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|---|---|---|---|
'I'm Cherry Healey, and in the last few years, | 0:00:04 | 0:00:07 | |
'my life has been turned on its head. | 0:00:07 | 0:00:09 | |
'I've gone from this... | 0:00:09 | 0:00:11 | |
'..to this... | 0:00:11 | 0:00:13 | |
BABY CRIES | 0:00:13 | 0:00:14 | |
'..and then to this. | 0:00:14 | 0:00:16 | |
'I don't know about you, but I sometimes feel | 0:00:16 | 0:00:19 | |
'like the world is running away from me, and it's high time I caught up. | 0:00:19 | 0:00:23 | |
'So I'm determined to get some answers | 0:00:23 | 0:00:25 | |
'to life's fundamental questions - | 0:00:25 | 0:00:28 | |
'Does my bum look big in this? | 0:00:28 | 0:00:30 | |
'Am I too old to take drugs? | 0:00:30 | 0:00:33 | |
'Do I need a Brazilian? | 0:00:33 | 0:00:35 | |
'Today, I want to find out why we work so hard and play so hard | 0:00:37 | 0:00:42 | |
'in a world that never switches off. | 0:00:42 | 0:00:44 | |
'When so many of us are working longer hours than ever before, | 0:00:45 | 0:00:49 | |
'how come we are also partying as if our lives depended on it? | 0:00:49 | 0:00:53 | |
'I'm going to be meeting a cast of characters | 0:00:53 | 0:00:55 | |
'from the hard-working to the hard-partying, | 0:00:55 | 0:00:58 | |
'to discover what happens when we put pleasure or wealth | 0:00:58 | 0:01:02 | |
'before our health. | 0:01:02 | 0:01:03 | |
'I'll be hearing from a City trader who works a 20-hour day... | 0:01:05 | 0:01:09 | |
'..a single mum who holds down four jobs... | 0:01:09 | 0:01:13 | |
'..a group of guys determined to live a champagne lifestyle | 0:01:13 | 0:01:16 | |
'on a beer budget... | 0:01:16 | 0:01:18 | |
'..and a group of girls who club five nights a week for a living.' | 0:01:18 | 0:01:22 | |
Becka, we've got money to earn, yeah? | 0:01:22 | 0:01:26 | |
'I'll be getting a taste of life in their world.' | 0:01:26 | 0:01:29 | |
Every part of me is just trying to keep my eyes open. I am so tired. | 0:01:30 | 0:01:34 | |
'Then I'll be inviting them into mine, | 0:01:35 | 0:01:37 | |
'and bringing them back to my hub, my base for the next few months, | 0:01:37 | 0:01:41 | |
'in a bid to get them to confess all.' | 0:01:41 | 0:01:44 | |
When do you feel the stress of how you live? | 0:01:44 | 0:01:46 | |
It's like there's no money, | 0:01:46 | 0:01:48 | |
we've got half a fag between four of us... | 0:01:48 | 0:01:50 | |
LAUGHTER | 0:01:50 | 0:01:51 | |
We're pulling our hair out. | 0:01:51 | 0:01:53 | |
What do you think you're sacrificing? | 0:01:53 | 0:01:55 | |
My family life, my social well-being, my health... | 0:01:55 | 0:01:59 | |
Have you ever been approached to have sex in your job? | 0:01:59 | 0:02:02 | |
-Because... -Oh, God, yes. | 0:02:02 | 0:02:03 | |
'Will they end up teaching me something about my life?' | 0:02:03 | 0:02:07 | |
If I'm honest, I absolutely hate it. It brings out this anger in me. | 0:02:07 | 0:02:11 | |
'Or can I help them change theirs?' | 0:02:11 | 0:02:14 | |
I enjoy my job. I enjoy my life. | 0:02:14 | 0:02:17 | |
Am I going to change? No. | 0:02:17 | 0:02:19 | |
-Mummy? -Yes? | 0:02:28 | 0:02:30 | |
COCO SPEAKS INDISTINCTLY | 0:02:30 | 0:02:32 | |
'Like many of us, my working day rarely ends at the office.' | 0:02:32 | 0:02:37 | |
Hello? | 0:02:37 | 0:02:38 | |
-So sorry, can you say that one more time? -I hit mummy! -Sorry... | 0:02:42 | 0:02:45 | |
Mummy, I want to go upstairs to watch television. | 0:02:45 | 0:02:47 | |
We're going to have supper first, then watch television, OK? | 0:02:47 | 0:02:50 | |
There was a time quite recently when work did slightly take over. | 0:02:50 | 0:02:55 | |
I wasn't good at turning off my phone or closing my laptop, | 0:02:55 | 0:02:58 | |
and I just felt guilty the whole time. | 0:02:58 | 0:03:01 | |
Coco got really annoyed, started making comments, | 0:03:01 | 0:03:04 | |
and my friends started getting annoyed as well. | 0:03:04 | 0:03:07 | |
For me, it just wasn't worth it. | 0:03:07 | 0:03:08 | |
It was too stressful to be so stressed all the time. | 0:03:08 | 0:03:14 | |
Hiya! | 0:03:14 | 0:03:15 | |
Ooh! | 0:03:15 | 0:03:17 | |
'I'm not the only one feeling stressed. | 0:03:17 | 0:03:20 | |
'One in five of us say our work/life balance is getting worse.' | 0:03:20 | 0:03:24 | |
Mummy! Mummy! Mummy! | 0:03:24 | 0:03:27 | |
'Even more worryingly, last year, for the first time ever, | 0:03:27 | 0:03:31 | |
'stress overtook cancer as the most common reason | 0:03:31 | 0:03:34 | |
'for taking long-term sick leave.' | 0:03:34 | 0:03:35 | |
I just don't know what to do about it. | 0:03:38 | 0:03:40 | |
Like, what, do you just turn off your phone every day, | 0:03:40 | 0:03:43 | |
and what happens if something important happens at work? | 0:03:43 | 0:03:47 | |
-But then... -Mummy? -Yeah? -I don't want you to talk. | 0:03:47 | 0:03:52 | |
-You don't want me to talk any more? -No, I want you to come. | 0:03:52 | 0:03:55 | |
All right, coming. | 0:03:55 | 0:03:56 | |
-Hello. -Hello, how are you? -I'm the baby. -Are you the baby? | 0:03:59 | 0:04:04 | |
What I want to find out is, | 0:04:04 | 0:04:05 | |
what is it like when work starts to completely take over? | 0:04:05 | 0:04:09 | |
Michael Jarman is only 25, | 0:04:14 | 0:04:16 | |
but has worked his way up from teaboy to high-flying City trader. | 0:04:16 | 0:04:20 | |
In his job, you can make and lose big money in seconds. | 0:04:21 | 0:04:26 | |
If we're going to play this market, | 0:04:26 | 0:04:27 | |
I think we're going to have to go long and short. | 0:04:27 | 0:04:30 | |
But his success comes at a price. A 20-hour day. | 0:04:30 | 0:04:34 | |
'Michael's agreed to squeeze me into his busy day. | 0:04:40 | 0:04:43 | |
'But he's running an hour and a half late.' | 0:04:43 | 0:04:45 | |
Hello! | 0:04:45 | 0:04:47 | |
-I'm so sorry. How are you? You all right? -Busy man. -Pleasure. | 0:04:47 | 0:04:50 | |
-I'm so sorry. -'He's also insisted on bringing his office with him.' | 0:04:52 | 0:04:56 | |
Bye now, bye mate, bye. | 0:04:56 | 0:04:57 | |
Sorry. | 0:04:57 | 0:04:59 | |
What does a typical day look like for you? | 0:04:59 | 0:05:02 | |
It's normally starting anywhere between 4:30am to 5:00am, | 0:05:02 | 0:05:04 | |
depending on how lazy I want to be, | 0:05:04 | 0:05:06 | |
and so, I'll normally be up at five, getting ready, basically. | 0:05:06 | 0:05:09 | |
You've got to think about it like this, right, | 0:05:09 | 0:05:11 | |
the market opens at 8:00am, | 0:05:11 | 0:05:12 | |
right now, although we're shut, it's 4:30am, the US market's open. | 0:05:12 | 0:05:16 | |
So it's kind of consistent. It's non-stop. | 0:05:16 | 0:05:18 | |
I think there's about three hours in a day, between 9pm and 12am, | 0:05:18 | 0:05:21 | |
where you don't really have to pay attention to the markets. | 0:05:21 | 0:05:25 | |
I've slept on the office floor before. | 0:05:25 | 0:05:27 | |
Manager's walked in and my head's been on the desk, | 0:05:27 | 0:05:29 | |
-and he kind of pokes me, and I wake up... -Oh, my God! | 0:05:29 | 0:05:31 | |
Is it really, really cut-throat and stressful? | 0:05:31 | 0:05:34 | |
About six months into it, I started wearing down, | 0:05:34 | 0:05:37 | |
I had a little nervous breakdown, a stressful period. | 0:05:37 | 0:05:41 | |
Elaborate on "little, mini-breakdown." | 0:05:41 | 0:05:44 | |
A little, mini-breakdown went into a big, mental breakdown. | 0:05:44 | 0:05:49 | |
Not... I managed to keep myself composed, | 0:05:49 | 0:05:52 | |
but, er... Yeah, fell out with family and, you know, | 0:05:52 | 0:05:54 | |
didn't want to talk to anyone, was in a bit of a state. | 0:05:54 | 0:05:57 | |
It wasn't a nice position to be in. But I was all fine after that. | 0:05:57 | 0:06:00 | |
About a year into it, I said, this is my life. | 0:06:00 | 0:06:03 | |
'Michael's laughed off the breakdown, | 0:06:03 | 0:06:05 | |
'but I can't help feeling it's just the tip of the iceberg.' | 0:06:05 | 0:06:08 | |
So can I come and spend a full day with you from beginning to end? | 0:06:08 | 0:06:13 | |
On the basis you don't interrupt. | 0:06:13 | 0:06:14 | |
I can pretend I'm in Sex And The City, | 0:06:14 | 0:06:16 | |
and I've got a really important job. | 0:06:16 | 0:06:18 | |
"SEX AND THE CITY" THEME MUSIC | 0:06:18 | 0:06:21 | |
'5:30am the next morning, | 0:06:21 | 0:06:23 | |
'and I'm feeling more Ugly Betty than Carrie Bradshaw. | 0:06:23 | 0:06:27 | |
'But at least I'm on time.' | 0:06:27 | 0:06:28 | |
I'm not late! | 0:06:28 | 0:06:30 | |
-Hi! -You've done well. -Morning! -How was it? -Really good. -Yeah? | 0:06:35 | 0:06:40 | |
-I love getting up at 4:30am(!) -Is that the time you got up? | 0:06:40 | 0:06:43 | |
Yeah, it's amazing(!) | 0:06:43 | 0:06:44 | |
I've been up, I haven't had any sleep, | 0:06:44 | 0:06:46 | |
I think I've had about an hour's sleep, | 0:06:46 | 0:06:47 | |
you know we went to the boat show last night? | 0:06:47 | 0:06:49 | |
There was an after party that I got roped into, | 0:06:49 | 0:06:51 | |
