |
If the work's not done,
we'll do it in default, | 0:06:43 | 0:06:46 | |
get a contractor to come in
and clean it up as much as possible. | 0:06:46 | 0:06:50 | |
This would be a very nice flat
for someone. | 0:06:52 | 0:06:54 | |
I think it's a shame that
places are abandoned like this, | 0:06:55 | 0:06:58 | |
and particularly seafront. | 0:06:58 | 0:07:00 | |
It impacts on all
the businesses around. | 0:07:00 | 0:07:03 | |
The clean-up will cost
the council £3,500. | 0:07:05 | 0:07:09 | |
The bigger picture here is
the council are working hard to get | 0:07:09 | 0:07:13 | |
this tenement block up into a good
standard, so all the neighbours have | 0:07:13 | 0:07:17 | |
got together, they're all looking
at investing in their property. | 0:07:17 | 0:07:21 | |
So if you've got something like that
sitting in the middle of it, | 0:07:21 | 0:07:24 | |
that really holds everything back. | 0:07:24 | 0:07:26 | |
I think it's important
to get rid of the nuisance, | 0:07:26 | 0:07:29 | |
but really important to make sure
that that place is cleaned up | 0:07:29 | 0:07:32 | |
and the neighbours can get on with
doing this place up and, you know, | 0:07:32 | 0:07:36 | |
using what is a really lovely
property on the seafront. | 0:07:36 | 0:07:39 | |
Across Scotland, | 0:07:50 | 0:07:52 | |
there are 26,000 supported adults
with learning disability. | 0:07:52 | 0:07:55 | |
In Argyll and Bute,
the adult learning disability team | 0:07:57 | 0:08:00 | |
is spread out over four bases
throughout the council's territory. | 0:08:00 | 0:08:04 | |
And its staff have to travel
long distances to see their clients. | 0:08:04 | 0:08:08 | |
Argyll and Bute. Wild and lovely. | 0:08:10 | 0:08:14 | |
Always raining. | 0:08:14 | 0:08:16 | |
But then you get one sunny day
and everything sparkles | 0:08:16 | 0:08:21 | |
and you forgive it. | 0:08:21 | 0:08:22 | |
Occupational therapist Pamela
has been working with | 0:08:23 | 0:08:26 | |
the adult learning disability
service for the last 14 years. | 0:08:26 | 0:08:30 | |
I'm off to see Christopher. | 0:08:31 | 0:08:33 | |
Christopher and I are going to be
doing some bereavement counselling. | 0:08:35 | 0:08:40 | |
Christopher's... I think Christopher
is 39 and he has Down's syndrome | 0:08:40 | 0:08:45 | |
and a learning disability. | 0:08:45 | 0:08:47 | |
And he lost his mum... | 0:08:47 | 0:08:49 | |
..I think it must be
about four years now. | 0:08:49 | 0:08:53 | |
It was quite a sudden death and
quite a shock for all of the family. | 0:08:53 | 0:08:57 | |
People with learning disabilities, | 0:08:57 | 0:09:00 | |
it's difficult for them to process
grief like you or I would. | 0:09:00 | 0:09:04 | |
Here we are. | 0:09:09 | 0:09:10 | |
Christopher's house. | 0:09:10 | 0:09:12 | |
I hope he's got the kettle on. | 0:09:15 | 0:09:17 | |
How are you today? I'm fine. | 0:09:18 | 0:09:20 | |
Good, good. | 0:09:20 | 0:09:21 | |
I don't often see you in a suit. | 0:09:23 | 0:09:25 | |
Well, you have now. | 0:09:25 | 0:09:27 | |
I wear it for my funerals. | 0:09:28 | 0:09:31 | |
For your funerals? Funerals. | 0:09:31 | 0:09:34 | |
Well, I hope it doesn't
feel like a funeral today. No. | 0:09:34 | 0:09:36 | |
I've got some pictures here for you. | 0:09:38 | 0:09:41 | |
I know you like working in pictures,
don't you? I do. | 0:09:41 | 0:09:45 | |
So, a funeral, you know
what a funeral's about, don't you? | 0:09:48 | 0:09:52 | |
Oh, yes, I do, actually. Also,
we might sing songs and say prayers. | 0:09:52 | 0:09:57 | |
Well, I don't do that. | 0:09:57 | 0:09:59 | |
You don't do that? You don't sing?
No, I just... | 0:09:59 | 0:10:01 | |
HE HUMS | 0:10:01 | 0:10:03 | |
You just hum. I just hum. | 0:10:06 | 0:10:07 | |
I do a bit of that as well, yeah. | 0:10:07 | 0:10:10 | |
I mean, the reason I'm doing this
with you is because of, | 0:10:12 | 0:10:15 | |
you know, the difficulties
that sometimes you feel with, | 0:10:15 | 0:10:19 | |
you know, when you think about Mum. | 0:10:19 | 0:10:21 | |
Yes, I have. | 0:10:21 | 0:10:23 | |
And how are you feeling
about that now? | 0:10:25 | 0:10:27 | |
Sometimes OK,
but sometimes I don't. | 0:10:27 | 0:10:29 | |
Sometimes not. | 0:10:29 | 0:10:31 | |
Sometimes I miss her. | 0:10:34 | 0:10:36 | |
Sometimes you miss her. Yeah. | 0:10:36 | 0:10:38 | |
Yeah, but that's natural,
isn't it? Yes, yes. | 0:10:38 | 0:10:42 | |
Have you got a picture you can show
me or a little album of you and Mum? | 0:10:42 | 0:10:46 | |
I have. That's my album. | 0:10:46 | 0:10:48 | |
I'll just show you, me and my mum. | 0:10:48 | 0:10:51 | |
This is my mum with the two dogs. | 0:10:54 | 0:10:57 | |
Oh! | 0:10:57 | 0:10:58 | |
A lot of things have been lost. | 0:10:58 | 0:11:01 | |
A lot of things have been lost. | 0:11:01 | 0:11:03 | |
Sometimes I don't get it. | 0:11:03 | 0:11:06 | |
You don't understand why
all these things have happened? | 0:11:06 | 0:11:10 | |
I'm just wondering if you ever have
any of these feelings. | 0:11:10 | 0:11:14 | |
You know. Well, sometimes I feel... | 0:11:14 | 0:11:16 | |
What do you think that picture,
what do you think he's saying? | 0:11:17 | 0:11:20 | |
Upset. He's upset. | 0:11:20 | 0:11:23 | |
Uh-huh. | 0:11:23 | 0:11:24 | |
Lonely and upset.
Lonely and upset, yes. | 0:11:24 | 0:11:27 | |
Sometimes you feel lonely and upset. | 0:11:27 | 0:11:30 | |
It's OK to have all these
different...to feel angry, | 0:11:31 | 0:11:33 | |
to feel sad, to feel upset, to cry,
it's OK, it's natural | 0:11:33 | 0:11:39 | |
to feel like that. Yeah, I know. | 0:11:39 | 0:11:41 | |
Yeah, you know that. | 0:11:41 | 0:11:43 | |
Not enough to do.
You'd like more to do in your life. | 0:11:43 | 0:11:46 | |
Uh-huh. Like practise a gig. | 0:11:46 | 0:11:49 | |
Something to do with myself.
A gig. Mmm. | 0:11:49 | 0:11:53 | |
I think part of the sense of loss
is that he doesn't have... | 0:11:58 | 0:12:02 | |
..really something that
he knows is going to happen | 0:12:02 | 0:12:06 | |
that's really positive
in the future. | 0:12:06 | 0:12:08 | |
You know, most of us can make plans
for a holiday or a new hobby. | 0:12:08 | 0:12:11 | |
But, you know, he doesn't have
anything to look forward to | 0:12:11 | 0:12:15 | |
at the moment,
and I think he needs that. | 0:12:15 | 0:12:18 | |
That's my plans. | 0:12:19 | 0:12:21 | |
INTERVIEWER: Do you want to be
a DJ or a musician? | 0:12:29 | 0:12:31 | |
Yes. | 0:12:31 | 0:12:33 | |
What would your DJ name be? | 0:12:33 | 0:12:35 | |
Wolf. | 0:12:36 | 0:12:38 | |
Like Wolf. | 0:12:38 | 0:12:39 | |
DJ Wolf? Mm-hm. | 0:12:40 | 0:12:42 | |
I think I'm going to do this,
a gig...for myself. | 0:12:43 | 0:12:48 | |
Copying music and put it
on my laptop. | 0:12:50 | 0:12:54 | |
And we make a list. | 0:12:54 | 0:12:56 | |
And we go and practise. | 0:12:58 | 0:12:59 | |
But sometimes I like to do things
for myself | 0:13:02 | 0:13:06 | |
by learning my gig practice. | 0:13:06 | 0:13:08 | |
Number four is a big step. | 0:13:08 | 0:13:11 | |
Um...I'm going to put
on this big performance... | 0:13:11 | 0:13:14 | |
..put on my gig. | 0:13:14 | 0:13:16 | |
I want to do it myself.
