Browse content similar to Survivors: My Friend Sam - Living For the Moment. Check below for episodes and series from the same categories and more!
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This programme contains strong language | 0:00:02 | 0:00:05 | |
So, how would you describe yourself? | 0:00:05 | 0:00:08 | |
I'd say I've a bit of a good repartee. | 0:00:08 | 0:00:12 | |
I think that's fair. | 0:00:12 | 0:00:14 | |
Certainly not athletic. | 0:00:14 | 0:00:16 | |
Not athletic. | 0:00:16 | 0:00:17 | |
Partially sighted. | 0:00:17 | 0:00:19 | |
Mmm-hmm. | 0:00:21 | 0:00:23 | |
Er... | 0:00:25 | 0:00:26 | |
With a few other problems. | 0:00:33 | 0:00:35 | |
Mmm-hmm. | 0:00:35 | 0:00:37 | |
For instance, does she have to be a West Ham supporter? | 0:00:39 | 0:00:43 | |
That's a difficult one, isn't it? | 0:00:43 | 0:00:46 | |
As long as they don't support Millwall or Chelsea. | 0:00:46 | 0:00:49 | |
OK, no Millwall supporters. | 0:00:49 | 0:00:52 | |
MUSIC: "We Are Family" by Sister Sledge | 0:00:55 | 0:00:59 | |
I know of no-one who's as consistently pleased to see you as Sam. | 0:01:10 | 0:01:13 | |
He's never so full of his own concerns that he doesn't have time | 0:01:13 | 0:01:17 | |
to talk or joke, and an encounter with him invariably cheers you up. | 0:01:17 | 0:01:22 | |
This is not a small virtue and it's a rare quality. | 0:01:22 | 0:01:26 | |
Sam Frears. | 0:01:26 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:30 | |
'I've been going to Sam Frears' birthday parties | 0:01:30 | 0:01:34 | |
'since he was a child. | 0:01:34 | 0:01:36 | |
'Our families have always been close, | 0:01:38 | 0:01:41 | |
'coming together for birthdays, Christmases and football matches.' | 0:01:41 | 0:01:46 | |
APPLAUSE | 0:01:46 | 0:01:49 | |
I'd like to propose a toast | 0:01:49 | 0:01:52 | |
to Sam Frears! | 0:01:52 | 0:01:54 | |
EVERYONE: To Sam Frears! | 0:01:54 | 0:01:56 | |
LAUGHING, SINGING AND CHEERING | 0:01:56 | 0:02:01 | |
'Sam's birthdays are always special | 0:02:08 | 0:02:11 | |
'because he was born with an extremely rare genetic disorder. | 0:02:11 | 0:02:14 | |
'It meant there was a strong chance he wouldn't make it to the age of five.' | 0:02:14 | 0:02:19 | |
# Happy birthday, dear Sam Happy birthday... # | 0:02:19 | 0:02:22 | |
'What I find so moving about Sam is his determined refusal | 0:02:22 | 0:02:26 | |
'to dwell on his own disability.' | 0:02:26 | 0:02:29 | |
-Doc! -Doc! | 0:02:44 | 0:02:46 | |
Hello! | 0:02:46 | 0:02:48 | |
-Hello! -Hi. | 0:02:48 | 0:02:50 | |
DOOR BANGS | 0:02:50 | 0:02:52 | |
Mustn't demolish the doors. | 0:02:52 | 0:02:53 | |
I go out and meet friends for breakfast, for lunch. | 0:02:55 | 0:02:59 | |
I see people every day. | 0:02:59 | 0:03:01 | |
Phew, I've got a very busy social life... | 0:03:01 | 0:03:04 | |
Phwoar! | 0:03:04 | 0:03:05 | |
..and I don't keep anything written down, which I should. | 0:03:05 | 0:03:08 | |
Normal people do, but I use the old head. | 0:03:08 | 0:03:11 | |
'I've always known that, in a way, Sam is enormously privileged. | 0:03:14 | 0:03:18 | |
'No money worries, | 0:03:18 | 0:03:19 | |
'his mother is the editor of The London Review Of Books, | 0:03:19 | 0:03:22 | |
'his father a famous film director, and he's nestled in the bosom | 0:03:22 | 0:03:26 | |
'of an exclusive North London literary world...' | 0:03:26 | 0:03:29 | |
You're a luvvie constantly. Mwah, darling. | 0:03:29 | 0:03:32 | |
'..whose members have become his extended family. | 0:03:32 | 0:03:37 | |
'And yet, somehow, Sam has always seemed to me to be apart from them. | 0:03:47 | 0:03:51 | |
'The disorder Sam suffers from is called Familial Dysautonomia or FD.' | 0:03:55 | 0:04:02 | |
Oh, God, not another doctor. | 0:04:02 | 0:04:04 | |
Not another one, please, I don't want to go back to another hospital. | 0:04:04 | 0:04:08 | |
Here we are again. | 0:04:10 | 0:04:12 | |
'This condition, which only affects Northern European Jews, | 0:04:12 | 0:04:15 | |
'has damaged his nervous system and his eyesight | 0:04:15 | 0:04:19 | |
'and makes swallowing liquids almost impossible. | 0:04:19 | 0:04:23 | |
'Many sufferers don't live beyond the age of 30.' | 0:04:23 | 0:04:26 | |
Now that I'm in my twilight years, | 0:04:28 | 0:04:31 | |
I feel like I've got to get my life moving. | 0:04:31 | 0:04:34 | |
Just want to share things with one particular person | 0:04:34 | 0:04:39 | |
and that's what I want. | 0:04:39 | 0:04:40 | |
It's what a lot of people out there want. | 0:04:40 | 0:04:43 | |
That's the frustrating thing about getting older | 0:04:43 | 0:04:46 | |
and still living at home. | 0:04:46 | 0:04:48 | |
Time's running out. | 0:04:48 | 0:04:50 | |
I just want one person that will be there for me. | 0:04:50 | 0:04:55 | |
And I'll be there for them. | 0:04:55 | 0:04:57 | |
COUGHING AND WHEEZING | 0:05:04 | 0:05:08 | |
I'm like a flower, if you know what a flower is like. | 0:05:33 | 0:05:38 | |
When they've got no water in them, they look floppy, don't they? | 0:05:38 | 0:05:41 | |
They look like they're going to faint or they're going to wither away. | 0:05:41 | 0:05:45 | |
And what do people do? | 0:05:45 | 0:05:47 | |
They put water in them, don't they? And suddenly, they spring up. | 0:05:47 | 0:05:50 | |
And that's what it's like for me. | 0:05:50 | 0:05:52 | |
I can't drink as much as other people can do, | 0:05:56 | 0:05:58 | |
cos water goes down the wrong way, whatever I'm drinking. | 0:05:58 | 0:06:02 | |
Once I do my fluid, like a flower, I spring into action. | 0:06:02 | 0:06:05 | |
There's life in this old dog yet. | 0:06:08 | 0:06:10 | |
# I'm forever blowing bubbles! # | 0:06:10 | 0:06:15 | |
-I'm not in the mood for pizza. -Not today? | 0:06:18 | 0:06:21 | |
-No, that's what I always have when I go there. -That's quite true. | 0:06:21 | 0:06:25 | |
I've had cheeseburger, turkey burger, chicken burger... | 0:06:25 | 0:06:29 | |
Hamburger. A West Ham-burger. | 0:06:30 | 0:06:33 | |
-The West Ham game kicks off at two o'clock. -Two? Lunchtime. | 0:06:33 | 0:06:38 | |
I don't know why. | 0:06:38 | 0:06:40 | |
'It has always amazed me that over the years, | 0:06:40 | 0:06:43 | |
'Sam has surrounded himself with a group of people | 0:06:43 | 0:06:46 | |
'who have come into his life in many different ways. | 0:06:46 | 0:06:49 | |
'Inigo, for example, is an old friend who now lives with Sam | 0:06:53 | 0:06:56 | |
'and Sam's mother in their family home.' | 0:06:56 | 0:07:00 | |
# We have sun We have seasons in the sun. # | 0:07:00 | 0:07:04 | |
Do you have seasons in the sun? | 0:07:04 | 0:07:07 | |
How long does it take to bring chicken? | 0:07:07 | 0:07:10 | |