that I didn't know much about. | 0:06:51 | 0:06:53 | |
And you still get up at this time? | 0:06:53 | 0:06:55 | |
Three... Yeah, three, I've probably had half an hour or an hour's sleep. | 0:06:55 | 0:06:58 | |
-So... -How do you feel? -It was...erm... | 0:06:58 | 0:07:01 | |
I've taken a couple of Pro Pluses so far, | 0:07:01 | 0:07:03 | |
so I need to get some Red Bull on the way, yeah. | 0:07:03 | 0:07:06 | |
You can get the coffees in. | 0:07:06 | 0:07:07 | |
-Aah! Oh, my God, what an amazing car. -You like it? | 0:07:09 | 0:07:14 | |
-Were these energy drinks from last night? -Yes, they were, Cherry. | 0:07:20 | 0:07:24 | |
-I'm really bad at driving tired. -Yeah. | 0:07:24 | 0:07:26 | |
And I'm quite prone to falling asleep. | 0:07:26 | 0:07:29 | |
-Oh, my... -Sorry. -I'll just keep poking you. | 0:07:29 | 0:07:32 | |
So how many energy drinks will you have today? | 0:07:32 | 0:07:36 | |
Three cans, six pills, to be precise, probably. | 0:07:36 | 0:07:41 | |
-Oh, my... And that will sort you out? -Yeah. You try it. | 0:07:41 | 0:07:45 | |
-I'm going to try today. -I think you should. I think you should. | 0:07:45 | 0:07:47 | |
-I'm going to take the same as you, and I'll fly home. -MICHAEL LAUGHS | 0:07:47 | 0:07:52 | |
-I'm sorry, I have to join you. -Yeah, go on, go for it. | 0:07:57 | 0:08:00 | |
-You want some pro-plus? -Yeah. -Yeah. OK. Take it, take it. | 0:08:00 | 0:08:03 | |
I'm just taking one now. | 0:08:03 | 0:08:04 | |
Take two, take two, it's cool, seriously, you're going to be fine, take two. It's not that bad. | 0:08:04 | 0:08:08 | |
Erm... Meeting, meeting, now. | 0:08:13 | 0:08:16 | |
Quickly, right, we need to go and get a taxi. | 0:08:16 | 0:08:18 | |
Flag one. | 0:08:19 | 0:08:20 | |
'As if the day job isn't stressful enough, | 0:08:20 | 0:08:23 | |
'Michael's also just set up his own company, | 0:08:23 | 0:08:25 | |
'and has several meetings today, all unhelpfully scattered across London.' | 0:08:25 | 0:08:29 | |
You go that way, you go that way! | 0:08:29 | 0:08:31 | |
'It's not a cab we need, it's a time machine.' | 0:08:31 | 0:08:34 | |
Oi, turn around! Cross, cross, cross! | 0:08:34 | 0:08:36 | |
'As Michael's nearly mown down by the 388 bus, | 0:08:36 | 0:08:39 | |
'it's clear just how much he's prepared to sacrifice for his work.' | 0:08:39 | 0:08:43 | |
-Have you had lunch yet, by the way? -No, when do you have lunch? | 0:08:43 | 0:08:47 | |
You forget about it though, don't you? | 0:08:47 | 0:08:48 | |
I do! | 0:08:48 | 0:08:49 | |
Now that I am so wired, I feel like I could fly to the moon and back. | 0:08:49 | 0:08:54 | |
We'll probably call you towards the end... Oh, it is the end of the week. | 0:08:55 | 0:08:58 | |
Er... Are you about over the weekend, you practising? Golf. | 0:08:58 | 0:09:02 | |
It is quite a rush, all the caffeine, isn't it? | 0:09:04 | 0:09:07 | |
-Yeah. -And the energy pills. -It is. | 0:09:07 | 0:09:09 | |
-I am actually, my head's starting to go a little bit now. -My God! | 0:09:09 | 0:09:13 | |
Yeah, I'm definitely feeling a bit weird. | 0:09:13 | 0:09:15 | |
It's definitely affecting the old heart. | 0:09:15 | 0:09:17 | |
I don't think it's good for you, I won't lie, | 0:09:17 | 0:09:19 | |
I don't think it's brilliant. | 0:09:19 | 0:09:21 | |
-'We arrive at the meeting late.' -Hi, guys. Neil. Pleasure. Michael. | 0:09:21 | 0:09:26 | |
-Nice to see you. -Sorry for the delay. | 0:09:26 | 0:09:28 | |
'Michael's new business advises footballers | 0:09:28 | 0:09:31 | |
'on how to invest their money. | 0:09:31 | 0:09:33 | |
'But it's not the money talk that's making my head swim.' | 0:09:33 | 0:09:36 | |
SHE EXHALES HEAVILY | 0:09:38 | 0:09:40 | |
I had to leave the room. | 0:09:42 | 0:09:44 | |
I had to leave. I thought I was going to fall asleep at the table. | 0:09:44 | 0:09:48 | |
I just had to get out. | 0:09:49 | 0:09:51 | |
I'm... Every... Every part of me is just trying to keep my eyes open. | 0:09:51 | 0:09:56 | |
I am so tired, my heart is racing from all the energy drinks | 0:09:56 | 0:09:59 | |
and the caffeine pills. | 0:09:59 | 0:10:01 | |
I do not know how he has done that, | 0:10:01 | 0:10:02 | |
I do not know how he is in there, pitching a business. | 0:10:02 | 0:10:05 | |
He is a machine. | 0:10:05 | 0:10:07 | |
On the one hand, I think... he's crazy, and on the other hand, | 0:10:07 | 0:10:12 | |
I think he's amazing for being able to do this, but it's not healthy. | 0:10:12 | 0:10:16 | |
I do not feel right. | 0:10:16 | 0:10:18 | |
SHE BREATHES OUT | 0:10:24 | 0:10:26 | |
-Cab time it is. -OK. -And then back over to the City. Is that cool? | 0:10:30 | 0:10:33 | |
-Yeah. -Wicked, let's do it. Are you feeling a little bit better? | 0:10:33 | 0:10:36 | |
Yeah, I'm starting to feel slightly less | 0:10:36 | 0:10:38 | |
like I'm about to have a heart attack. | 0:10:38 | 0:10:40 | |
-Good. -How are you feeling? -Erm... | 0:10:40 | 0:10:41 | |
I was exactly the same as you in the taxi, | 0:10:41 | 0:10:44 | |
I actually thought I was going to have a panic attack and just faint. | 0:10:44 | 0:10:46 | |
'I worry what this cocktail of caffeine, adrenaline and no sleep | 0:10:49 | 0:10:53 | |
'is doing to Michael. | 0:10:53 | 0:10:54 | |
'So I've asked him to see a doctor | 0:10:54 | 0:10:56 | |
'who specialises in treating cases of City burnout.' | 0:10:56 | 0:10:59 | |
Can you think of some of the things that might happen | 0:11:00 | 0:11:03 | |
due to having very high stress levels on a more constant basis? | 0:11:03 | 0:11:07 | |
-Please don't tell me impotence, eh? -Absolutely, sexual dysfunction. | 0:11:07 | 0:11:11 | |
MICHAEL SNIGGERS | 0:11:11 | 0:11:12 | |
so, you know, one of the commonest things that men come and see us in the clinic is impotence, | 0:11:12 | 0:11:16 | |
because they're stressed. | 0:11:16 | 0:11:17 | |
I'm not impotent, just first of all, could I just declare. | 0:11:17 | 0:11:20 | |
But my sex drive has just completely gone to the wayside, like. | 0:11:20 | 0:11:22 | |
I'm just not interested in going out and chasing girls, and I used to be. | 0:11:22 | 0:11:28 | |
That was two or three years ago. I couldn't care less. | 0:11:28 | 0:11:32 | |
That's a combination of the fact that you're tired, stressed. | 0:11:32 | 0:11:37 | |
Any recreational drugs? | 0:11:37 | 0:11:38 | |
Do caffeine pills count? | 0:11:38 | 0:11:40 | |
-Do you take caffeine pills? -Oh, God! Why did you drop me in it?! | 0:11:41 | 0:11:45 | |
-Yeah, I take a lot of Red Bull and Pro Plus. -Sure. | 0:11:45 | 0:11:48 | |
The lifestyle that you have is putting a big risk | 0:11:48 | 0:11:52 | |
of developing problems with your health in the future. | 0:11:52 | 0:11:55 | |
Is that something that worries you? | 0:11:55 | 0:11:57 | |
Is it something you might look at changing? | 0:11:57 | 0:12:00 | |
I hope to but, yeah. I don't know. I'm always motivated to do it. | 0:12:00 | 0:12:06 | |
-It's just can I balance it between that and work? -Sure. | 0:12:06 | 0:12:09 | |
I really feel for Michael. | 0:12:09 | 0:12:11 | |
He's really torn. He's so ambitious. | 0:12:11 | 0:12:16 | |
He wants to do well so badly | 0:12:16 | 0:12:19 | |
but it seems like, at every stage, things have been sacrificed - | 0:12:19 | 0:12:24 | |
his diet, sleep, leisure time, time with people he loves. | 0:12:24 | 0:12:30 | |
Gradually, all those things have gone, one by one, | 0:12:30 | 0:12:34 | |
so all Michael is left with is work. | 0:12:34 | 0:12:38 | |
He knows that. I can see it in his face. | 0:12:38 | 0:12:40 | |
Michael tells me it's not all about work. | 0:12:42 | 0:12:44 | |
He's also got a son. | 0:12:44 | 0:12:47 | |
Later on, I'll see whether he can balance fatherhood | 0:12:47 | 0:12:50 | |
with his determination to make it big. | 0:12:50 | 0:12:53 | |
But first, if working hard can be bad for your health, | 0:12:57 | 0:13:00 | |
then playing hard can be equally bad for your wealth. | 0:13:00 | 0:13:04 | |
Our nights out are getting more and more extravagant. | 0:13:05 | 0:13:08 | |
Despite the recession, we Brits import more champagne | 0:13:08 | 0:13:12 | |
than any other country in the world. | 0:13:12 | 0:13:15 | |
Hiya. Can I get two glasses of champagne, please? | 0:13:15 | 0:13:17 | |
I'm definitely in a working place in my life right now. | 0:13:19 | 0:13:22 | |
The problem is the more I work, the bigger the night is | 0:13:22 | 0:13:27 | |
when I actually get to go out. | 0:13:27 | 0:13:30 | |
Next morning, I've got a hangover and an empty purse | 0:13:31 | 0:13:34 | |
to show for my pains. | 0:13:34 | 0:13:36 | |
What price do you pay when you spend all your weekly wages | 0:13:36 | 0:13:40 | |
on one night? | 0:13:40 | 0:13:42 | |
Every morning, 23-year-old Chris from Wolverhampton | 0:13:49 | 0:13:51 | |
gets up before dawn with one thing on his mind - | 0:13:51 | 0:13:55 | |
a cracking Friday night. | 0:13:55 | 0:13:57 | |
Hopefully, all the hard work in the week will have paid off. | 0:13:57 | 0:14:00 | |
Along with his brother, James, and best friends, Jack and Luke, | 0:14:03 | 0:14:07 | |
