Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The British justice system is the envy of the world. | 0:00:02 | 0:00:05 | |
But in the past mistakes have been made. | 0:00:05 | 0:00:08 | |
Between the year 1900 and the year 1964 | 0:00:08 | 0:00:11 | |
approximately 800 people were hanged in the United Kingdom. | 0:00:11 | 0:00:15 | |
Many of those desperately protested their innocence. | 0:00:15 | 0:00:19 | |
Some of these long-standing convictions | 0:00:19 | 0:00:22 | |
could be a miscarriage of justice. | 0:00:22 | 0:00:24 | |
She's received most of the blows in this position | 0:00:24 | 0:00:26 | |
once she's already bleeding. | 0:00:26 | 0:00:28 | |
In this series, a living relative will attempt | 0:00:28 | 0:00:31 | |
to clear their family name... | 0:00:31 | 0:00:33 | |
They got no evidence. They're just trying to haul anybody in for it. | 0:00:33 | 0:00:37 | |
..searching for new evidence... | 0:00:37 | 0:00:39 | |
I can make the 32 fire both calibres. | 0:00:39 | 0:00:42 | |
..with help from two of the UK's leading barristers. | 0:00:44 | 0:00:48 | |
One for the defence... | 0:00:48 | 0:00:49 | |
This is a very worrying case. | 0:00:49 | 0:00:52 | |
I think the evidence is very suspect. | 0:00:52 | 0:00:54 | |
..and one for the prosecution. | 0:00:54 | 0:00:56 | |
I'm still of the view that this was a cogent case of murder, | 0:00:56 | 0:01:00 | |
committed during the course of a robbery. | 0:01:00 | 0:01:03 | |
They're on a mission to solve the mystery, | 0:01:03 | 0:01:06 | |
submitting their findings to a senior Crown Court judge. | 0:01:06 | 0:01:10 | |
There is a real risk that there has been a miscarriage of justice here. | 0:01:10 | 0:01:14 | |
I will look again at the evidence in the light of the arguments that you | 0:01:14 | 0:01:18 | |
both have put before me. | 0:01:18 | 0:01:20 | |
Can this modern investigation rewrite history? | 0:01:20 | 0:01:24 | |
Manchester, July the 19th, 1933. | 0:01:32 | 0:01:36 | |
In the stifling summer heat 61-year-old wealthy widow, | 0:01:39 | 0:01:43 | |
Frances Levin lay down to rest after lunch. | 0:01:43 | 0:01:47 | |
Shortly after 2:30pm her maid, Freda Phillips, retired upstairs | 0:01:47 | 0:01:52 | |
to complete her chores, leaving the back door open for air. | 0:01:52 | 0:01:56 | |
Returning to the kitchen two hours later, she made a grisly discovery. | 0:01:56 | 0:02:01 | |
An iron bar lay on the floor, | 0:02:01 | 0:02:03 | |
a bloodied shirt, used to wipe it clean, thrown on the table. | 0:02:03 | 0:02:07 | |
Her employer, Mrs Levin, was found in the front room. | 0:02:07 | 0:02:10 | |
She'd been brutally bludgeoned, and left for dead. | 0:02:10 | 0:02:13 | |
The murder investigation focused on hunting a man | 0:02:15 | 0:02:17 | |
who the maid had earlier glimpsed from an upstairs window, | 0:02:17 | 0:02:21 | |
exiting the house. | 0:02:21 | 0:02:22 | |
Eight days later, a 47-year-old one-eyed local, | 0:02:23 | 0:02:27 | |
called William Burtoft, was arrested. | 0:02:27 | 0:02:29 | |
And, according to detectives, quickly confessed. | 0:02:29 | 0:02:32 | |
At Manchester Strangeways prison on the 19th of December, 1933, | 0:02:34 | 0:02:39 | |
he was hanged. | 0:02:39 | 0:02:40 | |
That's Nanny Cookie. | 0:02:42 | 0:02:44 | |
And that's dad's... Dad, John. | 0:02:44 | 0:02:46 | |
Kate O'Reilly, a descendant of William Burtoft's brother, | 0:02:46 | 0:02:50 | |
only recently discovered her ancestor's fate. | 0:02:50 | 0:02:53 | |
William Burtoft was my grandad's uncle. | 0:02:53 | 0:02:56 | |
It's strange to feel like you've got a murderer in the family. | 0:02:56 | 0:03:00 | |
I'd love to find out what his character was like. | 0:03:00 | 0:03:02 | |
She and her mum know little about Burtoft's life. | 0:03:03 | 0:03:06 | |
He spent time at sea in the Navy and during World War I, the merchant | 0:03:06 | 0:03:10 | |
fleet, before hitting harder times on Manchester's streets. | 0:03:10 | 0:03:13 | |
He seemed like a little bit of a down and out. | 0:03:13 | 0:03:16 | |
He had nowhere to live and he was an alcoholic. | 0:03:16 | 0:03:19 | |
Doesn't mean that people like that go around murdering people. | 0:03:19 | 0:03:23 | |
-Your dad's grandad. -Yep. | 0:03:23 | 0:03:25 | |
Kate is keen to learn more about her great great uncle | 0:03:25 | 0:03:28 | |
and whether he was really guilty. | 0:03:28 | 0:03:31 | |
There's a lot of suspicious things that just doesn't add up | 0:03:32 | 0:03:35 | |
with the case at all. | 0:03:35 | 0:03:36 | |
It would be nice to find that he is innocent. | 0:03:36 | 0:03:39 | |
If we can find justice for him, then that would be great. | 0:03:39 | 0:03:41 | |
Helping Kate to unravel the suspicious case | 0:03:43 | 0:03:45 | |
are two of the country's best legal minds. | 0:03:45 | 0:03:49 | |
Jeremy Dein QC is a top defence barrister, with over 30 years | 0:03:49 | 0:03:52 | |
experience specialising in serious crime. | 0:03:52 | 0:03:55 | |
Analysing the case for the prosecution is Sasha Wass QC, | 0:03:56 | 0:04:00 | |
who has successfully convicted some of the country's most notorious offenders. | 0:04:00 | 0:04:04 | |
Together, they'll scrutinise the facts, | 0:04:05 | 0:04:08 | |
searching for the new legal argument or evidence needed | 0:04:08 | 0:04:11 | |
to put the case in front of a modern-day judge. | 0:04:11 | 0:04:14 | |
Kate, hello. Sasha. | 0:04:15 | 0:04:17 | |
But before they get started they've asked to meet with Kate. | 0:04:17 | 0:04:19 | |
Do any of your other family know about this? | 0:04:21 | 0:04:24 | |
-Yes. -And how have they reacted? | 0:04:24 | 0:04:26 | |
My husband thinks he's innocent. | 0:04:26 | 0:04:28 | |
-Yes. -He knows the area so he said he couldn't get there that quick. | 0:04:28 | 0:04:31 | |
Oh, right, OK, yes. You've done your own investigations? | 0:04:31 | 0:04:34 | |
-Yeah, a little bit. -OK. | 0:04:34 | 0:04:36 | |
Obviously, you didn't know your great great uncle. | 0:04:36 | 0:04:39 | |
-No. -But if he was wrongly hanged, how would that make you feel? | 0:04:39 | 0:04:44 | |
Just picked up as an innocent person and then wrongly hanged. | 0:04:44 | 0:04:46 | |
It's quite sad, though, isn't it? | 0:04:46 | 0:04:49 | |
Because then there was a real murderer that got away with it. | 0:04:49 | 0:04:52 | |
So it's a double injustice, isn't it? | 0:04:52 | 0:04:53 | |
-Well, yeah. -An innocent man was hanged and a guilty man | 0:04:53 | 0:04:57 | |
-was free to do whatever he wanted. -Yeah. | 0:04:57 | 0:04:59 | |
My role in this inquiry is to look back at William Burtoft's case | 0:04:59 | 0:05:04 | |
and to see if I can find some new angle, which we can use to form | 0:05:04 | 0:05:10 | |
the basis for possibly reopening the case in the future. | 0:05:10 | 0:05:14 | |
I prosecute and defend but I do not want to uphold this conviction | 0:05:14 | 0:05:19 | |
at all costs. Far from it. | 0:05:19 | 0:05:22 | |
If I find evidence which causes me to be concerned, | 0:05:22 | 0:05:25 | |