A big crowd of people. A big crowd. | 0:13:17 | 0:13:22 | |
Christopher thinks big, you know,
he's got big ideas. | 0:13:25 | 0:13:28 | |
Quite often, people with
a learning disability | 0:13:28 | 0:13:31 | |
can't fulfil their dreams
on their own. | 0:13:31 | 0:13:34 | |
By the very nature
of their disability, | 0:13:34 | 0:13:36 | |
they just usually can't organise
these things themselves. | 0:13:36 | 0:13:41 | |
So they need us
to kind of help them... | 0:13:41 | 0:13:44 | |
..realise their dreams,
ambitions, hopes. | 0:13:46 | 0:13:50 | |
The town of Oban is the gateway
to the Hebridean islands - | 0:13:57 | 0:14:01 | |
one of Argyll and Bute's busiest
tourist destinations | 0:14:01 | 0:14:05 | |
where the population triples
during the summer season. | 0:14:05 | 0:14:09 | |
OK, folks, can I ask you
to stand back from the side there? | 0:14:12 | 0:14:15 | |
We're going to be pushing
ropes across in a minute. | 0:14:15 | 0:14:17 | |
You're welcome just to stand
a few paces back. | 0:14:17 | 0:14:19 | |
Do you want it on the bollard? | 0:14:19 | 0:14:21 | |
Oban harbour's North Pier is
managed by the council. | 0:14:21 | 0:14:25 | |
What are you doing there, mate?
Jumping in the water. | 0:14:26 | 0:14:30 | |
No, you're not. No, you're not.
I was in earlier on. | 0:14:30 | 0:14:32 | |
Not now, we've got
activity going on. | 0:14:32 | 0:14:34 | |
Just take him away
with your clothes. | 0:14:34 | 0:14:36 | |
Why don't you go
and sit down over there? | 0:14:36 | 0:14:38 | |
You're not going in the water.
You're not going in the water. | 0:14:38 | 0:14:41 | |
Look. Do you know this chap? | 0:14:41 | 0:14:43 | |
Whay-oh!
I think he's best taken away. | 0:14:43 | 0:14:46 | |
Get his clothes on.
Get your clothes on. | 0:14:47 | 0:14:50 | |
Do you want me to call the police?
Get the clothes on now. | 0:14:50 | 0:14:53 | |
What do you think you're playing at?
Sorry, who are you? | 0:14:55 | 0:14:57 | |
I'm the harbour master.
Are you actually? | 0:14:57 | 0:14:59 | |
And there's vessels here
and it's dangerous. Sorry. Right. | 0:14:59 | 0:15:02 | |
You need to get yourself
off the pier now. | 0:15:04 | 0:15:07 | |
Get him out of the water. | 0:15:07 | 0:15:08 | |
The pier is now undergoing
a major new development... | 0:15:16 | 0:15:20 | |
..a brand-new berthing
step-ashore facility | 0:15:21 | 0:15:25 | |
to allow leisure boat passengers
easier access to the town. | 0:15:25 | 0:15:29 | |
Have you asked them to leave? | 0:15:37 | 0:15:38 | |
No pooping! | 0:15:38 | 0:15:40 | |
There's a pound for a dinghy, | 0:15:40 | 0:15:42 | |
I don't know what it is
for a seagull. | 0:15:42 | 0:15:44 | |
The council's project manager,
Kirsteen, | 0:15:45 | 0:15:47 | |
has been overseeing the development
for the last 18 months. | 0:15:47 | 0:15:51 | |
We're complete
and we're fully operational. | 0:15:52 | 0:15:55 | |
The contractors had opened
and signed off ahead of time, | 0:15:55 | 0:15:58 | |
which is fantastic. | 0:15:58 | 0:15:59 | |
There's been a big team of us
trying to get this in the water | 0:16:00 | 0:16:03 | |
and get it delivered,
as per planning | 0:16:03 | 0:16:05 | |
and all the regulations
you have to go through. | 0:16:05 | 0:16:08 | |
So it's been good to get to this
point and feel we've really | 0:16:08 | 0:16:11 | |
achieved something for Oban, which
they've deserved it for so long. | 0:16:11 | 0:16:14 | |
More and more people want
to come here on holidays | 0:16:14 | 0:16:16 | |
and you can see that
just by the amount of boats | 0:16:16 | 0:16:18 | |
that have appeared out of nowhere. | 0:16:18 | 0:16:20 | |
We haven't even advertised it
as open yet and it's already full. | 0:16:20 | 0:16:23 | |
This is only a transit place. | 0:16:25 | 0:16:26 | |
You only come in here
for up to three days. | 0:16:26 | 0:16:28 | |
And the idea is that people
will like it so much | 0:16:28 | 0:16:31 | |
they'll want to base
their boats here | 0:16:31 | 0:16:32 | |
and then they'll go and populate
all the local marinas | 0:16:32 | 0:16:35 | |
and get all their services
done there, | 0:16:35 | 0:16:37 | |
which grows the business
for everybody, | 0:16:37 | 0:16:39 | |
which is what we were after. | 0:16:39 | 0:16:41 | |
I hope you're not making me
look wobbly from behind. | 0:16:50 | 0:16:53 | |
If I wobble in that... | 0:16:53 | 0:16:55 | |
Today is quite an exciting day. | 0:17:01 | 0:17:02 | |
As you can see, we've got
really big private yachts in. | 0:17:02 | 0:17:05 | |
We've also got the lifeboats
coming in, they've got to come in | 0:17:05 | 0:17:08 | |
and do some checks, so it's all
coming together at the same time. | 0:17:08 | 0:17:10 | |
We've got a big cruise liner
arriving which means | 0:17:10 | 0:17:13 | |
we'll be unloading 1,000 passengers
through this gateway. | 0:17:13 | 0:17:16 | |
One of the other reasons we did
this new facility | 0:17:16 | 0:17:19 | |
is to be able to have
cruise liners come in | 0:17:19 | 0:17:21 | |
and because of the age
of some of the passengers, | 0:17:21 | 0:17:23 | |
they were a bit uncomfortable coming
in to the former arrangements. | 0:17:23 | 0:17:26 | |
So with these ones, because it's all
more compliant and wider walkways | 0:17:26 | 0:17:29 | |
and there's railings and stuff,
it means even more people | 0:17:29 | 0:17:32 | |
can come ashore and enjoy Oban
and its surrounding areas. | 0:17:32 | 0:17:35 | |
The council estimate that
the project will generate | 0:17:41 | 0:17:44 | |
up to £20 million in income
for the local economy. | 0:17:44 | 0:17:48 | |
But at a cost of £2.5 million,
the development has also been | 0:17:48 | 0:17:53 | |
subject to resistance
from some local parties. | 0:17:53 | 0:17:56 | |
You're always going to get
people who think | 0:17:56 | 0:17:58 | |
that the council is stealing
all the people's money | 0:17:58 | 0:18:00 | |
and not doing things properly and
are being a bit rubbish at stuff | 0:18:00 | 0:18:03 | |
and you have to answer
their questions as well | 0:18:03 | 0:18:06 | |
and answer them to the best
of your ability | 0:18:06 | 0:18:08 | |
and when they're not satisfied
with the answers, | 0:18:08 | 0:18:10 | |
it gets escalated
cos I have to get on with my job. | 0:18:10 | 0:18:12 | |
I know that the majority of people | 0:18:12 | 0:18:14 | |
that are negative about
these projects, I think | 0:18:14 | 0:18:17 | |
I've got a professional outlook
that lets me look past it, | 0:18:17 | 0:18:20 | |
but I wouldn't say I've got
thick skin because I do go home, | 0:18:20 | 0:18:23 | |
read some of the stuff
on social media, | 0:18:23 | 0:18:24 | |
and it is upsetting
because when they're saying | 0:18:24 | 0:18:27 | |
that the project manager
is stealing the money | 0:18:27 | 0:18:28 | |
or the project manager's
actions are verging on criminal | 0:18:28 | 0:18:31 | |
and she should be fired
and it's not like | 0:18:31 | 0:18:33 | |
I can't pretend it's someone else
they're talking about. | 0:18:33 | 0:18:35 | |
So I wouldn't say
I had a thick skin, | 0:18:35 | 0:18:37 | |
I'd just say
that it's part of the job. | 0:18:37 | 0:18:39 | |
That's why I get paid
£15 million a year... | 0:18:39 | 0:18:42 | |
..plus tips. | 0:18:42 | 0:18:43 | |
It's a fantastic thing to see - | 0:18:47 | 0:18:49 | |
to have that right in the middle
of your town centre. | 0:18:49 | 0:18:51 | |
It's starting to look as good
as some of the continental ones, | 0:18:51 | 0:18:54 | |
so, Costa del Oban. | 0:18:54 | 0:18:56 | |
Every local authority has
a statutory duty | 0:19:06 | 0:19:09 | |
to prevent and reduce homelessness. | 0:19:09 | 0:19:11 | |
Last year, more than 34,000 people | 0:19:11 | 0:19:15 | |
were registered as homeless
across the country. | 0:19:15 | 0:19:18 | |
In Argyll and Bute, | 0:19:20 | 0:19:21 | |
Oban has one of the highest numbers
of homeless applications. | 0:19:21 | 0:19:25 | |
Area housing officer Ailsa
has been working with the council | 0:19:27 | 0:19:30 | |
for the last 12 years. | 0:19:30 | 0:19:32 | |
I'll never be a local. No. | 0:19:34 | 0:19:37 | |
I've lived here for more than
17 years and I'm not a local, | 0:19:37 | 0:19:41 | |
not for a while yet, if ever. | 0:19:41 | 0:19:44 | |
I've got to drop the Campbeltown
accent before that happens. | 0:19:44 | 0:19:48 | |
We're going to see a girl who's got
a baby, about a year old now, | 0:19:49 | 0:19:53 | |
she was living with family
and they asked her to leave, | 0:19:53 | 0:19:57 | |
just because of the issues
with sort of space, | 0:19:57 | 0:20:00 | |
having the wee one as well
in the house. | 0:20:00 | 0:20:02 | |
We don't tend to get many
who are entirely roofless | 0:20:02 | 0:20:06 | |
and have no fixed address
or whatever. | 0:20:06 | 0:20:09 | |
We do get people who apply from the
family home, saying that it's | 0:20:09 | 0:20:12 | |
overcrowded or they've fallen out
with Mum and Dad. | 0:20:12 | 0:20:15 | |
That is quite a common occurrence. | 0:20:17 | 0:20:19 | |
A lot of the applicants
are between 18 and 25. | 0:20:19 | 0:20:23 | |
You can apply as homeless from 16. | 0:20:23 | 0:20:25 | |
Anyone assessed to be homeless
is entitled to be | 0:20:30 | 0:20:33 | |
housed in temporary accommodation. | 0:20:33 | 0:20:35 | |
The council's overall budget
to provide that accommodation | 0:20:35 | 0:20:39 | |
is just over £1 million a year. | 0:20:39 | 0:20:42 | |
Get my exercise in for the day. | 0:20:42 | 0:20:45 | |
Hiya, how are you getting on?