Chris drives an hour and a half every day | 0:14:07 | 0:14:09 | |
to do eight hours of hard graft on a chicken farm | 0:14:09 | 0:14:12 | |
sorting and stacking boxes of eggs. | 0:14:12 | 0:14:14 | |
It's pretty devastating, soul-breaking but | 0:14:14 | 0:14:17 | |
it'll soon fly and will soon be in Chester. | 0:14:17 | 0:14:21 | |
With the Jaegers. | 0:14:21 | 0:14:22 | |
Jaeger bombs! | 0:14:22 | 0:14:25 | |
Today, it's pay day. | 0:14:26 | 0:14:28 | |
As evening falls, these lads get set to transform themselves | 0:14:28 | 0:14:30 | |
into celebrity A-listers. | 0:14:30 | 0:14:35 | |
Today, is Freshen-up Friday. | 0:14:39 | 0:14:42 | |
It's not a tradition, it's a religion. | 0:14:42 | 0:14:44 | |
Basically, we just completely change our image | 0:14:44 | 0:14:49 | |
because we've all been dirty, stinking, horrible bastards all week. | 0:14:49 | 0:14:53 | |
Today is the day when we turn all that around | 0:14:53 | 0:14:57 | |
and show the world that we are functioning human beings. | 0:14:57 | 0:15:01 | |
Tonight is our night to shine. | 0:15:01 | 0:15:03 | |
Bam. | 0:15:03 | 0:15:05 | |
It's a buzz, at the end of the day. Everyone lives for the weekend, | 0:15:05 | 0:15:08 | |
no matter what job they're in, everyone lives for the weekend. | 0:15:08 | 0:15:12 | |
Hello. | 0:15:15 | 0:15:16 | |
INDISTINCT | 0:15:16 | 0:15:17 | |
It begins with Locos, our favourite migrant worker. | 0:15:17 | 0:15:21 | |
He is just the best hairdresser ever. | 0:15:22 | 0:15:24 | |
£6, please. | 0:15:28 | 0:15:29 | |
It's not just the hair on their heads that's coming off. | 0:15:31 | 0:15:34 | |
Whoo! | 0:15:38 | 0:15:39 | |
I had to pretend it don't hurt! | 0:15:39 | 0:15:40 | |
It's the final part of Freshen-up Friday | 0:15:43 | 0:15:45 | |
and probably the most important part - the tan. | 0:15:45 | 0:15:48 | |
TANNING GUN WHIRS | 0:15:50 | 0:15:52 | |
When we've got our tan, we go out. | 0:15:52 | 0:15:54 | |
The girls look at us like we're from Hollywood, | 0:15:54 | 0:15:57 | |
but really, we're from Wolverhampton. | 0:15:57 | 0:16:00 | |
# So macho | 0:16:00 | 0:16:02 | |
# He's gotta be | 0:16:02 | 0:16:03 | |
# So macho... # | 0:16:03 | 0:16:06 | |
The lads earn about £800 a week between them. | 0:16:06 | 0:16:08 | |
A quarter of that disappears even before they walk out of he door. | 0:16:08 | 0:16:12 | |
Have a great night. | 0:16:12 | 0:16:14 | |
No wonder they have to rely on their wits when pulling the girls. | 0:16:14 | 0:16:18 | |
He says, "D'you wanna a bang?" | 0:16:19 | 0:16:21 | |
It usually works because, look at him, to be fair. | 0:16:21 | 0:16:24 | |
I go up to them and say, "D'you wanna bang?" | 0:16:24 | 0:16:26 | |
And they say yes! | 0:16:26 | 0:16:28 | |
Usually, it works or the brew line. | 0:16:28 | 0:16:32 | |
"Come back for a brew." I drop four sugars in, | 0:16:32 | 0:16:34 | |
semi-skimmed milk the works and they're like, "Yeah." And bang. | 0:16:34 | 0:16:39 | |
You've got them in bed. | 0:16:39 | 0:16:42 | |
Me and Luke always say, "How about me and you, | 0:16:42 | 0:16:44 | |
"we'll got strawberry picking?!" | 0:16:44 | 0:16:46 | |
THEY LAUGH | 0:16:46 | 0:16:48 | |
"I'll pick you up on a BMX, I'll take you to McDonald's. | 0:16:48 | 0:16:51 | |
"Poundsaver menu. You can have what you like. | 0:16:51 | 0:16:53 | |
THEY LAUGH | 0:16:53 | 0:16:54 | |
That's usually, like... We reverse it. | 0:16:54 | 0:16:58 | |
Most lads would go up and promise the world | 0:16:58 | 0:17:00 | |
and deliver nothing. | 0:17:00 | 0:17:01 | |
We'd rather promise nothing and deliver nothing! | 0:17:01 | 0:17:05 | |
THEY LAUGH | 0:17:05 | 0:17:06 | |
Whatever's left from the weekend, we'll beg and borrow off each other, | 0:17:06 | 0:17:10 | |
live off whatever's in the cupboard, pineapple chunks, wham bam. | 0:17:10 | 0:17:14 | |
# Going out tonight... # | 0:17:14 | 0:17:17 | |
But the only pineapple the lads have time for on a Friday | 0:17:17 | 0:17:20 | |
is the one mixed with their voddy. | 0:17:20 | 0:17:22 | |
Chester, we're coming for you. | 0:17:23 | 0:17:24 | |
THEY LAUGH | 0:17:24 | 0:17:27 | |
K-tush! | 0:17:27 | 0:17:28 | |
Just like that, these four factory workers | 0:17:29 | 0:17:32 | |
are transformed into Hollywood heartthrobs. | 0:17:32 | 0:17:35 | |
Lasses of the north, brace yourselves! | 0:17:35 | 0:17:38 | |
Right. We're in Chester. First drink of the night. | 0:17:38 | 0:17:41 | |
-Let's have it! -Come on! | 0:17:41 | 0:17:44 | |
SHOUTING | 0:17:44 | 0:17:46 | |
-It's the weekend. This is what we live for. -This is me. | 0:17:52 | 0:17:56 | |
You only live once and that's our motto. | 0:17:56 | 0:17:59 | |
We live by that motto. | 0:17:59 | 0:18:00 | |
We work every day in the week for this. | 0:18:04 | 0:18:06 | |
But we love this. | 0:18:06 | 0:18:09 | |
This is our dream life. | 0:18:09 | 0:18:11 | |
It's 11 o'clock and the boys have already withdrawn £600 between them. | 0:18:13 | 0:18:17 | |
That's three quarters of their weekly wages. | 0:18:17 | 0:18:21 | |
I'll probably end up at the cash point at midnight | 0:18:23 | 0:18:25 | |
because I've reached my withdrawal limit. | 0:18:25 | 0:18:27 | |
# You only get one shot... # | 0:18:27 | 0:18:29 | |
But the lads aren't going to let a little thing like reality | 0:18:29 | 0:18:32 | |
stand in the way of their A-list night | 0:18:32 | 0:18:34 | |
and make a beeline for the VIP room. | 0:18:34 | 0:18:37 | |
-Hello, boys. All right? -Bottle of champers, bruv. I'm going all out! | 0:18:40 | 0:18:44 | |
THEY CHEER | 0:18:46 | 0:18:48 | |
# You love to drink so do we... # | 0:18:49 | 0:18:52 | |
The champagne, the beautiful girls, the classy nibbles... | 0:18:52 | 0:18:56 | |
The boys are exactly where they want to be. | 0:18:57 | 0:19:00 | |
# Yeah | 0:19:04 | 0:19:05 | |
# Girl, I wanna | 0:19:05 | 0:19:07 | |
# Yeah, yeah, yeah | 0:19:07 | 0:19:09 | |
# I wanna see you tonight... # | 0:19:09 | 0:19:11 | |
We've grafted all week for this | 0:19:11 | 0:19:14 | |
and now we're here with our champagne. | 0:19:14 | 0:19:16 | |
That's my sticky little finger out! | 0:19:16 | 0:19:19 | |
I've got a strawberry in my glass! | 0:19:19 | 0:19:22 | |
# Tonight is the night... # | 0:19:24 | 0:19:26 | |
But what goes up must come down. | 0:19:29 | 0:19:32 | |
Next morning, all the lads have left is hangovers | 0:19:32 | 0:19:35 | |
a few hazy memories and a handful of loose change | 0:19:35 | 0:19:39 | |
to last them six long days. | 0:19:39 | 0:19:42 | |
That's all I've got left. | 0:19:42 | 0:19:44 | |
£6.30. I've got to pay for my breakfast, | 0:19:46 | 0:19:49 | |
I've got to pay for some petrol... | 0:19:49 | 0:19:51 | |
You owe me a fiver! | 0:19:54 | 0:19:56 | |
My life's ruined! | 0:19:58 | 0:19:59 | |
Last night was worth every penny. | 0:19:59 | 0:20:02 | |
Go hard or go home! | 0:20:04 | 0:20:06 | |
I can't wait to meet the boys and find out | 0:20:08 | 0:20:10 | |
how they cope after Freshen-up Friday has cleaned them out. | 0:20:10 | 0:20:13 | |
-You all right? -Yeah. Can I get you a drink? | 0:20:13 | 0:20:17 | |
I know you guys don't eat properly so I've prepared | 0:20:19 | 0:20:21 | |
for you a delicious plate of fruit. | 0:20:21 | 0:20:23 | |
I'm so glad you're eating it. | 0:20:23 | 0:20:26 | |
Got any Wagon Wheels? | 0:20:26 | 0:20:27 | |
No! | 0:20:27 | 0:20:29 | |
What is it that you really like about that night that you love, | 0:20:29 | 0:20:31 | |
getting really drunk, going out to clubs? | 0:20:31 | 0:20:34 | |
It's like the process of the cave man. | 0:20:34 | 0:20:37 | |
Have you seen the diagram? It's like that. | 0:20:37 | 0:20:40 | |
I leave work like this then by the end of the night, I'm like this. | 0:20:40 | 0:20:44 | |
I feel like I'm the dog's bollocks, you know what I mean? | 0:20:44 | 0:20:47 | |
Do you think it's escapism from a job you don't love? | 0:20:47 | 0:20:52 | |
-Yeah. -Definitely. | 0:20:52 | 0:20:54 | |
It's something to look forward to the whole week. | 0:20:54 | 0:20:56 | |
What motivates you to spend your money on Freshen-up Friday? | 0:20:56 | 0:21:00 | |
Would you look at a man in a club if he hadn't made any effort? | 0:21:00 | 0:21:03 | |
Totally! | 0:21:03 | 0:21:05 | |
Say he had bushy eyebrows, pale, Asda jeans, | 0:21:05 | 0:21:08 | |
you'd go and talk to him? | 0:21:08 | 0:21:09 | |
Yeah. I'd think he'd look lovely. Charming. | 0:21:09 | 0:21:12 | |
Is all the preening, the eyebrows, the tanning, | 0:21:12 | 0:21:15 | |
is it all worth it? | 0:21:15 | 0:21:17 | |
-Does it make a difference? -Yeah. It gives you more confidence. | 0:21:17 | 0:21:20 | |
If you feel better about yourself, you'll have a better night out. | 0:21:20 | 0:21:23 | |
When do you feel the stress of how you live? | 0:21:23 | 0:21:25 | |
It's like there's no money, | 0:21:25 | 0:21:27 | |
there's no tea bag, there's no sugar, there's no milk. | 0:21:27 | 0:21:31 | |
We've got half a fag between four of us. | 0:21:31 | 0:21:33 | |
We're pulling our hair out. | 0:21:33 | 0:21:36 | |