I will put that before a judge. | 0:05:25 | 0:05:27 | |
Rest assured, that is my role, to be as fair as I possibly can be. | 0:05:27 | 0:05:31 | |
-OK. -Given all the evidence. -Brilliant. | 0:05:31 | 0:05:33 | |
All right, thank you very much. | 0:05:33 | 0:05:35 | |
-Thank you. -Thanks. | 0:05:35 | 0:05:36 | |
The first task for Jeremy and Sasha is to get to grips | 0:05:36 | 0:05:40 | |
with the key facts of the murder. | 0:05:40 | 0:05:42 | |
Frances Levin, a 61-year-old woman, | 0:05:42 | 0:05:45 | |
was brutally attacked in her own home in Cheetham Hill, | 0:05:45 | 0:05:49 | |
on the outskirts of Manchester. | 0:05:49 | 0:05:52 | |
Mrs Levin was confronted in the sitting room. | 0:05:53 | 0:05:56 | |
But she wasn't alone in the house. | 0:05:56 | 0:05:58 | |
Upstairs was her maid, Freda. | 0:05:58 | 0:06:00 | |
She claimed to hear nothing of the attack. | 0:06:00 | 0:06:02 | |
Her maid was in an upstairs room and had an opportunity of looking down | 0:06:03 | 0:06:09 | |
and seeing a man wearing a trilby walking out of the house | 0:06:09 | 0:06:13 | |
from a side alley of the house. | 0:06:13 | 0:06:15 | |
She went down to the kitchen, she found a poker, bloodstained, | 0:06:15 | 0:06:20 | |
immediately ran next door for help. | 0:06:20 | 0:06:22 | |
And the next door neighbour found Mrs Levin's body. | 0:06:22 | 0:06:26 | |
They called the emergency services but sadly Mrs Levin died shortly | 0:06:26 | 0:06:30 | |
-afterwards. -Sasha, we know that there were a number of witnesses. | 0:06:30 | 0:06:34 | |
Mrs Levin's maid. | 0:06:34 | 0:06:36 | |
An electrician next door, Mr Woodcock. | 0:06:36 | 0:06:39 | |
And Francis Levin had had lunch with her brother. | 0:06:39 | 0:06:42 | |
So there were people around. | 0:06:42 | 0:06:45 | |
Witnesses, possible suspects. | 0:06:45 | 0:06:46 | |
And what is it that led the police to William Burtoft? | 0:06:46 | 0:06:50 | |
One of the most salient features of this case, of course, | 0:06:50 | 0:06:53 | |
is that William Burtoft was arrested, | 0:06:53 | 0:06:56 | |
and made a full confession. | 0:06:56 | 0:06:59 | |
But what I think we've got to look at very carefully | 0:06:59 | 0:07:01 | |
is whether there is any evidence capable of supporting | 0:07:01 | 0:07:03 | |
that confession. | 0:07:03 | 0:07:05 | |
Whilst the barristers delve into the case, | 0:07:06 | 0:07:08 | |
Kate has arrived in Cheetham Hill, at the location | 0:07:08 | 0:07:11 | |
of this brutal murder. | 0:07:11 | 0:07:12 | |
She's meeting crime writer John Eddleston. | 0:07:12 | 0:07:15 | |
Could his research into the case provide any new insight? | 0:07:15 | 0:07:18 | |
-Hello, Kate. -Hiya, John. -Nice to meet you. -Nice to meet you, too. | 0:07:18 | 0:07:22 | |
This is the street. We're actually looking at the same spot at the time. | 0:07:22 | 0:07:25 | |
-OK. -But what you want to see, of course, is the crime scene. | 0:07:25 | 0:07:28 | |
-Yes, please. -Come with me. -OK. | 0:07:28 | 0:07:31 | |
The victim and her family lived at Claremont House. | 0:07:31 | 0:07:34 | |
The property no longer exists but John has crime scene photographs | 0:07:34 | 0:07:38 | |
taken on the day of the murder. | 0:07:38 | 0:07:40 | |
Well, unfortunately, both her house and the doctor next door, both gone. | 0:07:41 | 0:07:45 | |
-Yep. -But you can see, actually, the wall, | 0:07:45 | 0:07:48 | |
that's where the killer came in and out. | 0:07:48 | 0:07:50 | |
This is the kitchen. | 0:07:50 | 0:07:51 | |
Remember that the killer came in through the back door. | 0:07:51 | 0:07:53 | |
-Yes. -We've got the fire grate here where the weapon was picked up from. | 0:07:53 | 0:07:57 | |
-Yep. -This is the actual room that they think the murder took place in. | 0:07:57 | 0:08:01 | |
-Right, OK. -We've got a piano on the side here. | 0:08:01 | 0:08:03 | |
-Yeah. -Nice grand clock. | 0:08:03 | 0:08:05 | |
But if you look at the settee and the window, | 0:08:05 | 0:08:07 | |
you see a heavily-bloodstained pillow. | 0:08:07 | 0:08:09 | |
-Oh, yeah. -So she was lying here. | 0:08:09 | 0:08:11 | |
Mrs Levin was found lying on the sofa, just as the maid had left her, | 0:08:12 | 0:08:16 | |
before heading upstairs to her chores. | 0:08:16 | 0:08:18 | |
That's the view that the maid, Freda, would have had, | 0:08:20 | 0:08:22 | |
looking down from her room. | 0:08:22 | 0:08:24 | |
That's the wicker gate. | 0:08:24 | 0:08:25 | |
And she says she saw a man in a brown coat, trilby hat, walking out. | 0:08:25 | 0:08:31 | |
That must almost certainly be the killer. | 0:08:31 | 0:08:32 | |
-Yep. -Freda Phillips would have got her description of the man from this | 0:08:32 | 0:08:36 | |
-angle. -That's all she could have seen, yeah. | 0:08:36 | 0:08:38 | |
The maid's description of the man, plus the apparent theft, | 0:08:38 | 0:08:42 | |
led police to suspect the culprit would be found | 0:08:42 | 0:08:44 | |
amongst the local homeless ranks. | 0:08:44 | 0:08:46 | |
In the 1930s, the world economy was in a Great Depression. | 0:08:48 | 0:08:52 | |
Britain's trade collapsed, | 0:08:52 | 0:08:54 | |
leaving the unemployed in industrial centres, like Manchester, destitute. | 0:08:54 | 0:08:58 | |
For many, now homeless, queueing at soup kitchens and habitual drinking | 0:08:58 | 0:09:02 | |
of methylated spirits became a way of life. | 0:09:02 | 0:09:06 | |
This growing group of vagrants were viewed by society as deviants | 0:09:06 | 0:09:10 | |
and a menace to the local police. | 0:09:10 | 0:09:12 | |
But how did the suspicion of an entire group of vagrants | 0:09:13 | 0:09:17 | |
end up with Burtoft in the frame? | 0:09:17 | 0:09:19 | |
Kate has come to Manchester Central Library to find out. | 0:09:21 | 0:09:24 | |
So, there's a paper here. | 0:09:27 | 0:09:29 | |
There's a picture of William. | 0:09:29 | 0:09:31 | |
Seeing his face on this photo, I kind of think, ah, | 0:09:31 | 0:09:34 | |
I feel a bit sorry for him. | 0:09:34 | 0:09:36 | |
Because he doesn't look like... | 0:09:36 | 0:09:38 | |
..like a nasty man. | 0:09:40 | 0:09:41 | |
This is Miss Freda Phillips. | 0:09:41 | 0:09:43 | |
The police had circulated a general description of the killer | 0:09:43 | 0:09:46 | |
based on Freda Phillips' account, | 0:09:46 | 0:09:48 | |
and began arresting any vagrants fitting that description. | 0:09:48 | 0:09:51 | |
It says here, "Scores of men have been questioned | 0:09:51 | 0:09:54 | |
"and a batch of 45 found sleeping out in Cheetham early yesterday | 0:09:54 | 0:09:59 | |
"morning appeared before the magistrates later | 0:09:59 | 0:10:02 | |
"on vagrancy charges and were discharged." | 0:10:02 | 0:10:05 | |
It seems to be that they're targeting the homeless people. | 0:10:06 | 0:10:08 | |
They just have got no evidence whatsoever. | 0:10:08 | 0:10:12 | |
And they're just trying to haul anybody in for it. | 0:10:13 | 0:10:15 | |
The man leading the investigation was Detective Inspector Page. | 0:10:17 | 0:10:21 | |