Hello, how are you? I'm all right. | 0:20:53 | 0:20:56 | |
How's things? | 0:20:56 | 0:20:57 | |
20-year-old Niamh has been
living in temporary accommodation | 0:20:57 | 0:21:01 | |
for six months
until a permanent home can be found | 0:21:01 | 0:21:04 | |
for her and her daughter Isla. | 0:21:04 | 0:21:06 | |
I'm not here to check. I'm not here
to check the dust on your telly. | 0:21:11 | 0:21:15 | |
Hiya. | 0:21:15 | 0:21:17 | |
What are you saying? | 0:21:17 | 0:21:19 | |
So, what happens, when the housing
associations are looking | 0:21:20 | 0:21:23 | |
at you for a house,
they will contact you. | 0:21:23 | 0:21:25 | |
So you'll get a phone call from
either Acha or from West Highland. | 0:21:25 | 0:21:28 | |
So they'll be looking at
the fact that it's you and Isla | 0:21:28 | 0:21:31 | |
in the household and you need
a two-bed. Once they've done that, | 0:21:31 | 0:21:34 | |
you will then be notified in writing
what the offer is to you. | 0:21:34 | 0:21:37 | |
OK? And it tells you on the letter
that you get three days | 0:21:37 | 0:21:40 | |
to get in touch with them to say if
you're going to accept or refuse it. | 0:21:40 | 0:21:44 | |
You'll hear before we do
if you're going to get an offer. | 0:21:44 | 0:21:47 | |
They'll phone you.
Get back to them as soon as you can. | 0:21:47 | 0:21:50 | |
Have that mobile on. Okey-dokey.
Right, I'll be in touch with you. | 0:21:52 | 0:21:56 | |
And as I say, let us know
if there's anything, erm... | 0:21:56 | 0:21:58 | |
And I'm starting to save
a bit of money. | 0:21:58 | 0:22:01 | |
I'm trying to put money aside
for it. | 0:22:01 | 0:22:04 | |
I know, because it is expensive. | 0:22:04 | 0:22:05 | |
Because the likelihood is that
the housing association property | 0:22:05 | 0:22:09 | |
will not have anything,
not even carpets. | 0:22:09 | 0:22:11 | |
So it's something
you need to think about. | 0:22:11 | 0:22:13 | |
Are you going to come
and say bye? OK. | 0:22:13 | 0:22:15 | |
Off jumping off the couch.
Don't hurt yourself. | 0:22:15 | 0:22:17 | |
Are you coming up? Come on. OK. | 0:22:17 | 0:22:21 | |
Ta-ta, see you soon.
You have a nice day with Granny. | 0:22:21 | 0:22:25 | |
OK, no bother, see you later.
Goodbye. Goodbye. | 0:22:25 | 0:22:29 | |
Here we go. What's the matter?
Mummy's making dinner. | 0:22:31 | 0:22:35 | |
Look, we're going to have pasta
and dinosaurs and peas. | 0:22:35 | 0:22:40 | |
After I had Isla, we were
struggling in my mum and dad's house | 0:22:40 | 0:22:44 | |
and it was just getting
a bit cramped. | 0:22:44 | 0:22:47 | |
So my mum said that she wanted
to make me homeless. | 0:22:47 | 0:22:51 | |
So she wrote a letter to Ailsa,
to the council. | 0:22:51 | 0:22:53 | |
INTERVIEWER: And who was it in
with your mum and dad at the time? | 0:22:53 | 0:22:56 | |
Was it just you and Isla? | 0:22:56 | 0:22:58 | |
No, there was me, Isla,
my brother Kieran | 0:22:58 | 0:23:01 | |
and sometimes his girlfriend Laura
would come and stay. | 0:23:01 | 0:23:04 | |
And that was it. | 0:23:04 | 0:23:05 | |
And two cats and a dog.
It was a pretty busy house. | 0:23:05 | 0:23:08 | |
Me and her dad separated. | 0:23:08 | 0:23:10 | |
It's just me and her,
better that way, I think. | 0:23:10 | 0:23:13 | |
Do you want some milk as well? | 0:23:13 | 0:23:15 | |
Niamh is desperate for the council
to find her a permanent home, | 0:23:17 | 0:23:20 | |
following an attack
by her previous partner | 0:23:20 | 0:23:23 | |
whilst living in the temporary
accommodation. | 0:23:23 | 0:23:27 | |
He was agitated and we just started
arguing about Isla | 0:23:27 | 0:23:30 | |
and he was saying... He went
upstairs and he was holding Isla | 0:23:30 | 0:23:34 | |
and he was saying,
"Mummy's bad, Mummy's bad." | 0:23:34 | 0:23:37 | |
He was just being really nasty. | 0:23:37 | 0:23:39 | |
So we came into the kitchen
and I asked him to leave | 0:23:39 | 0:23:42 | |
and he kind of towered over me. | 0:23:42 | 0:23:44 | |
I actually was standing
here in this position | 0:23:44 | 0:23:47 | |
and then he was walking towards me
and I was screaming at him | 0:23:47 | 0:23:51 | |
to get out of the flat
cos he was quite intimidating. | 0:23:51 | 0:23:54 | |
He's six foot nearly. | 0:23:54 | 0:23:55 | |
So it's quite intimidating. | 0:23:55 | 0:23:57 | |
Obviously, I'm just under five foot,
so I asked him to leave | 0:23:57 | 0:24:01 | |
and I was raising my voice
which probably made him more angry. | 0:24:01 | 0:24:05 | |
And then all I felt was him grabbing
my arms and then he put them | 0:24:05 | 0:24:08 | |
behind my back and then
he grabbed my mouth and my nose | 0:24:08 | 0:24:12 | |
and restricted my breathing. | 0:24:12 | 0:24:13 | |
And wouldn't let go. Then eventually
my brother got him off me. | 0:24:13 | 0:24:16 | |
Eventually. And then they left
and I phoned the police. | 0:24:16 | 0:24:20 | |
So I think it's probably more making
new memories, better memories | 0:24:20 | 0:24:23 | |
because there's not many good
memories in here, obviously, | 0:24:23 | 0:24:27 | |
because the assault
happened in here. | 0:24:27 | 0:24:29 | |
So I kind of want to move somewhere
to make better memories with Isla. | 0:24:29 | 0:24:32 | |
I want to know that
I'm in somewhere secure | 0:24:32 | 0:24:35 | |
and I kind of want to be somewhere
that he doesn't know where I am. | 0:24:35 | 0:24:40 | |
Good girl. We have got a really
good bond, me and Isla. | 0:24:40 | 0:24:43 | |
You know, she's my wee bestie. | 0:24:43 | 0:24:45 | |
What are you doing? | 0:24:46 | 0:24:48 | |
She's had a lot on her plate
recently, but she's doing fine. | 0:24:48 | 0:24:52 | |
She keeps her flat really nice.