The chicken pie? They make a very nice chicken pie here, Sam. | 0:07:10 | 0:07:14 | |
-But they begin from scratch. -They have to go out and get the chicken? | 0:07:14 | 0:07:18 | |
Yes, they have to go and get the chicken. | 0:07:18 | 0:07:20 | |
'Sam actually has a great gift for striking up rapports with people. | 0:07:20 | 0:07:25 | |
'He's somebody who recognises he needs a partner for most things.' | 0:07:25 | 0:07:30 | |
That's what he gets people to be when he likes them | 0:07:30 | 0:07:33 | |
and when he's comfortable with them, and then that person becomes | 0:07:33 | 0:07:38 | |
a figure in his life, in some way or another. | 0:07:38 | 0:07:41 | |
I say, how are you doing? Chicken pie for Sam. | 0:07:41 | 0:07:46 | |
-Strewth! -Oh, lovely. Thank you very much. | 0:07:46 | 0:07:49 | |
Napkin here, knife there, | 0:07:49 | 0:07:51 | |
chicken pie there, phone over here, | 0:07:51 | 0:07:54 | |
spectacles and ketchup. | 0:07:54 | 0:07:56 | |
Thank you very much. | 0:07:56 | 0:07:57 | |
Is it very, very, very hot? Just look upwards. | 0:08:05 | 0:08:08 | |
Cooler now? Maybe. Where would you like the ketchup? | 0:08:10 | 0:08:15 | |
-In the pie? -Yeah. | 0:08:15 | 0:08:18 | |
'The more he does for himself, the better. | 0:08:18 | 0:08:20 | |
'It's like, sort of, batting in cricket, | 0:08:20 | 0:08:23 | |
'where there's a sort of subtle' | 0:08:23 | 0:08:25 | |
partnership goes on, | 0:08:25 | 0:08:27 | |
where you think of what the other batsman can do and can't do, | 0:08:27 | 0:08:31 | |
and you're aware of them in that way and it just, sort of, happens. | 0:08:31 | 0:08:36 | |
My shoelace has come undone. It's too difficult. | 0:08:36 | 0:08:39 | |
No, it's not, it's fine. | 0:08:39 | 0:08:41 | |
Nice one, Sam. | 0:08:41 | 0:08:44 | |
Coming along very nicely. | 0:08:44 | 0:08:46 | |
It's 200 for 3. | 0:08:46 | 0:08:49 | |
-Stop it. -300 for 5. | 0:08:49 | 0:08:52 | |
-Sod it. I'll be all right. -Are you going to be OK? | 0:08:52 | 0:08:54 | |
-Yeah. -OK. Let's have a look. | 0:08:54 | 0:08:57 | |
Bingo, it's going to be fine. | 0:08:57 | 0:09:00 | |
Let's hope so. | 0:09:01 | 0:09:03 | |
Oh, no, I've come the wrong way. | 0:09:23 | 0:09:25 | |
-Hi, Sam. You all right? Do you know what the time is? -Yes. | 0:09:54 | 0:09:59 | |
Only half an hour late! Come inside. | 0:09:59 | 0:10:02 | |
Right, let's give you a stretch. | 0:10:05 | 0:10:07 | |
SAM GASPS | 0:10:07 | 0:10:09 | |
Who needs enemies when you've got people like you around? | 0:10:09 | 0:10:12 | |
Your poor little knee. | 0:10:12 | 0:10:14 | |
Right, relax, let's give you a nice stretch. | 0:10:14 | 0:10:17 | |
Imagine Joanna's standing there. | 0:10:17 | 0:10:19 | |
JULIAN LAUGHS | 0:10:19 | 0:10:23 | |
'Part of his charm is he seems like he's from a different time | 0:10:24 | 0:10:28 | |
'in some sort of way. | 0:10:28 | 0:10:30 | |
'He doesn't have the pressures that most adults feel they have - | 0:10:30 | 0:10:34 | |
'earning a living, paying the mortgage, | 0:10:34 | 0:10:36 | |
'paying the bills. "I've GOT to be here by two. | 0:10:36 | 0:10:38 | |
'"My next appointment is at three." | 0:10:38 | 0:10:40 | |
'Sam doesn't have any of those pressures. | 0:10:40 | 0:10:44 | |
'And I think possibly that's why he places so much importance | 0:10:44 | 0:10:48 | |
'on the relationships that he has in his life.' | 0:10:48 | 0:10:51 | |
On your feet. | 0:10:51 | 0:10:53 | |
'And for us, the training is one aspect of it.' | 0:10:53 | 0:10:56 | |
We have breakfast every week as well. | 0:10:56 | 0:10:58 | |
And you just slowly, I suppose, blend into each other's lives. | 0:10:58 | 0:11:02 | |
What's he doing? | 0:11:06 | 0:11:08 | |
-Boxing. -Oh, yeah. | 0:11:08 | 0:11:11 | |
'He's always had a few women who really like him | 0:11:11 | 0:11:13 | |
'and they become really good friends and the women think, | 0:11:13 | 0:11:16 | |
'"That's all we are, we're really good friends." | 0:11:16 | 0:11:19 | |
'But, for Sam, it's a lot deeper. | 0:11:19 | 0:11:21 | |
'Perhaps he does seem to set his sights on women that are unattainable. | 0:11:23 | 0:11:28 | |
'I don't know whether he realises that, or not.' | 0:11:28 | 0:11:30 | |
-Hey! -Hey. | 0:11:47 | 0:11:49 | |
-Number one fan. -Yeah. -Hi, darling. Good to see you. | 0:11:49 | 0:11:53 | |
-How are you? -Good, we've made it. All a little stressful. | 0:11:53 | 0:11:57 | |
You're going to have the pleasure of witnessing | 0:11:57 | 0:12:00 | |
some of the rehearsal process. | 0:12:00 | 0:12:02 | |
That's right, kids, today we're looking at love. | 0:12:02 | 0:12:05 | |
We're going to look at one of the all-time classics | 0:12:05 | 0:12:07 | |
Romeo and Juliet. | 0:12:07 | 0:12:08 | |
Joanna means a heck of a lot to me. | 0:12:10 | 0:12:13 | |
She came by for dinner 18 months ago, two years ago, | 0:12:13 | 0:12:16 | |
and that's when I started being friends with her. | 0:12:16 | 0:12:18 | |
And then I started going to her show - | 0:12:18 | 0:12:21 | |
The Shirley and Shirley Show. | 0:12:21 | 0:12:23 | |
# Hello, hello, baby, you call I can't hear a thing | 0:12:23 | 0:12:27 | |
# I have got no service in the club you say, say. # | 0:12:27 | 0:12:31 | |
Such a great person, has a great personality, great sense of humour. | 0:12:35 | 0:12:40 | |
She likes the same sort of things I do. We have a lot in common. | 0:12:40 | 0:12:43 | |
And if there's anybody I'd be stuck on a desert island with, | 0:12:43 | 0:12:46 | |
it would be her. | 0:12:46 | 0:12:48 | |
LAUGHTER | 0:12:48 | 0:12:50 | |
-Did you enjoy that? -I did. -Are you going to stay for a drink? | 0:12:55 | 0:12:59 | |
Umm, yeah. | 0:12:59 | 0:13:00 | |
OK, I'm going to go back, get undressed and other, | 0:13:00 | 0:13:04 | |
-pack up my stuff and then... -I love the hair. | 0:13:04 | 0:13:07 | |
Thank you very much. | 0:13:07 | 0:13:10 | |
You're a sweetie! OK, cool. | 0:13:10 | 0:13:12 | |
-You know, I, on and off, do things for Chicken Shed Theatre Company? -Yes. | 0:13:14 | 0:13:21 | |
Can I ask you to come with me, so I can show you around, | 0:13:21 | 0:13:23 | |
see where I used to do my thing? | 0:13:23 | 0:13:26 | |
That would be an absolute honour. I'd love to chaperone you. | 0:13:26 | 0:13:30 | |
Thank you. | 0:13:30 | 0:13:31 | |
-Consider it a date. -Thank you. -Let's shake on it. | 0:13:31 | 0:13:34 | |
I know how you go back on your word. | 0:13:34 | 0:13:38 | |
-Let's do it. -Yeah. I know, there's only one thing I have to tell you. | 0:13:38 | 0:13:42 | |
-Do you know where it is? -Chicken Shed, I can, sort of... | 0:13:42 | 0:13:46 | |
I can imagine it's not desperately glamorous. | 0:13:46 | 0:13:49 | |
No, it's in Cockfosters. | 0:13:49 | 0:13:51 | |