Eight days after the murder, he was called to Hyde, Manchester, | 0:10:22 | 0:10:26 | |
where a homeless man fitting the suspect's description | 0:10:26 | 0:10:29 | |
had been picked up. | 0:10:29 | 0:10:30 | |
The Evening Chronicle. Thursday July 27th, 1933. | 0:10:30 | 0:10:35 | |
"Cheetham murder charge: man in court. | 0:10:35 | 0:10:37 | |
"Dramatic arrest at Hyde. | 0:10:37 | 0:10:40 | |
"Man with one eye remanded until Saturday. | 0:10:40 | 0:10:43 | |
"The charge against Burtoft was a sequel | 0:10:43 | 0:10:45 | |
"to one of the biggest manhunts | 0:10:45 | 0:10:47 | |
"ever undertaken by the Manchester police." | 0:10:47 | 0:10:50 | |
They've picked William up and they put him into a possibility category. | 0:10:50 | 0:10:53 | |
Because, maybe they just want to pin it on somebody. | 0:10:53 | 0:10:56 | |
A short time after his arrest, whilst in custody in Manchester, | 0:10:57 | 0:11:00 | |
according to the police, Burtoft confessed to the murder. | 0:11:00 | 0:11:04 | |
But did the police have any supporting witness evidence | 0:11:05 | 0:11:08 | |
to corroborate his statement? | 0:11:08 | 0:11:10 | |
Before we deal with the defendant and his confession, | 0:11:10 | 0:11:14 | |
I think what would be quite useful is to look at whether we can place | 0:11:14 | 0:11:18 | |
him anywhere near the scene of this murder by four o'clock, | 0:11:18 | 0:11:23 | |
which was the time of the attack. | 0:11:23 | 0:11:25 | |
At quarter past three in the afternoon Mr Burtoft | 0:11:27 | 0:11:31 | |
was at Bertha's lodging house, about 15 minutes | 0:11:31 | 0:11:35 | |
from the scene of the murder. | 0:11:35 | 0:11:37 | |
But there's another witness, Henry Wilcock, | 0:11:37 | 0:11:40 | |
who records seeing a stockily built man in a trilby at about 3:25. | 0:11:40 | 0:11:46 | |
And Henry Wilcock was in the waiting room of Dr Lee's, next door. | 0:11:46 | 0:11:50 | |
-Exactly. -It's 15 minutes from Bertha's, to the scene of the crime. | 0:11:50 | 0:11:55 | |
On those timings, | 0:11:56 | 0:11:58 | |
it's highly arguable that it could not have been William Burtoft. | 0:11:58 | 0:12:01 | |
These conflicting timings raise significant doubts. | 0:12:01 | 0:12:05 | |
Was Burtoft really the man at the crime scene wearing the trilby hat? | 0:12:05 | 0:12:09 | |
So, then, we have Freda Phillips, | 0:12:09 | 0:12:12 | |
she was in an upstairs room at about four o'clock, | 0:12:12 | 0:12:15 | |
when she saw a man leave, as if he had come from the kitchen. | 0:12:15 | 0:12:20 | |
She saw the trilby, and was only able to see the man's chin. | 0:12:20 | 0:12:25 | |
So it's very, very poor identification evidence. | 0:12:25 | 0:12:29 | |
What is highly significant is that the police felt | 0:12:29 | 0:12:32 | |
that they should invite Freda Phillips | 0:12:32 | 0:12:34 | |
to an identification parade. | 0:12:34 | 0:12:36 | |
William Burtoft was on that parade. | 0:12:37 | 0:12:39 | |
Not only did she fail to identify Burtoft, | 0:12:39 | 0:12:43 | |
but she picked someone else out. | 0:12:43 | 0:12:44 | |
It's very, very fragile as a basis | 0:12:44 | 0:12:47 | |
for any supposedly supporting evidence. | 0:12:47 | 0:12:51 | |
At Manchester Central library, Kate is re-joining crime writer | 0:12:53 | 0:12:57 | |
John Eddleston, who has pieced together the hours | 0:12:57 | 0:12:59 | |
after Burtoft's arrest. | 0:12:59 | 0:13:01 | |
-Nice to see you again. -And you, too, John. | 0:13:01 | 0:13:03 | |
So what led to his confession? | 0:13:03 | 0:13:05 | |
What came after his arrest is very, very contentious indeed. | 0:13:05 | 0:13:10 | |
The police versions and Burtoft's version of events | 0:13:10 | 0:13:13 | |
are completely at odds. | 0:13:13 | 0:13:15 | |
Burtoft is asked to account for his movements over a number of days | 0:13:15 | 0:13:20 | |
before the murder and after the murder. | 0:13:20 | 0:13:23 | |
Which he does. | 0:13:23 | 0:13:25 | |
But he misses out the 19th, the day of the crime. | 0:13:25 | 0:13:29 | |
When Inspector Page says, "Well, what about the 19th?" | 0:13:29 | 0:13:33 | |
he pauses briefly and says, "Well, go on, write it down." | 0:13:33 | 0:13:39 | |
And he makes a confession. | 0:13:39 | 0:13:41 | |
I actually have here a handwritten copy of his confession. | 0:13:41 | 0:13:45 | |
-Oh, wow. -Signed at the top, William Burtoft. | 0:13:45 | 0:13:47 | |
And it's signed underneath, as well. | 0:13:47 | 0:13:49 | |
"Go on, I want to tell you everything, write it down. | 0:13:50 | 0:13:53 | |
"I admit being the murderer of Mrs Levin owing to drinking methylated | 0:13:53 | 0:13:56 | |
"spirits. And also to the maid being where she was, | 0:13:56 | 0:14:00 | |
"the old lady lost her life. | 0:14:00 | 0:14:02 | |
"I was cool, calm and collected, of course, | 0:14:02 | 0:14:04 | |
"when I got in the front room there. | 0:14:04 | 0:14:06 | |
"The old lady was up and asking who this was. | 0:14:06 | 0:14:10 | |
"I went back, got the poker from the fire range | 0:14:10 | 0:14:12 | |
"and struck her repeatedly." | 0:14:12 | 0:14:14 | |
So, if you're sitting in your house and a strange person comes in, | 0:14:15 | 0:14:20 | |
and you know there's someone else in the house, | 0:14:20 | 0:14:22 | |
what would be your first reaction? | 0:14:22 | 0:14:24 | |
-I'd shout for help. -You'd scream as loud as you could. | 0:14:24 | 0:14:26 | |
You'd shout for help. She hasn't screamed. | 0:14:26 | 0:14:29 | |
-Hasn't shouted for help. -Yep. -Hasn't tried to escape. | 0:14:29 | 0:14:32 | |
Does that make sense to you? | 0:14:32 | 0:14:34 | |
-No. -He's convicted on that confession alone. | 0:14:34 | 0:14:39 | |
And that confession does not make sense. | 0:14:39 | 0:14:42 | |
Why do you think he'd make a false confession? | 0:14:42 | 0:14:45 | |
Burtoft himself says that he was subject to the third-degree. | 0:14:45 | 0:14:49 | |
"We know you did it, tell us the truth, admit it was you." | 0:14:49 | 0:14:52 | |
After three hours of incessant questioning, from all sides, | 0:14:52 | 0:14:56 | |
he finally said, I've had enough. | 0:14:56 | 0:14:59 | |
So it's a question of who you believe. | 0:14:59 | 0:15:00 | |
-Yeah. -Either it's genuine and William Burtoft is the killer, | 0:15:00 | 0:15:06 | |
or it is manufactured by one or more police officers, | 0:15:06 | 0:15:10 | |
present in that room. | 0:15:10 | 0:15:11 | |
-And he's got to sign it under intense pressure. -Yeah. | 0:15:11 | 0:15:17 | |
So the police had a confession but the big question is, | 0:15:17 | 0:15:21 | |
was it a genuine admission of guilt? | 0:15:21 | 0:15:23 | |
In London, Jeremy has been analysing the confession statement | 0:15:26 | 0:15:30 | |
and also has grave concerns. | 0:15:30 | 0:15:32 | |
He says, "I admit being the murderer of Mrs Levin. | 0:15:32 | 0:15:35 | |
"owing to drinking methylated spirits, | 0:15:35 | 0:15:38 | |
"and a lot to the maid being where she was, | 0:15:38 | 0:15:41 | |
"that the old lady lost her life." | 0:15:41 | 0:15:44 | |