The wee girl is immaculate. | 0:24:52 | 0:24:55 | |
Don't have any concerns
about the tenancy or the child | 0:24:55 | 0:24:58 | |
that I would be passing on. | 0:24:58 | 0:24:59 | |
It's just a case of
we'll keep her in the loop. | 0:24:59 | 0:25:01 | |
But in an area like Oban, I think | 0:25:01 | 0:25:04 | |
most people appreciate that
there's no empty homes sitting | 0:25:04 | 0:25:07 | |
waiting on someone coming along
who needs it that day. | 0:25:07 | 0:25:10 | |
There has to be some form
of waiting system for it. | 0:25:10 | 0:25:13 | |
You can't let it get to you because
if you took all the stuff | 0:25:13 | 0:25:16 | |
you hear and all the people
you deal with | 0:25:16 | 0:25:18 | |
and the issues they have home with
you, you couldn't cope with it, | 0:25:18 | 0:25:21 | |
you have to develop a sort of
thick skin in that respect. | 0:25:21 | 0:25:25 | |
You have empathy for the situation
that they're in, but you have to | 0:25:25 | 0:25:28 | |
deal with it professionally
and everyone is treated the same. | 0:25:28 | 0:25:32 | |
I feel the same about me getting a
house as I do about the next person | 0:25:32 | 0:25:35 | |
on the list getting a house because
they all need to get settled. | 0:25:35 | 0:25:38 | |
And we are part of that process. | 0:25:38 | 0:25:40 | |
Nearly half of all
Argyll and Bute's population | 0:25:51 | 0:25:54 | |
live in remote and rural areas, | 0:25:54 | 0:25:57 | |
meaning the mains water supply
does not always reach them. | 0:25:57 | 0:26:00 | |
Private water supplies
taken from local lochs, | 0:26:02 | 0:26:05 | |
wells or rainwater collection
are vulnerable to contamination, | 0:26:05 | 0:26:09 | |
so the council must annually test
them for all commercial properties. | 0:26:09 | 0:26:13 | |
On an early morning ferry
is council regulatory officer Ian | 0:26:19 | 0:26:24 | |
on route to the island of Coll to
run some private water supply tests. | 0:26:24 | 0:26:28 | |
We do have to cover the islands
and they are remote, some of them, | 0:26:30 | 0:26:34 | |
three or four hours on a ferry
to get there, certainly. | 0:26:34 | 0:26:37 | |
The thing about the samples I take
is that they have to be | 0:26:37 | 0:26:40 | |
back in the labs in Glasgow
within 24 hours. | 0:26:40 | 0:26:43 | |
So, yeah, a bit of a rush
to get them back tonight. | 0:26:43 | 0:26:47 | |
Coll has got a main village
of Arinagour. | 0:26:47 | 0:26:51 | |
It's got water which is...
Scottish Water look after them. | 0:26:51 | 0:26:55 | |
As soon as you're out of
the village, that's it. | 0:26:55 | 0:26:58 | |
Everywhere is on private water
supplies. | 0:26:58 | 0:27:00 | |
The best-tasting water will
come from a spring. | 0:27:00 | 0:27:02 | |
The worst, probably a lochan,
I would think. | 0:27:02 | 0:27:05 | |
Lots of wildlife in it,
growing and breeding, | 0:27:05 | 0:27:09 | |
it doesn't bear
thinking about sometimes. | 0:27:09 | 0:27:12 | |
And that's what we get involved in,
trying to make it safe | 0:27:13 | 0:27:16 | |
for the people that live
in the houses to drink. | 0:27:16 | 0:27:19 | |
It keeps you fit as well,
get on the bike as well. | 0:27:22 | 0:27:25 | |
The commercial businesses
on the island | 0:27:30 | 0:27:33 | |
that are on private water supplies | 0:27:33 | 0:27:35 | |
have to use the local authority
to get their water tested yearly. | 0:27:35 | 0:27:40 | |
They can't go anywhere else
to get it done. | 0:27:40 | 0:27:43 | |
Because basically
we police and enforce. | 0:27:43 | 0:27:45 | |
The water from the tap's
got to be drinkable. | 0:27:45 | 0:27:48 | |
And to make it drinkable,
we have to treat it. | 0:27:49 | 0:27:51 | |
All the private water supplies
that aren't treated | 0:27:51 | 0:27:55 | |
will contain bacteria and that's
what you've got to get rid of. | 0:27:55 | 0:27:58 | |
First to be tested today is
a small B&B run by local Fiona. | 0:28:07 | 0:28:13 | |
Do you have guests in today at all?
I do. OK. | 0:28:13 | 0:28:16 | |
I've explained that you're coming.
OK. | 0:28:16 | 0:28:18 | |
I just don't think it's right. | 0:28:18 | 0:28:19 | |
I think when somebody's
lived in a property and they've had | 0:28:19 | 0:28:22 | |
perfect water, why start
mucking about with everything now? | 0:28:22 | 0:28:25 | |
And of course there's also
the added expense of it all | 0:28:25 | 0:28:28 | |
because they don't do it
for nothing, | 0:28:28 | 0:28:31 | |
you have to pay to have
your water tested. | 0:28:31 | 0:28:33 | |
OK. It automatically comes on. | 0:28:33 | 0:28:35 | |
Automatically comes on, so that's
fine. So that's it, perfect. | 0:28:35 | 0:28:37 | |
All right? Yeah, very good, perfect. | 0:28:37 | 0:28:39 | |
But Ian's department
and Ian himself have been very good. | 0:28:39 | 0:28:42 | |
They've helped and guided me
on what I should have. | 0:28:42 | 0:28:45 | |
Well, we're heading about six miles,
10K, to the Hebridean Centre. | 0:28:52 | 0:28:56 | |
It's probably the biggest employer
on the whole island here, | 0:28:56 | 0:28:59 | |
but it actually failed last time. | 0:28:59 | 0:29:01 | |
Hopefully the situation
has been rectified. | 0:29:01 | 0:29:03 | |
Good to see you, mate. Not bad
at all. All right. Good stuff. | 0:29:09 | 0:29:12 | |
It's good to see that you've taken
advantage of your... | 0:29:12 | 0:29:14 | |
..of the boiler notice
that we served you here. | 0:29:14 | 0:29:17 | |
And you've got your sign up there
basically telling people here | 0:29:17 | 0:29:20 | |
not to drink the water
unless it's been boiled. | 0:29:20 | 0:29:22 | |
I'll scrub the entire tap to make
sure there's no germs on it | 0:29:22 | 0:29:25 | |
whatsoever. | 0:29:25 | 0:29:26 | |
Because cross-contamination
in the water can be a huge problem. | 0:29:26 | 0:29:30 | |
And that is the sample taken. OK. | 0:29:38 | 0:29:40 | |
OK, John, thanks for that. | 0:29:42 | 0:29:43 | |
Last on the list is a holiday home
off the beaten track. | 0:29:46 | 0:29:51 | |
So Ian must abandon his bike
and make it there by foot. | 0:29:51 | 0:29:55 | |
The ferry is at six, | 0:29:56 | 0:29:58 | |
so if I haven't reached that house
by an hour, we ain't going. | 0:29:58 | 0:30:02 | |
And we'll come back.
So I'm going across here. | 0:30:02 | 0:30:04 | |
This is going to be
really slidey. | 0:30:04 | 0:30:06 | |
And I mean really horrible. | 0:30:06 | 0:30:08 | |
In Argyll, the council,
we've got a policy of when we're | 0:30:11 | 0:30:14 | |
working remotely like this
that we've got a contact number | 0:30:14 | 0:30:18 | |
we can phone and say I'm going to be
away for three or four hours. | 0:30:18 | 0:30:22 | |
If you don't hear from me,
send the troops out. | 0:30:22 | 0:30:24 | |
The owner wants to sell, so has
asked for the water to be tested. | 0:30:26 | 0:30:30 | |
But Ian is on a deadline. | 0:30:30 | 0:30:33 | |
We'll get in there, get a sample
and then get ourselves out of here. | 0:30:35 | 0:30:38 | |
Because we're cutting it fine.
I don't want to miss that ferry. | 0:30:38 | 0:30:41 | |
That would be the worst thing
in the world to do for us, | 0:30:41 | 0:30:44 | |
because it would mean
being stuck here tonight. | 0:30:44 | 0:30:46 | |
We've made the ferry. Going to get
home tonight eventually. | 0:30:57 | 0:31:01 | |
Yeah, it's quite a long day. | 0:31:01 | 0:31:03 | |
And I probably cycled today...