At that point, you must think, "I wish I hadn't spent | 0:21:36 | 0:21:38 | |
"quite so much money at the weekend." | 0:21:38 | 0:21:40 | |
Yeah. | 0:21:40 | 0:21:41 | |
-No, I... -You totally don't! | 0:21:41 | 0:21:44 | |
I just get on with it. | 0:21:44 | 0:21:46 | |
The worst time ever, for me, is going in the penny drawer. | 0:21:46 | 0:21:50 | |
I've got a drawer and it's full of pennies. | 0:21:50 | 0:21:53 | |
I'm counting and counting these pennies. | 0:21:53 | 0:21:56 | |
I've got them on my bed. | 0:21:56 | 0:21:58 | |
There's a pound. There's two pound. | 0:21:58 | 0:22:01 | |
Everyone's got a penny pot and it's depressing when you have to go into it. | 0:22:01 | 0:22:05 | |
-Do you think the way you live is fun? Are you happy? -Yeah. | 0:22:05 | 0:22:09 | |
-Yeah, it's great. -It's class. | 0:22:09 | 0:22:12 | |
It's like a rollercoaster. It's constant. | 0:22:12 | 0:22:15 | |
You go from suicidal on a Monday morning | 0:22:15 | 0:22:19 | |
to like euphoric on a Friday afternoon. | 0:22:19 | 0:22:22 | |
As soon as the wages go into the bank, | 0:22:22 | 0:22:24 | |
we've all got smiles on our faces. | 0:22:24 | 0:22:26 | |
Well, those boys definitely know how to live in the moment | 0:22:36 | 0:22:39 | |
and I take my hat off to them for that, | 0:22:39 | 0:22:41 | |
because there's no way I could do it. | 0:22:41 | 0:22:43 | |
One night of glory is definitely not worth six days of pain. | 0:22:43 | 0:22:48 | |
So, I've seen what working hard can do to your health | 0:22:50 | 0:22:54 | |
and what partying hard can do to your wealth, | 0:22:54 | 0:22:57 | |
but sometimes the consequences don't just affect you. | 0:22:57 | 0:23:00 | |
It's the weekend and after my own struggles with Coco, | 0:23:02 | 0:23:06 | |
I'm intrigued to see how Michael fits in being a parent | 0:23:06 | 0:23:09 | |
with his all-consuming dedication to work. | 0:23:09 | 0:23:12 | |
-Ready? -Morning, Cherry. Let's go. Let's do it. How are we? -Good. | 0:23:14 | 0:23:17 | |
-How are you this morning? -I'm good. | 0:23:17 | 0:23:20 | |
-We are about to go and meet your son now, aren't we? -Yeah. | 0:23:22 | 0:23:25 | |
Tell me a bit about your relationship with him and the setup. | 0:23:25 | 0:23:28 | |
I see him once every other week, which I don't think is enough | 0:23:28 | 0:23:32 | |
but I get him for normally a weekend, so I'll either have him the Friday or early on a Saturday. | 0:23:32 | 0:23:36 | |
You say you'd like to see him more. Why is that? | 0:23:36 | 0:23:40 | |
I didn't have a father in my life, not from a young age anyway. | 0:23:40 | 0:23:44 | |
I said a long time ago, if I ever had a child, | 0:23:44 | 0:23:46 | |
I said I'd never put my child through the experiences | 0:23:46 | 0:23:49 | |
I had to go through as a little man. | 0:23:49 | 0:23:51 | |
And what were those experiences? What do you not want to repeat? | 0:23:51 | 0:23:57 | |
HE LAUGHS Erm...the whole disappointment. | 0:23:57 | 0:24:02 | |
There would the periods where I wouldn't see my dad for... I'm not talking about a week or two weeks, | 0:24:02 | 0:24:07 | |
I'm talking maybe a month, two months. I remember once I think at the age of six, seven, | 0:24:07 | 0:24:11 | |
he was going to take me to the Natural History Museum and I was really looking forward to seeing him | 0:24:11 | 0:24:15 | |
and he never turned up. I started crying. | 0:24:15 | 0:24:17 | |
Four-year-old Jude lives in Brighton with his mum. | 0:24:17 | 0:24:22 | |
Give me a kiss. Come on let's go. | 0:24:22 | 0:24:26 | |
-So, what is the plan for today? -Fairly relaxed. | 0:24:26 | 0:24:30 | |
That is a day full of entertainment for the little man, but in-between | 0:24:30 | 0:24:33 | |
I'll probably be making a few phone calls and try and reply to a few e-mails. | 0:24:33 | 0:24:37 | |
I've got to get the week ahead setup for Monday. | 0:24:37 | 0:24:40 | |
You can't go in on Monday and then all of a sudden that's it, | 0:24:40 | 0:24:43 | |
you just start working again. | 0:24:43 | 0:24:44 | |
The week ahead has got to be prepared by Monday. | 0:24:44 | 0:24:48 | |
First on Michael's agenda is a haircut. | 0:24:48 | 0:24:51 | |
For himself. | 0:24:51 | 0:24:53 | |
But the next venue looks more promising. | 0:24:58 | 0:25:01 | |
But it soon becomes clear that Michael's focus | 0:25:01 | 0:25:04 | |
is still on self-improvement. | 0:25:04 | 0:25:06 | |
Why can't I get a four? | 0:25:07 | 0:25:08 | |
Michael grew up on a council estate and says he wants better for Jude. | 0:25:08 | 0:25:13 | |
-I just wonder what better means for him. -Better. | 0:25:13 | 0:25:18 | |
Today's been a bit of a funny one because Michael has said to me | 0:25:18 | 0:25:21 | |
before that he was upset that his dad wasn't around | 0:25:21 | 0:25:25 | |
when he was younger and that he didn't want to make the same mistake | 0:25:25 | 0:25:28 | |
and that Jude is a big priority to him. | 0:25:28 | 0:25:31 | |
But when he was getting his haircut, we just sat on the sofa | 0:25:31 | 0:25:35 | |
and now we're at the golf and I'm kind of babysitting Jude | 0:25:35 | 0:25:38 | |
while Michael works on his game. | 0:25:38 | 0:25:41 | |
Better but left. | 0:25:41 | 0:25:43 | |
And actually this golf session, | 0:25:43 | 0:25:44 | |
really this is indirectly about work. | 0:25:44 | 0:25:47 | |
It's about him bettering his game so that he can be part of those | 0:25:47 | 0:25:51 | |
business deals that happen at the weekend on the golf course. | 0:25:51 | 0:25:55 | |
I just want to know where Jude fits into that? | 0:25:55 | 0:25:59 | |
Eventually Jude gets his dad's undivided attention | 0:26:00 | 0:26:04 | |
and I can see there's a real bond between them. | 0:26:04 | 0:26:09 | |
-Well done. See? -What are we doing next? -I don't know. | 0:26:09 | 0:26:13 | |
-What do you want to do? -Somewhere where you can play. | 0:26:13 | 0:26:17 | |
Somewhere you can play! | 0:26:17 | 0:26:19 | |
It's five o'clock and I'm thrilled that Jude is finally going to get | 0:26:20 | 0:26:24 | |
some quality daddy time. | 0:26:24 | 0:26:25 | |
-Come on, little man. Let's go. -Let's go! | 0:26:27 | 0:26:30 | |
-Can we go play now? -Yeah, go. | 0:26:30 | 0:26:33 | |
But my hopes are soon dashed as Michael sets up | 0:26:33 | 0:26:36 | |
office in the kids' canteen and shoos Jude, and me, away. | 0:26:36 | 0:26:41 | |
# I'm full of fun, fancy free | 0:26:41 | 0:26:45 | |
# That's the way I want to be... # | 0:26:45 | 0:26:48 | |
Give us a call when you get a chance, mate, | 0:26:48 | 0:26:50 | |
just to wrap up the meeting that we had the other day. | 0:26:50 | 0:26:53 | |
CHERRY SCREAMS | 0:26:53 | 0:26:57 | |
I nearly killed another child! | 0:26:57 | 0:27:00 | |
Technically speaking, | 0:27:00 | 0:27:01 | |
the group will profit from that, which you will get a cut of. | 0:27:01 | 0:27:04 | |
I'm really shocked because we've come to the play area for Jude | 0:27:04 | 0:27:08 | |
and I knew that Michael had to do some work today, | 0:27:08 | 0:27:12 | |
but the minute we got here, he sat down and started working | 0:27:12 | 0:27:16 | |
and I've been looking after Jude. | 0:27:16 | 0:27:18 | |
Michael got his mum to come down and now she's looking after Jude. | 0:27:18 | 0:27:24 | |
It's just non-stop. It's work, work, work all day. | 0:27:24 | 0:27:28 | |
Either he's doing an activity to benefit his work, | 0:27:28 | 0:27:31 | |
or he's on the phone, and now he's on his laptop. | 0:27:31 | 0:27:34 | |
It's a Saturday and it's the day he's got with Jude, his son. | 0:27:34 | 0:27:37 | |
The million-dollar question, why do you work so hard right now? | 0:27:40 | 0:27:46 | |
For a better future. | 0:27:46 | 0:27:48 | |
-But now is now. -I know. -There's no such thing as the future. | 0:27:51 | 0:27:56 | |
I know, I agree but... | 0:27:56 | 0:27:57 | |
I mean there is, I'm being silly, I'm being devil's advocate. | 0:27:57 | 0:28:00 | |
No, I see what you're saying. I'm taking it with reason. | 0:28:00 | 0:28:03 | |
The thing is I've then got friends that apply their now is now theme | 0:28:03 | 0:28:07 | |
-to their life... -..and the future looks... I understand. | 0:28:07 | 0:28:10 | |
Do you ever worry that your dedication to work takes away | 0:28:10 | 0:28:13 | |
from your relationship with Jude, | 0:28:13 | 0:28:14 | |
which I know is something that's really important to you? | 0:28:14 | 0:28:18 | |
Yeah, I can bring him up here so I can get away for an hour. | 0:28:18 | 0:28:21 | |
This is supposed to be the weekend where I have him. | 0:28:21 | 0:28:23 | |
Things like that aren't good, I understand that, but I'm hoping it's eventually for... | 0:28:23 | 0:28:28 | |
Something's got to give sooner or later | 0:28:28 | 0:28:30 | |
and I've just got to start sacrificing some things | 0:28:30 | 0:28:32 | |
so that I can have a better relationship with Jude. | 0:28:32 | 0:28:35 | |
There's a little part of me that's kind of wagging my finger | 0:28:35 | 0:28:38 | |
at Michael when he talks to me about working too hard, but actually, | 0:28:38 | 0:28:42 | |