We know that Freda Phillips was upstairs | 0:15:44 | 0:15:46 | |
and she said she didn't hear anything. And this reads as if | 0:15:46 | 0:15:50 | |
William Burtoft knew Miss Phillips was there. | 0:15:50 | 0:15:53 | |
And there's absolutely no reason for him to have known that. | 0:15:53 | 0:15:58 | |
"The old lady was up and asked who this was. | 0:15:58 | 0:16:02 | |
"And I went back and got the poker off the fire range | 0:16:02 | 0:16:04 | |
"and struck her repeatedly." | 0:16:04 | 0:16:06 | |
Is this a realistic scenario? | 0:16:06 | 0:16:08 | |
There's no suggestion she screamed. | 0:16:08 | 0:16:10 | |
She sort of waits patiently for him to come back with the poker. | 0:16:10 | 0:16:14 | |
Is that credible? | 0:16:14 | 0:16:15 | |
The way it's supposed to have happened. I don't think so. | 0:16:15 | 0:16:18 | |
I just don't think anything about this confession | 0:16:18 | 0:16:20 | |
has the ring of truth about it. | 0:16:20 | 0:16:23 | |
So, did the police have any information to verify their claim, | 0:16:23 | 0:16:27 | |
that the confession was genuine? | 0:16:27 | 0:16:28 | |
Forensics scientist Liz Williams is studying crime scene photos | 0:16:30 | 0:16:34 | |
and police reports from the day of the murder to find out. | 0:16:34 | 0:16:37 | |
Was the murder carried out in the way the prosecution | 0:16:38 | 0:16:41 | |
presented at trial? | 0:16:41 | 0:16:42 | |
We've got here on screen one possible scenario | 0:16:43 | 0:16:47 | |
as to how Mrs Levin was killed. | 0:16:47 | 0:16:49 | |
In this proposed scenario based on the pathology reports, | 0:16:50 | 0:16:54 | |
the victim never gets up from the sofa, | 0:16:54 | 0:16:57 | |
but the prosecution had a different story. | 0:16:57 | 0:17:00 | |
In terms of the way the prosecution case was presented, | 0:17:00 | 0:17:03 | |
the allegation was that William Burtoft came in, | 0:17:03 | 0:17:07 | |
that Mrs Levin saw him, stood up, that he went and got the poker, | 0:17:07 | 0:17:13 | |
came back and then attacked her. | 0:17:13 | 0:17:15 | |
There's no objective way that you could ever say | 0:17:15 | 0:17:18 | |
that she was standing up prior to this happening. | 0:17:18 | 0:17:20 | |
Or that she was laying down prior to this happening. | 0:17:20 | 0:17:22 | |
-Yep. -All we know is that she was found with substantial head injuries | 0:17:22 | 0:17:25 | |
on the couch. | 0:17:25 | 0:17:26 | |
So there are a multitude of possible factual scenarios? | 0:17:26 | 0:17:29 | |
Yeah, there's no, like, concrete forensic evidence | 0:17:29 | 0:17:31 | |
that would tell you what happened beforehand. | 0:17:31 | 0:17:33 | |
The prosecution account of the murder had no evidential basis. | 0:17:35 | 0:17:39 | |
So what else did they present without proof? | 0:17:40 | 0:17:43 | |
Is this blood staining on the cushion? | 0:17:43 | 0:17:45 | |
It's what I believe it is. | 0:17:45 | 0:17:46 | |
-It's consistent. -It's very heavily bloodstained. | 0:17:46 | 0:17:49 | |
You can see here, we've been able to put little red circles around what | 0:17:49 | 0:17:53 | |
could be potential bloodstains. | 0:17:53 | 0:17:55 | |
We also read the police depositions and it said generic splashing | 0:17:55 | 0:17:59 | |
on the wall, the curtain, the windowsill and a picture. | 0:17:59 | 0:18:03 | |
What they're describing as splashing is generic blood on stuff. | 0:18:03 | 0:18:08 | |
The police had Burtoft's clothes tested for blood splatter, | 0:18:09 | 0:18:13 | |
but curiously, the results came back negative. | 0:18:13 | 0:18:16 | |
And are you able to do a reconstruction for us | 0:18:16 | 0:18:18 | |
so that we can actually determine whether there would be blood | 0:18:18 | 0:18:22 | |
found on an assailant's clothing or person? | 0:18:22 | 0:18:24 | |
We have blood staining on walls and curtains, | 0:18:24 | 0:18:27 | |
we have victim on couch. | 0:18:27 | 0:18:28 | |
The assailant has used some form of weapon to attack the victim. | 0:18:28 | 0:18:32 | |
Physics hasn't changed. | 0:18:32 | 0:18:33 | |
We can still recreate any scenario given what we know from the photos | 0:18:33 | 0:18:38 | |
and from the pathologist's report. | 0:18:38 | 0:18:41 | |
-Excellent. -That would be very helpful. -OK. | 0:18:41 | 0:18:44 | |
Whilst the barristers evaluate the forensic evidence that was raised at | 0:18:44 | 0:18:47 | |
trial, in Manchester, John is considering forensic evidence | 0:18:47 | 0:18:52 | |
that was never heard in court. | 0:18:52 | 0:18:53 | |
There was a fingerprint found on the purse. | 0:18:53 | 0:18:56 | |
Everybody in the house, everybody who could have touched that, | 0:18:57 | 0:19:00 | |
was fingerprinted and checked. | 0:19:00 | 0:19:02 | |
It was almost certainly therefore left by the killer. | 0:19:02 | 0:19:05 | |
-Yeah. -Now, if William Burtoft is the killer, | 0:19:05 | 0:19:08 | |
the police would have checked that fingerprint against his prints and | 0:19:08 | 0:19:11 | |
said, we've got you bang to rights. | 0:19:11 | 0:19:14 | |
It was never mentioned at the trial. | 0:19:14 | 0:19:16 | |
So, why wasn't the fingerprint evidence heard in court? | 0:19:16 | 0:19:20 | |
It didn't fit the police evidence. | 0:19:20 | 0:19:22 | |
It wasn't Burtoft's fingerprint. | 0:19:22 | 0:19:25 | |
If it had been, it would certainly have been used by the prosecution. | 0:19:25 | 0:19:28 | |
It was withheld, the defence didn't know about it. | 0:19:29 | 0:19:32 | |
It wasn't used, so it wasn't William Burtoft's. | 0:19:32 | 0:19:36 | |
So far, none of the evidence | 0:19:36 | 0:19:37 | |
supports William Burtoft's confession. | 0:19:37 | 0:19:40 | |
Forensic scientist Liz Williams is conducting a reconstruction of the | 0:19:42 | 0:19:46 | |
attack using fake blood. | 0:19:46 | 0:19:49 | |
And not for the faint-hearted. | 0:19:49 | 0:19:50 | |
In an apparent setback for the police, Burtoft's clothes | 0:19:55 | 0:19:58 | |
had been tested and no traces of blood were discovered. | 0:19:58 | 0:20:01 | |
The police maintained this was perfectly plausible | 0:20:05 | 0:20:08 | |
despite such a frenzied attack. | 0:20:08 | 0:20:10 | |
So, were they right? | 0:20:12 | 0:20:13 | |
So, how did you get on? | 0:20:16 | 0:20:18 | |
There's a body on the couch with severe head injuries. | 0:20:18 | 0:20:21 | |
Is it possible, if the person who inflicted these injuries | 0:20:21 | 0:20:24 | |
with a weapon of approximately this length, | 0:20:24 | 0:20:27 | |
didn't have any blood on themselves? | 0:20:27 | 0:20:29 | |
If it's not possible, surely this would rule Burtoft out? | 0:20:29 | 0:20:33 | |
I have a block of wood and I have a blood-soaked sponge on top of that. | 0:20:33 | 0:20:39 | |
So, from here, I didn't get anything close to that wall. | 0:20:39 | 0:20:42 | |
And I didn't get any blood on me. | 0:20:43 | 0:20:45 | |
So, then, I came around here and from here I ended up with these, | 0:20:45 | 0:20:50 | |
what we call cessation cast off, on the rear wall here. | 0:20:50 | 0:20:55 | |