I think it's about 17 or 18 miles | 0:31:03 | 0:31:06 | |
cycled today. | 0:31:06 | 0:31:08 | |
So, yeah, good day,
thoroughly enjoyed it | 0:31:08 | 0:31:10 | |
and I will sleep well tonight. | 0:31:10 | 0:31:11 | |
A few days later
and the results are in. | 0:31:19 | 0:31:23 | |
For two of those tested,
it is good news. | 0:31:23 | 0:31:26 | |
But for the owner of the holiday
home, it is less straightforward. | 0:31:26 | 0:31:30 | |
Hello, it's Ian Campbell here
from Argyll and Bute Council. | 0:31:30 | 0:31:33 | |
How you doing? | 0:31:33 | 0:31:34 | |
Just to let you know that the
chemical results have come in, OK? | 0:31:34 | 0:31:39 | |
Right. Now, they're actually
worse than I thought. | 0:31:39 | 0:31:42 | |
It's failing on lead,
which is very high. | 0:31:42 | 0:31:45 | |
You've got lead pipes
somewhere in the house. | 0:31:45 | 0:31:48 | |
The iron rate is at five times
what it should be. | 0:31:48 | 0:31:51 | |
The pH is one of the lowest
I've seen ever. | 0:31:51 | 0:31:54 | |
I would advise not to drink
the water just now. Yeah. OK. | 0:31:54 | 0:31:59 | |
This is the worst one
because there's | 0:31:59 | 0:32:01 | |
so much stuff in that water which
it would be hard to get out. | 0:32:01 | 0:32:04 | |
So I think it's going to have
to be a borehole. | 0:32:05 | 0:32:08 | |
Probably a borehole will cost him
about £5,000, £6,000, £7,000. | 0:32:08 | 0:32:12 | |
If he chooses not to do anything,
I don't know, he can reduce | 0:32:12 | 0:32:15 | |
the price of the house
and hope someone buys it. | 0:32:15 | 0:32:18 | |
We in the council can't get
involved by saying | 0:32:18 | 0:32:21 | |
yeah, you must do this or that, | 0:32:21 | 0:32:23 | |
ie, you must do a borehole
or you must do whatever. | 0:32:23 | 0:32:25 | |
Because if it doesn't work,
who's going to get the blame? | 0:32:25 | 0:32:28 | |
Occupational therapist Pamela
has been working with Christopher | 0:32:41 | 0:32:45 | |
for the last five years. | 0:32:45 | 0:32:47 | |
Part of our job is to support,
you know, in the very daily things | 0:32:48 | 0:32:53 | |
that need done, like shopping,
personal care and budgeting. | 0:32:53 | 0:32:57 | |
But, you know, I think
we need to go beyond that, | 0:32:57 | 0:33:00 | |
so people have something
to look forward to, | 0:33:00 | 0:33:02 | |
that they have a sense of identity. | 0:33:02 | 0:33:05 | |
Yeah. I think we all have our hopes
and dreams. | 0:33:06 | 0:33:09 | |
They're deserving as much
as anyone else. | 0:33:12 | 0:33:14 | |
We are about to meet Ruth. | 0:33:17 | 0:33:18 | |
Ruth is our care manager, | 0:33:18 | 0:33:20 | |
one of our colleagues
working on the social work side. | 0:33:20 | 0:33:24 | |
Actually, Ruth's known Christopher | 0:33:24 | 0:33:27 | |
for a very long time,
many, many years. | 0:33:27 | 0:33:30 | |
He spends a lot of time
talking about things that are not | 0:33:34 | 0:33:37 | |
happening in his life, things that
he wants to have happen in his life. | 0:33:37 | 0:33:40 | |
The biggest one he keeps
talking about is doing a gig. | 0:33:40 | 0:33:44 | |
What I'd like to see happen is,
you know, him working towards | 0:33:44 | 0:33:50 | |
that goal, to see that possibility
of him being a DJ and having a gig. | 0:33:50 | 0:33:56 | |
My fear is that I'm setting him
up for, you know, | 0:33:56 | 0:33:59 | |
something that might not happen. | 0:33:59 | 0:34:01 | |
I think
that's the general feeling, uh-huh. | 0:34:01 | 0:34:04 | |
Cos I won't be able to do
it on my own. | 0:34:04 | 0:34:08 | |
You know, I would rather people
that he's involved with, | 0:34:08 | 0:34:10 | |
who he's already been working with,
were involved with it. | 0:34:10 | 0:34:13 | |
So he always has these ideas, very
grand ideas, and some of these ideas | 0:34:13 | 0:34:17 | |
are excellent but it's about scaling
it down to what's manageable. | 0:34:17 | 0:34:22 | |
It's just the fear of... | 0:34:22 | 0:34:23 | |
Cos I see this lone person up,
you know, with, whatever, | 0:34:23 | 0:34:27 | |
his machine, his decks... I know
that. I didn't visualise that. | 0:34:27 | 0:34:30 | |
I always visualise him
having support. | 0:34:30 | 0:34:33 | |
All of those people coming in
and you just think...mm. Yeah. | 0:34:33 | 0:34:37 | |
Possibly not. Possibly not. | 0:34:37 | 0:34:39 | |
Ruth may be worried that we're
setting him up to fail, | 0:34:42 | 0:34:48 | |
that maybe in the pursuit of this,
him being this big DJ, | 0:34:48 | 0:34:53 | |
doing this big gig,
somewhere along the line we'll fail. | 0:34:53 | 0:34:57 | |
You know, that's a legitimate
concern, I think. | 0:34:57 | 0:35:00 | |
But, you know, maybe, if Christopher
isn't willing to accept a... | 0:35:02 | 0:35:07 | |
smaller version of his dream, then
he might want to abandon it himself. | 0:35:07 | 0:35:12 | |
I'd like to put on this gig. | 0:35:21 | 0:35:24 | |
Now I'm thinking I'm not ready
to do this. | 0:35:24 | 0:35:27 | |
I'm thinking it's a bit too much. | 0:35:30 | 0:35:32 | |
But it's not too much. | 0:35:34 | 0:35:35 | |
In Oban, housing officer
Ailsa has been working | 0:35:52 | 0:35:55 | |
with 20-year-old Niamh, who was made
homeless ten months ago. | 0:35:55 | 0:35:59 | |
The waiting time just now
is relatively short. | 0:36:07 | 0:36:11 | |
I know it may feel to the people
that are waiting on a house | 0:36:11 | 0:36:14 | |
that six,
seven months is quite a long time. | 0:36:14 | 0:36:17 | |
It has been as high as two years. | 0:36:17 | 0:36:19 | |
I'm on the way to see Niamh today. | 0:36:19 | 0:36:22 | |
She was offered a house last week, | 0:36:22 | 0:36:24 | |
through
West Highland Housing Association. | 0:36:24 | 0:36:26 | |
And so she's in the process
of moving into that, so we're | 0:36:26 | 0:36:28 | |
going up to see her today, to see
how she's getting on with her move. | 0:36:28 | 0:36:32 | |
They'll both be very excited,
but moving home is stressful, | 0:36:32 | 0:36:36 | |
cos there's a lot of things that she
may well not be familiar with | 0:36:36 | 0:36:39 | |
from not having had her own tenancy
before. | 0:36:39 | 0:36:41 | |
Hello! Hiya, how are you? Fine,
how are you? Oh, I'm all right. | 0:36:46 | 0:36:49 | |
Are you getting on OK or are you
very stressed? Very stressed. | 0:36:49 | 0:36:52 | |
Very stressed. It's not easy
moving house. No, I know. | 0:36:52 | 0:36:55 | |
That's when you realise all
the stuff you've accumulated. | 0:36:55 | 0:36:58 | |
So, this is it. Oh, very nice.
It's massive. My kitchen's the best. | 0:36:58 | 0:37:03 | |
And how's Isla? Oh...
Is it a bit strange for her? | 0:37:03 | 0:37:06 | |
No, she's been all right, actually. | 0:37:06 | 0:37:08 | |
I thought she would be
a bit unsettled | 0:37:08 | 0:37:11 | |
but she seems to know
what's going on, so... | 0:37:11 | 0:37:14 | |
That's a nice size too, very nice.
I'm very pleased with it. | 0:37:14 | 0:37:17 | |
So who's this out in the garden with
Isla? Billy. This is my new man. | 0:37:17 | 0:37:21 | |
He's lovely. From Edinburgh. I'll go
out and say hello. Aye, that's fine. | 0:37:21 | 0:37:25 | |
Hiya, how're you getting on? | 0:37:29 | 0:37:30 | |
I'm just getting
the low-down on you, | 0:37:30 | 0:37:32 | |
that's what I was getting there! | 0:37:32 | 0:37:33 | |
All good, I hope? It was all right,
yeah! Sure it was, eh? | 0:37:33 | 0:37:36 | |
Is that good? So you know where
we are if you're ever stuck. | 0:37:38 | 0:37:41 | |
We don't mind you phoning up
and asking something. | 0:37:41 | 0:37:43 | |
We can put you on to somebody. | 0:37:43 | 0:37:45 | |
You know, rather than get into any
difficulties here, because what | 0:37:46 | 0:37:49 | |
we want is for you to be here
and this is your permanent home now. | 0:37:49 | 0:37:51 | |
And we don't really want anybody
back! That's the truth! | 0:37:53 | 0:37:58 | |
You don't want me back.
No, it's nothing personal. | 0:37:58 | 0:38:00 | |
No, I know, I won't be back,
don't worry. | 0:38:00 | 0:38:02 | |
We're all about getting somebody
a permanent home and, you know, | 0:38:02 | 0:38:07 | |
we don't want setting you up here
to fail, or anything like that. | 0:38:07 | 0:38:09 | |
We know that you're at a stage
when you're ready to do it. | 0:38:09 | 0:38:12 | |
And it's nice when people keep
saying permanent. My permanent home. | 0:38:12 | 0:38:15 | |
It's great, I love it.
It's exciting. | 0:38:15 | 0:38:17 | |
Can't wait to get in here and cook.
Oh, right, OK. | 0:38:17 | 0:38:20 | |
I just want to cook, cook, cook.
Oh, no, I'm not cooking tonight. | 0:38:20 | 0:38:24 | |
Carryout. That's a carryout or
a takeaway. Takeaway, no cooking. | 0:38:24 | 0:38:27 | |
Yeah, that's a good excuse.