who am I to judge because I can really relate to what he's saying. | 0:28:42 | 0:28:46 | |
I'm a working mum, I find it really, really hard. | 0:28:46 | 0:28:50 | |
I think a lot of people struggle with it. | 0:28:50 | 0:28:52 | |
I just really hope that he makes these changes he said today, | 0:28:52 | 0:28:56 | |
so that he feels happier, if that's what makes him happy. | 0:28:56 | 0:28:59 | |
'Two weeks later and I've invited Michael over.' | 0:29:05 | 0:29:09 | |
-Hello! -Hey, Cherry, how are you? Are you all right? | 0:29:09 | 0:29:11 | |
'I can't wait to find out if anything in his life has changed.' | 0:29:11 | 0:29:14 | |
MOBILE PHONE RINGS | 0:29:14 | 0:29:16 | |
-Oh God! -Rich. All right, buddy. | 0:29:16 | 0:29:21 | |
Cheers. Thanks for the call. Take care. Bye-bye. Sorry, Chezzer. | 0:29:21 | 0:29:25 | |
So, you look really well. | 0:29:25 | 0:29:28 | |
I feel slightly better than what I used to after our... | 0:29:28 | 0:29:31 | |
-Is it rude to say that you look younger? -Yeah! | 0:29:31 | 0:29:34 | |
-Because everyone tells me I look 35. -It is a bit rude but I will say it. | 0:29:34 | 0:29:38 | |
-You look younger. -I feel like I've got a bit more of a glow to me. | 0:29:38 | 0:29:41 | |
I've been eating healthier, I've still been leaving work late. | 0:29:41 | 0:29:44 | |
Do you think you're a workaholic? | 0:29:44 | 0:29:46 | |
Yes, definitely. But I don't see it as working. | 0:29:46 | 0:29:51 | |
I enjoy it, I enjoy what I do. | 0:29:51 | 0:29:52 | |
Do you think you're addicted to the adrenaline? | 0:29:52 | 0:29:54 | |
Definitely. You get a good buzz when something is coming round the corner | 0:29:54 | 0:29:57 | |
and you can make this from it, or something else is happening and you've lost that. | 0:29:57 | 0:30:01 | |
It's a rollercoaster ride for us. | 0:30:01 | 0:30:04 | |
What do you think you're sacrificing to achieve what you're achieving? | 0:30:04 | 0:30:09 | |
-My family life, my social well-being, my health. -So, not that much then? | 0:30:09 | 0:30:14 | |
No, just a couple of things here and there. Nothing important. | 0:30:14 | 0:30:18 | |
-Nothing worth thinking about. -No! | 0:30:18 | 0:30:20 | |
Actually on that subject, how do you think your relationship | 0:30:20 | 0:30:23 | |
with your son is benefiting or suffering from what you do? | 0:30:23 | 0:30:27 | |
This weekend I'm working again | 0:30:27 | 0:30:29 | |
and it seems as if I work most weekends, which is pretty bad. | 0:30:29 | 0:30:33 | |
How do you feel about your son and missing out time with him? | 0:30:33 | 0:30:37 | |
Not good obviously. | 0:30:37 | 0:30:38 | |
It hurts me and it has hurt me deeply sometimes and every time I see him, | 0:30:38 | 0:30:41 | |
it feels as if... He does something new that I've missed out on anyway. | 0:30:41 | 0:30:46 | |
Do you think work is more of a priority to you than parenting? | 0:30:46 | 0:30:49 | |
No. God, no. | 0:30:49 | 0:30:50 | |
A lot of this actually is for him because as I said, | 0:30:50 | 0:30:53 | |
I came from a council house and I grew up in a single-parent household, | 0:30:53 | 0:30:57 | |
so I just want to make sure that he's given the best platform, | 0:30:57 | 0:31:00 | |
to be able to provide him a stable future for when he is older. | 0:31:00 | 0:31:04 | |
Do you think it's worth it for what you're missing now with him? | 0:31:04 | 0:31:07 | |
I know it's not worth it, but I'm doing it anyway | 0:31:07 | 0:31:10 | |
so I'd be a hypocrite to say no, but I enjoy my job. | 0:31:10 | 0:31:16 | |
I enjoy my life. Am I going to change? No. | 0:31:16 | 0:31:19 | |
I feel a bit sad after talking to Michael | 0:31:28 | 0:31:30 | |
because when I first met him, | 0:31:30 | 0:31:32 | |
he told me he wanted something in his life to change, but actually | 0:31:32 | 0:31:36 | |
just speaking to him now, | 0:31:36 | 0:31:38 | |
I don't think that thing is going to be work. | 0:31:38 | 0:31:41 | |
I think actually the thing he's ultimately sacrificing | 0:31:41 | 0:31:44 | |
is his relationship with his son. | 0:31:44 | 0:31:46 | |
I don't think he's really admitted that to himself | 0:31:46 | 0:31:49 | |
and I think if he did, he'd be heartbroken. | 0:31:49 | 0:31:51 | |
'I can't shake the feeling I've been too easy on Michael. | 0:31:53 | 0:31:57 | |
'Maybe that's because I share his guilt. | 0:31:57 | 0:32:00 | |
'Deep down I worry that Coco sometimes misses out too. | 0:32:00 | 0:32:03 | |
'So, I'm starting to see just how serious the consequences can be | 0:32:05 | 0:32:09 | |
'whether you work too hard or play too hard, | 0:32:09 | 0:32:11 | |
'but what happens when you do both at the same time?' | 0:32:11 | 0:32:15 | |
What about if you actually get paid to have fun? | 0:32:15 | 0:32:20 | |
It sounds like the perfect job, but is it? | 0:32:20 | 0:32:24 | |
'I'm on my way to meet Bianca, the up-for-it singleton I met | 0:32:28 | 0:32:31 | |
'when I was looking into relationships.' | 0:32:31 | 0:32:33 | |
I'm like, "I banged you, I banged your mate last week | 0:32:33 | 0:32:35 | |
"and I'm banging your mate tonight, is that all right?" | 0:32:35 | 0:32:39 | |
'I want to know what happens when the boundaries between work | 0:32:39 | 0:32:42 | |
'and play become blurred. | 0:32:42 | 0:32:43 | |
'I've come to her home turf in Essex to meet her | 0:32:45 | 0:32:48 | |
'and her fellow professional party girls.' | 0:32:48 | 0:32:50 | |
-Hello. -ALL: Hello! | 0:32:52 | 0:32:54 | |
Bianca, Siobhan, and Cece work five nights a week in London clubs. | 0:32:54 | 0:32:59 | |
-What's with the glasses? -Late nights. | 0:32:59 | 0:33:03 | |
-You'll find out tonight, babe. -Come on, let me see, is it that bad? | 0:33:03 | 0:33:06 | |
-How long have you been up? -Three hours' sleep. -Is that normal? | 0:33:06 | 0:33:11 | |
This is normal, this is like everyday. | 0:33:11 | 0:33:14 | |
-I know that you love a party. -Oh, yes! -You're paid to do it? -Yeah. | 0:33:14 | 0:33:20 | |
-Definitely. -So...how does that work? | 0:33:20 | 0:33:24 | |
I get hot girls out on the street, or I contact them through | 0:33:24 | 0:33:27 | |
Facebook or Twitter and I bring them all in the club. | 0:33:27 | 0:33:30 | |
I get paid for each girl coming in the club | 0:33:30 | 0:33:32 | |
and I just make sure they have a good time, | 0:33:32 | 0:33:34 | |
and we just party all night. | 0:33:34 | 0:33:35 | |
On average, how much would you make in one night? | 0:33:35 | 0:33:39 | |
Probably make about 300, maybe a bit more than that. | 0:33:39 | 0:33:44 | |
That's quite a lot of money. | 0:33:44 | 0:33:45 | |
It's quite hard because obviously you're working, it's like commission-based. | 0:33:45 | 0:33:49 | |
So if you don't have the people, you don't get paid. | 0:33:49 | 0:33:51 | |
-Do the clubs just let anyone in? -No. They've got to be glam, gorgeous. | 0:33:51 | 0:33:56 | |
So on the door they veto girls who aren't attractive enough. | 0:33:56 | 0:34:00 | |
Yeah, and they'll just be like, yeah. | 0:34:00 | 0:34:02 | |
Some clubs will just literally say, "No, | 0:34:02 | 0:34:04 | |
"you can come in, you can come in, but your friend can't." | 0:34:04 | 0:34:06 | |
-It's a cut-throat world. -It is, it's really superficial. | 0:34:06 | 0:34:09 | |
It's quite sad really. | 0:34:09 | 0:34:11 | |
'As well as having to find good- looking girls to get in the door, | 0:34:11 | 0:34:14 | |
'these three are under constant pressure to look good themselves. | 0:34:14 | 0:34:18 | |
'That's not exactly my idea of fun, | 0:34:18 | 0:34:21 | |
'but there's only one way to find out!' | 0:34:21 | 0:34:22 | |
-Do you think I would cut the mustard? -Definitely! -Hell, yeah! | 0:34:22 | 0:34:26 | |
-You're probably going to need to help me a little? -Yeah, can't wait! | 0:34:26 | 0:34:29 | |
It's so exciting! | 0:34:29 | 0:34:30 | |
-Cheers, babies! -Yeah! | 0:34:30 | 0:34:32 | |
Oh, God! God help me! | 0:34:32 | 0:34:35 | |
# Baby, baby, we're on the right... # | 0:34:35 | 0:34:37 | |
Cinderella WILL go to the club - just not in these clothes. | 0:34:37 | 0:34:42 | |
-I really like these. -You can't wear these tonight, babe. | 0:34:42 | 0:34:45 | |
-You want to get IN the club! -But they look so comfortable! | 0:34:45 | 0:34:48 | |
-No. -No, no! | 0:34:48 | 0:34:50 | |
-Put them down. -I love them. | 0:34:50 | 0:34:52 | |
Are there rules about how much flesh you should or shouldn't show? | 0:34:54 | 0:34:57 | |
Yeah. Erm, if you're going to show your boobs, | 0:34:57 | 0:35:00 | |
you shouldn't be showing your stomach. | 0:35:00 | 0:35:02 | |
-Right. -Like, you can't wear, like, | 0:35:02 | 0:35:04 | |
just a bra top like that, with your boobs hanging out, | 0:35:04 | 0:35:06 | |
then your stomach hanging out, and your legs as well - that's not hot. | 0:35:06 | 0:35:09 | |
-So it's choose your flesh. -You need to look hot. -Classy... | 0:35:09 | 0:35:13 | |
-Yeah, classy. Not like... a hooker, basically. -Yeah. | 0:35:13 | 0:35:17 | |
Please don't make me look like a hooker! | 0:35:17 | 0:35:19 | |