I also got splashing on this curtain. | 0:20:55 | 0:20:58 | |
The couch edge here is creating a void, but there's nothing on me. | 0:20:59 | 0:21:04 | |
Did you say you had nothing on your suit at all? | 0:21:04 | 0:21:07 | |
-No. -Performing the acts that you've done, | 0:21:07 | 0:21:10 | |
it's entirely possible you could actually remain blood free | 0:21:10 | 0:21:16 | |
as far as your clothing was concerned? | 0:21:16 | 0:21:18 | |
Yep. And we've just demonstrated that from three different positions. | 0:21:18 | 0:21:23 | |
You're rubber-stamping the possibility that blood | 0:21:23 | 0:21:25 | |
-might not have got there at all. -Yep. -That's what you're saying. | 0:21:25 | 0:21:28 | |
-Yep. -Thank you very much. -Thank you very much indeed | 0:21:28 | 0:21:30 | |
-for all your efforts. -Not a problem. | 0:21:30 | 0:21:32 | |
If I was defending William Burtoft today, I would still make | 0:21:32 | 0:21:35 | |
the point to the jury that the absence of blood on his clothing | 0:21:35 | 0:21:38 | |
is further material casting doubt on his guilt. | 0:21:38 | 0:21:41 | |
It was a good point then and it's a good point now. | 0:21:41 | 0:21:44 | |
What we've learnt from Liz's reconstruction | 0:21:44 | 0:21:46 | |
is that the person who attacked Mrs Levin would not necessarily | 0:21:46 | 0:21:51 | |
have blood on them, so we can't exclude William Burtoft | 0:21:51 | 0:21:55 | |
as the attacker. | 0:21:55 | 0:21:57 | |
Was Burtoft the type of person who could have committed this crime? | 0:21:58 | 0:22:01 | |
Kate has come to Liverpool's famous docks where Burtoft once lived and | 0:22:03 | 0:22:06 | |
worked, to meet naval historian John Winrow. | 0:22:06 | 0:22:09 | |
-Kate. -Hi, I'm Kate, nice to meet you. | 0:22:09 | 0:22:12 | |
He's researched Burtoft's maritime records, so what do they reveal? | 0:22:12 | 0:22:17 | |
You can see here where it says his character - good. | 0:22:17 | 0:22:20 | |
-Good, there, as well. -So quite a few goods. | 0:22:20 | 0:22:22 | |
-Yep. -Unfortunately, in Navy terms if you were just good, | 0:22:22 | 0:22:28 | |
-you weren't good. You were bad. -OK. | 0:22:28 | 0:22:32 | |
That might explain a few things. | 0:22:32 | 0:22:34 | |
Well, there's more to come. | 0:22:34 | 0:22:35 | |
So, here you can see he's on the HMS Hogue. | 0:22:35 | 0:22:40 | |
Unfortunately, while he's on the Hogue, | 0:22:40 | 0:22:42 | |
he was in cells for three days for some misdemeanour. | 0:22:42 | 0:22:47 | |
When he comes back to barracks, | 0:22:47 | 0:22:50 | |
while he's there, he's sentenced to 88 days hard labour. | 0:22:50 | 0:22:55 | |
Right, OK. | 0:22:55 | 0:22:57 | |
Just over a year later, he's discharged. | 0:22:57 | 0:23:00 | |
In 1910, he lost an eye. | 0:23:00 | 0:23:03 | |
We don't know how that happened. | 0:23:03 | 0:23:06 | |
It could have been disease, it could have been an injury. | 0:23:06 | 0:23:09 | |
-We don't know. -Yeah. -And in the same year, he was bound over | 0:23:09 | 0:23:13 | |
for stealing watches. | 0:23:13 | 0:23:16 | |
Early on in the First World War, Burtoft joined the Merchant Navy. | 0:23:16 | 0:23:20 | |
In the Merchant Navy at that time, | 0:23:21 | 0:23:23 | |
they had a discharge book which was a bit like a passport. | 0:23:23 | 0:23:27 | |
There was a photograph of William Burtoft. | 0:23:27 | 0:23:30 | |
So, there he is. | 0:23:30 | 0:23:31 | |
-Wow. Certainly seems like a character, doesn't he? -Yeah. | 0:23:33 | 0:23:38 | |
-Yeah. -By 1923, he's become addicted to methylated spirits. | 0:23:38 | 0:23:43 | |
Doesn't seem good, does it? | 0:23:43 | 0:23:45 | |
-No. -Even if he's done, like, these crimes of stealing, | 0:23:45 | 0:23:49 | |
nothing really relates to any form of violence, does it? | 0:23:49 | 0:23:53 | |
No, it's all fairly petty. | 0:23:53 | 0:23:55 | |
-Petty crimes, really. -Yeah. -A sign of poverty, I suppose, really. | 0:23:55 | 0:23:59 | |
-Yeah. -The effect of the methylated spirits could bring on aggression. | 0:23:59 | 0:24:03 | |
And around about the same time again he's doing six months for | 0:24:03 | 0:24:08 | |
-housebreaking. -Stealing. -Yep. | 0:24:08 | 0:24:11 | |
-GBH. -Quite shocked, really. | 0:24:14 | 0:24:15 | |
Having listened to some of this I'm kind of having a change of heart | 0:24:17 | 0:24:20 | |
about him, to be honest. I thought he might have been innocent. | 0:24:20 | 0:24:24 | |
But maybe he did do it. | 0:24:24 | 0:24:29 | |
Now living on the streets in Manchester, | 0:24:30 | 0:24:33 | |
Burtoft was in and out of prison. | 0:24:33 | 0:24:35 | |
One conviction for GBH saw him hit a woman during a burglary. | 0:24:35 | 0:24:40 | |
This record provided police with the perfect suspect. | 0:24:40 | 0:24:43 | |
But was he capable of murder? | 0:24:43 | 0:24:45 | |
William Burtoft's trial opened at Manchester | 0:24:46 | 0:24:49 | |
on November the 13th, 1933... | 0:24:49 | 0:24:51 | |
..before Mr Justice Atkinson, | 0:24:52 | 0:24:54 | |
presiding over his first murder case. | 0:24:54 | 0:24:57 | |
The pivotal feature of William Burtoft's trial was of the alleged | 0:24:57 | 0:25:00 | |
confession. I think, really, we need to focus on how it was dealt with. | 0:25:00 | 0:25:04 | |
The arresting officer, Inspector Page, | 0:25:04 | 0:25:07 | |
took the stand to confirm the police version of events, | 0:25:07 | 0:25:10 | |
that Burtoft made the alleged confession voluntarily. | 0:25:10 | 0:25:15 | |
What happened is that the defence took objection to the confession | 0:25:15 | 0:25:20 | |
on the basis that it was involuntary. | 0:25:20 | 0:25:23 | |
So, there was then, as there is today, | 0:25:23 | 0:25:25 | |
a procedure where the argument takes place in the absence of the jury | 0:25:25 | 0:25:29 | |
because it's a matter of law. | 0:25:29 | 0:25:30 | |
And William Burtoft was called to give evidence along with the police | 0:25:30 | 0:25:35 | |
officers. And when he gave evidence in the absence of the jury, | 0:25:35 | 0:25:38 | |
he said that they subjected him to the third degree, | 0:25:38 | 0:25:42 | |
that one of the officers went out, came back with a bottle of whiskey, | 0:25:42 | 0:25:46 | |
allowed him about half a tumbler. | 0:25:46 | 0:25:49 | |
And when he drank it, said, there'll be more of that, effectively, | 0:25:49 | 0:25:52 | |
if you cooperate. And that the confession came about in those | 0:25:52 | 0:25:56 | |
-circumstances. -He would not have been able to withstand any sort of | 0:25:56 | 0:26:00 | |
-pressure. -No. -And if anybody needed the assistance of a solicitor, | 0:26:00 | 0:26:03 | |
-it was William Burtoft. -Well, I have to say, | 0:26:03 | 0:26:05 | |
really he was at the mercy of these police officers. | 0:26:05 | 0:26:07 | |
They could have done anything they wanted to to get a confession. | 0:26:07 | 0:26:10 | |
And when you look at the evidence they gave before the judge, | 0:26:10 | 0:26:13 | |
my instinct is, that's exactly what they did. | 0:26:13 | 0:26:15 | |
In the absence of the jury, | 0:26:15 | 0:26:17 | |