But, no, that's magic. That's magic. | 0:38:27 | 0:38:30 | |
Right, I'll see you next week.
Yes, it was lovely to see you. | 0:38:33 | 0:38:36 | |
Thanks for popping round.
See you later. Right. | 0:38:36 | 0:38:38 | |
Good girl. Right, in you go.
Go on, then. | 0:38:40 | 0:38:43 | |
It's nice to see people
getting housed. | 0:38:43 | 0:38:45 | |
The be-all and end-all of what we do
is getting people a permanent home. | 0:38:45 | 0:38:49 | |
People are so happy at that point. | 0:38:49 | 0:38:51 | |
That's what you want to see,
them getting settled. | 0:38:51 | 0:38:53 | |
A lot of people start to think, | 0:38:53 | 0:38:55 | |
"Well, what else do
I need to sort out? Can I get a job? | 0:38:55 | 0:38:58 | |
"Will I go back to college?" | 0:38:58 | 0:39:00 | |
Because not having a home is a big
thing that hangs over people | 0:39:00 | 0:39:04 | |
and once they get that sorted,
they can look at what | 0:39:04 | 0:39:06 | |
they want to do in the future
as well, so it's nice, it's good. | 0:39:06 | 0:39:10 | |
It's the best part of the job,
is seeing someone get a house. | 0:39:10 | 0:39:13 | |
There are around 2,000 planning
applications made in Argyle and Bute | 0:39:22 | 0:39:26 | |
every year and each one of them | 0:39:26 | 0:39:29 | |
has to be assessed by a council
planning officer, like Rory. | 0:39:29 | 0:39:33 | |
Today is going out to Islay,
which is | 0:39:34 | 0:39:37 | |
one of the areas I'm sort of
nominally responsible for, | 0:39:37 | 0:39:40 | |
and doing the site visits
for these applications. | 0:39:40 | 0:39:43 | |
Economical development can be
a precious thing where we are, | 0:39:46 | 0:39:50 | |
so we really do our best
to facilitate that, | 0:39:50 | 0:39:52 | |
but it has to be the right thing,
in the right place. | 0:39:52 | 0:39:55 | |
Most of the area I cover, there is | 0:39:59 | 0:40:00 | |
a real traditional character
to the buildings in the built | 0:40:00 | 0:40:03 | |
development and that is not always
necessarily compatible with | 0:40:03 | 0:40:08 | |
modern needs and development so
there can be a tension, definitely. | 0:40:08 | 0:40:12 | |
So sometimes this
is, like, a crucial bit, | 0:40:13 | 0:40:16 | |
is standing out on the ferry as you
approach or as you leave. | 0:40:16 | 0:40:19 | |
Sometimes there are just
views that are really | 0:40:19 | 0:40:21 | |
important from the ferry
that are going to affect how this | 0:40:21 | 0:40:24 | |
place is experienced and you don't
get it from anywhere else, | 0:40:24 | 0:40:26 | |
so it can be an important part
of how you look at things. | 0:40:26 | 0:40:29 | |
Once on Islay, Rory wants to
assess the development plot | 0:40:32 | 0:40:36 | |
from a distance to see how it
will fit into the landscape. | 0:40:36 | 0:40:40 | |
So what we've got is a house
that's under construction | 0:40:42 | 0:40:45 | |
and someone looking to put
up a couple of timber cabins | 0:40:45 | 0:40:48 | |
in the garden ground
for holiday letting. | 0:40:48 | 0:40:50 | |
You can see at least that there's
a significant backdrop to the | 0:40:52 | 0:40:55 | |
development, which is good. It's
sort of got a setting around it. | 0:40:55 | 0:40:58 | |
I think to have two timber cabins in
there, in what will probably look... | 0:40:58 | 0:41:03 | |
You know,
will look OK in the landscape. | 0:41:03 | 0:41:05 | |
When I'm looking at these things, | 0:41:07 | 0:41:09 | |
I have a logical process that I go
through and it starts off with - | 0:41:09 | 0:41:11 | |
is the principle of this thing
broadly consistent | 0:41:11 | 0:41:15 | |
with our development plan policy?
So the answer to this one is yes, | 0:41:15 | 0:41:18 | |
small-scale tourism development. | 0:41:18 | 0:41:20 | |
So then we just have
to look at the specifics. | 0:41:20 | 0:41:24 | |
Immediately here,
we have a bit of a problem. | 0:41:25 | 0:41:27 | |
There's a separate road opening
permit consent process that | 0:41:27 | 0:41:32 | |
needs to be gone through before
you can create new accesses onto | 0:41:32 | 0:41:35 | |
the public road
and I don't think that's been done. | 0:41:35 | 0:41:37 | |
Not something we deal with,
but something we'll pass on. | 0:41:37 | 0:41:39 | |
So the two cabins are proposed to go
up on that...up on this ledge here. | 0:41:39 | 0:41:43 | |
There's not really much to see,
in terms of getting up there | 0:41:45 | 0:41:47 | |
but I like to just go and have
a walk around anyway, you know, | 0:41:47 | 0:41:49 | |
where the things
are actually going to be. | 0:41:49 | 0:41:51 | |
The application says
"part retrospective" | 0:41:58 | 0:42:01 | |
and I thought that was
because the access was in | 0:42:01 | 0:42:04 | |
but it turns out the cabin's
already there, one of them. | 0:42:04 | 0:42:08 | |
Is that allowed? No. | 0:42:10 | 0:42:12 | |
I wasn't expecting that. | 0:42:15 | 0:42:17 | |
Fundamentally, this is a development | 0:42:18 | 0:42:20 | |
that should have planning
permission that doesn't. | 0:42:20 | 0:42:23 | |
It's well hidden, anyway,
because I didn't notice it! | 0:42:26 | 0:42:28 | |
It is what it is.
I've got an application in | 0:42:30 | 0:42:32 | |
to assess this and I'll assess it. | 0:42:32 | 0:42:33 | |
And then, based on the outcome
of that assessment, | 0:42:36 | 0:42:40 | |
we'll either need to take some
action or we won't. | 0:42:40 | 0:42:43 | |
We won't view it any more positively
because it's already there | 0:42:43 | 0:42:46 | |
so there may well be consequences. | 0:42:46 | 0:42:48 | |
Obviously this is one.
The application's for two, | 0:42:50 | 0:42:52 | |
so I need to have a think
about the other one as well, | 0:42:52 | 0:42:55 | |
which is just going in this area
of trees over here. | 0:42:55 | 0:42:57 | |
Next steps for this one will be to
go back to the office - | 0:42:59 | 0:43:03 | |
I'll probably have a chat
with my manager, my colleague, | 0:43:03 | 0:43:06 | |
the enforcement officer,
about the fact this is already here | 0:43:06 | 0:43:09 | |
and we'll take it from there. | 0:43:09 | 0:43:10 | |
Rory's boss, back in Lochgilphead, | 0:43:13 | 0:43:15 | |
is principal planning
officer Richard. | 0:43:15 | 0:43:19 | |
That's it. Why do people do this?
It's just annoying. | 0:43:19 | 0:43:23 | |
You know, it makes life difficult
for us, it's a risk for him, | 0:43:23 | 0:43:28 | |
councillors hate it.
Retrospective applications. | 0:43:28 | 0:43:30 | |
You know, if anything's going to
push their buttons, | 0:43:30 | 0:43:32 | |
it's a retrospective application.
But there's nothing going on now? | 0:43:32 | 0:43:35 | |
He's stopped?
No, there was no-one there. | 0:43:35 | 0:43:37 | |
Something's happened,
because he's got halfway through | 0:43:37 | 0:43:40 | |
and then applied for the two,
sought to regularise it. | 0:43:40 | 0:43:43 | |
We didn't intervene. | 0:43:43 | 0:43:44 | |
We have a massive
geographical spread | 0:43:44 | 0:43:47 | |
and a limited amount of staff,
really, | 0:43:47 | 0:43:49 | |
and we're not
everywhere at all times, | 0:43:49 | 0:43:51 | |
so we do rely to a certain extent
on people complaining, you know, | 0:43:51 | 0:43:55 | |
on local residents noticing things
that haven't got planning permission | 0:43:55 | 0:44:00 | |
and informing us about it, | 0:44:00 | 0:44:02 | |
so people aren't typically shy
about that and it's really helpful | 0:44:02 | 0:44:06 | |
because we sort of do need
the help to see these things. | 0:44:06 | 0:44:09 | |
But you couldn't see this
till you got actually | 0:44:09 | 0:44:11 | |
physically on the site,
so you wouldn't see it, | 0:44:11 | 0:44:13 | |
if you were driving past or
whatever, you wouldn't see it. | 0:44:13 | 0:44:16 | |
He's possibly done this in good
faith and not realised, | 0:44:16 | 0:44:18 | |
but we'll figure it out. | 0:44:18 | 0:44:19 | |
We need to address what
he has to do for the house. | 0:44:19 | 0:44:23 | |
Yeah, I totally agree. | 0:44:23 | 0:44:25 | |
If we can get all that sorted
out satisfactorily, | 0:44:25 | 0:44:28 | |
then my feeling is it's something
in principle | 0:44:28 | 0:44:34 | |
that we can support. OK. | 0:44:34 | 0:44:35 | |
I did my site inspection sheet.