Lovely, Piccadilly Line, I know it well. | 0:13:51 | 0:13:53 | |
Don't think I haven't made a few jokes about Cockfosters in my time. | 0:13:53 | 0:13:56 | |
-Who hasn't?! -Who hasn't? Indeed. Let's do it, Sam. | 0:13:56 | 0:14:00 | |
Come on, give us a cuddle. | 0:14:00 | 0:14:01 | |
Well, he was born on a Wednesday | 0:14:14 | 0:14:16 | |
in what, I would think, was rather a difficult birth for Mary-Kay. | 0:14:16 | 0:14:21 | |
And there was something odd, it was all to do with feeding. | 0:14:21 | 0:14:24 | |
I think he wouldn't take milk. | 0:14:24 | 0:14:26 | |
When he was five days old, he choked and they rushed him away | 0:14:30 | 0:14:36 | |
and there was a very long time coming back. | 0:14:36 | 0:14:40 | |
And then, after that, I was always very anxious that he would die. | 0:14:40 | 0:14:45 | |
I mean, it's so frightening having a child that young be so ill. | 0:14:48 | 0:14:52 | |
It was that nobody quite knew what was the matter with him | 0:14:53 | 0:14:56 | |
that was so distressing. | 0:14:56 | 0:14:58 | |
He had these episodes. | 0:15:00 | 0:15:04 | |
His temperature would go up massively | 0:15:04 | 0:15:07 | |
and he would vomit | 0:15:07 | 0:15:08 | |
and vomit and vomit. | 0:15:08 | 0:15:10 | |
He would stop breathing, | 0:15:11 | 0:15:13 | |
and that's the terrible bit. | 0:15:13 | 0:15:15 | |
My father, who was a GP... | 0:15:17 | 0:15:19 | |
..I remember saying to me he didn't think he'd get to 20. | 0:15:20 | 0:15:24 | |
He got lots of chest infections | 0:15:26 | 0:15:29 | |
and you'd put a catheter up his nose and suction stuff up. | 0:15:29 | 0:15:34 | |
It was incredibly anxious making and at the same time, | 0:15:36 | 0:15:41 | |
you know, I'd go to work and everything. | 0:15:41 | 0:15:43 | |
I didn't have the stamina to just be at home with it. | 0:15:43 | 0:15:48 | |
You know, all that hitting on the back to loosen the stuff | 0:15:48 | 0:15:53 | |
and then pulling, literally sucking it out of his lungs. | 0:15:53 | 0:15:56 | |
I'm ashamed to say I didn't do it | 0:15:56 | 0:15:58 | |
because I couldn't, sort of, face it. | 0:15:58 | 0:16:01 | |
I'm a baby, I'm a coward. | 0:16:03 | 0:16:05 | |
What time do you call this? | 0:16:26 | 0:16:28 | |
# O, come, all ye faithful... # | 0:16:28 | 0:16:30 | |
Got any money for a blind man, sir? | 0:16:30 | 0:16:32 | |
No, not for lazy... | 0:16:32 | 0:16:35 | |
Lazy Greeks. | 0:16:36 | 0:16:37 | |
All I can find is tablespoons, not teaspoons. | 0:16:49 | 0:16:51 | |
That's what you wanted. You want a teaspoon. | 0:16:51 | 0:16:54 | |
I know, I can't find them. | 0:16:54 | 0:16:56 | |
Try the dishwasher. | 0:16:58 | 0:17:00 | |
Found one. | 0:17:03 | 0:17:05 | |
All right, here we go. | 0:17:05 | 0:17:07 | |
# Here we go, here we go Here we... # | 0:17:07 | 0:17:10 | |
Oh, no, it's decaf. Oh, no. | 0:17:10 | 0:17:13 | |
Oh, dear. | 0:17:18 | 0:17:19 | |
Oh, no, I put it in a glass. Oh, shoot. | 0:17:26 | 0:17:30 | |
I'm going to have to start again. | 0:17:30 | 0:17:32 | |
-Can't get the staff... -Suppose it'll be all right if I do this. | 0:17:32 | 0:17:36 | |
-Just pour it from the glass into the mug. -I'm doing that now. Keep your wig on. | 0:17:36 | 0:17:41 | |
I find that remark very offensive. | 0:17:41 | 0:17:43 | |
-No, you don't. -How do you know? | 0:17:43 | 0:17:47 | |
Because I've known you for nearly 20 years, 20 years... | 0:17:47 | 0:17:51 | |
Yes, yes, 20 years. | 0:17:51 | 0:17:54 | |
When we first met, a pint in The Crown was £1.65, roughly. | 0:17:55 | 0:17:59 | |
That was in the '80s - late '80s. | 0:17:59 | 0:18:01 | |
It's now nearly £3. It's nearly £3 a pint, now. | 0:18:01 | 0:18:06 | |
I'm going to turn into Victor Meldrew. | 0:18:06 | 0:18:09 | |
Come on, West Ham! | 0:18:09 | 0:18:10 | |
Come on, West Ham! | 0:18:12 | 0:18:15 | |
COMMENTATOR: Try to move the ball forward. | 0:18:15 | 0:18:17 | |
Still goalless, but they're very much in the ascendancy... | 0:18:17 | 0:18:21 | |
'One of the best things about my friendship with Mark | 0:18:21 | 0:18:25 | |
'is putting up with our beloved team from the East End of London.' | 0:18:25 | 0:18:29 | |
For fuck's sake! | 0:18:29 | 0:18:31 | |
'Looks like it's not going to be West Ham's day.' | 0:18:31 | 0:18:34 | |
'I used to hate football when I was growing up. | 0:18:34 | 0:18:36 | |
'I used to hate the noise and I used to make people leave early. | 0:18:36 | 0:18:40 | |
'But in '93, I went to a game at Upton Park with Mark | 0:18:40 | 0:18:43 | |
'and we won promotion to the Premiership | 0:18:43 | 0:18:46 | |
'and I didn't mind the noise.' | 0:18:46 | 0:18:48 | |
'And a lovely ball, Henderson scores!' | 0:18:48 | 0:18:51 | |
-Here we go. -Here we go. | 0:18:51 | 0:18:53 | |
'West Ham look to the linesman's flag, it was never raised.' | 0:18:55 | 0:18:59 | |
Well, it should've been raised. | 0:19:00 | 0:19:03 | |
'We've been through a lot. | 0:19:03 | 0:19:06 | |
'I don't really say how much he means to me, | 0:19:06 | 0:19:09 | |
'but he means a great deal to me.' | 0:19:09 | 0:19:13 | |
Let's turn this shit off. | 0:19:13 | 0:19:15 | |
Come on. Fuck them. | 0:19:15 | 0:19:17 | |
We don't want a fucking Israeli tosser. | 0:19:17 | 0:19:20 | |
-He has to go. -He has to go. Fuck him. | 0:19:20 | 0:19:23 | |
The referees don't like us, though. | 0:19:27 | 0:19:29 | |
No, the referee... With Manchester United connections. | 0:19:29 | 0:19:35 | |
What do you want to do? | 0:19:35 | 0:19:37 | |
Find a bridge and jump. | 0:19:38 | 0:19:40 | |
So, yeah. | 0:19:42 | 0:19:43 | |
Too depressed to do anything. | 0:19:46 | 0:19:48 | |
TV BLARES | 0:19:54 | 0:19:59 | |
TV: It's Malcolm... | 0:19:59 | 0:20:01 | |
LAUGHTER | 0:20:01 | 0:20:03 | |
-'They're going to make you a prince! -The Prince of Cumberland. | 0:20:03 | 0:20:07 | |
The Prince of Cumberland. | 0:20:07 | 0:20:09 | |
'I've been acting on and off for about 27 years now, I think. | 0:20:13 | 0:20:18 | |
'And I'd love to do more acting.' | 0:20:18 | 0:20:20 | |
I feel like this has helped me a lot. | 0:20:20 | 0:20:24 | |
This particular film. | 0:20:24 | 0:20:26 | |
And I want to do more | 0:20:26 | 0:20:30 | |
and show people that I've become a better actor, thanks to this. | 0:20:30 | 0:20:34 | |
TV: Wait a minute, did you say King? | 0:20:34 | 0:20:38 | |
If you could look into the seeds of time | 0:20:38 | 0:20:41 | |
at which grains will grow and which will not... | 0:20:41 | 0:20:44 | |
'I'm not blowing my own trumpet, but I don't know how I can improve.' | 0:20:44 | 0:20:47 | |
I probably have done something wrong, I could've done better, yes, | 0:20:47 | 0:20:51 | |
but, for me, I couldn't decide what I did wrong. | 0:20:51 | 0:20:55 | |