the judge made a determination that he believed the police. | 0:26:17 | 0:26:21 | |
The judge ruled that the confession was voluntary | 0:26:22 | 0:26:25 | |
and could therefore be heard by the jury. | 0:26:25 | 0:26:28 | |
But Burtoft's defence counsel scored a major own goal. | 0:26:28 | 0:26:32 | |
Firstly, it's astonishing that William Burtoft | 0:26:32 | 0:26:36 | |
wasn't called to explain how the confession came about. | 0:26:36 | 0:26:41 | |
And secondly, that it's beyond belief, in my view, | 0:26:41 | 0:26:44 | |
that a man accused of murder should not be asked by his own barrister, | 0:26:44 | 0:26:49 | |
do you want to give evidence? | 0:26:49 | 0:26:51 | |
So the jury had one half of the equation. | 0:26:51 | 0:26:54 | |
They had an opportunity of hearing the other half, | 0:26:54 | 0:26:56 | |
but the jury never heard the most crucial part of this. | 0:26:56 | 0:27:01 | |
Imagine if one of us went before the Court of Appeal, | 0:27:01 | 0:27:04 | |
having failed to call our client in a murder case, | 0:27:04 | 0:27:06 | |
and when asked why he didn't give evidence, we were to say, "Well, | 0:27:06 | 0:27:09 | |
"actually, I'm not sure, I never asked him. | 0:27:09 | 0:27:11 | |
-"Or advised him." -Well, I think it's bordering on negligent. | 0:27:11 | 0:27:15 | |
It wasn't just the defence counsel that were at fault. | 0:27:16 | 0:27:19 | |
The barristers have uncovered major errors | 0:27:19 | 0:27:22 | |
in Judge Atkinson's summing up. | 0:27:22 | 0:27:24 | |
In relation to the three police officers, | 0:27:24 | 0:27:26 | |
the judge commented that these were witnesses who had made their mark in | 0:27:26 | 0:27:30 | |
-the force. -Yes. | 0:27:30 | 0:27:31 | |
So he was effectively praising these officers. | 0:27:31 | 0:27:34 | |
He shouldn't have been praising them in the case of a hotly-disputed | 0:27:34 | 0:27:38 | |
confession such as this. | 0:27:38 | 0:27:40 | |
He said that, so far as he was concerned, | 0:27:40 | 0:27:44 | |
the statement was a perfectly voluntary statement | 0:27:44 | 0:27:47 | |
made by the prisoner in answer to a perfectly proper question. | 0:27:47 | 0:27:51 | |
-So... -The jury were ultimately told to convict in this case. | 0:27:51 | 0:27:54 | |
Well, yeah. That's a highly deficient summing up in an even more | 0:27:54 | 0:27:58 | |
deficient trial, in my view. | 0:27:58 | 0:28:00 | |
Burtoft's defective trial has bolstered Jeremy's case, | 0:28:03 | 0:28:07 | |
but he still needs new evidence or legal angle to persuade the judge | 0:28:07 | 0:28:10 | |
a miscarriage of justice has taken place. | 0:28:10 | 0:28:14 | |
This case is all about that confession. | 0:28:14 | 0:28:17 | |
What we really need to do is to focus on what this man | 0:28:17 | 0:28:21 | |
is supposed to have said, | 0:28:21 | 0:28:23 | |
get into the detail, | 0:28:23 | 0:28:25 | |
that's what will take us in the right direction. | 0:28:25 | 0:28:28 | |
The barristers have asked investigative psychologist | 0:28:29 | 0:28:32 | |
Donna Youngs to analyse Burtoft's case. | 0:28:32 | 0:28:35 | |
Hi, Donna. | 0:28:36 | 0:28:38 | |
Nice to see you again. | 0:28:38 | 0:28:39 | |
So, was his contested confession genuine or false? | 0:28:40 | 0:28:44 | |
This statement, to me, | 0:28:44 | 0:28:45 | |
does not represent the heartfelt unburdening of a guilty man. | 0:28:45 | 0:28:49 | |
So not a genuine confession? | 0:28:49 | 0:28:51 | |
No, for a number of reasons. | 0:28:51 | 0:28:52 | |
I mean, psychologically, it doesn't have the emotional gravitas | 0:28:52 | 0:28:57 | |
that we would expect from a confession. | 0:28:57 | 0:28:59 | |
When somebody's confessing, it's a very intense emotional experience | 0:28:59 | 0:29:03 | |
for them. Therefore you expect that confession to be lengthy, | 0:29:03 | 0:29:08 | |
to be emotional, and illogically ordered, | 0:29:08 | 0:29:12 | |
to have a natural human flow of emotion... | 0:29:12 | 0:29:14 | |
So, like a stream of consciousness. | 0:29:14 | 0:29:16 | |
-Yeah. -Yeah. -Whereas this is much more functional, | 0:29:16 | 0:29:20 | |
and just quite simply, it's very short. | 0:29:20 | 0:29:23 | |
We're dealing with police officers who appear to be fuelling a false | 0:29:24 | 0:29:28 | |
confession from a vulnerable man, | 0:29:28 | 0:29:32 | |
knowing that that confession might well not be true. | 0:29:32 | 0:29:34 | |
I mean, that's what we seem to be dealing with. | 0:29:34 | 0:29:36 | |
I think this is police officers wanting to follow the appropriate | 0:29:36 | 0:29:41 | |
procedural steps to get the evidence that they need to convict a man | 0:29:41 | 0:29:45 | |
that they believe is guilty. | 0:29:45 | 0:29:48 | |
They've tried and convicted this man already in their heads. | 0:29:48 | 0:29:52 | |
Donna has added further weight to Jeremy's suspicion | 0:29:53 | 0:29:55 | |
that the confession was not genuine. | 0:29:55 | 0:29:58 | |
But this wasn't Burtoft's only confession. | 0:29:58 | 0:30:01 | |
After his conviction, faced with the gallows, | 0:30:01 | 0:30:04 | |
he wrote a letter to the Home Secretary, petitioning for his life. | 0:30:04 | 0:30:08 | |
What I want to do is turn to the petition which, I think you agree, | 0:30:08 | 0:30:13 | |
is also a confession by Mr Burtoft. | 0:30:13 | 0:30:17 | |
Because he said, "I wish to state, | 0:30:17 | 0:30:19 | |
"I am the man who committed the crime but not with the intention of doing murder." So he's saying, | 0:30:19 | 0:30:26 | |
I did inflict the injuries which caused the death of this woman. | 0:30:26 | 0:30:31 | |
-Is he not? -He is, yeah. | 0:30:31 | 0:30:33 | |
How would you describe that confession | 0:30:33 | 0:30:36 | |
in terms of whether it makes sense | 0:30:36 | 0:30:38 | |
and it has the hallmarks of what you would be looking for? | 0:30:38 | 0:30:41 | |
Much, much more believable. | 0:30:41 | 0:30:43 | |
His version of events, it's very simple, very straightforward. | 0:30:43 | 0:30:46 | |
-Yes. -Very plausible. | 0:30:46 | 0:30:49 | |
He simply was taken by surprise and he struck out. | 0:30:49 | 0:30:52 | |
Right. In this document, he provides a motive of what he was doing there. | 0:30:52 | 0:30:56 | |
-Yeah. -He says he went to the door, | 0:30:56 | 0:30:59 | |
the temptation came over me with the express purpose of seeing if I could | 0:30:59 | 0:31:04 | |
get anything, I was surprised at being confronted with the old lady. | 0:31:04 | 0:31:09 | |
That's how the struggle started. | 0:31:09 | 0:31:12 | |
He's almost saying, "Look, I'm human." | 0:31:12 | 0:31:14 | |
It's not the externally applied motivation that we see | 0:31:14 | 0:31:18 | |
in the initial, alleged confession, where | 0:31:18 | 0:31:21 | |
owing to drinking methylated spirit... | 0:31:21 | 0:31:23 | |
He's talking about his own temptation. | 0:31:23 | 0:31:26 | |
He's saying, I'm a human being, I'm not a mastermind criminal. | 0:31:26 | 0:31:29 | |
It seems to be, what you're saying, Donna, is statement number one, | 0:31:29 | 0:31:32 | |