I'm a bit scared. Bye! | 0:35:19 | 0:35:21 | |
Is there a particular colour that...will help you pull? | 0:35:21 | 0:35:25 | |
-I like gold. -Red. -Gold for me. Gold, gold, gold. | 0:35:25 | 0:35:28 | |
-What's your favourite colour to wear? -D'you know what? | 0:35:28 | 0:35:31 | |
-I wear black, brown... -Boring. -..beige... | 0:35:31 | 0:35:33 | |
-Boring. -Boring. -..bottle green. | 0:35:33 | 0:35:36 | |
-Yeah.. You wear safe colours. -Boring, boring. -Really safe... | 0:35:36 | 0:35:39 | |
-You don't like to stand out. -I don't like standing out. | 0:35:39 | 0:35:42 | |
-Whoo! -Whoo! | 0:35:42 | 0:35:43 | |
-I love it! -What do you think? | 0:35:43 | 0:35:45 | |
Heart, heart... | 0:35:45 | 0:35:48 | |
-You like really sick. -Really? | 0:35:48 | 0:35:50 | |
You want everyone to look at you. That is definitely the one. | 0:35:50 | 0:35:53 | |
-Oh! -That's great! | 0:35:53 | 0:35:55 | |
-Get in there! -Get in there! | 0:35:55 | 0:35:58 | |
It's four in the afternoon, and the girls get to work | 0:36:04 | 0:36:07 | |
chasing down commissions from their office. | 0:36:07 | 0:36:10 | |
Do you think that you're businesswomen? | 0:36:10 | 0:36:12 | |
Yeah, we're definitely... I think we're doing our little thing. | 0:36:12 | 0:36:15 | |
-But the party industry is so big. -Yeah. | 0:36:15 | 0:36:17 | |
You think there's a recession on - there's people spending | 0:36:17 | 0:36:19 | |
thousands and thousands of pounds every day. | 0:36:19 | 0:36:22 | |
-Yeah. -The nightlife industry is just... | 0:36:22 | 0:36:24 | |
makes so much money, you'd never believe. | 0:36:24 | 0:36:26 | |
What are your aims for the future? | 0:36:35 | 0:36:37 | |
To have fun, because you know what? Life is too short. | 0:36:37 | 0:36:40 | |
You could be gone tomorrow. At least you could say, | 0:36:40 | 0:36:42 | |
"I had a bloody good life." | 0:36:42 | 0:36:43 | |
I don't even live for the weekend, | 0:36:43 | 0:36:45 | |
I live for the now. I don't even think about the weekend. | 0:36:45 | 0:36:47 | |
-You just live for the now. -You live for the tonight. | 0:36:47 | 0:36:50 | |
Yeah. I live for the tonight. | 0:36:50 | 0:36:52 | |
Yeah! | 0:36:52 | 0:36:53 | |
# Na-na-na-na-na, na-na-na, na-na-na... # | 0:36:55 | 0:36:58 | |
It's fun. | 0:36:58 | 0:36:59 | |
# I'm lookin' in the mirror | 0:37:01 | 0:37:02 | |
# And I think I'm liking what I see... # | 0:37:02 | 0:37:05 | |
Oh, my God, I'm so pale, you can see the veins in my legs! | 0:37:07 | 0:37:10 | |
-Number one rule - tan. -Oh, it's cold! | 0:37:10 | 0:37:13 | |
Oh, my God! | 0:37:13 | 0:37:14 | |
You need to look dark. It's all about the tan. | 0:37:14 | 0:37:17 | |
I feel like a turkey, like you're basting me. | 0:37:17 | 0:37:19 | |
-Darker the better. -Darker the better - go for gold. | 0:37:19 | 0:37:22 | |
So just go through everything that a girl needs to do | 0:37:22 | 0:37:26 | |
to look great. | 0:37:26 | 0:37:27 | |
-Erm... -Exfoliate. -Exfoliate, shave... -Yeah. | 0:37:27 | 0:37:31 | |
Everywhere - your arms, your legs, your fanny, everything. | 0:37:31 | 0:37:34 | |
Ha-ha-ha! | 0:37:34 | 0:37:35 | |
-Get rid of ALL the hair. -All the hair. -All natural hair. | 0:37:35 | 0:37:39 | |
It's up to you, but, | 0:37:39 | 0:37:40 | |
personally I just think it's clean. | 0:37:40 | 0:37:43 | |
-Personally, my personal preference. -Yeah. -Whatever. | 0:37:43 | 0:37:46 | |
If you like a muff, have a muff! Whatever! You know? | 0:37:46 | 0:37:48 | |
Is it hard work, this work? | 0:37:48 | 0:37:51 | |
-Yeah. -It is hard work. -For me, I do it to go to uni, | 0:37:51 | 0:37:54 | |
like, to get myself through uni, to pay for it. | 0:37:54 | 0:37:57 | |
And when it's like coming to a bill or something, | 0:37:57 | 0:38:00 | |
I need that money, and I need to get the girls there. | 0:38:00 | 0:38:03 | |
Who are you dressing for, the girls or the guys? | 0:38:03 | 0:38:06 | |
-The girls. -The girls. -Definitely, yeah. -Really? | 0:38:06 | 0:38:09 | |
It is important. You have to look good. You want to look good, though. | 0:38:09 | 0:38:12 | |
You don't want to feel rough. | 0:38:12 | 0:38:14 | |
On the dance floor, you want to be shaking your booty... | 0:38:14 | 0:38:16 | |
-This is what we're there for. -That's what I mean. | 0:38:16 | 0:38:19 | |
We are basically the main party-starters. | 0:38:19 | 0:38:21 | |
We're there to start the party, so we've got to look good, | 0:38:21 | 0:38:25 | |
we've got to have a wicked attitude, we can't just sit there, | 0:38:25 | 0:38:28 | |
we have to dance, smile, bring the party, that's what we're there for. | 0:38:28 | 0:38:31 | |
# All the boys and the girls They got it going on... # | 0:38:31 | 0:38:34 | |
'OK, so I do quite enjoy the glamming up, | 0:38:34 | 0:38:38 | |
'but there's a long night of trying to STAY glamorous ahead of me.' | 0:38:38 | 0:38:41 | |
What if they don't let me in? | 0:38:41 | 0:38:43 | |
We have created a masterpiece! | 0:38:43 | 0:38:45 | |
'I AM the party-starter, the wicked party-starter! | 0:38:48 | 0:38:52 | |
'Oh, yeah!' | 0:38:52 | 0:38:54 | |
Oh, my God, I look so different. That's so weird! | 0:38:54 | 0:38:57 | |
God! | 0:38:57 | 0:38:59 | |
You have to stand in a certain way to pull it off. You can't... | 0:39:00 | 0:39:03 | |
-No, you've got to be confident. -Confident, yeah. | 0:39:03 | 0:39:05 | |
-I suppose tonight, this is my work outfit. -Yeah. | 0:39:05 | 0:39:08 | |
-Let's go to work! -Whoo! | 0:39:08 | 0:39:10 | |
-Yeah, let's make some money! -Let's make some money! -Yeah! | 0:39:13 | 0:39:16 | |
'These girls seem happy as Larry about working till dawn | 0:39:16 | 0:39:18 | |
'five nights a week, but maybe that's because they're don't have | 0:39:18 | 0:39:22 | |
'full-time responsibilities. I'm about to do an eight-hour shift | 0:39:22 | 0:39:25 | |
'in stilettos, and then go back to being a mum. | 0:39:25 | 0:39:29 | |
'Help!' | 0:39:29 | 0:39:31 | |
But I only have one child, one husband and one job. | 0:39:33 | 0:39:38 | |
Imagine the pressure of having one child, | 0:39:38 | 0:39:40 | |
no husband | 0:39:40 | 0:39:42 | |
and FOUR jobs! | 0:39:42 | 0:39:44 | |
I'm on my way today to Doncaster, | 0:39:45 | 0:39:48 | |
to meet a woman called Katie. | 0:39:48 | 0:39:50 | |
Erm, I think she's a bit of a super-mum. | 0:39:50 | 0:39:53 | |
She's got four jobs. It'll be interesting to see | 0:39:53 | 0:39:57 | |
how she juggles it all. | 0:39:57 | 0:39:59 | |
Katie is 26, but she's already saved up enough to buy | 0:39:59 | 0:40:04 | |
-her own house. -My parents have always | 0:40:04 | 0:40:06 | |
drilled into me from a young age to work, work and work. | 0:40:06 | 0:40:09 | |
She earns a modest salary working in admin | 0:40:09 | 0:40:12 | |
for the NHS, but has a taste for the finer things in life. | 0:40:12 | 0:40:17 | |
-How much? -That was 995 from New York. | 0:40:17 | 0:40:20 | |
'The secret to Katie's success is hard graft. | 0:40:20 | 0:40:24 | |
'On top of the day job, | 0:40:24 | 0:40:26 | |
'she works part-time as a barmaid, dancer and model.' | 0:40:26 | 0:40:30 | |
I would literally shovel shit, as long as it meant I was earning a wage | 0:40:30 | 0:40:34 | |
to be able to give my son a good lifestyle. | 0:40:34 | 0:40:36 | |
-I love you. -Love you! | 0:40:36 | 0:40:38 | |
'From one working mum to another, I want to find out | 0:40:38 | 0:40:42 | |
'how she does it.' | 0:40:42 | 0:40:43 | |
"7.55 - leave house, 8.30 - start work. | 0:40:43 | 0:40:46 | |
"Three o'clock to 6.30 - Charlie, after-school club. | 0:40:46 | 0:40:49 | |
"4.30, finish work." | 0:40:49 | 0:40:50 | |
I mean, it's military. Do you think you push yourself too hard? | 0:40:50 | 0:40:54 | |
I think I push myself too hard doing this! | 0:40:54 | 0:40:56 | |
-Why do you do it? -I want to be good at everything, | 0:40:56 | 0:40:59 | |
and obviously it comes at a price, which, you're always | 0:40:59 | 0:41:03 | |
poorly, and stuff like that. | 0:41:03 | 0:41:05 | |
-Like, I'm feeling really poorly at the moment. -Tell me what's going on, | 0:41:05 | 0:41:09 | |
-why...? -I've got a water infection, | 0:41:09 | 0:41:11 | |
and I think I've got a stomach bug - I'm trying not to be sick! | 0:41:11 | 0:41:14 | |
-So you've actually got... Is that cystitis? -Yeah, yeah. | 0:41:14 | 0:41:17 | |
-You've got cystitis at the moment. -Yeah. | 0:41:17 | 0:41:19 | |
Why are you not in bed? | 0:41:19 | 0:41:22 | |
Haven't got time! | 0:41:22 | 0:41:24 | |
'Katie's doctor has prescribed antibiotics, | 0:41:24 | 0:41:27 | |
'but they don't seem to be working yet.' | 0:41:27 | 0:41:29 | |
Shivering. | 0:41:29 | 0:41:31 | |
Yeah. You're... You're shaking. | 0:41:31 | 0:41:33 | |
You're actually shaking. | 0:41:33 | 0:41:35 | |
My heart is going 10 to the dozen as well, which I don't like. | 0:41:35 | 0:41:38 | |
Yeah. Do you know? I know this - cystitis | 0:41:40 | 0:41:43 | |
-is the working mum's illness. -I know. | 0:41:43 | 0:41:46 | |
It's when you've pushed yourself too far. | 0:41:46 | 0:41:48 | |