TV: Yes, it was said, myself would be the route, | 0:20:55 | 0:21:00 | |
and father of many kingdoms. | 0:21:00 | 0:21:02 | |
But hush, no more... | 0:21:02 | 0:21:05 | |
-Do you think he knows we're here? -Yes, he does. | 0:21:12 | 0:21:16 | |
Try and look down again for me, if you can, Sam. Very good. | 0:21:26 | 0:21:30 | |
And straight ahead once more. Yeah, great. | 0:21:30 | 0:21:33 | |
Great. Sit back again for me, if you will. | 0:21:33 | 0:21:37 | |
And how's the eye? | 0:21:37 | 0:21:39 | |
Nothing's changed. I mean, some days, my right eye is good, | 0:21:39 | 0:21:44 | |
-some days, it's not so good. -OK. | 0:21:44 | 0:21:47 | |
-In terms of vision or redness? -Blurriness. -OK. | 0:21:47 | 0:21:53 | |
-OK, so it varies? -Yeah. -OK, good. | 0:21:53 | 0:21:56 | |
Can you see what I'm showing you now? | 0:21:56 | 0:21:59 | |
-One. -Very good. | 0:21:59 | 0:22:02 | |
How many now? | 0:22:02 | 0:22:03 | |
-Two. -OK. -Was it three? -Try now. | 0:22:06 | 0:22:10 | |
-One. Two! -That's it, if they move a bit, it's easier, isn't it? -Yeah. | 0:22:14 | 0:22:18 | |
-Can you see a change now? -Yeah, a four. | 0:22:18 | 0:22:21 | |
Yeah, that's right. Very good, well done. Right, great. | 0:22:21 | 0:22:25 | |
'The optic nerve fibres are gradually' | 0:22:25 | 0:22:27 | |
losing their function, | 0:22:27 | 0:22:29 | |
so that the message from the eye to the brain is not transmitted, | 0:22:29 | 0:22:32 | |
and that is associated with a gradual decline in visual function. | 0:22:32 | 0:22:37 | |
Having FD is totally and utterly shit. I mean, it's absolute crap. | 0:22:45 | 0:22:51 | |
Some days, I feel absolutely pissed off and angry. | 0:22:51 | 0:22:56 | |
And you just want to lash out at somebody. | 0:22:56 | 0:23:00 | |
My eyes are buggered and it's a total nightmare, | 0:23:02 | 0:23:05 | |
but I have to accept it. | 0:23:05 | 0:23:08 | |
Those are the cards you've been dealt. | 0:23:09 | 0:23:12 | |
Stephen left when Sam was about 18 months old. | 0:23:20 | 0:23:25 | |
She was left to it and suddenly, I was straight in the middle of it, | 0:23:25 | 0:23:31 | |
and I was very happy to be there and in love. | 0:23:31 | 0:23:35 | |
But with this came the realisation that | 0:23:35 | 0:23:39 | |
this was a 24-hour thing with him. | 0:23:39 | 0:23:42 | |
Meanwhile, there was Will. | 0:23:43 | 0:23:46 | |
We both had bikes with training wheels and we would ride them | 0:23:49 | 0:23:52 | |
and race around the block in different directions | 0:23:52 | 0:23:55 | |
to, sort of, meet back in front of our house. | 0:23:55 | 0:23:57 | |
At some point, I could suddenly ride a bike, | 0:23:57 | 0:23:59 | |
and there was some Sunday when I went, | 0:23:59 | 0:24:01 | |
"Oh, I'm going to ride my bike without the wheels now." | 0:24:01 | 0:24:04 | |
And I did. | 0:24:04 | 0:24:06 | |
And that's the last day Sam ever rode his bike. | 0:24:06 | 0:24:09 | |
Sam, when young, was quite manipulative | 0:24:19 | 0:24:23 | |
and so, you were so fucked because every year, | 0:24:23 | 0:24:26 | |
when it was Will's birthday, Sam would be ill, unfailingly. | 0:24:26 | 0:24:31 | |
I remember it very clearly. | 0:24:32 | 0:24:34 | |
It just, sort of, seemed like, | 0:24:34 | 0:24:36 | |
I would like some more attention, please. | 0:24:36 | 0:24:39 | |
I mostly remember complaining about the injustice of it all. | 0:24:39 | 0:24:42 | |
Sam developed such a complicated, charming and devious personality. | 0:24:44 | 0:24:48 | |
I mean, he's no saint! | 0:24:48 | 0:24:51 | |
Underneath it all, of course, he's had a struggle the rest of us | 0:24:53 | 0:24:57 | |
can only imagine. | 0:24:57 | 0:24:58 | |
Whoops. | 0:25:10 | 0:25:11 | |
-Oh, shit. -Be careful, popsy. Can I help? | 0:25:11 | 0:25:15 | |
You're not doing it too good. | 0:25:15 | 0:25:17 | |
-I don't know, hold on. -It's OK. | 0:25:19 | 0:25:21 | |
-Can you hold that, please? -Yeah, absolutely. | 0:25:22 | 0:25:25 | |
The tube is here and we've lost a bit when it... | 0:25:25 | 0:25:29 | |
Maybe it is going slightly... | 0:25:29 | 0:25:31 | |
Yes, it is now going down, I beg your pardon. | 0:25:31 | 0:25:33 | |
No, no, I beg your pardon. | 0:25:33 | 0:25:35 | |
It's now entirely dispersed. | 0:25:36 | 0:25:40 | |
Now, I want to ask about this friend. | 0:25:41 | 0:25:43 | |
SAM LAUGHS | 0:25:43 | 0:25:45 | |
You've got so many and they're all women, so I'm jealous. | 0:25:45 | 0:25:48 | |
-But what's the story? -She's called Joanna. -Joanna? | 0:25:48 | 0:25:52 | |
-And she does a thing called... -Hold on, wait a minute, darling. | 0:25:52 | 0:25:56 | |
OK, I want to know about Joanna. | 0:25:56 | 0:25:58 | |
She does a thing once a month at the... | 0:25:58 | 0:26:02 | |
oh, God, Albany pub on Great Portland Street. | 0:26:02 | 0:26:05 | |
Good Lord. That was once an absolute hellhole. | 0:26:05 | 0:26:08 | |
-Is she lowlife, or what? -Yes. | 0:26:08 | 0:26:12 | |
She used to be Harold Pinter's secretary. | 0:26:12 | 0:26:16 | |
Good Lord. You could write a play about that. | 0:26:16 | 0:26:19 | |
SAM LAUGHS | 0:26:19 | 0:26:21 | |
-And you took a shine? -Yeah. | 0:26:21 | 0:26:24 | |
Oh, nice one. Very good. | 0:26:24 | 0:26:27 | |
-So, our old manner. -Yeah. | 0:26:31 | 0:26:34 | |
It is an extraordinary thing, I can see the distance, | 0:26:35 | 0:26:38 | |
just to bring you in on the picture, almost Hammersmith. I know. | 0:26:38 | 0:26:43 | |
And then, Earls Court, and then there's the North Downs. | 0:26:43 | 0:26:47 | |
-The GPO tower... -We walked up here on Christmas Day. -We did, we certainly did. | 0:26:50 | 0:26:54 | |
With your three daughters, and they did a runner. | 0:26:54 | 0:26:57 | |
MICHAEL LAUGHS | 0:26:57 | 0:26:59 | |
One of the many pleasures of knowing and loving you, Doc, is your memory is so good. | 0:27:01 | 0:27:05 | |
I was thinking about this on the bus today. | 0:27:05 | 0:27:08 | |
'When I was living there, he and I became mates, | 0:27:09 | 0:27:14 | |
'and that's really the journey to him becoming my friend | 0:27:14 | 0:27:18 | |
'has been, I mean, really something at the heart | 0:27:18 | 0:27:21 | |
'of what I really care about. And that's what's happened.' | 0:27:21 | 0:27:25 | |
-Doc. -Yeah. -I'm fucking cold. -Let's go home. | 0:27:27 | 0:27:31 | |
-Are you fucking cold? -Yeah, I'm fucking cold. -Good, let's fuck off. | 0:27:31 | 0:27:35 | |
They're a bit twizzly. Be careful. | 0:27:45 | 0:27:49 | |
I don't know if it's best you put your hand on my shoulder. | 0:27:49 | 0:27:52 | |
-You all right? -Yeah. | 0:27:52 | 0:27:54 | |
-All right? -Yeah. -Nearly at the bottom. | 0:27:59 | 0:28:03 | |
-Hold on, one more. That's it, very good. You all right? -Yeah. | 0:28:04 | 0:28:12 | |