the confession, not plausible. | 0:31:32 | 0:31:35 | |
Statement number two, very plausible, | 0:31:35 | 0:31:38 | |
would you put it as highly as that, or not? | 0:31:38 | 0:31:40 | |
I think so, yes. | 0:31:40 | 0:31:42 | |
But notwithstanding that, | 0:31:42 | 0:31:43 | |
do you accept the possibility that the petition letter might have been | 0:31:43 | 0:31:47 | |
written by an innocent man in the vain hope that he could escape | 0:31:47 | 0:31:51 | |
the death penalty? That remains a possibility? | 0:31:51 | 0:31:54 | |
He hasn't done a very good job of it, | 0:31:54 | 0:31:56 | |
if that's what he's trying to do. | 0:31:56 | 0:31:58 | |
Given the analysis that you've done of these two documents, | 0:31:58 | 0:32:02 | |
are you able to express an opinion as to whether you think | 0:32:02 | 0:32:05 | |
William Burtoft attacked Mrs Levin, or not? | 0:32:05 | 0:32:08 | |
-I do believe he attacked. -Right. -I believe he was there. | 0:32:08 | 0:32:12 | |
And I believe he responded in the way that he has described. | 0:32:12 | 0:32:16 | |
-In the petition. -In his December petition, yeah. | 0:32:16 | 0:32:20 | |
Which suggests that he lost his control but, what, | 0:32:20 | 0:32:24 | |
didn't intend to kill her? | 0:32:24 | 0:32:25 | |
I don't think he intended to kill her. | 0:32:25 | 0:32:27 | |
It's a panicked response. | 0:32:27 | 0:32:29 | |
Right. Right, well, that's very, very helpful. | 0:32:29 | 0:32:32 | |
So, does the second apparent confession hold any legal weight? | 0:32:34 | 0:32:38 | |
Has it changed Jeremy and Sasha's view of Burtoft's conviction? | 0:32:38 | 0:32:43 | |
I'm fortified in my opinion that this admission by William | 0:32:43 | 0:32:48 | |
was not a true bill. | 0:32:48 | 0:32:50 | |
And Donna Youngs has reinforced the concern that William Burtoft | 0:32:50 | 0:32:56 | |
was wrongly convicted on the strength | 0:32:56 | 0:32:59 | |
of highly fallible evidence. | 0:32:59 | 0:33:01 | |
I'm very troubled by the contribution that Donna has made | 0:33:02 | 0:33:06 | |
because she has said in no uncertain terms that the first confession | 0:33:06 | 0:33:12 | |
is unreliable. And if that had been ruled inadmissible, | 0:33:12 | 0:33:16 | |
that would have been the end of the case. | 0:33:16 | 0:33:18 | |
Donna took the view that the petition letter | 0:33:18 | 0:33:21 | |
has more credibility, | 0:33:21 | 0:33:23 | |
but I don't agree with Donna on that. | 0:33:23 | 0:33:26 | |
I don't think that petition letter can possibly influence | 0:33:26 | 0:33:29 | |
the question of William Burtoft's conviction is unsafe. | 0:33:29 | 0:33:31 | |
It's unsafe because that confession is worthless, and that's what this | 0:33:31 | 0:33:35 | |
investigation is all about. | 0:33:35 | 0:33:37 | |
With judgment day fast approaching, Kate wants to pay her respects | 0:33:41 | 0:33:45 | |
to William Burtoft. | 0:33:45 | 0:33:47 | |
Knowing about it now, | 0:33:47 | 0:33:48 | |
it'll be nice to finally get a little bit of justice for him. | 0:33:48 | 0:33:51 | |
He was a down-and-out, so he might not have meant anything to anybody. | 0:33:51 | 0:33:57 | |
It'll be nice. And have a little peace of mind myself. | 0:33:58 | 0:34:02 | |
In the early '90s, Burtoft's body was | 0:34:03 | 0:34:06 | |
exhumed from Strangeways Prison | 0:34:06 | 0:34:08 | |
and reburied along with other executed prisoners | 0:34:08 | 0:34:11 | |
here at Blakely Cemetery. | 0:34:11 | 0:34:12 | |
So this is where you're buried. | 0:34:13 | 0:34:16 | |
William, I've read your case. | 0:34:16 | 0:34:18 | |
I do believe that you're innocent. | 0:34:18 | 0:34:20 | |
So, hopefully, we might be able to right a wrong, and clear your name. | 0:34:20 | 0:34:25 | |
Rest in peace. See you later, William. | 0:34:32 | 0:34:37 | |
The mistakes made at Burtoft's trial need not have led to his death. | 0:34:43 | 0:34:48 | |
An appeal against his conviction was heard on the 4th of December 1933. | 0:34:48 | 0:34:53 | |
Hi, Jeremy, how are you doing? | 0:34:53 | 0:34:55 | |
Once again, the judicial system let him down. | 0:34:55 | 0:34:58 | |
The final phase of this tragic case is William Burtoft's appeal. | 0:34:59 | 0:35:05 | |
And I don't believe, having looked at the appeal judgment, | 0:35:05 | 0:35:08 | |
that the Court of Appeal did anything to remedy the unfairness | 0:35:08 | 0:35:14 | |
which had characterised his trial. | 0:35:14 | 0:35:17 | |
This is the Court of Appeal, the Lord Chief Justice speaking, | 0:35:17 | 0:35:20 | |
"Whatever doubt we, or some of us, | 0:35:20 | 0:35:22 | |
"may entertain as to the original history of the confession, | 0:35:22 | 0:35:26 | |
"it's not possible to interfere." | 0:35:26 | 0:35:28 | |
So they clearly harboured serious reservations about whether the judge | 0:35:28 | 0:35:32 | |
should have let that confession go before the jury, but they weren't | 0:35:32 | 0:35:35 | |
prepared to do anything about it. | 0:35:35 | 0:35:37 | |
This is an incredibly strong argument here that he was victim | 0:35:37 | 0:35:41 | |
of a miscarriage of justice. | 0:35:41 | 0:35:43 | |
Jeremy believes he has a strong case to put before the judge. | 0:35:43 | 0:35:47 | |
But could the petition letter, Burtoft's second confession, | 0:35:47 | 0:35:50 | |
get in the way? | 0:35:50 | 0:35:51 | |
I believe that he did this as a last desperate attempt | 0:35:51 | 0:35:56 | |
to avoid being hanged. | 0:35:56 | 0:35:59 | |
And that it would be unfair for any court in the modern world | 0:35:59 | 0:36:05 | |
to take that petition letter into account in deciding | 0:36:05 | 0:36:09 | |
whether William Burtoft's conviction was indeed, unsafe. | 0:36:09 | 0:36:13 | |
We start at first principles. | 0:36:13 | 0:36:15 | |
Was there enough evidence to charge William Burtoft? | 0:36:15 | 0:36:18 | |
Well, if you take the confession out of the equation, | 0:36:18 | 0:36:21 | |
the answer would be no. | 0:36:21 | 0:36:23 | |
There couldn't be a trial, there wouldn't be a conviction, | 0:36:23 | 0:36:26 | |
there wouldn't have been an execution. | 0:36:26 | 0:36:28 | |
So anything that flows as a result of that tainted confession | 0:36:28 | 0:36:33 | |
cannot be fairly admitted. And on that basis, | 0:36:33 | 0:36:36 | |
an attempt to have the death penalty commuted to life imprisonment | 0:36:36 | 0:36:41 | |
wouldn't even arise. | 0:36:41 | 0:36:42 | |
Judgment day has arrived. | 0:36:45 | 0:36:46 | |
The barristers will soon present their legal findings | 0:36:46 | 0:36:49 | |
before his Honour, Judge David Radford. | 0:36:49 | 0:36:52 | |
But has Jeremy found enough information to persuade him | 0:36:52 | 0:36:55 | |
that William Burtoft's conviction was unsafe? | 0:36:55 | 0:36:58 | |
I'm very hopeful of a positive outcome in William Burtoft's case. | 0:36:59 | 0:37:03 | |
I believe that the case is a prime example of how people | 0:37:03 | 0:37:08 | |
at the very lower echelons of society back then | 0:37:08 | 0:37:12 | |