My legs are aching, they're in pain, my legs. | 0:41:48 | 0:41:51 | |
You're literally... You're shaking like a leaf. | 0:41:51 | 0:41:55 | |
I'm going to have to just sit down, I'm sorry. | 0:41:55 | 0:41:57 | |
I think you should sit down. | 0:41:57 | 0:41:58 | |
Oh! > | 0:41:58 | 0:42:00 | |
'Katie's really ill tonight. I've just left her. Erm...' | 0:42:00 | 0:42:03 | |
I just hope she gets some sleep tonight, and feels better tomorrow. | 0:42:03 | 0:42:06 | |
We'll see. | 0:42:06 | 0:42:07 | |
The next morning, Katie looks better, and is on her way | 0:42:07 | 0:42:11 | |
to a bridal wear photoshoot. | 0:42:11 | 0:42:13 | |
However, it's soon clear how she's managing - | 0:42:13 | 0:42:17 | |
prescription painkillers. | 0:42:17 | 0:42:19 | |
They're only paracetamols, but the strongest you could possibly get. | 0:42:19 | 0:42:22 | |
Amazing! | 0:42:22 | 0:42:24 | |
-Feel really great? -Yeah, fine. -Except for the massive | 0:42:26 | 0:42:28 | |
-stomach pains. -Yeah, they'll go in about an hour! | 0:42:28 | 0:42:30 | |
# Is it the look in your eyes...? # | 0:42:30 | 0:42:34 | |
Straight at the camera, Katie. That's it, lovely. | 0:42:34 | 0:42:37 | |
Straight at the camera. | 0:42:37 | 0:42:39 | |
# Baby, I think I want to marry you... # | 0:42:39 | 0:42:42 | |
She's all right now - adrenaline | 0:42:42 | 0:42:44 | |
is keeping her going, but there will come a point | 0:42:44 | 0:42:47 | |
where her body just can't function any more. | 0:42:47 | 0:42:51 | |
She's pulling it out of the bag, | 0:42:51 | 0:42:53 | |
and I don't know where she's getting that energy from, I really don't. | 0:42:53 | 0:42:56 | |
'Katie's also a dancer on the working men's club circuit, | 0:42:58 | 0:43:02 | |
'and spends every other weekend gigging around the country. | 0:43:02 | 0:43:05 | |
'Never one to pass up a chance for a dance, | 0:43:05 | 0:43:09 | |
'I join her rehearsal...' | 0:43:09 | 0:43:11 | |
HIGH-TEMPO DANCE MUSIC PLAYS | 0:43:12 | 0:43:17 | |
'She's on really strong painkillers,' | 0:43:19 | 0:43:23 | |
because she's got a headache and stomach pains. | 0:43:23 | 0:43:26 | |
She has not stopped. | 0:43:26 | 0:43:29 | |
'It's 5pm, and while Katie's mum picks up Charlie | 0:43:34 | 0:43:37 | |
'from after-school club, Katie arrives for her final shift, | 0:43:37 | 0:43:41 | |
'pulling pints in her dad's pub.' | 0:43:41 | 0:43:43 | |
-Cheers. -Pleasure, me darling. | 0:43:43 | 0:43:45 | |
Katie has a really, really strong work ethic. | 0:43:45 | 0:43:49 | |
-Mmm. -Has that come from you? | 0:43:49 | 0:43:52 | |
We've always said, "If you want to earn some money, | 0:43:52 | 0:43:55 | |
"you've got to go out there, we're not just going to give you money." | 0:43:55 | 0:43:58 | |
Why do you think Katie does it all? | 0:43:58 | 0:44:00 | |
She likes pressure, she's got to be under pressure to do something, | 0:44:00 | 0:44:03 | |
otherwise, she's lost, really. | 0:44:03 | 0:44:06 | |
Why is working hard so important? | 0:44:09 | 0:44:11 | |
It's the proudness, it's...work, it's the fact | 0:44:11 | 0:44:14 | |
that you're working, earning your own money, you're independent. | 0:44:14 | 0:44:18 | |
Anybody who's active, working and getting up, it makes you feel better. | 0:44:18 | 0:44:22 | |
Is stress quite enjoyable for you? | 0:44:22 | 0:44:24 | |
It's a different type of stress - you can't say it's stressful. | 0:44:24 | 0:44:28 | |
For me, it's an enjoyment, it's the adrenaline rush. | 0:44:28 | 0:44:31 | |
People go skiing, jumping out of planes or bungee jumping - | 0:44:31 | 0:44:34 | |
I do this, and that's my rush. | 0:44:34 | 0:44:37 | |
Do you think you can keep this pace up? | 0:44:37 | 0:44:40 | |
Well, I'm young, I may as well get as much out of life | 0:44:40 | 0:44:43 | |
as possible until, like, something hits me. | 0:44:43 | 0:44:45 | |
I really admire Katie, but I do worry that something | 0:44:45 | 0:44:49 | |
IS going to kick her, sooner rather than later. | 0:44:49 | 0:44:52 | |
But I couldn't have predicted what happened next. | 0:44:58 | 0:45:01 | |
Two days after I left her, Katie was rushed to hospital. | 0:45:01 | 0:45:06 | |
And, two weeks later, she is still there. | 0:45:06 | 0:45:09 | |
-What has happened? -Well, I am in hospital and I have been for ages. | 0:45:09 | 0:45:14 | |
I got a kidney infection but then it turned into septicaemia as well. | 0:45:14 | 0:45:18 | |
-Oh, God! -I have been really, really poorly. | 0:45:18 | 0:45:20 | |
The doctor said the reason that I was not responding was because I was exhausted as well, | 0:45:20 | 0:45:25 | |
like, so my body was like recovering from exhaustion | 0:45:25 | 0:45:28 | |
as well as everything else. | 0:45:28 | 0:45:30 | |
When you get home, do you think you will take it easy? | 0:45:30 | 0:45:33 | |
Um, yeah I am. | 0:45:33 | 0:45:36 | |
I have kind of, like, | 0:45:36 | 0:45:39 | |
cancelled everything that I had in my diary until the end of March. | 0:45:39 | 0:45:43 | |
Katie, it sounds like you are actually taking your foot off the accelerator! | 0:45:43 | 0:45:48 | |
Yeah, it has been a bit of a wake-up call | 0:45:48 | 0:45:51 | |
because it was really scary and I have been really, really poorly. | 0:45:51 | 0:45:54 | |
I am so sorry that you have been ill, it sounds awful, but I am | 0:45:54 | 0:45:58 | |
really glad that you're going to take a bit more time for yourself. | 0:45:58 | 0:46:02 | |
-Yes, definitely. -OK, my love, well, take care. | 0:46:02 | 0:46:05 | |
All right, bye! Bye! | 0:46:05 | 0:46:08 | |
So it sounds like Katie has been really ill. | 0:46:09 | 0:46:12 | |
It is a shame that she has had to be hospitalised to realise | 0:46:12 | 0:46:15 | |
that she has been perhaps pushing herself a little bit too hard. | 0:46:15 | 0:46:18 | |
It is ironic that Katie's healthy attitude to hard work has made her so ill. | 0:46:18 | 0:46:24 | |
Now back to Bianca and her friends, | 0:46:24 | 0:46:26 | |
who also have a healthy attitude to work. | 0:46:26 | 0:46:28 | |
They mix it with fun, | 0:46:28 | 0:46:30 | |
but I am about to find out if that comes with its own price tag. | 0:46:30 | 0:46:34 | |
This West End club has hired three Glamazons | 0:46:36 | 0:46:38 | |
and one slightly uncomfortable wallflower | 0:46:38 | 0:46:41 | |
to get their party started, if I can get past the promoter's beady eye that is! | 0:46:41 | 0:46:46 | |
I expect them to turn up dolled up to the max, um, | 0:46:46 | 0:46:48 | |
looking to entice people to come into the club, dancing | 0:46:48 | 0:46:52 | |
in the club, make people spend and want to generally have fun | 0:46:52 | 0:46:56 | |
and think that your night is the best night in the West End. | 0:46:56 | 0:46:58 | |
-This is Cherry, she is hot stuff. -Nice to meet you. -Are you all right? | 0:46:58 | 0:47:02 | |
-Yeah, I heard you're the man who lets people in? -Oh, yes. | 0:47:02 | 0:47:06 | |
Wayhey! Ooh! | 0:47:06 | 0:47:09 | |
-10 out of 10! -Sexy! | 0:47:09 | 0:47:12 | |
-Am I allowed in? -You're the best so far of the five. -Shut up, babe! | 0:47:12 | 0:47:16 | |
And here's how it works. | 0:47:21 | 0:47:23 | |
The girls earn £10 for every girl they get into the club. | 0:47:23 | 0:47:26 | |
CC has already got four. | 0:47:26 | 0:47:28 | |
Their guests get free entry and free drinks. | 0:47:28 | 0:47:31 | |
The girls then attract the boys and the boys spend a lot of money | 0:47:31 | 0:47:34 | |
- simple really! | 0:47:34 | 0:47:36 | |
The party girls look after their guests and, most importantly, | 0:47:47 | 0:47:51 | |
liven up the club. | 0:47:51 | 0:47:53 | |
Now, if I could just enter into the spirit! | 0:47:55 | 0:47:58 | |
What I am realising is that there is nothing less fun than being | 0:48:03 | 0:48:08 | |
made to have fun. | 0:48:08 | 0:48:10 | |
The pressure to have fun, to dance and have a great time, | 0:48:10 | 0:48:15 | |
when actually, inside I am feeling a bit awkward, not very confident... | 0:48:15 | 0:48:18 | |
But those girls, | 0:48:18 | 0:48:20 | |
the pressure that they are feeling is that it doesn't matter what | 0:48:20 | 0:48:23 | |
they are feeling, they have to be having the best time ever! | 0:48:23 | 0:48:27 | |
And it is actually quite stressful. | 0:48:27 | 0:48:31 | |
It feels a little bit like a cattle market, | 0:48:31 | 0:48:34 | |
all the girls dancing in the middle and all the boys are looking | 0:48:34 | 0:48:37 | |
on as though choosing which one they are going to pick off. | 0:48:37 | 0:48:40 | |
I feel really uncomfortable, and actually, | 0:48:40 | 0:48:43 | |
if I'm being honest, I absolutely hate it. | 0:48:43 | 0:48:46 | |
It brings out this anger in me that somebody might be watching me, | 0:48:46 | 0:48:49 | |
picking out whether they want to be with me | 0:48:49 | 0:48:51 | |
based on whether my bum looks good or my tits are big enough. | 0:48:51 | 0:48:55 | |
It makes me so angry. It is so not my... It is awful. | 0:48:55 | 0:49:00 | |
But, after my little rant, | 0:49:00 | 0:49:02 | |
a triple vodka helps steady my nerves for the next challenge. | 0:49:02 | 0:49:06 | |