Then in here. | 0:28:12 | 0:28:13 | |
So, you coming on Saturday? | 0:28:18 | 0:28:20 | |
Saturday? Yeah. We'll come for a bit. | 0:28:20 | 0:28:24 | |
-Cos neither of us are big party animals, as you know. -Yeah. | 0:28:24 | 0:28:30 | |
-How many people are coming? -There should be about 45, 50. | 0:28:30 | 0:28:34 | |
-Oh, right. -But I doubt whether everyone will show up. | 0:28:34 | 0:28:37 | |
-Well, I don't know, there's normally quite a good attendance. -Yeah. | 0:28:37 | 0:28:43 | |
The more acting you do the better, | 0:28:47 | 0:28:50 | |
and the more varied things you do the better, | 0:28:50 | 0:28:53 | |
but obviously, you're limited to what you can do, | 0:28:53 | 0:28:56 | |
but at the same time, anything that widens your experience is good. | 0:28:56 | 0:29:03 | |
Are there any acting places around here? | 0:29:03 | 0:29:06 | |
I don't know. You're more likely to know than I am. | 0:29:06 | 0:29:08 | |
I mean, I'm a recluse, I don't know. | 0:29:08 | 0:29:11 | |
But are you looking forward to it? | 0:29:11 | 0:29:13 | |
Yeah, getting back on the saddle, as they say, | 0:29:13 | 0:29:16 | |
getting back on the horse. | 0:29:16 | 0:29:17 | |
ALAN LAUGHS | 0:29:17 | 0:29:21 | |
Do you have no, do you have no... | 0:29:21 | 0:29:23 | |
..dread of it? It doesn't scare you at all? | 0:29:24 | 0:29:28 | |
Learning lines scares me, | 0:29:28 | 0:29:30 | |
but once you've... Like when I've done plays at Chicken Shed... | 0:29:30 | 0:29:35 | |
I don't think I would be able to do it. | 0:29:35 | 0:29:38 | |
Cos I was never wholly an actor. I wrote, as well, | 0:29:38 | 0:29:42 | |
but just waiting for the phone to ring must be soul destroying. | 0:29:42 | 0:29:46 | |
-Yeah. -But then, that's a good thing | 0:29:46 | 0:29:49 | |
-if you have something else to do, as well. -Yeah, it's true. | 0:29:49 | 0:29:53 | |
Finding things to do. | 0:29:53 | 0:29:56 | |
And not getting frustrated sitting at home. | 0:29:56 | 0:29:59 | |
# Mr Frears has sticky-out ears | 0:30:07 | 0:30:12 | |
# And it made him awful shy | 0:30:14 | 0:30:18 | |
# So they gave him medicinal compound | 0:30:18 | 0:30:21 | |
# Now he's learning how to fly | 0:30:21 | 0:30:26 | |
# We'll drink a drink, a drink To Lily the Pink, the Pink, the Pink | 0:30:26 | 0:30:32 | |
# The saviour of the human race | 0:30:32 | 0:30:36 | |
# For she invented medicinal compound | 0:30:36 | 0:30:40 | |
# Most efficacious in every case. # | 0:30:40 | 0:30:44 | |
-Hi, Uncle Sam. -Hi! -Welcome, Sam. | 0:30:51 | 0:30:54 | |
So, why did West Ham play so badly in the second half? | 0:30:56 | 0:31:00 | |
I don't know, I got too stressed. | 0:31:00 | 0:31:02 | |
-Cheer up, man! -I am. I'm a happy person. I'm a happy bunny! | 0:31:07 | 0:31:12 | |
-Is there any onion tart? -Any onion tart? | 0:31:12 | 0:31:15 | |
-That's what I had when I came here two days ago. -Oh, my God, you come here every day. | 0:31:15 | 0:31:20 | |
-Take care. See you, boys. -Bye, Sam. | 0:31:20 | 0:31:23 | |
-Hi, Sam. -Hi. | 0:31:24 | 0:31:25 | |
A bit different. | 0:31:28 | 0:31:30 | |
# Big fat, big fat Frank Big fat Frankie Lampard! # | 0:31:30 | 0:31:35 | |
I'm very, very fortunate in one way and very unlucky in another way. | 0:31:37 | 0:31:41 | |
But I want to feel like a normal person. | 0:31:45 | 0:31:48 | |
I mean, I do feel like a normal person, | 0:31:48 | 0:31:50 | |
but I want to feel more human. | 0:31:50 | 0:31:52 | |
-Are we going to see a film? -Yes. What are we going to see? | 0:32:01 | 0:32:04 | |
-I don't know. -Is there anything shitty enough for us to go see? | 0:32:04 | 0:32:08 | |
All my friends seem to be happily married | 0:32:08 | 0:32:10 | |
and seem to be enjoying themselves | 0:32:10 | 0:32:13 | |
and I just wanted to find out a bit about what that was all like. | 0:32:13 | 0:32:17 | |
Two and a half years ago, I had this friend who found out this place - | 0:32:18 | 0:32:24 | |
Royal College Street in Camden. | 0:32:24 | 0:32:26 | |
It's where gentlemen go for some R&R, as they say. | 0:32:30 | 0:32:35 | |
Once I did it the first time, | 0:32:42 | 0:32:45 | |
I went backwards and forwards quite a few times. | 0:32:45 | 0:32:50 | |
Royal College Street made me experience the better things in life | 0:32:50 | 0:32:56 | |
and sexual fun and games, if you can call it that. | 0:32:56 | 0:33:00 | |
And I enjoyed the ride, as they say. | 0:33:03 | 0:33:05 | |
But, no... | 0:33:05 | 0:33:08 | |
I don't want to have to go back to that place. | 0:33:08 | 0:33:11 | |
I want to meet people without having to worry about... | 0:33:11 | 0:33:16 | |
Well, you know. | 0:33:18 | 0:33:19 | |
You just want that person who you can share things with | 0:33:21 | 0:33:24 | |
and have a laugh with and cry with. | 0:33:24 | 0:33:27 | |
And yeah, hold each other. | 0:33:30 | 0:33:34 | |
That's what you want. | 0:33:34 | 0:33:35 | |
Someone to share things with. | 0:33:37 | 0:33:39 | |
Someone to love. | 0:33:42 | 0:33:43 | |
-Look. -What's up? | 0:33:58 | 0:34:00 | |
-I packed you some biscuits. -Thank you. Aren't you sweet? | 0:34:00 | 0:34:03 | |
I am, I am. Although you insisted you didn't want any, | 0:34:03 | 0:34:07 | |
I said you will want some later, | 0:34:07 | 0:34:09 | |
you said, "No, I don't want any biscuits." | 0:34:09 | 0:34:12 | |
So easily led. | 0:34:13 | 0:34:15 | |
We're going to this place called Chicken Shed Theatre Company. | 0:34:17 | 0:34:21 | |
What are we going to see when I get there? | 0:34:21 | 0:34:25 | |
Hopefully, they'll let us walk around the stage where I did my classes. | 0:34:25 | 0:34:29 | |
Am I doing this right? | 0:34:35 | 0:34:38 | |
Oh, no. Hang on. Joanna! Hold on. | 0:34:38 | 0:34:41 | |
Oh, shit! | 0:34:43 | 0:34:45 | |
Is that more the right one? | 0:34:48 | 0:34:50 | |
Yeah, it is. It's the right one, sorry. | 0:34:50 | 0:34:53 | |
-Yeah, yeah, it's going down now. Cool. -Yeah. | 0:34:57 | 0:35:00 | |
Are we going to the dance studio? | 0:35:06 | 0:35:09 | |
Exit. | 0:35:09 | 0:35:10 | |
-So, we'll just go in the side here. -Oh, wow. | 0:35:12 | 0:35:15 | |
-Here we are. -Luke, could you possibly open both doors? | 0:35:15 | 0:35:20 | |
Thank you. So, here we are. | 0:35:20 | 0:35:23 | |
This is right nice! | 0:35:25 | 0:35:26 | |
-I did loads of plays, didn't I? -Oh, yeah. -On this stage. | 0:35:26 | 0:35:30 | |
Absolutely. You absolutely did. | 0:35:30 | 0:35:32 | |
And your piece de resistance - A Midsummer Night's Dream. | 0:35:32 | 0:35:36 | |
Which I know you'll talk to Pete about. | 0:35:36 | 0:35:38 | |
I've already been telling Joanna about how many times we did it. | 0:35:38 | 0:35:42 | |
Yeah, yeah. | 0:35:42 | 0:35:44 | |