were potential victims of miscarriage of justice. | 0:37:12 | 0:37:17 | |
Today, Kate will discover if her relative was really the murderer | 0:37:17 | 0:37:21 | |
he was made out to be. | 0:37:21 | 0:37:22 | |
-Hello, Kate. How are you? -I'm good, thank you. | 0:37:22 | 0:37:25 | |
-Nice to see you again. -And you, too, Sasha. | 0:37:25 | 0:37:27 | |
OK, we're here today for the judge's hearing. | 0:37:27 | 0:37:30 | |
-How are you feeling? -Excited. -Really? That's good. | 0:37:31 | 0:37:34 | |
-OK, would you like to follow me? -Yes. -Thank you. -After you. | 0:37:34 | 0:37:36 | |
Judge Radford has many years experience at the criminal bar. | 0:37:39 | 0:37:43 | |
He's tried many murder cases, and sat in the Court of Appeal. | 0:37:43 | 0:37:46 | |
He'll be treating this matter as he would any other case. | 0:37:48 | 0:37:51 | |
Mr Dein, Miss Wass. | 0:37:54 | 0:37:57 | |
We're here this afternoon, with your assistance, | 0:37:57 | 0:37:59 | |
for me to re-examine whether the conviction that Mr William Burtoft | 0:37:59 | 0:38:05 | |
for murder should now be regarded as an unsafe verdict. | 0:38:05 | 0:38:11 | |
Mr Dein, would you like to make submissions first? | 0:38:12 | 0:38:14 | |
Yes, please. Thank you, your honour. | 0:38:14 | 0:38:16 | |
The case against Mr Burtoft depended upon 11 lines of confession. | 0:38:16 | 0:38:22 | |
Donna Youngs, a modern-day criminal psychologist, | 0:38:22 | 0:38:26 | |
is firmly of the view that, quote, | 0:38:26 | 0:38:29 | |
"The confession entered into is not representative | 0:38:29 | 0:38:33 | |
"of a coherent, truthful statement, and appears to have been made | 0:38:33 | 0:38:38 | |
"under duress or to be in someone else's words". | 0:38:38 | 0:38:43 | |
Without that evidence, | 0:38:43 | 0:38:44 | |
there was no evidence upon which he could have been convicted, | 0:38:44 | 0:38:49 | |
nor, of course, hanged. | 0:38:49 | 0:38:51 | |
The second point I make relates to the learned trial judge's | 0:38:51 | 0:38:56 | |
summing up. The judge effectively informed the jury that in his view | 0:38:56 | 0:39:01 | |
the confession was a perfectly proper, | 0:39:01 | 0:39:04 | |
and in those circumstances, by inference, truthful confession, | 0:39:04 | 0:39:08 | |
and that the jury were left with no choice, as a consequence, | 0:39:08 | 0:39:12 | |
but to accept the evidence to convict Mr Burtoft of murder. | 0:39:12 | 0:39:16 | |
And I submit with some force that Mr Burtoft could well have been | 0:39:17 | 0:39:22 | |
unjustly hanged for the murder of Frances Levin. | 0:39:22 | 0:39:26 | |
Thank you. Yes, Miss Wass. | 0:39:26 | 0:39:28 | |
You wish to respond. | 0:39:28 | 0:39:29 | |
Sasha now has the opportunity to validate Burtoft's conviction, | 0:39:30 | 0:39:34 | |
or support Jeremy's view that he was wrongly hanged. | 0:39:34 | 0:39:37 | |
Judged by the current day's standards, | 0:39:39 | 0:39:41 | |
had such a confession been in the hands of the police, | 0:39:41 | 0:39:46 | |
it would undoubtedly have been excluded by the trial judge. | 0:39:46 | 0:39:52 | |
And in the context of this case, there was no other evidence | 0:39:52 | 0:39:57 | |
against William Burtoft, | 0:39:57 | 0:39:59 | |
so taking into consideration the points that Mr Dein has raised, | 0:39:59 | 0:40:05 | |
we entirely support his submissions, that this is an unsafe conviction. | 0:40:05 | 0:40:11 | |
And we do not seek to uphold it. | 0:40:11 | 0:40:15 | |
Thank you. | 0:40:15 | 0:40:16 | |
Well, I must, myself, reflect on this matter, make my own judgment. | 0:40:17 | 0:40:22 | |
Perhaps you'll be kind enough to give me time to do that properly. | 0:40:22 | 0:40:26 | |
Certainly. | 0:40:26 | 0:40:27 | |
As the judge said, although Jeremy and I both agree, | 0:40:32 | 0:40:35 | |
that this was not a safe conviction, it's not our decision. | 0:40:35 | 0:40:39 | |
It's the judge's decision. | 0:40:39 | 0:40:40 | |
So he's got to approve it and he's got to really look at our reasoning | 0:40:40 | 0:40:45 | |
and satisfy himself that he's happy with it. | 0:40:45 | 0:40:47 | |
It's not just a question of rubber-stamping | 0:40:47 | 0:40:49 | |
what we've asked him to do. | 0:40:49 | 0:40:50 | |
He's got to come to his own conclusions. | 0:40:50 | 0:40:53 | |
All right. So we just have to wait until he's prepared his judgment. | 0:40:53 | 0:40:56 | |
-He'll call us in. -Yep. | 0:40:56 | 0:40:58 | |
How do you think it went? | 0:40:58 | 0:40:59 | |
I really think the judge will be on our side. | 0:40:59 | 0:41:03 | |
Good. Well, it's good that you're optimistic. | 0:41:03 | 0:41:05 | |
-Not long to wait now. -Yep. | 0:41:05 | 0:41:07 | |
Will Judge Radford agree with the barristers, or follow suit with the | 0:41:08 | 0:41:12 | |
original trial judge and Lord Chief Justice at the appeal? | 0:41:12 | 0:41:15 | |
He's ready to deliver his verdict. | 0:41:17 | 0:41:20 | |
As the Lord Chief Justice said in the course of the judgment | 0:41:20 | 0:41:24 | |
in the Court of Appeal, the evidence against Mr Burtoft rested, | 0:41:24 | 0:41:31 | |
apart from his confession, on little or no other basis. | 0:41:31 | 0:41:36 | |
As to the confession, | 0:41:37 | 0:41:39 | |
it was initially for the trial judge to determine whether the prosecution | 0:41:39 | 0:41:44 | |
had satisfied him, beyond a reasonable doubt, | 0:41:44 | 0:41:47 | |
that it was a voluntary confession. | 0:41:47 | 0:41:50 | |
If, but only if, the judge so determined, | 0:41:51 | 0:41:55 | |
the issue for the jury was not whether it was voluntary, | 0:41:55 | 0:41:58 | |
but whether the confession was a true confession. | 0:41:58 | 0:42:01 | |
The confession was, | 0:42:03 | 0:42:04 | |
as the Lord Chief Justice had said in the course of argument, | 0:42:04 | 0:42:08 | |
a remarkable, and I quote the Lord Chief Justice's words, | 0:42:08 | 0:42:12 | |
"It seems to be written straight on without a pause, | 0:42:12 | 0:42:16 | |
"and with a running pen". | 0:42:16 | 0:42:19 | |
It seems clear to me that the circumstances | 0:42:19 | 0:42:22 | |
in which this confession was said to be made | 0:42:22 | 0:42:26 | |
were obscure and difficult to justify | 0:42:26 | 0:42:29 | |
as being made in circumstances where the confession | 0:42:29 | 0:42:34 | |
was voluntary. My conclusion, therefore, | 0:42:34 | 0:42:37 | |
is that this conviction was not safe, | 0:42:37 | 0:42:41 | |
based on the evidence that had been allowed to be before the jury. | 0:42:41 | 0:42:46 | |
I shall rise. | 0:42:49 | 0:42:50 | |
Thank you both so much. | 0:42:58 | 0:42:59 | |
-I hope you're pleased with that outcome. -I am, yeah. | 0:42:59 | 0:43:02 | |
-All right. -Feel a little bit emotional, now. | 0:43:02 | 0:43:05 | |
We understand that. Yeah, of course. | 0:43:05 | 0:43:07 | |
I'll be telling everybody that me great, great uncle was innocent. | 0:43:07 | 0:43:10 | |
Yay! Yeah, yeah. | 0:43:10 | 0:43:12 | |
So, it's nice, yeah. Made up. | 0:43:12 | 0:43:15 |