Bianca has a lucrative sideline in a podium dancing | 0:49:12 | 0:49:16 | |
and has somehow persuaded me to join her. | 0:49:16 | 0:49:19 | |
-Here you are. -Great(!) | 0:49:22 | 0:49:24 | |
Nice knickers, and they are brand-new. | 0:49:24 | 0:49:27 | |
-Please have bum, please have bum! -Yes, they are nice. | 0:49:27 | 0:49:30 | |
How much extra cash do you get from doing your dancing? | 0:49:30 | 0:49:34 | |
From this club, an extra £70. | 0:49:34 | 0:49:37 | |
Dance work is reliable work, obviously promoting is not | 0:49:37 | 0:49:39 | |
reliable because you don't know, girls might not turn up. | 0:49:39 | 0:49:41 | |
But the dancing is reliable work and I actually pay my rent with that work. | 0:49:41 | 0:49:45 | |
-Do you think that you earn your money? -Yes, definitely. | 0:49:45 | 0:49:49 | |
I shake my arse out there! | 0:49:49 | 0:49:50 | |
-How much does alcohol play in it? -Well, I don't get too wasted. | 0:49:52 | 0:49:57 | |
I mean I am actually feeling a bit wayhey at the moment, | 0:49:57 | 0:50:01 | |
but, normally if you are going to go out and you have to dance, | 0:50:01 | 0:50:04 | |
normally I am quite responsible until after the night | 0:50:04 | 0:50:08 | |
is finished and then I go onto the after parties. | 0:50:08 | 0:50:10 | |
That is when I let my hair down a bit! | 0:50:10 | 0:50:13 | |
That is a picture of yourself! | 0:50:13 | 0:50:15 | |
She is like...! | 0:50:15 | 0:50:17 | |
Bianca, we have got money to earn, yeah? | 0:50:17 | 0:50:20 | |
Got money to earn. | 0:50:20 | 0:50:22 | |
-Are we ready to do this? -Dutch courage, it is the only way. | 0:50:24 | 0:50:27 | |
All right, here we go. | 0:50:27 | 0:50:29 | |
Ready? | 0:50:29 | 0:50:30 | |
MUSIC: Bad Girls by M.I.A | 0:50:37 | 0:50:41 | |
Slowly, my inhibitions dissolve | 0:50:43 | 0:50:46 | |
and I finally connect with my inner sex goddess! | 0:50:46 | 0:50:49 | |
Well, I definitely enjoyed that more than I thought I would. | 0:51:05 | 0:51:09 | |
It is really hard to know | 0:51:12 | 0:51:13 | |
whether that feeling of being really sexy and looked at | 0:51:13 | 0:51:19 | |
is the alcohol or whether that's me, I don't know. | 0:51:19 | 0:51:23 | |
I think that's part of the evening, | 0:51:23 | 0:51:25 | |
is that the alcohol really helps to cover some of the awkwardness. | 0:51:25 | 0:51:30 | |
I just don't think I'm cut out for this line of work. | 0:51:33 | 0:51:36 | |
What I felt uncomfortable about | 0:51:37 | 0:51:39 | |
was that it was a bit of a cattle market, | 0:51:39 | 0:51:41 | |
The guys looking at the girls, | 0:51:41 | 0:51:42 | |
the girls looking at the guys, is that just the way it is? | 0:51:42 | 0:51:46 | |
The West End is pretty much like that, | 0:51:46 | 0:51:47 | |
guys are standing looking at girls and they don't come over | 0:51:47 | 0:51:50 | |
until they see a bottle of champagne go over, that is | 0:51:50 | 0:51:52 | |
when the girls think, "Right, let's get over to those fellas." | 0:51:52 | 0:51:55 | |
As soon as you girls are partying and dragging the boys in, | 0:51:55 | 0:51:57 | |
the boys start to get their money out and spend. | 0:51:57 | 0:51:59 | |
Would you pay me to be a party girl? | 0:51:59 | 0:52:01 | |
I would. | 0:52:01 | 0:52:02 | |
Definitely. | 0:52:02 | 0:52:04 | |
It's my plan B! | 0:52:04 | 0:52:06 | |
No, it isn't! I know it, you know it, we all know it. | 0:52:06 | 0:52:10 | |
A few days later and it is the girls' turn | 0:52:16 | 0:52:18 | |
to visit me in my office. | 0:52:18 | 0:52:20 | |
I want to know how they cope with the pressures of the job. | 0:52:20 | 0:52:25 | |
Take a pew! | 0:52:25 | 0:52:26 | |
One of the things that I did not like that night, | 0:52:26 | 0:52:29 | |
and I felt a bit uncomfortable with, | 0:52:29 | 0:52:31 | |
was that there seemed to be a bit of a cattle market thing in the | 0:52:31 | 0:52:33 | |
middle, so all of the girls go into the middle and do this sort of... | 0:52:33 | 0:52:37 | |
Mmm-mm-mmm... | 0:52:37 | 0:52:39 | |
THEY GIGGLE | 0:52:39 | 0:52:40 | |
And all the boys surround them and look at them, and it felt | 0:52:40 | 0:52:43 | |
a little bit like the boys were selecting which could be wanted. | 0:52:43 | 0:52:46 | |
I did not like that at all! It made me feel really violated actually. | 0:52:47 | 0:52:52 | |
When the guys look at you, it attracts them | 0:52:52 | 0:52:55 | |
to buy more alcohol for you. | 0:52:55 | 0:52:56 | |
They come over and ask you if you want more drinks. | 0:52:56 | 0:52:59 | |
So, it is like a transaction? | 0:52:59 | 0:53:01 | |
You stand in the middle and kind of offer something, | 0:53:01 | 0:53:04 | |
offer this temptation? | 0:53:04 | 0:53:06 | |
And the boys spend the money? | 0:53:06 | 0:53:08 | |
Do you not mind, sometimes, being looked at like that though, | 0:53:08 | 0:53:11 | |
just for how you look, just because you're offering a sexy image? | 0:53:11 | 0:53:15 | |
-I love it! -It gets your ego going if I'm honest! | 0:53:15 | 0:53:19 | |
For me, if I am on the dancefloor and all them guys are watching, | 0:53:19 | 0:53:21 | |
I'm glad they're doing that, because it is like, yeah, I'm going to show you... | 0:53:21 | 0:53:26 | |
I think it depends because, obviously, everyone is different. | 0:53:26 | 0:53:29 | |
You don't really like it, do you? | 0:53:29 | 0:53:31 | |
It's how you carry yourself as well, | 0:53:31 | 0:53:32 | |
so I don't really go in the middle and start giving it all that, | 0:53:32 | 0:53:36 | |
because for me it is work, and I am there to make sure everybody | 0:53:36 | 0:53:39 | |
else has a good time, I don't necessarily have to do that. | 0:53:39 | 0:53:44 | |
I don't feel that I should have to. And, you don't always | 0:53:44 | 0:53:47 | |
have to do that to get attention. | 0:53:47 | 0:53:50 | |
In a way, you are kind of the go-between, | 0:53:50 | 0:53:52 | |
you're bringing the girls in to get the guys to spend the money. | 0:53:52 | 0:53:56 | |
It is a bit of a transaction. Isn't it a bit pimpy? | 0:53:56 | 0:53:59 | |
Kind of, I think it depends on the individual and how you act | 0:53:59 | 0:54:03 | |
and how you are perceived. | 0:54:03 | 0:54:05 | |
We are there to simply bring in hot girls and have a good time. | 0:54:05 | 0:54:08 | |
Now, it is up to them girls as to how they carry themselves | 0:54:08 | 0:54:11 | |
and how they want to be perceived, to how they put themselves across. | 0:54:11 | 0:54:15 | |
Have you ever been approached to have sex in your job? | 0:54:15 | 0:54:19 | |
Oh, God, yes! On Sunday, I got approached by a bouncer to tell me | 0:54:19 | 0:54:25 | |
to go over to this table. | 0:54:25 | 0:54:26 | |
I just thought he wanted me to go on to his table and have a drink, | 0:54:26 | 0:54:29 | |
but then all I heard was, "How much?" | 0:54:29 | 0:54:31 | |
and after that I was like, right, I'm not that, I am a promoter. | 0:54:31 | 0:54:36 | |
I have nothing against it for those girls, | 0:54:36 | 0:54:38 | |
but I am just saying that, myself, I wouldn't do it. | 0:54:38 | 0:54:41 | |
-So, is it all worth it? -ALL: Definitely. | 0:54:41 | 0:54:45 | |
We are out, we are having fun, we're young, | 0:54:45 | 0:54:47 | |
we're not doing anything wrong | 0:54:47 | 0:54:49 | |
and we're making our friends come out for free, have a good time | 0:54:49 | 0:54:53 | |
and we're doing, essentially, | 0:54:53 | 0:54:55 | |
is making fond memories for when we are older. | 0:54:55 | 0:54:58 | |
I can't think of many jobs where having to deny that you're | 0:54:58 | 0:55:01 | |
on the game is an occupational hazard, but these girls manage | 0:55:01 | 0:55:05 | |
to work hard, play hard, and for now they are getting away with it. | 0:55:05 | 0:55:10 | |
So I've met people who work incredibly hard, | 0:55:13 | 0:55:16 | |
and as a consequence have sacrificed some really important things in their lives. | 0:55:16 | 0:55:23 | |
And I've met people who play really hard, | 0:55:23 | 0:55:26 | |
and as a result, suffer for seven days of the week. | 0:55:26 | 0:55:30 | |
I definitely really struggle to find the right | 0:55:30 | 0:55:33 | |
balance between working and playing, | 0:55:33 | 0:55:37 | |
and I definitely could switch off a little bit more. | 0:55:37 | 0:55:42 | |
So I'm going to bite the bullet, and start now. | 0:55:42 | 0:55:45 | |
Next time, I'll be finding out what money does to our relationships. | 0:56:13 | 0:56:16 | |
-The older we get, the more expensive we get! -The more expensive we get. | 0:56:16 | 0:56:19 | |
-Do you love that control? -Yes, of course I do. I am a control freak! | 0:56:19 | 0:56:24 | |
Can money buy you love? | 0:56:24 | 0:56:26 | |
Kiss my feet, slave! | 0:56:26 | 0:56:27 | |
-So, you just get guys to give you money? Money? -Pretty much! | 0:56:27 | 0:56:31 | |
And can love survive without it? | 0:56:31 | 0:56:34 | |
Their relationship has been put under so much pressure. | 0:56:34 | 0:56:38 | |
I ate gone-off tinned beans once. | 0:56:38 | 0:56:41 | |
Subtitles by Red Bee Media | 0:56:53 | 0:56:56 |