Erm, here, Peter Quince... | 0:35:44 | 0:35:48 | |
Doth the moon shine... | 0:35:50 | 0:35:52 | |
Doth the moon shine the night we play our play? | 0:35:52 | 0:35:55 | |
It does shine that night. I can't... | 0:35:57 | 0:35:59 | |
By larking pirates... | 0:35:59 | 0:36:02 | |
Doth the moon shine the night we play our play? | 0:36:04 | 0:36:09 | |
-It doth shine that night. -Yes! | 0:36:09 | 0:36:11 | |
Yes, it does. | 0:36:12 | 0:36:14 | |
It does. | 0:36:16 | 0:36:17 | |
I found it very hard because I couldn't remember all my lines. | 0:36:20 | 0:36:25 | |
It shows how long it's been since I said any of those lines. | 0:36:25 | 0:36:29 | |
I don't think you let anyone down. | 0:36:32 | 0:36:35 | |
See, when you play Sam Frears, you can get away with anything. | 0:36:35 | 0:36:39 | |
It's all your lines, isn't it? | 0:36:39 | 0:36:41 | |
It's all my lines. | 0:36:42 | 0:36:45 | |
-Was that your hand on my bottom, Sam? -No, it's your hand on mine! | 0:36:45 | 0:36:49 | |
Oh, shoot! | 0:37:09 | 0:37:11 | |
You don't want sympathy, you just want people to be proud of you. | 0:37:40 | 0:37:45 | |
You just want to feel good in your self. | 0:37:45 | 0:37:49 | |
I've got to try to become a proper professional actor. | 0:37:49 | 0:37:52 | |
Try and get out there, try and get noticed by people. | 0:37:52 | 0:37:54 | |
You want to say to people, "Yes, I can do that". | 0:37:56 | 0:37:58 | |
Not through who my parents are or things like that, | 0:37:58 | 0:38:02 | |
you want to be able to do things for yourself. | 0:38:02 | 0:38:05 | |
That's what I want. | 0:38:05 | 0:38:07 | |
MACHINE BEEPS | 0:38:07 | 0:38:09 | |
Wicked. | 0:38:24 | 0:38:26 | |
Thanks. I got a phone call from Chicken Shed | 0:38:28 | 0:38:30 | |
-on that day after I spoke to you. -And they said? | 0:38:30 | 0:38:33 | |
-They asked me if I'd like to do it. -How many lines have you got? | 0:38:33 | 0:38:37 | |
-None. -None? -None at the moment. | 0:38:37 | 0:38:40 | |
-You wouldn't get Morris there. -I know! | 0:38:40 | 0:38:43 | |
So, how long do we have to wait before we come and see you? | 0:38:43 | 0:38:47 | |
-March. -March? -But I might not be here. | 0:38:47 | 0:38:50 | |
-I know. -Oh, dear. | 0:38:50 | 0:38:51 | |
I might not be here. Anyway, that's very good, Sam. | 0:38:54 | 0:38:57 | |
Very, very good. | 0:38:59 | 0:39:00 | |
It's exciting stuff for me at the moment, Dad. | 0:39:00 | 0:39:05 | |
I'm quite excited. | 0:39:05 | 0:39:07 | |
All right. Are you standing up? | 0:39:07 | 0:39:11 | |
-Yeah, I've got to stretch my legs. -But I haven't paid the bill. | 0:39:11 | 0:39:15 | |
THEY SING | 0:39:19 | 0:39:21 | |
Reaching up! | 0:39:21 | 0:39:23 | |
We started rehearsing last week to do a play called The King's Web. | 0:39:31 | 0:39:35 | |
I think I've still got the energy to do this play | 0:39:35 | 0:39:38 | |
and it's good to be back in the saddle | 0:39:38 | 0:39:40 | |
because I've not done any acting since the film I did last year. | 0:39:40 | 0:39:44 | |
So, it does feel good to keep working, | 0:39:44 | 0:39:48 | |
to do things and keep your foot in the game. | 0:39:48 | 0:39:51 | |
-Was that all right? -Yeah. Well, I don't know. | 0:39:54 | 0:39:57 | |
-It was good, yeah. -It was all right. | 0:39:57 | 0:40:00 | |
It's part of my routine - going to hospitals, | 0:40:06 | 0:40:09 | |
even if it's just for a couple hours. | 0:40:09 | 0:40:12 | |
It's something I have to bear with, and here I am doing it. | 0:40:12 | 0:40:18 | |
A thing called a gastrostomy tube | 0:40:19 | 0:40:21 | |
and it can be changed only once a year. | 0:40:21 | 0:40:24 | |
-Hey, Sam. -Hi. -You all right? -Yeah. -Ready? -Yeah. | 0:40:26 | 0:40:30 | |
You going to cope? Let's go. | 0:40:30 | 0:40:32 | |
One year, Mum couldn't come, so Julian offered to come. | 0:40:36 | 0:40:41 | |
I like him being there. | 0:40:41 | 0:40:43 | |
-You feeling all right about it? -Yeah. | 0:40:43 | 0:40:46 | |
It's kind of routine for you now, isn't it? | 0:40:46 | 0:40:49 | |
-Yeah, but I start feeling a bit nervous. -I know, I know. | 0:40:49 | 0:40:52 | |
-Do you want to follow me, Mr Frears? I'll take you through? -OK. | 0:40:52 | 0:40:57 | |
Here we go. | 0:40:59 | 0:41:01 | |
Are we going straight in? | 0:41:01 | 0:41:03 | |
No, no, no. Don't panic, you'll be fine. | 0:41:03 | 0:41:07 | |
OK. Do you want to have a sit down or a lie down? | 0:41:11 | 0:41:14 | |
I don't know. I'll have a sit down. | 0:41:14 | 0:41:16 | |
You feeling all right? | 0:41:18 | 0:41:19 | |
I wish they'd come in and do the things. | 0:41:23 | 0:41:27 | |
I want to get this thing moving. | 0:41:27 | 0:41:29 | |
Good luck, Sam. | 0:41:38 | 0:41:40 | |
-You just relax, Sam. -I want my mum, I want my mum. | 0:41:43 | 0:41:46 | |
It's fine. Just hang on to his hand. He likes lots of reassurance. | 0:41:46 | 0:41:49 | |
-I can't feel anything. -OK, you're doing well. | 0:41:49 | 0:41:52 | |
-You're fine, you just relax, relax. -What's happening? | 0:41:52 | 0:41:56 | |
I'm giving you some sedation now, OK? | 0:41:56 | 0:41:58 | |
You relax there, Sam. Just relax. | 0:41:58 | 0:42:02 | |
So, we'll push that in there. | 0:42:06 | 0:42:08 | |
Then, we have to feed it | 0:42:08 | 0:42:09 | |
-through the tube. -Argh! | 0:42:09 | 0:42:11 | |
-Try and relax. -You're doing really well. | 0:42:11 | 0:42:14 | |
OK, so we've got it in there. | 0:42:14 | 0:42:16 | |
Can I just have another little...? | 0:42:16 | 0:42:19 | |
-I want it out! -Deep breaths. -We are taking it out now. | 0:42:19 | 0:42:22 | |
We're bringing this tube out there now. | 0:42:22 | 0:42:26 | |
Just a little discomfort. | 0:42:26 | 0:42:28 | |
That's the old tube we've taken out. You see, it's very discoloured. | 0:42:28 | 0:42:32 | |
You've done very nicely. | 0:42:32 | 0:42:34 | |
We're going to push in slowly through the little hole, | 0:42:34 | 0:42:37 | |
just very gently. | 0:42:37 | 0:42:39 | |
Good, now, that's nicely in now. | 0:42:42 | 0:42:45 | |
That didn't upset you too much, Sam? Not too bad? | 0:42:45 | 0:42:49 | |
-No milk for me. -That's yours. Let me give you a little stir. | 0:42:58 | 0:43:02 | |
PHONE RINGS | 0:43:02 | 0:43:03 | |
-Thank you. -I'm not answering that. | 0:43:03 | 0:43:07 | |
It might be Kylie Minogue. | 0:43:07 | 0:43:09 | |
I'd love to see you and Kylie at it. I mean, erm... | 0:43:12 | 0:43:16 | |
-Sorry, I didn't mean to say that. -You're Mr Smooth, you really are. | 0:43:16 | 0:43:20 | |
Well, you and I could do Especially For You, a new version. | 0:43:20 | 0:43:23 | |
You've got to do an Australian accent. | 0:43:23 | 0:43:25 | |
You know when they start, they start like this, don't they? | 0:43:25 | 0:43:28 | |