Good man. | 0:44:35 | 0:44:37 | |
Following the rules.
As always. It is useful, though. | 0:44:38 | 0:44:42 | |
It's always great
to run things past Richard. | 0:44:43 | 0:44:45 | |
He essentially has the same
thoughts that I do. | 0:44:45 | 0:44:47 | |
I think this one is lucky that,
I think, | 0:44:47 | 0:44:51 | |
ultimately it's going to be
a positive outcome. | 0:44:51 | 0:44:54 | |
Something of this scale
that's retrospective, | 0:44:54 | 0:44:57 | |
if it's the wrong type of thing in
the wrong place, can go badly wrong. | 0:44:57 | 0:45:02 | |
Look, the sun's coming out. | 0:45:14 | 0:45:16 | |
Optimism. | 0:45:18 | 0:45:19 | |
In Oban, Pamela and the
adult learning disability team have | 0:45:19 | 0:45:24 | |
decided to help Christopher take
his first steps to becoming a DJ. | 0:45:24 | 0:45:28 | |
So, today, I'm hoping to be able to
say to him | 0:45:30 | 0:45:34 | |
that I'd like to support him | 0:45:34 | 0:45:36 | |
and find out from him
exactly what his vision is... | 0:45:36 | 0:45:40 | |
..so that we can try and
accommodate it as much as possible. | 0:45:42 | 0:45:45 | |
Potentially, it could be great. | 0:45:47 | 0:45:48 | |
Hello! | 0:45:55 | 0:45:57 | |
Christopher, can you remember
I was talking to you | 0:45:57 | 0:46:01 | |
about the DJing people...
Yes. ..that I've come across? Mm-hm. | 0:46:01 | 0:46:05 | |
They are a small company
who are experts | 0:46:05 | 0:46:10 | |
in training people up to be DJs.
Yes. | 0:46:10 | 0:46:13 | |
And one of them in particular
is a really well known DJ | 0:46:15 | 0:46:21 | |
and he's very skilled. | 0:46:21 | 0:46:23 | |
Well, these people,
I think, would be | 0:46:23 | 0:46:25 | |
willing to come along
and assess what you can do | 0:46:25 | 0:46:29 | |
and give you any training that you
might need to put on a gig. Mm-hm. | 0:46:29 | 0:46:35 | |
I love that. Do you like that idea?
You love that idea. | 0:46:35 | 0:46:38 | |
Hello! Hi. | 0:46:38 | 0:46:40 | |
I've got some gentlemen here...
Hello! | 0:46:40 | 0:46:44 | |
Christopher, good to meet you.
I've heard a lot of good things. | 0:46:44 | 0:46:46 | |
How are you? I'm good. I'm Steven.
I'm Jack. Nice to meet you, Jack. | 0:46:46 | 0:46:52 | |
So, I hear you're a bit of a DJ.
Yep, it's true. Excellent. | 0:46:52 | 0:46:56 | |
So, what kind of DJ stuff
do you have? | 0:46:56 | 0:46:59 | |
I've got lots of things. | 0:46:59 | 0:47:01 | |
I've got something in my room
to set up music. OK. | 0:47:01 | 0:47:05 | |
I don't know how they work. OK. | 0:47:05 | 0:47:06 | |
I think one of you guys
will try to help me out. | 0:47:06 | 0:47:09 | |
Yeah, yeah,
we can certainly have a look. | 0:47:09 | 0:47:11 | |
We brought some stuff with us
as well, some music. | 0:47:11 | 0:47:14 | |
I've got my music too. OK, OK. | 0:47:14 | 0:47:16 | |
Do you remember him? Yes, I've
met him. You've met him? Yeah, yeah. | 0:47:20 | 0:47:26 | |
Very famous. No, he's cool. | 0:47:26 | 0:47:29 | |
So you want to press play
on here and push that up. | 0:47:29 | 0:47:32 | |
Press play again. | 0:47:33 | 0:47:34 | |
MUSIC PLAYS | 0:47:34 | 0:47:36 | |
Cool. | 0:47:34 | 0:47:36 | |
So what you want to do is,
see the cue button? Yes. | 0:47:36 | 0:47:38 | |
You want to keep on time, so you
want to go one, two, three, four, | 0:47:38 | 0:47:41 | |
one, two, three, four, | 0:47:41 | 0:47:43 | |
one, two, three, four
and then hit play. | 0:47:43 | 0:47:47 | |
That's you mixed the next track in.
Then you want to pull this one down. | 0:47:47 | 0:47:51 | |
There we go. There you go!
DJ, that's you mixed a track. | 0:47:51 | 0:47:54 | |
So try and maybe cue up another one.
You want to do another one? Mm-hm. | 0:47:54 | 0:47:58 | |
Hit the cue. Oh, sorry.
Ready to hit play when it kicks in? | 0:47:58 | 0:48:01 | |
One, two, three, four... | 0:48:01 | 0:48:02 | |
Go. Aye, perfect. | 0:48:04 | 0:48:06 | |
The guys just clicked with him
and I think that he's quite excited. | 0:48:06 | 0:48:12 | |
He kind of... He's much more skilled
than I thought he would be | 0:48:12 | 0:48:15 | |
and he's been very clear
about what he needs help with, | 0:48:15 | 0:48:18 | |
which is great, so I'm feeling
really positive about it. | 0:48:18 | 0:48:22 | |
I think he's really clearly enjoying
himself there, so, yeah, | 0:48:22 | 0:48:27 | |
I feel good about it. | 0:48:27 | 0:48:28 | |
It went well. | 0:48:28 | 0:48:30 | |
There you go! There we go.
Are you hearing that? | 0:48:30 | 0:48:32 | |
The economy of the area's coastal
communities is driven by tourism. | 0:48:40 | 0:48:46 | |
The council are hoping that £30
million of investment in the main | 0:48:46 | 0:48:50 | |
seafront towns will attract
more businesses | 0:48:50 | 0:48:54 | |
and create jobs all year round. | 0:48:54 | 0:48:57 | |
Overseeing that investment in Dunoon
is project manager John. | 0:48:57 | 0:49:01 | |
What do you think people think of
when they think of Dunoon? | 0:49:03 | 0:49:06 | |
It's perhaps, um...
fond memories of their holidays | 0:49:06 | 0:49:10 | |
because for Paisley, Glasgow, etc,
this is where they came. | 0:49:10 | 0:49:14 | |
It's a lovely place. | 0:49:16 | 0:49:18 | |
There are jobs and that's good | 0:49:18 | 0:49:20 | |
but there's not necessarily the
high-value jobs so people, you'll | 0:49:20 | 0:49:24 | |
maybe find, are working two or three
jobs to keep their house going. | 0:49:24 | 0:49:29 | |
One major focus
of the regeneration in Dunoon | 0:49:33 | 0:49:36 | |
is on the Queen's Hall, with
£11 million of council investment. | 0:49:36 | 0:49:41 | |
We'd the Queen's Hall
looking a bit run-down | 0:49:41 | 0:49:43 | |
so your initial gate into Dunoon and
wider Kyle was looking a bit tired. | 0:49:43 | 0:49:50 | |
But over the last 18 months,
we've done phase one. | 0:49:51 | 0:49:54 | |
So we're changing the whole
front of the building. | 0:49:56 | 0:49:59 | |
We're actually probably about four
months into a 12-month build. | 0:50:00 | 0:50:03 | |
So the first stage of it was
the demolition works of the | 0:50:03 | 0:50:06 | |
existing building we had to tear
down before we do the new building. | 0:50:06 | 0:50:09 | |
And then we've got a new build
structure along here which is | 0:50:09 | 0:50:13 | |
two storeys high. | 0:50:13 | 0:50:15 | |
Come this way. | 0:50:15 | 0:50:16 | |
This is the main auditorium. It got
used for lots of different things. | 0:50:19 | 0:50:23 | |
It got used for boxing matches, | 0:50:23 | 0:50:24 | |
come as you are dances back
in the sort of '50s and '60s. | 0:50:24 | 0:50:28 | |
It gets used a lot for ceilidhs
and highland dancing. | 0:50:28 | 0:50:30 | |
"Why, at a time
when budgets are being cut, | 0:50:32 | 0:50:34 | |
"are you investing in a building? | 0:50:34 | 0:50:37 | |
"Aren't there other things
that are more important?" | 0:50:37 | 0:50:40 | |
But if you look at the combination
of investment around the town, | 0:50:40 | 0:50:44 | |
it's small steps which,
added together, | 0:50:44 | 0:50:47 | |
make a sea change in how
people view this town. | 0:50:47 | 0:50:50 | |
At the end of the day, hopefully
when you hand the building over | 0:50:54 | 0:50:57 | |
and people can look at it and say, | 0:50:57 | 0:50:59 | |
"Actually, it is
beginning to make a difference." | 0:50:59 | 0:51:01 | |
And even if that difference is only
a change in perception or | 0:51:01 | 0:51:06 | |
a change in attitude, | 0:51:06 | 0:51:07 | |
people starting to believe
in their town a bit more and say, | 0:51:07 | 0:51:10 | |
"Why shouldn't Dunoon be trying to
get that employer to come to | 0:51:10 | 0:51:15 | |
"this town and set up business?" | 0:51:15 | 0:51:17 | |
And then that just opens up the door
for the young people | 0:51:17 | 0:51:21 | |
across a number of fields
where they can say, | 0:51:21 | 0:51:23 | |
"Hey, I can go away to university
and I can go and get my degree, | 0:51:23 | 0:51:27 | |
"but if I want to, I can come back
and live in Dunoon and work." | 0:51:27 | 0:51:30 | |
As opposed to having to
go in live in Glasgow or go | 0:51:30 | 0:51:34 | |
and live in Edinburgh. | 0:51:34 | 0:51:37 | |
While restoring the Queen's Hall
to its former glory, | 0:51:37 | 0:51:41 | |
John and his team unearthed
an unexpected piece of the past. | 0:51:41 | 0:51:45 | |
What we found when we started
opening up the building was | 0:51:46 | 0:51:49 | |
this time capsule.