And then they go - # Especially... # Can you do it? | 0:43:28 | 0:43:32 | |
# I wanna let you know what I was going through... # | 0:43:32 | 0:43:35 | |
No, stop it, stop it! | 0:43:35 | 0:43:37 | |
# ..All the time we were apart I thought of you... | 0:43:37 | 0:43:42 | |
BOTH: # You were in my heart! # | 0:43:42 | 0:43:46 | |
You can't hit those notes! I can't remember the words. | 0:43:46 | 0:43:50 | |
I think they do a twirl, there's definitely a twirl. | 0:43:50 | 0:43:53 | |
I'll make it up. # ..And the loneliness inside | 0:43:53 | 0:43:57 | |
# I want to tell you it's not... # | 0:43:57 | 0:44:00 | |
-I said I'm playing Jason! -I thought you were playing Kylie! | 0:44:00 | 0:44:05 | |
Oh, no, oh, no. Look, a stand-off. Two Jasons. | 0:44:05 | 0:44:09 | |
No, I was, I was. I'm teasing. | 0:44:09 | 0:44:12 | |
-And then, it's around. -Yeah. -Beautiful. | 0:44:12 | 0:44:16 | |
I'm sure they did it a lot smoother! | 0:44:16 | 0:44:18 | |
I'm not a very good dancer. | 0:44:18 | 0:44:20 | |
Neither am I we'd make a great couple on the dance floor. | 0:44:20 | 0:44:24 | |
And then they wrestled to the floor, and it's another show altogether! | 0:44:24 | 0:44:30 | |
# ..I wanna let you know what I was going through | 0:44:30 | 0:44:35 | |
# All the time we were apart I thought... # | 0:44:35 | 0:44:38 | |
I'm trying to do my Australian accent. | 0:44:38 | 0:44:41 | |
# ..You were in my arms | 0:44:41 | 0:44:43 | |
# Now that I'm next you... # | 0:44:43 | 0:44:45 | |
-Solo! -I can't do it! | 0:44:45 | 0:44:49 | |
Solo, your solo! It's your moment. | 0:44:49 | 0:44:52 | |
I can't do it! Oh, come on! | 0:44:52 | 0:44:56 | |
No, don't put me, don't put me. I can't do it either, I can't do it. | 0:44:58 | 0:45:02 | |
I never realised how badly you sang, actually. | 0:45:02 | 0:45:04 | |
I didn't quite realise you sung that badly. | 0:45:04 | 0:45:07 | |
No-one's heard my singing before. | 0:45:07 | 0:45:10 | |
-Happy New Year! -Happy New Year, darling! | 0:45:12 | 0:45:16 | |
Oh, my God, it's crowded. | 0:45:25 | 0:45:27 | |
Oh, my God. | 0:45:30 | 0:45:31 | |
Drug squad and everything. Excuse me. Thank you. | 0:45:31 | 0:45:34 | |
Do you want that deli or the Italian? | 0:45:34 | 0:45:37 | |
-But the deli don't do proper food, does it? -No. | 0:45:39 | 0:45:43 | |
I mean, everywhere's going to be busy, anyway. | 0:45:43 | 0:45:46 | |
We've been walking up and down the street like a pair of tits. | 0:45:46 | 0:45:50 | |
Keep your hair on! Oh, sorry, you ain't got any. | 0:45:50 | 0:45:53 | |
All sandwiches are served with French fries. But I want chips. | 0:45:53 | 0:45:58 | |
-Same thing. -No, they're not. | 0:45:58 | 0:46:01 | |
The difference between a French fry and a chip | 0:46:01 | 0:46:04 | |
is French fries are thin, chips are thick. | 0:46:04 | 0:46:07 | |
What a load of baloney! | 0:46:07 | 0:46:09 | |
-They're like you - thick. -Taste like normal. | 0:46:10 | 0:46:12 | |
Thank you. | 0:46:12 | 0:46:14 | |
-Ketchup, please. I got served first, I got served first! -That's not fair. | 0:46:16 | 0:46:21 | |
I got served first! | 0:46:21 | 0:46:23 | |
How do you know it's yours? | 0:46:23 | 0:46:25 | |
-She didn't say, did she? -I can see the egg. | 0:46:25 | 0:46:29 | |
Ah, you see, your eyes are working perfectly fine. | 0:46:30 | 0:46:33 | |
This is fun. | 0:46:34 | 0:46:36 | |
So, you've gone off Royal College Street now then? Got bored of it? | 0:46:41 | 0:46:46 | |
Yeah, I think I have. | 0:46:48 | 0:46:49 | |
Come on, spill the beans, then. | 0:46:51 | 0:46:55 | |
-In your own time. -Because someone said that... | 0:46:55 | 0:46:58 | |
..I can't have a relationship if I go to Royal College Street. | 0:47:02 | 0:47:07 | |
What's the thing with you and Joanna, then? | 0:47:07 | 0:47:10 | |
We're just mates. | 0:47:10 | 0:47:11 | |
We're just mates. | 0:47:13 | 0:47:14 | |
I got the impression that she was teasing you. | 0:47:14 | 0:47:18 | |
-Yeah, you said that. -Yeah. -But I think it takes two. | 0:47:18 | 0:47:24 | |
Well, she's a bit of a flirty bird, ain't she? | 0:47:24 | 0:47:27 | |
I'm not a flirty bird, but I'm a flirty bloke. | 0:47:27 | 0:47:29 | |
You don't seem to be, er... | 0:47:29 | 0:47:31 | |
You've got nothing to worry about when it comes to her. | 0:47:31 | 0:47:35 | |
I know what you're like, Sam. | 0:47:37 | 0:47:39 | |
I know what you're like, from college and stuff. | 0:47:39 | 0:47:42 | |
I know how you get attached to people. | 0:47:42 | 0:47:45 | |
And it's just a natural... It's natural for you to get... | 0:47:45 | 0:47:49 | |
You see her quite a lot, you know. I know what it's like. | 0:47:49 | 0:47:53 | |
You get feelings for someone, but it's only on one side. | 0:47:54 | 0:48:01 | |
But it's cool that you're friends, though. | 0:48:03 | 0:48:06 | |
It's really good. | 0:48:06 | 0:48:08 | |
I've always done stupid things with other women in the past. | 0:48:24 | 0:48:28 | |
I've always mucked everything up. | 0:48:28 | 0:48:31 | |
I should have learnt my lesson like that. | 0:48:31 | 0:48:33 | |
I don't want to ruin that thing of being friends with her | 0:48:35 | 0:48:39 | |
and thinking you can get somewhere else. | 0:48:39 | 0:48:42 | |
I know I can't go there | 0:48:42 | 0:48:44 | |
and I've got to accept that we're always going to be mates | 0:48:44 | 0:48:48 | |
and that's all I want cos I know nothing else will ever happen. | 0:48:48 | 0:48:53 | |
How's it going? | 0:49:16 | 0:49:17 | |
It's going well, it's going fine. | 0:49:17 | 0:49:19 | |
-I'm dreading this. -Why? | 0:49:19 | 0:49:22 | |
-I don't know. -It's just another crap party. | 0:49:22 | 0:49:26 | |
No, just another party. I don't know. It's like work, you know? | 0:49:26 | 0:49:31 | |
-Hello, Sam. -Hello. -How you doing? | 0:49:45 | 0:49:48 | |
Well, my eyes, some days are blurry and some days are not blurry. | 0:49:52 | 0:49:57 | |
And when they're blurry, I can't see that well. | 0:49:57 | 0:50:02 | |
-It's only voices that let me know where I am. -OK. | 0:50:04 | 0:50:08 | |
-Down and back. -Two, three, four, | 0:50:20 | 0:50:24 | |
five, six, seven, eight, nine, ten... | 0:50:24 | 0:50:30 | |
Five to go. | 0:50:30 | 0:50:32 | |
..12, 13, 14. | 0:50:32 | 0:50:35 | |
Nice one, Sam. | 0:50:35 | 0:50:36 | |
-I've learnt my lesson when it comes to women. -You have? -Yeah. | 0:50:40 | 0:50:44 | |
Don't trust them? | 0:50:45 | 0:50:46 | |
You can lose someone you care about... | 0:50:48 | 0:50:50 | |
..due to the fact that you're... | 0:50:52 | 0:50:54 | |
..you have feelings for that person | 0:50:57 | 0:51:00 | |
and you think just because you get on well with someone all the time, | 0:51:00 | 0:51:04 | |
you think you can have a relationship with them. | 0:51:04 | 0:51:08 | |
Yeah, it's hard. | 0:51:08 | 0:51:09 | |
But then, if you don't try, then nothing's ever going to happen. | 0:51:12 | 0:51:17 | |
I'm not going to do it - ask her. | 0:51:17 | 0:51:19 | |
I can't... I can't... | 0:51:21 | 0:51:26 | |
Three, four, five, six. | 0:51:26 | 0:51:29 | |
I can't handle losing another friend. | 0:51:29 | 0:51:32 | |
Seven, eight, nine, ten. | 0:51:32 | 0:51:35 | |
Especially a best friend, like her. | 0:51:35 | 0:51:38 | |
11, 12, 13, 14, 15. | 0:51:38 | 0:51:43 | |
We have such a good, funny relationship. | 0:52:00 | 0:52:02 | |
It would knock it for six if I... | 0:52:02 | 0:52:05 | |
You have to decide what you're happy with | 0:52:07 | 0:52:10 | |
in relation to her. | 0:52:10 | 0:52:13 | |
You know, sometimes, things just develop or they don't. | 0:52:19 | 0:52:23 | |
Yeah. | 0:52:23 | 0:52:24 | |
-It says make sure it's true. -Yeah. | 0:52:35 | 0:52:38 | |
And remember, it's supposed to be fun. | 0:52:38 | 0:52:41 | |
A funny story or poem or collection of comments. | 0:52:41 | 0:52:45 | |
A funny thing happened to me on the way to the theatre! | 0:52:45 | 0:52:49 | |
Then, you want to put in your ideal partner. | 0:52:49 | 0:52:51 | |
For instance, does she have to be a West Ham supporter? | 0:52:51 | 0:52:54 | |
-Er... -That's a difficult one, isn't it? | 0:52:54 | 0:52:57 | |
-As long as they don't support Millwall or Chelsea. -Right, OK. | 0:52:57 | 0:53:01 | |
No Millwall supporters. | 0:53:01 | 0:53:03 | |
Someone said, "How do you think Joanna will feel | 0:53:08 | 0:53:10 | |
"when you're starting this new adventure?" | 0:53:10 | 0:53:14 | |
But I realise that, much as I'm very fond of Joanna, | 0:53:14 | 0:53:17 | |
I know that nothing will ever develop. | 0:53:17 | 0:53:22 | |
So, I've got to broaden my mind and try and meet some women another way. | 0:53:22 | 0:53:28 | |
Does the age matter? | 0:53:30 | 0:53:32 | |
-Around about my age. -About your age. | 0:53:32 | 0:53:34 | |
-Don't mind a bit younger. -Right. | 0:53:34 | 0:53:37 | |
A good sense of humour. | 0:53:37 | 0:53:38 | |
-Yeah, a sense of humour is important, isn't it? -Yeah. | 0:53:38 | 0:53:43 | |
So, how would you describe yourself? | 0:53:43 | 0:53:46 | |
Ambitious, not arrogant. | 0:53:46 | 0:53:51 | |
Not arrogant, that's good. | 0:53:51 | 0:53:53 | |
I'd say I've got a bit of a good repartee. | 0:53:55 | 0:53:58 | |
-I think that's fair. -Certainly not athletic. | 0:53:58 | 0:54:00 | |
Not athletic, no. | 0:54:00 | 0:54:03 | |
-OK. -Partially sighted. | 0:54:04 | 0:54:06 | |
-With a few other problems. -Mmm-hmm. | 0:54:09 | 0:54:12 | |
OK. Well, you might get an e-mail next week with a lady saying, | 0:54:14 | 0:54:19 | |
"I'd like to meet you at a restaurant of your choice." | 0:54:19 | 0:54:23 | |
The ball's in their court. | 0:54:23 | 0:54:25 | |
Well, still in my court, but hopefully, it'll be served over. | 0:54:25 | 0:54:28 | |
The ball's in your court, but you need to knock it over the net | 0:54:28 | 0:54:31 | |
-and see if it comes back. -Yeah. | 0:54:31 | 0:54:34 | |
-I think it'll be worthwhile. -Let's go for it! -You'll be very successful. | 0:54:34 | 0:54:38 | |
Feel the fear and do it anyway! | 0:54:38 | 0:54:40 | |
Yeah, it's an adventure and this is the first step. | 0:54:40 | 0:54:44 | |
-You have to go out there. -Get yourself out there. | 0:54:44 | 0:54:48 | |
Have we got enough time for all the melons? | 0:54:54 | 0:54:57 | |
Yes, at the rate we're going, we'll soon be through them. | 0:54:57 | 0:55:00 | |
People say to me 39 is a good age. | 0:55:05 | 0:55:08 | |
The only thing about 39 is you realise you're nearer to 40. | 0:55:08 | 0:55:13 | |
I get very nervous before parties. | 0:55:13 | 0:55:17 | |
First thing, you get worried that no-one's going to show up. | 0:55:17 | 0:55:20 | |
You don't want to be one of those sad people sat alone looking at the CDs. | 0:55:20 | 0:55:25 | |
I'll see what happens with internet dating. | 0:55:27 | 0:55:32 | |
There's somebody there for everyone. | 0:55:32 | 0:55:34 | |
I'm getting older and I don't know, | 0:55:34 | 0:55:37 | |
maybe I've grown up going for the girls that I know I can't get. | 0:55:37 | 0:55:43 | |
-Are you ready for your public, Sam? -As ready as I can be. | 0:55:43 | 0:55:48 | |
As long as I've got my little fellas with me - my little Valiums. | 0:55:48 | 0:55:52 | |
Do you think I should take them? I think I might, actually. | 0:55:56 | 0:56:00 | |
I don't know why I'm nervous, but I am a bit. | 0:56:01 | 0:56:06 | |
I shouldn't be. | 0:56:08 | 0:56:10 | |
But I am. | 0:56:10 | 0:56:12 | |
Started feeling a bit... | 0:56:12 | 0:56:14 | |
Right, let's go. | 0:56:14 | 0:56:16 | |
-Hi, Sam! Happy birthday! -Happy birthday! -Thank you. | 0:56:19 | 0:56:22 | |
-Oh, look at that! -West Ham! | 0:56:22 | 0:56:26 | |
-Thank you. -There you go, darling. | 0:56:28 | 0:56:31 | |
-Hello! -Hello! Nearly a rhyme. | 0:56:32 | 0:56:36 | |
-How are you? -I'm all right, Alan. How are you? | 0:56:36 | 0:56:38 | |
-How was...? -Hang on. -New York? | 0:56:38 | 0:56:41 | |
Hello. | 0:56:41 | 0:56:42 | |
DOORBELL RINGS | 0:56:42 | 0:56:46 | |
-I'll go. -You'll go and get it? -Yeah. | 0:56:46 | 0:56:48 | |
Hey! | 0:56:49 | 0:56:51 | |
DOORBELL RINGS | 0:56:51 | 0:56:53 | |
I told you, didn't I? | 0:56:53 | 0:56:55 | |
Yeah, all right. I'm not deaf! | 0:56:55 | 0:56:58 | |
I need some Valium, man! | 0:56:58 | 0:57:00 | |
-Happy birthday! -Thanks. | 0:57:01 | 0:57:03 | |
Hopefully, what will happen is I'll do this play at Chicken Shed and it will be a real hit. | 0:57:04 | 0:57:09 | |
I feel like I can do it cos I'm feeling healthy and good in myself. | 0:57:09 | 0:57:12 | |
So, I want to do a lot more. | 0:57:12 | 0:57:14 | |
Hopefully, West Ham get out of relegation. That might not happen! | 0:57:14 | 0:57:18 | |
That would be fantastic. | 0:57:18 | 0:57:20 | |
Looks like everyone's having fun. | 0:57:22 | 0:57:25 | |
# Happy birthday to you! # | 0:57:28 | 0:57:32 | |
I feel unlucky because I've got this illness | 0:57:34 | 0:57:38 | |
that stops me doing things that I want to do. | 0:57:38 | 0:57:40 | |
But then I feel very lucky cos I've met so many extraordinary, nice people in my life. | 0:57:40 | 0:57:47 | |
I've got some very good and dear friends who I owe a lot to. | 0:57:47 | 0:57:52 | |
CHEERING AND APPLAUSE | 0:57:52 | 0:57:56 | |
-I need somebody, I can't... -Michael! | 0:57:56 | 0:57:59 | |
-Go on, Doc! -One, two... One, two, three! | 0:58:00 | 0:58:04 | |
CHEERING AND APPLAUSE | 0:58:04 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:26 | |
E-mail [email protected] | 0:58:26 | 0:58:29 | |
It's been a pleasure! | 0:58:29 | 0:58:31 |