It's quite a simple construction. | 0:51:49 | 0:51:52 | |
We ourselves don't actually
know what's in it | 0:51:52 | 0:51:55 | |
but we believe
it's from about 1956, 1958. | 0:51:55 | 0:51:58 | |
It's brilliant.
Right, ready for this? | 0:51:58 | 0:52:00 | |
Oh, a letter in a bottle. | 0:52:03 | 0:52:04 | |
And some old coins. | 0:52:07 | 0:52:09 | |
Alex F Dobie, the town clerk for the
borough of Dunoon. Provost EF Wyatt. | 0:52:09 | 0:52:14 | |
That's their business cards. | 0:52:15 | 0:52:17 | |
It's a copy of the Dunoon Observer | 0:52:18 | 0:52:20 | |
and Argyllshire Standard
from Saturday 4th August 1956. | 0:52:20 | 0:52:26 | |
There's a picture on the front
page of this one of the provost | 0:52:26 | 0:52:29 | |
actually inserting the capsule
into the wall of the solum. | 0:52:29 | 0:52:37 | |
We're off to Kirn Primary School. | 0:52:38 | 0:52:41 | |
The fact that we've uncovered
a time capsule from the Queen's Hall | 0:52:41 | 0:52:46 | |
gives us a nice opportunity to go up
and meet the kids | 0:52:46 | 0:52:49 | |
and sort of stimulate
discussion with them. | 0:52:49 | 0:52:53 | |
The opportunity when you're doing
projects like these to come in | 0:52:53 | 0:52:56 | |
and work with the schools,
the primary schools | 0:52:56 | 0:52:58 | |
and the secondary schools,
is great for us | 0:52:58 | 0:53:00 | |
cos we all work for the council
but we're in different parts of it. | 0:53:00 | 0:53:03 | |
John is meeting Miss Wilson, teacher
for the P5 class at Kirn Primary. | 0:53:05 | 0:53:10 | |
That's one of the things we are
keen on exploring with them, because | 0:53:10 | 0:53:13 | |
of these types of projects, it is | 0:53:13 | 0:53:15 | |
career opportunities that they
might not normally | 0:53:15 | 0:53:17 | |
see in a town as small as Dunoon, | 0:53:17 | 0:53:19 | |
so when you've suddenly got big
construction firms in | 0:53:19 | 0:53:22 | |
and architects
and mechanical engineers | 0:53:22 | 0:53:24 | |
and all that kind of thing,
it sparks their interest. | 0:53:24 | 0:53:26 | |
These are potential careers
that these children can go into | 0:53:26 | 0:53:30 | |
and if you plant that
seed at an early age, | 0:53:30 | 0:53:32 | |
it can inspire them
for the rest of their journey. | 0:53:32 | 0:53:35 | |
Morning, boys and girls. My name's
John Gordon. I work for the council. | 0:53:35 | 0:53:40 | |
The reason I've been asked
along today is we've uncovered this | 0:53:40 | 0:53:45 | |
box here, a time capsule. | 0:53:45 | 0:53:47 | |
So this is a chance for you
to see what's gone into it | 0:53:47 | 0:53:50 | |
and perhaps think about why
those things went in. | 0:53:50 | 0:53:54 | |
There is a bottle of Old Mull.
What's that? Whisky. | 0:53:54 | 0:53:57 | |
But I won't be having any!
I don't think we will! | 0:54:00 | 0:54:04 | |
It's a newspaper. | 0:54:04 | 0:54:05 | |
Right, so that newspaper
is six times older than you. | 0:54:05 | 0:54:10 | |
What year is that? Um, 1956? | 0:54:10 | 0:54:14 | |
1956, so this is
when the Queen's Hall was built | 0:54:14 | 0:54:17 | |
and that's what I used to use | 0:54:17 | 0:54:19 | |
to go down to the shop
and buy my sweeties. | 0:54:19 | 0:54:21 | |
Haribo? They didn't have
Haribo when I was a boy. | 0:54:21 | 0:54:25 | |
CHILDREN GASP | 0:54:25 | 0:54:27 | |
Oh, I know! | 0:54:25 | 0:54:27 | |
We didn't have mobile phones, | 0:54:27 | 0:54:29 | |
there was only three channels
on the television... | 0:54:29 | 0:54:31 | |
CHILDREN CLAMOUR | 0:54:31 | 0:54:32 | |
This one's good. | 0:54:36 | 0:54:37 | |
Huge thank you once again, John,
that's been amazing. | 0:54:41 | 0:54:44 | |
Pamela from the adult learning
disability team has been | 0:54:56 | 0:55:00 | |
continuing to support Christopher
with his dream of being a DJ. | 0:55:00 | 0:55:04 | |
So, great news. | 0:55:07 | 0:55:09 | |
Christopher's first debut has been
booked for his DJing event, | 0:55:09 | 0:55:14 | |
which is brilliant and it's going
to be in a pub in Oban. | 0:55:14 | 0:55:19 | |
So that's really exciting news. A
little bit of trepidation about it. | 0:55:19 | 0:55:26 | |
Christopher's always talked
about having this massive gig, | 0:55:26 | 0:55:29 | |
you know, like a lot of the big
DJs have, with hundreds | 0:55:29 | 0:55:33 | |
and hundreds of people
and the whole deal, | 0:55:33 | 0:55:37 | |
and it's... Quite frankly,
it won't be like that. | 0:55:37 | 0:55:42 | |
I don't have much doubts
about him himself, | 0:55:42 | 0:55:44 | |
because he's so keen to do it.
He's so motivated. | 0:55:44 | 0:55:48 | |
You know, he's going to do
something. | 0:55:48 | 0:55:50 | |
He's going to give them a show. | 0:55:50 | 0:55:51 | |
Jack and Steven are actually
going to be supporting | 0:55:51 | 0:55:55 | |
Christopher on the night. | 0:55:55 | 0:55:57 | |
I mean, I'm hoping that he'll have
a big enough crowd that he | 0:55:57 | 0:56:00 | |
feels that it's a proper gig,
in his eyes. | 0:56:00 | 0:56:04 | |
It's part of what we do is - | 0:56:06 | 0:56:08 | |
how do we keep people healthy
and happy and help them | 0:56:08 | 0:56:13 | |
to do what they need to do to feel
good about themselves in life. | 0:56:13 | 0:56:16 | |
That's an important
part of our work. | 0:56:16 | 0:56:18 | |
So tell me what you're feeling
about tonight. I feel good tonight. | 0:56:24 | 0:56:29 | |
Lovely! I'm ready to go! Shall we? | 0:56:38 | 0:56:43 | |
Come on. | 0:56:47 | 0:56:48 | |
Are you nervous at all? Aye. I am. | 0:56:51 | 0:56:55 | |
What does this mean to you,
to do this? | 0:56:55 | 0:56:57 | |
It means I love to do it because...
it's my life, it's my future. | 0:56:57 | 0:57:04 | |
It's the way I have to get better. | 0:57:05 | 0:57:07 | |
Tonight, I'll try my best. | 0:57:08 | 0:57:11 | |
Lovely jubbly. | 0:57:13 | 0:57:15 | |
My friends! | 0:57:19 | 0:57:21 | |
Good to see you again. Jack.
How're you going, how are you? | 0:57:22 | 0:57:25 | |
So, will we get kicked off, then? | 0:57:33 | 0:57:37 | |
So, fader up. | 0:57:37 | 0:57:39 | |
MUSIC STARTS | 0:57:37 | 0:57:39 | |
AUDIENCE MEMBER: Here we go! | 0:57:39 | 0:57:41 | |
Ooft, here it comes. Mix it, man. | 0:57:42 | 0:57:45 | |
You're going
to concentrate on the faders. | 0:57:45 | 0:57:47 | |
Well done. Nailed it. | 0:57:51 | 0:57:53 | |
CROWD: One more tune! One more tune!
One more tune! | 0:58:06 | 0:58:09 | |
CROWD: DJ ROCK! DJ ROCK! | 0:58:17 | 0:58:21 |